#2018/08/11

[lanwangjihouse]

[sugdensdingle]

[kommabortsig]

Івано-Франківськ,_вул.Ак.Гнатюка_26,_Житловий_будинок.jpg

[screenshotfolder]

[aureliebella]

[mostlysignssomeportents]

Boss politics antitrust

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/11/12/the-enemy-of-your-enemy/#is-your-enemy

Xi Jinping inaugurated his second term with an anti-corruption purge that ran from 2012-2015, resulting in a massive turnover in the power structures of Chinese society.

At the time, people inside and outside of China believed that Xi was using the crackdown to target his political enemies and consolidate power. Certainly, that was the effect of the purge, which paved the way for reforms to Chinese law that have effectively allowed Xi to hold office for life.

In 2018, Peter Lorentzen (USF Econ) and Xi Lu (NUS Policy) published a paper that used clever empirical methods to get to the bottom of this question:

https://web.archive.org/web/20181222163946/https://peterlorentzen.com/wp-content/uploads/2018/11/Lorentzen-Lu-Crackdown-Nov-2018-Posted-Version.pdf

Working from the extensive data-files published during the corruption trials of the purged officials, Lorentzen and Xi Liu were able to estimate the likelihood that an official had really been corrupt. They concluded that overwhelmingly, the anti-corruption purges did target corrupt officials, some of them very highly placed.

But when they considered the social graph of those defenestrated officials, they found that they came from blocs that were rivals of Xi Jinping and his circle, while officials who were loyal to Xi Jinping's were spared, even when they were corrupt.

In other words, Xi Jinping's anticorruption efforts targeted genuinely corrupt officials – but only if they supported Xi's rivals. Xi's own cronies were exempted from this. Xi did use the anticorruption effort to consolidate power, but that doesn't mean he prosecuted the innocent – rather, he selectively prosecuted the guilty.

Donald Trump will be America's next president. He campaigned against "elites" and won the support of Americans who were rightly furious at being ripped off and abused by big business. The Biden administration had done much to tackle this corruption, starting with July 2020's 72-point executive order creating a "whole of government" approach to fighting corporate power:

https://www.eff.org/de/deeplinks/2021/08/party-its-1979-og-antitrust-back-baby

Trump will have to decide what to do about these efforts. It's easy to say that Trump will just kill them all and let giant, predatory corporations rip, but I think that's wrong. After all, the Google antitrust case that the DoJ just won started under the last Trump administration. Trump also sued to block the absolutely terrible merger between Warner and AT&T.

I think it's safer to say that Trump will selectively target businesses for anticorruption enforcement – including antitrust – based on whether they oppose him or suck up to him. I think American business leaders know it, too, which is why every tech boss lined up to give Trump a public rim-job last week:

https://daringfireball.net/2024/11/i_wonder

Trump killed the AT&T-Time Warner merger to punish CNN. He went after Google to punish "woke" tech firms. That doesn't make AT&T, Time Warner or Google good. They're terrible monopolists and the US government should be making their lives miserable.

Trump will not need to falsify evidence against corporations that are disloyal to him. All of America's big businesses are cesspits of sleaze, fraud and predation. Every merger that is being teed up now for the coming four years is illegal under the antitrust laws that we stopped enforcing in the Reagan era and only dusted off again for four years under Biden. They're all guilty, which means that Trump will be able to bring a valid case against any of them.

This will create a trap for people who hate Trump but don't pay close attention to anticorruption cases. It's a trap that Trump sprung successfully in his first term, when he lashed out at the "intelligence community" – the brutal, corrupt, vicious, lawless American spy agencies that are the sworn enemies of working people and the the struggle for justice at home and abroad – and American liberals decided that the enemy of their enemy was their friend, and energetically sold one another Robert Mueller votive candles:

https://pluralistic.net/2021/12/18/schizmogenesis/

Over the next four years, Trump will use antitrust and other corruption-taming regulations to selective punish crooked companies. He won't target them because they're crooked: he'll target them because they aren't sufficiently loyal to him.

If you let your hatred of Trump blind you to the crookedness of these companies, you lose and Trump wins. The reason Trump will find it easy to punish these companies is that they are all guilty. If you let yourself forget that, if you treat your enemy's enemy as your friend, then Trump will point at his political rivals and call them apologists for corruption and sleaze – and he'll be right.

It is possible for Trump to fight corruption corruptly. That's exactly what he'll do. But just because Trump hates these companies, it doesn't follow that we should love them.

[jikooklove9795]

JIKOOK & NOV 8th 2015

In South Korea couples have a unique and delightful way of celebrating anniversaries marking special milestones. They commemorate these milestones by exchanging personalized gifts, going on romantic dates, by wearing matching clothes or by sharing photos documenting their relationship. This is done in recognition of their continuous love and appreciation.

Now let's dive into see how Jikook celebrates a special a date in their relationship.

On Nov 8th 2015 Jikook posts their first video together on twitter

Exactly 100 days after Nov 8th 2015 Jungkook made a tweet about the importance of lyrics in a song and uploaded his cover of Nothing Like Us by Justin Bieber

One year later on Nov 8th 2016 Jimin posts a video of Jungkook and him sitting together on a plane

On Nov 8th 2017 Jungkook releases his first ever GCF. It was video documenting Jimin and Jungkook's private trip to Japan in 2017. A trip Jungkook planned and arranged as a birthday gift to Jimin

On Jan 26th 2018, which is 811 days from Nov 8th 2015 Jimin posted this pic. Do you see the black & white reference at the foot of the champagne glass? Interesting right??!!

On August 2018 BTS were in Malta filming BV Season 3.

1000 days after Nov 8th 2015 Jungkook posted a selca while in Malta at 10:13 local time which is Jimin time

And on the 1500the day from Nov 8th 2015 Jimin posts a selca at 1:50

Now before we move on let's take a moment to remember that Jimin won the Search King Challenge question where BTS had to find the 2000th day from the first episode of Run BTS. He used the NAVER Anniversary Calculator. Jungkook was not far behind. He was about to answer but lost by a few seconds to Jimin. Hoseok had no idea about the calendar while Namjoon went for Google. So, this shows Jimin often uses the calculator for finding important dates and anniversaries

Okay, now back to our main topic.

BTS PTD Seoul Concert in March 2022. And during the concert...

He said "This is Jimin from grade 2 class 3 number 15". Cause March 10th 2022 was exactly 2315 days from Nov 8th 2015.

Remember the rectangular Maison Margeila pendant which Jimin wears? He wears the one where the number 11 is encircled.

Let's take out 11 and add all the other numbers on this pendant.

10+12+13+14+15+16

And we get 80

So, what do we have

11/8

On Feb 21 2022 Jungkook posted a video on his IG highlighting 23:08 which is basically 11:08 however the story was originally posted at 1 am

On October 26th 2022 (which is 13 days after Jimin's birthday and 13 days to Nov 8th) while in Qatar Jungkook posted a pic on his IG at 11:08 pm KST

There are a myriad of references to 11/8 from song covers, song recommendations ending at the 1:18 mark to pics posted by both Jimin and Jungkook.

Both Jungkook and Jimin has shown how they are serious about these numbers relating to their relationship or those about each other. Reminds me of how Jimin started a live on Sept 1st 2023 wearing a 1997 model watch adjusted to Jungkook's birth time

Nov 8th 2024 marks their 9 years of togetherness.

So, let me conclude this post by wishing the couple a

"Happy Anniversary"

💛💜

Credits to the owner of the video

[graysoncritic]

A (Negative) Analysis of Tom Taylor's Nightwing Run - Who is Dick Grayson?

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

When asked to describe Dick Grayson’s character, many will say he is good. He is Bruce Wayne’s light, the person he could have been had someone offered Bruce understanding and guidance after his trauma. Dick is a leader. A big brother. A mentor. He is someone people can look up to, someone others can trust. He is “The Heart of the DCU.”

(Williamson, Joshua, writer. Sampere, Daniel; Herbert, Jack; Camuncoli, Giuseppe; Sandoval, Rafa, illustrators. Dawn of the DCU. Dark Crisis on Infinite Earth no. 7, e-book ed. DC Comics, 2022. pp. 28)

Characters, much like real people, are more than just a trait. Jason Todd is more than “angry.” Bruce Wayne is more than just “brooding.” Tim Drake is more than just “smart.” Characters are multidimensional. They have multiple facets, some of which may contradict one another because characters, just like people, are not created out of mathematical equations where two plus two always equals four. Humans are emotional. Their being is informed by past experiences, biology, culture. The intricate combination of these vastly different factors leads to inconsistency in rationality that may not always be logical. Dick being “good” does not mean that Dick can’t be angry, that he can’t make mistakes, or that he can’t lash out or be unreasonable, especially when stressed. Dick being “good” does not mean he can’t brood, does not mean he can’t be suspicious, nor does it mean he will always like everyone. Dick being “good” does not mean he can’t be his own worst enemy, that he can’t be calculative and strategic, that he always needs to be upbeat, or that he can’t be the most intelligent person in the room.

(Grayson, Devin, writer. Zircher, Patch, illustrator. Slow Burn. Nightwing no 93, e-book ed. DC Comics, 2004. pp. 10-11)

Sam Humphries also demonstrated this during his brilliant story, The Untouchable. There, Dick’s relentless determination to save people from the Judge’s machinations grows so intense that it becomes self-destructive. The story demonstrates how Dick’s “goodness” comes from a form of toxic perfectionism that has been with him since he was a child — a perfectionism born of a low self-worth that eats at him from the inside out

(Humphries, Sam, writer. Janson, Klaus; Campbell, Jamal, illustrators. Ruthless. Nightwing: Rebirth no. 37, e-book ed. DC Comics, 2018. pp. 08)

Even the 2003 animated series Teen Titans understood that in trying to catch the bad guy — almost always Slade Wilson in the case of that show — Dick could sometimes go too far.

Dick’s goodness causes him to see himself as a danger to not just his loved ones, but everyone who stands near him. He carries the world on his shoulders, taking the blame for every tragedy and seeing every death as a personal failure. When pushed to its worst, Dick’s goodness becomes an obsession which pushes others away, leading to isolation as Dick’s entire existence narrows down to accomplishing one specific goal. 

It is this reductive characterization of Dick – the idea that his one defining trait is that he is “good” – that leads many to misunderstand the appeal of his character. As I mentioned above, characters are multi-facet, and Dick is no exception. However, the ways in which Dick is multi-facet are very different from the ways in which most characters are multi-facet.

Please do not mistake what I am about to say by claiming these other characters are not complex. Or even that some of them might not subvert popular tropes. What I mean saying is that Dick’s complexity is demonstrated differently than what I believe most people are accustomed to.

For example, everyone knows Bruce Wayne keeps his feelings locked up inside. He compartmentalizes his emotions and his trauma in order to solve the puzzle put ahead of him. But everyone – characters and readers alike – understands Bruce is doing this. Everyone can tell that he is hiding something from others and keeping them at a distance. The reader is always aware of how Bruce’s trauma informs his actions, his interactions, and his thought process. 

(Grayson, Devin; Barr, Mike W., writers. Davis, Alan; Robinson, Roger, illustrator. Procedure. Batman: Gotham Knights  no. 25, e-book ed. DC Comics, 2002. pp. 20)

Take, for instance, Part One of Murderer/Fugitive. Although a major source of tension from the story surrounds the question of Bruce’s innocence, there’s never any question in the minds of the reader and the character that Bruce is hiding something. Tim Drake questions whether Bruce truly did kill Vesper Child and is hiding his motive, while Dick is certain of Bruce’s innocence and instead believes Bruce is hiding his alibi or the clues that would help them find the real murderer. Barbara Gordon, for her part, wavers between the two, but like Tim, Dick, and the reader, she is certain of one thing: Bruce Wayne is hiding something from her, from them… From us.

Similarly, Jason Todd’s anger comes from a place of hurt and a place of love, from insecurities and a need to prove himself. But like Bruce, all of that is clear to see. His anger and his hurt are simple to understand. Please, do not mistake this for me claiming that Jason is not a complex character — instead, I’m stating that his temperament, his trauma, and his actions are so interlinked that they are clear for the reader to see. His character, while rich, is more accessible. It does not take a lot of effort to know that Jason is angry because of what was done to him. It is easy to see that he is hurt because he equates Bruce’s love to the Joker’s death, and therefore sees Bruce’s failure to avenge him “proof” that Bruce does not love him as a son. 

(Winick, Judd, writer. Battle, Eric, illustrator. All They Do is Watch Us Kill: Part 3: It Only Hurts When I Laugh. Batman no. 650, e-book ed. DC Comics, 2006. pp. 13) Dick, on the other hand, does not wear his emotions, his motivations, or his goals on his sleeve. Dick keeps his secrets not by constructing an impenetrable wall like Bruce, but through misdirection. This is why those who are unfamiliar with Dick misinterpret him so much. They take what is on the surface at face value because they do not have the character history to serve as context to understand what lies beneath As a Dick Grayson fan (From this moment forward will be referred to as Dick Grayson Fan A) said “good Dick writers teach readers how to read him and bad Dick writers just have that surface level interpretation.” (I was actually talking to her about this idea and how I’m presenting it in this essay. The example I gave was one she suggested after I asked if she could think of good moments that exemplified this idea.)

As an example, we can look at this moment from Grayson, in which Dick sucks a lollipop while receiving a mission assignment. Someone who is not familiar with Dick and is looking at Dick and Helena’s interaction might be easily fooled into thinking that Dick is the pretty, strong, but annoyingly childish and slightly dumb male character who contrasts the serious, intelligent, and highly competent woman. The characters’ expressions, actions, and the onomatopoeias are certainly leaning into that familiar trope.

(King, Tom; Seeley, Tim, writers. Janin, Mikel, illustrator. The Raid. Grayson no. 04, e-book ed. DC Comics, 2014. pp. 02) However, Dick Grayson fans know that when it comes to the mission, Dick is as serious as Batman himself. Highly intelligent, Dick is considered to by many the world’s second greatest detective (there are many instances in canon when he is referred to as such), making him more than just a pretty face who knows how to fight (It should be noted that in this tweet, writer Tom King also ranks Dick as the second best fighter in the Bat Family). Furthermore, context matters. Dick is deep undercover throughout the duration of Grayson, and this scene is set shortly after the death of one of the agents of the organization Dick has infiltrated. In other words, Dick is in a highly stressful situation without allies to provide him with back-up or emotional support. 

His posturing in this scene, then, can be seen as an attempt to misguide and misdirect. He does not wish to let those around him – people he is not sure yet if he can trust – know the full extent of his capabilities or perceive any potential weaknesses in his value of human life. Positioning himself as the annoying and childish pretty boy who does not pay much attention to serious matters is a strategic choice that his fans readily pick up on.  

That is not to say that Dick’s smiles are all lies. Rather, Dick’s upbeat nature is a natural aspect of his personality that he will exaggerate depending on the setting in order to keep his privacy. He is a natural performer, a showman, and so he utilizes misdirection to his advantage. 

A classic example of Dick’s misdirection and how he is misinterpreted by others is how some would characterize him as an “attention seeker.” However, the term “attention seeker” has negative connotations as it implies someone who seeks the spotlight at the expense of others. 

That is the opposite of who Dick is. But that’s not Dick is. As a mentor, a leader, and an older brother, Dick will often invite others to join the conversation. He pays attention to what they say, he strategizes based on their needs. 

(Johns, Geoff; Wolfman, Marv, writers. Nauck, Todd, illustrator.  The Brave and the Bold. Teen Titans no. 33, e-book ed. DC Comics, 2006. pp. 15)

Simply put, Dick is incredibly empathetic and always in tune with those around him. This is why he works so well as both a Bat and a Titan, and why his personality in each team is so distinct. As a Bat, Dick is often portrayed as cheerful, his bad puns are meant to cut the tension, the is the shoulder for his family to cry one; as a Titan, Dick is a leader, he is a strategist, he demands others take things seriously and will not tolerate slacking off, he is trying to instill good work ethics and ensure that the team dynamic stays in top shape. 

As JL Bell writes in their essay Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder for the book Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman explains, “in contrast to how Robin behaved with Batman. [Dick] is usually [the Titans’] serious leader.” (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 22)

That is because Dick knows that when he is with his family, he needs to play one role, and when he is with his friends, he needs to play another. The Bats have their strengths, so Dick adjusts himself to play up on those strengths while also making up for its weakness. Same thing with the Titans. 

Mark Waid perfectly exemplifies Dick’s adaptability when portraying him in his World’s Finest (2022) and World’s Finest: Teen Titans (2023). There, Dick brings levity to his work with Batman and Superman, keeping an upbeat attitude while still taking the job seriously.

(Waid, Mark, writer. Mora, Dan, illustrator. Manhunt. Batman/Superman: World’s Finest no. 14, e-book ed. DC Comics, 2023. pp. 07)

Yet, when he is with the Titans and feels the weight of leadership on his shoulders, he is more serious, being the one to get the Titans to focus on their objective, getting them to look at the big picture, while also making the most of their abilities as individuals and as a team.

(Waid, Mark, writer. Mora, Dan, illustrator. Team Spirit. Batman/Superman: World’s Finest no. 08, e-book ed. DC Comics, 2022. pp. 05)

So yes, Dick is a performer, a showman, but he is not “attention seeking.” In fact, his use of misdirection illustrates that Dick is a very private person. And how could he not be? While it is true that Dick grew up in the circus, after his parents’ death, he went to live with Bruce, and in doing so, was put into an intense amount of public scrutiny. The murders of John and Mary Grayson happened on a literal stage with dozens of people watching. As a result, Dick’s very private tragedy became a spectacle.

After the death of Dick’s parents, Dick isn’t allowed to disappear into anonymity. He is not afforded privacy to grieve. He is taken in by Bruce Wayne, Gotham’s most famous playboy, billionaire, philanthropic who is also a bit of a selfish airhead (at least, that is how the public perceives him), and as a result, Dick is subjected to an immense amount of public scrutiny, not just from the media, but also from Gotham’s elites, and even his peers at school. Not only that, as Robin, the Boy Wonder and the first ever sidekick, Dick also is put on the spotlight while also being aware of the necessity of keeping secrets. 

As a result of having his tragedy broadcasted and having a new mission that requires secrecy, Dick becomes a very private person. He is not an open book; instead, he is meticulous about what he shares and he prevents people from looking at what is not of their business by using his showmanship.

Furthermore, Dick’s role as a performer who, as Joshua R Pangborn describes in his essay about the Robin costume, “experiences […] the full spectrum of emotions, each and every night, for the catharsis of others,” transforms him into a literal vehicle for emotional catharsis and empathy. (Pangborn, Joshua R “Fashioning Himself a Hero: Robin’s Costume and its Role in Shaping His Identity”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 42) In their essay, Bell argues that while Bruce Wayne embodied “the mid-century ideal of the American male,” who is always “in control of his feelings, not letting them overcome his judgment nor displaying them broadly,” Dick Grayson “can express deep emotions, not only his own but Bruce’s.” As such, Dick often acts as a sounding board for his family, friends, team, and romantic partners. As a performer, Dick embodies whatever persona is necessary to create a safe environment where others can process their emotions and achieve catharsis. (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 12)

Dick's performance, then, comes not just from a desire for privacy but also from a deep place of empathy. It comes from a desire to help others work through their own stories. This is why he can step into other's narratives without overshadowing them. In fact, he’ll often elevate those characters by complimenting them and creating the circumstances needed for them to shine. As a performer, Dick is naturally adaptable and always willing to fill the role necessary to create the space required for others to work through their emotional needs.

But, as with everything, Dick’s performance is also a result of his destructive perfectionism. Dick equates “good” to “perfect.” He believes that he can only be wanted by Bruce if he is the perfect Robin, he can only be wanted by his friends if he is the perfect leader, he can only be wanted by his siblings if he is the perfect older brother, he can only be wanted by his partners if he is the perfect boyfriend. As Humphries’s The Untouchable demonstrates, because Dick was raised in an environment where failure could be fatal, he internalized these stakes to every aspect of his life. 

(Humphries, Sam, writer. Janson, Klaus; Campbell, Jamal, illustrators. Ruthless. Nightwing: Rebirth no. 37, e-book ed. DC Comics, 2018.pp 20

And it doesn’t help that all of the people in Dick’s life do prove that assertion right. Everyone holds “the Heart of the DCU” to an impossible standard that, when Dick fails to live up to it, he is crucified and punished for it. If he tries to be perfect, he's told off for being the Golden Boy, but if he fails to be the Golden Boy, then he is told off because he let people down when they were relying on him. Ironically, this is done by characters in-universe real-world fans. As Dick Grayson Fan A pointed out in a discussion about depiction of Batman Family members killing their antagonists, “there's always this pressure to have Dick ~fall from grace~ and I do lowkey resent that. Dick should be allowed to be good, not punished for it.”  

This creates an environment where Dick constantly needs to maintain perfection in order to be in everyone’s good graces. Failure is not met with understanding and comfort, but with punishment. No one expects him to fail, no one likes when he fails, no one forgives him when he fails. That also means that Dick doesn’t feel safe opening up about his insecurities because to do so would mean “proving” he cannot stay on the pedestal he’s been put on. And so, he is forced to perform the role of a “perfect good guy” by using misdirection so people won’t abandon him for being human (this was said during a very interesting discussion and addressed both canon and fanfic writers. There’s a lot that can be said about Dick’s parentification and how that is viewed in the context of fandom. This is not the essay for it, and, to be perfectly honest, I’m not entirely sure I’m the best person to open said discussion).

Taylor does not portray Dick as someone with this many layers. Taylor’s Dick is perfect simply because he is good. He is the perfect friend, who is always happy to support others. He is Barbara Gordon’s perfect boyfriend. Dick is the perfect older brother, the perfect son, perfect model citizen. 

But by equating being “good” with being “perfect” without exploring the negative consequences that come from such pressures, Taylor robs Dick of the emotions that humanize him. In Taylor’s run, a good person will not be angry at their friends, will not be frustrated with their siblings, will never disagree with their romantic partner. This strips Dick of all of his nuances, and instead reduces him to a non-descriptive “everyman hero” with a limited emotional range whose only narrative purpose is to serve as a blank canvas for readers to project themselves into. 

Simply put, Taylor is uninterested in writing Dick as a character because he does not see value in Dick for who he is. Nightwing #105, which removes Dick from its story in order to allow its readers to “be Nightwing” illustrates how Taylor and DC at large only value Dick his connections, not for who he is.   

(Chen, Jess [jesswchen]. “Tweet Message.” 18 March 2023, https://twitter.com/jesswchen/status/1636971185782259716?s=20.)

Be Dick, and you can be good friends with Superman! You can be Batman’s son! You can be Batgirl’s boyfriend! Robin’s big brother! Flash’s best friend! 

As a Dick Grayson fan, this feels insulting. I’m not saying Dick needs to be anyone’s favorite character, or that anyone even needs to like him. I’m not interested in dictating anyone’s taste. But to someone who loves Dick Grayson, it is insulting to think that those responsible for his stories fail to see his value. To Taylor, the person who, as the writer for both Nightwing and Titans, has the most control over Dick’s portrayal, Dick is nothing but a tool that will soon wear off its use. 

In treating Dick as such, Taylor and DC send a clear message to those of who love Dick, and that message is that the things that make Dick special, the things that made us love him, do not matter. 

For his near century long existence, Dick served as a stand in for those who feel othered in society. While I do not have the time to go into a gender studies and queer reading of Dick, it is notable that his character often spoke to many people who felt different. As Mary Borsellino’s 2006 essay “A lot like Robin if you close your eyes” Displacement of meaning in the Post-Modern Age explains:

The things which a Robin-like figure can contain, but which are cut off from being embodied by Robin himself, lose none of their importance simply because they are rejected by a restrictive, corporate-controlled status quo […] It's worth inspecting what was excised from Robin, and charting where these elements instead found articulation: in those from lower socioeconomic backgrounds; non-White people; young single parents; and HIV positive people. And, especially, girls and women (Borsellino, Mary “‘A lot like Robin if you close your eyes.’ Displacement of meaning in the Post-Modern Age,  2006)

While Borsellio’s essay focuses on the Robin mantle, as the creator of said mantle, such assertions can also be applied to Dick. In fact, Bell concurs with the idea that those who were othered have always took a preference to Dick when stating that “Robin’s status as the littlest guy in the fight increases the character’s appeal for some children, especially the ‘youngest and weakest.’” In other words, it is crucial to Dick’s character that he is not an “everyman hero.” He is not the hero of or beloved by the average individual, but rather by those who were ostracized by society.

Taylor’s writing exemplifies the “restrictive, corporate-controlled status quo” imposed by DC that Borsellino speaks of. His characterization is the manufactured image that removes Dick’s “socially deviant/rejected” qualities his fans loved about him so that he can be palatable to a more mainstream audience.  (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 11)

This, of course, is not necessarily new. As Mason Downey argues in their 2015 essay In Defense of Dick Grayson: Objectification, Sexuality, and Subtext, DC has often struggled between leaning into the audience Dick has and wanting to erase any “othering” elements from his character. As they point out:

The more sexual and idealized Dick was allowed to become, the more attention he got from female and queer fans, the more the industry had to work to combat the past anxieties revolving around the character. This resulted in more and more heteronormative romances for Dick on the page. We can’t grant Wertham’s fears any legitimacy, we can’t make these stories “for girls.” Writers did so in a few ways, some obvious, some less so. On the page, we had Dick’s deflection of female sexuality that he was not in control of, and we had a level of emotional posturing with relationships he was in control of. We had moments where we saw him manipulating with or being manipulated by sex. There were editorial pushes to lean into Dick’s popularity with women and queer men coupled with the simultaneous desire to not acknowledge or grant legitimacy to the fanbase he found in those demographics. This translated to more sexualized poses. More pin-up style spreads. Multiple bait-and-switch wedding, marriage, and relationship teases which turned out to be fakeouts or got written out. Long strings of female side characters were introduced exclusively to be love interests. Off the page, we had more concrete examples. We saw a lack of merchandise and lack of representation of him in other forms of media. There was a pervasive hesitancy in broaching his existence outside of the spheres of already established fans. For example, Nolan’s The Dark Knight Rises featured Joseph Gordon-Levitt playing a character literally named Robin, who was invented for the film franchise rather than allowing Dick himself to exist in that cinematic universe. Dick Grayson is a character built upon one repeated mantra aimed at what eventually become two of his largest demographics, “Remember, this is not for you.”

(Downey, Mason “In Defense of Dick Grayson: Objectification, Sexuality, and Subtext” Women Write About Comics. December 2015)

What makes Taylor’s run unique is that in trying to have Dick tackle social issues such as homelessness and in trying to create a class commentary, Taylor attempts to create a progressive, albeit simplistic, veneer while erasing the important and “other-ing” aspects of Dick’s character that was so beloved by his fans. 

This, I believe, is one of the many explanations why many of those who praise Taylor run claim that this is the first Nightwing run they ever enjoyed, while many (though admittedly, not all) those who have been longtime Dick Grayson fans feel betrayed and frustrated by the way their beloved character is being handled. Dick is currently being appropriated into a more mainstream, palatable hero. He is being taken from those who loved him and being scrubbed clean to be suitable for an audience who could not appreciate him for what he was, only for how his connections could give them a wish fulfillment fantasy. As another Dick Grayson fan expressed:

I see no heart in [Taylor’s] work, only soulless marketing. He sells himself as something good and work on his perfect public image and everyone who disagrees is wrong and it gets on my nerves like nothing else. […] I wouldn't be as salt[y] if Taylor was genuinely trying to writing something good. I don't have the heart to [be salty] at someone working with passion, even if I don't like it.

(Henceforth referred to as Dick Grayson Fan B... This was actually said during a discussion in which we expressed how we wish we could be as excited about Taylor’s run as many others are.)

[thealieninhiding]

The Katie McGrath Archives (WIP)

A repository of my ongoing digital archeology & archival work please contact me if you have anything to contribute and buy me a coffee if you value my content

Updates

(last updated 2025-01-14)

2025-01-14

Scans:

2008-10 InStyle (LQ)

2009 DRAMA Magazine (LQ)

2009-10 The Sunday Times Style (Ireland)

2010-10 Tatler

2010-12 InStyle

2011-02 Instyle (LQ)

2011-07 Tatler (LQ)

2011-10 Sunday Independent

2012-03-14 Sci-FiNow

2012-03-23 The Lady Magazine

2024-07-03

Scans:

2014-02-07 London Times - Dracula sets

Audio:

(Un)likeminded 2x02 How to Survive The Apocalypse

2024-05-24

Video:

2017 Katie McGrath interview [CW|KMcGsource]

2017 Supergirl Season 3 Sweet dreams (are made of this) Music Video

2017 CW SDCC Promo Supergirl and Arrow

2019-01-01 The CW Promo Open To All

2021-04-25 Supergirl Season 6 Katie McGrath Lena Luthor

2021-09-15 Supergirl Season 6 Katie McGrath Reflecting on Supergirl

2024-05-22

Audio:

Interview - 2009-07-17 Katie McGrath Mr Media interview

Interview - 2009-10-15 Geek Syndicate Merlin BTS special

Video:

BTS - 2008-10-08 Blue Peter Merlin BTS

Events - 2009 TV Choice Awards Digital Spy interview

Events - Getty Videos of 2009 TV Choice Awards, 2010 Merlin Series 3 launch, 2011 W.E. premiere, 2017 King Arthur Premiere

2024-05-17

Archived interviews

2008-12-07 Tribune Magazine - What Katie Did

2011-10-14 What's on TV - Merlin's Katie McGrath- 'Bad girls have more fun!'

2012-12-03 Fanhattan Blog - Colin Morgan, Katie McGrath and Bradley James on Season 5 and The Series Finale

2018-08-01 The TV Junkies - Supergirl SDCC 2018 Interviews- Lena’s Impractical Lab Outfits, the Return of Reporter Kara and a More Grounded Season 4

Audio

HHush samples

Interview - 2009-2011 Sci-fi Talk rewind merlin the series specials episode 1

Interview - 2011? Merlin S4 Sci-fi talk byte katie mcgrath on morgana

Interview - 2013 BBC Radio 1xtra part 1 & part 2

(Un)likeminded 1x02 While You Were Dreaming

Trees a crowd- Irish folklore segment

Magazine scans

2008-09-20 Radio Times

2009-06-08 TV Week (Aus)

2010-09-05 Sunday Express

2010-09-30 Totally Merlin Magazine

2011-12 Total Film

2012-03-14 Sci-Fi Now

2012-10-06 Radio Times

2013-04-06 Irish independent

2013-09-02 Marie-Claire (UK)

2013-12 Instyle

2013-12 Total Film

Video:

Fans - 2012-04-16 Merlin4 [carlospyrrhus]

Fans - 2017-08-30 Supergirl cast together on set [Joyce Law]

Interview - 2009-09-?? Merlin S2 audio interview with Katie McGrath [BJsRealm] part 1

Interview - 2010-09-06 Merlin Series 3 - BBC Radio 1xtra Interview with Angel Coulby & Katie McGrath [BJsrealm]

Interview - 2011-10-14 Merlin S4 Colin Morgan, Eoin Macken Katie McGrath on The Late Late Show

Interview - 2012-07-15 Colin Morgan and Katie McGrath at SDCC 2012 - innerSPACE [merlinnetwork2]

Interview - 2012-07-18 Katie McGrath Talks Merlin At Comic Con 2012 [ThinkHeroTV]

Interview - 2012-10-25 BBC Radio 1 Breakfast - Colin & Katie part 1 & part 2 [BJsRealm]

Interview - 2012-12-03 Merlin S5 Katie McGrath interview international press day [BJsRealm]

Interview - 2012-12-03 Colin, Bradley, Katie phone interview [BJsRealm]

Interview - 2013-11-09 Katie McGrath on BBC One Saturday Kitchen [BJsRealm]

Interview - 2019-07-22 ENTREVISTA SUPERGIRL Elenco fala sobre a nova temporada [Warner Channel Brasil]

Interview - 2019-07-23 Melissa Benoist Teases Directing An Episode Of 'Supergirl' [ET Canada]

Interview - 2020-02-21 ‘Supergirl’ Celebrates 100th Episode [ET Canada]

Panels - 2011-07-28 Merlin Comic Con 2011 Panel [ThinkHeroTV]

[lanwangjihouse]

[sugdensdingle]

So I was rewatching 2018 Robron and I absolutely had to take a screenshot of this scene because just look at those smiles!!! <3

[staydandy]

The Lost Tomb 2: Wrath of the Sea (2019) - 盗墓笔记2 - Whump List

List by StayDandy Synopsis : The group of heroes are pulled into another tomb-raiding expedition that takes them beneath the sea. In an ancient Ming Dynasty ship, they encounter monstrous creatures and puzzling traps. Wu Xie opens the box that he obtained from the Seven Star Coffins of Lu Wang's Palace to discover a snake-browed copper fish. Uncle Wu San Xing recounts the strange occurrences over ten years ago when they went on an archaeological expedition to Paracel Islands. Wu Xie leads a team down to the same place to explore a sunken ship where hidden dangers await. (MDL)

Whumpee : Wu Xie played by Neo Hou (center right) • Zhang Qi Ling played by Cheng Yi (center left) • Wang Pang Zi played by Zhang Bo Yu (2nd from right)

Country : 🇨🇳 China Genres : Action, Adventure, Mystery, Supernatural, Bromance

Notes : This is a Full Whump List • Adapted from books 2, 3 and some of 4 of "The Grave Robbers' Chronicles" (Daomu Biji) by Kennedy Xu • Suggested watch order of series (not including movies & spin-offs) : -- 1. Mystic Nine (2016) -- 2. The Lost Tomb (2015) >> 3. The Lost Tomb 2: Wrath of the Sea (2019) -- 4. The Lost Tomb 2: Explore with the Note (2021) -- 5. The Lost Tomb 3: Ultimate Note (2020) -- 6. Adventure Behind the Bronze Door (2024) -- 7. Tomb of the Sea (2018) -- 8. Reunion: Sound of the Providence (2020) -- 9. Reunion: Sound of the Providence 2 (2020)

Related Lists : The Lost Tomb (2015) - Full List • The Lost Tomb 2: Explore With the Note (2021) - Full List • The Lost Tomb 3: Ultimate Note (2020) - Full List • Adventure Behind the Bronze Door (2024) - Full List

Episodes on List : 25 Total Episodes : 40

*Spoilers below*

01 : Wu Xie shocked awake, sweating, from a layered nightmare (nightmare within a nightmare within a nightmare) … Wang Pang Zi knocked out

02 : [nightmare] Wu Xie choked

05 : Unsteady … entrapped in a trance, strangled, broken out of it … Pang Zi knocked over from an explosion … Wu Xie attacked, thrown to the ground, Pang Zi thrown into a wall, Zhang Qi Ling fights; choked & lifted off the ground

06 : [flashback] Passes out

07 : Wu Xie dizzy, entranced … [flashback] head pain, pushed into water … [present] Zhang Qi Ling head pain, recalling forgotten memories … Wu Xie, Zhang Qi Ling, & Pang Zi escaping a collapsing underwater building, stuck on the way out.. Wu Xie unconscious, receives chest compressions, spits up water, knocked to the ground

08 : Recovering from fever (not really shown) … [flashback] cut his own hand

09 : Shocked awake, sweating, from nightmare

11 : (near end) Wu Xie & Pang Zi captured, tied up

12 : … continued from previous ep. ...Wu Xie still captured, tied up … imprisoned.. dehydrated, breathing hard, unsteady.. passes out.. helped to walk

17 : Pang Zi attacked, Wu Xie attacked.. attacked again, knocked out, drowning.. spitting up water … Pang Zi bit by insect

18 : Wu Xie Hit with the butt of a gun, knocked out.. wakes tied up … Pang Zi having a reaction to bug bite; unsteady, arm in hives & paralyzed, passes out … Wu Xie falls, nightmare; wakes trapped in a casket, choked

19 : Drugged, unsteady, passes out, arm nicked & blood taken

21 : Falls, knocked out briefly … Pang Zi entranced into almost killing himself … rolls down a slope

23 : Wu Xie cuts his own hand … dizzy

24 : … continued from previous ep. ... Dizzy … unsteady, holding his head … attacked, choked

26 : Blown back by an explosion, briefly knocked out … falls, hits head, blurry vision, unsteady … cuts his own hand … blown back by an explosion, drowning … wakes in hospital (comedic: with a high-pitched voice from concussion)

28 : Pang Zi's arm in a cast (tho I'm confused as to why)

30 : (near end) Wu Xie knocked out from an explosion … falls into a pit

31 : Pang Zi found unconscious

32 : Found unconscious, head sore from being knocked out

35 : Wu Xie & Pang Zi in a fight; Wu Xie coughs up blood … head pain from noise

36 : Digs out from being buried in snow, head pain.. [flashback] buried in rubble from collapsed tomb, unconscious … [present] rolls down hill, arm hurt.. exhausted, passes out.. headache, collapses … headache … drugged asleep … caught in a trap, hung upside down

37 : Headache … captured … Pang Zi captured, tied up, mouth gagged … Zhang Qi Ling head pain, drugged unconscious

38 : Drugged unconscious … Zhang Qi Ling & Pang Zi trapped in a net, both tied up & hooded

39 : (near end) Wu Xie exhausted, collapses, hypoxia (not enough oxygen), slaps himself, passes out … hallucinating

More Whump Lists for this show: love-me-a-lotta-whump

[incubusparadox]

DIR EN GREY in Taiwan: a hellish journey as beautiful as a nightmare, as real as a letter written in blood

After nine years, DIR EN GREY finally returned to Taiwan. Following the conclusion of their U.S. tour, they kicked off their Asian leg on May 10 at Zepp New Taipei. This stop of the “TOUR25 WHO IS THIS HELL FOR?” was titled mode of VULGAR, and while it was centered on the 2003 album VULGAR, the setlist served as a condensed retrospective of over 20 years of career: a deep exploration of their musical roots and a frenetic ritual that stared straight into the abyss of human nature. With “pain” as its core, DIR EN GREY remains a symbol of both visual kei and extreme metal—dark and beautiful, violent yet filled with hope.

Crossing boundaries of nationality, gender, or age was no obstacle: fans gathered to experience this intense performance, where pain and hope intertwined like a scream etched into the bones.

The five members of DIR EN GREY emerged amid passionate screams. The night opened with “人間を被る” (2018), a sonic explosion that marked the entry into their spiritual realm. It was followed by “The Devil In Me,” a new song accompanied by its music video—a dialogue with deceased criminals and inner demons.

Next came the iconic “DRAIN AWAY,” unleashing a frenzy among fans, who sang through tears and laughter. In “13” (from the album PHALARIS, 2022), Shinya’s drums sounded like a beast on the march, while 京 (Kyō) writhed on stage like a cursed flame—clearly evoking the brazen bull on the album cover.

The emotional descent deepened with “禍夜想” and “The Perfume of Sins,” where 京 (Kyō)’s piercing high notes and the floral projections created a dreamlike and distressing atmosphere. The ballad “朧” played under red lights and visions of a bloody childbirth, detaching the audience from reality.

Without pauses or MCs, they attacked with “VINUSHKA” (UROBOROS, 2008), a harrowing epic that condemns war, even projecting images of atomic bombings. Yet, brief glimpses of the band members added visual flair: 薫 (Kaoru)’s avant-garde hairstyle, Die’s flowing hair, Toshiya’s charisma, and Shinya’s elegance.

The heart of the show brought the essential “かすみ” (from VULGAR), with 京 (Kyō) improvising over the melody. The red mic cable looked like a living vein transmitting his voice straight to the audience’s soul. It was followed by “audience KILLER LOOP” and “OBSCURE,” experimental pieces far ahead of their time. With this album, 京 (Kyō) abandoned the title of “vocalist” and proclaimed himself a “prophet,” breaking away from traditional rock roles.

The final songs before the encore were “落ちた事のある空” and “Eddie” (PHALARIS), performed at hellish speed. The crowd screamed, pumped their fists, and released years of emotion. 京 (Kyō) threw down the microphone and left the stage.

For the encore, 京 (Kyō) appeared without makeup to perform “CHILD PREY,” featuring a new electronic intro and visuals that retained its original futuristic essence. Everyone sang with raised fists, unleashing long-restrained feelings. Then came “THE IIID EMPIRE” (VULGAR), an explosive political critique that fused rage and sorrow.

With “鱗,” 京 (Kyō) used his operatic tenor voice to embody the twisted mind of the oppressor. To close, he shouted, “Taipei! The last song!” before unleashing the brutal “詩踏み” (2016): riffs like saw blades, vocals like gunfire. Even as the screen marked the end, the crowd kept screaming, hoping for a second encore. As they exited, a piano instrumental version of “アクロの丘” played—like a final caress for the soul.

DIR EN GREY TOUR25 WHO IS THIS HELL FOR?」 LIVE IN TAIPEI 「mode of VULGAR」

2025.5.10 Zepp New Taipei

【SETLIST】

01. 人間を被る

02. The Devil In Me

03. DRAIN AWAY

04. 13

05. 禍夜想

06. The Perfume of Sins

07. 朧

08. VINUSHKA

09 かすみ

10. audience KILLER LOOP

11. OBSCURE

12. 落ちた事のある空

13. Eddie

-SE- G.D.S.

14. CHILD PREY

15. THE IIID EMPIRE

16. 鱗

17. 詩踏み

Photos and report by Rakuzine

Translation by @incubusparadox

[aureliebella]

[kanmom51]

Jikook in Japan November 2023

What we have so far.

First thing first, I want to thank all of you for your good wishes in the comments to my last post. I did miss you guys, and I'm hopefully on the mend, if not fully there yet.

So, JM and JK in Japan. Do we all see just how big that is? We know just how important their trip was in 2018, they told us all about it ever since. And now we have them travelling to Japan again, one last trip before enlistment. Together. They spend time in Tokyo (we know cause they flew into Tokyo - great detective work going on here - and the pics that JM posted on his IG - and I'll get to that soon too). But they are also travelled to Sapporo, where they are right now. Sapporo, where this happened back in 2016, just to remind you all.

Anyways, let's go back a sec to their departure. Cause why not, really?

As they walked into the terminal JM signalling JK to come in closer to him.

And after going through the departure doors while waiting for their security check.

Same same...

JM came to us last night posting on IG with two "my boyfriend too my photo" pics.

Are they doing a walk down memory lane? Is JM sending us down memory lane? I mean, let's get real here. They know. They see it all. They knew about the threats and hate preceding their trip, they know about Jikookers talking up this trip, Jikookers love of GCFT. And in saying that, was his choice of pics posted just random or purposeful? My bet is on the latter. Everything JM does is thought out. That is, until he has JK standing right in front of him. That's when he loses control, lol. And that, my friends, is why JM is unwilling (and probably rightfully so, as hard as this is for me to admit) to go live with JK. I kind of think that JK realised the same of late, after that live tiddy grab, lol.

JM posted at 11:44 pm or 23:44 pm. And here are the numbers.

I'm done with "it's a coincidence", cause it is not. It wasn't when JK started lives at 11:08. It wasn't when JK posted his letter to Army at 6:13. And it's not now either. At this point that's what I believe. Take it or leave it.

And just incase those that saw them leaving for Japan and are still struggling to come to terms that perhaps the two are literally travelling together, we had someone that saw them together in said restaurant eating together, sitting at a table for 2 (and not for the lack of bigger tables available at the restaurant).

We also saw the two leaving for Sapporo. Of course, again, said very 'nice' - NOT - people having a field day with them not caught in one frame on their way out of Tokyo.

And I guess just for these 'nice' people's benefit (not really, but am I a bad petty person for being glad they got this right in their faces??) we had the two arriving in Sapporo TOGETHER.

Also looks familiar.

And did I mention the matchy matchy grey coloured sweatshirts?

At this point nothing surprises me anymore.

So Sapporo. A winter paradise. A city known for it's beer and breweries. The city that recognized same sex marriages. A known couples destination.

There have been sightings. And they are mostly keeping the information to themselves at the moment, seeing that the two are still in Japan. But, point being the two aren't hiding it. They are out in the open, together, enjoying themselves.

I know that they are having the time of their lives.

I know they are creating cherished memories for years to come.

I know that they are and will be happy!!!

I know that.

[bakibakideemon]

I’m back to into Haikyuu!! And before I say anything - I absolutely adore Kageyama. It’s been a minute that have thought about his character/ discussed him. But recently came across some really great character studies of him.

Here is a list of Fics I read recently which I fell do his character justice (and just because I like them). (These are amazing fics by some great authors)

1) The best thing you (n)ever had by eleasofia

Summary: When Oikawa is asked out by Kageyama for the first time, he turns him down, saying he wouldn't date someone who is so clearly inferior to him. Three years later, after Seijou's loss to Karasuno, Kageyama asks again, and despite not really (read as: absolutely not) wanting to, Oikawa somehow ends up agreeing nevertheless. It might really be time to forget about old grudges and move on. Turns out, it's even harder than he thought it would be.

Published: 2017-12-05 Words: 6,425 Chapters: 1/1

2) Normal by AuthorInDistress

Published: 2018-10-15 Words: 5,031 Chapters: 1/1

Summary: A special guest is here in Kageyama's town and he couldn't care less.

3) I don’t know where we’re going, but I’d like to be by your side by voices_in_my_head

Published: 2020-08-03 Words: 8,548 Chapters: 1/1

Summary: "Atsumu doesn’t approach Kageyama Tobio the first day of the youth training camp, but he does keep an eye on him. He’s not the only one; everyone is curious about the main setter of the team that finally uncrowned Shiratorizawa."

Or: once Atsumu got to meet the real Kageyama, he never stood a chance. Honestly, he's not that bothered about it.

4) With all my love (And almost all of my mind) by rumxrs

Kei heaves a sigh, raking a hand through his short blonde curls. Tobio repeats the action unknowingly, and shivers shortly afterwards. A nervous shiver, like death was sending spearmint puffs of air down his neck.

Their story; told in snapshots, phone conversations, and dreams.

Published: 2016-03-29 Words: 2,175 Chapters: 1/1

5) Make It True, Takeru by luvtooru

Summary: After overhearing his uncle Oikawa mention he had a crush on someone with 'black hair and blue eyes,' Takeru assumes he’s talking about Kageyama, the grumpy setter from Karasuno. Unaware that Oikawa actually meant Shimizu-san, Takeru dives headfirst into a chaotic mission to play matchmaker—for the wrong person

Published: 2024-11-10 Words: 7,969 Chapters: 1/1

6) can this be a real thing (can it?) by akaashism (acciomerlin)

Summary: Tobio has an unexpectedly steamy dream about Oikawa one night. He tries his best to grapple with the resulting cocktail of feelings it invokes, but maybe an accidental revelation has its own set of rewards in store.

Published: 2023-06-20 Words: 10,712 Chapters: 2/2

7) What do you see when you look at me? By Aync1lgw

Summary: Three people - A woman who has been pining after Oikawa for years and finally wants to confess her feelings, a taxi driver who just happened to pick Oikawa and Kageyama up from the bar and then Oikawa's old roommate from medical school with whom Oikawa was sharing a rental apartment for the week. What is it that these people see when they look at Oikawa Tooru and Kageyama Tobio together?

Published: 2021-11-24 Words: 5,739 Chapters: 1/1

8) infernal devices by lettucehope

Summary: In a quest for revenge, Tobio learns that store-bought flames work just fine when you're summoning the powers of Hell.

Published: 2022-07-02 Words: 26,886 Chapters: 8/8

9) Cute bastard by mitoe

Summary: Oikawa calls Kageyama cute bastard every time he sees him and Kageyama hates it

Published: 2022-05-03 Words: 4,254 Chapters: 1/1

11)

10)