#(except of course for the capitalization of emphasis which obviously is always cool)

[phineasandferbs]

[breaks fingers off] now it's time to scream about the revised series bible

candace now being downgraded to "potential fly in their ointment" 💀 but also 😊

"spurred on by a fifteen year-old girl’s natural desire for control, order and normalcy" CANDACE BABY GIRL 🥺

"needless to say, like most healthy young boys, phineas and ferb have a pet platypus named perry" they're funnyyyyyyy

of course all age refs for p&f are removed in this one

"in terms of character, phineas is who he is, almost more so than any other character [...] since he has no achilles heel he must overcome in order to succeed, his character is not built for story arcs that change and evolve who he is. also, without the seed of self-defeat or self-destruction planted inside him, he has difficulty recognizing it in others. this keeps him focused and optimistic. it also helps make it understandable why he his [sic] baffled by these aspects in others and remains unaware of candace’s negative, self-destructive determination to bust him. phineas truly doesn’t understand why people don’t view life the way he does, but he never judges them for it [...] he is like a used car salesman who actually has the best cars in the world" i'm WEEPING!!! phineas flynn i love you with my whole heart!!! he doesn't have obstacles to success, he doesn't need to grow or change, he doesn't even understand self-doubt, he would never judge anyone for being different from him despite not getting it, he is a 👏 USED 👏 CARS 👏 SALESMAN 👏 WHO 👏 ACTUALLY 👏 HAS 👏 THE 👏 BEST 👏 CARS 👏 IN 👏 THE 👏 WORLD 👏 like my boy will promise you the world, the most unbelievable deal that common sense says has to be a scam but he'll deliver 😭 literally everything to me

"throughout the first season, phineas naturally and organically became more layered and dimensional as different situations and interactions further developed the 'who he is' of his personality" this special show <3333 the way it let itself grow and develop despite its formulaic nature that would make it a no-brainer for it to force it to stay the same

"faced with TWO goals at odds with each other can create a bit of a bump in the road for phineas, but these instances are either VERY quickly resolved or best left to be explored in longer form movies and specials" them explicitly saying we can have angry phineas only for specials and movies like angry!phineas is the fine china we can only bring out when we have guests we want to impress lol

well they didn't fix the misspelling of radar's name but he's still mentioned so a win's a win 🤷

describing ferb as "sphinx-like" precious precious boy 🥰

"he does not actively avoid speaking. he just rarely needs to talk because he and phineas are always on the same page" oh my god,,,,,, ferb doesn't need to speak because phineas speaks for them both [we already knew this] i'm having a breakdown,,,, they are EVERYTHING TO ME

"ferb is the guy who builds the greatest cars in the world, which is the reason phineas has such confidence in his words" oh my fucking god.......................phineas' confidence is rooted in ferb's abilities....... these two....... these two........ also thinking about how this was written while they were writing summer belongs to you where phineas and ferb give a pep talk to candace about believing in herself on the basis that she believes in them and they believe in her so she believes in herself all the while phineas believes in them because he believes in ferb..... oh, i am ill with love i fear

"but to say phineas is actually the idea man isn’t exactly the case. many times, hit with a bolt of inspiration from whatever they both just saw or heard, phineas will announce that HE knows what they are going to do that day, as if ferb had to follow his brother around, bent and broken to his will. the truth is ferb’s always hit with the same bolt of inspiration as his brother" what if you were twins and soulmates but you weren't actually biologically related and were born across the sea from one another but the universe still brought you together...... the most important babies in the world to me forever

"it’s best not to focus on the fact ferb doesn’t talk, though - he just doesn’t. instead, explore the ways in which his silence is a strength" guh i really do love this aspect of the show like the way ferb being very quiet is never treated as a bad thing and here they are explicitly stating it's a strength in the bible because there's nothing wrong with it 🥰

"although his silence could make him SEEM like a second banana, ferb is very much phineas’ equal. in this way, they are a two-headed machine built for making every day count" me when the titular pair of the show are in fact a pair: 🫢 god i love hearing it stated like this though <33333

"unlike phineas, though, who uses these immense powers in service of his positive attributes, candace uses her same powers in the service of her ego, fears, suspicion, paranoia, etc" oh candace, my beloved.... she's just a girl fr

"the point is no matter what Candace’s story is, the fun is to [...] to watch her scream at all the trees to move so she can see the forest" oh candace flynn, my dearly beloved darling girl ❤️ luv this as a summary of her role in the show

"it’s a catch-22 (like getting into sag)." oh they're making industry jokes now, huh?

"we are planning a feature length special in which candace and jeremy share their first kiss under the eiffel tower in paris" FASCINATING! so they were planning to have them kiss there (did we already know this? i feel like dwampy&co may have already revealed this, it feels vaguely familiar). also this being summer belongs to you's only outright mention is making me fond

"mainly, though, candace just wants to be a normal fifteen-year-old girl, and phineas and ferb’s lack of desire to be normal bratty little brothers is an endless source of annoyance for her" she just wants them to annoying brats but instead they're so good that it's even more annoying to her soooo precious

linda flynn-fletcher your odd clubs and classes will always be famous 2 me. iconic and beyond reproach

"on the other hand, lawrence is actually used more than perhaps even originally intended and the stories where he is a more central character show he has developed a sort of fun, absent-minded-professor quality which adds a lot to the episodes in which he appears" and thank god

"perry’s lack of facial reaction (or any kind of reaction, for that matter) when he’s in Pet Mode also holds true for him in Agent Mode" the way this eroded way in times of great love for both the boys and doof many times in the series 🥰🥰🥰 (and i wish it would again with the new eps but that's not what we're talking about rn)

"[perry's] countenance is virtually unbreakable" thinking about perry's look of devastation when doof dumps him in last day of summer and floating

"an agent can’t let his feelings shade his judgment, and it is for this reason that perry will not get involved with a female platypus. he’s too well trained to be tempted, and even though his theme song suggests that the ladies swoon for him, he knows better. it won’t happen. focus elsewhere!" DYING at the thought dwampy had to put this in because disney execs wouldn't stop trying to force heterosexuality on this playpus 😭😭😭 also all i'm saying is not mention of perry not getting involved with a male human........ suspicious that 👀

"perry cares deeply about his 'host family,' especially phineas and ferb, [...] his relationship with the boys is filled with the same unconditional affection as any other pet/owner relationship" i literally feel ILL over how much i love them holy shit

"as for perry’s relationship to his nemesis, dr. doofenshmirtz, [...] what began as a simple archenemy situation has developed into a very complex relationship because they both literally spend almost all day together, every day. they are like an old married couple - who want the other one to die painfully. they are like best friends - but with ray guns and fist fights" crazyyyyy they were perryshmirtz-ing on main in 2008.... also the way it started as simple enemies and became something more organically is truly sooooo special that's why it's the greatest ship <333333

"it’s as if they are both duty bound to be mortal enemies when they are on the clock, but at quitting time they’d hang out and watch videos and travel together" oh my god....... this is actually INSANE. WHAT DO YOU MEAN THEY WANT TO CASUALLY HANG OUT AND DO SOMETHING SO DOMESTIC AND CASUAL AS WATCHING VIDEOS TOGETHER. WHAT IS A BETTER EXPRESSION OF WANTING TO BE WITH SOMEONE THAN WANTING TO DO NOTHING WITH THEM. WHAT DO YOU MEAN THEY WANT TO TRAVEL TOGETHER. THEY WANT TO TAKE LITTLE VACATIONS OFF THE CLOCK AND GO SEE THE WORLD LIKE SOME KIND OF HONEYMOON, HUH? WHAT IN THE ULTIMATE ROMANCE IS THIS.............

"it sometimes seems if perry is annoyed by [doof's ineptitude at being evil] to the point of giving doofenshmirtz a hand just to make the game a bit more interesting" imaging perry out here like "i can fix him" while doof is out here like "wait how do i play pool... i guess you'll have to teach me...."

"the bane of Perry’s existence (for reasons other than he wants, sadly)" i think this is referring to how hopeless doof is at evil but i'm taking this as gay. amen.

"doofenshmirtz is basically an evil genius with very poor planning skills or a very stupid man with great planning skills. either way, his plans are often destined to fail even before perry shows up, and the issue quickly becomes how to save doofenshmirtz from his own plan" oh my god the way this literally reads like doof is just bad at evil to get perry to show up and save him........ 🫢🫢🫢

"doofenshmirtz always calls perry “perry-the-platypus” as if he thinks that’s his first name" it's a beloved nickname akin to calling your partner baby when you think about it. change my mind.

"'agent p.,' which is how [monogram] always refers to his star agent" monogram viewing perry as his job, p&f viewing perry the same as if he's another member of the family and doof viewing perry as both who he is and what he is... something is here but i don't have to properly analyze and articulate it

"monogram’s formal but affectionate, boss/employee relationship with perry" thinking about this hard-ass secret agent perry with such a web of people he cares deeply about <33333333333

ah karl back when they spelt it with a "k"

calling vanessa seventeen years old while writing s2 when she turned sixteen this summer in s1......

"[doof's] focus on the evil sciences leaves [vanessa] feeling neglected and misunderstood" BABY GIRL NOOOOOO 😢

okay and they added that isabella is nine years old to the bible at some point like uh??

"while isabella’s crush on phineas surely remains intact, it is touched upon rarely (unlike candace and jeremy) and is mainly used on occasion for shading and coloring her motives. isabella is, apart from ferb, phineas’ best friend, and it is as if that deep bond came first, and, as in real life, isabella matured earlier and the bond deepened to a crush for her sooner. either way, isabella’s disappointment over this is rarely really played up, although the romantic side of their relationship is inched along in small steps every once in a while" this sooooooooo sweet, i love them!!!! sweethearts!!!

"jeremy has a good sense of humor about candace’s odd behavior sometimes, and it even seems to be part of her charm to him. she’s just not like all the other girls" noooo they pick-me'd candace "this shows a more dimensional personality for jeremy than most popular, worried-about-always-looking-cool, hunky guys seem to have" nvm they also pick-me'd jeremy, thereby cancelling out candace's pick-me-ing and making it sweet again ❤️ they're not like anyone else and they're special, that's all!

"buford first appeared as a fairly stereotypical bully, but he has somehow managed to work his way into being among phineas and ferb’s close circle of friends" i am olivia wilde nodding rn

"among his own pals, buford’s best friend is ironically the group’s biggest nerd, baljeet" vs baljeet's paragraph not mentioning buford :( but also still best friend status already confirmed in 2008!!!

"as the first season developed and phineas and ferb occasionally offered help to others, baljeet slowly came to rely on and then expect their help. soon an element of selfish entitlement began creeping into his attitude toward the boys" is it selfish if the boys are happy to give it 😕

the bible talking about how stacy's figure skating "can be explored more in second season" ....uh oh, guess what didn't happen... i do wonder why though!!

"equally sadly, jenny has appeared in only two episodes. she is certainly a character to be developed in the second season where her usefulness in more stories will help evolve and define her traits" oof the way they literally tried so hard to make django and jenny happen but it just wasn't meant to be 🤷

suzy being seen as important enough to merit a character description is wilddddd

"in the show, the tri-state area is almost used as the boundary of the known universe" this is precious to me!!!!!! like yes going to england and the moon is the same thing because it's all outside of the tri-state area

"these three (as yet) unnamed states" oh damn so they were open to possibly naming the states..... interesting..... very interesting....

"the planet earth, in its entirety, is where it all takes place. except when they leave earth - which they’ve done. twice. (phineas and ferb own a milkshake bar at the edge of the cosmos, and candace is actually the queen of the martian people. go figure.)" i love the little jokes they've added it adds a layer of confidence that wasn't previously there which is real great <333

now why is rollercoaster listed as 105 in the loglines

also unfair science fair being 133 vs the redux being 149 in the loglines

also also they definitely skipped some numbers in the loglines i wonder what that means

more leaks!

original show bible (06/08/06)

revised show bible (02/29/08)

[qqueenofhades]

Could you expand a bit on the "death of expertise"? It's something I think about A LOT as an artist, because there are so many problems with people who think it isn't a real job, and the severe undercutting of prices that happens because people think hobbyists and professionals are the same. At the same time, I also really want people to feel free to be able to make art if they want, with no gatekeeping or elitism, and I usually spin myself in circles mentally thinking about it. So.

I have been secretly hoping someone would ask this question, nonny. Bless you. I have a lot (a LOT) of thoughts on this topic, which I will try to keep somewhat concise and presented in a semi-organized fashion, but yes.

I can mostly speak about this in regard to academia, especially the bad, bad, BAD takes in my field (history) that have dominated the news in recent weeks and which constitute most of the recent posts on my blog. (I know, I know, Old Man Yells At Cloud when attempting to educate the internet on actual history, but I gotta do SOMETHING.) But this isn’t a new phenemenon, and is linked to the avalanche of “fake news” that we’ve all heard about and experienced in the last few years, especially in the run-up and then after the election of You Know Who, who has made fake news his personal brand (if not in the way he thinks). It also has to do with the way Americans persistently misunderstand the concept of free speech as “I should be able to say whatever I want and nobody can correct or criticize me,” which ties into the poisonous extreme-libertarian ethos of “I can do what I want with no regard for others and nobody can correct me,” which has seeped its way into the American mainstream and is basically the center of the modern Republican party. (Basically: all for me, all the time, and caring about others is a weak liberal pussy thing to do.)

This, however, is not just an issue of partisan politics, because the left is just as guilty, even if its efforts take a different shape. One of the reason I got so utterly exasperated with strident online leftists, especially around primary season and the hardcore breed of Bernie Bros, is just that they don’t do anything except shout loud and incorrect information on the internet (and then transmogrify that into a twisted ideology of moral purity which makes a sin out of actually voting for a flawed candidate, even if the alternative is Donald Goddamn Trump). I can’t count how many people from both sides of the right/left divide get their political information from like-minded people on social media, and never bother to experience or verify or venture outside their comforting bubbles that will only provide them with “facts” that they already know. Social media has done a lot of good things, sure, but it’s also made it unprecedently easy to just say whatever insane bullshit you want, have it go viral, and then have you treated as an authority on the topic or someone whose voice “has to be included” out of some absurd principle of both-siderism. This is also a tenet of the mainstream corporate media: “both sides” have to be included, to create the illusion of “objectivity,” and to keep the largest number of paying subscribers happy. (Yes, of course this has deep, deep roots in the collapse of late-stage capitalism.) Even if one side is absolutely batshit crazy, the rules of this distorted social contract stipulate that their proposals and their flaws have to be treated as equal with the others, and if you point out that they are batshit crazy, you have to qualify with some criticism of the other side.

This is where you get white people posting “Neo-Nazis and Black Lives Matter are the same!!!1” on facebook. They are a) often racist, let’s be real, and b) have been force-fed a constant narrative where Both Sides Are Equally Bad. Even if one is a historical system of violent oppression that has made a good go at total racial and ethnic genocide and rests on hatred, and the other is the response to not just that but the centuries of systemic and small-scale racism that has been built up every day, the white people of the world insist on treating them as morally equivalent (related to a superior notion that Violence is Always Bad, which.... uh... have you even seen constant and overwhelming state-sponsored violence the West dishes out? But it’s only bad when the other side does it. Especially if those people can be at all labeled “fanatics.”)

I have complained many, many times, and will probably complain many times more, about how hard it is to deconstruct people’s absolutely ingrained ideas of history and the past. History is a very fragile thing; it’s really only equivalent to the length of a human lifespan, and sometimes not even that. It’s what people want to remember and what is convenient for them to remember, which is why we still have some living Holocaust survivors and yet a growing movement of Holocaust denial, among other extremist conspiracy theories (9/11, Sandy Hook, chemtrails, flat-earthing, etc etc). There is likewise no organized effort to teach honest history in Western public schools, not least since the West likes its self-appointed role as guardians of freedom and liberty and democracy in the world and doesn’t really want anyone digging into all that messy slavery and genocide and imperialism and colonialism business. As a result, you have deliberately under- or un-educated citizens, who have had a couple of courses on American/British/etc history in grade school focusing on the greatest-hit reel, and all from an overwhelmingly triumphalist white perspective. You have to like history, from what you get out of it in public school, to want to go on to study it as a career, while knowing that there are few jobs available, universities are cutting or shuttering humanities departments, and you’ll never make much money. There is... not a whole lot of outside incentive there.

I’ve written before about how the humanities are always the first targeted, and the first defunded, and the first to be labeled as “worthless degrees,” because a) they are less valuable to late-stage capitalism and its emphasis on Material Production, and b) they often focus on teaching students the critical thinking skills that critique and challenge that dominant system. There’s a reason that there is a stereotype of artists as social revolutionaries: they have often taken a look around, gone, “Hey, what the hell is this?” and tried to do something about it, because the creative and free-thinking impulse helps to cultivate the tools necessary to question what has become received and dominant wisdom. Of course, that can then be taken too far into the “I’ll create my own reality and reject absolutely everything that doesn’t fit that narrative,” and we end up at something like the current death of expertise.

This year is particularly fertile for these kinds of misinformation efforts: a plague without a vaccine or a known cure, an election year in a turbulently polarized country, race unrest in a deeply racist country spreading to other racist countries around the world and the challenging of a particularly important system (white supremacy), etc etc. People are scared and defensive and reactive, and in that case, they’re especially less motivated to challenge or want to encounter information that scares them. They need their pre-set beliefs to comfort them or provide steadiness in a rocky and uncertain world, and (thanks once again to social media) it’s easy to launch blistering ad hominem attacks on people who disagree with you, who are categorized as a faceless evil mass and who you will never have to meet or negotiate with in real life. This is the environment in which all the world’s distinguished scientists, who have spent decades studying infectious diseases, have to fight for airtime and authority (and often lose) over random conspiracy theorists who make a YouTube video. The public has been trained to see them as “both the same” and then accept which side they like the best, regardless of actual factual or real-world qualifications. They just assume the maniac on YouTube is just as trustworthy as the scientists with PhDs from real universities.

Obviously, academia is racist, elitist, classist, sexist, on and on. Most human institutions are. But training people to see all academics as the enemy is not the answer. You’ve seen the Online Left (tm) also do this constantly, where they attack “the establishment” for never talking about anything, or academics for supposedly erasing and covering up all of non-white history, while apparently never bothering to open a book or familiarize themselves with a single piece of research that actual historians are working on. You may have noticed that historians have been leading the charge against the “don’t erase history!!!1″ defenders of racist monuments, and explaining in stinging detail exactly why this is neither preserving history or being truthful about it. Tumblr likes to confuse the mechanism that has created the history and the people who are studying and analyzing that history, and lump them together as one mass of Evil And Lying To You. Academics are here because we want to critically examine the world and tell you things about it that our nonsense system has required years and years of effort, thousands of dollars in tuition, and other gatekeeping barriers to learn. You can just ask one of us. We’re here, we usually love to talk, and we’re a lot cheaper. I think that’s pretty cool.

As a historian, I have been trained in a certain skill set: finding, reading, analyzing, using, and criticizing primary sources, ditto for secondary sources, academic form and style, technical skills like languages, paleography, presentation, familiarity with the professional mechanisms for reviewing and sharing work (journals, conferences, peer review, etc), and how to assemble this all into an extended piece of work and to use it in conversation with other historians. That means my expertise in history outweighs some rando who rolls up with an unsourced or misleading Twitter thread. If a professor has been handed a carefully crafted essay and then a piece of paper scribbled with crayon, she is not obliged to treat them as essentially the same or having the same critical weight, even if the essay has flaws. One has made an effort to follow the rules of the game, and the other is... well, I did read a few like that when teaching undergraduates. They did not get the same grade.

This also means that my expertise is not universal. I might know something about adjacent subjects that I’ve also studied, like political science or English or whatever, but someone who is a career academic with a degree directly in that field will know more than me. I should listen to them, even if I should retain my independent ability and critical thinking skillset. And I definitely should not be listened to over people whose field of expertise is in a completely different realm. Take the recent rocket launch, for example. I’m guessing that nobody thought some bum who walked in off the street to Kennedy Space Center should be listened to in preference of the actual scientists with degrees and experience at NASA and knowledge of math and orbital mechanics and whatever else you need to get a rocket into orbit. I definitely can’t speak on that and I wouldn’t do it anyway, so it’s frustrating to see it happen with history. Everybody “knows” things about history that inevitably turn out to be wildly wrong, and seem to assume that they can do the same kind of job or state their conclusions with just as much authority. (Nobody seems to listen to the scientists on global warming or coronavirus either, because their information is actively inconvenient for our entrenched way of life and people don’t want to change.) Once again, my point here is not to be a snobbish elitist looking down at The Little People, but to remark that if there’s someone in a field who has, you know, actually studied that subject and is speaking from that place of authority, maybe we can do better than “well, I saw a YouTube video and liked it better, so there.” (Americans hate authority and don’t trust smart people, which  is a related problem and goes back far beyond Trump, but there you are.)

As for art: it’s funny how people devalue it constantly until they need it to survive. Ask anyone how they spent their time in lockdown. Did they listen to music? Did they watch movies or TV? Did they read a book? Did they look at photography or pictures? Did they try to learn a skill, like drawing or writing or painting, and realize it was hard? Did they have a preference for the art that was better, more professionally produced, had more awareness of the rules of its craft, and therefore was more enjoyable to consume? If anyone wants to tell anyone that art is worthless, I invite you to challenge them on the spot to go without all of the above items during the (inevitable, at this rate) second coronavirus lockdown. No music. No films. No books. Not even a video or a meme or anything else that has been made for fun, for creativity, or anything outside the basic demands of Compensated Economic Production. It’s then that you’ll discover that, just as with the underpaid essential workers who suffered the most, we know these jobs need to get done. We just still don’t want to pay anyone fairly for doing them, due to our twisted late-capitalist idea of “value.”

Anyway, since this has gotten long enough and I should probably wrap up: as you say, the difference between “professional” and “hobbyist” has been almost completely erased, so that people think the opinion of one is as good as the other, or in your case, that the hobbyist should present their work for free or refuse to be seen as a professional entitled to fair compensation for their skill. That has larger and more insidious effects in a global marketplace of ideas that has been almost entirely reduced to who can say their opinion the loudest to the largest group of people. I don’t know how to solve this problem, but at least I can try to point it out and to avoid being part of it, and to recognize where I need to speak and where I need to shut up. My job, and that of every single white person in America right now, is to shut up and let black people (and Native people, and Latinx people, and Muslim people, and etc...) tell me what it’s really like to live here with that identity. I have obviously done a ton of research on the subject and consider myself reasonably educated, but here’s the thing: my expertise still doesn’t outweigh theirs, no matter what degrees they have or don’t have. I then am required to boost their ideas, views, experiences, and needs, rather than writing them over or erasing them, and to try to explain to people how the roots of these ideas interlock and interact where I can. That is -- hopefully -- putting my history expertise to use in a good way to support what they’re saying, rather than silence it. I try, at any rate, and I am constantly conscious of learning to do better.

I hope that was helpful for you. Thanks for letting me talk about it.

[emsartwork]

Sorry if you’ve already answered this but J was wondering if you could talk more the girls childhood/growing up? Love what you’re doing btw, absolutely adore how you’ve basically recreated the Winx world! 💗

Thank you!!! and sure thing! long post ahead

BLOOM: she never really had any problems family wise, Vanessa and Mike told her she was adopted at like…. Age 7 or so (in a positive affirming way obvi) and even if any kids teased her about it she never doubted her parent’s love for her. Even with Daphne’s spell helping her blend in with earth life, Bloom still had a nagging sense she didn’t “fit”, and got lost in fantasy books and art whenever possible. Growing up she deals with some body image issues that probably stem from the whole wrong fit feeling. Bloom grew up an artistic and quiet kid, Mitzi and Selina were her best friends from childhood, and because they both had really strong personalities, Bloom often repressed her own feelings in order to play peace maker. Up until high school, where Mitzi, who was always the leader, slowly started to turn into a bully in order to gain the approval/fear of her peers, targeting Selina specifically. Bloom was more of a follower at the time and just didn’t want to loose her friends so she didn’t stand up to Mitzi but tried to treat Selina as if nothing had changed, which was not cool with Selina and she not-so-subtly started to reject Bloom as a friend. Bloom, for her part, did get her shit together and stand up to Mitzi, loosing her only other friend right before her senior year of highschool (she was still technically friends with Andy but they had also just broken up and everything was awkward lmao). Bloom regrets not standing up to Mitzi sooner, and wants to rekindle her friendship with Selina (and Mitzi if she’s willing to tone down the bitchiness).  

STELLA: So Stella’s childhood is a little more complicated. Stella is the first SoLuna heir in Solarian history, and a very loud minority protested her very existence. Stella also had to stay close to the Second Sun of Solaria as a child, so she had a very solitary and confined early childhood in a wing of the Solarian castle. When she did figure out how to sneak out she was only 10 or so, and spent most of the time just wandering around the capital city. She didn’t have any problems in the city, but an off duty guard recognized her and took her back to the palace. Stella was then sent to an elite boarding school under a false name (Sasha), she formed close friends with Nova and Varanda, but the trio was the target of the rest of the school’s bullies (for various reasons). Junior high was peak nerd Stella, but she “princess Diary-ed” herself when starting high school and started placing all of her value in her appearance and status as a sex object. Her parents’ marriage was also starting to crumble and Stella felt like she had lost their love. Because Stella craves validation and affection, this lead to a couple bad relationships because the only way she could get people to “love her” in her brain was through physical intimacy, even if it didn’t really fill the void she felt. Nova and Varanda were her rocks during this period and Stella was able to learn to love herself first with their help. Stella was insanely nervous to leave her friends and go to Alfea, and tried to force friendships with other people originally, (this mostly lead to people thinking she was annoying and getting multiple censures from Griselda), and her first genuine connection on Magix was with “Prince Sky” (Brandon). Nova and Varanda were VERY worried when Stella first told them about “Prince Sky”(Brandon) and how fast they had gotten into a relationship and they may have stalked/threatened him on a visit to Stella but they eventually came around and started to like him. Stella being expelled was only kind of an accident, Varanda texted Stella in the middle of a Chemancy class her application to Alfea for the next year had been accepted and Stella got SUPER excited and blew up the classroom. She probably could have stayed in school but her response to Fraragona and Griselda’s “now what do you have to say for yourself young lady” was *giddy laughter* and “ i only wish the explosion had been big enough to send me forward to next year!!!!!” and griselda was like “either she goes or I go” and Stella was like “ya gurl i gone” of course her time back on Solaria didn’t go exactly as planned as her parents were just fighting every time they tried to do something together making her people pleasing/self blaming tendencies worse. 

FLORA: ahhh my baby So Flora does remember her father, not a lot and she feel guilty she doesn’t remember more, but she was only 7 when he died. Alyssa remarried when Flora was 13, and eventually she adjusted to having a younger sister who she loves very much now. Due to Rhodos’s nature preservation needing a lot of room for study Flora and Miele grew up pretty far away from any town and didn’t have a lot of friends. This is primarily why Flora and Miele are so close despite their age difference, and why Flora took her role as protector so intensely; she was the only one there (I mean besides the parents obviously). Flora did well in school though she was quiet and reserved, which made making friends even harder than living in the middle of nowhere. She figured out the best way to make people like her was to give them what they wanted, and this snowballed into Flora becoming kind of doormat not comfortable with voicing her true feelings and faking a lot what people expected from her. Flora has a lot of repressed…… everything (Bloom mostly just has a lot of repressed anger she’s good with other emotions lmao) she has trouble identifying what she’s feeling and for the most part is content to leave her feelings buried as long as the surface remains calm. The Winx do help her start to access her feeling more, and encourage her whenever she does voice an opinion. Helia is a perfect match for her in the sense that his quiet nature leaves Flora to express herself without trying to mold herself into whatever she thinks he wants (of course on the flip side this also means Flora and Helia have issues with communication and repression but that’s another topic). 

AISHA: hoo boy another complicated one. Aisha was raised in a strict environment, this mostly stems from her parents and their more…. anxious natures, but royalty on Andros is not as free as some of the other planets. Aisha’s world consisted of lessons and adults and rules and she had very little control over her own life. Aisha met Anne in a rare moment of freedom in the tidal gardens where Anne’s father worked. Anne was biding her time waiting for her dad to get off work so they could grab some dinner and was dancing. Aisha just watched her for a while before Anne noticed her and asked her if she wanted to play. The two formed a fast friendship, and Aisha finally started to feel like she had some sort of influence in her own life as she snuck out of lessons to play with Anne every evening she could(obviously their favorite thing to do was dance lol) Unfortunately Anne and her father disappeared one night. Aisha lost her only friend, the only social outlet she had, her one source of freedom, and couldn’t even figure out what had happened. Feeling so out of control lead to a pretty bad anxiety disorder for most of her teens, primarily triggered by the dark or being trapped in some way. She also has issues trusting others and letting people help her. Aisha started to act out, trying to exert any kind of control and relieve some of her anxiety. Her risk taking behavior got pretty bad, but she had started to tone it down after she met and bonded with Piff(royal business trip to Magix she skipped out on). Of course when the pixies went missing she wasn’t going to let her friendship vanish again and tracked them down with a not so healthy single minded determination.

TECNA: born to higher class parents, Tecna had greatness thrust upon her from an early age. She received extra training and education basically from birth, which she was fine with for the most part. Tecna grew up being able to handle academic pressure very well and met all of her teacher’s and parent’s expectations.  She and Riven had a brief collision as preteens in a school before Riven got expelled. Tecna’s one issue was that of her emotional intelligence, Zenith doesn’t really place an emphasis on that, so she was able to advance through high school very predictably until she attended a non-Zenith based workshop for magic. She found herself socially ostracized and very very confused. Of course Tecna had never met a subject she couldn’t master and emotions wouldn’t be an exception right??? Wrong. Zenith’s information about the brain and the chemicals produced was of no help, her teachers and parents didn’t understand why Tecna suddenly had this new interest in such an illogical subject, and worst of all, Tecna realized she didn’t understand her own brain chemicals. Tecna had a mini existential crisis, realized she had no idea what she even wanted to do with her life or why it mattered and applied to the Alfea Fairy program because “FAIRY MAGIC EMOTION MAGIC HELP” also it would offer her strong emotional experiences(transformations basically require it), the opportunity to work closely in groups, and personally obverse her dorm-mates emotional states. She got way more than she bargained for but doesn’t regret it a bit.

MUSA: my angst child T-T so basically, the first half of her childhood is p good, her parents work really hard and don’t always have enough money but the family unit is pretty stable. At around 12, Musa’s mom gets sick. Nobody is too worried at first, but she never seems to get better and she takes a big turn for the worse when Musa is about 16, Matlin is finally diagnosed with Core Failure Syndrome. CFS is similar to Core Fatigue, but while Core Fatigue can be remedied fairly easily with rest and magic, CFS is virtually incurable unless it’s caught really early. The causes are still unknown, and the symptoms (fatigue, nausea, cognition issues, and muscle weakness) can be prolonged but mild until it’s too late. In the later stages (extreme fatigue, numbness in the extremities, chest pain, joint pain, memory/focus issues, inability to keep food down)  all you can do is try to make the afflicted comfortable. Ho-boe is understandably distraught, and tries to freelance write for music but goes into a pretty bad depressive state. Musa has a few odd jobs here and there, and thats mostly what’s keeping them afloat among heavy medical debt. Musa latches on to her mother for emotional support as Ho-boe is super dissociated. When Matlin does pass as Musa turns 18, Ho-boe finally breaks, and violently destroys every last reminder of Matlin because he can’t deal with the pain. Musa, who has suddenly had her one emotional anchor cut off, is super freaked out and scared by this and it really damages their relationship going forward. Musa becomes incredibly anxious, and can’t really process her mother's death because her father won’t talk about it with her and is still shut off emotionally. Moving to Magix only worsened it as Musa rebelled and went after music with a desperate passion. Applying to Alfea was a way for Musa to get out of the house, and she and her father weren’t on speaking terms when she did leave for the college. Musa had planned on learning more magic to further her career as a musician, special effects infusing magic into a song rubbing shoulders with rich and well connected people who could possibly get her connected to the big shots in music….. The winx situations had her change some of her long term plans a little, but her connection with the group + her separation anxiety and fierce loyalty didn’t really leave any other choice lol 

[wayneooverton]

Where to wine, dine and caffeinate in Wellington, New Zealand

Well it’s finally upon us, the most magical time of the year in New Zealand – Wellington on a Plate.

Three weeks of food filled pandemonium has begun taking over the world’s coolest little capital, transforming it from a hipster cool hub to an even more hipster food-filled hub, complete with a burger competition.

Remind me a again why I moved from Wellington to Wanaka? Because it wasn’t for the food.

Why I love Wellington so much

Way back in the day (I’m talking 2013) when I first moved to New Zealand, I accidentally landed in Wellington and stayed for almost a year. It was never my plan to live in a city, but Wellington is one of those cities that doesn’t get on your nerve, well, except for the wind. It ain’t called Windy Welly for no reason after all.

Chill vibes, a cool creative scene, young folk, beautiful nature, small in size, kickass coffee, oh and did I mention the food? You can probably start to see why I stuck around.

Nowadays I regularly travel up to Wellington to see friends and for work, but no matter why I’m there, I always make time for good coffee, fab food, and great drinks.

Now everyone knows the classics like Fidel’s, Sweet Mother’s Kitchen, and of course, Memphis Belle, but I thought I’d go ahead and share some other fave foodie spots of mine in Wellington, some well known, some less known, all delicious and unique.

Here are my picks for my favorite spots of where to eat in Wellington. From my choice bars to restaurants and cafes, it was hard to narrow it down, but I’ve done my best. Enjoy.

1. Egmont Street Eatery

My favorite place to eat in Wellington is a recent discovery. A cool intimate space that was once a car park not so long ago, Egmont St Eatery is like something out of a food filled fantasy. Unique, beautiful dishes, amazing coffee, friendly people abound in a place that makes you want to sit down and stay a while.

In a country where so many cafes and restaurants offer variations of the same tired menu, occasionally throwing in an avocado toast dish to keep things modern (eye roll), Egmont St is paving the way in New Zealand for fresh exciting feeds.

While their brunch is all kinds of amazing (and the pastries – oh the pastries guys!) the dinner is equally fab.

And if you’re around for Wellington on a Plate this year, you gotta get their burger entry, which was my favorite by far. The Filet-O-Cray is a crumbed crayfish and squid, crayfish tartare, housemade cheese, steamed bun, served with pāua salt dusted shoestring fries HOLY CRAP YUM!

2. The Garage Project

Can’t talk about Wellington on a Plate and not mention The Garage Project in the Aro Valley. A grungy old petrol station turned brewery, the Garage Project is turning out experimental delicious beers faster than you pick a favorite.

Putting on the annual Burger on a Plate competition in conjunction with Wellington on a plate, and matching three surprise festival brews with them, Garage Project is all about innovation and creativity in the Wellington beer scene. Screw that, they ARE the Wellington beer scene.

You name it, they’ve brewed with it; pop into their Cellar Door at the old petrol station to try out some of their top beers, all with amazing labels with incredible designs, before moving up the road to the Taproom at 91 Aro for a more cozy vibe.

3. The Harbourside Market

I love a good city market Wellington doesn’t disappoint.

The Harbourside Market every Sunday morning next to Te Papa is a winner in every category. With fantastic and affordable local produce, live music, tons of people and a great vibe, it’s the place to be any weekend in Wellington.

The oldest and most popular market in Wellington, come hungry and be prepared to binge. All along the water there are stalls after stalls and food truck after food truck of every coffee, pastry, meal and dish you could imagine.

Two of my faves have to be Montfoort, Dutch street food and Dutch donuts and stroopwafels fried to order and of course, House of Dumplings – no explanation needed.

4. The Hippopotamus

FINALLY we have a QT hotel in New Zealand!

My favorite hotel chain in the whole wide world (and only in Australia before), these quirky and fabulous luxury hotels are right up my alley, and now they have one in New Zealand – the QT Museum Wellington.

That’s right, a museum hotel; with an incredible art collection and an emphasis on design, I pretty much love the QT because they are redefining the hotel experience, one place at a time.

But more on that soon, in the meantime, the French inspired QT restaurant and cocktail bar The Hippopotamus (YES!) is bringing back high tea with a twist. From Wednesdays to Sundays book in in the afternoon and get your tea on – or if you’re me, your cocktail on; dress up and go out and enjoy one of the best dining spots in town and definitely with the best view overlooking the harbor and Te Papa.

And if you’re around during Wellington on a Plate, the QT is putting on a special chocoholics high tea (so much yes!) along with their festival dishes of kiwi French fusion, like deconstructed marmite French onion soup.

5. Flight Coffee Hangar

It is super super hard to pick the best coffee in Wellington. I mean, there are so many factors to consider. Location, bean, presentation, space and of course, taste and caffeinate-ability; how does one chose? And to even dare to blog about the best coffee in Wellington is putting yourself right in the line of fire.

Come at me.

Because, after all, I am one of the world’s biggest coffee drinkers. No, no. Don’t argue.

And for me, and I know for many Wellingtonians, Flight Coffee Hangar is consistently ranked the king of coffee in town.

6. Hawthorn Lounge

If your kind of bar is an intimate, cozy speakeasy with low lights, finely dressed people and very nice cocktails with ingredients you can’t pronounce served by dapper, eloquent staff, then head straight to the Hawthorn Lounge. That is, if you know where to go. Wink wink.

A 1920’s gentlemen bar, Hawthorn appeals to the gentlemen in all of us, me included. When I lived in Wellington I would often start my nights here, and accidentally stay until bedtime. It’s inviting, comfortable, and a good place for conversation.

And if you find yourself in Wellington this week, be sure to pop in for their fabulous cocktail, the Welly Sound; a divine tribute to Wellington music, it’s practically desert in and of itself. I’m copying and pasting the description of it here because there is no way I can paraphrase (read on and you’ll understand why):

“A foundation of Reid+Reid gin warmed like a phoenix with roots and seeds, harmonised with orange and poppy, poured over a chocolate butter box patrolled by fur. Accompanied by quince conserve and crème brûlée.”

7. Shepherd

Look no further than the trendy popular Shepherd for a great night out sharing plates with friends. Hidden away near all the wonderful spots around Leeds Street downtown, Shepherd opened with a punch only last year and has been booming since.

Modern fusion with a flair, with an emphasis on sustainability, comfort, and the best quality possible, the menu is local and fresh and always changing. And the dishes are really creative and innovative.

Trendy and hipster without the annoying trendy hipsters, it’s quickly become a local staple in town.

8. SHAKE — The Enormous Crocodile Company

Green Crocodile Bikes have been a classic on the Wellington harbor front on sunny days forever. Combined with an ice-cream on those rare bluebird days, what more could you ask for?

But now they’ve taken it to the next level and brought freakshakes to New Zealand! Finally!

For those of you who are unfamiliar with freakshakes, they are an innovative, evocative freakish mashup of desert and milkshake, usually served in some kind of mason jar with a handle.

SHAKE is the new milk bar in town, and they sell classic crazy milkshakes that regularly change. And they have healthy versions too (but why?!)

9. Sixes and Sevens

And the award for my favorite decadent donut in Wellington goes to, dun dun dun, Sixes and Sevens.

Smack in the center of the city, Sixes and Sevens couldn’t be more conveniently located for helping me get my connect with my inner American and get my donut fix.

And they got me with their candied bacon maple donuts. Swoon!

Their donuts change daily, and you got to get in early for the best pickings. But trust me, all of them are glorious and none disappoint. Except after when you’ve accidentally eaten four in a row. Cringe. Do not recommend.

One day I’ll learn self-control, but that was not the day.

10. Wellington Chocolate Factory

Did you know Wellington has a its very own chocolate factory? Forget Cadbury and head over to trendy Leeds Street to check out the Wellington Chocolate Factory.

Incredible artisanal chocolate, locally made, ethically sourced, traded and organic to boot (I’m surprised it’s not vegan – can chocolate be vegan? Nevermind), the Wellington Chocolate Factory has set the bar high for fabulous local chocolate, with each bar designed by a local New Zealand artist.

Obviously the llama one was my favorite.

Join in on a tour and get the full scoop from start to finish on how they make their chocolate, and watch it happen too, and be sure to try their hot chocolate while you’re inside, especially in winter, and especially the caramel one.

Here it’s an all hands on deck operation, and it’s the kind of place where everyone is nuts about chocolate and loves their job. Winner.

11. Golding’s Free Dive 

A fab addition to the trendy Leed’s Street area of downtown Wellington, Golding’s Free Dive bar is a the perfect place to go straight after work on a Friday and stay til late. Playing homage to the great neighborhood dive bars of North America (whut up), Goldings has great beer, great company and a great space period.

And it certainly is a step up from my days dancing til dawn at the now-closed nearby Boogie Wonderland (and accidentally making out with nineteen year old uni students – shivers!), Goldings is a step up for all of us, really.

What a time to be alive.

12. Olive’s

For the past four years, Olive’s has been my favorite cafe in Wellington.

I know, I know, a bold statement. Originally I used to go here for their wifi. It was a great space to hang out and work in for a few hours, and there’s just something about it that gets all my creative energy going strong. I still go by and write here almost every time I’m in Wellington.

It’s a stunning space, and really centrally located right on Cuba Street, with a great outdoor courtyard brimming with plants and trees. The menu is classic and the coffee good. It’s the perfect place to just chill and people will leave you alone.

Don’t go here, it’s mine.

13. Six Barrel Soda Co.

Of course handmade small batch artisanal sodas are a thing, and you can find them in Wellington at the Six Barrel Soda Co.

You can find their sodas and syrups all over New Zealand and Australia, but you can visit their showroom and soda bar right in downtown Wellington. A nice change from bars and coffee, I’m all about the soda shops, especially when they have a selection like here.

Their soda menu is to die for. I dare you not to leave with three bottles.

If you want to check out somewhere different, come here.

14. Leeds Street Bakery

I literally stumbled on Leeds Street Bakery a few years ago by complete accident and I have been a loyal fan of their coffee and salted caramel cookies ever since.

Tucked away in an old shoe factory, Leeds Street Bakery offers amazing coffee and amazing freshly baked breads in one, with some great pastries too. Fresh, local and of the highest caliber in a cool space a bit off the main streets, you can probably see why I keep coming back.

And the cookies, definitely the cookies.

15. The Library

Finally my last and favorite bar in Wellington, The Library.

It’s a book themed bar, guys, need I say more?

Have you ever been to Wellington? What are your favorite spots in town? Do you travel to cities with a great foodie and coffee scene too? Spill!

Many thanks to Absolutely Positively Wellington for hosting me in Wellington – like always I’m keeping it real – all opinions are my own, like you could expect less from me. 

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