#(sobs in No Way Home)

[crabboytahomaru]

i put my lover gently to sleep

[padfootastic]

can’t help but think of how, if we choose to go by sirius’ characterisation as a private, arrogant teen who only lets a select few into his circle, sirius’ post-azkaban life just have been such an utterly humiliating experience for him.

especially OoTP. when he has all these near strangers in his childhood house, that he hated and loved and ran away from and couldn’t ever escape. if he spent his entire pre-azkaban existence building a cold and aloof persona, not letting people know what his home life had been like, then to have all of these people get a front row seat to it because of kreacher and portrait walburga’s shenanigans must have been near unbearable. to have the entire order, including snape whom he disliked and mistrusted, hear the kinds of names he’s being called.

not only does he have to deal with the retraumatisation of his childhood, but also the fact that he’s flayed open for everyone to see. it’s not only his freedom, innocence, dignity that has been snatched from him but his privacy also. it’s such a cruel thing to experience, on top of everything else.

to have literal children, his godson who he has been kept away from all this while, whom he presumably wants to be able to look up to him, to have him see into the deepest parts of his soul. to have to be so weak in front of him. not only is he subjected to such vileness but he also cannot do anything about it.

sirius has not had a moment of peace in all the time we knew him. it is indignity upon indignity that is heaped onto him. every other character has gotten a moment of respite but him. it fully breaks my heart.

[wehadabondingmoment]

Ok so I finished beau by @buggachat and Adrinette dancing made me think about how at home they must have felt, dancing in their partner's arms asdjkds

[bunnyspine]

‼️Potential spoiler warning‼️

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I'm waaay too emotionally attached to these puppets

I'm not crying over puppets ☹️ you are!!!!!

Also I made this

[ermasdoodles]

🫴

[goldenflowers]

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

[madaqueue]

took ham (cat) to the vet and look at the diagnoses they gave him :’)

[livelovecaliforniadreams]

#And This Is Where I started Bawling My Eyes Out

[scarlett-ink]

BRIAN TYLER I AM COMING FOR YOU YOU MUSICAL LEGEND HOW COULD YOU DO THIS TO ME

(I am thankful you did)

[sadgayeddie]

eddie's flashback scenes from eddie begins when he's basically drowning, background music removed.

[tulip-wizard]

*walks out covered in blood*

so i just finished house md.

[kindaasrikal]

Guys I’m going to cry the ninjago writers are pure evil.

Season 1, episode 2, is named ‘Home’

And its the episode that shows the ninja finding their new home (the bounty) and Zane finding his home and family.

AND THEN THESE DAMN WRITERS PUT BABY LLOYD AT THE END STARING AT THE BOUNTY ALL SAD AS THE NINJA LAUGH IN THE BACKGROUND HAPPILY. AND THEN HE WALKS AWAY SO DEJECTEDLY.

WHAT.

THATS NOT FAIRRRRR NOY BABY LLOYD HE DESERVES BETTER GUYS OMG.

[kanerallels]

For the ask game, an au where Sabine and Ezra are Kanan and Heras ages and vise versa. Sabezra is now spectres one and two and Kanera is specters 5 and 6

At first I was like hmmm tricky but fun! And then I started writing it and now OH BOY THE POTENTIAL have a snippet:

“Are we sure this is a good idea?”

Ezra glanced up at Sabine. The Mandalorian woman had her arms folded, a frown twisting her face. “What?”

“Hera going to Shantipole.”

Ezra shrugged, sitting up. “Kanan thinks it’s a good idea.”

“Kanan’s a kid with a crush.”

Snickering, Ezra said, “Fair enough. But you and I both know Hera’s the best pilot around, even at fifteen. She can handle this new fighter, whatever it is.”

Sabine sighed. “Yeah. I guess you’re right.” She hesitated, studying him. “You’re planning to get ready to do the run if we don’t get back in time, aren’t you?”

“...yeah,” Ezra admitted. “The people of Ibaar need our help. And we need to be as ready as possible to help them. But you’ll be back in time.”

Scowling, Sabine said, “I don’t like this. What if we’re not.”

“Then it’s a good thing we have Rex as backup.”

“Not sure that’s a good thing, Ezra.”

Waving a dismissive hand, Ezra said, “We also have Chopper. And Kanan’s getting pretty good on the cannons of the Ghost. Honestly, the hardest part of this is gonna be convincing Hera to leave the ship.” Despite the fact that the Ghost was, technically, Sabine’s, Hera had developed an attachment far more quickly than anyone had expected.

Sabine grinned a little, but it faded. “Don’t do anything stupid while I’m gone.”

Ezra shrugged. “Come back quickly, then.”

They held each other’s gazes for a moment, then Sabine nodded. “Deal.”

[backpackingspace]

Do we think odysseus started pranking Athena and her temples at some point? Because I do. He argued that it was good for sneaking and evading training. And you know what Athena couldn't argue that. Her chasing odysseus across the island was good training.

[livelovecaliforniadreams]

[kalied0skull]

ok really specdific art requesty that idk if its even drawable

pony post track meet looking for darry in the crowd and realizingn he didnt show up

alt. pony in his track get up

i didn't intend for this to turn into a comic, but i was left very open ended on how pony would be looking around so i just made him swear a bunch and get pushed around a bit