#Generative Production
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AI Revolution in Media Supply Chains: Reshaping Creation, Distribution, and Audience Experiences
The media industry stands at the precipice of a technological revolution, with artificial intelligence emerging as the catalyst for unprecedented transformation across the entire supply chain. From content creation to audience engagement, AI technologies are reshaping workflows, eliminating inefficiencies, and unlocking creative possibilities that were once relegated to science fiction. Today's media landscape demands lightning-fast content creation, hyper-personalized experiences, and razor-sharp operational efficiency—all while reducing costs. In this environment, AI has rapidly evolved from experimental technology to essential business tools. Industry pioneers like AWS, Adobe, TVU Networks, Vizrt, and Ross Video are spearheading solutions that harness AI's power to set new benchmarks for what's achievable in media production and distribution.
The Current State of AI in Media Production and Distribution
Today's media supply chain has already begun experiencing profound transformation through strategic AI implementation. What originated as simple automation has evolved into sophisticated systems capable of managing complex tasks once requiring extensive human intervention. In content creation, AI tools have transcended basic assistance to become active collaborators in the creative process. Adobe's Firefly exemplifies this shift, with generative AI poised to dramatically compress traditional production timelines while reconfiguring creative roles. Similarly, Synthesia's AI-powered platform enables text-to-video generation in minutes—a process that traditionally demanded days or weeks.
For live production, companies like Ross Video have engineered AI-powered systems such as Vision[Ai]ry, which employs facial tracking to autonomously control broadcast cameras. This technology ensures consistently precise framing and enables hands-free camera workflows when paired with production automation solutions. The integration of these AI systems with existing infrastructure presents significant challenges. Many broadcast facilities still rely on older technology that cannot easily interface with modern AI systems without extensive modifications, frequently slowing adoption of promising new technologies.
In metadata generation and content management, TVU Networks' TVU MediaMind platform harnesses AI to tag video assets automatically, recognize individuals in footage, and generate real-time transcriptions. This makes content instantly searchable and reusable, transforming the media supply chain from a linear process into a dynamic ecosystem where content can be efficiently repurposed across platforms. However, the effectiveness of these systems depends entirely on data quality. Many organizations struggle with fragmented systems, inconsistent metadata standards, and vast legacy archives that aren't readily accessible to AI processing without extensive preparation.
As AI assumes more creative responsibilities, profound questions about ethics, intellectual property rights, and creative control become increasingly significant. Content creators express legitimate concerns about maintaining artistic integrity while leveraging AI tools that can fundamentally alter creative processes. While AI promises substantial long-term efficiency gains, the initial investment can be considerable. Media organizations operate in a fiercely competitive environment with tight budgets, making it challenging to justify large-scale investments without clear ROI projections.
Industry Leaders and Their AI Solutions
Amazon Web Services has established itself as the backbone for numerous AI-powered media solutions. By leveraging NVIDIA GPU-powered computing and PyTorch, companies like Synthesia have achieved remarkable improvements in machine learning model training throughput while accommodating exponential user growth. AWS's cloud-based approach empowers media companies to scale their AI capabilities without massive upfront infrastructure investments. The cloud infrastructure supports the generation of terabytes of data weekly, enabling rapid experimentation and iteration in AI model development that would be impossible with traditional on-premises solutions.
Adobe has positioned itself at the forefront of AI integration through its Firefly generative AI system. Their approach embeds AI capabilities directly into existing creative tools rather than creating standalone applications. Text-based editing in Premiere Pro and AI-powered audio enhancement in Adobe Podcast demonstrate how AI can thoughtfully augment rather than replace creative professionals. These seamless integrations streamline workflows while preserving creative control, addressing a key concern about AI's evolving role in content creation. Adobe's strategy has been to maintain human creativity at the center, using AI to handle technical tasks that previously consumed valuable creative time.
TVU Networks has reimagined the media supply chain through its TVU MediaMind platform, which leverages AI to transform how content is acquired, indexed, produced, and distributed. The platform applies artificial intelligence to tag video assets with critical metadata automatically, enabling broadcasters to repurpose content more efficiently and extract maximum value from their media assets. TVU's visionary approach places consumers at the center of the workflow, using AI to help content creators craft more personalized stories for precisely targeted audience segments. Their AI-driven approach creates a more dynamic content ecosystem where assets maintain their value long after initial use.
Vizrt has integrated AI into its suite of broadcast solutions, particularly in graphics generation and virtual production environments. As the only broadcast technology provider offering graphics solutions for any workflow, Vizrt harnesses AI for dynamic, data-driven visualizations that respond intelligently to changing conditions, enhancing visual storytelling during high-pressure live broadcasts. Their solutions span on-premises, cloud, and hybrid workflows, providing broadcasters with unprecedented flexibility in how they implement and scale AI technologies. This adaptability has been crucial for organizations at different stages of digital transformation.
Ross Video has made remarkable strides in integrating AI into broadcast production systems, with particular emphasis on automation and robotics. Their Vision[Ai]ry facial tracking system exemplifies how AI can revolutionize camera operation by automatically maintaining optimal framing without manual intervention. The company has also developed RossBot, an AI-powered technical support tool that helps clients rapidly diagnose and resolve complex technical issues. Ross Video's multifaceted approach combines cutting-edge AI with robotics and automation to create more sustainable, efficient production environments that significantly reduce operational costs while maintaining exceptional production values. Their focus on practical AI implementation has made advanced technology accessible to broadcasters with varying technical resources.
Key Trends Shaping the Future of AI in Media
AI is increasingly orchestrating complex workflow processes that previously required significant human intervention. Intelligent systems now make nuanced decisions based on content analysis and evolving user behavior patterns, automatically tagging content with rich metadata, routing assets through approval workflows, and preparing content for optimized distribution across platforms. The strategic integration of AI throughout the entire media supply chain creates a more cohesive ecosystem where content flows seamlessly from creation to consumption, eliminating longstanding friction points and bottlenecks that have traditionally slowed production and distribution.
The shift toward cloud-based production continues to accelerate, with AI processing increasingly occurring in the cloud rather than on-premises. This approach offers unprecedented scalability and enables truly collaborative workflows where geographically dispersed teams can access AI-enhanced content from anywhere without latency issues. Cloud-native AI processing also allows media companies to access powerful AI capabilities on demand without investing in expensive specialized hardware, democratizing access to capabilities once reserved for major studios. This has proven particularly valuable during global disruptions that necessitated remote work approaches.
Perhaps the most transformative trend is the rise of generative AI for content creation. Tools that can generate compelling video from text prompts, create photorealistic avatars, or produce natural-sounding synthetic voices are revolutionizing how content is conceptualized. This technology is particularly valuable for creating personalized content at scale, fundamentally altering the competitive landscape. By 2030, we may routinely see content created once but automatically adapted into dozens of variations optimized for different audiences and markets. This capability will make global content distribution dramatically more efficient and effective.
AI is increasingly being applied to high-pressure live production environments, enabling split-second decision making in scenarios where delays are unacceptable. Sophisticated facial tracking for cameras, intelligent automated switching, and instant replay selection are transforming how live events are captured and broadcast to global audiences. AI systems are increasingly assuming directorial responsibilities in certain production environments, particularly for routine or formula-driven content. These AI directors make split-second decisions about camera selection, timing, and flow based on content analysis and patterns learned from human directors, freeing human creatives to focus on higher-value creative decisions.
The convergence of different production technologies and standards is creating more integrated workflows that eliminate traditional compatibility barriers. As protocols evolve and potentially converge toward unified standards, we're moving toward self-configured video meshes where content can flow effortlessly between different systems with minimal configuration. Fixed ultra-high resolution cameras (64K and beyond) will increasingly supplant traditional camera operation, with AI selecting optimal framing in real-time. This approach will substantially reduce production costs while potentially improving visual quality. Sports broadcasts will emerge as early adopters, using strategically placed cameras to capture entire playing fields with AI directing viewers' attention to the most relevant action.
Opportunities on the Horizon
AI systems can dramatically transform operational efficiency by automating routine tasks, optimizing resource allocation, and streamlining complex workflows. Predictive maintenance powered by sophisticated AI algorithms can substantially reduce equipment downtime, while automated quality control systems can ensure consistently flawless output with significantly fewer manual inspections. These efficiency gains allow creative professionals to focus on higher-value activities rather than technical processes, potentially improving both production quality and staff satisfaction while reducing operational costs. The most significant operational improvements often come not from replacing humans but from augmenting their capabilities with AI-powered tools.
AI-powered metadata generation enables more effective content repurposing, extending the lifecycle and economic value of media assets across platforms. By automatically organizing content with remarkable precision, AI makes vast archives more searchable, allowing organizations to extract significantly more value from existing assets. This capability proves particularly valuable as content distribution channels continue to multiply, creating sustained demand for strategically adapted versions of content across different platforms, formats, and audience segments. Organizations with extensive content libraries stand to benefit tremendously from AI-powered content discovery and reuse capabilities.
AI enables deeply personalized content experiences without proportional increases in production costs. This includes generating multiple program feeds tailored for different audience segments, customizing graphics based on viewer preferences, and creating different versions of content for distinct demographic groups. The ability to deliver highly personalized experiences at scale represents a transformative opportunity for media organizations to dramatically increase audience engagement, loyalty, and ultimately, revenue potential. As viewer expectations for personalization increase, this capability will transition from competitive advantage to essential requirement.
AI-powered analytics provide unprecedented insights into audience preferences and content performance, informing more effective content strategies. By analyzing complex patterns in viewing behavior, engagement metrics, and content characteristics, AI can help predict which content will resonate with specific audience segments before significant resources are committed to production. These data-driven insights enable more strategic decision-making about content investment and programming priorities, potentially improving both audience satisfaction and business outcomes in an increasingly competitive marketplace. The organizations that most effectively harness these insights will gain significant advantages in audience acquisition and retention.
Perhaps most exciting are the new creative possibilities enabled by AI technologies like generative content creation. These tools empower creators to experiment with innovative concepts that would be prohibitively expensive or technically impossible through traditional production means, fundamentally expanding the boundaries of what's possible. Rather than replacing human creatives, AI will evolve into an integral collaborator in creative teams, with clearly defined roles and responsibilities that complement human strengths. The most successful organizations will be those that effectively integrate AI into their creative processes while maintaining a clear vision driven by distinctly human insight, emotion, and artistic sensibility that machines cannot replicate.
Conclusion: Navigating the AI-Enabled Media Future
The integration of AI into media supply chains represents both challenge and opportunity for organizations across the industry spectrum. While the technological transformation appears inevitable, how individual companies strategically respond will determine whether AI becomes a powerful competitive advantage or a disruptive force they struggle to accommodate. Success in this rapidly evolving landscape will require more than mere technological investment. Organizations must develop comprehensive strategies that address talent development, workflow redesign, data governance, and ethical frameworks for responsible AI deployment. They must thoughtfully balance automation and efficiency with creativity and human judgment, discovering the optimal synthesis of AI capabilities and human expertise for their unique context and objectives.
For media professionals, AI's ascendance necessitates continuous learning and adaptability in a changing industry. Rather than fearing displacement by AI, the most successful practitioners will embrace these powerful tools as means to enhance their capabilities and focus more intensely on the uniquely human aspects of creativity and storytelling that machines cannot replicate. As AI increasingly handles routine technical tasks, human creativity becomes more valuable, not less, in the media ecosystem. The most successful professionals will be those who develop expertise in human-AI collaboration, understanding both the capabilities and limitations of AI systems.
The future of media production is neither fully automated nor entirely manual, but a thoughtful integration of artificial and human intelligence working in harmonious concert. Organizations that recognize this complementary relationship and design their workflows and talent strategies accordingly will be best positioned to thrive in the AI-enabled media landscape of tomorrow. In this dynamic environment, staying informed about emerging technologies and industry best practices becomes not merely advantageous but essential for survival and growth. The pace of innovation in AI for media continues to accelerate exponentially, and today's cutting-edge solutions may rapidly evolve into tomorrow's standard practices.
The currently fragmented landscape of media tools will converge toward more integrated end-to-end solutions that seamlessly manage content from initial conception through monetization. These comprehensive platforms will incorporate AI throughout every stage, with frictionless handoffs between different processes and intelligent automation of routine tasks that previously consumed valuable creative resources. The convergence of production technologies will accelerate this integration, creating more cohesive workflows across previously siloed systems and teams. As blockchain-based verification systems become the industry standard for establishing the provenance and rights management of media assets, a new level of trust and transparency will emerge in the complex digital ecosystem.
By embracing technological evolution while maintaining unwavering focus on audience needs and creative excellence, media organizations can harness AI's transformative power to create more compelling, personalized, and impactful content experiences for audiences worldwide. The organizations that thrive will be those that view AI not merely as a cost-cutting tool but as a strategic enabler of new creative possibilities, deeper audience connections, and innovative business models. The future belongs to those who can harmoniously blend the computational power of artificial intelligence with the emotional intelligence, creativity, and ethical judgment that remain uniquely human capabilities.
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back at it again with the extremely self-indulgent diafams! I am being emotionally supported by overly-cutesy interactions between anime characters right now, don't judge me.
(also continuing with my headcanons that 1) mustache Bauru, and 2) he'll be hugely tsundere about it but you can, ultimately, convince him to do just about anything via careful application of Sebek.)
#art#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 part 6 spoilers#slipping this in real quick between twst fandom explosions#between the anime announcement and both jp and eng getting main story drops we're gonna be losing our collective gourds for. a while.#(hey twst why is 7-11 a two-parter) (WHY IS IT IN TWO PARTS TWST)#(is this just a production time thing or...)#also apologies to the anon who asked for general lilia not knowing how to take care of kids#i meant to do more in that vein but...then i drew hugs instead#i will try again later#although i warn you that this may just end in more hugs
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i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.
i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.
anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.
#[isabeau voice] am i insane or does sometimes loop talk like they might have killed their whole family. is that just me? just checking.#nille design highly inspired by @kiwibrain's since its the one that imprinted in my mind. liberties taken since i didnt look @ reference#anyway i have a lot more thoughts on this? i guess ill hide them in the tags...? scroll down i suppose.#isat#in stars and time#isat spoilers#in stars and time spoilers#isat act 6 spoilers#isat loop#isat siffrin#isat bonnie#isat nille#isat fanart#in stars and time fanart#doodlebyte#----------------------------------------------------------------------#anyway the extra thoughts. are literally just my general thoughts on postcanon. (and thus are the context for all of my postcanon doodles!)#which is i think nille joins the party before loop reappears for a start (either from a period of nonexistence or just wandering around)#and that like. i think the party should be able to integrate loop as a completely new person. because they are! the secrecy isn't great but#They and Siffrin shuffle into different ecological niches in the party (eg. i think sif is more squeamish after it all but loop isnt)#and while it's not *exactly* what Loop wanted they get that beggars can't be choosers. and its pretty good#(i am glossing over how i think loop's reappearence drags both them and siffrin into a massive behavioural backslide and is likely a bit#distressing to watch go down. cycle of argument -> lovebombing -> normalcy -> repeat. etc etc. but since they are no longer literally#stewing in the worst pressure cooker of all time they do resolve it via productive conversation on their own time. its fine)#the party well-meaningly tries to deduce things from loop's vagueries and are able to pin down the DEAD FAMILY vibe pretty quickly.#but eventually the question of their prior identity falls by the wayside because well! they're just their friend loop! (also change belief)#as for how The Truth Come Out... this is what i mean by The Isabeau Torment Nexus(tm). which is that i think... isiloop should almost occur#BEFORE isabeau knows who loop is. he's just genuinely charmed by them eventually and tries to close the open end of the polycule#which FREAKS LOOP THE FUCK OUT because thats just too genuinely sick and wrong. and obviously w emotions high its not a great confrontation#ANYWAY told u i had more thoughts. if i were normal itd be a text post but.
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I feel like this should be included here just because of the funny history of it. Eddie Campbell forgot to draw Abbeline’s head in From Hell by Alan Moore and it the original release was printed with the mistake (it was later corrected).
Alan Moore wrote:
Correspondence FROM HELL On the matter of what has been viewed in some quarters as an untoward wordiness in my panel descriptions, might I draw your attention to the final volume of From Hell, specifically to page two, panel five of our epilogue, The Old Men On The Shore. In the script description for this panel I unfortunately allowed myself a moment of laxity and omitted the words “INSPECTOR ABBERLINE’S HEAD IS STILL ON HIS SHOULDERS DURING THIS PANEL. IT HAS NOT RETREATED TORTOISE-LIKE INTO HIS NECK, NOR HAS IT IN SOME FASHION MANAGED TO REFRACT LIGHT AROUND IT LIKE A KLINGON SPACESHIP SO THAT THE INSPECTOR RESEMBLES SOMETHING OUT OF MAGRITTE WITH HIS BOWLER FLOATING THERE SUSPENDED ABOVE THE EMPTY COLLAR OF HIS COAT.” Last time I’ll make that mistake, obviously.
submitted by @avengerscompound
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Very specific yet weirdly helpful writing tip: When plotting out your story beats, whether big or small, try to imagine OSP Red narrating them as if she's doing a Trope Talk
#also watch her trope talks in general they're hugely helpful#they also got me into leverage so. bonus#overly sarcastic productions#writeblr
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i miss ur silly smaus 😞 give us one
scammer, catfish, or the real thing? jujutsu kaisen: gojo satoru 𓂃 smau
+ extra: actor!gojo pretends to be a scammer in ur chat out of sheer boredom #justlikeme
#. ae-generated: jujutsu kaisen#i tried believe me 💔💔💔 i just have zero ideas rn and im busy doing the opposite of being productive ☹️#gojo x reader#gojo satoru x reader#jjk x reader#jjk smau#jujutsu kaisen smau#jjk fluff#gojo satoru fluff#jjk x you#gojo satoru x you
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As cameras becomes more normalized (Sarah Bernhardt encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use cameras because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by manufacturing companies. I paint not because I want a painting but because I love the process of painting. So even in a future where everyone’s accepted it, I’m never gonna sway on this.
if i have to explain to you that using a camera to take a picture is not the same as using generative ai to generate an image then you are a fucking moron.
#ask me#anon#no more patience for this#i've heard this for the past 2 years#“an object created and controlled by companies” anon the company cannot barge into your home and take your camera away#or randomly change how it works on a whim. you OWN the camera that's the whole POINT#the entire point of a camera is that i can control it and my body to produce art. photography is one of the most PHYSICAL forms of artmakin#you have to communicate with your space and subjects and be conscious of your position in a physical world.#that's what makes a camera a tool. generative ai (if used wholesale) is not a tool because it's not an implement that helps you#do a task. it just does the task for you. you wouldn't call a microwave a “tool”#but most importantly a camera captures a REPRESENTATION of reality. it captures a specific irreproducible moment and all its data#read Roland Barthes: Studium & Punctum#generative ai creates an algorithmic IMITATION of reality. it isn't truth. it's the average of truths.#while conceptually that's interesting (if we wanna get into media theory) but that alone should tell you why a camera and ai aren't the sam#ai is incomparable to all previous mediums of art because no medium has ever solely relied on generative automation for its creation#no medium of art has also been so thoroughly constructed to be merged into online digital surveillance capitalism#so reliant on the collection and commodification of personal information for production#if you think using a camera is “automation” you have worms in your brain and you need to see a doctor#if you continue to deny that ai is an apparatus of tech capitalism and is being weaponized against you the consumer you're delusional#the fact that SO many tumblr lefists are ready to defend ai while talking about smashing the surveillance state is baffling to me#and their defense is always “well i don't engage in systems that would make me vulnerable to ai so if you own an apple phone that's on you”#you aren't a communist you're just self-centered
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#you can always tell what techbros think of art#it's a product for them#you just have to make it to sell it#AI shit#fuck generative ai
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#jerejean#fanart#all for the game#jeremy knox#jean moreau#FIRST TIME I DREW JEAN MOREAU EVERYONE BE NICE TO ME#i specifically gave him a haircut in this because last we know his hair is still uneven#so this is the product of catlaila having taken him to a barber and surprising Jeremy with Jean (undercut) instead of Jean (Uneven)#EYE think its charming ... but it also implies Post Sunshine court events so.#I'm a happy gal im a happy girl i like to think happy things#yes that IS bark bark on the sweaters#yes Jeremy DID get them custom made#yes it WAS a ridiculous price#YES IT WAS WORTH IT STOP ASKING JEREMY THAT!!!#anyway. I will probably do catlaila and sethison#aaanndd danmatt and nickyerik version of this as well#jurys out on andreil because i dont believe they would participate in matching sweaters#OUT OF FESITIVITY RELATED STUFF RATHER THAN GENERAL MATCHING#like do they gaf about christmas like that... idk.....#but we shall see.#other fandoms#other fandoms: all for the game
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Hello Crossnamara Nation
#razzs art#hatchetfield#starkid#hatchetverse#wilbur cross#uncle wiley#general john macnamara#john macnamara#crossnamara#macnacross#general macnamara#general mcnamara#hatchetfield fanart#starkid productions#starkid fanart#black friday starkid#starkid black friday#fanart
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Mand'alor and Fett
also a plain color and lineart version
(seriously every generation with a named Fett features at least one of them being the Mand'alor's best friend or family)
#star wars#mandalorians#the mandalorian#kotor#old republic#mandalore#mandalore the ultimate#cassus fett#shae vizla#mandalore the avenger#khomo fett#jaster mereel#jango fett#din djarin#boba fett#what should dins epithet be#hmm...#mandalore the reluctant#lol#behold the product of trying out a sort-of-painting style#i really like how boba turned out#and also ultimates mask#wow bobas armor is almsot identical to jangos green one#i think vorten is the only named fett who doesnt come with a mandalore and thats only bc theres two named ones in that generation#you can really see the evolution of helmet styles#mask -> neocrusader -> Chunky -> beginnings of stylization -> wide -> classic -> narrow#the visors get narrower every generation huh#also shae had a very good idea with that gorget. too bad jango didnt have one#oh well at least boba has his giant scarf
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Twigpaw chapter? Twigpaw chapter.
#art#clangen#clan generator#shrikeclan#warrior cats#hollyflight#twigpaw#whisperpaw#twigkit#whisperkit#thistlekit#thistlepaw#my doctor diagnosed me with cool guy syndrome#so now i take ADDERALL#not gonna get ahead of myself but its been making productivity SO much easier so hopefully??? Chapters more than once every two months???#every time i check this blog and see new people following it and i get scared i did not earn ur support#tysm
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he's so babygirl (he's dying)
he's so babygirl (he's dying)
he's so babygirl (he's dying)
#interesting phenomenon#starkid#starkid productions#hatchetfield#hatchetverse#starkid black friday#the guy who didn't like musicals#starkid tgwdlm#nerdy prudes must die#starkid npmd#paul matthews#general macnamara#richie lipschitz#certified ash banger
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Product mascots or characters: from 1977 and for Post’s Super Sugar Crisp cereal, Sugar Bear.
#vintage illustration#vintage advertising#packaging#package design#vintage packaging#corporate mascots#corporate characters#product mascots#product characters#marketing#post cereal#super sugar crisp cereal#breakfast cereals#sugar bear#general foods#cereals#super sugar crisp#the three stooges#the 3 stooges#three stooges#3 stooges
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BEST CASE SCENARIO-- Bro didn't die!!
And we have two new warriors!
Moon 51.3 - Moon 52
#dawg we've been on this moon for months#I feel like I apologize for it so often but honestly y'all really do deserve an apology from me :")#But I plan on restarting moon production late may once I return from a trip#echoclan is very close to its conclusion- we're in the home stretch#I just want to thank you all for your endless patience these past few months#ec moon#clangen#warrior cats#clan gen#warriors#wc oc#clan generator#warrior cats oc#echoclan
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