#Handmade Tile

[tilecleaningtoday]

The Pros and Cons of Saltillo Mexican Tile

Overview

Saltillo tile is a traditional, handmade flooring material originating from Northern Mexico. It is made from natural clay, formed into tiles, sun-dried, and kiln-fired. The final product ranges in colour from yellow to deep red, often with a blend of hues on each tile. Saltillo tiles are known for their rustic appearance and have been used in buildings for centuries.

Pros of Saltillo Tile

Environmentally Friendly

Natural Composition: Made from locally sourced clay, Saltillo tile is a natural, biodegradable product.

Low-Impact Manufacturing: Production involves drying tiles in the sun and firing in kilns, with minimal industrial processing.

Thermal Comfort: Offers a cooler surface in warm weather and retains warmth better than some ceramic tiles in colder seasons.

Aesthetic Appeal

Distinctive Appearance: Each tile is unique due to its handmade nature. The variation in colour and texture provides a rustic, aged look often appreciated in traditional and Mediterranean-style interiors.

Aging Character: Over time, the surface may develop a worn, antique appearance that enhances its traditional aesthetic.

Maintenance and Cleaning

Dirt Concealment: The earthy tones and textured finish help to disguise dust and minor debris.

Simple Cleaning Requirements: Sweeping or vacuuming is typically sufficient for day-to-day cleaning. Occasional mopping with water or a pH-neutral tile cleaner is recommended.

Optional Resealing: Resealing is advised for maintaining a glossy finish but is not always necessary for performance, depending on usage and traffic levels.

Cons of Saltillo Tile

Uneven Surface

Irregular Shape: Due to its handmade nature, Saltillo tile often lacks uniformity, resulting in an uneven surface.

Wide Grout Lines: Installation typically includes larger grout lines, which may be unsuitable for some design preferences or accessibility needs.

Mobility Considerations: The uneven surface may pose challenges for wheelchair users or individuals with limited mobility.

Durability Concerns

Susceptibility to Chips and Cracks: Saltillo is softer than many other tile options, making it more prone to damage from impacts or heavy furniture.

Discolouration: The tile surface can show signs of wear and fading over time, especially in high-traffic areas.

Maintenance Requirements

Periodic Resealing Needed: Unlike fully vitrified ceramic tiles, Saltillo requires resealing to protect against stains and moisture. This is especially important in kitchens, entryways, and bathrooms.

Labour-Intensive Refinishing: Restoring the surface to a like-new appearance involves sanding and resealing, which may require professional services.

Challenging Installation

Complex Fitting Process: Installation is more demanding than standard ceramic tiles. Tiles must be carefully spaced and set to accommodate irregular shapes and sizes.

Requires Experienced Installer: The uneven nature of the tiles and their thickness make it important to use installers familiar with Saltillo tile to avoid air pockets, cracking, or misalignment.

Saltillo tile is a traditional flooring option that provides a natural, rustic aesthetic and environmental benefits. However, it comes with certain practical limitations, particularly in terms of durability and installation requirements. Its suitability depends on the intended application and the preferences of the property owner or designer.

Source: www.Discover.HubPages.com

[0mniartist]

An illustration of a small transitional powder room design with white cabinets, a wall-mount sink, a two-piece toilet, and gray walls and flooring.

Ohu

[dubmaletta]

Bathroom with a single sink, gray floor, flat-panel cabinets, dark wood cabinets, one-piece toilet, white walls, undermount sink, quartz countertops, white countertops, and a freestanding vanity in a mid-sized transitional kids' bathroom.

CVHSP 2018

[yetanothersaint]

handmade star tile by milagros

[zeccastyles]

Kitchen Backsplash

کاشی و سرامیک دست‌ساز بین کابینتی: یه دنیا رنگ و طرح و اصالت!

کاشیا و سرامیک‌های دست‌ساز بین کابینتی، یه دنیا فرق دارن با اون مدل‌های معمولی و تکراری! اینا یه جور شاهکارن که آشپزخونه‌تو یهو از این رو به اون رو می‌کنن.

هنرمندای ماهر با عشق و حوصله این کاشی‌ها رو می‌سازن و هر کدومشون یه اثر هنری منحصر به فرد به حساب میان. آشپزخونه‌ت با این کاشی‌ها یه رنگ و بوی خاص پیدا می‌کنه و هر کسی که پا تویش می‌ذاره، محو تماشاش می‌شه.

مزیت‌های کاشی و سرامیک دست‌ساز بین کابینتی:

تنها توی دنیا: هر کدوم از این کاشی‌ها یه دنیای خاص خودشون رو دارن و مثل یه نقاشی می‌مونن که هیچ جای دیگه نمی‌تونی شبیهش رو پیدا کنی. آشپزخونه‌ت با این کاشی‌ها یه جور خاص و منحصر به فرد می‌شه.

اصالت و کیفیت: توی ساخت این کاشی‌ها از بهترین مواد اولیه استفاده می‌شه و به همین خاطر هم خیلی محکم و بادوام هستن. سال‌ها می‌تونن توی آشپزخونه‌ت بدرخشن و زیبایی خودشون رو حفظ کنن.

رنگ و طرح‌های قشنگ: این کاشی‌ها توی یه عالمه رنگ و طرح مختلف پیدا می‌شن. هر چی که توی ذهنت داری می‌تونی توی این کاشی‌ها پیدا کنی و آشپزخونه‌ت رو باهاشون ست کنی.

حالا یه کم فکر کن ببین چه جور طرحی می‌تونه آشپزخونه‌ت رو یهو متحول کنه؟

[wavy-gravy-bby]

Motowi Tile Works in Ann Arbor, MI

[katsuricata]

Open Living Room

A mid-sized arts and crafts open concept living room library design with gray walls, a regular fireplace, and a tile fireplace is an example.

[daisy-walker]

Bathroom Kids in Denver Bathroom: mid-sized transitional kids' bathroom idea with white tile and ceramic tile porcelain tile, gray floor, and single-sink with flat-panel cabinets, dark wood cabinets, a one-piece toilet, white walls, an undermount sink, quartz countertops, white countertops, and a freestanding vanity.

[frabecks]

Bathroom Kids in Denver Bathroom with a single sink, gray floor, flat-panel cabinets, dark wood cabinets, one-piece toilet, white walls, undermount sink, quartz countertops, white countertops, and a freestanding vanity in a mid-sized transitional kids' bathroom.

[danneelgrauls]

Traditional Kitchen

Eat-in kitchen - mid-sized traditional l-shaped medium tone wood floor, brown floor and tray ceiling eat-in kitchen idea with an undermount sink, recessed-panel cabinets, white cabinets, marble countertops, multicolored backsplash, porcelain backsplash, stainless steel appliances, an island and white countertops

[wordpress-blaze-176197706]

The Ridge- REPUBLISHED

Into the Wilderness: Part 6

Our rented SUV was one of the last in the parent caravan. We drove along winding paved roads until we turned off onto dirt pathways, passing white clapboard houses nestled among the hills, weathered with moss, a lone horse, a few sheep hugging dilapidated barns. Then, we turned off those dirt roads onto pitted tracks created by other four wheelers. We navigated slowly up the mountain, wheels edging steep declines. We bumped over rocks, tree branches scraping our doors. We passed an overflowing stream.

Finally, the line slowed and stopped. In what seemed like practiced unison, SUVs turned slightly off the tracks. The forest was damp and thick, the soil emitting steam as the sun warmed it. The Blue Ridge Mountains in Georgia are actually a temperate rainforest and that becomes obvious the moment you crack open your car door. The moisture and heat- it was now late August- envelope you.

All around us was green. If our teens were camped in these woods, seeing them through the trees was nearly impossible. Chuck and I got out of our SUV and followed the other parents walking toward an incline about a half mile down the path. A sense of human presence started to emerge. An abandoned steel tent frame gleamed in a clearing- not from our campers; they have strict rules to leave the forest as they find it. In the distance, smoke from a campfire wafted through the green light. We walked toward it.

All around us, teens and parents had begun to re-unite. Rustling undergrowth, excited screams: the teens rushed to meet their parents.

Far down on the path, was a spot of red. As we walked, it formed into a shape, then a figure. It was unloading food supplies from the back of an SUV. The figured stopped and faced our direction.

Squinting, Chuck asked, "Is that Catina?" We couldn't tell. We walked closer. And as we did the figure began to sprint toward us. And then we knew. This was our girl.

We ran. She ran, clouds of dirt rising around her like Pigpen from Charlie Brown. We came together, grabbing hold and squeezing in an enormous hug.

The first thing I noticed was how bad she smelled. And how smelling so bad, she still smelled good. Every mother knows the scent of her child. It's there from the first moment your child is in your arms and you bury your nose in the soft spot where the neck meets the shoulder.

That was the smell I noticed, along with sweat and body odor. Deoderant attracts mosquitos and flies so the teens avoid it.

Next, I noticed her clear eyes. And her dimpled smile. She was happy, not just to see us, but happy. Her body showed it. She had a confidence she had never carried before.

She had firmed up from the hiking and healthy eating. The teens do not eat processed foods and can only have limited amounts of honey as a rare treat. She was covered in bug bites, red welts dotting her arms, ankles and calves. She wore a long-sleeved red windbreaker and splotched khakis, an orange vest with fluorescent tape and a mismatched pair of crocs, one blue, one orange (see our photo in the About page), without socks.

Chuck and I wore "I heart Catina Wipper" T-shirts. In her last letter home, Catina had asked Chuck to adopt her, and we wanted to surprise her with his answer. Just two days before, we had found a small printing shop in Clayton, Georgia that could make our T-shirts in a day. The T-shirt was hidden beneath our buttoned shirts and we opened them in a big "ta da."

We were together again. After eight long weeks of separation.

We walked to the clearing where they had set up camp. In the center was a big tarp with a campfire. The teens learn how to start a fire using self-made bow drills. Designated campers tend the fire to keep it continually burning. No fire means eating peanut butter in big spoonfuls from the jar or handfuls of GORP.

Each teen was assigned a pack of necessities weighing about 40 pounds: sleeping bag, school and therapy notebooks, water bottles, food supplies, bowl and spoon, a change of clothes, bags for collecting waste, a toothbrush. The packs were piled in a mound about 20 feet from the center tarp. A constructed bathing area and latrine were at opposite ends of the camp, both lined with tarps for privacy. Above the camp, on a ridge, the teens had set up their tents. Each day, they choose a favorite spot for sleeping. This one had a view of nearby mountains, blue and hazy in the distance like a smudged charcoal drawing.

The teens had settled down with their parents, excited to tell them about living in the wilderness. They were all so proud. They had lived outside for weeks tending to their own needs. While different issues had brought them together, the underlying issue was often the same: anxiety, depression, low self-esteem. But now they had discovered they could thrive- through storms, heat waves, bug bites, pesky critters, slips and falls.

Catina took our hands and led us up a hill above the camp to a rocky nook shaded by trees. Chuck and I unfolded our chairs, portable, legless contraptions that suspend a body in a reclining position. These "chairs" are provided only to teens who have reached a certain level in their progress- an incentive to work hard. Visiting parents are warned not to give our chairs away, or to let our kids sit in them.

We checked in. How were we each feeling? Excited, happy, complete. Catina told us about her days- what time they rise, packing up, unpacking, hiking off trails, setting up camp, cooking meals, cleaning up. She had never camped a single day in her life before wilderness, and now she loved being in the deep woods, sitting quietly with a book or journal, or staring endlessly at the beauty of it all.

We talked about a lot of things. Her letters. Her inventories. Her memories. Her new-found love of reading. Her regret. Our regret. An awful, violent incident she had hidden from us and blamed herself for because it had happened at a party she shouldn't have been at. What had led her here, to this place, this moment.

When we returned to the camp, dinner prep was underway, a counselor watching as they cubed raw chicken and cut up vegetables, sauteed in a big skillet over the open flame. They made pasta with chicken and vegetables, simple and good. Catina added sriracha, gobbled it down and wiped her bowl clean with leaves from the ground. When I couldn't finish my serving, she was happy to eat more.

Joy. I had never seen her so in her body, so present to herself. She was just Catina. The Catina that is Catina. Not the Catina that anyone else wanted her to be.

As the sun began to set, we hiked up the hill to the ridge where they had lined their tents. I captured a fallen branch as a walking stick to help heave myself up the mountain and across the uneven terrain.

Catina had chosen to place her tent last, at the far end of the ridge. She tied it between trees, a sharp inverted V high off the ground so she could see the sky and feel the night wind. We crawled underneath, removed our hiking boots and handed them to the counselors. We loosened our clothes and laid on top of our sleeping bags, arms and legs interlinked, staring at the moon through the branches. We repeatedly whispered, "I love you." There was not much more to say.

We lay on this ridge of mountain. The ridge seemed endless, stretching across the Appalachian shelf. It had risen millions of years ago, rock crashing together, thrusting upward, a massive tectonic shift continuing to reshape the landscape even today. And here we were now, on this ridge, together. We too had collided, fault lines rippling through our lives. We had forged new selves out of this, our own seismic event. Here on this ancient ridge, we knew we had come far.

Source: The Ridge- REPUBLISHED

[themightyif]

Dining Room Denver

Mid-sized transitional medium tone wood floor and brown flooring idea for the kitchen/dining room combination.

[druitts]

San Francisco Kitchen Enclosed kitchen - mid-sized mediterranean galley porcelain tile and brown floor enclosed kitchen idea with an undermount sink, recessed-panel cabinets, white cabinets, quartz countertops, blue backsplash, ceramic backsplash, stainless steel appliances, no island and beige countertops

[therealdill1]

Kitchen - Farmhouse Kitchen An illustration of a sizable country-style eat-in kitchen with a medium-toned wood floor and brown walls, a farmhouse sink, shaker cabinets, white cabinets, quartzite countertops, white backsplash, terra-cotta backsplash, stainless steel appliances, an island, and white countertops is shown.

[svarte-troner]

Pantry - Kitchen

Kitchen pantry - craftsman light wood floor kitchen pantry idea with white cabinets, multicolored backsplash, ceramic backsplash, stainless steel appliances, an island and black countertops

[trippingout-tour]

Open Living Room

A mid-sized arts and crafts open concept living room library design with gray walls, a regular fireplace, and a tile fireplace is an example.

[zeccastyles]

کاشی دست ساز

کاشی و سرامیک های دست ساز Zecca Styles یکی از محصولات پرطرفدار مشتریان و حتی محصول دوست داشتنی Zecca Styles است، بدلیل اینکه شاید یک محصول دیده شده بود اما چون در طرح ها و رنگ بندی های متفاوت عرضه می گردد یک محصول با کاربری نامحدود شناخته میشود.

کاشی و سرامیک دست ساز قسمت بیسکوئیت آن با فشرده سازی و پختن خاک رس یا خاک سفید به همراه سیلیس و سایر مواد طبیعی و معدنی در دمای معین در داخل کوره ساخته میشود. و در نهایت لعاب آنها که یک لایه اضافه از شیشه مایع با ضخامت بین 5 تا 7 میکرون است که به سطح بیکوئیتی خام ریخته میشود و سپس مجدد داخل کوره رفته تا پخته شود و این لعاب ها هم میتواند مات باشد یا براق. کاشی و سرامیک دست ساز بین اقوام ایرانی سابقه ای هفت هزار ساله دارد و ایرانیان تا پیش از بوجود آمدن کاشی های لعاب دار از کاشی های بدون لعاب در داخل بنا استفاده میکردند.

حالا با خودمان میگوئیم چرا کاشی دست ساز؟

خاص و متفاوت بودن کاشی دست ساز

محصول ایرانی با هویت غنی

امکان سفارشی سازی با طرح ها و رنگ متفاوت

محصولی متناسب با معماری ایرانی و مینیمال

کمک به معماری منحصر به فرد

یکی از ویژگی های مجموعه Zecca Styles نوع ارائه این محصولات به مشتریان است وقتی شما محصول از کاشی های دست ساز را سفارش میدهید در زمان تقریبی که به شما اعلام می گردد محصولات به دستتان میرسد که ��ر واقع مهندسی زمان فروش گردیده است.

تفاوت کاشی با سرامیک

کاشی معادل لغت Tile، از جنس سفال و به شکل مربع ساخته میشود که دارای ضخامت چند میلی متری میباشد. این قطعه سنگی در واقع یکی از انواع مصالح ساختمانی برای مستحکم کردن و بخشیدن نما به ساختمان برای زیبا سازی کف، دیوار و… استفاده می شود؛ معمولاً یک روی کاشی ها کاملاً صیقلی و دارای سطحی براق می باشد.

سرامیک نیز نوعی کاشی میباشد؛ این نوع کاشی در ساختار شیمیایی خود دارای خاک رس میباشد و تفاوت آن علاوه بر موادی که برای ساخت لعاب روی کاشی‌های معمولی استفاده می‌شوند، از مواد غیرآلی و غیرمعدنی هم استفاده می‌شود که سطح آن را با یک لایه از لعاب مات، نیمه براق و یا براق رنگی میپوشانند.

یکی از اصلی ترین تفاوت ها بین این دو محصول میزان استحکام آن ها میتوان اشاره نمود. کاشی ها به دلیل ظرافت بیشتر و وزن پرس کمتر در بدنه نسبت به سرامیک ها با پرس سنگین ‌تر استحکام کمتری دارند.

مقاومت کاشی در برابر فشار، سرما و گرما کم است و به دلیل جذب بالای آب برای محیط‌ ها و دیوارهایی که با رطوبت ارتباط مستقیمی ندارند استفاده می‌شود. مقاومت سرامیک در برابر فشار، سرما و رطوبت نسبت به کاشی بیشتر است و به همین دلیل برای کف و دیوار بیشتر کاربرد دارند.

ویژگی ها

نگهداری آسان

سهولت در نصب

با دوام و مستحکم

تنوع بالا

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کاربرد کاشی و سرامیک

این محصولات برای انواع کفپوش، نمای داخلی و خارجی ساختمان استفاده میشود که براساس فضایی که نصب می ‌شوند، دسته‌ بندی متفاوتی از یکدیگر دارند: کاشی دیواری، کاشی آشپزخانه، کاشی حمام و دستشویی، سرامیک کف و سرامیک دیوار، سرامیک نمای ساختمان و…

خرید انواع کاشی و سرامیک

وب ‌سایت ذکا استایلز طیف وسیعی از محصولات متنوع و کاملا دست ساز در دسته کاشی و سرامیک را گردآوری میکند و با بالاترین کیفیت و بهترین مواد در ساختار آن ها، در اختیار شما قرار خواهد داد.