#(though since it's a full established plot different from canon I have to explain myself)

[blueheartedmayor]

OOC:

Remember when I said after writing the two bios for Wilf's blog I said I'd never do anything that stupidly large again for a bio?

Noah's Space Shenanigans hit 10k words.

I did manage to sum up the facial scarring incident fairly concisely:

Fortunately, I have a playlist and an accompanying doc to give you an easier-to-follow overview. His playlist is written as a story, so I have the songs explained!

[sineala]

The Old Guard

This post comes to you courtesy of the generous support of one of my Patreon patrons, who wanted to know what I thought of The Old Guard. This post contains some spoilers for both the movie and the comics.

So, a few days after it came out, my wife and I watched The Old Guard on Netflix. Tumblr had said a bunch of good things about it, and both of us basically cut our fannish teeth on Highlander fandom so we already had an automatic buy-in for a story about immortals. I knew it was based on a comic by Greg Rucka, but I had not, at the time, read the comic, although I am now reading it in order to write this post.

The premise of the film is as follows: a four-person team of immortals (Andy, Joe, Nicky, and Booker) makes a living hiring themselves out as mercenaries, fighting for causes that they believe are right. They are successful at this basically because their grasp of tactics appears to be (1) die, followed by (2) come back to life and (3) murder your attackers who are no longer paying attention to you because they think you're dead. Honestly, at this point, you wouldn't really need to be very good at the actual fighting part, I would think, but the film establishes that all of them are -- especially Charlize Theron as Andy -- because presumably it wants you to watch action sequences of everyone being badass, which they are. So, yeah. They take all the good-guy mercenary jobs that no one else can do because it would kill them, which is not a problem for them!

Anyway! The group's routine is interrupted by two major events: the discovery of Nile Freeman, a new immortal, who is a Marine serving in Afghanistan who survives getting murdered; and also the fact that one of their employers, Copley (played by Chiwetel Eijofor, whom you may remember as Mordo in Doctor Strange) has sold them out to the movie's Actual Villain, a Big Pharma CEO named Merrick (played by the guy who played Dudley in the Harry Potter series), who has (as far as I can tell) been given instructions to play this role just like he's Martin Shkreli, who is interested in finding the secret of their immortality, and whom you can tell is evil because he has his name in giant letters on the side of his building.

ME: Look, it's the villain! I've found the villain! MY WIFE: Other than Tony Stark, who actually puts their names on buildings like that except villains? It's just villains, right? ME: Uh. The president? The president definitely does that. (We make horrified faces at each other.)

Because we are Extremely Pedantic, we also spent a lot of time picking at how the characters' names and language abilities match up to their stated background. They all know a lot of languages, as you might expect, and the movie was determined to get through them without subtitles, which is an interesting choice but also kind of left some linguistic plot holes.

For example, Joe and Nicky claim to have met each other in the Crusades, with Nicky as (presumably) a Crusader and Joe as (presumably) a Muslim occupant of the area, although the movie doesn't specify this; Wikipedia gives Joe's name as Yusuf Al-Kaysani, which would at least fit that. Nicky is clearly Italian (as is Luca Marinelli, the actor who portrays him) and when he speaks Italian to the rest of the group we see that he definitely speaks modern Italian as spoken in Rome... which is absolutely, definitely not the language he grew up speaking, given that, among other things, Wiki lists the character's full name as Nicolò di Genova. I don't know if the writer of the screenplay (who I see now is also Greg Rucka) didn't know how much Italian dialects had changed in the last thousand years, if he thought that was good enough to be a nod to the character, or if there's some kind of backstory that didn't make it in where every so often Nicky decides to learn a modern dialect and keep his hand in, and also decides that that's the language he wants to use among his friends who would presumably understand several different dialects.

Also, the reveal that Andy's real name was in fact "Andromache of Scythia" was indeed badass but was slightly undercut by my wife yelling BUT THE SCYTHIANS DIDN'T SPEAK GREEK at the television.

Additionally, I feel like the movie could perhaps have been aware of the ways it chose to label on-screen locations, in which the countries were spelled out in large fonts with the cities above them. Places like LONDON, ENGLAND got their entire names spelled out, as did small French villages whose names I can no longer remember, but I guess AFGHANISTAN and MOROCCO and SOUTH SUDAN have zero cities, huh? However, the end of the movie did take place in PARIS which I guess unlike London is its own country now.

So the actual plot features the group of immortals trying to explain this whole immortality thing to Nile while being on the run from the people who are trying to turn them into Big Pharma, who wants to capture them and exploit the secret of their immortality. This is where it falls down a little for me, because the worldbuilding... gets a little shaky. They dream about each other when they're apart. Okay. Why? Sometimes they just stop being immortal and lose the capacity to heal and are dead in their next battle. Why? Why do they even exist? I just... wanted more answers than the movie gave me, and the pacing where I kept expecting there to be explanations wasn't there. There were a couple of scenes where Nile sat there in silence contemplating the fact that she would outlive her loved ones and my brain kept trying to insert Queen's "Who Wants to Live Forever?" Granted, the Highlander canon explanation for immortality is deeply, deeply weird, but at least it tried. No, I can't believe I'm defending Highlander II either.

The characters, too, could have been more fleshed out. The bulk of the character development is given to Andy and Nile, and I'm not complaining about that -- they were great -- but Joe and Nicky and Booker only got maybe a few lines each. They would have felt so much more real if they'd just had a little bit more to them. Also I didn't understand Copley's arc at all, but saying more about that would be spoilery. I do like that they have definitely set themselves up for a sequel.

But even with what we got, there's a lot to love about the characters. If you're here for canonically queer characters, you will enjoy Nicky and Joe, who have been in a relationship for probably about a thousand years. They are minor characters as far as the overall plot goes, but what they do have is lovely, and there is a romantic declaration between them at one point that is absolutely beautiful and possibly the most fervent love declaration I can remember seeing in a movie since maybe... ever. If you also like your queerness more subtextual, though Andy is never portrayed as explicitly queer, her past friendship with a fellow immortal Quynh was shown as very intense, as is the role she takes here mentoring Nile into the world of immortality. Also she has a double-bladed axe (yes, we kept yelling BRING ME MY MAN-KILLING AXE at the television) and as we all know, the double-bladed labrys has in modern times become a symbol for lesbians. So there's that.

In addition to the characters of color who play important roles here -- Nile was my personal favorite, but there's also Joe and Copley and (in flashback) Quynh -- there's a lot of diversity behind the cameras as well, or so the internet informs me. The director (Gina Prince-Bythewood) is the first Black woman to direct a superhero movie, and the same is true of her editor (Terilyn Shropshire). And, furthermore, apparently 85% of the post-production crew were women. They didn't have to do that, and yet they did. It was nice.

I don't watch a whole lot of action movies these days because I usually find R-rated violence too... violent, but I found myself really liking almost all of the action sequences here. None of them felt gratuitous, and a lot of them really focused on the physicality of the immortals fighting in a way I liked, because I feel like people are probably going to fight differently if they know they can survive every single hit, and I think the movie portrayed that in a way that a lot of superhero comics and movies don't. My favorite fight scene is definitely the one between Nile and Andy at the beginning, when Andy has trapped her on a plane and it's extremely close-quarters fighting and also extremely brutal. They don't stop basically until Nile breaks enough bones that she can't get up anymore, because until then she's going to keep trying, which is both kind of horrifying and a great character note. And they didn't film it like it was a Sexy Catfight! It was so good.

Also, the soundtrack is really good, and I've found myself streaming it on Spotify all week. I didn't know any of the songs in the movie, but there's a lot of hip-hop and -- okay, I don't even know if this is a genre? -- specifically a lot of hip-hop with an electronic/industrial sort of beat, which I thought was really great and livened up the fight scenes even more; "Going Down Fighting" did a really good job getting me in the mood for the final confrontation with the villain, and... yeah, it's all good. Someone made a playlist on Spotify that will come up if you search for it.

So, yeah. It's on Netflix. It's not without flaws (mostly, explaining how the hell immortality works, and a couple of pacing issues), but it's a really satisfying superhero movie.

That's the movie. Onto the comic, which I am just now starting to read as I write these words. Whee!

So The Old Guard: Opening Fire is a 2017 five-issue Image Comics series written by Greg Rucka, with art by Leandro Fernández, and there's also a 2019 sequel, The Old Guard: Force Multiplied, by the same creative team, also with five issues. I have not actually read any of Rucka's work before now because he is mostly famous for his DC work, but I have heard good things about it, especially his Wonder Woman run.

Anyway. The art is very stylized, with a minimal color palette, and it's very pretty but I honestly found it hard to parse sometimes. Many of the characters have very weird noses. Yes, noses. It's basically mostly in Andy's and Nile's POVs, like the movie, and as far I can tell Andy is explicitly queer, because unless I am entirely misreading this panel in issue #1, here she is in bed with a woman in one panel. Whee. Also there are some nice epigraphs at the beginning of each issue.

Okay, so, the plot here is basically the plot of the movie. There is still no explanation of why immortality exists. But even so, there are some fun character moments that didn't make it into the movie -- for example, Andy saying smartphones are too hard to use and she liked the old ones better, only for the rest of her team to say that she couldn't use those either. I think you get a better sense of Andy's world-weariness in the comic. There are also other, now-dead Immortals mentioned, like Noriko, who "went overboard off the Horn." Quynh is not one of them; Quynh basically is Noriko, which is because they cast a Vietnamese actress who asked if her character could be Vietnamese too, which seems perfectly reasonable to me. But anyway, in the comics, she's Noriko. Weirdly, Andy's full name, as she tells Nile when they meet, is Andronika ("man-victory") rather than Andromache ("man-battle," in case you were wondering); I think the movie made a better choice because Ἀνδρονίκα has exactly two attestations in the Lexicon of Greek Personal Names, whereas Ἀνδρομάχη has all that shiny name recognition of being shared by the wife of Hector and also the queen of the Amazons and will ping viewers as a Greek name, and therefore ancient, even if it can't be the name she was born with. (There are five for "Andronike" and four more for "Andromacha" so they actually have about the same number of total attestations, as far as I can tell, when you consider the alpha/eta alternation in how various Greek dialects mark feminine nouns.)

(Yes, you totally wanted a review by someone who looks up character names in the LGPN. Don't lie.)

Plotwise, Andy gets all of the initial exposition in for Nile before they get to the safehouse, which Copley has already gotten to before they get back, so Booker is bleeding on the floor and Nile doesn't get to meet Joe or Nicky at this time, and I am also glad they changed that for the movie. But, don't worry, Joe and Nicky's romantic declaration is still in here. We also get Andy pondering the last time she was in love, with a human who grew old.

Oh, and we get Andy's age: 6,732. And by issue #5 her name has changed to Andromache, because what even is continuity? I guess Andromache is her name now.

So Nile finally meets Joe and Nicky when she rescues them and also, uh, that plot point where Andy might die? Totally not a thing here. Nope. And no "surprise! even more immortals!" end-credits moments either.

Basically, I feel like every change they made to the script for the movie really strengthened the story, and even though I thought the movie could have used more character moments, it's way better than how the characters are separated for even longer in the comic. Nile rescuing the team means a lot more when she has met them before, you know?

So Force Multiplied starts us off with Andy, Joe, Nicky, and Nile, because Booker is still on time-out. They are in the middle of a car chase, and Booker's off getting himself kidnapped by someone who wants to know where the others are. The villain of the piece turns out to be Noriko, who is still alive, whom Booker had never had a chance to meet and apparently had never heard of. So, basically, a lot like the Quynh plot that the movie is teasing.

Overall it's a little less action-filled than the first one, which had multiple splash pages of nothing but violence; this one is a little more character-driven and explores the relationship, such as it is, between Andy and Noriko, as well as Nile coming to terms with her immortality, as well as with what everyone else has done over the years. It does have a bunch of violence at the end, though.

I don't want to spoil the ending, but I definitely wasn't expecting where that was heading. There's apparently going to be a third volume, and I am looking forward to it, whenever it exists.

(Although, now that I think about it, the ending is a lot like a fan-favorite moment of Highlander: The Series, but I think if I said which episode you would know exactly what the ending was.)

So, yeah! The Old Guard! I can't say as I feel particularly fannish about it -- there's nothing that makes me yearn to fill in the gaps in canon -- but the movie was really good and you should see it. And you should read the comics if you're into that.

[la5t-res0rt]

Wanted to ask about beetlelyds, sorry, I thought it was technically cannon? Like in the old comics after the show ended she grew up and married him. Sorry I’m an old school fan and have no idea why this whole thing is such a big deal. Wasn’t the actor like 20 too? I’m sorry if I sound very dumb. I’m not used to this new tumblr.

youre fine you are one hundred percent allowed to especially when you do it civilly as you have done here

first of all the biggest issue faced in the whole what is and is not canon debate is the fact that there are three (four if you count the limited comics run) publicized iterations of my media

i will go over each very briefly just kidding this is going to a long answer so i will spare the dashboard with a readmore

there is the movie which im sure you dont need me to explain the plot since youre an old school fan but basically the climax is that yes beetlejuice does go for the marriage angle in exchange for stopping the exorcism of adam and barbara and his motive for this is so that he can cause as much chaos as he wants on the mortal coil but his plan is thwarted when barbara rides a sandworm into the house which promptly eats beetlejuice sending him to bureaucratic death limbo

the end of the movie features the deetz and the maitlands happily living together with lydia havign a new appreciation for her situation and beetlejuice gets his head made real small which is very funny haha 

so no in the movie they are not canon editors note the actress who played lydia winona ryder was a teenager while filming the movie she turned 17 the year it released 

the next is the cartoon which i will admit has the most grounds for being considered canon but in the end the show is about a middle schooler and her best friend who is a ghost which in itself is a pretty iffy gray area sort of thing but for a childrens cartoon to work a friendship is better than the obvious enemy status they held in the movie

anyway in the cartoon they are potrayed to be very close friends with lydia being the person beetlejuice cares about the most and honestly if you were to watch it with no prior knowledge of the media and if you ignored their massive and obvious age difference than yeah you probably would read it as a romantic relationship 

however lydia is a middle schooler and that is simply immoral

there have been writers for the cartoon who have been credited to say that a relationship is what they were trying to invoke but for obvious reasons they couldnt exactly move forward with that angle with them establishing that lydia is a child in middle school and a fully grown adult man dating a child who is in middle school is immoral and also illegal in the united states and in canada 

this isnt a good argument for whether or not something is canon and i will tell you why with one simple name and that is luke weber

if you dont know who luke weber is he was a storyboard artist on the cartoon steven universe he is known for making a lot of self ship artwork of him and the character pearl

he worked on the show isnt his material canon no of course it isnt it wasnt put in the actual publication and also if memory serves he was eventually asked to leave the project after he drew art of the shows creator giving him permission to date pearl and calling them her otp and a lot of fans hated this because the most generally accepted interpretation of pearls character is that she is sapphic so a lot of people took issue however that again is just a widely perceived headcanon it is never stated what her actual sexuality is no one in that show is because it isnt a show about that its about wait im getting off topic sorry

what im saying is what can truly be considered canon is what you see on the screen and with the cartoon they are definitely the most friendly with each other and that is why so many people in the beetlebabe shipping community take so much stock in the cartoon because it is the easiest to read the relationship between the mas romantic although that is not what the show actually provides in black and white terms

interpretation does not equal canon and in this case no matter what anyone says the fact remains that in the cartoon itself they are friends good friends yes but friends all the same

it is definitely not a show about a grown man grooming an adult and if it were you definitely shouldn’t be stanning it the extreme because grooming a minor is wrong and it is apparently a problem in the fandom

anyway if the cartoon and the movie are both products of their time and there was more leniency on content bear in mind this was the same era as notorious animation powerhouse and known predator john k who was a showrunner on ren and stimpy and he maintained a relationship with a teenager which was an open secret that nobody really took issue with because in that time being a woman in the animation industry was tricky business and your career could be ended easily if you rejected advances luckily time has moved forward and the animation industry although still full of problems of a similar nature at least people are getting called out and punished for it

you can look more into that yourself its really upsetting though

as for comics i havent been able to find good scans of them and im not willing to purchase them but in my search i never found anything about the two of them ever being married in the cartoon again because she is a child i did find a cover where he appears to be getting married and hes asking lydia to get him out of it but im not sure where the comic actually goes all i know is she is standing off to the side shrugging and looking like she doesnt really care

anyway that brings us to the musical which is set in the modern day 

in the original libretto lydia is described as thirteen but since they got an actress who was older in the updated librettos she is listed as 15 and the story is pretty similar to the movie the young girl befriends ghosts and they try to scare her family out etc etc

the major difference between the film and the musical are that lydia and beetlejuice are more like friends like in the cartoon 

she summons him to help scare after the maitlands attempt doesnt really work so he shows up and they have fun terrorizing people together however she drops him for the opportunity to perhaps get her mom back but when no one will help she goes back to beetlejuice who tricks her into almost exorcising barbara

she agrees to marry him in order to stop the exorcism and he only wants to get married so he can be alive again and cause problems on the mortal coil like in the movie in the musical he states several times its a green card thing whihc obviously doesnt make it okay but still

anyway lydia tricks him and runs off into the underworld before the wedding can happen blah blah blah she goes back blah blah and she agrees to go through with the wedding to save her friends and family with a plan to make him go away for good

theres a very tongue and cheek song called creepy old guy which points out how wrong the whole thing is but everyone is going along with it in a very comedic matter and it includes the line 

i cant believe some cultures think this kind of things alright

basically saying yeah this is very very wrong anyway they do get married and beeltjeuice is alive for like 6 seconds before lydia stabs him to death with bad art and he dies thus nullifying the marriage because death do you part etc

so in the musical no at the end of the show they are not canon because he is dead their marriage is nullified and they go their separate ways

anyway sorry about that i just need to make it very clear that these three properties are all very distinct from each other and basically all three are indeed canon since they are publicized material and arguing the validity of which one is pointless editors note all actresses who played with the exception of dana steingold were minors for the majority of their runs as lydia with sophia ann caruso the originator of the role turning 18 during the run and dana being in her late twenties presley ryan however was a minor the whole time and still is one

tldr no they aren’t canon but to the credit of some people in this fandom their interpretation isnt too far of a stretch thanks to the era and some of the writers wishing to imply a relationship between an adult and a child

i also need to address how this is all a big deal and i suggest you take a peak through my discourse tag and check out @leedia‘s blog to see some of the more harmful things done by beetlebabe shippers

the beetlejuice fandom is home to many minors after the musical came out since musical fandom is vast and the ages of its members varies and normalizing pedophilia is harmful to them not to mention the people who have been effected by sexual harassment at the hands of adults

both sides have victims of csa but one side continues to perpetuate the cycle by showing time and time again that this behavior is normal and easily romanticized in the name of coping and literally anyone who has ever been to a good and credible therapist could tell you that posting cp even if it is simulated cp isnt a really good way to cope and you can get mad at me for saying that its totally fine but and im going to remove my character veil here for just a second as a csa survivor myself i think its harmful to not only myself but many others ok the veil is back down

tldr again there is a lot of bullying and harassment going on with both sides having their own issues but there is one side whos issues run a bit deeper in my humble opinion 

thank you for your question it allowed me to talk a lot you are welcome to discuss further with me in dms if you wish i honestly recommend giving the musical a listen because it is very fun and despite what some people say its very clever and if you get a chance to see a boot of it its visually stunning

one last note that i couldnt really fit in here but a large portion of the beetlebabes shipping community ignore the musical because it openly condemns the idea of beeltejuice and lydia having a relationship and a lot of the antis take issue with much of the writing and characterizations of the cartoon just a note that i think is important since were talking about canon

[spectraldragon2024]

Finding Peace Q/A

Questions and Answers: (WARNING: Many of these questions and answers have spoilers for Finding Peace.)

Q: How did Whiteout find out about the Realm Between and the Dream World? I thought only Adder and his close contacts knew.

A: A personal headcanon of mine is that the NightWings were one of the few tribes in Darkstalker’s era that focused on advanced theories in the same way scientists today have theories about Darkmatter. In Finding Peace: One of these theories was about the concept of there being worlds that existed parallel to the world dragons inhabited. Even when the NightWings relocated to the volcanic island, NightWing philosophers did not abandon these theories overnight since it’s implied the volcano did not become active until centuries later. In her twilight years, she would learn about this theory (which came from a NightWing philosopher’s circle that was formed by the students of the Seer Omniscience, a controversial Seer in NightWing history.) While Whiteout was not a Somnus, not knowing the full nature of these worlds, she eventually gained access to the Realm Between. How she exactly gained access to this realm is something I plan to explore in later stories. However, I can explain how she managed to communicate with her brother across the centuries. In the Realm Between: Time is a concept, not a law. This means those who enter the Realm, whether physically or mentally, can communicate with individuals from across time. But to do so requires two individuals to be in the same location of the realm. By sacrificing her foresight, Whiteout was able to use the Realm Between to communicate with Peacemaker through various times. The final time Whiteout speaks to Peacemaker is a month before her passing.

Q: Are we going to see Moon have that important conversation with Qibli? It was left open-ended in the final Winglet.

A: Yes, I can say with absolute certainty that we will see this conversation. However, what will happen after this conversation will be up in the air. Going into the Winglet: I wanted to show that even though characters like Moon and Qibli have their “Happy Ending”, that does not necessarily mean all trials are done when a relationship begins. In Darkness of Dragons, I felt that there were some unresolved points of concern in Moon and Qibli’s personalities that I imagine would cause their newfound relationship to suffer if those concerns aren’t addressed. Ms. Sutherland once said that because both Moon and Qibli are young dragons, anything can happen between the end of Darkness of Dragons and fifty years later. Some core issues that have caused Moon and Qibli to hit a bump in their relationship stems from differing priorities. Moon is a representative and the only active Seer in the world. Her word is valued by not just the Queens of Phyrria, but Pantala as well. But she knows this isn’t just going to be her future, that there is more on the horizon. She wants the perfect ending with Qibli...but she focuses too much on that ending and tries to take steps to make it perfect.

On the other talon, you have Qibli. Despite his love and loyalty to Moon and his friends, Thorn remains the big centerpiece of his world. After all, Thorn was his mother figure who brought him out of an unstable life. He owes everything to her. That means he will be what Thorn needs him to be: An advisor, a soldier...he will be any of those. Unfortunately, this means he puts a lot of other things on the back burner, his relationship with Moon in particular. This causes a lot of distance between the two. Into the Darkness and Our Sanctuary will not show this much-needed conversation, as these stories will follow Turtle, Kinkajou, and Winter’s storylines respectively. But as I write Braving the Tempest, I do hope to write a story that runs parallel to it that shows Winter, Qibli, and Moon...and how their subplot resolves.

Q: In the Winglet that focuses on Tempest's POV: You have her meet Clearsight. During the conversation, it looks like Tempest blames Clearsight for what happened to Darkstalker. I was wondering if you believe this and if you think Darkstalker did nothing wrong?

A: Do I hate Clearsight? No, absolutely not. I thought she was a very intelligent dragon with a good heart. She loved Darkstalker and tried to turn him from the dark path he was on. I do not blame her for Darkstalker's descent into madness. Darkstalker's actions were his own, he had every opportunity to turn back and be happy. He was the only obstacle to his happiness (as Peacemaker pointed out.) That being said, while Darkstalker is the cause of his madness and sadness, I do believe Clearsight could have helped convince him to abandon his ambitions and to just be happy. The scene in question was not meant to be a sign of hatred, but rather a critique of Clearsight's decisions leading up to Darkstalker's descent. When I originally wrote the scene, I wrote it with something in mind that Tui herself once said in a Q/A Biohazardia was in and posted on their Deviant Art page. The Question asked was along the lines of what could have Clearsight have done to turn Darkstalker away from his path. Tui answered that she believed that Clearsight did love Darkstalker, but deep down she did not trust him. That was the point of the earring she had Darkstalker give her in order to keep him from reading her mind. Tui thought that, if Clearsight had shown the visions she was afraid of, then Darkstalker could have chosen a better path. I admit while Darkstalker was to blame for his actions (nobody else made him kill Arctic, that was his decision, and his alone.) I do think things could have been different as Tui said. But I like to think Clearsight knew that if she had trusted him enough to share her visions, then maybe Darkstalker could have changed. Instead of focusing so much on the future Darkstalker (good or bad) and focused on the dragon, she loved in the present, then maybe things could have been different. When Tempest and Clearsight did meet in Tempest's limbo state, Clearsight used the personality she had while she knew Darkstalker as a way to test to see how far Tempest would go for Peacemaker. The reason she tested Tempest, was because the SeaWing had a personality Clearsight wished she had when she knew Darkstalker: And that was to focus on the present. That was the basis of Clearsight's personality after she arrived on Pantala. She urged her descendants to live their lives, day by day. The future was theirs to write. With Tempest, she needed to make sure that she held firm in her beliefs, that she could save Peacemaker even if the future was dark. So while I believe Clearsight could have done things differently, I want to make it clear that I do not consider her responsible for Darkstalker's own actions

Q: Will you explore quantum mechanics in future stories? (i.e. Time Travel.)

A: While I think time travel would be an interesting concept in Wings of Fire, unfortunately, it's not one I will be exploring in The Darkest Eclipse AU. My thoughts on time travel as a plot device are that it is a can of worms, one if not handled correctly can leave the readers confused (I know I have left many unanswered questions in Finding Peace, but that was simply because the answers to those questions I felt would be better explored outside of Peacemaker's POV). While there are ways for individuals from the past to communicate with someone in the future (such as Whiteout reaching out to Peacemaker throughout the story) there is no way for individuals from the future to physically travel to the past. The Darkest Eclipse prophecy focuses more on the Paranormal and how it relates to established magic and laws of physics in Wings of Fire canon (like how Somnus magic interacts with Animus magic.) That being said, if I were to explore Time Travel: I would follow the theory that time is a closed loop (as in the past cannot be changed, it has already been decided, and that any changes done to the timeline must occur in the future). This, I feel, can be properly explained and leave little confusion for the reader.

Q: TempestMaker or PeaceCliff?

A: Wait, there are ship names?

Jokes aside, I will say that at the end of Finding Peace: Peacemaker does not view Cliff or Tempest in a romantic light. He does love them as much as he loves his mother and Moon, they are important dragons to him and he cannot imagine his life without them. But he does not love them romantically. Will this change in the future? Likely. But for now, Peacemaker is not in the right space mentally to have a romantic relationship. He needs to discover what he wants with his life now that he is free to make it, discover what he wants to do with his future. Once all of the uncertainty in his life is cleared up, that could change.

Q: Apple Juice or Orange Juice? Also: Any tips for keeping a decent writing schedule?

A: I like both, but I lean heavily towards apple juice (always nice to start and end the day with something sweet to drink, but nothing too unhealthy.)

When it comes to writing schedules: What I did with Finding Peace was setting up deadlines for myself. I have always worked well under the knowledge that I have a deadline that I need to meet. Now, that being said, my preferred deadlines may not be for everyone. One of my best friends and colleagues, DONOVAN94, is able to get chapters for her stories out in a single week when she has everything planned out and ready! But that is because she has chapters outlined, and afterward all she needs to do is write in critical info. This works for her, but I always focused on posting one chapter a month. Now I explored posting multiple chapters in a month during the tail end of Finding Peace. While it worked out okay, it left me exhausted...and honestly, I am still tired after doing it.

All in all: My biggest advice to writers (whether fanfiction or writers who want to become published) is to work at your own pace. Set deadlines for yourself that you think you can meet, and never hesitate to experiment.

Q: Who is Omniscience? He is only mentioned at the end of the story when you posted The Darkest Eclipse Prophecy.

A: Omniscience was a NightWing seer who lived during the founding of the NightWing tribe, many centuries before Darkstalker’s era. During Darkstalker and Clearsight’s generation: Omniscience is regarded as one of the wisest seers in NightWing history, as well as the most controversial. Omniscience was born on a night when all three moons were full, but entered a “Thrice Lunar Eclipse'', with each moon eclipsing the other. Instead of receiving both mindreading and foresight NightWing abilities, Omniscience received only the power of foresight. However, because all three moons were technically full that night: The eclipse basically “overcharged” Omniscience’s foresight. This allowed him to see multiple millennia into the future with clarity even Clearsight did not have. However, despite this great power: Omniscience suffered from severe psychosis, causing him great difficulty in his early life to tell the difference between his visions, tricks of the mind, and reality. It’s because of his friends and family’s support did Omniscience learn to embrace his entire self, and became one of the wisest seers in NightWing history. He was controversial because of his philosophy that a wise Seer is not one who tries to map out the future for other dragons, but those who embrace the unknown of the future. In his prophecies he did not address large audiences, but instead, his prophecies addressed dragons in the future, offering them wisdom in difficult times he saw them face. The Darkest Eclipse Prophecy is one of his two final prophecies, alongside another prophecy. These two prophecies have long since been stored in a secret archive, somewhere in Phyrria.

Q: Which character was difficult for you to write in Finding Peace?

A: This might come off as strange, but the one character that was difficult to write throughout Finding Peace was actually Peacemaker himself. The reason this is the case centers around the circumstances of his “birth.” While, in canon, he is not the first year-old dragonet we have seen: But he is the first that was born out of Animus magic and his personality was made from that magic. While we have witnessed the perspective of those influenced by Animus enchantments (when Winter very briefly became Pyrite), Peacemaker is different as he will be living his life following an enchantment. Throughout Finding Peace, I had to balance the enchantment’s dictations and, yet, try to write Peacemaker so he was not simply someone being dictated by magic. In the end: I settled for the enchantment is in place in certain areas of his personality, while making Peacemaker strong-willed enough to actually have a choice of what he likes (as seen when he starts to show interest in food outside of strawberries or standing his ground when his friends were harassed.)

Q: Which is strongest: Animus or Somnus Magic?

A: At their core: Animus and Somnus magic are equal and capable of the same things. However, because of the rules around magic in the AU: It is too dangerous to use Animus magic in the Dream World, or Somnus Magic in the Waking World. As shown in Finding Peace: If you use them in worlds where they are not meant to exist, those worlds will seek to eliminate the magic and its user. The only place both magics can coexist safely in is The Realm Between, where it’s believed both magic originated from. In Finding Peace’s climax this happens, and from there: The power of the magic all depends on the skill of the user. So, long story short, neither magic is stronger than the other. While both magics have advantages and disadvantages depending on the realm of existence the user is currently located in when they are on the same playing field both magics would be left at a standstill.

Q: Most Peacemaker centric fics have Peacemaker be best friends with both Prince Cliff and Princess Auklet, why wasn’t Auklet in the story?

A: Truth is, Auklet was originally going to be one of Peacemaker’s friends in the Quartz Winglet. In my original outline: The main trio would have been Peacemaker, Cliff, and Auklet. Tempest was going to be The Jade Mountain Academy’s counselor, in which she used her Somnus magic to see what bothered the minds of the students. However, the more I thought about it, the more I felt Tempest would have a better role as a Clawmate of Peacemaker and Cliff.

Q: Are Tempest and Cliff reincarnations of Clearsight and Fathom?

A: Yes, Tempest and Cliff are both spiritual reincarnations. While they do not physically resemble Clearsight and Fathom, their spirits are connected to the two dragons. When I drafted Tempest and Cliff’s interactions with the spirits of the two dragons who had such a significant impact on Darkstalker’s life, I drew inspiration from the belief that reincarnation is spiritual, rather than physical (like pouring water from one cup into another cup.) Now, it’s important to note that while they are reincarnations of Clearsight and Fathom, this does not mean Tempest and Cliff are actually those two dragons. Rather, it just means their souls are similar. This allowed Tempest to speak with Clearsight, and Cliff speaks with Fathom when they were in a state of limbo.

Q: Where were Turtle, Kinkajou, and Peril during Finding Peace?

A: Peril is currently living in the Sky Kingdom. While she and Clay live together in the Academy, for the last few months Peril has been staying in the Sky Kingdom...waiting for an important day to occur. Once this day happens, she will be returning to her home in Jade Mountain.

As for Turtle and Kinkajou: Their whereabouts during Finding Peace will be addressed in Into the Darkness. But I will say that what is happening by the climax of Finding Peace is not good for Turtle or Kinkajou.

Q: Why did you include Somnus magic in Finding Peace?

A: When writing Finding Peace, I took into consideration how I could allow bits of Darkstalker’s memories and personality could bleed into Peacemaker. Given the nature of the enchantment, it would not be as simple as putting on a copy of Qibli’s enchanted earrings (Tui confirmed that Peacemaker would die if he put on the earrings.) So I needed to come up with a way that could allow Peacemaker’s slow rediscovery of his past life: And that was with the inclusion of Somnus magic and Adder, while also implying Peacemaker’s strong will allowed only part of the enchantment to take effect (it’s been shown that dragons with strong wills can overcome Animus enchantments.) With Adder tormenting Peacemaker’s dreams by pushing memories of Darkstalker into his mind via dreams, Peacemaker would still be Peacemaker, but the Somnus magic allowed that anguish and confusion in his mind to occur. Needless to say, I was nervous about the introduction of Somnus magic, as I felt readers might think I was “Jumping the shark.” In order to make Somnus magic make sense, I focused on the rules and limitations of this magic and how it interacted with Animus magic. This way Somnus magic is not instantly more powerful than magic from canon.

Q: Why did the group of bandits refer to Lynx and Bobcat as “Cursed ones” in the Winglets for Finding Peace? Why is there a group dedicated to killing them?

A: In the Darkest Eclipse AU there exist multiple secret societies that are aware of the paranormal of the world (such as The Dream World and Realm Between, though they are typically named differently depending on the organization.) As for this particular group, the Bandits that raid the border between the Sand and Ice Kingdoms hunt for the paranormal while seeking to make a profit off of them. As for why this organization targetted Lynx, in particular, has less to do with who she was as a dragon, but everything to do with her ancestry. As Qibli and Hailstorm discovered: Lynx is descended from the Somnus bloodline, making her a very distant cousin of Surf’s family. When she traveled from the Ice Kingdom to Sanctuary, the bandits targetted and killed her because of this bloodline...and the fact that she was married to Winter, who has ancestors from a line of animus dragons. As for why the bandits would want to kill Bobcat: in essence, he is a dragonet of the Somnus and Animus bloodlines. While Lynx does not have an active Somnus Gene, and Winter does not have an active Animus Gene, the bandits viewed this union as cursed, as no dragon has ever seen an Animus or Somnus descendant have a dragonet. Fearing what they do not understand, the bandits killed Lynx to prevent the hatching of a dragonet of the Somnus and Animus bloodlines. Ultimately the bandits failed in the objective of killing Bobcat before he hatched: As the last act Lynx did before succumbing to her wounds, was hiding her son’s egg in a place Qibli would find when he, Hailstorm, Winter, and guards of the boarder arrived.

As for if Bobcat’s existence will remain secret to the bandits and other groups like them: That remains to be seen.

Q: Are there any more stories planned for The Quartz Winglet? Will we see Peacemaker’s life in the Sky Kingdom with Cliff, or the Quartz Winglet reuniting during the Winter Solstice festival in the Sky Kingdom?

A: Yes, to all.

Sometime before the summer: I plan to do a short story that takes place two weeks after the end of Finding Peace, in which we see a day in Peacemaker’s life in the Sky Kingdom and how he is faring. I feel this short is important as it will show one last POV dedicated to Peacemaker and how he is starting to rebuild his life.

We will definitely continue to follow The Quartz Winglet in future stories. Braving the Tempest will follow Tempest’s point of view and show the Quartz Winglet reuniting in the Sky Kingdom during the winter solstice festival. The relationships between these young dragons will continue to progress in the sequel to Finding Peace, named Braving the Tempest, and I look forward to showing you all what new adventures they will have in the future.

[fanfic-corner]

Writer Castiel

4/12/20 - I have wanted to be a writer since I was ten years old, so maybe I’m biased here, but I absolutely adore the idea of Cas being an author if he lived a different life!

Tabula Rasa by Dangerousnotbroken on AO3. (78,240 words).

Tags: Writer Castiel, Bartender Dean, Past Relationship, Pervasive Themes of Memory, Magic, Canon Typical Violence, Mentions of alcoholism, Mentions of Past Child Neglect, Mental Illness, Witches, Ghosts, Bi!Dean, Bi!Castiel, Referenced Past Minor Character Death, Angst, Slow Burn, Memory Loss.

My Rating: 5 stars.

Description: Once upon a time, Castiel Novak had everything. He had a happy home life, a full scholarship, and, if he played his cards right, a promising journalism career. And on top of all of that, he had Dean. Then tragedy struck, as it tends to do, and Castiel lost everything. At thirty six, he’s got none of those things. He’s got no family to speak of. He’s got a job investigating purportedly true tales of the supernatural for a magazine no one reads. And worst of all he hasn’t seen Dean in nearly twenty years. So when research for an article turns him on to a witch who apparently grants wishes in exchange for stories, Castiel figures it’s worth the risk. If making a deal with a witch can get him Dean back, what has he got to lose?

Notes: This was absolutely amazing; both written beautifully and with a fantastic plot.

the inexhaustible silence of houses by Askance on AO3. (31,820 words).

Tags: Horror, Psychological Trauma, Domestic Violence.

My Rating: 5 stars.

Description: Almost two years after the world doesn't end, Castiel falls from grace—and loses his voice in the process. It is the impetus for confession and change; before long, he is settling into a loving relationship with Dean, the Winchesters are tired, and hunting for a place to land has taken precedence to hunting anything else. Dean and Castiel fall in love with the strange little house on the end of Swallowtail Drive, and for a little while life is as it should be—sweet, affectionate, and beginning afresh. But more and more Castiel sees and hears things in the house that beg the question of whether or not a place itself can be alive. The walls and rooms seem to shift and grow and breathe, and one night, Dean comes home from a hunt changed in a way that Castiel cannot explain. In the months that follow, their domestic bliss takes turns for the dark and sour, and the confusion of their circumstances will ultimately test everything Castiel knows about the man he loves, and everything he believes to be true.

Notes: Excellently written, made me cry, and the ending was brilliant. Technically it isn’t tagged as Cas being a writer, but he does write some poetry throughout, and I couldn’t help myself.

Lost and Found by whelvenwings on AO3. (7,762 words).

Tags: Writer Castiel, Mechanic Dean, Demisexual Castiel.

My Rating: 5 stars.

Description: “Chuck Shurley? Sure, I’ve read his books. Kinda Vonnegut, but like, Kilgore-Trout Vonnegut, you know?” Dean took another gulp of his whisky, and smacked his lips like an adult. The guy sitting beside him at the bar, however, did not look suitably impressed. In fact, he was staring down into the bubbles of his cider, not even noticing the way that Dean was smiling at him, giving him the eyes. “I thought his stuff was pretty good, in a kinda metamodern way,” Dean added airily, and a little more loudly. The guy only nodded gloomily. Dean almost clicked his tongue against the roof of his mouth in frustration. C’mon, dude, I’m trying to impress you. Twenty minutes of talking and all Dean had to show for it was a weird first name, a series of dour stares and the strangest need to know more about this – Castiel.

Notes: This was written so well that I wanted to cry at Cas’ story of the stars, even though it wasn’t particularly sad. Now I want to go and stargaze with someone.

The House on the Ocean Road by coffeeandcas on AO3. (111,351 words).

Tags: Single Parent Castiel, Alternate Universe, Angst with a Happy Ending, Tooth-Rotting Fluff, Hurt/Comfort, Emotional Hurt/Comfort, Emotional Baggage, Hurt Dean Winchester, Writer Castiel, Car Accidents, Past Character Death, Adopted Children, Mentions of Suicide, Slow Burn, Anxiety, Panic Attacks, Implied/Referenced Suicide, Near Death Experiences, Hospitals, Explicit Sexual Content, POV Dean.

My Rating: 5 stars.

Description: Dean Winchester is on the run from his life. He's done something unforgivable, and can't face his family or friends ever again. So he does what any rational person would do: fakes his own death and vanishes into the ether. Wandering aimlessly along country roads, he succumbs to the elements during a violent storm and wakes up hours later in the home of a stranger: a single dad living alone in an isolated beach house, with a haunting past of his own. Cas is sweet and shy, but welcomes Dean into his home and tells him he can stay as long as he needs, never prying into his life or asking him to spill his secrets. As they rapidly forge a close friendship, Dean finds that the quiet life by the ocean with Cas is exactly what he's been dreaming of. He only hopes his past never catches up with him.

Notes: This was so gorgeous and the plot was fabulous! Also, I loved Jimmy, and Dean and Cas as parents were adorable. Weirdest use of Cole’s character that I’ve ever seen though.

What Can’t Be Seen by destieldrabblesdaily on AO3. (2,639 words).

Tags: Soulmate AU, author!Cas, Strangers to Lovers, First Kiss.

My Rating: 5 stars.

Description: Written for this prompt: Soulmate AU where you first see color after eye contact: Cas is a famous best selling author and he’s promoting his book, so he’s talking to a crowd of people and suddenly his world is in color, and a lot of his fans pretend to be his soulmate. A Cinderella type situation ensues.

Notes: This was really cute and such a sweet and funny idea.

(un)conventional by imogenbynight on AO3. (6,100 words).

Tags: Alternate Universe, mechanic!Dean, Writer!Castiel, Conventions, Fluff.

My Rating: 5 stars.

Description: Spec Lit Con--Speckly Con, to it’s regular attendees--is an annual weekend-long event held in Chicago, dedicated to science fiction, fantasy and otherwise speculative literature. This year Dean's favorite author, C.J. Novak, is appearing as a panelist. Naturally, he shells out the cash for an all access pass.

Notes: This was so adorable that I nearly screamed in the corridor outside my computer science lesson. Plus, the writing was absolutely gorgeous! I miss conventions :(

I Think That’s Mine by palominopup on AO3. (6,804 words).

Tags: Fluff, AU, Reporter!Dean, Writer!Cas.

My Rating: 4 stars.

Description: A mix up at the Atlanta Airport places Dean Winchester's laptop in someone else's possession. A series of calls and texts bring two men together.

Notes: This was so cute, Cas was so sweet, and Dean was an icon.

‘Star Wars is Overrated’ by leftdragonpainter on AO3. (38,186 words).

Tags: Soulmates, Pining, Drinking, Writer Castiel, Mechanic Dean, Neighbours, Swearing, Winchester Logic, Clueless Dean, College Student Sam, Awkward Dates, Dean Cooks, Castiel in Glasses, Slow Burn, Injured Sam, Fixing Cars, Smut, Costumes, Drunk Texting, Temporary Amnesia, Angst and Humor, Angst with a Happy Ending.

My Rating: 4 stars.

Description: When Dean Winchester turned sixteen he was disappointed by the words that appeared on his chest. He never expected that it would take so much to find his soulmate. He never expected to not remember meeting them...

Tags: Every time I thought I knew what was going to happen in this fic, something completely different happened, which I loved. 

Event Horizon by Winglesss on AO3. (6,442 words).

Tags: Suicidal Thoughts, Suicidal Dean, Depression, Post Traumatic Stress Disorder, Past Character Death, Emotional Hurt/Comfort, Fluff and Angst, Texting, Sharing a Bed, Happy Ending, Veteran Dean, Doctor Dean, Writer Castiel, Strangers.

My Rating: 4 stars.

Description: Castiel couldn't have helped his sister. That's why being offered a chance to help somebody else dealing with suicidal thoughts he took it without hesitation. When he gets the first text from someone who needs his help, nothing goes as he expected.

Notes: I don’t know if that kind of suicide prevention scheme exists, but this fic is very sweet. 

Darkly Dreaming Dean by Duckyboos on AO3. (29,008 words).

Tags: Alternate Universe - Serial Killers, Alternate Universe - Police, Detective Dean Winchester, Writer Castiel, Serial Killer Dean, Alternate Universe - Dexter, Established Relationship, Murder, Top Dean, Bottom Castiel, Anal Sex, Innocent Castiel.

My Rating: 3 stars.

Description: Dean Winchester has the perfect apple pie life with his shy-but-sweet boyfriend in the suburbs. He has a steady, well-paid job with the LAPD and he’s charming and attractive. Really, he’s living the American Dream. It’s his extra-curricular activities that some may disagree with, as he’s also an accomplished serial killer. To date, his kills amount to around 36 and he’s never been caught. He’s employed by the law, remember? He knows how these things work.

*

A new serial killer arrives on the scene and despite the sloppiness of their work, Dean is intrigued by them and what they're trying to achieve, because their MO is the same as his; killing bad people. He makes it his mission to track the other killer down before the police do, and he’s left reeling when the 'Basin Vigilante' turns out to be someone a lot closer to home than he could have ever imagined.

Notes: I sort of watched Dexter a few years ago, and I absolutely love the idea of Dean as a vigilante serial killer. I only wish that the synopsis was a bit different, so the end was more of a surprise.

Finding Home by Desirae on AO3. (42,828 words).

Tags: Baker Dean Winchester, Writer Castiel, PTSD, Past Childhood Trauma, Childhood Kidnapping, Mistaken Identity, Dean Whump, Castiel Whump, Best Friends to Lovers, Emotional Sex, Fluff, Humor, Angst with a Happy Ending.

My Rating: 3 stars.

Description: Dean Winchester lived a quiet life running his bakery. Aside from family, Dean had no desire to let anyone inside. The more people you cared about, the more you had to lose; A hard lesson he'd learned at the tender age of eight when Dean’s best friend was kidnapped right before his eyes. Dean was forever haunted by the event, although he hadn’t realized quite how much until Emmanuel James Milton breezed into his life; waking his sleeping heart with a complete lack filter and achingly familiar eyes. An author, with no family and traumatic past of his own, Emmanuel never felt like he belonged anywhere until he walked into The Honeybee Bakery and met Dean. It’s not long before they find out that there is a reason for their profound bond.

Notes: It was obvious what was going on here from the start, but that just made it even cuter as they fell in love again.

I think it is a shame we didn’t get more human Cas content, but I guess it is too late now. I hope you enjoy these fics, and if you ever have a specific list you want me to make, feel free to ask!

[shipping-receiving]

Trivia Tuesday: Some Notes on Full Spectrum

I’m not sure if I’ll return to this story anytime soon, so I thought I’d share a little about what I wish I had done differently, and what I might do if I ever continue it.

First of all, I have to confess that I basically winged it when it came to the plot. The novel on which I based the story has an incredibly elaborate universe, so I needed to figure out how to condense that. Plus, the novel was meant to be the first in a trilogy, but the latter two books have never been published, so I had to make up or gloss over a few things as I went along. Regardless, I knew I wanted seven chapters (seven colours, Seven Kingdoms etc.), so I started off with the chapter titles using idioms/sayings that fit those seven colours. 

The first chapter I wrote was Chapter 4: The Grass is Always Greener (i.e. Jaime and Brienne banging in the meadows of Tarth while tripping on colour), then Chapters 1–3 after that, all while praying that the solution for Chapters 5–7 would just magically come to me. At the end of July my outline for Chapter 7 was still: LOL IDK THEY'VE FALLEN IN LOVE IN A DYSTOPIA NOW WHAT?! So there are a ton of things that I would have changed or included if I had… you know, actually planned everything properly beforehand.

Anyway, some hopes, regrets, questions, and headcanons after the cut:

What I would write assuming the current version stays as it is:

Ideally – though I seriously doubt my abilities to pull this off given the amount of anxiety I experienced regarding all the plot conundrums in this story – I would love to write a trilogy of seven-chapter stories. Seeing as the first focuses on uncovering the conspiracies, the second would involve more political manoeuvring culminating in some sort of revolution, and the third might be… post-apocalyptic? Maybe? Or at least taking place in a kind of unstable version of the new social order.

The second act would also involve a Stoneheart plot, once they make contact with the resistance. This would explore how the Starks’ Purple perception was taken away, and what they know about the Wildfire Protocol.

Along those lines, I’d probably need to figure out J and B’s relationship arcs for the second and third acts. I suppose the most straightforward would be to have her pregnant for the second part, and there’s a time jump in the third part so they already have at least one kid.

I am toying with the idea of writing that epistolary interlude I mentioned at the end of the story. The fic would be entirely composed of sexy letters between Jaime and Brienne while she’s on Tarth (perhaps she’s stuck there for a month or two), but Jaime reveals some of what’s happening with the Council and she discusses what she’s found out from the Stark girls. I was even thinking of hiding the sensitive information in the sexy stuff – code, invisible ink, something like that – so each letter between them might actually have a second letter embedded in it.

I really love the idea of the Wildfire swatch being ‘planted’ all over King’s Landing, not to “burn them all”, but rather as a mass exposure of everyone to the Wildfire Protocol and the ability to see in natural colour. I don’t know how this could be done safely, given the addictive qualities of colour and the general chaos this would cause, but I like the subversion of canon!Wildfire. It might be the grand gesture to trigger a revolution.

*sigh* I might have to write about Shae betraying them. It’s why I tried to be careful to mention that there is hardly any way for her to know that the Stark girls are the Stark girls (it’s not like she can see Sansa’s red hair anyway), even though they stayed at her house for a couple of nights. It’s just so I could keep them protected if I have to.

Now, here’s some parallels with canon that I would make space for if I overhauled the story and turned it into a longfic:

I’d find a way to do Enemies to Lovers instead of Strangers to Lovers. My fics tend to work with the latter, so I’d want to challenge myself in that way. It’ll give me more time to develop the characters and the world as well. In that vein:

I would want to figure out a way for Jaime to be known as the Kingslayer or some equivalent, which would establish animosity between him and Brienne from the get-go. Also:

I would actually write in some form of twincest, though this would likely have ended by the time Cersei marries Robert. The idea of Jaime and Cersei having the exact same Purple perception and seeing the world in the same way (and differently from everyone else) is really ripe for exploring their dynamic and how it became toxic. It’s possible that this dynamic never became (fully) sexual, given the fact that the Colour Perception Test can also function as a kind of rough paternity test, but I think it would make for some great dialogue between Jaime and Brienne as he confronts that past. (I really wanted to write this back when I was planning for this story to switch between Brienne’s POV and Jaime’s, but it became clear that I wouldn’t be able to resolve this comfortably in seven chapters, since I prefer to give the characters time to process.)

By extension, I’m thinking about what it means to “see the world with the same eyes” – and how in canon, Cersei and Brienne are meant to be mirrors of Jaime in vastly different ways. There’s a lot to mine there in terms of Colour Perception (the vision one is born with) vs. World View (the values one cultivates). There’s also some space here for thinking about beauty as being seen vs. the act of looking.

JAIME’S GODDAMN HAND. I never explained how he lost his fingers because… I don’t know. I assume in some kind of accident during one of his scrap colour expeditions. But since its loss is so symbolic in canon, I would want to find a proper parallel for this. Perhaps he loses an eye instead?

And here’s elements from the original novel (Shades of Grey by Jasper Fforde) that I would expand upon:

I’d need to better explain the Chromatic Hierarchy and how it works within the context of a feudal system. Or at least have it make more sense in my head. In the original novel, I think it was intentionally meant to be rotational in some way so certain families couldn’t centralise power for more than a few generations, but perhaps I’ll need to tweak it further to make it fit Westeros.

The original novel had a ‘central government’ called National Colour, which I replaced with the Ultraviolet Council without really having a clue how that might work. Are they a fully functioning government with a civil service? How does that work with a pseudo-feudal system – local/state and central/federal governments?

I might also want to expand on the merit system, which has much higher stakes in the original novel – if you lose enough merits, you’re sent to Reboot (thus far unexplained in the source material). It’s a means of regulating behaviour that I chose to push to the background, but I think there’s potential here for Brienne to lose faith in a ‘moral code’. Reboot could also be the official story for why the Starks were pushed out, rather than relying on the ‘diluted Purple’ narrative.

On that note, I should probably delve a bit more into how scrap colour works, and the whole economy surrounding it. In the original novel, it’s implied that scrap is basically artificially-coloured relics/trash from the past world (our world).

[silly-anshe]

What do promos  tell us? - Characters and their journeys

It’s been a couple of days since a new teaser dropped for s8

We also had this

Putting these two little teasers together, we get what will be one of the two major plots of the season: D@ny in Winterfell (which is, in its very nature, politically-driven)

A thing I want to point out: teasers like these ones (clips) are very malleable. People in editing can make it look like one thing before the season premieres, and then, it’s another thing entirely (I’m not talking about these teasers in particular, because the fandom, at least the part of fandom I interact with, was right in their theories and assumptions. I’m talking in general. Go watch the trailers for previous seasons, especially the early ones, they can be misleading, and that’s actually its purpose)

Ok, with that out of the way...

Given season 8 is the final season, it’s already established that we know these characters: their way of acting, of thinking, of approaching things.

For example: 

We got the ones that are involved in the Big Game, the politicians/diplomats (Tyrion, Varys, Sansa, Cersei, Davos, Missandei)

We got the ones involved with prophecy/magical elements (D@ny, Jon, Bran, Melisandre, Night King)

We got the warriors (Jaime, Brienne, Arya, the Hound, Tormund, Beric and the Brotherhood, Gendry, Yara, the armies of men and the dead)

We got the loose canons (Euron and Bronn, though I really wish Bronn will somehow ride north with Jaime)

We got the unlikely heroes (Theon, Sam and Pod)

We got to a point where we know these characters’ traits and faults, we know what they’re good at and what their bad at.

But how were these characters introduced?

(I will focus on promotional pictures for this. This meta will focus on Jon and D@enrys, since they are two of the main players used to promote the series before it premiered)

So let’s start with Jon:

Jon Snow-Season 1

This is the first promo pic we had of Jon Snow. It has a quote of the oath of the Night’s Watch, instantly painting him, at the eyes of the audience, as a warrior, as a defender of men. It clearly contrast with the one for Cersei, which paints her at the eyes of the audience as a cunning, not-to-be-trusted politician

Now let’s go to Season 2:

After all that has happened in S1 (i.e: the political intrigue of the South), we see Jon is still tied to the Night’s Watch, still tied to his vows, as another part of the oath is quoted on his poster. His poster is apolitical, with no ties to all the political upheaval that Westeros is going through. He’s still a defender of men, a knight on a noble crusade. Only now, he will learn that there is more than one way to defend people. He will learn that information is as valuable as a sword when it comes to battle. It is from this season onward, that Jon will learn how to be a strategist. It is in the season 2 finale that he infiltrates the Wildling army under Qhorin’s command. No matter how things might seem, he’s still a sworn brother of the Night’s Watch, the watcher on the Wall, the sword in the darkness. His loyalty lies with them and this quote reminds us of that.

His ties with House Stark are severed, even though the fact that he’s the bastard of Winterfell is constantly brought up throughout the seasons. Let’s compare his poster to Robb’s:

Robb’s promo poster is political. He ended season 1 being crowned King in the North. The War of the Five Kings is at its genesis. But the Young Wolf is different from the other kings, he doesn’t want the Iron Throne, he goes to war to avenge his father and achieve northern independence. His quote is “the North remembers”; it’s a promise to the enemies of House Stark and the North. It instantly solidifies the conflict between the North and the South. There’s also another poster with the same line, made to represent House Stark/the North:

There’s also a Joffrey/House Lannister poster (I apologize in advance to all House Stark stans):

With this one. I’m so sorry, I apologize again, the audience gets the true nature of Joffrey, and also the behaviour of House Lannister overall, once Joffrey ascends as King. I’ll talk about the one for House Targaryen when I get to D@ny. 

But let’s jump forward to season 6 (I make this jump because for season 3 and 4 it’s the same poster for all characters, nothing really distinctive about them):

Season 6 promos had the motif of the Hall of Faces, from the House of Black and White. At first sight, this promo poster doesn’t seem like much. I mean, it doesn’t have any quote on it that relates to the character so, what’s so special about it?

Well, in the GOT wiki, in the photo gallery for season 6, are all the teaser posters for the seasons, with a quote relating to the character’s journey up until this point. Jon’s quote is: "The long night is coming...and the dead come with it." Again, this quote keeps him tied to the Night’s Watch and their fight against the Night King. He’s still the knight on a noble crusade, only this time, he’s not part of the Night’s Watch, but he still has their fight against the Others as his top priority. He is the shield that guards the realms of men (a line he says to Beric in S7 during the wight hunt, mind you).

A side note: something I observed is the connection Jon’s quote has with the other Starks (sans Arya, since she’s training to become No One). It’s the first time a promotional teaser poster links him to the Starks. By making this connection, it’s clear that, when at first, his fealty was with the Night’s Watch, now it is with his House. What is the connection? The sense of loss and being at a low point. We all know it’s been that way for the Starks since season 1. The quotes from House Stark are the following:

"I've won every battle, but I'm losing this war." - Robb Stark 

"If I'm going to die, let it happen while there's still some of me left." - Sansa Stark  

"Anyone can be killed." - Arya Stark 

"Show them how it feels to lose what they love." - Catelyn Stark 

Season 7 was the same as seasons 3 and 4: same quote (a House Stark-related quote) for all the characters, with the tiny hint of the Night King. Nothing particularly special, but we could point out the use of a quote heavily related to House Stark “Winter is here” (a line said by Sansa to Jon in the season 6 finale, mind you) and the hint of the Night King in the eye of the characters, alluding to the fabled “Ice”, the Night King and his army of the dead. So I wouldn’t be so surprised if the promotional posters for season 8 contrast the ones from last season, alluding to the fabled “Fire”.

So, now let’s go with D@ny

D@enerys Targaryen-Season 1:

The first promo we get for D@ny establishes her as someone in completely different world from Westeros, a woman out of place, and she’s holding one of her dragon eggs. To add to it we have the quote “I do not have a gentle heart” (one said by her to Jorah). So this promo poster sets her as a, in lack of a better way to explain myself, a strong woman (ugh). We bear witness to the hardships D@ny has to face in season 1, but she faces them all and at the end comes up on top, with the birth of her dragons. 

Now, let’s see season 2 D@ny:

The quote she is given for the season 2 poster is a way to introduce, little by little, the mentality of House Targaryen. So far, in season 1, we’ve learnt about the Targaryens like history, through the eyes and minds of other characters (Aegon the Conqueror, Mad King Aerys and Rhaegar during Robert’s Rebellion are the most notable), but we got to see glimmers of the Targaryens with Vyseris’ behavior and later D@enerys’. The birth of her dragons is a catalyst for her: she’s still Khaleesi, but we get to see more and more of the “dragon” in her.

It is in this season, we start to see D@enerys embrace her Targaryen roots.

Her promo poster is also very similar to Robb’s: its quote is also used to represent her House in the House Targaryen teaser poster

It heavily features fire: the small pyre, the dragon egg cracking, and the Targaryen sigil, the three-headed dragon. It represents the birth of the dragons, that we see at the season 1 finale, but it also represents the return of House Targaryen with D@ny and her three baby dragons. Let’s not forget the full quote “I will take what is mine with fire and blood”. From now on, D@ny is in a quest of power to get what she thinks was taken from her: the Iron Throne.

As I explained earlier, season 3 and 4 didn’t have posters that stood out individually, character wise. 

So with that said, let’s jump to season 6:

As I explained with the Jon poster, at first glance, it would seem that the season 6 promo posters would be no different to those of previous seasons, that is until I looked up the pics in the GOT wiki and saw each one had a quote. D@ny’s quote was the following: "I will do what queens do. I will rule." By this point, she has her armies and is Queen of Meereen, she’s in a good place. But season 5 threw at her new hardships that tested her as a ruler and by the end of the season she ended fleeing the city atop Drogon. So, in season 6, we see D@ny readjust herself amongst the Dothraki in Vaes Dothrak, but later, when she murders all the Khals and the Dothraki see her as the “Unburnt”, she becomes their leader, gaining another army for her quest for the Throne. She deals with situation in Meereen quite swiftly (with the intervention of Tyrion, but it didn’t prevent her of going all Dracarys) and she gained new allies in Dorne and the Reach. So she ends the season with a long-awaited moment: sailing for Westeros.

Her quote is about power. Her goal, from the start, was to get back to Westeros and reclaim the Throne. She wants to rule, she seek that power. But, just as Jon’s quote connected him to the Starks’, does D@ny’s quote connect her to anybody else? If we concentrate on power, then yes, her quote connects to others:

"When you play the game of thrones, you win or you die. There is no middle ground." - Cersei Lannister 

"Everyone is mine to torment." - Joffrey Baratheon 

We have Cersei, who seeks to maintain power since the very beginning, and we also have Joffrey, who, as King, did what he pleased with his subjects (the little shit). But there’s another quote, but it doesn’t connect, rather it serves as contrast:

"I was never meant to rule." - Robert Baratheon

Here we have a Lord that went to war and won, thus making him the King and establishing a new dynasty. Everyone knew Robert was a great warrior, proven time and time again on the battlefield, but when the time came for him to lay down his warhammer and rule, he proved he wasn’t the man for the job. He was a warrior, not a ruler. And I think it’s the same with D@ny, she’s a great warrior, she has proven herself as a conqueror, but we’ve seen she’s not fit to rule. As Daario points out in season 6:

The difference between Robert and D@ny is that Robert was well aware of his inability to rule, whereas D@ny is uncapable to see her own faults as a ruler. Also, I find this parallel/contrast between Robert and D@ny super ironic.

D@ny is great in a battlefield, but she fails when she has to bring people together. She’s great when she has to set ships and armies ablaze (which is very cruel, because you know, death by fire sucks), but she fails when diplomacy is involved. Her tenure in Meereen is a big testament to that.

Sansa puts it better:

“Now, I’m sure cutting off heads is very satisfying, but that’s not the way you get people to work together”

In conclusion:

We get introduced to Jon as a guardian, as a protector. That image of him never goes, even after he leaves the Watch. His role in the story, overall, is the one of a defender, of a honorable knight that fights for a noble cause. From the start, he is the watcher in the Wall, the sword in the darkness, the shield that guards the realms of men. That’s his main goal: to protect people from the threat of the Night King. And throughout the seasons, we’ve seen him become not only a leader, but a strategist, someone that values information as much as he values an army.

On the other hand, we get introduced to D@ny as a woman out of place, but that quickly acquires power, and that’s her goal. Neither of these things really go away in her story, too: she is a woman out of place because she longs for home, and tries to find it anywhere she can. She acquires power very quickly and becomes a formidable force all on her own, but as her power rises, the more she embraces her Targaryen heritage. Her role in the story, overall, is one of a conqueror, just like her ancestor, a warrior. While there are some savior tropes (white savior tropes) in her storyline and she tries to do good for the ones that can’t defend themselves, her story is mainly driven by power. Her main goal never stops being the Iron Throne.

And also, they’re the last two Targaryen: one, a defender, the other, a conqueror. Their stories go in opposite directions. That’s the reason why in the last season, Jon and D@ny are going to clash. And it’s been spelled out for us from the start.

[ofrosesandash]

100+!

Holy crap, I've broken a hundred followers. And this reboot of Margaery has been kind of fantastic for me, so thank you to everyone following me, and everyone who has talked to or written with me. In honor of this milestone, I am giving a nod and a shout out to some great blogs and their writers. Due to my ass being terrible with noticing these details, I'm using the pronouns "They" because I'm not positive who is a she or a he or in between.

To begin with, my first shout-out to those I feel are constantly under appreciated: MultiMuse Blogs. I mean, there can be rare and wonderful Muses in their rosters. Running one of these Bad Boys is a HUGE commitment to multiple characters you believe you'll use frequently. These peeps are the lifeblood of RP Communities.

@astormofagirl​

Cori is amazing and we go way back to when I first started writing Margaery, I wanna say in 2015. We've both bounced between in different URLs and Blogs. While I've only written with their Sansa at this time, they have a lovely selection of ladies they write quite well!

@openxstrings​

They've got a selection of top notice rare muses, and at least one nifty OC. It's been a bit since I checked out the roster. The ones I've written with are Edward Covenant from "The Order", Herc Hansen from "Pacific Rim", their Pacific Rim original, and Riddick-aka the badass Scifi Anti-Hero portrayed by Vin Diesal. Not only are all of these characters available, they write them damn well. Talking with them has been a true delight; and though there is a time zone difference, it's worth waiting for them to respond. Not to mention, they're honestly just great to talk to about antics planned or occurred.

@fallesto​

This lovely person reblogs a roster of their active muses. They've got some of the tougher ones in the fandom-Cleganes, Joffrey, Qyburn, Selmy, and others. The roster also currently includes all of Margaery's husband. You should, honestly, already be following them.

@asoiafundone​

A multi Muse by Lady Grey. A fantastic Mun and a dynamite writer. We haven't written quite as much as I'd like yet-but we have spoken a bit. Lovely person, brilliant writer.

@orionknytechildofzeus​‌

Don't let the URL fool you, they’ve got more then one muse. They've got a cool selection of OC's and Canon characters, and they're a lot of fun to write with!

@sarcasmasadefense​

I haven't written with them yet (my bad), but they seem very nice, and on their roster includes the lost Tyrell brothers, Willas and Garlan!

@mcssagcinabottlc​

A lovely person I spoke to and wrote with a little; their roster contains Margaery's sister in law, Leonette Fossoway.

The Squad

These are two who've had the most OOC and partial crack interactions which. These discussions have been pretty much perfect, so, I identify them as Margaery's squad.

@bastardslayer​

I mean, look at that URL. There are many talented Sansa's on this site, but that URL definitely stands out to me. We've been plotting and talking out of character almost fairly regularly, and they've got a great grasp of their muse.

@chevalier-de-la-fleurs​

Similarly there are a number of great Loras's out there. That said, this particular Loras writer has always been the easiest for me to talk to. I don't know them well, but they're friendly, and a great writer, and I've really enjoyed writing with them.

Precious Ones

These are people I love writing with. Maybe they aren't in Margaery's squad (at least yet), but she definitely enjoys her time with them, and is prepared to fight for them.

@outlawerofbeets​

NORA IS THE MOST BEAUTIFUL SUNSHINE SPOT IN THE FANDOM. We mostly scream head canons about Margaery and her smol King Husband back and forth at each other, but we have threaded. It's always a treat, and it usually tugs at my heart strings. For instance, once upon a time, Margaery found herself romantic with a Tywin. And she started to apologize to Tommen and explain she didn't think it was wise if they married, because she'd fallen in love with another. When she revealed who, Nora's Tommen's response was the most precious, purest things ever. "But he's old!" Also they've got an older Tommen/Arya ship that's to die for.

@agirlofwinterfell​

This is the first time Margaery has really connected to an Arya. And, like most of the older people Arya meets, she would kill for this murder inclined child. We've already got one AU for my Olen verse, where both Arya and Margaery are at the wall pretending to be boys.

@a-maimed-man-and-bitter​

So far we've got one thread; but ya know, it's been great watching Margaery and Jaime interact. This is furthered by the fact that their grasp of Jaime hurts my heart.

@mombeavty​

Margaery is so happy to finally connect to her twice sister by law. And honestly, I've never quite grokked full book or show canon, as I personally favor blended-so I really like what the mun has done with their muse.

The Greatest Ladies GRRM Inspired

I have a mad love for original characters. While writing a pre-established character takes talent, original characters express one's love and passion for a fandom. That fandom has inspired a whole character. Side note, I honestly love original character relations to canon characters. (If you couldn't tell). I don't see role play as needing to follow canon, as long as everyone acts in character. So, the more the merrier.

@thelittlestrcse​

Margaery didn't know how much she wanted a real sister until Trysta appeared. I'm a bit slow to respond to my threads with them, but this isn't commentary on my appreciation for mun or muse.

@lilliyxn​

A newer lovely muse, one can never have enough Blackwaters. Where GRRM stopped with Bronn, they decided he needed a sister.

@meryllfrey​

Honestly this is an original character that's managed to stick around, and that's saying something. Writing an OC can be extremely discouraging, with minimal interaction, almost no chance at shipping. But Lady Grey's Meryll Frey is a testament of creativity and determination.

Shout Outs

These are people I've talked to but for whatever reason haven't written with yet. For some of them, this is strictly on the standard of Margaery wouldn't interact with them, or I haven't cooked up anything yet.

@truetargaryen​

This is a super sweet muse running a book based Danaerys Targaryean. While I favor blended canon myself, book canon is nuanced, so pulling it off is an impressive ability. And pull it off, they do.

@exilekniight​

I first ran into them on one of my OC blogs, and honestly, I love them. Other then a previous absence of Jorah Mormonts in the fandom, well, let me quote them "Jorah Mormont FUCKS". This highlights their delightful attitude.

@longmayshereignxcersei

For obvious reasons, Margaery and Cersei will never be best buddies. That said, this is still my personal favorite Cersei-and not just because they put up with my originals. They're lovely as a person, and a very talented writer with some brilliant insight about their muse.

@foreignaccent​

This is another monument of the fandom. I've been dabbling between different muses since Season 3, and I can usually find that URL around. A fandom treasure, and a nice person

@potterstillstinks​

In talks with them, I fleshed out Margaery's wizarding world verse. They also put up with me because we were in the middle of discussion when I found myself in the ER due to a negative medication reaction. Even checked in. So, if you've got an HP verse, I strongly suggest following this Draco Malfoy.

Shameless Self Promo For Other Blogs of Mine You Should Check Out:

Did you know the Hightower's - Margaery's Mother's Family - are actually really interesting? They have a Valyrian blade called Vigilance. Their house is one of the oldest, they man a Lighthouse, and their words are "We Light the Way". OH and more notably, they're rumored to dabble in alchemy, necromancy, and other magic. So Margaery has two side Blogs: One for her mother, and one for one of her Aunts.

@vigilantalerie

Alerie Hightower is probably the mother of your favorite Tyrell. Olenna was born a Redwyne, she doesn't count. That's right-this is Mace Tyrell's wife, mother of Willas, Garlan, Loras, Margaery-and Trysta too!

@madmaidmalora

First of all, consider that that's not just a clever url. That's literally what she's called-the Mad Maid, rumored to dabble in spells, last seen locked away with her father looking for a method to stop the Greyjoy Incursion.

Next up I have a pair of OC Families. The Wildcrows, completely Original Content, and House Ferren-mostly original content.

@thewildcrows

Technically Alyssa and Baelor Wildcrow had different names when I first conceptualized them. But those original concepts were AU's for characters whose face claims already existed in Game of Thrones-and characters I'm actually plugging in original works. As I result, I created these two. Lys and Bael Wildcrow are Sellswords born of a Night's watch Deserter and a Wildling. Their father may have been a Blackfyre, but they have no idea what that means-nor would either of them care. If I'm not bothering with giving them a claim, why bother making them Blackfyres? One: I wanted to give them purple eyes. Two: Fire invulnerability neither of them realizes they have, as they grew up isolated. I find this could make for excellent hijinks.

@ladyferren

See, I love ferrets. Probably my favorite animal. So when a canon house was revealed called Ferren with two silver ferrets on its banner, I was desperate to know more. Except there wasn't much. They existed. Banner House of House Lannister. So I got a little carried away creating a history of a House and occupants to inhabit it. While the primary character is Seiran-the sudden Lady of her house after her father's sudden death-I also have the whole damn house hold available for interactions.

Finally, just a pair of fandomless girls I think you might just like:

@trixboomblast

Beatrix is a favorite creation of mine. She's a fandomless original character with explosive tendencies, behaviors, and habits.

@wikipediawoman

This is a side blog of Beatrix. Deia was inspired by Deadpool-what with the ability to poke the Fourth Wall and know way more then she should about pre-established character. I'm winging her as well somewhere between a Time Agent from Doctor Who and a member of the Temps Commision from Netflix's Umbrella Academy Adapttion.

[rallamajoop]

An update on that charity auction thing (or, how I spent several months constructing elaborate headcanons about undercover agent air hostesses instead of just writing the damn fic)

Point the first: I still have not written the auction-winner's fic which I owe from way back in January. Her request called for case fic starring one of UNCLE's recurring female cast, such as Sarah Johnson or Heather McNabb, which was all well and good.

The sensible thing for me to do at this point would probably have been to churn out something starring Sarah, who is My Favourite and the much better developed of the two (I've had half-an-idea for something along those lines for ages). Heather (who, for all her established qualifications, mostly seems to be stuck being the girl back at the office who answers the phone) gives you far less to work with character-wise -- so little that the question of how to make a case-fic starring her work at all struck me as a real conundrum.

Unfortunately, I never can resist a good conundrum, and that's the long and short of how I found myself mentally committed to filling out that auction fic the hard way.

I could ramble on about the process here,* but the bottom line is that I've had the thing basically plotted out since around, oh, May or June or so, minus a few key details that remain sticking points (like a rather infuriating innocent-shaped-hole in the story). It was there that it dawned on me that one of the little details I really ought to have pinned down about Heather herself -- at least in my head, whether or not it came up in the story -- was the dangling question of just who her roommate was.

Some context: among the few things we do learn about Heather in her very first appearance is this bit of dialogue from Napoleon:

Napoleon: Oh, no, Heather's been with us almost a year. She used to be a stewardess. She rooms with--

But Waverly cuts him off there, so we never hear who she rooms with -- let alone why Napoleon might thing it worth mentioning to his superior.

 Knowing Napoleon, the obvious answer is that Heather rooms with some other attractive young woman he has dated, or would like to date -- perhaps another beautiful UNCLE girl (or stewardess). All the same, I spent some time casting for alternate possibilities before my brain inevitably went, "Well, duh, it's Wanda Townsend from S3 -- the other stewardess-cum-UNCLE-staffer, who very nearly became Heather herself? Who else would it be?"

This would call for a little context from what has become my specialty subject in the land of fandom trivia, the women of UNCLE. See, back before May Heatherly was cast as Heather McNabb, the role very nearly went to an actress called Sharyn Hillyer, who had a small role in the UNCLE pilot as the stewardess on the plane with Napoleon in the final scene (pic on the left below). I'm halfway-convinced that line I just quoted about how Heather used to be a stewardess could very well be an artifact leftover from when Hillyer was in the lead for the role, by way of explaining to the audience why a woman we'd last seen playing a stewardess was suddenly working for UNCLE as of episode 2 (it's certainly more interesting than to assume the writers were simply going "how can we make this sexy woman even MORE sexy to our straight-male-target-audience?" -- which it might still be, but I digress).

Hillyer's story on UNCLE doesn't end there, however, because she was eventually cast as a recurring UNCLE girl (the affore-mentioned Wanda Townsend) starting with The Indian Affairs Affair at the end of S2. But by Indian Affairs, Hillyer was actually making her third appearance in the show -- just 4 episodes previously, she'd appeared as another stewardess in The Project Deephole Affair (pic on the right above).

There's nothing remarkable about the same actress getting called back for multiple different roles in a show like UNCLE, of course, but the neat thing about Hillyer's parts is that you can so easily headcanon them them all into the same character. Her stewardess character from the pilot certainly seems to know Napoleon -- perhaps even who he works for -- and though it's subtler in Project Deephole, I always did like the idea she might just have been an UNCLE plant there too, helping keep an eye on the episode's hapless innocent. Heck, if UNCLE (read: probably Napoleon) canonically recruited one stewardess into their regular staff with Heather, why shouldn't there be more?

Now, I reiterate, to this point I have already dedicated north of 4K words to the subject of these characters and their place in UNCLE, from every obvious angle (and a number of less obvious). But so habituated had I become to thinking of the various Wandas as underdeveloped punchlines, and of the 60's stewardess as a one-dimensional male fantasy, that I am ashamed to admit it was only now that it hit me: recruiting stewardesses as UNCLE staff isn't just a convenient backstory for a couple of bit-parts, it's an act of genius!

Not seeing it? Let me explain!

To start with, the stewardess is the perfect courier. She might travel anywhere in the world as part of her daily routine, carrying items on and off the plane without half the fuss facing the average traveler. If there's a person of interest among the passengers, the stewardess is the one person on the plane who can walk by his seat a dozen times in an hour without looking the least bit suspicious, who can "helpfully" take an interest in whatever he's doing. Many in the job speak multiple languages, and what better job to give you familiarity with locations across the country, if not the world? Finally, after all that time in customer service, she'll have ample practice at sizing people up at a glance, quickly remembering names and faces, and maintaining a cheery smile no matter how much stress she's under (which may well include real life-or-death situations, given that air safety in the 60s was not what it is today). All invaluable skills for the budding spy!**

And if UNCLE aren't forward-thinking enough to have put all that together long ago, you can bet your liver Napoleon would be the one to rectify it. What better way to pass some microfilm to a courier than to conceal it in a bunch of roses, to be presented to his latest stewardess-girlfriend over dinner (during which he'll ask if she's ever been to Paris -- oh, you're scheduled to fly out this week? You must try this little shop -- let me write down the address -- ask for Jean-Louis, drop my name if you need to -- you won't regret it, I promise).

Heather may well have been one of his first recruits. This is all ancient history by the time we meet her, of course, as she's long since transferred to UNCLE New York full time (where, if her first bio is to be believed, she's since been promoted to head of Communications). Maybe she even personally recommended Wanda to Napoleon as another recruit. Wanda herself started out in nursing before moving to aviation (which was actually the normal career path for stewardesses back in the 30's, and far from unheard of even in the 50's and 60's -- neatly explaining how Wanda is qualified to give Napoleon all those shots in My Friend the Gorilla). Wanda was obviously spent at least a good couple of years working as one of UNCLE's stewardess-air-couriers, given she's in the same job from the pilot right up until late S2,  But by this point, Heather had long-since disappeared from the office (probably transferred to some other UNCLE office elsewhere in the world), and the New York office was short-staffed, so this would be when Napoleon talks Wanda into transferring to the office full time.

This is also where it all starts to go wrong. Napoleon, inveterate flirt that he is, leaves Wanda with the impression that he wasn't just offering her a transfer, he was also asking her to go steady -- and when it comes right down to it, both of them were a little at fault for that bit of miscommunication. Gentleman that he is, Napoleon did his best not to let her down when he realised the mistake (see: dates mentioned in Monks of St Thomas and Pop Art). But truthfully he just wasn’t that into Wanda, and got far too much use out of charm in the field (see: Do It Yourself Dreadful) to stay faithful very long. (Sharyn Hillyer herself once suggested that the particular joy Wanda takes out of sticking Napoleon with all those needles in Gorilla was a subtle little bit of revenge for all that cheating, and I don't think I can add much to that.) But by the end of the season, she's come to terms with the reality of the situation. (Maybe she has a rebound office-fling with Paul Westcott, guaranteeing maximum shadenfreude when Napoleon inevitably found out about her new beau).

No-one else at UNCLE has any great sympathy for Napoleon through all this. It may not have been entirely his own fault, but he absolutely brings it on himself.

(FWIW, feel free to adopt any part of all that needlessly-elaborate headcanon for your own fic use if you like it. I mean, I’d like to hear about it if you do, but c'mon -- now that I've put the idea in your head, there's just no way Napoleon isn't recruiting stewardesses to UNCLE's cause, is there?)

All well and good, but jumping back several topics, it is now still over 6 months since I promised that fic, and excited as I am by all this backstory, I am no closer to having anything to show for it. What the hell, thought I, even if there isn't a proper fic in all this, surely I can at least get a short prelude ficlet about how Heather was originally recruited to UNCLE out of it. I'll still have the case-fic to write, but I should be able to bang it out quickly as a quick apology to my requester for making her wait so long.

Naturally, this was my cue to... start furiously researching the world of the 60's stewardess, buy two different books, track down a library copy of a third, watch a few documentaries and generally get myself so excited over the research aspect that the fic still hasn't been written.

Over air hostesses. No, I know. I was not expecting this either.

But easy as it is to write them off as an outdated male fantasy, the world of the 60′s stewardess turned out to be a mess of fascinating contradictions -- not to mention a truly enlightening (and frequently horrifying) window into the world of Cold War gender politics. In an era when aviation was still something new, exciting and prohibitively expensive to the masses, it's hard to overstate how much it meant to some of these women just to have the opportunity to fly. So many applied for every opening that the airlines could pick and choose. Many if not most had college educations, spoke two or even more languages -- a small handful even had pilots licenses, but the airlines wouldn't hire female pilots, so they took the next best thing.

Yet for all their qualifications, no-one could hope to be hired if she didn't meet the airline's exacting beauty standards, and girls could be fired for no more than putting on a few pounds or turning up in the wrong underwear. They were 'acceptable' to mores of the day only because they played a suitably servile role, usually for no more than a year or two before leaving the job to get married (wedded stewardesses were, of course, forbidden) -- but a minority still made the work into a lifelong career, used their salaries to buy homes and independence, and their image in the fight for feminist causes. And for all that the airlines had originally hired women in the belief they'd be that much less likely to unionise and make trouble, there seems to have almost never been a time before these women had begun fighting for their rights. My reading list includes two different personal accounts from former stewardesses, both of whom worked 5 years for the same airline, barely a decade apart, and their experiences could hardly be more diametrically opposed. It's fascinating.

...and 2K more words of meta later, I still have not written my fic.

It's coming, I promise. It’s just not exactly written just yet. >.>

(Quite possibly there is yet another post’s worth of shameless history-geek-out over the world of the airline stewardess coming too, but that shouldn’t surprise anyone at this point.)

* Did I mention I also spent some of those months finishing a PhD and starting a new full-time job again for the first time in years? I don’t mention this to boast, it’s just, well, that sort of thing does get a bit distracting. Ahem.

** Lest you imagine I’ve come up with anything remotely original here, I’d point out that while researching the topic, I also discovered that idea of stewardesses as spies was a major plot point in the short-lived 2011 series Pan Am. It wasn’t a particularly great show -- I barely made it two episodes in -- but it did spark enough online discussion that I have seen former flight attendants (and various other commentators) both dismiss it as ridiculous, and suggest there was no way it didn’t happen -- especially once regular commercial Russian flights began. So take that as you will.

[meeedeee]

Final Fantasy FXV: Thoughts RSS FEED OF POST WRITTEN BY FOZMEADOWS

When I first heard that FFXV was going to break with franchise tradition by having an all-male central team, I was more than a little surprised. Final Fantasy has always been distinguished as much by its memorable – and central – female characters as by any other element; which is why, somewhat paradoxically, I never felt particularly angry about the switch, either. As a whole, video games are still male-dominated in a way that frequently sets my teeth on edge, but Final Fantasy has a strong line of credit with me: whatever my thoughts on the state of gaming as an industry – and while criticism of Square Enix’s decision in this context is nonetheless valid – I felt I could still attempt the game itself.

Thus far, at roughly eight hours in – which is, I’m aware, not very far at all – I’m enjoying myself immensely, though possibly not in a way that was intended. And in order to satisfactorily explain why that is, I first need to say a little about my history with the franchise.

The first Final Fantasy I ever played was VIII, which always made me something of an oddity among my friends: unlike everyone who started the series at VII or earlier, I had no established sense of how the combat system ought to work, and so took the VIII model, which was a widely-hated departure from canon, as my yardstick for the series. This meant I was not only frustrated by the traditional setup used in VII and IX, but irritated by the more cartoonish character designs. Which isn’t to say that I disliked either game, exactly: just that they were always less beloved to me than VIII and, later on, X and XII, whose advanced graphics and combat systems more closely resembled what VIII had been trying – with, admittedly, more ambition than success – to achieve.

Even now, XII remains my favourite Final Fantasy. The writing and voice acting were both incredible, and even though Vaan, rather than Ashe, was the POV character, I loved the departure from canon that made him a non-romantic participant in her narrative. By contrast, XIII was a clusterfuck, so much so that I quickly set it aside as unplayable: the writing was naff, the voice acting melodramatic (with the single exception of Sazh), the premise confused and the combat frustratingly garbled. I couldn’t understand how the best aspects of XII had been so thoroughly disregarded, and as such, I never bothered with the sequel, which makes XV the first new Final Fantasy I’ve played since 2010.

Aesthetically, then, XV is paying a great deal of homage to my favourite games in the series – VIII and XII – which predisposes me to love it. The opening premise of an invading empire and a missing heir to the throne is evocative of both Galbadia and Archadia, with Noctis’s early quest to recover lost weapons from ancient tombs running a close parallel to Ashe’s quest in XII. The fact that Noctis, Prompto, Ignis and Gladio spend the game driving around in a sports car might seem ridiculous on the surface, especially if you’ve got a preference for the airships of VII, IX and XII, but only if you’ve forgotten the convertibles and jeeps of VIII, where driving on the worldmap was also a feature, and where fancy cars were a staple of the more dramatic cutscenes.

In fact, there’s always been something of a roadtrip vibe to a lot of the Final Fantasy games, and not only in terms of the main party journeying thither and yon across multiple fictional worlds. The many flashbacks to Lord Braska’s pilgrimage in X show him broing it up with Auron and Jecht (to whom Gladio bears more than a superficial physical and vocal resemblance), while their decision to sphere-capture their adventures is a clear forerunner to Prompto’s photography. VIII didn’t lack for female characters, but the initial SEED test features a grumpily all-male party, with Squall, Zell and Seifer forced into a temporary alliance. Squall and Zell were always something of an odd pair, but delightfully so, and their dynamic has been revived – and, I’d argue, improved – in the byplay between Noctis and Prompto. Likewise, Ignis’s dry drawl and dryer expression are more than a little reminiscent of Balthier, though his dutiful priorities make him a closer equivalent to Auron and Basch.

In other words, the four protagonists of XV are themselves a homage to the male relationships of previous Final Fantasy games, and quite clearly so. Together, they interact much as you’d expect of a quartet of twentysomething men, joking and snarking at each other in equal measure. The writing and voice acting aren’t as good as XII, but they’re nowhere near the abysmal mess of XIII. I’d peg them as being on par with X: naff at times, but somehow endearingly so, and overall engaging. Granted, the background plot is complex – it helps to have watched the prequel movie, Kingsglaive, and there’s also an accompanying anime series – but part of what makes the quartet watchable is how clearly established their friendship is: we’re getting to know the characters by how they know each other.

As far as the gameplay and levelling systems go, I’ve got no complaints thus far. Even without being able to run through the full tutorial for fighting – my version kept glitching when it came to learning how to warp – I’ve still found it intuitive to use. It’s a dissimilar combat system to most FF games, in that it’s not turn-based, but neither is it as blindingly fast-paced or poorly-designed as the system used in XIII, and the ability to warp to targets makes for some engaging tactical options. It helps that I’ve just come off a huge Dragon Age: Inquisition jag: my preferred approach to combat in both games can best be described as “running in headfirst with a large sword and hitting things until they fall down,” with magic and projectile weapons left on auto until or unless I’m specifically forced to use them. Players who favour different tactics might have more complaints to level here, but for my purposes, it works just fine.

But what I’m really loving about XV is the extent to which – I assume unintentionally – it’s both hilarious and heavily queercoded.

I’ll deal with the latter first, because it’s arguably the more contentious point. Let me be clear: I’m not for one second giving Square Enix props for deliberately creating queer representation here, because I don’t think for a second that it’s what they actually meant to do – or at least, if they’re trying to muddle vaguely in that direction, then they haven’t had the guts to confirm it. Culturally, the lines we draw been homosocial and homosexual behaviour tend to be as historically arbitrary as they are fiercely policed, with any overlap subject to argument on both sides. But cultural differences is, I suspect, a large part of why XV reads the way it does: the game is originally Japanese, and in trying to cater to both Japanese and Western masculine ideals, Square Enix has wandered into what plays as a rather spectacularly queer compromise.

First and most obviously, there’s the wardrobe issue. Clearly, the all-black leather aesthetic is meant to look Manly and Cool and Deeply Heterosexual In A Traditionally Masculine Way, and if the designs were simple, functional and militaristic, then that would probably work, even given the youth and beauty of the characters (more of which shortly). But Final Fantasy, like a great many Japanese properties, is famous for its distinctive clothing designs, which means the characters look less like soldiers and more like scene kids en route to a metal concert. Specifically: Noctis and Prompto look like they shop at Hot Topic, Ignis is wearing Cuban heeled boots, driving gloves and seme glasses (seriously) and Gladio consistently looks like he’s posing for a Grindr photo. Like. I’m aware that he’s meant to be the most hypermasculine  straight male self-identification fantasy of the four, what with the scar and the tattoos and the devastatingly Japanese mullet, but generally speaking, ripped guys in open leather shirts and tight leather pants are more visually reminiscent of Mardi Gras than the military. I’m just saying.

The fact that you can customise their outfits (to a degree), and that picking a new wardrobe changes their stats, isn’t a new development: in fact, it’s something the franchise first introduced with dress spheres in the all-female X-2, which makes its presence in the all-male XV a subtly pleasing symmetry. And yet it runs up against a standard of masculine gaming: changing your armour is one thing, because armour is Manly, but changing your clothes – which, stat bonuses or not, is what we’re functionally talking about – is something else entirely. It’s a truly strange demarcation, because there are plenty of instances where video game characters change outfits of their own accord, in cutscenes or for plot-specific purposes, or where the change represents a specific, all-over upgrade. But the option to alter the appearance of male characters for largely aesthetic reasons – to change how they look to you, the player, in clothes that are recognisably modern and fashionable – is not, I suspect, a common feature of games aimed at heterosexual men, nor is the in-game implication of the characters toting around a bunch of fancy matching outfits a particularly straight-coded thing.

And, okay. Even though we queer folk often telegraph our identities through fashion, there’s a degree of reductive stereotype inherent in judging sexuality on the basis of clothing choice, and if that were the only issue here, I wouldn’t have brought it up. (Except, of course, to point out the truly delightful ridiculousness of watching four goth boys run around the countryside in full club gear, often while complaining about the temperature. It’s like they’re headed for Glastonbury with monsters.) But the queercoding of XV is a package deal: it’s not just the clothes, but the clothes in combination with the characters themselves, the dialogue they’re given, and the way the four of them occupy the game.

Specifically: Final Fantasy is a gaming franchise that’s well aware, historically speaking, of its very large female fanbase. Even though the majority of the games have male protagonists, they’ve traditionally been designed for a straight female gaze – and more, I would argue, a teenage female gaze, given that the characters are usually in their teens or very early twenties – in line with aesthetics more Japanese than Western. Former heroes like Cloud, Squall, Zidane, Tidus and Vaan might be formidable warriors in-game, but they’re never beefed up: they’re overwhelmingly built lean, with much longer, more stylised hair than you typically see on masculine Western characters. They wear jewellery – often visible in their base character designs, and not just as a hidden accessory slot – and offhand, aside from various weird lines around Cloud crossdressing in VII, I can’t think of any real instances of sexism or misogyny from those characters that aren’t actively shut down. In fact, the number of female characters in the earlier games ensures that, in addition to any love interests, the leading men also have platonic female friends – something that’s still damnably unusual in most forms of media, let alone in video games.

All of which, thus far, holds true in XV, too: Princess Lunafreya, Noctis’s intended bride, is his childhood friend, as is Gladio’s sister, Iris. When the game begins, Noctis and his friends are travelling to meet Lunafreya before their (politically arranged) wedding; when everything goes awry because betrayal and empire, they’re forced to regroup and end up hanging out with Iris, who has escaped to the city of Lesallum. That’s where I’m up to so far, and what immediately stands out to me, as someone who spent a not inconsiderable portion of their adolescence and early twenties hanging around single straight guys, is the fact that the quartet barely ever talk about women at all. And the thing is, I can see why it’s been done! Final Fantasy has a heavy female fanbase, and in any case, they’re not the sort of games where the male soldiers sit around reminiscing about sexual conquests. But contextually, because of the way the game is presented – four friends driving and talking shit in real time, mocking each other, while initially on the way to see one of them married – the lack of talk about sex or romance of any kind is jarring.

Which isn’t to say the subject of women never comes up at all; it’s just that, when it does, the overwhelming impression is of dialogue written with a female audience in mind, but without any awareness of the queercoding implications of its delivery by these particular male characters. This means, for instance, that there’s a scene where the boys find a magazine article about Lunafreya’s wedding dress, and all of them start cooing about how beautiful it will be; Ignis notes that the dress is bespoke, designed by Vivienne Westwood, and Prompto starts enthusing about how pretty Lunafreya will look in it. In Hammerhead, the buxom mechanic Cindy, whose character design is clearly meant to please the straight male players, is someone who, in real life, you’d expect a bunch of straight boys on an ostensible stag trip to talk about. Except that they never do; and instead, the one time there’s a reference made to Gladio “chatting someone up,” it turns out to be a grumpily endearing scientist who wants you to go catch some frogs as penance for interrupting her research.

And then there’s Noctis taking a tour of Lestallum with Iris. Throughout this mini-quest, you’re given a set of binary conversational options to either encourage Iris in her enthusiasm for the town, or to disapprove. Then, at the end, she coyly suggests that being on the tour was almost like a date – an assertion you can either play off lightly, or outright deny: pointedly, there is no option to agree. If you deny, she laughs and says “you could at least play along for once,” suggesting that Iris knows Noctis isn’t interested in her and is willing to tease him about it – an odd thing to include, if you don’t want the audience to wonder about his preferences.

A little earlier in the game, Prompto asks Noctis what he ought to take more photos of: apart from declining, the only options are “me” (meaning Noctis), Ignis or Gladio. Again, there’s a gameworld logic to this – the photos are ultimately viewed by the player, who gets to pick which character they want to record the most – but in terms of the impact in setting, this is not an outstandingly heterosexual moment. Very possibly, there exists a group of straight bros whose designated photographer is happy asking, “Hey bro, which of our friends do you want to see more in pictures?” in an established No Homo way, and if so, more power to them. But if you want to find a context where that sort of exchange is an everyday thing, then look no further than the queer regions of Instagram. (Plus, it’s kind of conspicuous how often Prompto, when assessing the day’s photos, comments on how good Gladio the Perpetually Shirtless looks.)

And then there’s the occasional quirks of dialogue and voice acting: choices that, again, would be minor on their own, but which collectively become suggestive of something specific. Early on, Cor sends Gladio, Prompto and Ignis to make a distraction at a military blockade while he and Noctis sneak inside: the gambit is successful, and when the group reunites afterwards, Gladio says cheerfully, “The Niffs couldn’t keep their eyes off us!”. To which Ignis quips, in reference to Noctis and Cor’s arrival, “You spared us their attentions.” Offhand, I can think of about a dozen different ways to word that exchange that don’t remotely brush up against innuendo, and which are far more colloquially and contextually apt besides. The eyes/attentions combo is the kind of thing you’d expect a pair of femme fatales to say after seducing the guards and knocking them out in an action movie. (The fact that we don’t actually witness the initial distraction only adds to its ambiguity.) And yet, this is what they’ve gone with.

Other examples are smaller, but they all add up. Whenever you find new ingredients for Ignis to cook with, he stops to announce, with particular vocal flamboyance, that he’s just thought up a new recipe (exclamation mark!), and whips out a notebook to jot it down. (“I’ll taste test for ya,” Gladio says, in a playfully growling tone that always seems to have one eye on the bedroom.) And then there’s Prompto, who I’m inclined to think of as a confused bisexual puppy, whose voice turns dreamily fanboyish when discussing Cor’s exploits, and who gets just as excited on receiving Cor’s praise as he does at the prospect of seeing Lunafreya in her pretty wedding dress.

Put this all together, then, and what you have are a bunch of young men who are, by Western standards, more pretty than handsome, dressed in fashionable clothes and accessories that are more evocative of queer or queer-friendly subcultures than not, and who care enough about their appearance to have multiple outfits on hand at any given time. (You can, if you’re willing to sacrifice an accessory slot to aesthetics, buy hair gel for them to use.) These men are knowledgeable about fashion, have a platonic concern for the women they encounter, are constantly photographing one another for each other, have zero comments to make about the stupidly hot female mechanic unless they’re praising her competence, and whose idea of “chatting someone up” apparently means “talking to the grumpy frog lady about the local wildlife population”. This isn’t me leaping to conclusions, here: in the immortal words of Buffy Summers, I took a tiny step and there conclusions were.

All of which is a way of saying that, thus far, I’m delighted with Final Fantasy XV, though not in the ways I’d expected. The characters and setting are a homage to my favourite games in the series, and while I worried the absence of female characters would grate on me, our quartet of bumbling chocobros is stupidly endearing. At this point, Noctis is functionally useless as a prince: even when he’s recognised, the local yokels have no qualms about asking him to take their deliveries or run their errands, and while random sidequests are an RPG staple, they’re usually somewhat tailored to the protagonist’s perceived status. In FFXV, everything is rendered hilarious by the fact that Noctis is a prince, and is seen as a prince, and is still being asked to catch frogs in a swamp and grab shit from some random marketeer’s broken van.

(He’s also gloriously introverted: in dealing with people, his responses usually vary from monosyllabic to resigned disinterest, but when you come across a stray cat in need of feeding – a tiny sidequest that’s a deliberate throwback to Squall doing likewise in VIII – he talks to it at greater length and with more enthusiasm than he otherwise displays with anyone.)

As far as I’m concerned, FFXV is a magic road trip with a bunch of queer boys who have their wardrobes together, but not their shit. I can identify. And so, I suspect, can everyone else who’s fallen into the trashpile of this visually beautiful, thematically mishmash game. I honestly don’t care about the random anachronisms, like the fact that they’re carrying smartphones and fighting magic robots, but still using paper maps and newspapers, to say nothing of using a fucking dog as a messenger for vital correspondence through a warzone – or rather, I do care, but only because the clear discontinuity of it somehow plays as a feature instead of a bug. The entire thing ought to be ridiculous, and it kind of is, but pleasingly so, like a cat in a Halloween costume. The characters don’t take each other seriously, which frees the player up to do likewise – to laugh with them, rather than at them. And frankly, I’ll take that over XIII’s self-important melodrama any day of the week.

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