#HOLY đŽâđ¨
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Luigi: *exists*
Mario:

I was watching a documentary for my sociology class⌠who else would I see đĽšâĽď¸đ
#bbâs art#bbâs sketches#super mario#mario#luigi#mario and luigi#finally mustered the courage to draw them together#HOLY đŽâđ¨#he could be introducing daisy to luigi#or again luigi simply breathing#needed some bro fluff
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if i donât draw wuming every week iâll die
#it was getting closeâŚ.only 2 hours left đŽâđ¨đ#a little fast and messy wuming to celebrate this holy day#wuming wednesday#wu ming wednesday#hello i do not know if itâs supposed to be wu ming or wuming i alternate constantly agdhfjfj#tgcf#tgcf fanart#hua cheng#heaven official's blessing#tian guan ci fu#my art#mossymage
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words fail me at this time.
[x]
#just watch it. you gotta watch it. pls.#i was going to gif this but you need the music to accompany the visual cause holy fuck#he was one sexy motherfucker in 2014. the dracula al vibes + the mr. snarl cockiness was a lethal combination#also 'my propeller' is one of their sexiest songs so there's just A LOT going on here#and the way he shakes the whammy bar đŽâđ¨#my senses are overloaded#alex turner#arctic monkeys#am era#my propeller#comerica theatre - phoenix 2014#mine
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How would the ROs react if, during a fight, m looked at them SO fondly and decided to confess right in the middle of the action??
- - -
â ď¸ EXTREMELY LONG CONTENT INCOMING â ď¸
- - -
OPERATIVE D-6
The alley is soaked in red. Brick walls on either side echo every impactâthe dull thud of fists, the crunch of boots, the hiss of a blade slicing air.
Youâre fighting back-to-back with D-6, the two of you flanked by a group of men youâve been tracking. No room for error. No time to talk. And yetâ
D-6 moves like shadow incarnate. Efficient, brutal, wordless. They donât waste energy on flourish, donât grunt or shout like the others. Just inhale, exhale, react. Every movement is calculatedâuntil you catch a glimpse of their face.
Blood trailing down their temple. Eyes sharp, scanning every angle. Then for a split secondâyour eyes meet.
Youâre not sure why it happens. Maybe itâs the adrenaline. The way your ribcage feels too tight. The way they always move closer when youâre hurt, even when they swear they don't care. But the thought breaks loose in your chest and wonât go back in.
You look at them again, mouth bloodied, arm trembling from a deep gashâand you smile.
Not a smirk. Not a challenge.
A real smile. Soft. Fond. A warmth they havenât seen from you in yearsâif ever.
âIâm in love with you, Dee.â
Itâs quiet. Almost lost in the chaos around you. But it hits like a bullet.
D-6 stops. Just enough to matter.
Their blade catches the arm of an incoming attacker but doesnât swing right away. You see the brief hesitationâthe shake of their shoulders, like someone tried to reboot them mid-mission.
They turn toward you, eyes wide in a way youâve never seen. Shocked. Unreadable. Something fragile and dangerous flickering in the silence between you.
Another guard lunges. You donât even flinchâD-6 is already on them, intercepting the hit, feral in how fast they react.
But itâs different now.
Thereâs something raw in the way they fight. Not cleaner. Not calmer. Messier, like they canât focus. Like your words took out some crucial wire and now theyâre glitching through the rhythm. Their hands tremble after each kill. Their shoulders twitch like theyâre fighting the urge to look at you again.
When the last one falls, youâre both bleeding. Breathing hard. Leaning against the alley wall, barely upright.
D-6 looks at you.
Really looks. Then steps closer.
You expect a nod. A punch. Maybe one of those rare glances that says âdonât do that again.â
Instead?
They press their forehead to yours. Just for a second. Just long enough for you to feel how cold their skin is. How tightly wound they really are beneath the surface.
They donât say anything. They canât. But their hands hoverâfists at their sides like they donât trust them not to reach for you.
You feel the unspoken words between you:
âWhy would you say that?â
âYou shouldnât have.â
âI donât know what to do with this.â
And somewhere deep beneath it:
âSay it again.â
- - -
DETECTIVE JUNO REYES
The warehouse stinks of old copper and gunpowder. Light flickers from a broken overhead bulb, casting everything in a twitching yellow strobe. You and Juno move through the shadows like twin bladesâclean, fast, coordinated from far too many nights tracking this particular crew.
Theyâve been smuggling bodies through the meatpacking district for months nowâvictims with their organs carved out like butchered cattle. Itâs not your first joint mission. Wonât be your last.
But tonight, something feels different.
The air is thick. Heavy with dust and sweat and something sharper underneath. Youâre ducking behind a rusted conveyor belt when you hear the crack of gunfireâtoo close.
Junoâs already there, stepping in front of you, pulling you back with a growl. âKeep your damn head down.â
You want to bite back with something sharpâsomething thatâll make them flinchâbut the words die in your throat the second you look at them.
Blood speckled across their cheekbone. Jaw clenched. Shoulders tense. Their body coiled like a spring even after the last shot's been fired.
They move like a force of nature. Controlled, steady, brutal when they have to be. Youâve seen Juno at their worst. Theyâve seen you at yours.
And still, theyâre here.
Still keeping you alive.
Youâre both pinned in a choke point nowâfive armed men fanning out, pushing forward. You toss a flashbang to the left, Juno fires to the right, and in the storm that follows, something strange takes root in your chest.
Maybe itâs the adrenaline. Or the way your arm burns from a graze you didnât register until just now. Or maybe itâs just the way Juno shouted your name like it mattered.
But the words hit your tongue before you can stop them.
You lean in close as you reload, breath ragged, voice low.
âI think Iâm in love with you.â
Juno freezes. Their hand drops halfway to their holster. The magazine clatters to the floor.
âWhat?â
You donât repeat it. Just keep your eyes on theirs. Let it hang there in the heat and chaos, as bodies close in from every side.
And thenâthey snap back.
No words. Just movement.
Theyâre more violent now. Less precise. Every blow has weight behind it, like theyâre exorcising something. Every time someone gets too close to you, theyâre thereâblocking, intercepting, protecting. It's reckless. Uncharacteristic. Youâve never seen them fight like this.
And maybe thatâs what terrifies you.
When the last man drops, groaning and bleeding onto the concrete, the silence roars between you.
You lean against a pillar. Junoâs still standing, chest heaving. Eyes wide and unreadable.
âSay it again,â they murmur, voice rough from shouting, from shock, from⌠something else.
You blink. âWhat?â
Their gaze cuts to yours. âSay it again.â
You do.
They donât move for a long time. Thenâslowlyâthey cross the space between you. Not to grab you. Not to yell. Just to be closer.
Their forehead drops against yours, their palm finds your wrist, and the warehouse fades around you for one suspended second.
âYou canât say shit like that in the middle of a firefight,â they whisper. But their voice is trembling. âYou canât justâdrop something like that and expect me to keep it together.â
They pull back just enough to look at you. Eyes soft now. Conflicted. Open.
And then, the smallest smirk, cracked at the edges.
âYouâre a goddamn menace.â
But they donât let go.
And you donât want them to.
- - -
NICO/NIA RUSSO
The fight is chaos.
Of course it is.
Itâs South Side chaos. Rusted fences, blown-out floodlights, and a chain of abandoned warehouses that smell like gasoline and guilt. The kind of place people disappear into, but donât come out of.
Youâve been tracking this crew for week now, hoping to take them alone as alwaysâbut Russo had forced you to bring them along, and wasnât taking no for an answer.
The group is splinteredâwith too many guns and too many debts. Youâd been moving silently, inching your way through shadows and metal stairsâuntil someone tripped an alarm, and now everything's gone loud.
Youâre flanked, ducking behind a stack of rotted pallets. Russoâs just ahead, crouched low behind a rusted sedan that still smells faintly like blood.
Gunfire pops. Muffled screams. The glint of steel in the dark.
Russo curses under their breath, fires two clean shots, and slides over the hood of the car like they were born in a damn movie. They land next to you with a scowl, winded but electric with adrenaline.
âYou good?â they rasp, not quite looking at you. âYou better be.â
You nod. Lie. Youâre bleeding from somewhere, but it doesnât matter.
Their eyes finally meet yours.
Thereâs dirt smudged on their jaw, a cut on their lower lip. That ridiculous piercing still gleaming under the weak light. Russo looks like hellâbut they always look good when theyâre angry.
You should focus. Should reload. Should plan your next move.
But instead, youâre looking at them.
Really looking. And it just⌠slips out.
âHey, Russo,â you murmur, blood in your mouth, smile soft and stupid.
âWhat?â They glance over, impatient. âWeâre a little busy, genius.â
âI think Iâm in love with you.â
Silence.
And thenâ
âThe f**k did you just say?â They whip their head toward you, voice sharp enough to cut. âAre youâ? No. Nope. Say that again. I dare you.â
You grin, half delirious, maybe. âI said Iâm in love with you.â
It hits them like a misfired round.
Russo doesnât move. Doesnât blink.
Their jaw works through some invisible argument, eyes scanning your face like theyâre waiting for the punchline. But there isnât one. Not this time.
ââŚYouâre out of your goddamn mind,â they mutter.
And then?
They lunge.
Not at you. At the guy trying to sneak up behind you with a pipe. Russo takes him down like theyâre possessedâgrabs the guy by the collar and slams him into the concrete hard enough that the wet crunch makes your ribs ache in sympathy.
âYou donât get to say s**t like that,â they growl through gritted teeth, barely breathing. âNot while weâre in the middle of a gunfight.â
Another attacker runs up. Russo spins and throws a punch so clean it drops the man in one hit.
You lean back against the wall, stunned. Watching Russo unravel with every swing.
Theyâre reckless now. Not sloppy, but aggressive. Emotional. Like your words untethered something they were trying so hard to keep hidden. Like if they fight hard enough, they wonât have to admit they felt it too.
When the last man goes down, Russo stands thereâchest heaving, eyes wild.
They turn back toward you. A beat passes.
âIâm gonna pretend you said that âcause you were bleeding out or had a concussion,â they say, voice cracking just a little. âAnd youâre gonna let me do that, yeah?â
You donât answer.
Just watch as they step closer. Closer still.
Russo doesnât kiss you.
But their hand brushes your shoulder as they move past, fingers curling like they want to hold onâthen flattening into a fist at their side.
They mutter it so quietly, you almost miss it.
âSay it again when weâre not about to die.â
And then theyâre gone, already storming toward the next building.
But their ears are red. And they donât look back.
- - -
KIERAN/KIERA MYLES
Youâre inside a mansion.
Noâmore like a rotting palace pretending it still matters. Cracked marble, columns held up by duct tape and delusion. The kind of place that used to host gala nights and governor handshakes, now stripped to its bones and taken over by men with hollow eyes and expensive guns.
Youâre not supposed to be here. But neither is Myles.
You hadnât planned it, but your leads crossed. A sting operation gone crooked. Surveillance cameras looping the wrong feeds. Now itâs just the two of you, ducking behind shattered statues and torn velvet curtains, fighting to stay one breath ahead of the crew youâve both been hunting for months.
Glass shatters as someone fires from above.
Myles yanks you down, back colliding with theirs. Youâre both crouched behind a pillar thatâs already half-gone. Their voice is calm, but their breath hits your neck.
"You're bleeding."
You glance down. Shoulder wound. Deep, but not lethal. Youâll live.
You chuckle. "So are you."
Myles says nothing.
Thereâs smoke in the air. Dust. Gunpowder. The scent of their cologne still clinging to their coat, sharp and clean, like they planned for this moment even if theyâll never admit it.
They reload. You press a hand to your wound.
And then, for no reason at allâmaybe because the world feels too loud, or maybe because Myles has this look like theyâll disappear the second itâs overâyou speak.
"Iâm in love with you, Myles."
Itâs too soft.
Too honest.
You donât know why you said it now, of all times. But the words are out there. Between the gunshots and the sirens and the flicker of failing chandeliers.
Myles freezes.
Just a breath. Just enough to register the blow.
They glance over their shoulder at you, eyes sharp as razors, lips partingâbut no sound comes out. Youâve seen Myles composed during interrogations, smirking during firefights, unbothered while being hunted by half the city.
But this?
This cracks something in them.
"You're joking," they murmur, voice low. But thereâs a flicker. Not amusement. Not disbelief. Something closer to fear.
You shake your head.
"I'm not."
Their stare could cauterize. Could kill. But it doesnât.
They look away first.
Myles stands, gun drawn, movements stiff and precise like their entire system had to reboot. They fire at the men rounding the stairwell, three clean shots that send bodies toppling. But itâs different now.
Every twitch of their jaw. Every step they take.
Theyâre unraveling.
You follow, shoulder screaming with each breath. You reach the landing as Myles takes down another man with a brutal, sweeping blowâelegant and feral all at once. Their coat flares behind them like they planned for the dramatics.
They didnât.
Theyâre rattled.
And when the last enemy falls, when itâs just the two of you again under the ruined glass dome, Myles turns.
Not their usual stance. No calculated poise. Just a person trying to hold themselves together with silk threads and pride.
"You donât get to say things like that when Iâm this exposed," they whisper. "Thatâs cruel."
You take a step closer.
Myles doesnât move.
"Itâs not a tactic," you murmur.
They laugh, quietly. It doesnât reach their eyes.
ThenâslowlyâMyles steps forward. Closer than they should. Their gloved hand rises like they might touch you, but stops just shy of your cheek.
Their eyes search yours. Not with suspicion. Not even with caution.
With longing.
"You do realize I could get addicted to you, right?" they say, voice raw.
You nod, lips barely parted. "Yeah. I think I already am."
They donât kiss you. Thatâs not how Myles works.
But they lean in.
And their breath brushes your ear like a secret, a sin, a promise.
Then they're goneâcoat whipping behind them, rage and wonder knotted in their spine. But they donât look back.
They donât have to.
- - -
ALEX/ALEXI MONROE
Itâs chaos.
Pure chaos.
The kind that tastes like copper and burns the back of your throat. Somewhere outside, a car alarm is shrieking. Inside the half-demolished apartment complex, you and Monroe are trapped in what used to be a laundry room, now nothing but rubble and steam. The tiles are cracked. The walls are damp with burst pipes and dirty rainwater.
It wasnât supposed to go like this.
You were tailing one of the lower enforcers. Just watching. Just gathering intel. And then everything explodedâliterally. A pipe bomb in the stairwell. Reinforcements swarming faster than either of you expected.
Now youâre fighting side by side, hearts pounding, soaked to the bone in heat and fury.
Monroe isnât trained like you are.
But theyâre quick. Smart. Desperate, in the way people get when theyâre terrified and trying to protect someone else.
You.
They shove someone back with a rusted broom handle, breath ragged, foot slipping on the wet tile. You close the gap before the second attacker can swingâslam your elbow into his throat, feel the crunch, push him down and keep moving.
Monroe grabs your arm. Their voice is tight.
"You good?"
You nod. Bloodâs running down your temple. Your lungs ache. But thatâs not what gets to you.
Itâs them.
The panic behind their eyes. The way they havenât left your side even when they couldâve ran. The way they glance at you between every punch like theyâre checking if youâre still breathing. Still here.
You donât mean to say it. You donât plan it.
But between the noise and the fists and the flickering fluorescent lights, it just spills out.
"Iâm in love with you, Monroe."
Their head snaps toward you.
The world blurs. Slows.
Monroe stares like you hit them. Not physicallyâbut somewhere worse. Their mouth parts slightly. Eyes wide. You think they stop breathing for a second.
"Youâ" Their voice breaks. They blink fast, like trying to erase what they just heard.
Another man swings at them from behind.
You intercept it, driving your fist into his solar plexus, then again, and again until he drops. Youâre panting, vision starting to swim. You wipe the blood from your face with the back of your hand and look at them again.
"I said what I said."
Monroe drops the broom handle.
Their whole chest rises like theyâve just remembered how to inhale. Then they take a shaky step forward, close enough that you feel the warmth coming off them, even in this icy wet mess of a room.
"You really mean that?" they whisper.
You nod.
Monroe swallows hard.
"Thatâs..." They shake their head, overwhelmed. They reach out like theyâre going to touch you, but their fingers hoverâtrembling. They pull back.
"This is the worst possible time for you to say something like that."
"I know."
"And still..."
They donât finish. They canât.
Instead, Monroe leans in. Not to kiss you. Just to rest their forehead against your shoulder. A quiet moment in the middle of ruin. Their breath shudders against your collarbone. Their fists clench and unclench at their sides like theyâre trying not to fall apart.
You stand there, both of you bleeding, shaking, surrounded by steam and broken pipes.
And they whisper it into your shirt like a confession they donât know how to live with.
"I think Iâm in love with you tooâŚâ
- - -
ROWAN/RHEA CARTER
Itâs a warzone.
Or close enough to it. Burned-out cars smolder in the alley behind you, still hissing smoke. The cracked pavement beneath your boots is wet with something that isnât just rain. Sirens echo somewhere, far enough away to ignore. Close enough to feel like a warning.
You and Carter have been tracking this cell for weeks. One of the syndicateâs nastier armsâideologues and black-market butchers with a penchant for âcleansing.â You were supposed to hit them before they moved the shipment. In. Out. Done.
But they were ready for you.
Now, you and Carter are fighting through what used to be a parking structure, half-collapsed, scattered with debris and broken steel. You move in rhythm. Strikes traded without words. One breath apart from each other, backs nearly touching.
And CarterâCarter is brutal.
When they fight, itâs not graceful. Itâs furious. Efficient in the way someone becomes when theyâve lost too many people already.
Thereâs no room for error, no patience for show. Just fists, blood, and a righteous kind of rage. Like the world wronged them personally and theyâre still collecting receipts.
You duck a swing, pivot behind the attacker and bring them down. Carter kicks another through a rusted railingâno hesitation, no wasted motion.
And yet⌠you catch them glance at you.
Just for a second. But itâs enough.
The way their brow furrows when they see you bleeding. The way they keep shifting toward your side when they donât have to. Itâs not tactical.
Itâs protective.
And maybe thatâs what does it.
The crack inside you thatâs been waiting to split. The words youâve been holding like broken glass in your throat. You donât know why they come nowâmaybe because everything hurts. Maybe because Carter moves like the world is ending and you want to believe in something else, even for just a breath.
So when the last two attackers go down and thereâs a heartbeat of silence in the darkâ
You say it.
Soft. Grounded. Real.
âIâm in love with you, Carter.â
They freeze.
Completely.
Their hands lower. Their chest rises and falls, fast. Like someone trying to slow their heart with fury alone. They donât even look at youânot at first. Just stare ahead at the shadows, like maybe they misheard. Or maybe if they ignore it, it wonât be true.
But you donât move. Donât flinch. Just watch them.
And when they finally turn to face youâoh.
Itâs like looking at a storm that wants to hold something.
Their jaw is clenched tight. Eyes darker than usual. Burning in a way that has nothing to do with rage and everything to do with fear. Hope. Grief
"You shouldnât say that."
You donât respond.
They take a step closer, soaked in sweat and bruises and blood that might not all be theirs. Their voice dropsâlow, sharp, trembling.
"You donât get to say that now. Not when Iâve spent every second trying not to feel anything. Not when youâre bleeding. Not when we still have a job to finish."
Another step.
"Because if you say that..." Their breath catches. "If you say it again, Iâm not gonna be able to pretend I donât feel the same."
The silence swells. Tight. Hot. Barely contained.
And then Carter reaches outânot rough, not demanding. Just... steady. Their hand brushes your arm like theyâre anchoring themselves to something real.
"Say it again," they whisper.
"Say it like you mean it."
And you do.
You say it again, and this time Carter doesnât stop you. Doesnât run. Doesnât fight it.
They just nod, onceâand step forward into the wreckage, into the danger still ahead, with you at their side.
Because now? Thereâs something worth surviving for.
#bloodandiron-if#interactive fiction#interactive story#wip game#ro asks#HOLY MOLY this gotta be the longest one Iâve written so far how do IF authors do this đŽâđ¨#iâm gonna rest a bit before answering more my brains fried#i think Russoâs was the funniest to do ngl đť
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SLUT ME OUTTTTT
#drew starkey#slutty daddy#throaat babyyyy throaat babyyyđđŚ#MAKE ME CHOKEE#I WANNA SIT ON HIS FACE#holy molyyyy#đŽâđ¨đŚđŚđŚ#i NEED smut yâall go go goooo#drew starkey smut#rafe smut#rafe cameron
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PRE SPRINT RACE | QATAR
#30.11.24#oh myyyyđłđłđŽâđ¨#dont chat to me bc Holy moly#lewis hamilton#lh photo24#lh gpqat24#lh fave24#lh chair#lh garage24
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GEORGE WILLIAM RUSSELL WHAT THE FUCK
#HOLY FUCKING CRAP#THIS MAN ATTTTTTTTE#no seriously#the coat đŽâđ¨#george russell#dutch gp 2024#media day#gr63#mercedes f1
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Letâs get technicalâŚ
Asking to keep her promise đ by wan
đ Keeping her promise by Pleng
âIf you want me, Iâll give myself to youâ -Pleng to WanâŚ. Iâm floored đĽš
#wan got more than she bargain for ���#girl ate and got ate#sheesh#đŽâđ¨ someone get these lovers some holy water and a bible#lol#gay thailand#affair the series#wan x pleng#go watch it#wanpleng#lookmhee punyapat#sonya saranphat#thank you#change 2561
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Heâs looking at me guys dw đ¤

#nathan bateman#ex machina#HOLY FUCKING SHT HE LOOKS SO GOOD#I HAVENT SEEN THIS SHOT BUT IM GLAD I DID NOW#HIS BACK đŽâđ¨#oscar isaac
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This is most definitely the single best Ace Attorney promo video I have ever watched.
#Holy shit it was actually hilarious#The fact that they went through all the prosecutors and labeled them as weirdosđđ#Phoenix absolutely cooked Edgeworthđđ#I was hoping Apollo would come on sceen just to explain his game but ig that was pretty wishfulđŽâđ¨#âAnd what if I don't...?â#go watch it immediately if you haven't bro#ace attorney#phoenix wright#miles edgeworth#they should've kissed at the end-
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iâm feeling somethingâŚ
#older men do it better#eminem#marshall mathers#i love him#hes so uggghddh#eminem looks hotter now than when he was in his 20s#51 year old marshall đŽâđ¨đŽâđ¨đŽâđ¨#wait no seriously hear me out??#hear me out#heâs so hot#iâd let him ruin me#ride me daddy oh LAWD#look at his hands#HOLY SHIT#AHDHSKBSKEJDN
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Poolverine frolicking through napkin drawn on hills with a little to cool for proper education sun
đ¸đśđŁď¸
Awe Wolverineâs head looks like it got smashed by a cinder block đĽşđŤś
(Logan is kinda hard to draw đ¤)
#I cleansed my dirty face with the holy napkin after I snarfed down a pretzel đŽâđ¨đ#deadpool#wolverine#deadpool and wolverine#deadpool art#logan howlett#wade wilson#eeeyup#artwork#they are so teehee đĽ°#gay men#Errm Iâm sorry guyses but the name Logan is such a dookie name like you canât get an actor with the beautiful name Hugh and expect him to*#*use the name Logan LIKE ITS SO UGLIE TO ME đ#but pop off Logan you special little chewed roach đ¤đ
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âŚI was looking for some aesthetic pics on Pinterest for this short blurb about this man I just thought about and IâŚ.i got a littleee distracted with his official art (him).


#first of all HE LOOKS SOOO GOOD IN THAT TURTLE NECK#THAT IS SUCH A NICE COLOR ON HIM OH MY FUCK đŠđŠđĽ´đđđ#yeah his hair is sortaâŚ.much but heâs stilll fine to me đŤśđźđŠ#yeahâŚ.that first official art of him in that suit is deeply embedded into my brain đĽ´đĽ´đđŤ #IMAGINE GOING ON A DATE WITH HIM IN THAT SUIT!!?#like HELLO YES??? LET ME HELP YOU OUT OF IT ASAP?!?!#holy shit heâs just so YUM đľâđŤđŽâđ¨đ¤¤â¤ď¸đ¤#baro shoei#blue lock
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I need him đ¤đ¤đ¤

#holy shit#logan sargeant#williams racing#formula 1#formula one#like đŤ đŤ đŤ #heâs so đ¤#oof đŽâđ¨#fuck đŤ #heâs so pookie#heâs so đŠđŠđŠ#hot damn đĽľ#itâs wet#oh my god
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All I gotta say is Pedro Pascal fans, we are being fed well.
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