#(spoilers in tags from here on out)

[miikpal]

battered and bruised

[kensatou]

deepthroating a gun without breaking eye contact...... he put his entire gongyussy into that | SQUID GAME 2

+ the video because the sound he makes when he puts the gun in his mouth? [redacted]

update: he improvised that. the man really said i'll go full slut.

[egophiliac]

don't think I'm not still obsessing over 7-12

[bacchuschucklefuck]

beautiful! majestic!

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[consultingfujoshi]

I'm starting to think that maybe outie irving sees his innie in a similar way that helena does, ie. a tool he can use to further his own ends. he's clearly got a plan, and he chose to become severed to advance that plan somehow. is he going to be shocked or even angry to find out his innie has spent the last 3 years worshipping the company he's been trying to infiltrate from the outside? he literally created his innie for the purpose of bringing down lumon, and you're telling him he's actually the MDR hall monitor and lumon's biggest cheerleader?? will he freak out if he finds out he's been down there falling in love and getting his heart broken and wanting to LEAVE because of it instead of trying to find the testing floor hallway? innie irv's reaction to breaking out is like the total opposite of what his outie would have wanted if you ask me based on how he immediately goes to tell whoever he's working with that his innie got the "message" (saw the paintings) and that probably means to expect forward movement in whatever their plans are, and instead of pursuing it innie irv wants to leave the severed floor forever. what would outie irv's reaction be if dylan had let him walk out into that stairwell. would he have walked right back in like helena did on her first day?

[slugpup2]

gonna be honest tumblr user checkadii, i have had don's version on hand for weeks and didn't post it because i thought it would be farming this "joke"

but yknow what? just for you:

more slop, now made much worse (positive)

[tobyisave]

Reason #48234872 Kiibo should've lived: so Maki can have someone to recreate a normal human adolescence with while Himiko and Shuichi go into a state of depressed hibernation for the next half decade...

Honestly I never even thought of this pairing until I started drawing this months ago, but I think they would have an interesting dynamic postcanon. It's hard for them to relate to each other at first — Maki has seen way too much and Kiibo has seen like 0 things in his life ever — but they've both been dehumanized, made to believe they're dangerous,* and barred from participating in "the real world" for most of their lives. And because of that they just want something that is, to use Maki's words, "as vanilla as possible."

Also, they're both autistic straight men and I want to see the hijinks that ensue when you put two of those in the same room.

*Obviously we see Maki being viewed as dangerous by herself and others; I can't even tell anymore if it's obvious that Kiibo shares that experience to some degree or if I'm just too deep in my own Kiibo lore... But here's 2 thoughts on why I think that's something they canonically share:

They both hurt someone close to them in their backstories, and that weighs on them enough that both of their Harmonious Heart events are about wondering if that person would hold it against them. Also for reasons I won't elaborate on here, I'm pretty sure Kiibo at least subconsciously views himself as a danger to others due to the environment he grew up in after Iidabashi was injured. I mean imagine having an emergency stop button permanently installed on your body "just in case."

Despite everyone's backstories being fictional, Kiibo and Maki have still killed one real person each --- Kiibo killed Tsumugi (and endangered everyone else), and Maki effectively killed Kokichi/Kaito ('effectively' just as in it could create the kind of "I killed a guy" guilt that is relevant to this discussion. I'm not going to even comment on the actual causality of that entire situation). Even if you don't count that, Kiibo being the only person with a body count is an interesting reversal given he's a pacifist and seems to have the most rigid moral code of the cast (something I also think was a precaution of sorts).

(+ Credit: Background of page 6 is traced from this random photo of an ice rink lobby. I made up the background of page 7 and that's why you can't tell what the hell anything actually is.)

[vaguely-concerned]

thinking about how deeply lucanis' life has been defined by a lack of control of that life -- as he himself points out, even before the ossuary went and carved the headline out again with big bloody letters. of course he reacts badly to losing what little control he did manage to construct for himself even within those circumstances.

(namely: experience has taught him that things (caterina, loss, pain, love, all horribly and indelibly intermingled) will happen to him whether he wants them to or not and there's nothing he can do about that... but he gets to decide what's let in or out of his soul as it happens, even if he has to close it all down and deaden and numb himself out in the process. (even if that means he drifts further and further away from illario, who's been desperately reaching out and trying to keep hold of him until he finally gives up completely and tries to cut the bond all at once when lucanis doesn't seem to reach back anymore.) it's such rare well-observed freeze logic solidly constructed from the bottom up, I'm still so impressed with it.

the way illario seeks constant external means to cope with caterina's abuse and importance in his life -- he can't win her admiration or acceptance or warmth (or like. acknowledgement even, at times :') ), no matter what, so he goes out and finds those things in others and then disdains and dismisses it for how easily and falsely it's won from them. he plots, he conspires, he tries to beat her at her own game however clumsily, he tries. lucanis doesn't try things that way. he's not about 'how do I improve my situation' by nature, he's 'how can I stop this from getting worse'. he avoids, he internalizes, he hunkers down and makes himself nothing until the pain maybe ends. he's fundamentally not a plotter, he's a reacter. an expert assassin pantser, if you will, to illario's clear and stated exasperation fhsak. man I love them. illario says 'get us out of here!!! if you loved me as I love you you'd help me get us out of here before it kills us both', lucanis says 'there is no other place, there's nowhere to go, all we can do is endure. and if it kills us... well, that's just family. that's what love is (the way things are headed I'll die first anyway so it's fine I won't have to face losing you)', and they're equally baffled and hurt by each other's POV. but they're both right, and they're both wrong. there's no 'right' way to deal with caterina's treatment of them, or their situation. the house always wins, if you pardon the expression. house dellamorte still stands and that is what matters to caterina in the end more than anything.

it also fits so well b/c like... their core wounds are that illario is the least favourite and is constantly dismissed, so he has to prove to caterina again and again that he matters. not even that he's worth love or respect or warm regard, but that he's here at all and as such should be considered. he has to shout 'in case u forgot I EXIST!!' at the top of his lungs or else be rendered nothing within the family structure (and himself, because it's all about family, that's all that really matters. in some weird twisted way I think caterina openly declaring him before all the other crows to still be of house dellamorte -- and no one from house dellamorte kneels -- is kind of a victory for him, as much as it's also a furthering of a prison sentence and public humiliation. house dellamorte brainfuckery goes hard.). lucanis is the favourite, and it's the double-edged sword that he gets all the affection and attention but also all the control and impossible expectations. drowning under all of that constant stress and close evaluation, his brain whispers 'I don't exist' to try to escape, to hide and hold on to the deep parts of himself that are crucial to life but not part of the perfect grandson caterina demands of him as the price of her love.)

I think a lot about how what seems to disquiet lucanis the most post-ossuary (as it would anyone with that psychological makeup) is the dissolving of internal boundaries and control he's been relying on, which is part of what spite symbolizes. his anger and reactivity has seceded from the union to the point of personification as a little guy (a little guy he resents and fears for his unpredictability and invasions into regions of his psyche he wishes to stay frozen and barren, and yet cares about deeply, loves! and also constantly dismisses and frequently helplessly lets down unless he's helped to learn to do otherwise. does this remind you of another relationship in his life, perhaps. it makes me feel nuts to think about the illario/spite parallels thanks for asking), and now that little guy is out there running the show freely the moment he glances away or closes his eyes. literal nightmare scenario I feel for him so deeply. so much of his coping is predicated on being able to Not do or feel or want certain things, and that's out the window now, Spite has Opinions. Spite refuses to stay wisely in place even if that place is hell on the logic that if you move you could find yourself in a place that's even worse, somehow. Spite actually wants to experience the world, however fucked up and scarring the way he arrived here, not just endure it. Spite means he has to face that maybe illario wasn't wrong all those years, at the same time as having to admit and face what illario has done to him, and figure out what to do about any of it.

anyway. mary kirby ma'am that's some good fucking metaphor work. thank you, and sorry about all the shit that happened

[artuurle]

doodlepage and then a bunch of pre godhood lovestory. gramps keeps hanging on so he can get it.

[niinnyu]

Major implied Witch Hat Atelier spoilers! Don't spoil it for yourself!

A coward.

[hobbyhoostudio]

various doodles i did while in call

[lucabyte]

Olive Branch

Wrong Move

[peachducy]

professor layton azran legacy spoilers

ready for reincarnation

[a2zillustration]

Raphael is the perfect character 10/10 no notes

| First | | Previous | | Next |

[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[liuphrog]

Drink Ice Coffee.. Panic attack MY POOR SHAYLA

Unfiltered version