#Clubhouse clone script

[chad-sticks]

*inhales, pulls out script, clears throat* so-

BOTH

Mickey knows about the outside world, but can't go too far out of bounds (more on that later)

Funny and Toodles have a sibling dynamic where the older brother doesn't want a younger brother.

Goofy has adhd bc i think i might have adhd

Pete lets the impulsive thoughts win

Von Drake is like an old man; he's not exactly hip w/ the kids

Minnie loves roses,,,like a lot

No Mickey is a cishet, but Count Mickula is the least cishet (more on that later)

Donald has a recurring habit of biting his nails, even if he has none

All Mickeys are neurodivergent

Martian Minnie is gay. No I don't care that she's often seen w/ M. Mickey.

CLUBHOUSE

Toodles looks up to Mickey like a role model (lol)

Daisy's secret spy identity is inspired by Men in Black

Donald often goes to Mickey Lake, as in more often than the show will display

Mickey talks to himself through the "camera"

Mickey tried going out of bounds once. he did not like it

The mousekedoor knows everything...

Toodles can choose when he wants to show his face

Once upon a time, Mortimer forgot Mickey existed. Then he did

The Clubhouse gets a part of the Rose's Room treatment (the other goes to Funny)

Pluto on Pluto is happily waiting, happy to stay, happily watching them drift away

Martian Mickey's pet shapes have basically scaled the galaxy for their owner

Count Mickula has anxiety

Dr Von Drakenstein knows too much

The Land of Dizz was totally not a fever dream and Minnie absolutely still has those shoes

The amount of variants compared to clones in the series is crazy

There is a monster Minnie, a witch Minnie. We just haven't seen her yet (not to be confused w/ the one from a tale of two witches, oh no; this one wears blue and black with a hint of orange)

to add on to this bc why stop stacking the deck, an alternate Pluto exists. he's a living staue

Dracula's pet mouse-hybrid is sooo gay for Mickey and Minnie, but that's a story for another day

Every time the silly switch is pulled, the laws of physics are applied

Donald genuinely wants to strangle Mickey sometimes

Donald still visits his clubhouse whenever he wants to get away from the gang

Aside from Mickey, Donald, Goofy and Von Drake, Toodles is the only ones who know what's inside the mousekedoor

Count Mickula is fuzzy

FUNHOUSE

Funny also gets the Rose's Room treatment

Funny knows about the outside world

Roadster Racers n Mixed-Up Adventures exist in the same world, no negotiations

Funny is not always funny

Funny is 10x bigger than on the outside

There is 100% guaranteed no-doubt door to discount Transylvania :))))

Martian Mickey and Minnie think earthlings are all kind, generous and overall friendly beings. yea

Mickey likes Rocket Mouse in more ways than one

Cosmo Cockroach went back at his shenanigans after the first Rocket Mouse episode

When Rocket Mouse first saw the Martians, he genuinely thought they were Mickey and Minnie without their space helmets and panicked

Rocket Mouse has a home on Earth, but spends so much time in his little space station it's like he lives there

aight im good for now

*looks at you look at at you*

What about

What

Do you guys have

Mickey Mouse

Clubhouse/funhouse HCs

I’m asking the real questions here

[technoduceinfosolutions]

Develop your own real time audio-based social networking platform like clubhouse now. We do have ready clubhouse clone app to launch your social media app

[duhragonball]

Dragon Ball Z 249

So, funny story, I was going to watch Episode 250 this morning, and my DVD player quit working, so I had to go to the store and buy another one.   For those of you keeping score, this is the third external disc player I’ve used on this project. 

My best guess is that the mechanism that actually reads the DVD’s is getting worn out somehow.    The first player I used could do Blu-Rays too, and it still can.    It can play CD’s too, anything as long as it’s not a DVD.   You put one in and it acts like you stuffed a cookie in there by mistake.     The second one’s doing the same thing now, only it never had Blu-Ray capability, because I just wanted a cheap standby to get me through this liveblog.   Hopefully this third one will last.    I’ve only got 43 episodes and five movies to go.

Anyway, I’m wondering if my gif-making procedure is what’s wearing these things out so quickly.   For 248, I spent a lot of time moving the playback slider on VLC Media Player, trying to recapture the footage so I could get what I needed.    Most of my gifs are a little quicker.    I have a rough idea how many frames of animation I can use, and I’ve gained a better sense of what I want and what my “aesthetic” is, for lack of a better term.    So usually I can get what I need on the second or third pass.    For Episode 248, I had some trouble, so I kept going back and replaying a few seconds of video from that disc, and I wonder if all that jumping around messed up the thing that reads DVD’s.  

The discs are totally unaffected by this, I know that much.  I watched 249 on the second player before it died, and I just watched 250 on the third player.  What concerns me is that one of these years it’s going to get harder to find the hardware to play these things.   I picked up these last two from Wal-Mart for under thirty bucks, but you used to be able to buy VHS players at Wal-Mart and now you can’t.    I still have machines that’ll play the discs, and I think that’ll always be so, but I fear that it’ll get harder and harder to hook one up to a computer for gif making and screencaps.   

Well, that’s a problem for another day.    Today, Goku’s going back to Otherworld with Fortuneteller Baba, and this time he’s not coming back (ohhhhhhh, brother).  For what it’s worth, she agrees with his decision to leave the fate of the Earth in the hands of the living.   Personally, I don’t think Goku had much choice. 

At King Yemma’s place, the line is backed up from all the millions of Earthlings being killed by Majin Buu.   Yemma’s job is to judge each soul and determine their respective fate in the afterlife.    I guess he’s pretty quick in general, but this is enough to tax even his system.

Goku cuts in line and asks about Gohan, since everyone but Videl thinks Buu already killed him.   But Yemma can’t find him on the rolls, and he’s sure he would have remembered Goku’s son if he ever came through.    So Goku has proof that Gohan survived, and he’s thrilled.    Now Gohan can still help the others against Majin Buu.

But before Goku can celebrate this, Yemma informs him about Dabura’s death.    The flashback shows him being dragged before Yemma by his employees, which reminds me a lot of when Cell was brought before Yemma.  Why do these two get to keep their bodies?   Anyway, Yemma would have sent him to hell, but he knows that hell is very similar to the Demon Realm, where Dabura used to rule.  

So instead he consigned him to heaven, which.... okay, you’re the boss, Yemma.   If you think that’s the right call.

So Goku heads out and flies among the golden clouds for a bit, and he notes that Videl was right all along, which I like.    Then he wonders where Gohan’s been all this time.   If he’s not dead, why couldn’t anyone sense his presence on Earth?  So he reaches out with his senses and finally picks him up, but he can’t tell where he’s sensing him.    It’s not on Earth or in Otherworld.    So he just uses Instant Transmission and settles it that way.

And he nearly teleports right into Gohan swinging the Z-SWord.

Kibito’s not thrilled to have another mortal treading the sacred ground of the Supreme Kai Planet, but what can he do?   Apparently Goku could have teleported here whenever he wanted, he just never knew this place existed, and I’m still a little fuzzy on whether the Z-Fighters can sense the Supreme Kai’s ki.  

Goku takes a few swings with the Z-Sword just to see what it’s like.   In the dub he gives Gohan some helpful advice, which was a nice touch, but in the original script he just asks if he can hang out with Gohan until he’s ready to return to Earth.    Also, he wants food, which is just as well, since Gohan would need some eventually anyway.

On the way to... well, I don’t know where these guys are flying to.   My first impulse was to imagine the Supreme Kai has a little place for eating, but not like a house or a palace, more like the clubhouse at a golf course.   They’re gonna go there and eat those little sandwiches with the crusts cut off.    Anyway, Gohan asks Goku about Super Saiyan 3, and Goku’s like “Yeah, I’ll show you when we’re done eatng, son!”  

So, if Gohan, on this plane, could sense Goku using Super Saiyan 3, on Earth, doesn’t that mean someone on Earth could sense Goku using SSJ3 in Otherworld?    Because he would have used it before, at least once, when he first developed the form.  King Kai knew what he was doing as soon as he mentioned it to Majin Buu, so King Kai’s seen him do it off-screen.    But all the characters on Earth, and the Supreme Kai and Kibito were completely surprised by it.   I think about that a lot.

We then flash forward a day later.   I think the dub failed to mention this, which is why I was always confused about this next scene where Goten and Trunks are asleep and Piccolo has to wake them up.

I always thought it was weird how Goku just left and they immediately went to bed, and Piccolo’s coming in like ten minutes later to wake them.   

Anyway, as soon as his back is turned, they immediately go back to sleep, so...

BEST GREEN DAD

Meanwhile, the whole gang is watching this.   Bulma’s like “Yeah, slug my kid.    He deserves it!”

Anyway, this is the scene in the dub where the boys ask Piccolo what’s for breakfast, and he shouts “BREAKFAST?!   YOU’RE HAVING THE FUSION TECHNIQUE FOR BREAKFAST!”

Before they resume training, the boys want to see the Fusion Dance one more time for reference.  Piccolo asks Krillin to help him demonstrate, since he’s seen it before, when Goku did it.  Krillin’s like “Why me?   The others all saw it too!”   And then he looks around and everyone else is gone.   

So they do it and it looks badass, and I’m only sorry that this wouldn’t work for real and Pillin or whatever he’d be called can’t go kick Buu’s ass himself.  

The boys are embrassed to even see this, and Piccolo’s like “Dammit, you were the ones who wanted to see this done again.”

Meanwhile, Gohan’s got the Z-Sword pretty well under control.    He can do majorette twirls with it...

And he can reverse-weild, like Asohka Tano from Clone Wars.   Wait, why didn’t Asohka hold her sabers backwards when she fought Darth Vader in Rebels?  

Never mind that shit, here comes Mongo Majin Buu.   These people were all gathered around a giant TV screen watching news coverage of how Buu has already wiped out two-thirds of the population, and then Buu barges nto the studio and makes faces at the camera to frighten everyone else.    See?  He’s smarter than he lets on.    Anyway, he blows up the whole town after this.

On his way to the next town, he spots a little boy walking by himself and tries to scare him, but the boy can’t recognize him because he’s blind.   He may not even know who Buu is.   

This annoys Buu, who gets a kick out of frightening people before he kills them, so he heals the boy’s eyes just so he can finally see Buu and be afraid.

But it backfires, because the kid is so grateful to be able to see that he thanks Buu profusely.  

Buu asks the kid if he thinks he looks cool, and the kid’s like “Well, you’re literally the first person I’ve ever seen, so I really don’t know.”   But he thinks Buu is cool, simply because he cured his blindness.   This is really kind of fascinating to watch, because you get the sense that Buu’s only been killing and terrorizing people because he genuinely has no idea how else to interact with anything.   It never occurred to him that people could like him, or that he could get them to like him by doing good things.   

The boy tries to reward Buu with the money he was planning to use to buy milk in the next town over, but Buu doesn’t like the taste of it, so he flies off to get the boy actual milk.

And buy “milk”, I mean “he found a man and turned him into a carton of milk.     Buu’s got a long way to go.

So he flies off without even killing the boy, and he seems very pleased with that whole interaction, and then he notices another town and blows it up.  

The message here is that there’s definitely an opportunity here to get Buu to cut this shit out, but how is anyone going to get close enough to him to pull that off?

[ryanmeft]

Ranking the Marvel Cinematic Universe, Part 1

The culmination of the superhero ride that started with Iron Man back in 2008 is almost here. Avengers: Endgame tickets are selling out fast even though the movie is nearly three weeks away, and speculation as to how this stage of Marvel’s box office juggernaut will all end is at a fever pitch. What better time to rank the movies that have brought us here? Now, no one with even a tiny bit of objectivity sincerely believes Marvel had a ten year plan and executed it precisely according to a grand vision. Looking back through these movies makes it clearer than ever that, more often than not, they made it up as they went along. In fact, considering all the retcons, changed minds, dropped plot threads and unexpected surprises, it’s amazing the continuity holds together at all. It mostly does...but the bottom part of this list contains the few movies even Marvel’s PR team probably wishes they could have a mulligan on, as well as some good-but-not-quite-lighting-the-world-on-fire fare. Let’s get to it. Warning: this article contains spoilers for nearly every movie in the MCU.

21. Iron Man 2

The red-headed stepchild of the MCU. After the surprise success of the original Iron Man, Marvel Studios apparently forgot that the strength of that film was allowing Jon Favreau and the writing team to put heart before brand synergy, and decided to make a movie that was half marketing for their planned Avengers crossover. Dropping Black Widow in here felt completely jarring, and it didn’t help that her role just added to the jumble of plot threads that didn’t seem to add up to anything; at the time, many saw it as proof that Marvel was putting a little too much faith in their ability to pull off this whole crossover thing. That’s only part of the sordid story, though, because the movie is also a mess in nearly every other way. Rather than the tight plotting of the original, this one sees Tony, Rhodey, Pepper and the rest speeding from random situation to random situation---a car race, an unhinged party, a spy caper---with only the barest of plot threads holding it all together. The movie’s only saving graces are the villains played by Sam Rockwell and Mickey Rourke. Each of them deliciously devours every scene they are in, providing the film’s lone moments of enjoyment, but they’re also squandered on what feels like an extremely low stakes plan. Iron Man so well proved that superhero movies can have a soul that it even managed to make some critical best-of lists for 2008. The sequel made us wonder if that might have been a tad premature.

20. The Incredible Hulk

There are some genuinely creative moments in this action-oriented “apology” for the in-reality-pretty-good Ang Lee Hulk movie. The opening sequence showing how Hulk’s blood travels, a chase through a Brazilian favela, tossing Bruce out of a helicopter to incite his other half, and the almost-love scene aborted by the alter ego were signs of how clever the movie could have been if it were not focused on cramming in as much smashing as possible. Nick Nolte’s complex antagonist is replaced with William Hurt chewing a little too much scenery, the new super-villain played by Tim Roth is a dull waste of the actor’s talent, the finale is listless, and the entire movie is just one long excuse to show Hulk ‘roiding out as much as possible. The camera work of skilled action veteran Peter Menzies Jr. and some excellent CG on the title character make it more fun to look at than many of the tights flicks of the time, which is something. As a general rule, things that are made to chase fleeting audience sentiments don’t stand the test of time, and there’s been a quiet reversal since 2008 in which Lee’s more original and creative vision for the character has come to be re-evaluated, while this one has been almost forgotten and relegated to endless TNT re-runs. Maybe with Mark Ruffalo having one more movie on his contract, he’ll get a crack at doing it right post-Endgame.

19. Thor: The Dark World At the time, this movie served as iron-clad proof that the only reason the Thor character worked at all was Loki. The god of mischief is at his delicious then-best here, conniving from a prison cell, partnering with his brother out of genuine concern, and eventually managing to actually take the throne. Sure, that latter development was quickly undone in the next film, but what a parting shot. He’s the only aspect of the movie that fully works, and if you pop it in today you sit patiently waiting for his scenes and snoring through the second, Loki-free half of the movie. Thor himself is lifeless when Loki’s not on screen. The Warriors Three are still nowhere near the right balance of humor and bravery. Natalie Portman remains wasted on a supposedly genius scientist who can nevertheless be stunned into immediate silence by Thor’s golden locks, while Sif is still 100% unnecessary in every way. Perhaps worst of all, the underrated Christopher Eccleston is miscast as a villain who always seems to be doing bad Shakespeare. We all tried hard to forgive it at the time (and director Alan Taylor claims it was made “a different movie” in the editing room, not at all implausible) but thankfully we’ve since admitted this is mostly a misfire.

18. Ant-Man

If you were to judge Ant-Man entirely by the size-changing shenanigans, it would be one of the best Marvel movies. Peyton Reed, building off a script by departing director Edgar Wright and Joe Cornish (and tidied up by Rudd and Adam McKay) gets a ton of mileage out of the novelty of being the size of an insect, from outrunning a flood in a bathtub to that rather brilliant final confrontation in a child’s playroom, using toys as ammo. Further, Paul “I Am Immortal” Rudd is pitch-perfect in the title role, while Michael Douglas and Evangeline Lilly bring a lot to the picture. It’s in the details where Ant-Man falls a bit short (pun intended). To start, we have a single major Hispanic character in the MCU, played by the frankly more-legendary-than-you-think Michael Pena, and he’s reduced to a fast-talking stereotype. Judy Greer and Bobby Cannavale are also worlds better than their roles, which are, respectively, a cliche shrewish ex-wife and a cliche over-suspicious cop. What really drags things down, though, is the lackluster villain, who may be the most inert black hole in the MCU’s rogues gallery. He is neither good enough to engage us, nor bad enough to hate. He could have been played by a grip, for all the personality he’s allowed. The core of the film is delightful. The hill around it is crumbly.

17. Captain Marvel

Marvel’s first female-led flick is understandably a phenomenon, pulling down the sixth-largest opening weekend of all time and serving as inspiration to young girls and target to the kind of people who don’t want women in their clubhouse. So what about the movie that’s causing all this hullabaloo? It’s pretty decent. The movie can be summed up very succinctly as “safe”. It takes few chances and is more like one small step than one giant leap for womankind. Had it been released during the early superhero boom, it would still be fondly remembered as a major link in the genre’s evolution. As it is, it borrows from the buddy-cop subgenre to create what is essentially an adventure/sci-fi movie between Carol Danvers and Nick Fury. It stands out more as a callback to the kind of action pics made in the 90’s (when it is set) than the heavily marketed shared universe of the MCU, and includes standout performances from Annette Bening, Jude Law and Ben Mendelsohn. It meets expectations; it does not exceed them, and if you are a fan of the distinctive style practiced by directors Anna Boden and Ryan Fleck, you won’t find it here. It’s only a month old, and it may be too soon to definitely say how it will be seen as time goes on. Right now, it feels more like a solid first step for the character than a fully realized final destination.

16. Thor

The original Thor has some completely solid, indisputable charms. Chris Hemsworth does physical comedy much more skillfully than he is ever given credit for, it is the debut of Tom Hiddleston as Loki, the third act is a rare-at-the-time case of inventiveness in an MCU finale, and it’s always great to see Stellan Skarsgard in literally anything. I would watch two hours of Stellan Skarsgard eating lunch, with a clone of Stellan Skarsgard. His drinking scene with Thor is a seriously underrated bit of awesome. It helps make up for the fact that the movie has no idea what to do with most of the supporting cast, including in part Loki, who at this stage seems to flail around between personalities, having crazy forced on him in time for the final duel despite it not even being hinted at earlier. It’s as if director Kenneth Branagh just let him do his own thing, and Hiddleston’s not 100% sure what that should be yet. The mirror scene is objectively amazing, but he won’t really come into his own until Avengers. The Warriors Three are utterly wasted; Branaugh and the writers just never nail the right combo of comedy and camaraderie needed to pull them off. Sif is superfluous. Natalie Portman is one of the finest actors of our generation, here reduced to goggling over Thor’s pecs. It’s not bad, especially compared to some of the dreck that gets pumped out of the blockbuster machine. It’s just rather inert.

That’s it for part 1. I’m  going to be doing some Marvel/Superhero/General Nerd content leading up to Endgame’s release. Check back next Friday for part 2 of this list, and pop by Monday for part 1 of my predictions on the fate of each character in Endgame. Part 2: https://ryanmeft.tumblr.com/post/184208179827/ranking-the-marvel-cinematic-universe-part-2 Part 3: https://ryanmeft.tumblr.com/post/184372777282/ranking-the-marvel-cinematic-universe-part-3

[maximumcrusadechopshop]

[aion-rsa]

How The Mandalorian Resurrected a Jedi to Cover Luke’s Surprise Role

https://ift.tt/3DhVeG1

It’s been nearly a year since The Mandalorian’s second season finale used the Force to floor the collective fandom with Luke Skywalker’s surprise, age-erased, cameo. Yet, the afterglow of the moment remains widely resplendent due to the sheer shock value; a response attributed to producers’ ability to keep the Disney property’s stunning state secret. Now, the full extent of the sneaky endeavor has been uncovered, revealing how the return of Star Wars’ first and most famous hero was obscured by an intriguing Jedi substitute: Plo Koon.  

It should come as no big surprise that, in an era of leaked concepts and trailers (we’re looking at you, Spider-Man: No Way Home), the words “Luke” and “Skywalker,” were strictly forbidden to use—either apart or together—during production of The Mandalorian‘s second season, due to the enormous magnitude of THE secret that needed to be kept in a difficult marathon fashion across the frame’s entire 8-episode run. However, the second Season 2 episode of Disney+ behind-the-scenes documentary series Disney Gallery: The Mandalorian has revealed how the creative coalition navigated this proverbial Death Star trench run, notably with Plo Koon as red herring firewall of sorts for leaked Luke intel. Interestingly, Koon wasn’t even a random choice, and actually reflected a clever methodology that predicted the logic of prospective prognosticating fans.  

“It’s fairly well known by deep core fans that Plo Koon is my favorite Jedi,” says executive producer (and onscreen portrayer of pilot Trapper Wolf,) Dave Filoni. “And a lot of people—if Plo Koon from the script got out—would assume, ‘Well, oh of course,’ because Dave loves Plo Koon. So, there’s these layers of intrigue we try to weave.”

The episode, in pulling back the magic curtain of creativity behind the technology that brought a Return of the Jedi era Luke Skywalker back to life on screen in 2020, reveals that Mark Hamill himself put in a performance of sorts, brought on-set to record HD footage of his facial expressions while reciting the dialogue. Said expressions were eventually rendered with a version of deepfake technology onto a double named Matt Rugetti, the man actually seen in the unforgettable finale scene. However, as Filoni elaborates of Rugetti’s initial depiction on the set, “We had a digital Plo Koon head placed on the actor in dailies, so it looked like Plo Koon.”

Disney+

Moreover, the façade was further facilitated by the creation of artwork and temporary digital effects and models, which wrought renditions of Plo Koon as a substitute for Luke in the now-iconic scene, notably with one impressive piece of apocrypha, showing Koon systematically slicing and dicing Moff Gideon’s prized robotic Dark Troopers. Indeed, the measures implemented to maintain the secrecy of Luke’s arrival were not only elaborate, but had to be maintained—under penalty of Disney-deal consequences—for around 15 months to two years. The tension—now revealed in hindsight—was palpable from the accounts. Pertinently, visual effects supervisor Richard Bluff describes the secret-keeping in an almost post-traumatic way, stating, “We were never allowed to say it [Luke Skywalker]. Even now when we refer back to what we did, we talk about the code names. We simply do not utter those two words.”

Plo Koon is a major name to Star Wars fans, but the Jedi is, understandably, not well-known to the general moviegoing public—although a flash at the Kel Dor Jedi’s distinctively-alien countenance (almost akin to a more-humanoid rendition of director David Cronenberg’s The Fly,) would still likely evoke an “Oh yeah, that one.” Koon, a Jedi Council member, was seen across all three entries of the Star Wars Prequel Trilogy, known for his signature mask and goggles—necessary accessories, since oxygen is toxic to his species. The presumed end of his arc—such as it was, with only a few scenes, sans a single line—came about in 2005’s Revenge of the Sith during the Order 66 death montage, in which his Jedi Starfighter was destroyed during a Clone Wars campaign on Cato Neimodia, shot in explosive fashion from behind by the very Clone-piloted ARC-170 starfighters he was leading into battle. However, Filoni, as showrunner of Star Wars: The Clone Wars, took advantage of its pre-Sith era to utilize Koon frequently, and even revealed that he was the Jedi who found Ahsoka Tano as a Force-sensitive small child on her home planet of Togruta, and brought her back to train with the Jedi on Coruscant.

Disney+

However, the episode’s director, Peyton Reed, initially fell into the “Oh yeah, that one” category, and pretty much reacted accordingly when he was given an early version of the script in question, for “Chapter 16: The Rescue,” in which it states that Plo Koon, who is “not dead after all,” made the episode’s climactic entrance, and takes Baby Yoda/Grogu away for proper Jedi training. While Reed is obviously experienced, and a member in good standing of the Disney creative clubhouse, having helmed Marvel’s Ant-Man films—including the upcoming Ant-Man and The Wasp: Quantumania—even he felt shocked and understandably overwhelmed when creator Jon Favreau finally told him to whom the term “Plo Koon” really referred around The Mandalorian set.

Read more

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“I knew Plo Koon was a Jedi, I think, from the prequel trilogy, and I was like how are we visualizing this?,” says Reed of his initial underwhelming reaction. “He [Favreau] said ‘Come over in the corner, I want to talk to you.’ And he gave me the real news, that it was, in fact, not Plo Koon, but it was going to be Luke. And I needed a moment, and I needed to know, because I’ve had a long relationship with John, and I said ‘Are you being serious right now? Is this real? You’re bringing the guy back?’ and he said ‘We’re bringing the guy back.’”

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

Of course, The Mandalorian’s Luke Skywalker cameo was met with resounding praise, standing distinctly as the kind of widespread pop culture moment that has seemingly been lost in a content-saturated era, in which algorithms inveigle our interests, creating a segmented society. However, The Mandalorian will take another shot at matching—or possibly topping—that monumental moment with its upcoming third season, which is roughly scheduled for a 2022 Disney+ premiere. Yet, it won’t be the streamer’s only live-action Star Wars fare by that time, since the show it directly spun-off, The Book of Boba Fett, will arrive this Christmas, and offerings like Kenobi and Andor are also on the slate for ’22, with even more to come on the far horizon.

As for the fate of our substitute Jedi, to paraphrase Chevy Chase, “Jedi Master Plo Koon is still dead.”

The post How The Mandalorian Resurrected a Jedi to Cover Luke’s Surprise Role appeared first on Den of Geek.

from Den of Geek https://ift.tt/2WgUZuh

[thebaileynina]

LinkedIn is making a Clubhouse clone.

It seems almost every big tech company is working on a clubhouse-style social audio feature – Twitter’s Spaces feature is rolling out, Facebook would create one, Spotify would create one, Mark Cuban had one, even Slack is getting started. But now the idea of a shared audio room has come full circle, which began in the clubhouse largely as an exclusive club for tech venture capitalists and elites.

LinkedIn said in a statement to TechCrunch that they are doing some initial testing to create a unique audio experience tied to our professional identity and they are exploring how they can bring audio to other areas of LinkedIn, such as events and groups, to give their members even more opportunities to connect with their community.

LinkedIn has already worked to become a target for creators with tools like a new Creator Mode that marks you as a LinkedIn content creator on your profile. One clubhouse-like feature actually seems to fit the bill perfectly.

This article is shared by https://www.itechscripts.com/php/linkedin-clone-pro/ | A leading resource of inspired clone scripts. It offers hundreds of popular scripts that are used by thousands of small and medium enterprises.

[appscrip]

Our clubhouse clone script is business-ready, 100% customizable, and highly scalable, which makes it ideal for entrepreneurs who want to build a voice-only social media platform like Clubhouse, and grow exponentially in this niche. http://ow.ly/vgpf50ESje3 #clubhouse #clubhouseclone #openhouse #audioonlyapp #audiobasedapp #socialmediaplatform #clubhouselikeapp #appdevelopment #modernradio #poadcasts #creators #speakers #host #clubhousetalks #clubhousemoderator #clubhouseinternation #clubhousecloneapp #appdevelopers #appscrip #topdevelopers #webdevelopment #UIUX #webdesign #appdevelopmentcompany #toptechappps #smallbusiness #startups #businessideas #businesstips #whitelabelsoftware

[novaaleese]

Globalize your social media business by launching an app like Clubhouse

In recent days,audio-based social media apps are trending in the market. Apps like Clubhouse have garnered huge popularity among peers. Are you interested in developing an app like Clubhouse? Appdupe offers a Clubhouse clone app designed as an alternative with the same distinctive features as the former. If you are interested in our product, do contact us immediately.

Read More, https://www.appdupe.com/clubhouse-clone

[novaaleese]

Impress people effortlessly with an awesome app like Clubhouse

In recent days,audio-based social media apps are trending in the market. Apps like Clubhouse have garnered huge popularity among peers. Are you interested in developing an app like Clubhouse? Appdupe offers a Clubhouse clone app designed as an alternative with the same distinctive features as the former. If you are interested in our product, do contact us immediately.

Read More, https://www.appdupe.com/clubhouse-clone

[novaaleese]

Impress people effortlessly with an awesome app like Clubhouse

In recent days,audio-based social media apps are trending in the market. Apps like Clubhouse have garnered huge popularity among peers. Are you interested in developing an app like Clubhouse? Appdupe offers a Clubhouse clone app designed as an alternative with the same distinctive features as the former. If you are interested in our product, do contact us immediately.

Read More, https://www.appdupe.com/clubhouse-clone