#ALSO - and this is quite personal

[mikqchoux]

I like to think i'm funny:,)

[inkskinned]

i. there's this video of a guy dancing on his tiptoes. i will begrudgingly admit the song is kind of catchy actually. i don't think it's the worst song i've ever heard. he seems passionate about it. but it is embarrassing, how he's dancing.

ii. you know where this story is going, unfortunately, and so do i.

iii. three weeks ago i had to drag half a dead rabbit out of my dog's mouth. i was just recently discussing how cruel things feel lately. that the way the world is shifting feels mean. three days ago, a random woman rolled down her window to snap at me because she missed her turn. this is now routine.

iv. 11 years ago in october, i made a post about how we shouldn't make fun of people for doing brave, vulnerable things. it has over 400k notes. people - at the time - seemed to generally agree with me. we have all felt shy and insecure when we share an intimate part of ourselves. we have heard someone at a concert say "that's fucking embarrassing" and said to ourselves - oh, this person is unsafe to be vulnerable in front of. we have said i can't act like that in public. we have left our art and passion in the dark. i think there will never be enough graveyard space for the art we have killed because what if others shame me for it.

v. the thing i was bullied for in high school was because i was a "predatory lesbian." a popular girl i'd literally never spoken to just decided she didn't like me and announced i was "stalking" her. to this day i have no idea what motivated this - i think i was just shy and poor and awkward and ugly. the perfect target. what they don't really ever show in movies is how quickly it moves, how suddenly strange people in the hallways are attacking you about it. they also don't show you that the bullies get this strange ... glee out of it. like, it's fun for them. it's enrichment. everyone else is in on the joke. suck it up, kid.

vi. so far, from what i have seen, creators that stand up for the musician all seem to have the same story: when i asked why we're bullying a random guy, people actually got mad that i asked. i've had similar things happen to me when i ask for us to be less comfortable with our anonymous cruelty. when an internet stranger says "be kind, it saves lives" - people find it funny to say fuck you i hope everyone kills themselves. pages and pages of people saying the same bullshit. sitting in their little caves, eating their own humor. it's just genuinely exhausting. the natural endpoint of "cringe culture" is that even kindness is cringe-worthy.

vii. loneliness is an epidemic. but where are you going to make your community? call your representative. go back to bed about it.

viii. due to how i was raised, i am always confused by cruelty. i understand the american isolationist belief "i can do whatever i want" - sure. but why wouldn't you want to be kind? i have lived too many bad things. i cannot be the epicenter of someone else's bad dream.

ix. it's just that if we were going to bully someone relentlessly, why is it never the healthcare CEOs. why isn't it the fascists. why isn't it, like, someone who you could at least argue "deserves" it. why is it always just some guy in socks singing a pretty mid song? or a person that doesn't look like you, just, like existing.

x. it's just that i think people enjoy doing it. they want to do it because they get some kind of masturbatory release from it - like a shrug or a splinter, they all seem to say the same thing - come on, it's funny.

xi. the world is sometimes beautiful, and sometimes you make something. the world is sometimes terrible, and you are worried they won't accept what your hands can wring. you open the instagram comments and they're still saying all sorts of shit to just - like - a normal guy. and some part of you thinks: if that was me. good lord. if that was me i'd -

xii. somewhere there is a graveyard. someone is already burying their hopes and dreams.

[pineapple-frenzy]

Book 2 au with Zuko and Katara Lee and Huamei

Katara is separated from her friends, and so she's left to travel the earth kingdom on her own. She stumbles across Zuko, who is similarly travelling on his own. They decide that pairing up and travelling together would be best

[violent138]

Bruce definitely trained all the Robins to abandon him if things got bad. He'd give them scenarios like him trapped under something in a fire, hypothermic conditions, he's too injured, and they need to get information to Lucius, and the list goes on. And to date, the only bit of training his kids have continually failed, whether in simulation or practice, is failing to leave him behind.

[tooquirkytolose]

~The Most Beautiful Woman in The World~

Download on itch.io for extra content!

[sleepgarden]

Pupa ✢ The writing reads:

Time envelops and keeps me Not awake / Not asleep In this chrysalis / In this shroud I am stillborn / I am buried alive Yet I change / I am changing / And I ache Held still

I started this over a year ago and came back to it periodically, but I decided to just finally finish it. It’s morphed, undone itself, and transformed many times in the process of illustrating it. Sincerely, I considered giving up on the piece. I am glad I didn’t despite its awkwardness; I admit that it doesn’t sit in the eye well. But somehow I feel that it suits the piece and what it means.

I am, if anything, relieved to have finished an illustration finally. It’s been nearly eight months since my last. Prints are available in my shop. (I also have mini prints for $5cad/$3.40usd!)

[vaguely-concerned]

lucanis is a 'I could sit in our quiet kitchen on a grey tuesday afternoon drinking coffee and talking with you about nothing much in particular forever and be the happiest man who ever lived' romantic, not a 'classic tropes and grand gestures' romantic. this is a distinction and conceptual gap I personally feel is crucial to understanding what's going on with him when romanced. for all his almost painful sincerity and clear depth of feeling he's not a very effusive guy by nature, but in the history of time no one has ever, with their whole soul, chest and being, been so genuinely and openly happy to just do laundry and taxes with you.

[sizzlingsandwichperfection-blog]

I just realised that you're john green and not some random guy

It's very simple.

I am a coffee and tea company that donates 100% of its profit to charity.

Corporate social media accounts--and tumblr may be a commercially irrelevant social medium but it is both social and a medium--are run by human beings.

The human being who runs this one is John Green. He used to write novels but now he writes about the world's deadliest infectious disease.

[linterteatime]

Slugcat distribution system gave them an explosive rabid raccoon and a overpowered sewer rat ❤️

[dappy-dappernette]

I keep on hearing people go all "The voice of the Smitten is such a creep. All he wants in the princess is someone to control and keep as a pretty object. He'd drop the princess if she wasn't the perfect petite maiden like in the damsel route." and I will not stand for the Smitten slander.

Like- He's been in love with her as a burning corpse ghost lady:

A terrifying ghost woman who wants to bring fear and chaos to the world:

And even a murderous blade monster woman who would kill you and enjoy every second of it:

Like, he ALWAYS loves the princess no matter what she looks like or how she acts, he loves her for being herself no matter what or who she is. That's the point of his character and I'm tired of people slandering my boy.

[sunclown]

Alike but different

[narrativelysignificantturtleduck]

one thing i think is so Neat about atla is how all the main bender characters have an arc that corresponds to their "opposite" element. zuko's arc is about the capacity to change yourself and your worldview, and the culmination of his arc is learning a move inspired by waterbending. katara is all about passion and drive, wanting to become a great waterbender and fight for what she believes in, and over the course of the show she comes into her power. toph's arc involves getting free of her restrictive family and connecting with a community, and aang's arc is about learning to stand fast in his beliefs and confront difficult issues head-on. it's a beautiful bit of symmetry that reinforces the show's point about the illusion of separation

[fumifooms]

Omg guys he just genuinely likes bugs and mollusks and critters 😭💘💔 Forced to noble when he just wanna crouch and watch things skitter in the dirt…

[curlytsunamiart]

a confrontation between miquella and messmer in the shadow keep throne room

[elodieunderglass]

History of Black jockeys in the USA: tumblr starter pack

The gif above was created by animating the motion study of “Annie G,” plate 627 of Eadweard Muybridge’s 1887 work, “Animal Locomotion”. The horse is a mare named “Annie G.” The jockey, unknown, is a Black man. It is one of the earliest motion studies on record, and captures some of the first humans and first animals to be recorded this way. (The earlier 1878 Muybridge study of the mare Sallie Gardener is more famous but you can’t really see the jockey.)

The Black jockey is referenced (fictionally) as an ancestor n Jordan Peele’s film Nope (2022) which also looks at the relationship between Black men, horses, and the consumption for entertainment of both of their bodies.

Fold into that what we are learning about today’s acceptance of the jockey-as-consumable, of their body as an accessory, of their wellbeing as mostly irrelevant; but then remember that once upon a time, people cared a lot more about horse racing. This is a big, tricky topic in American horse racing. There was a time in American history when Black jockeys were enslaved and forced into a job that we know is dangerous and consuming. Later there was a time in American history when Black jockeys were incredibly influential and important, competing equally alongside white jockeys, and they were deliberately pushed out of a sport they had mastered.

“The Undefeated Asteroid,” Edward Troye, 1864. Enslaved horse trainer Ansel Williamson, right, holding saddle. Ed Brown, jockey on left adjusting his spurs, was the young enslaved jockey. The groom is unidentified.

Press Keep Reading for an essay/signposts to resources. It’s intended as a jumping-off point for curious people and historians to learn more. TW for racial discrimination and discussion of weight.

As we know by now, jockeys are considered consumable/disposable by their sport; they are athletes whose names are less memorable than their mounts and their working conditions are tough. The sacrifices that jockeys make today to remain strong and light are hard enough when the jockey is willing. They have hard weight limits on their profession. And one of the very dark horrors of this was that young enslaved Black men of small stature and riding ability were singled out and used as jockeys. Their sacrifices would not have been willing. While this essay is about the Black athletes who willingly entered the sport post-abolition, I think it’s important to be up-front about the history of enslaved jockeys in America. Jockeys like Ed Brown (above) were forced into the job very, very young.

Horse racing is a bonkers calling, but it’s also one that people willingly follow. Post-abolition, there were many Black American jockeys who were incredible athletes, their records and statistics still impressive today. In a surge of excellence around the 1890s, Black jockeys rose to remarkable influence and power in America, becoming household names above even the horses, travelling the world, greeted with admiration, true celebrities with their faces on merchandise. At the very first Kentucky Derby, raced in 1875, 13 of the 15 jockeys were Black men.

Between 1890 and 1899, African American jockeys won the Kentucky Derby six times. By the early 1900s, they were history. The key push to exclude Black jockeys came when White jockeys began violently attacking their African American counterparts by boxing them out during races, running them into the rail, and hitting them with riding crops. These attacks prevented Black jockeys from finishing in the money, and endangered fragile and valuable racehorses. Soon after the attacks began, African American jockeys found they could not get rides. Anxiety over job insecurity appears to have played an important role in White jockeys’ actions: there were only a limited number of riding slots. White jockeys would have benefitted in any circumstances from the exclusion of Black jockeys, but in the late 1890s the US was in a depression, and unease about finding rides was especially high. Combined with a growing anti-gambling crusade that reduced attendance at racetracks and eliminated some tracks entirely, jockeys found demand for their services contracting.(National Bureau of Economic Research)

Professor Pellom McDaniels, describing the impact of this on legendary Black American jockey Isaac Burns Murphy:

MCDANIELS: If black people are supposed to be inherently inferior, to have someone who demonstrates success in material terms unravels this idea and therefore those whites during this time period who believe themselves to be inherently superior, something's broken in their psyches. And Murphy represents that kind of attack on white supremacy.

Isaac Burns Murphy, one of the best American jockeys of history, had an unprecedented rate of wins (something like 44% which is almost impossible.) he was born into slavery, but his mother managed to escape with him as a toddler to a Union Army camp. He was inducted into the Jockey’s Hall of Fame in 1955 and Eddie Arcaro was quoted, “there is no chance that his record of winning will ever be surpassed.” (How could it?!)

Today, the American Racing Museum honours many Black jockeys of history in their Hall of Fame, telling some truly incredible stories that are worth browsing.

Like James Winkfield. Born in America 1882, died France 1974. won the Kentucky Derby twice. Left America due to this rising backlash against the growing prominence of Black jockeys, the KKK in particular explicitly objecting to his celebrity and earnings by sending him death threats. Winkfield therefore rode and trained in Europe, settled in Russia, FLED THE 1919 REVOLUTION WITH 200 HORSES?, married an exiled Russian aristocrat (????) and, lest he know peace for five minutes, defended his horses from the European Nazi invasion with a pitchfork(!!!!). Fleeing WW2 to America, where the new racial segregation was now being widely embraced, Winkfield found hotels that had once welcomed the celebrity athlete suddenly turning him away (never forget that segregation was artificial and deliberate.) I am still stuck on him sneaking 200 thoroughbreds out of Russia. Here’s his Britannica article and Hall of Fame bio.

The campaign of racism and terror was successful at driving Black athletes from the profession, and Winkfield was the last Black jockey to win the Kentucky Derby. Jim Crow swept through the USA, and white people in the South comforted themselves with “lawn jockeys,” racist caricature lawn ornaments of Black men in jockey silks.

It wasn’t until the 1970s that Black jockeys began winning high-stakes races in the USA again.

Hopefully this has spurred (ha!) your interest. Here are some links if you find yourself interested in more!

American racing museum: Jockey hall of fame

Kentucky Derby Museum’s Black Heritage in Racing collection

How and Why Black Riders Were Driven from American Racetracks (summary paper, National Bureau of Economic Research)

There is no competition: the legacy of black jockeys (1975 entry in Sepia magazine preserved here. Note that James Winkfield’s picture incorrectly identified as Isaac B Murphy.)

This 1975 photo is from the article above and describes Cheryl Smith, “first Black American female jockey to hold a license.” I haven’t been able to find out much about her, but I’m not a historian - let me know if she takes your interest as a topic!

It looks like there are some big interesting books on the subject, though I haven’t read them myself. If you’re interested in doing a research project, here they are!

The Great Black Jockeys: The Lives and Times of the Men who Dominated America's First National Sport, by Ed Hotaling, 1999

Isaac Murphy: The Rise and Fall of a Black Jockey, by Katharine C Mooney, 2003

The First Kentucky Derby: Thirteen Black Jockeys, One Shady Owner, and the Little Red Horse That Wasn't Supposed to Win, by Mark Schrager, 2023.

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs