#Angeline Carax

[angelinecarax]

Sugar blue sky, sugar sweet you 🍭🍬

[aislingsurrow]

"Here we come a-wassailing among the leaves so green."

"Here we come a-wandering so fair to be seen!"

"Do you know what 'wassailing' is...?" Oli asked Leon in a mutter. "Beats me."

"Love and joy come to you!"

"Haven't sung in a round since I was a child..." Cal harrumphed, eyes on Aisling to keep time. Ren, though, didn't need such help. She was in the zone and having fun.

Angeline couldn't keep her eyes off of Raha as he sang resoundingly,

"And to you your wassail too!"

"And gods bless you and send you a happy new year,

And gods send you a Happy New Year!"

[angelinecarax]

Anywhere the map is a dark tan, anywhere you can fly over but can't dismount, on the other side of invisible walls and lines of red floating lights:

✫✧✩✫✧✩✫✫✧✩✫✧✩✫✫✧✩✫✧✩✫ -- Out of Bounds

On approach, the cheerful young woman would be surprised just long enough to take in your personal mode of transportation, and then it'd be excited questions about that, particularly if its a noble steed or adorable creature. On further questioning about what she's doing out here, she'd only have two more solid things to say:

"Out of everywhere on our star, I've always fit into these places the best - "

" - want to go in deeper with me?"

6/3/24

If your wol(oc) was an NPC, where would you find them? Do they give a quest?

[looceyloo]

Angeline Carax, a human devotion paladin for @tsupertsundere!

I’m actually really pleased with the way her armour turned out - let myself so a little extreme with the embellishment :D

[angelinecarax]

My favorite adventure is with you 💖💖

[aislingsurrow]

Lalapril Day 01

Arrival

Standing on the parapets of Aleport, Aisling catches sight of a girl fresh off a ship. The new arrival's eye is caught somewhere on the distant horizon. The wind twists through her curls and nearly takes her hat. "Ah! She'll be staying with us," Aisling says. "I better go escort her to her room. I wonder what her name is..."

[tsupertsundere]

the incredible, indomitable cass was presented with this ask:

can you take kaho naa pyaar hai's scenario and give it baazigar o baazigar's personality?

the answer is the above. I haven't and will never ever forever stop looking at it. thank you so so so much

Commission for @tsupertsundere ! G'raha taking Angeline on a beach adventure!! 🌊🌺 Thank you for commissioning me! 💛😄

[tsupertsundere]

JUST UNDER THE WIRE lol -

beyond going down the shore and getting some perfume and a seagull stuffed animal, my birthday gift for myself was having a little celebratory gpose photoshoot! Not just for my birthday, but for the progress I've made so far this year - not least of which is doing some personal modwork!! I finally was able to make Angeline's hair hat compatible and upscale the sleeves she wears to have her french tips! Not only saving crucial time in post - it makes playing the game so so so much more fun!

Playing through ARR as myself got me through a dark time a couple of years ago. I never really made myself in a game, but the approximation I could make here is pretty close, and especially being able to represent my facial scarring as something cute was (and is) meaningful.

I'm keeping the promise I made to myself in the beginning of the year, which is the best gift I could get at all. Happy birthday, me!

[vienuelespectacle]

L’équipe

Auteur, metteur en scène Ismaël Jude, docteur en littérature, sa thèse, dirigée par Denis Guénoun, est publiée sous le titre Gilles Deleuze, théâtre et philosophie, aux éditions Sils Maria. Spécialiste des rapports entre scène et philosophie, il est dramaturge de La nuit des taupes de Philippe Quesne. Metteur en scène et auteur de théâtre, notamment de La petite et la grande distribution, de Maraîchers, de Figures de l’envol amoureux, mis en scène par Vladimir Petkov au Théâtre‑Sfumato de Sofia, en Bulgarie, et par Antoine Bourseiller en France. Il est co-auteur avec Denis Baronnet et  Nicolas Kerszenbaum de la série théâtrale SODA (Tgp, Aquarium). Il a publié le roman Dancing with myself aux éditions Verticales. Il a obtenu une résidence d’écrivain de la Région Ile-de-France pour écrire un deuxième roman.

Interprètes Jean-Charles Dumay a joué au théâtre sous la direction de Stanislas Nordey, entre autres Pylade et Calderon de Pasolini, La Dispute de Marivaux, sous la direction de Fréderic Fisbach des textes de Paul Claudel (L’annonce faite à Marie), Maïakovski, Kafka, Oriza Hirata (Tokyo Notes), Racine (Bérénice). Il a aussi créé avec Jean-Pierre Vincent des textes de Jean-Luc Lagarce et H. Mankell. Plus récemment avec Krystian Lupa, il a créé en Suisse (Vidy Lausanne) et en France (Théâtre de la Colline et tournée) Perturbation d’après Thomas Bernhard et avec Karim Belkacem Blasted de Sarah Kane (Nanterre Amandiers, Vidy Lausanne et tournée), avec Philippe Quesne, La nuit des taupes - Welcome to caveland (Nanterre Amandiers et tournée internationale). Au cinéma, il a principalement travaillé avec Bertrand Bonello, Wim Wenders, Xavier Beauvois, Olivier Assayas, Alain Gomis, Djamel Bendeddouche, Cheick N’daye, Anthony Cordier, Bertrand Tavernier, Brigitte Sy, Kyioshi Kurusawa et Angelin Prejlocaj. En compagnie de Gilles Touyard, Thomas Bauer, François Noguies, Alex Pou et Pierre Carniaux il développe une série de projets vidéo et performance pour entre autres : le FID de Marseille, le Festival Antipodes Brest, les Inaccoutumés Ménagerie de Verre, le Centre d’art Contemporain Vassivière et le Plateau frac Paris. Céline Pérot a participé à des performances d’Ismaël Jude et joué notamment dans La petite et la grande distribution, le premier volet d’un triptyque en cours dont La vie nue | Ce que c’était qu’être est la deuxième partie. Membre du collectif La Générale, elle a joué avec des metteurs en scène comme Maïa Sandoz (Maquette suicide, Nanterre Amandiers), Adrien Béal (Une nuit arabe de Roland Schimmelpfennig, Théâtre de Vanves), Nicolas Kerszenbaum (SODA, Tgp, l’Aquarium), Sophie Hutin et Sylvaine Guyot (Andromaque de Racine, Studio Théâtre de Montreuil), Anaïs Pélaquier (Essai de rêves avec chiens, La Générale), Francisco Moura (Angelus Novus, Théâtre de la Cité Universitaire), Frédéric Fachéna (Roméo et Juliette de Shakespeare, Nanterre Amandiers), Laurent Sauvage (Les Merveilles (chœur des 4 enfances) de Claudine Galéa, Nanterre Amandiers) ou Le collectif 21.29.7 (Au plus près de la mer, Théâtre du Rond Point). Delphine Chuillot, formée à l’école nationale supérieure du Théâtre National de Strasbourg, joue, au théâtre, sous la direction de Gaël Lépingle et Julien Joubert, Philippe Delaigue et Enzo Cormann, Eric Lacascade, David Gerry dans Une envie de tuer sur le bout de la langue de Xavier Durringer,  Jean-Louis Martinelli dans Personnkrets, Catégorie 3:1, Calme de Lars Norén et Platonov de  Tchekhov, dans la performance Acclimatation de Pierre Huyghe, Poil de Carotte de Sylvia Costa. Au cinéma, elle joue entre autres sous la direction de Nicolas Philibert,Léos Carax, Jean-Stéphane Bron, Nicolas Klotz, Arnaud Des Pallières, Léa Fehner, René Féret, Géraldine Bajard, Pierre Huyghe, Pawel Pawlikowski, Brigitte Sy, Jean-Paul Civeyrac, Gaël Lépingle.

Raffaella Gardon, formée comme comédienne (Central School of Speech and Drama de Londres, Ecole internationale de théâtre Jacques Lecoq) et danseuse auprès de Giorgio Rossi et Benoît Lachambre. Elle joue au théâtre notamment sous la direction de Pierre Vial, Alain Batis, Frédéric Fisbach (Studio Théâtre de Vitry), Joris Lacoste (Festival d'Automne, Centre Pompidou, Nouveau Théâtre de Montreuil), Caroline Guiela, en France - Teresa Ludovico (Warwicks Art Center UK - Château Rouge Annemasse FR - Teatro Kismet IT), Davide Iodice (Napoli Teatro Festival, Teatro Stabile di Napoli, Teatro Nazionale - Teatro Bellini), Pietra Selva et Eugène Durif (Fondazione Teatro Piemonte Europa-Scène nationale de Gap) en Italie – Madani Younis, Omar Elerian (Freedom studio - British Council) en Angleterre. Elle se forme à la marionnette auprès des compagnies anglaises Thingumajig theatre et Théâtre de Complicité. La jeune fille aux mains coupées ou je me recompose (différemment) est sa première mise en scène qui sera créée en mars 2018 à la Nef-manufacture d'utopies Pantin. Scénographe Sallahdyn Khatir

[viiioca]

walking to the end of endwalker with a *checks notes* shadowbringers shitpost!!

i spent from march 1st through june 20th doing a big 2.0 through 6.5 replay with the lovely @angelinecarax -- i had an absolute blast and can't wait to experience estelle and angeline's adventures all over again in a couple of years with the graphics rework!

SAPPINESS: when i made this blog in july of last year, i did not expect to actually get involved in the fandom at all; i was made the FOOL, the DUMMY, the LITTLE JESTER CLOWN, because since then i've made a bunch of friends, seen some dope OCs, and overall had a great time being involved in the tumblr side of the ff14 community in ways i genuinely did not anticipate. thank you everyone for being excellent and cool, see you all in dawntrail!!!!

[angelinecarax]

Never find me up here.... 🎐🎐

[angelinecarax]

Our new favorite inn room ✨✨

[angelinecarax]

At the top of the curving staircase, the patio hanging precariously over Mist's seaside cliffs is already occupied. You see her just before she sees you.

Gold sparks on fading velvet, like the city she's mellow, contemplative. Less at rest, though, and a little bit more waiting. Could it be for you?

(inspired by the romantic interest portion of the one-picture tag game)

[angelinecarax]

Sir? Mr the Tia? Do you think this is your private beach? ☀️

[tsupertsundere]

Old places, new again.

✩✫✧✩✫return to your roots, #countdown to dawntrail week six!

[tsupertsundere]

"I really can't wait. Once we set sail..."

✩✫✧✩✫beginnings, #countdown to dawntrail week seven!