#BoozeWars
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The door faces North
This has been, by far, one of the most complex investigations I have ever done in this fandom, and I am truly sorry for the long wait I had to inflict on many of you & for the uncharacteristic radio silence in DMs and comments. During this peculiar journey, I checked, double-checked and cross-checked as many details as I could and I carefully considered at least two different theories, of which I still think they do not exclude each other. I am now confident enough to make not only an educated guess, but also a daring bet on SRH's next whisky move.
Also, sorry for the length of this post. Truly sorry - think of the completely pulverized night sleep I had to give up, in order to bring this to you.
But first, a word on Marple's obvious PR tip on the Hopetoun Estate refurbishment and distillery old/new project. I am fair game enough to tell you the obvious: her overall recounting of the principals is roughly correct, spare perhaps one or two minor details. Correct, but dry - she limits herself to the technical documentation submitted by Golden Decanters and The Hopetoun Estates Trust to the West Lothian Council for approval. She correctly points out that S is not a visible part of the deal, at this point in time and she does a decent summing up of a very, very, VERY plethoric amount of bureaucratic information. She concludes, and I think she is partially right, that he might be interested in becoming an investor (I am taking things a bit further, though). But in doing so, she focuses on the development phase of the project only: the possible connections with SRH and his own spirits business are less, if at all, obvious.
I am going to give you my view of all this charade and, if I am going to mention (and probably repeat) some things already found by her, I am going to focus on the people: this is where the whole story starts to become remarkably interesting, at least to me. After all, I remember promising you some more clarity. Here's an honest, fair play take.
Little did I know, when I started to write about that (now defunct) company, Midhope Castle Distillery, Ltd (https://www.tumblr.com/sgiandubh/748597198794670080/the-info-provided-above-is-correct-but-outdated?source=share), that my investigation would turn to this:

... for it was to be just an almost random layer of a juggernaut matryoshka of defunct or still active companies, featuring roughly the same people and no less than 6 different name combinations centered around Midhope, Hopetoun, etc.
The following pics will give you an idea - feel free to open them in a separate tab, for clarity . I preferred this synthetic approach, because otherwise you will curse the shite out of me. But it had to be done, with or without Depon, Advil's Greek cousin (and before you ask a graphologist, this is my handwriting, and nobody else's 🙃):



The only explanation for the whole almost frantic Midhope/Hopetoun crisscross/hopscotch (LOL) combos I can think of is two people trying to secure one (several?) credit lines or to attract significant investors for their project and ultimately failing to do so. But I might be wrong (although I doubt that, thank you). Out of this entire maze ( I swear I now have a migraine), there are only two active companies remaining: Golden Decanters Ltd (renamed GD Spirits Ltd, in April 2022) and Midhope Ltd (renamed Skosk Ltd, in July 2023). It is on them I am going to focus my gaze.
GD Spirits Ltd was incorporated in Berwick-upon-Tweed, England (just across the Scottish border), probably for tax reasons, on March 11, 2015, the nature of its business being listed as 'wholesale of wine, beer, spirits, etc.'. It started with a team of two women: Julia Mackenzie-Gillanders and Ann Medlock, whose names we are going to see over and over again in all the eight corporate avatars. Later down the timeline (LOL for three decades and a half), on January 30, 2018, they were briefly (until July 19, 2018) joined by two very interesting professionals: Mrs. Margaret Boswell, an attorney at the very prestigious international law firm Gide Loyrette Nouel (Paris and London offices)...
...and Ken Robertson, former Corporate Affairs Director at Diageo Whisky, a subsidiary of the international Diageo group, one of the major players on the world spirits' market:
The second company, Skosk Ltd, was incorporated in August 2021, in Perth, Scotland, its nature of business being listed as 'distilling, rectifying and blending of spirits', with the clear intention to align with the exacting criteria prescribed by the 2009 Scotch Whisky Regulations:
[ Source: https://en.wikipedia.org/wiki/Scotch_whisky - sorry, I don't have time to wax lyrical on this, and neither do you]
This time, we only meet again the two distillerettes, Gillanders and Medwick. Up until now, at least, nobody else (attorney, former sales executive, whisky expert) has joined the platoon - TBC? I would not speculate and leave all options open.
There is little to 0 transparency on Skosk's financial situation, at the moment and to be honest, it looks very much like S's co-star (hehe)'s Irish business venture...
... but I was a bit more lucky, and the numbers more chatty, as far as GD Spirits was concerned:
Paging all shipper chartered accountants out there, but to me, it doesn't look great, at the moment. Cash is ridiculous, the net worth is hemorrhaging and the current assets are negligible, compared to 2020, when I think they managed to secure one or two credit lines, but not nearly enough for what they needed. Just enough to pay themselves and their external consultants and cover the operating costs, if you ask me.
The revised Planning Statement, of 8 February 2024, posted first by Marple, echoes my initial guess (COVID blew it up, see link to the first post) and the above assessment:
Mark this: 'Discussions are now proceeding with investors and there is a realistic prospect that work will begin in the near future (2024/2025) to implement the permission.' Given that they will start with the road and parking rehabilitation and upgrading, probably overlapping with the distillery building, it would make sense to begin this autumn at the earliest, with the most urgent: access to the site itself.
The initial Planning Statement, dated 9 July 2020 and re-posted on March 21st, 2024, tells a more detailed story. This is part and parcel of the current project as well, since the revision is just pointing out the changes operated, not the entire rest, which remains unchanged. You be the judge:
Also keep in mind this tiny, tiny thing: the Business Plan is 'submitted (...) under Private and Confidential Cover'. See where I am looking?
The initial plan was (and still is) for GD Spirits to produce their own booze, using Midhope's own barley (this is very important for the rest of my theory!). They even offer an overview of the real impact of their project on the local economy:
20 to 38 initial new job creations for a £ 15 to 30 million investment is not 'huge', madam Marple. Cumbernauld is huge. This? This is rather modest, if you ask me. But hey, what do I know about the labor market, right?
That initial Statement tells also the story they want to tell about the genesis of their idea, the scouting for the right location and a couple of other interesting details:
So they are telling us they started to look for the perfect location in 2018 and oh, hello, they found the Hopetoun Estate rather quickly, already starting the pre-planning application consultations as early as July 2019 (don't get me started, please):
If so, then why did they incorporate not one, but two different companies clearly linking them to the Estate (Hopetoun Estate Distillery Ltd and Hopetoun Estate Whiskies Ltd) the same day and as early as May 23rd 2017 (and both dissolved in December 2022), as my above penciled timeline (LOOOOOL) shows? Who is really behind this project and why this entire ballet? It's like me pre-emptively looking for rental properties in (let's randomly guess) Lisbon, when it's just wishful thinking, heavily projecting and with 0 guarantees I will be posted there, right? I mean, I adore and deeply know Lisbon and I would be thrilled to go there. But I am not currently looking for any rental property, just like that, because that would be a #silly, rookie mistake. In their case, I think there's a different situation - again, you be the judge.
A first answer, as to who is really behind that project, was given by the UK media, back in 2020:
How odd, when we know that both Mrs. Boswell, the well-traveled attorney and Mr. Robertson resigned from GD Spirits in July 2018. Do they still say hi to the two distillerettes? Do they quietly keep an eye on the project? Are they silent partners? Business angels? Shareholders? Time to remind you that under UK law, there is 0 visibility on the shareholder's structure of a company. You just see the officers (Director, Secretary, etc), on the Company House website. On an umpteenth, last- second cross-check, it became apparent that Mr. Robertson remained involved in another company of the distillerettes, Hopetoun Estate Whiskies Ltd (yes, the one mentioned above), until its voluntary strike-off, in December 2022.
Their best laid plans do mention OL, and how could it be otherwise? But all this £ 15 to 30 million hullaballoo for 20.000 people only (who counted them and how?), on a seasonal basis?
High-end restaurant, luxury B&B, event spaces, you name it. Interesting, to say the least.
And, for the people in the back, who still think SRH has a 100 years lease at Midhope (Jesus H. Roosevelt Christ, the stupidity!):
This is why he commented as a 'member of the public'. At face value, there is no public involvement into that project. Yet. But it is my belief there is a vested interest in all this, justifying the comment, the visit, those papers rolled in his fist, etc. At first, I thought that was a visit to Lallybroch by the Exec Producer of OL's Season 8, to discuss technicalities - and shared that privately with a wonderful friend only. I mean, why not and still perfectly possible. But then, as I could not sleep tonight and felt guilty to have you all waiting, I started to connect some tiny dots.
Like this one, for a start:
Yes, I know, Marple told you that FIRST, I would not dare say otherwise, because if I did there would be a transcontinental screech. That trademark application was filed at the US Patent and Trade Office in September 2023 and I thought (and still partially do) it was a potential rebranding solution to The Sassenach's EUIPO nightmare (much exaggerated by the fandom's toothbrush experts):
But you also know I am an idiot and I always check people's CVs, when I follow a thread. This morning, the one Distillerette I am particularly interested in is Mrs. Julia Hall-Mackenzie-Gillanders (née Scales) and not like *urv would be.
Her LinkedIn profile is exceptionally talkative, too:
... and a BA (with Honors) in Fashion Design, class of 2005, at the Northumbria University.
The Financial Times article 'From packing boxes to wine deals worth millions', you can read on her LinkedIn page, tells a very interesting story. It is the story of a shy underdog (lots of temple bells clinging, at the moment), who made it by sheer persistence. It starts like this:
'When a painfully shy young woman contacted a fine wine merchant and said ' I have no qualifications- can I help?', she got the job and today is signing deals worth millions of pounds.'
It obviously did ring a bell and if SRH knows she exists (she is married, *urv!), and I dare to speculate he does, it must have struck a deep chord. Would I do business with her? I wouldn't speculate, although I am not very sure. Would he? He'd probably listen very carefully to what she has to pitch, for a start.
And what she has to pitch is also very interesting, in his world. A brief look at the Golden Decanters' website shows a first high-end single malt sourced collection of 4 exceptional expressions already sold out:
And when they mean high-end, they mean gold leaf labelling and all the tralala:
And, some last minute news, too:
Remind me, because I am an old woman, after this white night: wasn't The Sassenach (no comment, we agree to disagree and I am very skeptical), a blend?
We have these dots, then:
Bold Underdog ->spirits business->high-end collection of single malts sold out->business partnership with owners of Midhope Castle, fictional Lallybroch in OL, including a distillery and whisky production with Midhope/Lallybroch barley -> visit by the male lead and spirits entrepreneur (also the fictional Lallybroch laird) to Midhope/Lallybroch and vested interest in the estate's most recent business project....
What if The Sassenach would be included, for a start, in that new Blended Collection? And could it really be fanfic to imagine a future high-end, limited edition, Lallybroch whisky produced at Midhope, with Midhope/Lallybroch barley? It wouldn't be the first time, would it: after all, they did it with that limited tequila batch.
As I said, because I am (remember Someone? LOL) a 'silly cow', I was hoping he wouldn't do it. But my guess is he might very well do exactly that, with those people and under that label.
It's half past eight AM, local time and I need a strong, black coffee.
I rest my case (and I am bracing myself for the screeching). I will answer Anons later, after I come back from the hairdresser's. Appointments must be kept at all costs. Thank you all for your patience.
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Lallybroch: copyright vs. trademark
An excellent question was asked by our friend @rosfrank in the comments thread to 'The door faces North' post and given the cosmic amount of uninformed bullshit being ventilated for almost ten years in this fandom, I think it's time to answer it once and for all:
Whenever we are informally talking about 'owning the rights to something', I think it's very important to bear in mind a fundamental distinction between two different categories of ownership rights: copyright and trademark.
The copyright is the most familiar one to many of you. It is what you usually find on those annoying and apparently useless first or last pages of all the printed or digital editions on this planet. Something like this:
In the US, copyright issues are regulated by the Copyright Act of 1976, as included in Title 17 of the US Code. The US public authority competent for registering and managing copyright is, as predictable, the US Copyright Office.
Perhaps the most seminal US Supreme Court decision, as far as copyright is concerned, is the 1991 Feist Publications, Inc., v. Rural Telephone Service Co. In it, the Court ruled that mere compilations of information or facts (such as, for example, telephone books) are not protected by copyright, according to US law. In other words, the ancient legal concept of 'sweat of the brow' (which simply means the amount of work required to gather and compile those facts/information) is not enough to qualify a work for copyright protection, if no creative effort is added to enhance its content. This is why I have always considered absolutely ridiculous Marple's efforts to watermark public information screenshots: it is useless (to the extent that it legally protects her from nothing) and, as her timelines, a mere compilation of facts (legally ditto). A similar approach is preferred by the UK and also by many Roman law legal systems, such as the French one - just making things clearer, here, by the way.
See how 'Erself is roughly doing, right now, in this department:
But I am rambling. In my view, Lallybroch, as a pivotal concept used in Diana Gabaldon's books, is protected by the copyright granted to each and every of her books mentioning it, according to the Roman law principle 'accessorium sequitur principale' (the accessory follows the principal). So it will remain protected for at least 70 years since the last of her books mentioning it would have been published under copyright. Unless she chooses to separately protect the entire finished cycle as a whole, once Book Ten (fingers crossed) is published, preferably during our foreseeable lifetimes.
That being said, that goes only for one copyright category: (published) text - you cannot copyright that secret diary in your drawer, LOL. This is why, the current US Copyright Office records concerning Lallybroch look like this:
Sony Pictures Television Inc owns the copyright to the fictional name Lallybroch in the motion pictures category, as it is the title of the Episode 12, in Season 1 - DG has been handsomely compensated for this, no worries. And someone I have no idea about owns the rights to an original musical score she has written and titled Lallybroch in the music category, since October 2013.
Onwards to the trademark. This is something different and this is all about making your name/concept/idea profitable. It is all about branding it, putting it on a product and selling it under that brand. It includes all the graphic elements and the logo of the brand (accessorium...) - in short, its visual identity to the consumers. In the US, trademark issues are regulated by the 1946 Lanham Act and the public competent authority is the good old US Patent and Trade Office (USPTO).
Right now, the situation for the Lallybroch trademark is as follows:
So, we see three different trademarks: two of them, owned by Diana Gabaldon, are classified as 'dead' (cancelled and/or abandoned) and the third, Lallybroch Spirits, owned by S's Great Glen Company is pending approval - he will not be able to label any booze bottle Lallybroch Drink Me before permission is granted by the USPTO.
Let's unpack:
Both Lallybroch trademarks formerly owned by Diana Gabaldon were filed at the USPTO on February 21, 2000 and granted on December 12, 2000. The first was aimed at producing 'tartan fabrics for the manufacturer of clothing' and it was abandoned in December 2003:
The reason is that the owner did not file in any Statement of Use after the trademark was granted. She had three years to do so, and since she chose not to do anything about it, the trademark was deemed abandoned (Stacy K. Smith is the attorney hired by Herself, btw). That means she specifically implied not to intend using it in the future. As such, she may claim NO rights on a now free to use mark:
The second trademark was aimed at producing 'clothing, namely, t-shirts, dresses and headwear' and also 'jewelry, namely, rings, pins and necklaces'- to cut the story short: OL merchandise - and it was cancelled on March 1st, 2013:
The reason is that the owner did not file the Section 8 declaration (of continuous use for five years) within the allowed legal timeframe (6 months after the fifth anniversary of the trademark granting renewal). Her trademark federal rights are now deemed canceled (but not her state law and/or common law rights!) and if she wants to ever use that name again, she would have to start the whole process over, bearing in mind the trademark could have been granted to someone else, in the meanwhile (not her case).
And for anyone who might ask, 'Erself does not own any other trademarks whatsoever:
The other (Doll Lab - LOL for ages) Diana Gabaldon is a pharmacist from Albuquerque, NM. Chill. 🤣🤣🤣
The owner of the copyright to the fictional toponym Lallybroch, as far as published text is concerned, is Diana Galabdon.
The owner of the copyright to the fictional toponym Lallybroch, as far as motion pictures are concerned, is Sony Pictures Television Inc.
The owner of the copyright to the fictional toponym Lallybroch, as a personal work of music, is Mrs. Kelly Ruth Davis, of Pennsylvania, USA.
The owner of the Lallybroch Spirits trademark will be Sam Roland Heughan, when that trademark is granted by the USPTO.
I hope this answers your question, @rosfrank. Thank you for asking.
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Friends and friends of friends a network make
Boys are back in town, no rings (Real Life, not Instabuzz) and active networking:
In this case, those who are missing from the pic are as (if not more) important as those who made it, riding in the rain.
Let's unpack:
John Laurie, Managing Director at the Glenturret distillery, where my personal favorite blend (oh, well, The Famous Grouse - I know, really LOL, but it is what it is) is made. A long, interesting career that started in 2000, as General Manager of a fitness club network headquartered in Irvine, California (LA Fitness) and got him more and more involved in whisky business since 2014, as General Manager of Edrington, the Macallan distillery. If it sounds familiar to you, well... always remember that #silly old slogan on the Pall Mall cigarette packs: 'wherever particular people congregate'. I know I do 😎.
Something immediately piqued my interest in this short bio: 'opened a fine dining restaurant that achieved a Michelin star inside 7 months'. And it is, of course, true: part of the reasons I am always using LinkedIn to place people, is that it would be counterproductive to blatantly lie, there. Or childish: even McSideburns knows that, with his very empty page and 1 contact - but what the hell do I know, though, he's more private than if he worked for the MI-6.
The one starred Michelin restaurant who got 'le macaron' in seven months is The Glenturret Lalique Restaurant, that opened in July 2021, on the distillery's premises and got it by February 2022. The first time a distillery wins a Michelin star, by the way:
Now, where did I read a similar business story, not so long ago and wrote about it? Oh, that's right, Tom Kitchin's first restaurant in EDI apparently followed the same yellow brick road to instant success, back in 2007:
Again, I am sensing a theme, here. Associating with young, dynamic and daring entrepreneurial voices in the whisky business. Not exactly the manwhore, closeted gay, peasant and crook some hypocrites would like to portray. I have to say, I am always, always over the moon glad to see the real thing showing up from time to time: a consistent effort to get things done, properly.
But sure, you believe what you want. I cannot force anyone to go beyond a sometimes very limited world view.
Second person being missed is David Coulthard, F1 legend, but also...
Company Director at Whisper Films, one of the most dynamic, fastest growing UK media groups. He founded it in 2010, along Jake Humphries, BBC F1 commenter extraordinaire and Sunil Patel, a former BBC producer, but also a Board Member of the Edinburgh TV Festival:
And for those who might not know it (I didn't), Coulthard hails from Dumfries & Galloway. Mmmhm. Well done, S. Well done.
S knows exactly what he's doing, where he's going and when and with whom he is seen. By this point in time, I think we might safely think his somewhat lackadaisical recent Insta follows (Romanian female MMA athlete? ROFLMAO, really and I howled) as gently trolling this very obsessed invested fandom. As I wrote it many, many times already, the Scottish Mafia is a reality - and good for him, really, to use what is readily available. And if you still had any doubt that was a business informal meeting, The Highland Chieftain tagged SS in his story.
He's going to laugh all the way to the bank, this one. You'll see. Great news and I will always be here to put it in context. Some of the things being heavily peddled around in here might not be very interesting to me - but this yes: this is exciting.
Also, many, many thanks to the two of you who immediately keep me up with these: you know who you are and you are loved, of course, why even ask?😘🙌
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Good morning to you...as always, this person is very indignant and enraged.
https://www.tumblr.com/maximumwobblerbanditdonut/748583730081333248/the-unexpected-guests?source=share
Dear (returning) Mythomaniac Anon,
Sorry for the delay and see below why. Well, then: how was that, at their end of the rope, across the street?
I know, I am quoting BIF (that petty, nasty, condescending woman), their Main Intellectual Luminary (LOL for years), but see how easy it is to boomerang anything?
And I will even suit myself and quote her some more, lookie here:
I am not even sorry. Karma is a bitch, like that and it seems to have backfired badly on BIF's comadre, 'Max'. You see, I can immediately tell when people who have NO idea about what LAW really is, start talking about it. They will always be oh so damn literal and oh so damn mechanical in their 'reasonings'. I mean, if law were to be read as is, why would we even bother going to law school, right? Why not have AI sort it out, literally and mechanically, too (and boy does 'Max' sound like an android when she starts droning her maximum wobbling bullshit)? You see, in law, it's never enough to copy/paste something, because this is about people, money and interests, being those individual or collective. Timelines are important (and indispensable in any legal approach), but never enough: what makes the difference is always the particular context and the interpretation of facts - that is, by the way, called jurisprudence, when it becomes a legally binding precedent (not our modest case, here), in common law system countries (the UK, the US) or a complementary source of law, like in Roman/Civil law systems, such as the French and Romanian ones, which I know best. There is a technical distinction between those two concepts (legally binding precedent and complementary source of law) and I once passed a whole year written exam in Public French Law with honors, picking this exact topic, but I won't bother you with it, Anon. In a nutshell, tread carefully when you open that droning mouth and leave no stone unturned, if possible. Otherwise, you'd make a fool out of yourself, with bullshit like this:
There is no Midhope Distillery Company Ltd, you fool. There once was the Midhope Castle Distillery Ltd, as I have abundantly shown in not one, but two posts. It did not 'change its name' in 2023, it was dissolved by voluntary write-off (third time might be a charm, across the street, maybe the coin would drop?). And one more time, for you Mordor people in the back: there is no way to know who the shareholders of a given company are, based on the Company House records, nor the amount of their participation. This is confidential information, as shown also in the Planning Proposal - once more, I repost the screenshot:
' The Business Plan, submitted (...) under Private and Confidential cover, provides background information on the applicant'. Including, but not limited to, the existing investors/shareholders - it is essential to show the local authorities your business project is not a whim or a dream.
She also writes confidently stuff like:
That is simply not true. As I have also shown in my last post, Outlander is explicitly mentioned in both the first and the revised Planning Proposals, as a strong argument for the entire business project. It may serve to remember that one of the elements justifying it was to provide the 20k seasonal visitors of the Midhope Castle Grounds an opportunity to access the (vastly) improved interior of the castle, along with a whisky related experience/discovery activity, accommodation and high-end dining opportunity. Again, I repost the screenshot, because those people are mendacious by nature and it is perhaps the only way to show them some facts (not useless factoids):
That being said, we can speculate and deduct a simple correlation between a company actively looking for investors to support their now vastly revised, ten-year project and an actor-cum-entrepreneur who might be interested/already involved in that project. Unless he'd make a formal announcement himself, at some point in time, there is no way to confirm. 'Max' should perhaps learn to water down her confident tone, sometimes, especially when it is obvious she did not look at the documents herself, used only Google in the arrogant and foolish hope 'those tinhat shippers are stupid' and has 0 (zero) legal expertise.
This whole thing might be pending approval, but let's not forget the first Planning Statement was approved back in 2020 (which is a good starting point), that they have secured a business partnership with the owner of the land, Lord Hope (the 4th Marquess of Linlithgow) and that as far as I could read during those past two days, all the reports seem ok, at least up until this point in time. I see no reason why they wouldn't meet and talk about it: on which planet is that such a big deal and on which planet could that be construed as 'conflict of interest' (another one of 'Max's' arguments), given the organic link between OL and Midhope, since 2013?
I also have made a hasty mistake, in my previous post, when dealing with Ken Robertson's participation to the project. He continued to be involved, as my penned timeline shows, in both Hopetoun Estate Distillery Ltd and Hopetoun Estate Whiskies Ltd, as a Director, continuously from May 2017 until their dissolution, in December 2022. Again, it's all on the timeline - see what I just did, here? LOL for a century and a half.
And for Marple's 'Sorry' clip, I have the perfect reply. Especially the chorus, of course - ignore the rest, it's about some Seventies playboy, quite an Alternate Universe from hers:
youtube
I will stop now, Anon. With the MPC Gala just round the corner, all the eyes will be on that one. This drama will probably draw to a fizzled denouement, as they always do, in this fandom. But I will follow that business project and report from time to time. I bet the farm we'll have news, rather sooner than later.
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My brilliant new friend, the scientist, deserves a better, wider audience. Her first analysis is flawless and I second every word of it.
I find her take on things so, so refreshing! Tell us more, comrade.
A little bit of pondering
As the SS promotion campaign is in full swing, I have been thinking about what it is that is making me uneasy about the whole thing. Is it the shameless, often older female crowd that treats the whole thing as a “physical” gratification fest, or the weird, campy feeling of the videos and photos that Sam and Co post in abundance? What is the message of the brand? Not entirely sure.
The product seems to be a good contender for the market: a beautiful backstory that will connect the buyer emotionally if they are interested in that; an interesting and elegant design of the bottle, admit it we all love a graceful bottle of alcohol, it sets the mood for the evening; the taste, according to feedback and multiple awards, is of quality and authentic. So, what is it that rubs me the wrong way?
In the US liquor market, 40-50$ will afford you a decent, very good bottle of whisky; 60-70$ and you will get a great bottle of whisky that is aged and from a good-name distillery; enter the 100$+ market and you are in an elite club of whisky connoisseurs that are rich and go to a cigar lounge for a business meeting or a lazy evening in a good company. Those price points also depict different markets, markets dictate the tone of the promoting campaigns, their mood, feel, and approach to reach those masses effectively. That is where my misunderstanding comes in: on the one hand, we have a premium product, taste, look, appeal, and story and on the other hand, we have a promotion campaign that is lacking integrity.
So, we need a selling campaign that screams elegance and elite club membership for the SS whisky brand considering the price point but what we got is a marketing affair of bad congruence with “shameless granny #ss grabbers” and “bimbo-looking girls” that do not look old enough to read or even drink for that matter. Not a good look. If I could roll my eyes any harder they would get stuck in the back of my skull.
Sam`s team`s focus should be on displaying their premium product in a way that conveys elegance and luxury, uniqueness of the experience, and exclusiveness. But so far it has been a miss for me. I hope that they will be able to acquire as much momentum to carry their brand further and build a stronger following that can penetrate the, oh so tough, liquor market of the US. It is so oversaturated that it is hard to break through the multiple, multiple much cheaper options with greater distribution routes that the whisky US market has to offer to its consumers.
He needs repeated business from nonfans and, possibly, the business crowd. And a new campaign manager as far as I can see.
Sláinte!
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No amontillado in that cask...
.... and not a new issue, either, in that Cask and Still IG post S made a story of, today:
I knew I read that somewhere, already. Not necessarily because these are the same old, same old points of talk, but still:
This particular interview was published in the magazine's December 2021 issue.
And, with the retrospect a good historian always deeply enjoys, my eye was caught by this apparently harmless tidbit:
For our Spanish friends: ' I am really interested in Bourbon, and actually single malt American whiskey is really interesting right now.'
Words uttered in November/December 2021, perhaps even a bit earlier, right?
OK.
Let's connect some disingenuous dots, here:
Grandma McTavish's bourbon launched in August 2023, after a reasonable preparation time that easily goes back to 2022. For example, Paul Novielli, the recently resigning CEO and Co-founder, has been officially involved in this project since February 2023:
It's not a stretch at all to presume Novielli has dabbled in it for at least six months before that formalization. Hypothetically, at least since August 2022.
Who copied who, here? I think it's plain to see, and S 's story proves that he got it 5/5. 'Longtime dream', my foot, McGrandma: you shamelessly borrowed your friend's idea, from your own & private conversations, and thought you'd do better. Without a single time mentioning at least 'the friendship'. Without a thought. Without a qualm.
Side note: interestingly enough, Novielli still considers himself as the Co-founder of McTavish Spirits, to this day, despite that farewell communiqué: damage control, anyone (https://www.tumblr.com/sgiandubh/744063332847321088/while-were-talking-about-secondary-players-what?source=share) ?
It's not a stretch either to presume that Novielli's departure from McTavish Spirits puts a halting feeler on their entreaties with the Southern Glazer's guys. Remember how he was fawning on their LinkedIn page, on Labor Day? https://www.tumblr.com/sgiandubh/734424300898091008/bourbon-mess?source=share
I bet the farm he was also one of McGrandma's key envoys to that all-important US distributor. So yeah, rough sails ahead, McGrandma, rough sails ahead.
Damn business concept thief. There, I said it.
Lady Karma at work, people. Never fails.
[Later edit]: Some people (yes, SHW) warned about this for quite some time now. They have not been heard or listened to. They were spot on, I think.
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A tale of two brands
Sophie Mancini's Departures paper on S in NY started a flurry of comments even before the whole content was made available on blogs. That people - mostly in Mordor - jumped in to add their two booing cents on the matter, based on two or three Instagram Story screencaps only, is a testimony to Tumblr's community deep interest in S's slightest PR/sales move and the easiness with which people like *urv managed to push their own agenda, in the process, to her unsuspecting, bicep-loving crowd.
Many of these comments asked just one question, more or less kindly and more or less openly: who are you, Sam Roland Heughan? Some of them, more along my alley, took a different angle: who are you talking to, Sam Roland Heughan?
Let me count the US crowds: the Wall Street yuppie crowd? the old money, WASP Knickerbocker / Colony Club crowd? Tribeca's sophisticated, culture-ish snob crowd? the UN international crowd? the laid-back (-ish) brownstone Brooklyn crowd? the DC politico types? the Boston Brahmin crowd? the Silicon Valley Bitcoin crowd? the Florida Latino crowd? the Bible Belt crowd? the Deep South charmingly old-fashioned crowd? the yee-haw, witty and ambitious Texans? the gourmet, nature-loving Seattle crowd? I am sure I am missing some (it's been a while I haven't traveled to the States and I have to say I miss all 50 of them, plus and perhaps above all my beloved DC :), but you get the idea. And the problem, or rather its first layer.
The second question this very poorly written article prompted is: what are you talking about, Sam Roland Heughan? I mean, what destination are you trying to promote? Scotland, through your Scottish gin, which I truly believe is exceptional? The Big Apple, like a counterpart to Sting, you know - a Scotsman in New York? That's not very clear, since that superficial girl just whirled you to a couple Chinatown speakeasies, rat pitter-patter included (bye-bye, Knickerbocker crowd right there) and that's pretty much it. New Zealand, that you mention at length, Maori tattoo story re-hashed, just because the book comes out next Tuesday? Ha-wa-wee, perhaps in a belated attempt to mitigate Tunagate? California, even, because it takes you back to humble beginnings? Granted, the Frisco one, not LA: that would be a horrible faux-pas, in a NY centered paper, much like me whimsically and idiotically mentioning Istanbul (instead of Constantinople), in a conversation with my Greek friends.
My head spins. And then let's add to that a ladle of recycled talking points, yours and C's altogether, like this gem:

Aspirational. Mmmhm. She said that. You said that. Multiple times, in multiple contexts that probably didn't even call for it. This is *** PR right there. I am not JAMMF. I am not Claire. But we aspire to that. Stop thinking we are these characters. No sane fan ever did: the insistence is unnecessary and has a real backfire potential. Stop thinking, period. But let it be my shipper sin, then, not to believe an iota of it and stubbornly think you people are, by now, way past the aspirational stage.
So, I took a long walk down memory lane today, while driving, trying to understand what the hell your personal brand is. Once upon a time, things were clear: you and C were a single brand. S&C - the fresh-faced, candid, witty and funny and oh, so in love new kids on the block. The spark was real and it was strong (it still is, only dampened and muted by PR-prompted shenanigans) and OL's audience was under its spell. People loved you, both of you, and some of us still do. You showed us as much as you could and for a while, it seemed to be convenient for just about everybody. That created expectations, but at the same time, you could have sold us land concessions on the Moon and we would have bought them, no questions asked.
And then, things happened. We know what: IFH, EFH, Remarkable Week-end. The spell was broken for many, who left in droves. Fans turned into bashing other fans. The S&C brand was progressively compromised and along with it, your Barbour Ambassadorship (for different reasons). Let's stop a bit at this point, in fond remembrance: that was the perfect pitch, for the perfect kind of corporate brand, for the perfect niche, for the perfect guy. A guy who had a credible, authentic story to tell, with a really strong potential to attract people outside of OL's crowd. Image and message perfectly aligned. Best case scenario.
So, with ***'s and your own PR benediction, what once was your solid gold starting point was ridiculed, trampled, shot to shambles, in a (failed) attempt to be sent to complete oblivion. You then had to think of something and try to branch out of both the blessing and curse of it.
MPC suddenly became more important than just any other charity project, of which there were a few (Cahonas Scotland comes to mind, the blood cancer one, as well). Cue in Sam the Athlete, Sam the Healthy Living Evangelist. The project was turned into a lucrative business, with a strong charity side. People bought subscriptions, people changed their eating and lifestyle habits, people lost weight - but really, I shouldn't write 'people', but 'women'. This was a women-oriented endeavor. A problem, again, on the long term.
Ha-wa-wee 1 happened, to more scandal and shrieks (that, I believe, was the reason you lost the Barbour project, another gold opportunity squandered because ten Internet bitches knew better). Then we were told another avatar was born: Sam the Entrepreneur. With a genuine, carefully curated, labor of love first alcohol product that clearly used the discarded S&C brand: The Sassenach and believe what you want, but just buy it. Mommies obliged. Antis obliged. Shippers obliged. All wallets are created equal, as I (often) use to say. And then COVID-19 came, putting a very real, very dangerous logistic strain on it.
Yet, you still had to somehow mitigate delays and losses. The Sassenach went exotic, with that limited edition tequila that probably won't be remembered by many outside OL's fandom, and that is a pity and a shame. The reason it won't be remembered is that you almost did not promote it, spare one or two Tick-Tock and Instagram clips. Does that justify the investment, the trips to Mexico, the very expensive retainers and commissions your tequila friends took for their trouble? I very much doubt it. That was, until being proved completely wrong, a flop. It brought absolutely nothing in terms of personal branding, spare perhaps a new faction in this paranoid cesspool of a fandom: the Gay Crowd, fueled by the image of a Lonely Bandana Cowboy, instead of the intended Sophisticated Traveler and Connoisseur. Yes, people are stupid, like that. Your PR and Sales team, too - and this comes from a place of deep understanding and appreciation.
We are now talking gin and boy, am I glad we do! This is perhaps an opportunity. Finally, a more democratically price-tagged, carefully tailored (again) drawing card product. But who is selling it to me? The California Boat Party Host? In that case, I won't buy it, but never mind me: maybe the fun-loving California Millennials would (we know the Smuggling Mommies would do it, anyways). The Sophisticated Traveler and Connoisseur you tried to show us again in Mancini's abysmal Departures paper and who is invited to important events, in recognition of his efforts?
You can't have the two of them, Sam, whatever those incompetents told you. You're either a 43-years old midlife crisis-stricken and shirtless clown or an Old World Industrious Thespian, with a stature and a status to match. A real Entrepreneur, not a cartoon scuba diver/beach boy Influencer. Eye Candy vs. Brain Power: after all, you are a '3x NYT best selling author', aren't you? Your pick, not mine. Stop the Sri Mataji-style Hugging and Booze tours: it's nonsense and that geriatric crowd is nowhere near what you need to make your dream come true. Do some real soul searching and stop listening to clueless 28-year old journalists, who tell you tacky rings are fun: they aren't. They make you look like an ageing Atlantic City Sinatra wannabe:

Sam Roland Heughan: currently at crossroads, trying to not choose between two opposite personal brands. Tricky position and an even trickier context, with the strike still lingering on and the pressing need to find an after OL strategy.
I promised you a tale of two brands and I think you wonder, by now, what happened to C, the other half of the primary SC brand?
The answer is, I honestly believe, not much. She has no personal brand, so to speak. Until now, she is just an Enthusiastic Dilettante. Book Club - started, unfinished and with that, farewell to any fan engagement. Cinema production rights - bought and then silence. Botanical Gin - first batch released (?) with no promo, no interviews (mentioning it in a podcast does not count), no reviews. Then teasing, then crickets again: a bit late, now, for the end of year celebrations. And I have to say I miss her or the part of her I never witnessed in real time (is such a thing possible?). I miss that starry-eyed, funny and witty girl. That girl was somehow completely swallowed by an Acrid Matron, who thought it was intelligent to yell at an Internet nobody, on Christmas Day, 'I am not married to Sam!' (ok, you aren't, but you're still lying). And I honestly don't know which one is best (or worst, for that matter): try to build something and make mistakes and try again until you hopefully find your way, or say nothing, do nothing and of course, never be controversial.
Now I am really interested to see how is she going to promote her gin. But you know what, I am not holding my breath, for some reason.
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All daggers out

Make no mistake and don't be fooled by two people forced by prior contractual arrangements to promote something on a stage. They decently pulled it off, in EDI and LHR? Of course they did, they are professional actors, in front of a paying, captive (adoring?) audience. And it will happen every time they have to - why not, after all? It's all about the moment, the money and the public image.
The very second lights were off, this happened.
Judging by the numbers of likes, to mitigated success. But McTavish, that second-tier actor lucky enough to be involved in some important projects before OL, is a persistent guy.
I bet whatever you want the BTS story is very different than what we are all being shown. And please, no more scanty, wishful, naïve 'it's a bourbon, it takes years to make, S knew', ok?
It is a bourbon. It does take years to make. That part is true. It is also true McTavish's is a white label project, with no extra involvement other than an endorsement of sorts. The bourbon was already there when he took his pick of the batch of booze to promote: his own website mentions 'selecting', not 'elaborating'.
Ultimately, it even is irrelevant if S knew or not (my bet is, for some reason, he didn't). This is wrong in so, so many ways: it is inelegant, it is a shameless copy, it is shilling, you name it.
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Labor of love
I was very interested to see what S told Mark Gillespie on the last episode of the latter's WhiskyCast podcast, @bat-cat-reader immediately shared with us.
It was a most instructive 35 minutes. I listened to all of it, because I wanted to also hear Gillespie's tasting notes forThe Sassenach. And I regret nothing: once you get past the traditional (and a bit obnoxious) 'why The Sassenach?' question, you're in for some interesting news.
You can listen to it here, by the way:
Before anything, who is Mark Gillespie?
One of the most respected professionals in the very small world of alcohol specialized podcasters, with a 37 years work experience in media and broadcasting, spanning household names such as CNN, Bloomberg, Wall Street Journal, Gallup and MSNBC. But also, and this I found very interesting, given the current context, the owner of CaskMedia, a firm specialized not only in media production, but also marketing and PR.

The podcast was recorded at The Metropolitan Club's library, moments before the Keepers of the Quaich dinner, where S was a keynote speaker. So not 'just there for the Haggis Ceremony ' - a 'guest of honor' is never invited just for the show, people should have known better, eh?
S's 7 minutes interview starts at the 09:32 mark. Comments in brackets are mine.
Gillespie surely doesn't like to beat around the bush and after the customary niceties, asks a million-dollar question:
MG: 'I have to ask: did you have the troubles (problems?) in Germany straightened up?'
SH: ' Ha, ha, ha [not an organic giggle, but hey - gotta do what you gotta do, eh?]. Well, I am not entirely sure I should talk about it [speaks very quickly and through his teeth - visibly annoyed/nervous; not entirely sure I got it all correctly, so feel free to amend in comments], ah... ummm... not as yet... not as yet...ummm...we did fall into an issue with the name Sassenach, which was similar to a big brand in the US... ah!... in Germany, sorry... of a beer brand... I...I personally don't see the similarity [neither do I, S...neither do I], but I am sure once people taste our whisky, they'll know what it is, whatever the name is on it.'
Yes, this interview was probably rehearsed. Yes, Gillespie might have sent the questions to S/his people in advance for reviewing. No, he could not speak about a legally complicated situation before the final settlement with that Schoppingen beer brewer (penalties are probably still to be fixed and paid, but I will check that, so don't take my word for Gospel truth, yet). I will write separately about this whole thing, because I still think that was a very questionable decision of the EUIPO. Not because it royally pisses me off (so fucking unfair!), but because I really fail to see the proper legal reasoning and basis for it. His answer was perfect, under the circumstances. Absolutely perfect.
Anyways, FWIW, it would seem some sort of solution has already been found ('whatever the name is on it') and that most probably would be to rebrand it. And sell it on the German/EU market under a new name.
Lallybroch (https://trademarks.justia.com/981/67/lallybroch-98167525.html), perhaps? Time will tell, but that could explain this recent trademark application I didn't have time to properly look into, yet:


Further ahead (and fast forward through the cask version release, these things bore me to death), we land on another (as yet) unexploded ordnance:
MG: 'I have to mention your show MIK that you do with Graham McTavish, you visited a bunch of distilleries during that one... any visit in particular stands out?'
Now I am not very sure if that question was the best possible one, since that SAG-AFTRA strike is still an ongoing situation. And his answer was quite clever, changing the focus on their visit to Laphroaig's distillery on Islay and waxing lyrical about the casks, the peat, the landscape, etc. But other than a perfunctory and logical 'we', I heard absolutely nothing about McTavish, and it could have been so damn easy to further change the subject and mention his bourbon, with a few kind words. Therefore, I think things are pretty obviously not exactly on the sunny side, between the two. And I guess we all know why.
To end this long post on a cheerful note, I almost forgot to mention something very important. Answering a listener's question about Sassenach not being available in Rhode Island/part of New Jersey, S said something very interesting: 'obviously you can get it online, (...) we've just signed a deal with Southern Glazer's, so we're rolling it out. It is a limited batch, so you know, every year we do do a release and it is very limited, so it does tend to sell out pretty quick. But yes, it is available (...), but obviously you're not gonna see it in every bar, restaurant or retailer, because we just don't have enough of it. But online you can get it and great delivery service, it's very quick.'
I am taking two things home from this last answer: demand exceeds supply, which is both a blessing (solid yield, room for expansion) and a curse (lackadaisical market presence). On short to mid term, distribution will concentrate on the online market, with the help of Southern Glazer's superb infrastructure.
Remember the older guy he had lunch with in MIA, in May? You should, if you didn't focus on Mordor's inept babble about shirts, ballerinas and the like. That guy was instrumental into arranging the deal with Southern Glazer's. Just the biggest wine and spirits distributor on the US market, mind you.
Don't believe me? Check this out:

That company was founded in Florida. Its HQ is still in MIA. He didn't go there because he was looking for ballerinas at his birthday dinner. He went there because when these people are available to meet you, well: you leave everything aside and you damn GO.
Now who the hell is writing fanfiction, eh? You really should be ashamed, madam.
I rest my case.
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Networking
Remember my Keepers of the Quaich post, last week?
Mordorians laughed and barked for ever about it and Marple told her crowd I was writing ridiculous science fiction scenarios - her constitutional right to be (tragically) wrong, of course.
Funny how all these people never pay attention to pictures not featuring the potential new calendar girl.
Such as this one, where two of the people are top level sales executives at Moët Hennessy USA :

The blonde woman (red arrow) is ...

Recently appointed as Sales Manager for Resorts, Leisure and Bars.

The smiling gentleman with the orange pocket square is Matthew Jobe...


Senior Director Prestige Experiential Retail. I read the guy's job description and rest my case:
'partnering with the brand team and Maison (that's the Paris HQ) on strategies for our whisky portfolio'.
In layman terms, this is one of the people whose jobs are to actively keep an eye on up-and-coming whisky brands, for potential acquisition.
I would like to be very clear, because I read snarls from Mordor. These things do not happen instantly. This is a mid to long term careful expansion strategy. No one is going to add a brand without a sales history and clear market benchmark to a conglomerate portfolio. No matter who pulls the networking strings.
But sure, snarl, idiots. Snarl. The boy is going to laugh all the way to the bank, at the end of the day.
And yes, keep being interested in a nine-second video snippet dropped in the inbox of a troll.
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What about Grandma then? In recent days, that Barbour issue has been discussed in several corners of this fandon, as you said. Well, the day before yesterday Garance was posting stories showing off his Barbour coats...Obviously those two also follow the topics discussed on Tumblr. 🤷♀️
Dear Garance Anon,
You will have to forgive me for the very, very late answer. I wanted to give it my full, undivided attention, because I believe we never spoke seriously about Mrs. Mariline Fiori, aka Garance Doré.
The short answer to your comment is 'oh, but we know they do, as we know they are not the only ones'. Unlike S&C, though, the McGrandmas might see us as a free, useful toolbox of sorts, where readily available ideas congregate. Remember they have deliberately calibrated their public couple personas on exactly what SC are unable and/or unwilling to give/show this fandom. To some extent, it works and, as any good Frenchwoman, Garance understood she was savvy to play the atout charme joker card. Which is exactly what she does - also, being French, she knows exactly what type of European public is instantly attracted to the Barbour reference: a public whose wallets she needs.
But as I just said, your post made me think about Mrs. Doré. Who is she, really? So, sorry, Anon, if I use you as a springboard for my musings.
She was, as I said, born Mariline Fiori, on May 1st (same day as JAMMF, LOL) 1977, in Ajaccio, Corsica's main town and birthplace of Napoleon Bonaparte. Not a Corsican, though (same as Napoleon, LOL): Italian father, French/Algerian mom. People who left Algeria when it became independent, after the Evian Peace Accords, and whom the metropolitan French still call, to these day, 'pieds-noirs' (literally and quite derogatorily, 'black feet'). Her family's social status is, however, a bit unclear, as Mrs. Fiori successively played with her personal story in interviews, in what the French also sarcastically call 'des petits arrangements avec la vérité'/ a bit of tinkering with the truth.
In this 2019 interview to Elle UK, for example, her parents are described as owning a restaurant in Corsica (https://www.elle.com/uk/life-and-culture/a29758314/garance-dore-original-influencer/):
But in another 2013 interview to The Talks, her mother was a shrink (https://the-talks.com/interview/garance-dore/):
Also, for the sake of clarity:
Oh, well: different country, different crowd/market, different agenda and perhaps older and wiser when talking to Elle UK, you would think?
Not necessarily and still a divisive figure for the international press/blogosphere. People did not appreciate her frequent flying and luxury travels during COVID, for example, along with her 'white, bourgeois woman entitlement'. Both in New Zealand...
(Source: https://www.ensemblemagazine.co.nz/articles/garance-dore-new-zealand - I think you should read the entire article, as it is absolutely enlightening, also something I wouldn't go polemic about, you make up your own mind, really).
...and in France, where they apparently are not very fond of her 'cult of personality' approach to social media, to say the least:
(Source: https://www.madmoizelle.com/a-t-on-vraiment-besoin-de-preter-attention-aux-conseils-antivax-des-influenceuses-1145916 Non Francophones could use Google Translate, but considerably lose in doing so the ferocity of the writing - but then, again, the French press is particularly sarcastic & ferocious, when set against someone or something. I love them to bits.)
The translation is clear, and I deliberately did not insist on the political stance of the article, whose title gives a straightforward idea: 'Do we really have to pay attention to the influencers' antivax advice?':
'This influencer cannot singlehandedly convert a part of her fans to antivaxing, via Instagram, but this comforts those who already thought so and keeps them even more hooked. This is because Instagram is a social media whose model heavily relies on shared affinities, meaning that it congregates likeminded people and creates bubble phenomena, of which GD is a good example.
GD, who built an empire around her handle which she turned into a brand and transformed her own lifestyle into her best product might very well turn her cult of personality into an economic model. Many celebrities already do so and are perfectly entitled to. But in her case, we are not talking about sending a birthday personalized cameo, we are talking about dispensing health advice during a pandemic.'
Truly, Ha-wa-wee 2.0 sounds like kindergarten compared to the above and never made it so far and wide in the international press. But hey, don't we know, double standard is the law of this land.
But to cut the story short, because it's 5 AM in here and we'd be talking about Mrs. McGrandma until tomorrow evening, do we really imagine someone so well versed in the ways and means of social media not following Tumblr?
Yeah, thought so, too.
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'Graham has one advantage over Sam in the ⚔️ of the booze promotion. Garance.'
Yes. Exactly my thoughts, too. McTavish can and will do what S can't, for reasons. With ease, even.
instagram





Clan Wars.
Interesting that comments are limited on Graham’s post. Clearly there must be lots of negative comments and comparisons, with Sam’s fans taking issue with the similarities, to say the least.
The booze masters are reasonably even. Selling to the same market.
Graham however has the very photogenic Mrs McT. Caitriona’s doppelgänger Garance.
She has promoted McT spirits in her stories regularly. It’s very much cross promotion.
This reel is brilliant marketing. A day in Edinburgh. Dressed similarly, the ease of a contented committed partnership. Shared likes, coffee and clothes. Kilts, bagpipes. 🏴. A Scotsman and his wife.
Graham has one advantage over Sam in the ⚔️ of the booze promotion. Garance
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Keepers of the Quaich
This time, we're going to look at things a bit differently and this could very well be my most speculative post ever. So be it: it is a risk I am taking and warning you about from the get go.
The only thing Mordor understood about the next October 4 event organized by the US Chapter of The Keepers of the Quaich is something that probably gave them collective relief: S is not going to be with C on her birthday. Not together. Not on the same continent. Shut up, shippers, you are stupid.
As usually, Mordor takes things at a very primitive face value, without bothering for context. But they always focused on the lewd side of the story, not on its deep ramifications, of which there are many. Anything that denies S's halfwit manwhore image upsets them greatly.
The Scottish society of The Keepers of the Quaich is not one of those old, steeped in tradition clubs, but it is damn selective. It only dates back to 1988, which is almost five minutes ago, for Europe (and especially the UK) and is deeply rooted in Highlands' lore, celebrating excellence in whisky trade and promotion worldwide. General facts about it have already been discussed elsewhere, but with a bias and little to no context. Also, really LOL at Mordor's idiocy to think that was a fan promotion event and go ballistic for the members-only and by invitation access to it.
Membership is by co-opting and with a five-year proven performance history only (ten years, if you step up to Master level). You need not one, but two recommendations, which makes it harder to join than a Masonic lodge or the Rotary Club (and I know what I am saying, heh). That S could actively seek to be inducted, rather sooner than later, is pretty much clear, as he could use the network it readily provides, along with the prestige:

(Sourced at: https://www.diffordsguide.com/encyclopedia/341/people/keepers-of-the-quaich)
I first had a look at the list of its International Chapters and it is interesting to notice Muslim countries as Turkey or the Emirates each having their own chapter, which clearly tells me it's all about luxury and more specifically, luxury hospitality business, in that case. If inducted after the customary five years' wait, S could also make good use of the German chapter's (a market that proved to be very problematic for him) network, along with the Nordics and Netherlands, if he would think about cleverly expanding his trade in the EU. Last but not least, I would keep an eye on Brazil and India (along with the more predictable South Africa and Australia), because he already has a solid fanbase in the first one and well, Asia is always interesting, when it comes to alcohol business.
I did not really bother with the list of the Patrons, which spells a good and prestigious sliver of Debrett's Peerage's Scottish section. But I also looked at the list of the Management Committee, who does all the hands-on dealings and is directly responsible for the induction ceremony of new members. Aside from representatives of Diageo and Pernod Ricard (giants of the alcohol business world), a familiar name popped right at the bottom of the page:

Annabel Meikle, Director of The Keepers of the Quaich and as such, directly involved in the management of its activities (and probably also in all the underground shenanigans leading to the induction of new members, too). A great contact to have in your rolodex, judging by her public CV on LinkedIn:

Glenmorangie (also a member of the Keepers) - keep that reference under your sleeve, we are going to need it soon :).
Could she be related to...

I am leaving this without an answer, because I don't know and I will always refuse to go data mining for anything, but that sure as hell is not a common surname, as Smith or Martin!
At any rate, Mrs. Meikle is also (along with the Duke of Argyll, the current Keepers Grand Master) a member of The Scottish Committee of something very, very prestigious: The Worshipful Company of Distillers (https://www.distillers.org.uk/), based in London and founded in 1638, by Royal Charter (for “Body Politique and corporate” to govern the “Trade Arte and Mystery of Distillers of London” - how I love history, people!) granted by Charles I, a Stuart (of course). I am speculating and having visions of Livery status and Freedom of the City, followed by Knighthood for S (no bong needed, this particular narrative writes itself and believe it or not, it's not entirely without logic). And it is my strict constitutional right to be a poetic coo about it - that guy is smarter than we thought and I would curate that contact to death if I were him (but I am not, I am just a benevolent and intrigued observer, as you all know). Back to Earth from these optimistic conjectures, I will keep a tab on it, as I dutifully took note that one of their current interests is tequila:

Onwards to the US. We can have a fair idea of October 4th event just by looking at one of their few press releases on the occasion of the Chapter's launch gala, on September 25 2019, in New York (https://www.distilledspirits.org/wp-content/uploads/2019/10/KOTQUSA-Release-10.04.19.pdf - with quotes selected by me):



Moët Hennessy. Another reference to keep under our sleeve, for it will be soon very relevant. So yes, what has been speculated by Miss Marple is partially true: more business than aristocratic. But this is only if we do not consider as American aristocratic the venue of the next event. The Metropolitan Club is a very East Coast, WASP old money and (well, technically yes) Republican (but not MAGA Republican and this, to me, is very important for some reason) organization:

That was the state of play on Friday, folks, and I was already excited to share my optimistic findings with you. And then, C went to Paris and more dots started to speculatively connect. Bare with me for this long passegiata, I think it's worth it.
It was particularly important that C would be seen in a very friendly-casual pose with Delphine Arnault, out of all the other people attending that event. Not because Arnault is currently the big boss of Dior and Loewe (as I already explained here: https://www.tumblr.com/sgiandubh/729801825900953600/city-of-lights?source=share). And not only because C suddenly seems very interested to renew and expand her fashion days' old network. But also, because, as I already said, Delphine Arnault is also the daughter of her father and in France, business and family are always closely entwined. Always.
The French luxury market is roughly split between two behemoth players: Bernard Arnault (LVMH Moët Hennessy • Louis Vuitton S.A) and Antoine Pinault (Kering, ex- Pinault-Printemps- Redoute). These people and their businesses are number 1 and 2, respectively, on the global market. And out of these two, the only one very interested in the alcohol business is Arnault (Pinault does not deal in this sector).
So I took a look at his very diverse alcohol and spirits brand portfolio (25 references - https://www.lvmh.com/houses/wines-spirits/): rhum, brandy, champagne, tequila, wines (Argentina and even China). Two Scottish whisky brands: first Ardberg (the graceful peat from Islay). And - oh, hello, Mrs. Meikle - Glenmorangie, acquired by Arnault in 2004, after a bitter battle with Pernod Ricard (https://www.nytimes.com/2004/10/21/business/world-business-briefing-europe-france-scotch-maker-acquired.html):

Back at Mrs. Meikle's CV - hers was a pivotal role in the post-acquisition reshuffle, as part of LVMH:

Coincidence? I think not.
And then also a bourbon reference. Woodinville (based in the state of Washington, USA) with a pitch that made me grin again like the Cheshire Cat:

Sounds familiar? Rings a bell? See a pattern? You should: no, it's not S in disguise, but it could be SS in a couple of years, if S decided to sell it for a hefty profit.
But I was also interested in what is missing from this catalogue.
NO GIN.
Who knows? Maybe these French people could be enticed? In that case (and remember: I am SPECULATING), it would have to be a brand with a proven track record. You see, Arnault is famous for always buying only brands with a proven history and proven recognition (Tasting Alliance, anyone? LOL). Up until now and as is, FMN is just a pet project and a virtual endeavor. Nothing more and we shall see. But that little wild Scottish gin which could win hearts and already an award in Frisco is something completely different.
Now, then. You connect the dots. You draw your own conclusions. I see something very intriguing here and, as I already told you, the business underground situation is completely different from the bland façade.
You see, this is not about papers or checking a pulse or awkwardly grabbing a fist on some stairs. This is show me the money time. This is all about finding unexpected connections, at a very high level and on a very narrow niche.
So you think S and C can't stand each other anymore?
Humbug. They have each other's back from Day 1. And more. Ship on, ladies. Whatever clownery these days might bring, I know what I know. And by now, you should start asking yourselves the real questions, not if Waldo is with Carmen Sandiego (we KNOW), nor if they were online at the same time or not. I mean, that's cute: but to be honest, I think we're past that... uh... waypoint?
Next on my list is that Lallybroch trademark thing. This is the most complex one and I will take my time. I may speculate, but never without a logical base. And I always take these things very seriously.
Keepers of the Quaich, indeed. :)
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When clueless, silence is golden
I was just browsing around while looking for something completely different and stumbled upon this quintessential Mordorian POV:

Disclosing a username is crass and I usually never do this, unless really necessary and relevant. So spare me the ad hominem argument you usually fumble around with, Disgruntled Tumblrettes. Yet, for all its intellectual paucity, this is interesting dissection material, since clearly this person hasn't got the slightest idea of what she is so confidently talking about.
First scenario at play: The Tasting Alliance, 'a company no one has ever heard of', booked and paid for the suite.
Not necessarily booked, nor necessarily paid, madam. In the real business world you are so clueless about, these arrangements are seldom - if ever - monetized. It's rather all about barter.
That company no one ever heard about - except, perhaps, #silly and totally irrelevant Forbes (https://www.forbes.com/sites/joemicallef/2023/04/13/the-tasting-alliance-and-reserve-bar-are-set-to-launch-top-shelf/?sh=b45f7085f6f1) - is the parent company of the San Francisco World Spirits Competition (SFWSC), largely acknowledged as at least one of, if not the world's leading spirits award contest. Google is your friend, you should try it some time:

The operative info here is that this evaluation comes from the Beverage Trade Network, a professional portal for spirit dealers. Having determined this, Tasting Alliance's IG number of followers is completely irrelevant, since we are talking about two very different targets, here. Its real leverage and weight on the global market does not really need the boost of an aggressive social media presence and the kind of events it hosts are not your favorite junior hockey league or elementary school cake and bake sale.
Let's look a bit further. It takes one click to get on the Tasting Alliance's website (https://thetastingalliance.com/). Granted, not all the information you need to understand its business model is right there and I had to go dig a bit (not without some help - merci encore!) to even get a grip on how these wheels are really turning.
The way they sell themselves is sober and confident. And completely disinterested in social media impact, to be honest:

So, in lieu of glitz and sequined bras, we have a success story in its own right, which started in Frisco in 1980, then continued in 2000, with the addition of the San Francisco World Spirits Competition. Further expansion followed in 2018, with the New York World Wine & Spirits Competition and 2019, when Dias Blue set a firm foot on the emerging Asian market, with the Singapore World Spirits Competition.
I doubt an explanatory drawing is needed as to the why of this expansion choice: it's all about baijiu, the old/new Chinese sorghum spirit and the everlasting love of the Far East for anything fermented. Lao-lao, the unspeakable Laotian homemade rice whisky, comes immediately to the mind of this blogger: the last bottle I saw, somewhere along the unexploded ordnance ridden Route 13, had a plump snake inside, as a naïve Viagra of sorts. Took a mouthful and thought I was going to die - but when spending the night in a longhouse with the Tai Lü people, you can't afford a faux-pas, can you? /end of travel memories intermezzo

By all my estimations, The Tasting Alliance is very profitable business. Let's unpack ( for current fees, see source: https://callingallcontestants.com/contest/2023-san-francisco-world-spirits-competition/):

Considering the 500 USD fee /entry (550, in 2023) in the competition and the fact that in 2022 there were approximately 5000 entries in the Frisco spirits' competition, we have a very rough turnover estimation of 500x5000= 2.5 million USD. That figure is just for one of the spirits competitions, mind you, and does not take into account what the winners probably pay for the right to mention their medals on their bottles (I am yet to see them on the SS gin bottles, btw), nor the multiple sidekick profit (e-shop sales, consulting and/or other distribution deals, etc). So, at the end of the day, I would comfortably multiply that base by 4, assuming a similar scale for all the other events they organize, which takes the yearly turnover at around 10 million USD and keeping in mind this is very probably a conservative estimation. I also assume costs are negligible, taking into account the discretion with which major players traditionally operate on that particular niche. Real expenses are probably limited to the activity of a handful of offices, sparingly and intelligently staffed. Advertisement is probably bartered and social media, well... you just saw the effort, haven't you?
But then there's the brand's real power on that market and this is the right time to talk about influence and impact. Perhaps this recent (2021) Men's Journal article will help us see better: https://www.mensjournal.com/food-drink/inside-the-san-francisco-world-spirits-competition

With a bit of luck, this could happen:

Sounds familiar? Of course and I bet that was S's strategy. If you imagined him doing the same exhausting booze tour every year (groping on top and seriously cringe on the sides), I think you might want to reconsider. I told you Sassenach Summer was a sandbox for more serious things to come and until now I have no reasons to change my mind. He did it for a reason and, mind you, that reason is not that the booze did or does not sell. It does. Restaurants start to feature it. Podcasts are being produced. The press starts to mention it (that recent New York Times article is evidence enough). This is not Lucky Luciano dealing in bootleg alcohol during the Prohibition and making obscene money over a fortnight. This is a serious business project that was delayed by COVID. That's all. And it takes time and patience and consistence. We know he has all those aplenty.
We also have the totally inane take on production costs for that podcast. It suddenly made me remember again my media expert past. It is with complete and educated confidence that I tell you: a potential 5K USD extra cost for renting that damn suite for the day is peanuts, even for a two-minute clip (let alone, in reality, a podcast interview, and I stand corrected if wrong), if such costs are covered by The Tasting Alliance. But my money is on a barter with The Shutters on the Beach, which would be, again, common business practice.
Second scenario: 'Shutters comped the room for free promo (...) for an actor most people haven't heard of.' You can throw timelines down my throat as many times as you wish and tell me he already stayed there several times and yell and screech, but here is what I think. Shutters didn't comp that suite for S, an actor most people haven't heard of, a decent, hard working start-up entrepreneur. If so (I doubt it), it would be logical to think Shutters comped that suite for The Tasting Alliance, which has a long documented history of partnerships with hotels that host their competitions:

So Shutters might have comped that room for a major player of the alcohol lobby world, happy that S, a returning client, picked them out of several possible options, because it was convenient. I don't believe for a second he stayed there.
This guy knows what he's doing and C's gin success completely depends and I bet will rely on that relentless networking effort. If anything, the Keepers of the Quaich recent development is only confirmation of all the above. But that's another story - very soon on this page.
IYKYK. The rest is uneducated cackle. But Mordor people were never the brightest bulbs in the fandom's chandelier, were they?
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Whatever happened to Baby Jane?
This, very recently:
Dressing experiments my two feet, come on - we are (almost) all women and we have eyes and brains, too.
This screams:
I am younger.
I am classy.
I am sophisticated (B&W, French allure and the whole tralala).
Did I mention younger?
My boobs do not sag.
I am also a nice, approachable Girl Next Door, if I have to (sales boost, anyone?): come closer near the fire and I will tell you all my Dressing Tales.
Younger, ok?
Oh, and my nipples do not show through my minimalistic white dress (or is it a sweater? It's Monday, I can't decide).
Unlike anyone else (🤫😱😉😉🙃), I can has Amazing Dinners in Scotland and brag about'em on Insta. Nananère.
I am younger, baby. Youn-ger!
If I were C, I would start paying attention. Seriously.
But I am not.
Still, it sticks out a mile.
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Hallelujah
Yes, please. More of this, please:

This is a perfectly calibrated clip for a more sophisticated crowd than the mommies and the Instagram International Rabid Hole.
It's true: compared to the thirsty Nevis pics, it gathered just 17500 likes in 9 hours, which is meagre. But we are talking about a very different niche, here.
I loved it. Brava! Dare we hope someone listens, Up There?
Yes, more of these (🦄🖼🌲🌿🍃🧥👔🧠🎯) and less of those (🥳🤡🐓👀👅💪🎪🎭🩳🧲). Please and thank you!
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