#And Apollo only has the three-four lines which like - in and of itself is crazy

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[airadam]

Episode 92 : Signals

"...make you feel as if the Bill of Rights was counterfeit."

- Cuban Link

This month has just been hitting us over the head with "WTF?" moments on a daily basis, but in between I managed to put the show together - as you can tell, the finishing touches only made it in close to the end-of-month buzzer! While this is an all-Hip-Hop episode, I feel fairly confident that there won't be many people who know every track, so there'll be at least one new gem here for everyone. Let's run down this month's crate excavations...

Twitter: @airadam13

Playlist/Notes

Fat Joe ft. The Terror Squad : The Hidden Hand

It's bleak, but it's life. The whole Terror Squad weigh in on this cinematic cut (produced by Spunk Bigga) from the "Don Cartagena" album. Packed with cautionary tales, observations on the state of society, and ending with a touch of advice, this very much has the air of the person that's been through a lot trying to stop someone else going down the same road. In my opinion, this is a very much underrated deep album cut.

Oddisee : No Rules For Kings (Inst)

From the "The Beauty In All" album we get this lovely instrumental, heavy on the cymbals and drum fills.

3rd Bass : Gladiator

I've just realised that I've only played 3rd Bass once before on the podcast, so there are some great tracks in their small catalogue still for me to share with you. Here's one I think you probably won't know - their contribution to the soundtrack of the 1992 boxing-themed film "Gladiator". DJ Daddy Rich makes the beat boom, and whoever it is on the hook is battling me in the low voice stakes :)

J-Live : Worlds Apart

"The white man's burden still the brown man's backache"? That's just fire. The amount of clever, insightful quotes on this track is just unbelievable. It's well worth sitting and listening carefully to this one a few times - nothing but facts right here from J-Live on this Oddisee-produced piece from his "Around The Sun" album. 

Melanin 9 ft. Roc Marciano : White Russian

Melanin 9 is a UK MC who had somehow escaped my notice up to now but I stumbled upon this track with Long Island's street rhyme specialist Roc Marciano and knew I had to include it! The production by Anatomy channels the feel of the SP1200/S950 90s golden age; I love it, apart from the awkward 5-bar intro ;) Melanin and Roc go stream-of-consciousness in fine style on this one, taken from the "Magna Carta" LP.

Apollo Brown & Skyzoo ft. Joell Ortiz : A Couple Dollars

"The Easy Truth" was one of the picks of 2016 and the combination of Skyzoo, a real lyric fan's choice, and Apollo Brown's soulful production is a match made in Hip-Hop heaven. Adding Joell Ortiz to this story of the lure of money when you start off broke just takes the track over the top. The album is definitely worth checking!

Kappah : Supafly

Kappah from the Beatfonics crew flips some Curtis Mayfield inside out right here and adds some solid bass underneath for a highlight from the "Beatxploitation" beat tape. Heavy business as usual coming out of Italy.

Nas : Thief's Theme

A dark favourite, and an appropriate one as we see the dawn of a new kleptocracy! This was a great single from the "Street's Disciple" album - there might have been a radio mix, but you couldn't call this a radio record. Salaam Remi harnesses the "In-A-Gadda-Da-Vida" sample (as played by the Incredible Bongo Band) while Nas goes full crime rhyme for three verses - and on the hook, re-using some of his own famous lines from "The World Is Yours". The video for this one is well worth a watch too!

Camp Lo : A Piece Of The Action

The recently released "On The Way Uptown" is the demo album Camp Lo recorded that got them their record deal and paved the way for the classic "Uptown Saturday Night". Well worth picking up if you're a fan, as you can hear early versions of some tracks that made the official album as well as others that were borrowed from or reworked. There's also a scattering of "lost tracks", and what later became B-sides. This tune, I believe, has been out on white label but is a tough one to get so I was very happy to find it included. Geechi and Sonny Cheeba showcase their back-and-forth skills on a great foreshadowing of killer records to come, while Ski gives us some boom-bap drums over a cleverly-chopped, sneaky sampling of a jazz classic. Heavyweight.

Talib Kweli : Gutter Rainbows

I think the world "lush" would fit this one when it comes to the production! M-Phazes brings a dramatic 70s flair to the title track to Talib's 2011 album, and Talib sounds thoroughly amped to be on it. You've all seen a gutter rainbow in the literal sense - the colours formed when oil spills onto the street, and while Kweli does point to that in the lyrics he also gives a more poetic alternative definition.

Pete Rock ft. Little Brother and Joe Scudda : Bring Y'all Back

"...catch a fist and a elbow"...Richard Spencer, come on down! Three very dope verses from LB and Joe Scudda over a Pete Rock beat; I think Phonte's is my favourite, but you can't go wrong with any of the three. Check this one on Pete Rock's third producer-driven compilation, "NY's Finest".

[Context] Maylay Sparks : Legacy (Inst)

One of those random independent 12"s that makes a DJs vinyl collection individual, rather than just an "essential hits" compilation! Context of the Danish crew "Nobody Beats The Beats" provides a quintessentially early-2000s instrumental.

WC & The MAAD Circle : Ghetto Serenade

RIP DJ Crazy Toones. This is a beat I've always loved since I heard it on MTV back in the day, and as Toones had his hands in the production (alongside Sir Jinx and Chilly Chill), I thought this was a good time to play the track. This is played from the 12" single which is itself taken from the 1991 "Ain't A Damn Thang Changed" album. You may not find the story as told by WC to your taste, but you can't deny that funk!

Main Source : Atom

Taking it back to '89, we have one of the first recordings from the Main Source crew. This is the B-side of the "Think" single and for me, a perfect case of "B Side Wins Again"! The mixing and engineering was done by the legendary Paul C, who sadly would be killed before Main Source released their debut "Breaking Atoms" album; his influence lived on, and not just in the name of Large Professor's publishing company. 

Mega Ran & Storyville ft. Wise Intelligent : I Know Who I Am

It's been great over the last couple of years to see Mega Ran's profile climbing. He's an extremely talented artist and on the "Soul Veggies" album he reunited with long-time friend Storyville, who both took the mic and produced on the project. For this knowledge-packed track, it was only right that both of them connected with Wise Intelligent of the Poor Righteous Teachers; in fact, it was actually him who got on the DJ Seedless track first and then brought them in! The production is funky, jazzy, African...the whole pot, a perfect home for some excellent rhymes.

DJ Quik ft. Mausberg and James DeBarge : Change Da Game

The "Balance & Options" album from the legendary Compton DJ/MC is a must-own for me, with some absolute killers on it - this one being the opening, a statement of intent from Quik and the late Mausberg. The timing and dynamics on the rhythm part of the track gives it a certain bounce that is harder to duplicate than your average beatmaker might think, and as always with Quik, the musicianship is right there for you to appreciate.

[DJ Premier] Gang Starr : Skills (Instrumental)

You could do a mix of just DJ Premier instrumentals and it'd be a satisfying hour! This is from the 12", one of the four singles from "The Ownerz", the final Gang Starr album. Check the full version if you don't already know it - personally, I'm really missing that trademark Guru monotone style.

Heltah Skeltah ft. Starang Wondah & Doc Holiday : I Ain't Havin' That

I decided to finish the episode on a seriously energetic note, with this banging track getting a well-deserved outing. The Boot Camp crew rip the beat from A Tribe Called Quest's "Hot Sex" and you can almost hear them falling all over each other to get their rhymes in - the session in D&D Studios must have been insane! Topping it off with the Redman sample from "Pick It Up" just seals the deal. This is a 12" well worth having but you can also find the track on the "Magnum Force" album.

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!