#Humo Productions

[artemispt]

[inneedofworth]

I could never, sniffing musky girldick? Could never, the moment my olfactory sensors get a whiff I'm mouth is already on the tip devouring it :(

every second that goes by where some needy little perv isn't getting their head crushed by inner thighs while they desperately sniff my girldick is a second wasted

[notyourmusebby]

Carlos Sainz photographed by Daniel Maya for Humo Productions

(MEXICO OCT-23-2024)

[pocima]

2024 albums I recommend catching up on ⋆✴︎˚｡⋆° 📹

In other words, a shamefully long overdue list of my top 10+2 albums of 2024

Welcome to my long overdue list of albums I’ve been adoring last year! It’s the second rendition of my yearly project reviews, and I’m so grateful to be in a circle of bloggers who are as passionate for music and musical projects as I am for over 2 years now. The competition in this list is truly tough because 2024 has been a year where incredible full-length projects were dropping left and right from countless names in the music industry, and I still feel bad about ranking some names lower in the list. A good amount of artists were breaking their years-long hiatuses as well as if they were all given a deadline until 2025, and that felt surreal to witness. Considering the abundance of good full albums specifically, as you noticed, the list will cover my personal top 12 rather than last year’s 10! Additionally, I chose to separate them from my favorite EPs this time around, and an EP ranking will be dropping soon! 💋 Side note: two of the entries are accompanies with audio files instead of the usual videos because of Tumblr’s 10 video per post limit, soz.

⑫ Heráldica - Saramalacara

I wanna start this off by shouting out my sweet tasteful mutual @a-moth-to-the-light, because my Heráldica and Saramalacara discoveries all started with this HUMO audio post. When I first pressed play, I was surely hearing something, but I didn’t exactly predict it would all lead to Saramalacara playing a huge part in defining my summer and fall, and being my top artist on my YouTube Music recap. I was introduced to a very trance and hardstyle influenced headbopper right off the bat, and soon I would be transported to Sara’s very own Heráldica world. The surreal drum & bass INTRO_ greets us, and we stroll through Más Feliz’s breakbeats, .tumblr and 10percs’ electropop dancefloors, Sola’s dramatic cries, XQSI, Tokio Hotel and Diamantes&Kalashnikov’s thumping trap highways and the emo rock anthem tu droga at the departure. I kept the album on repeat, not even intentionally, partly because the tracklist was all pure earworms, but more so because Sara excels at the craft of worldbuilding with music and sound. Her EPs prior and now her debut album feel exactly like portals, straight out of a video game. The visuals support the gloomy, hazy vibe the album gives on its own, and the end result is a distinctive era much needed in the current emo/digicore pop-rap scene.

Favorite tracks: HUMO, Tokio Hotel and .tumblr.

⑪ Access All Areas - FLO

Moving on to another debut album, one that I’ve been so eagerly anticipating since discovering FLO when they dropped their first single Cardboard Box in 2022. For years I’d been hoping for them to flourish as artists and get all the love and success they deserve because they’re such talents, especially vocally, and their EPs and singles had been just wonderful, and there was just no way their big and mighty first LP would be a letdown. FLO’s contemporary R&B princesses status, their consistency and versatility are fully set in stone with Access All Areas. Harmonies and runs top-notch off the bat with the intro and smooth, sax driven title track AAA. In My Bag, How Does It Feel?, IWH2BMX and Nocturnal are instant confidence boosters all in their different ways and sounds. (The Bree Runway feature on Nocturnal in AAA: Unlocked? Now THAT’S what I’m talking about.) Soft and On & On reveal their more sultry sides with gentle, serenading vocals, while they stand on business and let go of the untrustworthy on Caught Up and Shoulda Woulda Coulda, which is my personal favorite genre of FLO songs. They dabble in some Miami bass with Check, Detroit drill with Get It Till I’m Gone and surprisingly nice pop-rock (I typically find it ear-grating so REALLY surprisingly) with the empowering final track, I’m Just A Girl. The production quality, again, the VOCALS, the arrangements, the group chemistry, the charisma, the energy, everything sets the bar higher for pop and R&B stars, but truthfully it’s unsurprising since that’s exactly what you’d expect from the FLO girls.

Favorite tracks: Shoulda Woulda Coulda (track review here), Caught Up, Get It Till I’m Gone and Nocturnal.

⑩ DOGMA - LSDXOXO

2024 was THE year of underground club bangers and electronic music with a gritty twist, as seen with many projects gaining plenty of attention and artists following suit, and it would only make sense to get to the top 10 of my list with the iconic producer and DJ LSDXOXO’s debut album. LSDXOXO is primarily known for his upbeat, sharp sound, notably on his Dedicated 2 Disrespect and Delusions of Grandeur EPs, however, Dogma takes a bold turn, with the pulsating club beats making way for the guitar topped reggaeton of 4LUVN, the alternative R&B worlds of Blinded and Bloodlust, the dark electropop thrill of Black Light, the synth-focused trap instrumentals of Girls Girls Girls and Ghost, the breakbeats of Witching Hour and Superstar and softer vocals and raps observed on all of the tracks. I knew this direction would be smoothly, beautifully executed since Bloodlust’s single release, and with the continuation of the rollout, I knew the album’s sound would be what I needed in September. The production remains incredibly in-depth and the atmosphere of the project is irresistibly alluring. Overall, this was definitely one of the top projects that defined fall 2024 for me and surely one that proved LSDXOXO’s versatility and successful experimentation. Special shoutout to Kelela for elevating Girls Girls Girls and Ghost with her background vocals, you know I love small but impactful details.

Favorite tracks: Black Light (track review here), Bloodlust and Girls Girls Girls.

⑨ Chupetones - Meth Math

Another solid debut album that has stayed heavily on rotation multiple times throughout 2024, this time by the alternative neoperreo collective Meth Math, previously having captured my attention with their feature on Isabella Lovestory’s Tacon, and later with their Pompi and m♡rtal EPs. Prior to the announcement of the album, I’m gonna be honest and say that its lead single (and later album opener) Mantis did not pull me in like the rest of their discography did, but despite a slightly rough start, the dramatic, hypnotizing second single Myspace brought me back immediately, and forget being seated, I was glued onto my chair with Cyberia (still the catchiest song on the album in my opinion) and later with Axila. Meth Math introduce new genre influences that fit the band’s style like a glove to their catalogue, such as happy hardcore with Cyberia, trip-hop with Capullo and witch house with Axila and Pócima (yup, the source of my username). On occasions they mix said genres, like they did with the familiar reggaeton and the less familiar witch house in Abducida. Every aspect about the project is impressionable, from the echoing sound design to the visual direction of both the music videos and perfectly eccentric cybercore album photography. I can confirm I will be paying attention to Meth Math’s future work moving on forward as I constantly need some electronic, gloomy reggaeton in my life.

Favorite tracks: Pócima (duh) and Cyberia (track review here).

⑧ Tidal Memory Exo - Iglooghost

You guys witness me frequently posting about music I fall in love with instantly, giving immediate reactions right upon discovery, but I’ve also mentioned that most of the time, my all-time favorites end up being bodies of work that creep up on me slowly. This was the exact case with electronic musician Iglooghost’s Tidal Memory Exo and his discography in general. I knew of his remixes and a couple songs here and there previously, I saved Nemat0de right on the first listen, and just casually kept coming back to the rest of the album, and realized I fell in love with it more and more, and not so unexpectedly. Ever since his come-up, he’s been delivering some of the sickest, glitchiest, most maximalist sound design and absolutely otherworldly mixing. That’s not the only proof he’s an electronic music mogul either, he proves it by the flawless incorporations of breakcore (Alloy Flea), 2-step/garage (flux•Cocoon), drill (Pulse Angel and Dewdrop Signal), along with gothic influences akin to Gesaffelstein’s Gamma (Coral Mimic) and orchestral moments giving that “calm after the storm” feel (Dewdrop Signal). Another element that makes the album this cohesive and put together is the storytelling, present in all of his past projects but especially prominent in this one sonically and visually. The inspiration for the Tidal Memory Exo-verse comes from his time squatting in a garage of a UK seaside town, and the concept is based on apocalyptic, sci-fi themes, and here are some articles that can frankly give a lot more insight on the lore than I can. Tidal Memory Exo is a universe I’d recommend to all IDM fans, or anyone who’s looking for intricate sounds and top-notch quality dopamine.

Favorite tracks: Nemat0de, flux•Cocoon and Coral Mimic.

⑦ G-SPOT - STARKIDS

Speaking of dopamine, I’ve also mentioned that there’s arguably nobody that induces it in the music game like the Japanese hyperpop band STARKIDS do. It’s been forever since I full-on geeked out over a group like this. I’m very often in need of some loud underground EDM in my life, and they’ve played a huge part in me falling further in love with the J-hyperpop scene. They’re the ultimate masters of unapologetic, maxed out, extremely well-produced fun music. Even when it comes in the form of singles (okay so for the 1000th time I will emphasize that Pop is the 2020s’ Like a G6), their music is mind-blowingly captivating and entertaining, but an entire album of pure unadulterated bangers 3 years after the last one? I’ve gotten scared and then pissed at their diabolical disbandment prank rollout (near decade long K-popper moment) but how could you not forgive them when the music is really THIS good? Unlike the previous projects mentioned in the list, they don't take entirely new directions, but instead effortlessly show how good they are at what they do, from their throbbing as always takes on happy hardcore and Eurobeat to the usual yet exciting hip-hop and trap roads, with hints of 2-step (BACK2BACK) and hardstyle (title track). The members’ flows never fail to hit like a sip of freezing soda, and while Espeon and Benxni are my MVPs in this aspect, all of them have their moments with their own addictive verses and choruses. Thematically, the album offers STARKIDS' constant preachings on embracing authenticity and living your life free of any judgement. Honestly, there's something people of all backgrounds and lifestyles can get out of these preachings. Whether you're the type to spend days and nights partying or choose to navigate stably through work or education, all you have to do is listen up, mentally hop on the band's wavelength and have fun to the fullest just like they do.

Favorite tracks: BACK2BACK (track review here), G-SPOT, Stay Back, TYOSTAR and Thailand BKK.

⑥ Where The Butterflies Go In The Rain - Raveena

After the intense, high tempo, electronic projects I've talked about in the list so far, it's time to make room for some therapeutic, lush R&B with another gorgeous project from Raveena. With her third studio album, she once again takes on roles she absolutely owns: a narrator, a fairy, a healer, an ethereal being. Let me start simply with how I felt while first listening to it on its release day: I remember taking a half-hour walk home, DMing the #1 Raveena fan @timetravellingkitty my thoughts as they formed, feeling just like a main character in a coming of age movie. You can easily observe that music puts me through countless emotions, that’s why I talk about it so much and in such detail, but again, the art of building entire worlds through albums is something that particularly earns my appreciation. You can guess the beauty of the production and sound straight from the title. From the Brandy inspired string-heavy Pluto and Lose My Focus; to her blending Western and South Asian influences on Every Color; the simple but moving soul tunes Lucky and Rise; the catchy dream pop bops Baby Mama, 16 Candles and Smile For Me; the guitar-only Kid and piano-only Little Bird and We Should Move Somewhere Beautiful; and the soothing, cinematic finale Water (and she KNOWS how to do a good key change). Not to forget the wholesome Afternoon Tea with the Auroras interlude, which begins with her grandmother reciting the Sikh mantra Ik Onkar and includes a conversation between the two, and that alone represents the rawness and emotion put into the album. The sweet vocals and harmonies, lullaby-like at times, are a key in maintaining this otherworldly-ness. Moving onto what the project means to Raveena herself: in her own words, she needed to return to comfort and stop weathering storms, just like how butterflies go into hiding in the rain due to their fragility. If you’re new to her, her spirituality, connection with herself and eloquence seep through every word, every melody she puts out. Whether the topics are sweet such as romance or personal growth and realizations, or rather painful such as grief, genocide or the opposition to women’s rights and humanity, it’s all tackled deeply, but with genuine hope. Genuineness is a quality I highlight consistently when discussing art, though it seems and feels like a bare minimum, and it’s what Raveena directly exudes. That’s something to find true comfort and consolation in.

Favorite tracks: Junebug (track review here) and Lose My Focus.

⑤ Still - Erika de Casier

Erika de Casier is still a wonderful player in the contemporary R&B game, with her added pinches of breakbeats, 2-step and synths straight out the 2000s all throughout her discography. While her debut album Essentials was pretty down-tempo and trip-hop focused, and sophomore Sensational introduced heavy garage influences, her third album amps up the 2000s aspect of her sound. Right after intro Right This Way, where Erika welcomes you to her very own party as a VIP comes first single Lucky, the adorable liquid drum and bass jam and a production highlight. (Peep two albums back to back having cute songs called Lucky!) Home Alone and ooh possess the epitome of that Y2K era cheekiness and sensuality, as well as the Timbaland-coded beats and samples. The Princess is debatably the most vulnerable Erika has gotten with her with her inner disagreements in relation to her life and future, accompanied by a guitar and soft chest singing. On ice, she brings out Tampa rap duo They Hate Change for their takes on verses about relationship bantering, and the chemistry of the three combined with the melodic high “ah, ah”s and chill instrumentation makes the track unbelievably smooth and itch scratching. Test It, Believe It and Anxious have simpler production that relies on the top-tier synths. Ex-Girlfriend with Shygirl is a collaboration I’ve been anticipating as a big fan of both, and it was surely executed even better than I could’ve imagined. It has that moody, confident flare that both pull off perfectly. Toxic seems like a slower, more soul-leaning ice, and lyrically it’s a drift from the romance of the first half of the album. My Day Off comes in with the pop/EDM hybrid era hip-hop vibe. You can even sing “shawty had them apple bottom jeans, boots with the furrrrr” to its tune, but you honestly won’t need to when its actual lyrics come in handy for classily flipping someone off with words. Toxic featuring Blood Orange, the post-breakup duet with a monologue and low-key harmonies, signals that we’re getting closer to the departure, and with the self-reflective, brink of tears-sounding Someone, we close off the party. To round up the album description, it combines R&B smoothness with electronic elements, both of which are perfect for my tastes. Moreover, it’s an album stripped of previous alter egos (such as Sensational’s Bianka) and is purely a reflection of Erika’s world and observations. Unsurprisingly, Still is a solid new member of Erika de Casier’s pristine, timeless, charming catalogue.

Favorite tracks: Ex-Girlfriend (track review here), ice, ooh and My Day Off.

④ GAMMA - Gesaffelstein

Techno father Gesaffelstein is a relatively secretive figure. His releases are typically long-anticipated, and come as surprises especially if you rely heavily on social media for your favorite artists’ updates. He uses YouTube and streaming services as announcement-only platforms, with the comments turned off, where the average viewers are all obliged to stay silent like an uninterrupted theater show. I only found out about his exclusive community website (to which you can just sign up for free), where you can actually access announcements and comment your thoughts when I was in the middle of writing this review. The Gamma teaser drop appeared on my YouTube suddenly, and I was blown away by the quality and excellence of the visuals alone. (Director Jordan Hemingway, you are so loved.) We were getting into an era of grandeur, the dark digital bleeding into the plasticized flesh, something I can’t even fully describe. Hard Dreams was released as the first single (in fact, I can’t exactly remember whether I saw the teaser or heard the song first), it’s an accurate introduction to what the era has to offer, similarly to and differently from Gesaffelstein’s previous albums. It has the classic cold, hard synths and dry kicks, but brings in gothic vocals from Yan Wagner and somewhat more vulnerability. The gothic influences especially show through with Digital Slaves and The Urge (yes, we had a little foreshadowing moment in the Tidal Memory Exo section), and 80s electronica á la Depeche Mode or Nine Inch Nails’ earlier music is heavily dabbled in with Your Share Of The Night and Hysteria. The Perfect feels like a reincarnated Aleph, louder and with vocals. Mania, Psycho and Tyranny are chaotic and fiery in their own ways, the first being fast and repetitive and almost hardstyle-like, the second abrasively maxing out the kick drums and the third relying on acids for a majestic, grim catwalk soundtrack. The serenading Lost Love and the minimal, reverse synth based outro Emet balances them out. Another difference between Gamma and its predecessors is the format, as in the track lengths; only Hard Dreams has a duration of longer than 3 minutes, but it adds up with how diverse the project is, though considerably more cohesive and story-based than Hyperion (with that being said no Hyperion slander allowed). What’s the most certain in my eyes, though, is that this album has the best visual direction of the year. The album trailer, especially, sets the standard insanely high for all other musicians and their concepts. The scenes are abstract and mystical, but so polished and precise, just like the album it backs. Gesaffelstein is rightfully known worldwide as a legendary producer, however, that doesn’t stop his art from consistently being elevated and exclusive.

Favorite track: Hard dreams.

⊛ Bonus review: RAVE:N, The Remixes

Raven was my favorite R&B album of 2023 with its quality in all areas, surreal feel, metaphors and depth; and it turned out to be a gift that kept on giving. I can’t name a remix album off the top of my head that I love more than this treasure box right here. This is a perfect example of how you reimagine and transform music, in particular a dance music inspired project. On this remix album we play around with ambient, trap, jungle, reggaeton, Eurodance, drill and more with a star-studded feature list. The whole thing is vastly different from what the original album gives, but in the best, most complementary way possible. The visuals were simple but very on point as well: the vignettes were filmed in Tokyo, from a capsule hotel to its nighttime streets to a bright green garden. Everything about this era was flawless and a beautiful sequel to the original Raven era.

Favorite tracks: Sorbet (LSDXOXO Remix) [track review here], Holier (JD. REID Remix feat. Shygirl) and Closure (Flexulant x BAMBII Remix feat. Rahrah Gabor & Brazy).

Honorable mentions:

Inferno - Moistbreezy (favorite track: La Dolce Vita): Feel genuinely bad for only placing this in the honorable mentions because it’s pure trance heaven, as well as the storyline and concept being so well-crafted. Bangers only in this house, Moistbreezy always outdoes herself.

Hunter - Rhea Raj (favorite track: Hush): Hopped onto this train fairly late, probably sometime in December, but if Rhea isn’t at least a cult favorite pop girl this year I’m giving up on pop music point blank. Such a fun debut project, just wish the tracks were a little longer, but aren’t Hush and Pray On It (which reminds me of my SOTY 🤭 keep reading to find out) the biggest jams ever?

epistolares - Akriila (favorite track: Popper): Akriila is certainly another one of my favorite artist discoveries of 2024. Great genre concoction of neoperreo, dream pop and liquid drum & bass going on in this album. The project’s defined, soft sound makes it looping material.

MEGAN: ACT II - Megan Thee Stallion (favorite track: Bourbon): Megan, you will always be famous. Act I was on rotation the entire summer but Act II came through even harder with the upgraded production, increased cohesion and new, fresh flows. Easily my favorite project from her. (Bourbon is the closest we’ve gotten so far to hearing her on a trip-hop beat, which I desperately need.)

Miniseries 2 - Sumin & Slom (favorite tracks: Why Why Why and I Think…): Another long-awaited by many album and the acclaimed duo’s return, this time taking a more acoustic, slow approach. Love how Sumin’s voice shines even more, and the way the album feels like a game main menu soundtrack but also very earthly.

And now, drumroll for the top 3!

③ For Your Consideration - Empress Of

Welcome to the story of falling love with my most played album of the year, and how it’s my favorite pop album of the year! I was first made familiar with Empress Of through her collaboration with Rina Sawayama, titled Kiss Me, in 2023. I REALLY started to pay attention to her when I saw a reel of her announcing the release of Preciosa with a snippet, and from that snippet alone nobody could convince me we weren’t heading towards the pop emergency of the entire year. I had no choice but to tune in immediately upon seeing Isabella Lovestory and Erika de Casier collaborator Nick León and experimental electronic producers Umru and Casey MQ were on the production team as well. And yeah, pop emergency at its finest. For Your Consideration is primarily an alternative pop and dance album, with strong house and vogue influences. Its core themes include immortalization, being a prize you have to reach for, being the centerpiece in a relationship and gaining dominance after long years of timidity. Numerous pop microtrends came and went in the 2020s and especially in 2024: While some pop stars are truthers of maximalism, whether it be EDM or theatrics, many (especially in K-pop and on the Internet) choose to move away from saturation, and lean into instantly recognizable drum patterns, gently mixed synths, less sharp choruses, overall more monotony (such as in UK garage, drum & bass, Jersey club) and less in-your-face. This “blur” can either create jams that you can’t get overwhelmed with or tired of, or a boring, predictable skip where you can tell what the producers were miserably going for. Empress Of’s record isn’t exactly a banging, loud, overly melodic one like what we left in the 2010s, but she delivers multi-layered work that really takes up space with elegance, confidence and assertiveness. She sings about different aspects of romance, her feelings and experiences over casual beatboxing and breathing and beats that make you put a pep in your step.

The record starts with its title track: the heavenly, passionate intro that lays down the concept of the album. Lorelei is a fan favorite to this day and for good reason: the angsty lyrics, the house beat backed by the vocal bits serving as synths, the harmonies make this song a good representative of the whole project. Preciosa’s chorus is what pulled me into the track and into the whole album before anything else, but the whole track is very memorable, danceable and embellished. Femenine, What Type Of Girl Am I? and Cura strongly lean towards house and vogue with whispery vocals, while Fácil and Sucia is where Umru’s trademark thumping bass and snares come in. Baby Boy and What’s Love are the finisher ballads, vocally pleasing and leaving a sweet aftertaste. My favorite characteristic of this pop masterpiece is probably how detail-oriented and satisfying the whole thing is, how Empress Of utilizes her vocals and transforms them into all sorts of instruments (I’ll elaborate on this further a bit later), the little Timbaland inspired “hah”s and the “tch”s, the harmonies, my brain processing how all of it comes together. In an era of music where so much is stripped down, and all the nostalgic elements being brought back are some of the easiest ones to replicate, it fills me up with joy to see maximalism of this kind being understood and slowly making a comeback in practice. “Satisfying” is truly the way to put it about For Your Consideration. Nothing unnecessarily over the top or unfitting, but no missing keys or details. So grateful that this album got me through the whole first half of the year, nothing could’ve set the tone better for me.

Favorite track: Fácil (track review here).

② Quantum Baby - Tinashe

Quantum Baby earning the silver medal didn’t come as a surprise to you if you’ve been hanging around this blog for a while, I’ve been an avid fan of Tinashe for years, and prequel BB/ANG3L took the #5 spot on my 2023 album awards. You already know by now that I’ve been WAITING for that sequel ever since Tinashe announced that BB/ANG3L was part of a trilogy, so rather than a personal timeline, it would make sense to skip over to witnessing the virality of lead single Nasty. It’s first teased on an Instagram livestream, us SweeTees start humming “is somebody gonna match my freak?”, the song is released, SweeTees keep humming, but we turn around and the whole World Wide Web is humming “is somebody gonna match my freak?” too? Brilliant freestyle-turned-sound bite aside, I’ve seen Nasty being described as combining the best of Tinashe’s older music and newer music, and that couldn’t be more true. The dark-leaning, relatively minimal production of her mixtapes, Nightride and Joyride eras meets the danceability and infectious bars of her 333 bops and BB/ANG3L track Needs. The rollout got followed up with the 2-step Getting No Sleep, possibly less plausible to the mainstream but something that real music enjoyers like me (:3) appreciated. It has that hypnotizing quality, drums and synths/pads wise, that I always immediately cling onto as you can clearly sense, and the topline wasn’t any less catchy either, so it didn’t take long for me to already fully indulge in the music the era had to bring us. When the album dropped and I got to listen to it, what I really appreciated is how experimental it was, how much was dabbled in without hesitation, without losing the plot or that Tinashe essence. No Simulation is the drum-free opener with a fire bass line right off the bat, with the heavenly harmonies more in the spotlight than ever, almost as if it belongs on Miniseries 2. Thirsty… Thirsty… save me crunchy trap song with beautiful, beautiful vocal moments… Red Flags doesn’t fall short on the beauty, it has that distorted synth line that strongly reminds me of Oklou’s work on Galore, which is a vibe I’ve wished I came across more frequently. Next up is the Jersey drill Cross That Line that kicks off with choir vocals and continues subtly too, and When I Get You Alone is an R&B/trap masterclass at the Tinashe School of Two Songs In One with both parts making you move like Homer Simpson in that one GIF. No Broke Boys is the Needs of this season, with its lyrics serving as daily affirmations, and the track later rightfully being pushed as a single. As I mentioned, the songs went in such different directions, in ways you can feel if you listen to the album and fully comprehend if you listen to Tinashe’s previous projects, and that alone felt so fresh and invigorating Quantum Baby instantly became one of my favorite projects from Tinashe and 2024.

With that being said, the aspect that made me more interested in and attached to this project is what it means to Tinashe herself. In BB/ANG3L, she consistently used water as a metaphor for reaching your own essence and getting purified, free from self-doubt, bind to the past and fakeness; and reflected said themes in her lyrics. Thematically, Tinashe follows similar themes in Quantum Baby as you may guess from the title, as in getting to your own core and coming across contradictions and intermediate states between strength and vulnerability in the process, akin to the Schrödinger’s quantum paradox, for example. Not only can we go on and on about how thought out album trilogies are so back and how important it is to map out your themes, concepts and creative direction well (which she evidently never fails to do), but I also wanna touch on how her self-discovery as an artist and person really shows in her craft. For decades, Tinashe has been a polymath from singing and dancing to producing in engineering, pioneering musical trends and influencing many, yet somehow the only repetitive thing about her music is her commitment to excellence. Whenever she drops an album or EP, it never entirely consists of sounds or visuals she’s done previously, everything new from her is refreshing and either causing a buzz (like Nasty or 2 On) or worthy of causing one, and it’s especially noticeable with Quantum Baby. 2024 treated Tinashe like the queen she is, she deserves her success and more, and I will be anticipating all the more to come.

Favorite track: Thirsty (track review here).

① Dennis - Sega Bodega

Finally, what the readers of this series have probably been anticipating: the review of my favorite album of 2024. To my mutuals, the top spot has been obvious long before I even knew the album was even in the works, simply because it was gonna be a Sega Bodega album, his third album. I’ve mentioned numerous times that Sega is my favorite producer of all time, though I don’t remember if I’ve ever elaborated on it. If I were to put it simply and with a pinch of humor, his brain fascinates me. The way his whole sound design speaks to me from the distorted keys to the reverberating drum patterns, his seamless incorporations of samples from the most random clips and sounds, his surreally gorgeous album and concept building, his artistry and loyalty to the distinctive and unseen before… all so entrancing to me. I’ve played the life of Romeo, Salvador, self*care EP, hell, even the in-between singles such as Arena! with Safety Trance and mimi (no, that’s not where my nickname comes from) or the classics such as Ess B EP and Nivea, his entire discography basically, so I was seated since, like, 2022. I’ve said this about countless projects, but I mean it with each and every single one of my neurons when I say this about Dennis, my already high expectations were blown. I’d like to share this excerpt from Sega’s PAPER Magazine interview (which I highly, highly suggest reading as well as these three articles) that precisely describes his three albums and his evolution:

Dennis continues his artistic development which has steadily moved skyward. Bodega's first album, the darkly intimate 2020 Salvador, was a brooding haunt through a dimly lit bedroom. On it, his deep voice beckoned the listener towards the heathenish. His follow-up, Romeo, seemed to fly out of the bedroom and perch itself on the top of a nearby building. The floaty, angelic project circled the sacred and profane as songs like Only Seeing God When I Come and Angel On My Shoulder merged the physical body with the transcendent. Dennis, though, seems to forgo the world as we know it for the one we experience in our dreams. A floaty, at times euphoric, at times nightmarish journey through the subconscious, Dennis is an exploration of surprising association, the kind of expansive logic that only makes sense in your dreams.

Yup, before we get into my rambles about the songs themselves, let’s discuss the collective consciousness theory and “sleep” as a literary theme, because looking into Sega Bodega discussing this and doing research on the topic alone is something that staggered me entirely and pushed me to think and process a lot of my outlooks and feelings on life. Dennis was titled partially in the sake of two unrelated comic debuts titled Dennis the Menace in the US and UK. This ties into “collective consciousness”, which claims all of our brains are pumped the same information while we sleep, causing uncanny “coincidences”, if we can even call them such. Dissociation and the sleep cycle are core components of the album’s world, which is reflected in hypnosis inducing intro Coma Dennis, its alarm-like follow up Adulter8 and somniloquy samples by Rick Farin in Dirt and Humiliation Doesn’t Leave a Mark.

Now onto the sonics, as mentioned, Adulter8 hits you like an alarm with its distorted 8-bit melody, possibly even causing a headache for some, but as the song progresses, you can’t help but get lost in the echo-y background chords. Next is Elk Skin, third (technically fourth) single from the album rollout, which starts off with a trap beat and transitions into a combo of reggaeton and acoustic guitar, is the most pop-like the album gets, but remains incredibly distorted and modified especially on the vocals provided by Cecile Believe. Kepko was released in 2022 and remains one of Sega’s personal favorites and “most fun he’s ever had making music” to this day, comprised of reversed and chopped up vocals and fast, repeated drum loops, and the atmospheric, warped feel deems it perfectly fitting for the album. Dirt is calming post the chaos of the predecessor two tracks, leaning towards hazy progressive trance and 2-step. I reviewed Deer Teeth instead of Set Me Free, I’m an Animal in my winter 2024 favorite singles review, and I still feel like I did it injustice, because it came to me at a time in my life when I needed something comforting and freeing in its darkness, and the track didn’t fall short, maybe because of its minimal echoing guitar-heavy production, maybe because of its lyricism. True, the final single, is a stunning maze of various sounds with three key changes and a beautiful chorus by KUKII fka Lafawndah. With every key changes, the song steps into a higher ground, becoming more and more celestial and incorporating choir vocals. Tears & Sighs is a rather cold and unwelcoming goodbye, with the abrupt guitar intro flowing into softer but bleak chords and Sega’s voice pitched deeper than ever singing “Heaven stays on burning but that’s none of your concern / You reduced my wings to bone ‘cause they were never yours to earn” and later “Said our goodbyes, these tears and sighs, who even are you anyway? / Don’t talk to me, don’t even look at me, I want to”. Humiliation Doesn’t Leave a Mark is a journey, it’s heavy on the violins and vocals, it has an astonishing beat drop and chorus, its vocals (featuring Kiss Facility bandmate Mayah Alkhateri) are whispery and minimal, and its instrumental interludes are mesmerizing. Coma Salv is the instrumental final, reminiscent to me of deep sleep and the music box loop I’d hear past 11 PM on the kids’ cartoon channel when I was a kid, tying the unconsciousness/subconscious theme together.

In this review, I’ve been reciting “world-building, world-building, world-building” like I’m trying to cast a spell to levitate an alien’s couch, but in my defense, I’ve been emphasizing it relentlessly because it’s been lacking in the music world overall, in an industry where musicians are plastering unrelated singles together, pushing barely-mixtapes as “albums” and putting no thought into what meaning and beauty the barely-mixtapes carry as a whole. Projects like the ones mentioned in this post give me hope for artists creating portals with their projects again. Sega Bodega and all of the ingenious artists I’ve praised here give me hope for the future of music. For the return of proper utilization of song lengths instead of cropping them all to 2 minutes out of convenience, for the collective courage to try the uncommon and lead instead of follow, for complex emotions and situations to be expanded on and shown not told. For albums, for art, for thought and for distinction. I don’t think I can grasp some musicians’ craftsmanship entirely due to my lack of technical knowledge on music theory, so I guess it’s natural for me to continue to be impressed, but on occasions you can be certain when someone is universally outstanding. Sega Bodega is a mastermind.

Favorite track: Adulter8 (track review here). Song of the year. Song of forever.

I wanna apologize to all potential readers for keeping you waiting this long, the post took me a lot of energy and mental capacity to make, and I always tell myself I’ll do a better job juggling it with my personal schedules, so I appreciate anyone that could be on the lookout for my writing. Thank you so much for reading and possibly enjoying the music I show love to, I see it as the way my mutuals here and I share our love and joy. May 2025 continue to be a year where full bodies are work are appreciated and put effort into creating and understanding.

[waywardvictorianconfessions]

NAC: my all time favourite “EMILIE 2013” Tee started tearing on its back. I’m devastated as a love this Tee to the bits of my being. Does anyone have Hi-Res image of that EMILIE Black and White and Red Heart photo? With her name at the bottom? and perhaps it’s back with tour dates? Or good quality photo of the back so I can design that from scratch? I’m in danger here! Please! I want to print this tee in a print shop again, I NEED this tee it’s so dear to me. Any quality photos would do such a favor for me! THANKS

https://www.asylumemporium.com/collections/tees/products/emilie-euro-flag-tour-2013-cotton-tee-unisex?variant=40307039043673

—Wicked Admin

[jimmyscanongf]

sweet sting

a mouthwashing selfship fic inspired by this lip plumper i got at good ol' winners

Jimmy watches Ezra from afar as they perform one last examination in the mirror; turning side to side as they straighten their clothes and hair, fingers adorned with muted lavender polish reach out and pinch a mote of lint off their shoulder before sending it floating to the floor. Ready to leave. But before they can step out of the mirror's reflection, Jimmy swoops in to fill the space behind them and observe their figures with a sense of satisfaction.

"Lookin' good," he says simply, a smirk on his mouth as he meets their eyes through the glass, which prompts a smile from them. Their outfit is assembled with care and consideration, their hair styled out into choppy wisps arranged just so in order to look effortless, a daytime makeup look about their eyes that was simple but precise, eye-catching without being dramatic, brows in a perfect arch and eyes lined with something that shimmered from green to blue at different angles. And their lips look especially kissable today, red and plump under a coat of gloss that caught the light.

Ezra skirts the line of vanity just perfectly for Jimmy's taste. Not so vain as to be overly high maintenance - he couldn't put up with that shit even if he could afford it - but vain enough to look like a prize and make him feel like a winner every time they step outside of the house. He admires the image before him, yeah, they look fucking good together.

"Ready to go?" He asks.

"Mhm."

He leans over their shoulder and turns his face towards theirs. Easy, a motion practiced a thousand times, they turn towards him in kind and their lips meet in a kiss. "Let's head out, then," he says, and Ezra moves to head for the door. But before Jimmy steps out of the frame, he turns to look at his reflection, to note the gloss that clings to his own mouth. He wasn't afraid of being seen with it; he was gonna wear it like a trophy for as long as the day would allow. He checks his pockets for keys and wallet, and then follows Ezra, rubbing his lips together to smooth the product.

And then it starts. A few pinprick tingles that put a furrow in his brow, quickly exploding into a dazzling constellation of pain on his lips. "Oh god," he exclaims, stopping dead in his tracks. "Oh fuck, what the fuck is on my mouth? It hurts!" Jimmy looks down into his open palms with parted lips, he's afraid to touch them together, afraid to touch them with his hands, afraid to get this evil substance in his mouth somehow, but the sensation doesn't let up.

Ezra turns around and rushes to him. "Oh- oh no!" They exclaim, but it comes on a laugh, with a grin and a sparkle of amusement in their green eyes, and he meets their gaze with anger and indignation- "What are you laughing at?" he questions, and can't take it anymore, instinctively wiping his mouth with the back of his hand, passing it over until he's certain it's gone. The sensation on his lips subsides a little, and he can feel the tingle on the back of his hand, though with much less intensity. "What is this shit?" He looks at the back of his hand with horror as Ez retreats to the kitchen and comes back with a damp paper towel, reaching up to dab and swipe over his lips, to remove the last of the product and soothe the burn.

"It's lip plumper. I forgot I had it on- and you're not used to it," they say, taking his hand and swiping the gloss off.

"You intentionally put this shit on your lips? And forgot?" Jimmy is incredulous.

"I put this shit on my face. Well, not this exact shit. It's got reedles in it. Like tiny microscopic needles," they explain, to Jimmy's growing horror, "and actually the stuff I put on my face has way more reedles than the lip plumper" Ez goes back to the kitchen to dispose of the paper towel.

"You put this on your- are you okay?" he calls from the room over. "Are your meds still working? Like, is this some kind of messed up self-harm thing, or?" He asks in dry humour, though he was only about 95% joking.

"Beauty is pain, my love," Ezra croons with the exaggerated cadence of an old film superstar, before they cross the threshold into the entryway, eyes lighting up when they catch his face. "And you are beautiful, my god," they approach him, and reach their hand up to tenderly stroke the margin of his bottom lip with their thumb. "Wow, it works fast. You look so... kissable," they giggle, and Jimmy instantly understands that his lips must be red and puffy like theirs, he has half a mind to go back to the mirror and check, but decides against it, rolling his eyes and making a gesture to the door.

"I'm gonna have to beat off the ladies with a stick," they continue as they open the front door and step outside.

"Yeah, yeah."

"I'll have to kick their fucking shins with my steel toes," they make an exaggerated kick with their booted foot, and Jimmy rolls his eyes again as he locks the door, thinking he must look more like a clown than a pouting heartthrob. But they smile and push themself into his side, and his chest swells with affection anyways.

[kittycarabiner]

I listen to pretty much anything (famous

last words) (u are gonna eat well hahaha)

Hmmmm..... let's see....

Daniel Nunnelee - listening/Oak trees/Put

me in the ground ft. Austin Sawyer/

Colorado (the first time)

Noah Kahan-She calls me back. Kacey

Musgraves/Northern Attitude ft. Hozier/

Call your mum ft. Lizzy McAlpine/Dial

Drunk ft. Post Malone

Dijon - Nicos red truck

Henry Jamison - Dallas love field

Drumming bird - American spirits

Cece Coakley - Listerine/Monday

Morning

Radical Something - Cali go down/step

right up/Say yes

Let's go international! A lil bit! (Can't find my list, RIP my iPod)

🇦🇺The Cat Empire - Hello

🇬🇧Dan Croll - Home

🇬🇧Roo Panes Indigo Home/Know Me

Well

🇬🇧The Daydream Club - soundwaves of

gold/found/mountain

🇬🇧One night only - Bring me down/just

for tonight/Say don't want it/ (all of their

work)

🇬🇧Marika Hackman - Mountain Spines/

Here I lie/Lay me down (all her work)

Sampa the Great - energy/final form

🇬🇧Tom Odell - Long Way Down/Black

Friday/heal (all his work)

🇬🇧Pegasus Bridge (RIP)- Yoko/ribena/like dogs

🇿🇲 Sampa the Great - energy/final form

🇰🇷 BTS - Run bts/boy with luv(ft. Halsey)/We Are Bulletproof/Mic Drop (ft. Steve Aoki)/Home/Idol (ft. Niki Minaj)/Fire/butter (ft. Megan thee Stalion)

Don't want to listen to them as a group, listen to their solos

🇰🇷 Agust D - haegeum/daechwita/blueberry eyes (not his but he's featured)

🇰🇷 V - Slow dancing/fri(end)s/rainy days

🇰🇷 J-hope - Arson/Neuron/more

🇰🇷 Taeyang - vibe

🇰🇷 RM - his album Indigo is gorgeous

Let's do Spanish songs now..let's put

your Duolingo to the test

🇲🇽Luis Miguel- ahora te puedes marchar/será que no me amas/la incondicional/no me puedes dejar asi/culpable o no/la media vuelta/que nivel de mujer/sabes una cosa

🇲🇽Timbiriche - Ámame hasta con los dientes/Soy un desastre/corro vuelo me acelero acelerar/me estoy volviendo loca/amor primero/besos de ceniza/mírame

🇲🇽Mijares - soldado del amor/el privilegio

de amar/si me tenias/para amarnos más/

bella

🇲🇽Emmanuel - la chica de humo/rey azul

🇲🇽OV7 - shabadabada/enloqueceme

🇲🇽Kabah -la calle de las sirenas (you can

do the English rap part hahahha)/al pasar

🇲🇽Juan Gabriel (RIP)- porqué me haces Ilorar?/abrázame muy fuerte/querida/hasta que te conoci/no tengo dinero

More recent artist:

🇪🇸Alba Reche - La posada/la culpa/pido tregua/escuchala/flor alta/ el desarme/ qué bailen/niña/medusa/quimera

🇲🇽 Natalia Lafurcade - Hasta la raíz/Nunca es suficiente/Lo que construimos/En el 2000/Ella es bonita

🇪🇸Amaia - última vez/el relampago/nuevo amor/nadie podría hacerlo/quiero que vengas/tu canción ft. Alfred

🇦🇷Bizarrap - bzrp music sessions 39 (Snow the product🇲🇽)/ bzrp music sessions 51 (Villano Antillano🇵🇷)/bzrp music sessions 52 (quevedo🇪🇸)/bzrp music sessions 53 (Shakira🇨🇴)/bzrp music sessions 48 (Tiago🇦🇷)/bzrp music sessions 58 (Young Miko🇵🇷)

🇵🇷Young Miko - Lisa/Offline/Classy 101

🇵🇷Bad bunny - Mia/Caro/Perrott Negro/Después de la playa/Me porto bonito/titi me pregunto/qué pasaria/neverita/ojitos lindos/callaita/Mónaco/la noche de anoche

🇪🇸Rosalia - despecha/beso/soako/bizcochito

Goodluck :)

damn that's a lot of recs 👁👁 it'll take me a while to sort through them.

though, i am familiar with bts and a lot of different kpop groups/soloists. i do like their music, so i can at least say that's perfect haha

thank you !!

[stereogeekspodcast]

[Transcript] Season 5, Episode 1. Deadpool & Wolverine - Spoiler Review

The Stereo Geeks are back with Season 5. And we've got a big review this time: Deadpool & Wolverine. Ron and Mon had mixed feelings about the film. There's a lot of fun to be had but this film isn't nearly as good as it could have been.

In this spoiler-filled episode, we discuss the moments we enjoyed, areas where the film could have been improved and what we think this film means for the future of the MCU.

Listen to the episode on Spotify.

Ron: Hello and welcome to Season 5 of Stereo Geeks. We’re kicking off this season with one of the most highly-anticipated films of the year: Deadpool & Wolverine. I’m Ron.

Mon: And I’m Mon.

Mon: For our review of Deadpool & Wolverine, we’re going to start with a non-spoiler review and then move into spoilers. We’ll let you know when the spoilers are coming. 

Ron: Shall we open with our anticipation levels for this film? I was filled with trepidation.

Mon: I was stoked. I mean, I knew what I was getting into — R-rated, lowbrow humour, a lot of gore, generally silly stuff, but I guess I was really missing seeing a Marvel movie on the big screen for this long, so I was excited!

Ron: I’ve found that over the last few years, I just don’t have the stomach for certain kinds of humour. I will turn it off. I found the humour in Deadpool 2 so cringe and the jokes dragged on for so long, it was honestly frustrating. I was concerned that this film would do the same, hence the trepidation.

Mon: I feel you. Deadpool 2 was bad. It was dull and boring, and the humour didn’t work. So, that was a concern going into Deadpool & Wolverine. Also, Ryan Reynolds now has so much clout that I had a feeling it would impact the quality of the end product. 

Ron: True. Reynolds does get in his own way. Having said that! I really, really, really, really wanted to see Wolverine. Especially in that gorgeous yellow suit. I rewatched all the X-Men films last year, except the Deadpool films, and I finally saw the appeal of Wolverine. Wolvie starts off as this gruff man with no interest in connections, and he slowly transforms into a man who cares too much—about Jean, Storm, Charles, Rogue, even Scott in some way. I don’t think I appreciated that before because I was more interested in everyone else but Wolverine. But yes, by the time I finished Logan, I was a certified fan and completely in my feels. The thought of seeing Wolverine again after so many years, I honestly couldn’t wait.

Mon: I really should have re-watched the X-Men films, because I think the moment’s gone now, especially with X-Men ‘97 Season 1 stealing my heart. I was interested in seeing Hugh Jackman back as Wolverine, for sure — maybe not as excited as you though.

Ron: Right. I don’t think anything X-Men-related has captivated us like X-Men ‘97 has. But did Deadpool & Wolverine meet your expectations, if not your hopes?

Mon: Yes and no. As I said, I knew I was going into an irreverent film with lots of bawdy humour and violent action. That’s what we got. But I expected to bawl my eyes out at the sight of any X-Men, and that didn’t happen. That’s on me, why did I think a Deadpool film would make me cry?

Ron: Ohhhh. I didn’t expect that at all so I saved myself that disappointment. It wasn’t like watching Days of Future Past where I was losing my mind every other second. It didn’t help that I found the first half of this film so very slow. It dragged, honestly. There were so many scenes that felt overlong—the same problem that I had with the second film! The whole focus of this film was to get to Wolverine but it took so long to get there. The moment Wolverine appeared, the dynamic of the film changed. There was an energy to it and Deadpool finally had someone to riff off of who wasn’t going to take his nonsense.

Mon: I’m sure there was more improv in this film than they’re letting on, because my word, every joke started off ok and then was dragged to death, which not only kills the humour, but brought the pace to a stuttering halt.

Ron: Agreed. At numerous points, I was like, please just get on with it. Or, we get it, you’re trying to make this joke. There’s repetition for humour, and there’s repetition because you’ve run out of ideas. This film thought it was doing the first, but kept doing the latter.

Mon: Any momentum the action scenes gave us just disappeared because of the extended stand-up routines interrupting them. And like, the action here is brilliant! It’s some of the best we’ve seen in the MCU in a long time. Slick and sexy — great camera angles, perfectly edited, and they conveyed a lot about the characters’ personalities despite essentially being a gore fest. 

Ron: The action was amazing in this film. It starts off with a huge action scene. I know Deadpool 1 did that, and really set the tone for that film. I can’t, for the life of me, remember if the second film did the same. Also, Deadpool dancing during the opening fight scene made me very happy. I love dancing and somehow seeing a superhero dance warmed my heart.

Mon: I love the opening credits fight scene. It’s definitely a thing in the trilogy, but this one looked particularly fantastic. And Deadpool’s suit — chef’s kiss to the design team!

Ron: Good point. I’m so in love with Wolvie’s suit, I didn’t even think to mention that Deadpool’s suit looks stunning.

Ron: One more thing to add about the opening sequence. Do we all remember the vitriol about She-Hulk dancing? Do you recall people responding, saying if Deadpool was doing this, people would be claiming it as the best thing since sliced bread? That’s exactly what’s happening! People are loving Deadpool dancing. I want to give Marvel credit and believe that they added it in just to highlight this dichotomy in reactions but I don’t think that’s what’s happened. But the sexism amongst fans is just infuriating.

Mon: She-Hulk does everything that Deadpool does but without the gore. But because she’s a female character who was introduced later in the franchise, she is criticized instead of lauded. It’s sexism and misogyny plain and simple. Fact is, She-Hulk broke the fourth wall in comics before Deadpool was even a thing. It doesn’t help that she was highly sexualized — because dudes created her — so she didn’t find her audience properly till later on.  

Ron: True. True. We’ve probably got to mention that Deadpool & Wolverine is extremely gory. Like, whoa, from the opening scene, it’s just blood and guts everywhere. 

Mon: Too much gore. 

Ron: Did the gore bother you?

Mon: Uh… not to the extent that I had to look away. Because I was expecting it. I get gratuitous violence is the thing that Deadpool fans are looking for, but I wouldn’t have minded them toning it down a tad bit. 

Ron: Right. I expected it to be much worse than it turned out to be. I tell ya, some of the preview trailers before the movie started grossing me out, which is probably why Deadpool & Wolverine didn’t bother me. 

Mon: Ah! You were inured to the actual film by then, huh?

Ron: You could say that! Also, I’ve spent this year watching stuff like Shogun; I should be used to gory scenes by now.

Mon: You know what actually annoyed me? The dick jokes. Ufff… that was really too much. Like, get over it, man! Enough with the butt shots and the butt slapping, etc. Who in this film wasn’t making some weird joke? At least, they could have varied the types of jokes. You can tell that 5 dudes wrote this film. There are a lot of in-jokes and references, but other than that, it’s a 12-year-old boy’s idea of being edgy. 

Ron: I know we’re expecting Deadpool to be foul-mouthed, but this movie pushed the limits for me.

Ron: But speaking of dick jokes, this film leans into homoeroticism. Lots of scenes with Deadpool and Wolverine physically close together. Male and female characters show romantic interest in both Deadpool and Wolverine. What did you think about that?

Mon: I clean forgot about the homoeroticism. It’s again, very much in the vein of hint-hint-wink-wink, we’re being naughty because we can, and very little to do with actually appealing to queer audiences. 

Ron: Yes. Despite Deadpool being hailed as a pansexual character, he’s really not been great representation for the queer community.

Mon: Exactly. So, what did you really like about this film? 

Ron: Wolverine. I’m very distracted by his presence. But if I look past Wolverine I think I liked that this movie reiterates that people can be better than their worst day. It’s the one bad day idea from Batman, isn’t it? Joker has one really bad day and becomes a villain. Bruce Wayne has one bad day and he becomes Gotham’s hero. It’s similar here. Wolvie had a bad day and made a terrible decision but that doesn’t mean he can’t be a hero. It’s about the choice to do good.

Mon: Yeah. I really liked the theme of the story — it’s not about what a hero is or wants, but why a hero is. I loved that. It gave Deadpool a roundedness that I didn’t know I wanted to see. I also loved how the film uses the ending of Logan as a foundation for telling the story, as well as saying goodbye to pre-/non-Disney Marvel films.

Ron: I realise I wasn’t concentrating on Deadpool at all. I’m going to have to go with your summation. 

Mon: I really loved Hugh Jackman stepping into the role of Wolverine like he’d never left. He loves this character and we love him playing Logan. I did feel he wasn’t moving as well as before, which is expected since he’s a lot older, but man, the pathos, the burden, the complicated tragedy of being Wolverine in any world, but especially his world, it all came across with little to no context. The writing and acting shine when it’s centred on Wolvie. 

Ron: Not moving as well? What? He was great. He looked great. He fought well. I know he’s been working out like a mad man. And he’s going through a divorce. None of that came across. He was great! The lovable grumpus to Deadpool’s sometimes annoying goofiness. Standard roadtrip fare except with spandex. 

Mon: There were definitely one or two scenes where Jackman wasn’t moving that well so we can agree to disagree. My last thought on this is — it takes a lot to keep a straight face and look grumpy when you’re in a goofy movie with a goofy co-star, and Hugh is so dang good at doing that in this film. 

Mon: Before we start on spoilers, do you have a one-line review that audiences should consider before heading into this film? 

Ron: Go for Wolverine, patiently wait for Wolverine, enjoy watching Wolverine.

Mon: For me, I felt like there was a perfect film about what makes a hero hiding beneath the surface of Deadpool & Wolverine, one that got drowned out by the terrible quip-fest created by the egos involved. 

Ron: Wow, we went for completely different vibes with our one-line reviews.

Ron: Anyway. Let’s move into the spoiler section of this review! If you haven’t seen the film yet, please watch it now because we will spoil everything!

Mon: Deadpool & Wolverine is about Deadpool trying to save his world from temporal annihilation and he needs to find Wolverine, any Wolverine, to ensure his world’s survival.

Ron: Please explain to me why we’re following Deadpool from Earth 10005? There’s no Deadpool on Earth 616? And who is his Wolverine? Not the one from Logan, right? I got confused because I thought the TVA was after Deadpool because he went back in time to change his past and save Vanessa, played by Morena Baccarin in a tiny, thankless role again. But that’s not why the TVA wants Deadpool; it’s so that he can save the anchor person, a new concept introduced in this film.

Mon: Ok, so it seems that the Fox X-Men franchise (and the rest of the 20th Century Fox superhero movies) are set in Earth-10005. Hence, Deadpool is from that universe. Logan is also set in that universe, so Deadpool’s universe is disappearing because of Wolvie’s sacrifice. But, Mr. Paradox, played by Matthew Macfadyen, wants to speed up the destruction of Earth-10005 and hence he brings in Deadpool. 

Mon: There’s understandable confusion about where Deadpool is from because early on in the movie he’s on Earth-616, talking to Happy Hogan about joining the Avengers. It seems like he used Cable’s time-traveling device to get to the Sacred Timeline. Time travel and dimension-hopping aren’t one and the same, and I don’t remember exactly what rules the previous film established about the device, but we do know that Deadpool came to our Earth, in the past, and shot Ryan Reynolds in the head so he wouldn’t make Green Lantern — so we know he can dimension hop. Now, how he knew about 616 and the Avengers, I don’t know. This is more a nod to Deadpool idolizing Steve Rogers in the comics than a fleshed out story idea. 

Ron: Thanks for the explanation! But I am confused about one other thing. Deadpool and Wolverine get sent to the Void by Mr Paradox, who uses a time stick to disintegrate them. We’d been to the Void before, in Loki Season 1.

Mon: Yeah, that’s odd for me too. Because, wouldn’t that mean a lot of dead people in the Loki show are actually alive and wandering the Void aimlessly? 

Ron: Exactly. And why are so many mutants there? Cassandra Nova apparently was kept there since childhood, but Psylocke, Toad, Deathstryke, Sabretooth? What did mutants do to deserve this?

Mon: Variants, mate. Notice how most of these mutants/Morlocks don’t look like the ones we’ve met in the films before. 

Mon: There are some aberrations in the mutants, obviously, like Dafne Keen’s Laura, Aaron Stanford’s Pyro and Tyler Mane’s Sabretooth. 

Ron: Yes, exactly! That’s what confused me. I was also wondering about Johnny Storm. He mentions that Reed had a theory about the Void, so did the 2005 cast get yeeted to the void when Fan4stic came out?

Mon: I didn’t think of that, but that makes so much sense. 

Mon: Essentially, the creative team are telling us that these people, especially the ones we recognize, are part of worlds that no longer exist — because the Fox era has now ended. That’s also the same for the unproduced and finally cancelled Gambit film, so we see Channing Tatum here, and the wish fulfillment one like the Cavrilline with Henry Cavill. It’s all symbolic, mate. 

Ron: Okay, that makes so much more sense now. I couldn’t figure out why these characters had been banished to the Void. Please explain the Cavillrine to me. What the hell is this?

Mon: So, the Cavillrine — you know how the internet latches on to good-looking white guys who they feel have been hard done by? Well, Henry Cavill is one such guy. Look, he’s been through the wringer with Warner Bros. He was Superman in some of the worst Superman films out there. Then the whole Snyderverse nonsense that heralded the end of the DCU. But then he showed up in Black Adam and it seemed like he was back. Except, he wasn’t. It must have been pretty humiliating for him to announce his return as Superman, only for the rug to be pulled from beneath him. Sure enough, the moment the DC door closed on him, the internet fancast Cavill as every single superhero you could think of — one that caught some steam was Henry as Wolverine. Till this movie, I couldn’t see it, but you know what, Henry looked kinda cool as Wolverine here. But it only works as a two-second gimmick, I don’t think he could carry a franchise as Wolvie. 

Mon: Did you figure out who it was before he turned? I knew it wasn’t Hugh Jackman, because we initially only saw him from the back, but I really couldn’t have guessed who it was till I saw Henry. 

Ron: No, absolutely not. It looked like Wolverine from Origins, especially with the bike. So I was wondering what Deadpool was making such a fuss about. And then he said ‘Henry’, and when Cavillrine turned around, I realised who it was. But I had no idea that Cavill as Wolvie had been on anybody’s wishlist so it was just an odd moment for me. Also, the editing was weird because they were trying to drag out the moment.

Mon: Yo, let’s not skip over Channing Tatum as Gambit. Can we talk about it? I was so disappointed to see Tatum, I thought it was Taylor Kitsch reprising his role from X-Men Origins: Wolverine, but it turned out to be Tatum. Booo. I don’t think he did a bad job — he works as a joke. But this isn’t our Gambit, is it?

Ron: I don’t really know what to say about Tatum as Gambit. It was a joke. It was meant to be a joke but I don’t understand how a film can have a Gambit, any Gambit, and not give him some level of pathos. Such a strange choice. Moving on!

Mon: Let’s also talk about the anchor being concept. Was it even needed? Some people are getting upset about this concept because it means that some lives are more important than others. This is a completely new thing introduced in this film — while I don’t know if we can take it seriously because this is a Deadpool film, some people are saying it’s already been hinted at being used in the next phase of the MCU. 

Mon: Either way, here’s my thought. Don’t take things so literally, people. The concept is introduced as symbolism for how Fox pinned their hopes on Wolverine launching a franchise, and for a bit it worked. Bad writing, bad studio decisions, then took it all down. 

Even beyond that, the idea that the universe is rigged so that the majority are doomed because of one white guy is… hilariously on point and a reflection of the real world. In truth, some lives are treated as more important than others and it’s horribly unfair. I don’t think the film is trying to be that deep, but it sure feels that way. 

And finally, the main reason for Earth-10005 dying is that Logan was never supposed to die. He acted against type, against nature, and that’s why things changed. We explore a similar theme in Spider-Man: Across the Spider-Verse, but there it’s the canon events, and it’s more personal. This isn’t a hugely original idea, but it certainly works for the symbolism of this film. 

And it’s very clever to bring in the TVA and have B-15 from the Loki show connect to the events of the Loki finale. It’s utterly poetic — Loki, a villain, makes a heroic sacrifice which saves the multiverse, here we learn that a hero, Wolverine, makes a heroic sacrifice that leads to the destruction of his universe. And a hero and villain combined then save it. It’s wonderful! 

Ron: Thank you for tackling the anchor being idea. I was not bothered by it but I guess others were.

Mon: I know we’ve critiqued the pacing already, but I need to emphasise just how disappointing the pacing in this film makes the viewing experience. 

Ron: But somehow The Marvels was the end for all women in superhero films? I can’t help but compare this film with the ones that we loved and were vilified. People complained about Eternals being slow and full of exposition, to the point where we will never see those characters again, apparently. But this film is packed with exposition and nobody’s complaining about that!

Mon: Oh, I agree with you. Seems like the MCU dies every time a non-white non-male person comes near it, but it’s saved when the white dudes are involved. Quality be damned.

Third act

Mon: Let’s chat about the third act of the film because I think this is the best part of the film — good execution, pacing, and some surprising heartfelt moments. It’s not all perfect, there’s still way too much unnecessary silliness, and yes, it’s super gory, but it was also riveting. 

Mon: That denouement, especially, really got me. They really play with your emotions because we think Wolvie is going to make the big sacrifice play, which makes sense for him having lost everyone, but then Deadpool decided to be the better man and swaps places with Wolvie so he can finally matter. And then, Wolvie joins Deadpool, because Deadpool didn’t think things through and couldn’t reach the other MacGuffin. I mean, I loved it.

Ron: I don’t mean to be a spoilsport but the denouement felt silly to me. 

Mon: This is an outrage. How are we not aligned on this film?

Ron: I agree with everything you’ve said, I just don’t think the film had to go there. Obviously there was only going to be one way to save Deadpool’s universe and he had to be the one to do it because this movie is called Deadpool & Wolverine, not the other way around. So why not make the sacrifice play together in the beginning? Cement the relationship that we’ve spent two hours watching unfold.

Mon: You make a really good point. They were trying to up the drama. 

Ron: Indeed. But again, my struggle with this film and the second film was that it kept adding in extra beats that weren’t necessary. Destroys the emotional heft and slows the pace.

Ron: Now, you and I have always had our ears out for film scores. The last few years, the scores have left us wanting. There might be a theme or two that stands out but the entire album? Not so much. I did like some of the score for Deadpool & Wolverine, though. Deadpool has a new theme which sounds epic, though I’m confused about the cat screech in between. There are no cats in this film.

Mon: I didn’t clock much of the score while watching the film, except the end credits music which sounded cool. I’ve heard the score album now, and I kinda dig it. Though the cat screech still gives me pause.

Ron: What about the soundtrack? I know you have thoughts!

Mon: Most of the song choices seemed totally incongruous to me. Some of them are such meta jokes, that it’s lost on the average viewer. For example, there’s apparently a song from The Greatest Showman in here, which is an obvious nod to Hugh’s role in the film, but  I don’t know how many people would even recognize it. The first fight scene between Deadpool and Logan in the Void is set against AC/DC, and I’m like AC/DC, again? Give me a ruddy break. They’ve been done to death in the MCU, look for someone new. I mean, look at the number of awesome songs and artists we’ve learnt about and listen to because the music supervisors on Black Panther and Birds of Prey looked beyond the usual.

Ron: Lets not forget the soundtracks of the Spider-Verse films. Those are incredible.

Mon: How could I forget the Spider-Verse films. I play those albums on loop. 

It wasn’t all bad with Deadpool & Wolverine, but I didn’t find the soundtrack all that memorable. The one song choice I did like was Bye Bye Bye by *NSYNC. I do enjoy the song, but this is another meta joke. In X2: X-Men United, when Wolverine is rescuing Rogue, Iceman and Pyro, Pyro puts the car radio on and it blasts Bye Bye Bye. It’s a hilarious moment that cuts the tension and solidified my love for the song. So, of course a film re-introducing Pyro should have that song. Except, they don’t play the song in relation to Pyro. Like, why? Imagine if Pyro had driven in with this ruddy song playing? Oh my word, we would be on fire! This film, I swear, is so frustrating. 

Ron: Madonna’s Like A Prayer playing over Logan’s abs though. That was perfection. 

Mon: Music aside, you can feel the too-many-cooks-in-the-kitchen feeling whenever Dogpool shows up, or the fact that Dogpool showed up at all. What is Dogpool trying to show us here? It’s just a funny bit. That time could have been spent with Wolverine and Laura, because if you want us to see that Logan’s walls are coming down, him opening up to Laura and coming to fight by her side would have done a much better job of that than a dang dog. 

Ron: I could have done without the dog. 

Favourite Cameos

Ron: We’ve got to talk about all those cameos because Deadpool & Wolverine was packed with them. For me, the numerous Logans were great to see. The brown and yellow suit Wolverine, I would’ve loved to see more of him.

Mon: I did not know that Deadpool & Wolverine was Fanservice: The Movie, but I loved seeing the different versions of Wolverine. Honestly, could have done with a few more of those variants — I don’t think that would have been overlong. I loved that they included Age of Apocalypse Wolverine, but I wish he’d been a tad more sinister. 

Ron: You know who wasn’t a cameo in this film? Taylor Swift as Dazzler. That is the only thing I’ve heard about for months and it didn’t even happen.

Mon: Thank Uatu! I don’t think I could have dealt with that. 

Ron: The survivors of the Void were probably the biggest cameos for me. Seeing Jennifer Garner as Elektra and Wesley Snipes as Blade, unbelievable that they came back for this movie. Which is essentially a farewell to these versions of the characters. I’m assuming we’ll get to see Elodie Yung’s Elektra in the MCU. No idea about Mahershala Ali as Blade because Marvel would rather give 80 million bucks to RDJ than make a Blade movie apparently.

Mon: Yeah, and Wesley Snipes says in this film that there will only ever be one Blade, so I’m guessing Mahershala Ali’s chance is gone. Why don’t they just announce it and leave him be. Marvel’s pulling a DC on Mahershalla. 

Mon: Ok, please explain why we didn’t get any other X-Men characters from the Fox films? Someone, anyone would have done. Worst Wolverine has this heartbreaking flashback, and he’s next to memorials with no names, he’s talking about incidents we can’t see. Listen, Hugh sells it, I’m not saying he doesn’t, but given that the film was packed with cameos, some utterly useless ones, Wolvie interacting with the people he loved would have taken the emotions to the next level! 

Ron: I know! Halle Berry is right there. Especially during those emotional scenes from Worst Wolverine. We should have got a flashback to him seeing the X-Men.

Ron: I guess we should mention Johnny Storm. Or rather Chris Evans. Because that was not Johnny in the film. It was Chris Evans with flame powers. Ever since Endgame, I’ve felt that Evans has struggled with his acting. Ghosted was funny but terrible. You watched that film at TIFF last year where you couldn’t tell if it was the character or Chris Evans you were watching.

Mon: Yeah, Chris Evans is forgetting how not to be Chris Evans, which is not great. The TIFF film, for our listeners, is Pain Hustlers, and it’s not a good film. Chris Evans’ acting is the least of its problems.

But, on to Johnny Storm. I 100% knew Evans was going to show up. I didn’t know before the film, of course, I wasn’t expecting any cameos in the film. But, when Deadpool is shown the Avengers highlights reels by Mr. Paradox, there was a lot of Steve Rogers in there. Now, this is a nod to comic book Deadpool’s love for Steve, but as soon as I saw them playing that much Evans footage, I was like, he’s going to show up.

Ron: When the hooded figure showed up and Deadpool was talking about he was the hero of all heroes, I was so lost. Who is this? Definitely not Captain America. And then Evans shows up. But as Johnny. The bait and switch wasn’t bad but Evans acting didn’t work for me.

Mon: It didn’t? But he was so fun! You can tell Evans is having the time of his life with this take on Johnny Storm. I genuinely did not realise the Human Torch, of all characters, would be resurrected. He was incredibly fun to watch. I loved seeing Evans back in the MCU, even if it was for a brief minute.

Ron: Not resurrected for long, sadly. While we’re talking cameos, which characters deserved better in Deadpool & Wolverine? Shatterstar, surely? Why can’t Hollywood give Lewis Tan better roles. He has no lines in this film! And Shatterstar is such a fan-favourite character.

Mon: Shatterstar! I love him. I can’t believe Lewis Tan was dragged back to sit in the background. He deserves so much better than Hollywood will ever give him. But, you know what, after the dumb dig about how the X-Force team not testing well (apparently), I was glad to see Shatterstar, even for a little bit.

Ron: And why did Cable get the blame for Deadpool 2 not working out? He wasn’t the problem! Deadpool was the problem. Sheesh. 

Mon: Please, I’m glad we didn’t have Cable in this film, but why did Domino get short shrift? 

Ron: What’s worse, though? Domino sitting in the background somewhere with no lines, like Shatterstar, or us imagining she’s living her best life without Deadpool in it?

Mon: You have a point. I also wish the main franchise cast had been involved in the main story more. Negasonic, Yukio, Vanessa, Dopinder, CGI Collussus, Blind Al, why were they forgotten? This was Ant-Man and the Wasp: Quantumania all over again. Like literally - Deadpool is even stuck in a different world like in that film and forms different teams. The MCU is running in place, mate!

Ron: Yes. Agreed. You can’t just drop the core cast you’ve been building up for a trilogy. I’d also say I was expecting more Pyro in this film. Aaron Stanford was clearly excited to be back and he’s been posting about it. He’s in the opening credits as well. But Pyro’s role was so small! And I’m not entirely convinced this wasn’t James Cole with the ability to control fire. 

Mon: Pyro! I thought I’d cry when I saw Pyro, but I didn’t. And then it turned out he was again a double-crossing baddie? Again, everything about the writing in the MCU, especially by majority white creatives, is running in place. Imagine Pyro getting a heroic sacrifice here? Considering we see no one else from the Fox films, I feel like the treatment of Pyro is a testament to Marvel Studios basically dunking on the original franchise.

Ron: Pyro being a turncoat isn’t a big surprise. Stanford sold it well. He was quite amusing in his final scene.

Ron: But what about Cassandra Nova, the actual villain of this story? First of all, where were the women in this film? We got a bit of Elektra and Laura but wow, this movie is just screaming that it’s only for dudes. Wolverine is probably as popular as he is because of female viewers, but this movie clearly doesn’t want to acknowledge that. 

Mon: But this lack of regard for the female characters and heroes from the Marvel films is signposted from the start. Happy Hogan’s office is filled with Avengers memorabilia, as long as the memorabilia belongs to Iron Man and Captain America. Is there more? Can’t see it because the camera doesn’t focus on them. Let’s be honest, Marvel doesn’t care about the ladies, they never have, and it’s little more than lip-service nowadays, irrespective of how wonderful the stories about the ladies are, they’ll be forgotten by the powers-that-be.

Ron: Yes. The only meaty non-dude role was Cassandra Nova. I thought Emma Corrin turned out to be a great choice. I felt like I could almost see Charles Xavier in Cassandra.

Mon: I know nothing about Cassandra Nova, and I was concerned about them casting such a young actor to play the character. Isn’t Nova elderly? 

Ron: Nova is Charles’ twin but she’s… there’s some weird stuff about her birth, or lack thereof. So she’s quite wrinkled but not elderly. She’s definitely not as beautiful as Emma Corrin. 

Mon: Ah. Kinda weird how all these films keep turning wrinkled ladies into gorgeous women – Madame Web, Cassandra Nova. 

Ron: How can dudes have an ugly woman in their film? The more we’re talking about this film, the more annoyed I’m getting.

Mon: Anyway, Corrin did great. They channeled both Patrick Stewart and James McAvoy to make us believe that Nova is indeed Xavier’s twin. I loved that they had a binder on and got to proudly show it off. And the binder also gives their outfit an X shape, which is a nice nod to Nova’s X-Men connection.

Ron: Yes. I did like the nod to Corrin’s non-binary identity in Cassandra’s uniform. Underneath her signature long coat, Cassandra wears a binder. And it’s not hidden. Emma Corrin has spoken about the importance of visible identity and has taken intimate portraits of themself in a binder. So that was a great nod.

Mon: We’ve talked about a lot but was Deadpool & Wolverine a good farewell to the franchise that introduced us to the Marvel world of superheroes? 

Ron: Good question! It’s making me remember something. When we first got into the X-Men comics, we absolutely despised the Avengers. They were always awful to the X-Men. The fact that we enjoyed the Avengers films at all is a miracle. But here’s the problem. The MCU is driven by the Avengers. Are they going to have the understanding, the compassion that comes from loving the X-Men? We’ve got X-Men ‘97 that’s such a love letter to mutantkind. It isn’t afraid to lean into the fears of life as a mutant and the intense bigotry that mutants face. Is the MCU going to understand that? Or are mutants going to be the punching bag of the MCU?

Mon: So, where are we going with the mutants? Let’s look at the future of the MCU now. Will the over-reliance on multiverse plots and meta-stories end? Will we ever escape the need for cameos? Will we get creators who aren’t white men behind-the-scenes to build our future?

None of this will happen soon. They need to get these gimmicks and novelties out of their system — it’s fun, I do like it, but I’m missing meaningful stories and storytelling. We see what shows like X-Men ‘97 and The Acolyte can do because they ground their stories in real-world issues and dynamics. The MCU has become very much about pandering and fan-service. Again, that’s not to say I don’t revel in that charm, but we need more!

Apparently Ryan Reynolds first approached Jordan Peele to work on the film but he couldn’t fit it isn’t his schedule. I wonder what that would have been like — what layers Peele would have brought to something that’s so much in his wheelhouse. In another universe, perhaps. 

Ron: A Jordan Peele-MCU film? I would like to see that. You know, we’ve had quite a few hints now that the mutants are in the Marvel Cinematic Universe. Kamala Khan, aka Ms Marvel, has been deemed a mutant. Monica Rambeau is in a universe with Beast and Binary. Wolverine is in this film. So, when are we getting an X-Men film? And are we going to see any of the incredible female mutants who are honestly carrying the comics franchise?

Mon: The best X-Men are women, yeah? But, that’s the problem isn’t it? Marvel is going backwards in its thinking. Are we going to see the Marvels again and the universe Binary is in? Are we going to see any ladies leading? Any people of colour writing and directing? I don’t know, man. The best we’re going to get with the Avengers films is to bring back the Russos and McFeely? Deadpool & Wolverine could hardly contain its fat-shaming but it kept it to the minimum. Are we going to now double down on it with the Infinity War and Endgame people back in the saddle? Are we going to sideline the characters of colour because the white directors don’t understand how meaningful these heroes are to an underrepresented demographic? 

Ron: You’re talking about Black Panther and Captain Marvel being underused in the latter part of the MCU Phase 3. The Russo brothers et al apparently didn’t expect these two characters to be popular. Because I guess they forgot people of colour and women exist, let alone watch movies?

Mon: Yes. It’s infuriating. Because what happens now? Are we going to kill off the last few female heroes because otherwise the plot won’t move? I can’t deal with that — and yet we’re stuck. Feige and team have only heard the loudest and worst of the criticism and taken it to mean the white guys must be our saviours, no one else will do. 

Ron: I don’t think watching this film following the SDCC announcements has endeared me to Deadpool & Wolverine or the next phases of the MCU much. Because Marvel seems to be saying this is what we’re going to get more of. We tried ladies in the lead and people of colour in the lead. But that didn’t work (because a small group of loud sexists and racists said so) after generations of not trying it anyway. So let’s just go back to the status quo. They’re pandering to the lowest common denominators, again, and giving us the white dude superheroes who make dick jokes. This is a really dour note to end the review on but I’m not feeling hopeful for the MCU. It doesn’t look like it’s interested in us as audiences anymore. 

Mon: I agree. As much as we enjoyed parts of Deadpool & Wolverine, it gives us little hope for the future of the MCU. It’s not saved, it just refuses to move forward.

Ron: You’re right. You know what, let’s go rewatch The Marvels.

[Continuum by Audionautix plays]

Mon: You can find us on social media @Stereo_Geeks. Or send us an email stereogeekspodcast@gmail.com. 

Mon: The Stereo Geeks logo was created using Canva. The music for our podcast comes courtesy Audionautix.

Ron: Don’t forget to rate and review us wherever you listen to podcasts. See you next time. 

[Continuum by Audionautix plays]

[thisisnotaboutarttoys]

Art Toy Movement: History of Art Toys #72 Questioning Art Toy Gama #72

Can We Really Compare COARSE’s Scarcity Model to Supreme’s Streetwear Strategy?

Not all scarcity is created equal. Some brands engineer rarity like a magician pulling a rabbit from a hat—pure spectacle to boost desire. But COARSE and Supreme? Their scarcity isn’t decoration. It’s doctrine.

Supreme doesn’t restock. Ever. When a drop hits, it vanishes. You either act or you watch it slip into the overpriced hands of resellers. COARSE plays by a similar rulebook: limited releases, no mass production, and each piece crafted like a quiet manifesto. Every drop isn’t just a release—it’s a moment.

Kidrobot, in contrast, scaled through licensing—growing fast, but growing wide. COARSE did the opposite: it shrank with purpose. Tight. Selective. Uncompromising. Like an artist who prefers a single, perfect brushstroke over a crowded canvas.

Because true scarcity isn’t about keeping things away. It’s about making sure what does exist actually matters.

🔥 And in the world of Art Toys, matter is exactly what turns an object into an icon.

¿Podemos realmente comparar el modelo de escasez de COARSE con la estrategia de Supreme en el universo del streetwear?

No toda escasez nace igual. Hay marcas que la fabrican como se fabrican los mitos: a base de humo y espejos, esperando que la rareza por sí sola dispare la codicia. Y luego están COARSE y Supreme, que no hacen productos escasos por capricho, sino porque su propia lógica interna —casi ascética— lo impone.

Supreme no repone. Punto. Lo que cae, cae una vez. O lo atrapas, o te quedas mirando cómo se revende por el triple. COARSE, aunque en otro escenario, actúa bajo la misma ley no escrita: tiradas limitadas, cero producción masiva, cada figura diseñada como si fuera la última palabra. Cada lanzamiento es más un ritual que una venta.

Mientras Kidrobot prefirió el camino de las licencias y la expansión —como un imperio que se abre paso a fuerza de concesiones—, COARSE eligió la soledad del taller pequeño: meticuloso, cerrado, sin concesiones. Una isla creativa con la puerta entornada solo para quien entienda el lenguaje.

Porque la verdadera escasez no consiste en ocultar, sino en dotar de peso a lo que existe. Y ese peso —esa densidad simbólica y material— es lo que separa una figura de vinilo de un objeto de culto.

🔥 En el universo de los Art Toys, ese peso no se mide en gramos, sino en legado.

#MoreThanDisPlay #ArtToyGama #ArtToyMovement

#HistoryofArtToys

By the way…

❌ If you’re happy collecting whatever Instagram tells you to.

❌ If you think “limited edition” means something.

❌ If you don’t give a damn about the real stories behind Art Toys, Fine Art Prints, paintings and sculptures...

DO NOT SUBSCRIBE TO OUR NEWSLETTER HERE

Sergio Pampliega Campo & Cristina A. del Chicca are members co-founders of Art Toy Gama Collective since 2014

www.arttoygama.com

SHOP https://arttoygama.storenvy.com

[lolpuns]

25 Sizzling Pork Puns That Will Have You Squealing with Laughter

https://lolpuns.com/?p=2138 25 Sizzling Pork Puns That Will Have You Squealing with Laughter Looking for a way to ham up your comedy routine? Pork puns might just be the secret ingredient you’re missing! We’ve gathered the most sizzling wordplay that’ll have everyone squealing with laughter at your next gathering. From bacon-related humor to swine-tastic one-liners, these pork puns are perfect for lightening the mood or breaking the ice. Whether you’re a professional comedian or just someone who loves to make friends chuckle, our collection offers something for everyone. They’re versatile enough for social media captions, greeting cards, or simply brightening someone’s day with a text message. Table of Contents Toggle 10 Ham-azing Pork Puns That Will Leave You Squealing With LaughterWhy Pork Puns Are The Perfect Way To Bring Home The BaconThe Universal Appeal Of Food WordplayHow Pork Puns Break The Ice At GatheringsOink-redible Pork Puns For Everyday ConversationsCasual Pork Puns For Regular UseWork-Appropriate Swine HumorPork Puns That Are Simply Boar-illiant For Social MediaInstagram-Worthy Pork One-LinersTwitter And TikTok Pork Pun TrendsHam-fisted Puns To Use At Barbecues And CookoutsGrill-themed HumorGrilling-Exact WordplayPork Puns That Sizzle At Summer PartiesPig-tastic Pork Puns For Special OccasionsHoliday Ham HumorBirthday And Celebration Swine JokesPork Pun Merchandise And Gift IdeasPopular Products Featuring Pork WordplayDIY Pork Pun Gift SuggestionsFamous Pork Puns In Pop Culture And MediaMemorable Movie And TV Show ReferencesCelebrity Pig Pun MomentsHow To Craft Your Own Original Pork PunsWord Association TechniquesMixing Pig Terminology With Everyday PhrasesThe Most Groan-Worthy Pork Puns That Are Still Worth SharingFrequently Asked QuestionsWhat makes pork puns so effective in comedy?What are some examples of pork puns I can use in everyday conversations?How can I use pork puns on social media?Are there pork puns specifically for barbecues and cookouts?How can I incorporate pork puns into special occasions?What kind of pork pun merchandise is available?Where can I find pork puns in pop culture?How can I create my own original pork puns? 10 Ham-azing Pork Puns That Will Leave You Squealing With Laughter You had me at ham-llo – We love this greeting that puts a porky twist on saying hello! This pun works perfectly as an icebreaker at parties or when messaging friends who appreciate wordplay. I’m experiencing ham-xiety about this meeting – Nothing lightens the mood before a serious gathering like this clever play on anxiety. Your colleagues will surely appreciate the attempt to keep things light-hearted. That was completely boar-ing – When something fails to impress, this swine-inspired pun adds humor to the situation. Folks often chuckle at the unexpected reference to wild pigs in everyday conversation. Let’s not bacon-clude anything yet – We’ve found this pun exceptionally useful when discussions are still ongoing. The blend of “bacon” and “conclude” creates a delicious wordplay that’s perfect for business meetings. You’re acting like such a ham – This classic expression gets a knowing smile whenever someone is being overly dramatic. The dual meaning makes it both a pun and a gentle ribbing. I’m going hog wild over these deals – Shoppers love using this expression during sales season. The enthusiasm conveyed through this porcine reference amplifies excitement about bargains. That’s sow impressive – Compliments become more memorable with this female pig reference. People appreciate the creative twist that shows both admiration and humor. I can’t believe how pork-fect this turned out – Celebrating success becomes more fun with this satisfying blend of “pork” and “perfect.” The pun works especially well when cooking meals or completing projects. Let’s not make this more compig-cated than it needs to be – Meetings and discussions benefit from this humorous simplification request. The combination of “complicated” and “pig” lightens tense situations instantly. I’m feeling quite pig-tured out right now – Everyone relates to feeling exhausted, but saying it with this pun transforms tiredness into amusement. Friends typically respond with sympathy mixed with appreciation for the wordplay. Why Pork Puns Are The Perfect Way To Bring Home The Bacon Pork puns offer a clever way to engage audiences and create a lighthearted atmosphere at any gathering. They’re simple yet effective tools for bringing laughter and delight, making them perfect additions to conversations, social media posts, or even professional presentations. The Universal Appeal Of Food Wordplay Food wordplay captures attention because it combines two things everyone enjoys: humor and food. We’ve found that puns related to pork products like bacon and ham resonate with people from various backgrounds, creating instant connections through shared experiences. These culinary jokes transcend cultural barriers, making them universally appealing at dinner parties, family gatherings, or casual meetups. Food puns work exceptionally well because they reference something familiar to everyone, regardless of age or background. Many cultures incorporate food-related humor into their communication styles, proving the widespread appeal of delicious wordplay that satisfies both hunger for food and laughter. How Pork Puns Break The Ice At Gatherings Pork puns serve as excellent conversation starters, instantly lightening the mood in social settings. We’ve seen countless examples where a simple line like “Why did the pig start a band? Because he had the chops!” transforms awkward silences into moments of shared laughter. These puns create immediate bonds between strangers through their playful nature and familiar subject matter. Guests naturally gravitate toward humor that references common experiences, making pork-themed jokes particularly effective at new gatherings. Popular examples that consistently generate laughs include asking why pigs always win at hide and seek (“Because they’re great at hogging the best spots”) or why a pig needed therapy (“Because it had a lot of hamotional issues”). Adding these punny phrases to your conversational repertoire ensures you’ll never find yourself in a social situation that feels boaring again. Oink-redible Pork Puns For Everyday Conversations We’ve collected some of the most ham-azing pork puns that’ll add flavor to your daily conversations. These puns are perfect for breaking the ice or adding some humor to otherwise ordinary interactions. “Don’t go bacon my heart!” – This playful twist on “breaking my heart” works wonderfully when expressing affection with a humorous touch. “I’m just here for the ham and eggs—pork’s perfect pair!” – Use this line to celebrate pork’s versatility in the culinary industry while making others smile. “Life is too short; eat more bacon!” – Share this lighthearted motto when enjoying breakfast with friends or justifying that extra strip of bacon. “What do you get if you cross a dinosaur with a pig? Jurassic Pork!” – This pop culture reference combines two unlikely elements for an unexpected laugh. “Why is the letter ‘K’ like a pig’s tail? Because it’s at the end of pork!” – This clever wordplay focuses on spelling but delivers a surprisingly effective punchline. Casual Pork Puns For Regular Use Looking for puns to use in everyday situations? We’ve got you covered with these casual swine-inspired quips: “Pork it, I’m taking the whole plate of ribs!” – Perfect for claiming food at a barbecue while making everyone chuckle. “You’re sow pork-licious, I could just squeal!” – Blend “sow” with “delicious” for a playful compliment that’s sure to bring smiles. “What do you call a pig that runs marathons? A ham-bassador!” – Use this clever merger of “ham” and “ambassador” when talking about fitness or achievements. “Why did the pig cross the road? To get to the Baconator!” – This fast-food reference works great when you’re heading out for a quick bite. “What’s a pig’s favorite music? Swine-tunes!” – Drop this one when discussing music preferences or creating playlists with friends. Work-Appropriate Swine Humor Need puns that’ll keep things professional while still lightening the mood? Try these office-friendly options: “Let’s not hog the spotlight during the meeting.” – Encourage teamwork and collaboration with this subtle pig reference. “This project needs more oink-novation!” – Use when brainstorming or promoting creative thinking among colleagues. “Why was the pig dropped from the team? It kept bacon everyone’s time.” – Share this when discussing productivity or time management issues. “How do pigs communicate? Proinkly!” – Perfect for breaking tension during communication workshops or team-building exercises. “What do you call a pig good at math? A pork-fessional!” – This works wonderfully when recognizing someone’s expertise or during training sessions. Pork Puns That Are Simply Boar-illiant For Social Media Instagram-Worthy Pork One-Liners Instagram feeds sizzle with pork-themed captions that grab attention and boost engagement. “Don’t go bacon my heart!” pairs perfectly with romantic BBQ photos or couple’s cooking adventures. “Feelin’ hog-tastic today!” creates an upbeat vibe for selfies featuring delicious pork meals or celebratory dining experiences. Food entrepreneurs showcase their culinary creations with “Bringing home the bacon, one pun at a time!” to connect with followers on a personal level. “Pork-sibly the best day ever!” captures the excitement at BBQ events or food truck festivals, enticing viewers to engage. The universal favorite “Life’s too short; eat more bacon!” accompanies mouthwatering bacon-centric dishes, consistently generating likes and comments from food enthusiasts. Twitter And TikTok Pork Pun Trends Twitter’s character limitations make pork puns ideal for quick, witty engagement across the platform. “Pork it over—no one’s sharing my pulled pork!” trends in food challenge posts and meal-prep content, generating replies and retweets. TikTok creators embrace absurdist humor with “When pigs fly, I’ll be there with a plate of ribs!” in comedy skits and hyperbolic foodie content. Cooking tutorials and kitchen fail videos often feature “In my kitchen, life’s a pork and then you fry!” gaining traction through relatable content. ASMR eating videos and mukbangs use “Pork your way to happiness, one rib at a time!” to describe satisfying consumption experiences. “Ham today, gone tomorrow!” accompanies time-lapse cooking reels and limited-time menu promotions, creating urgency and increasing viewer interaction. Popular hashtags like #PorkPuns, #HogWild, and #BaconLover frequently accompany these posts, while TikTok trends remix audio clips with creative pork-related wordplay. Twitter threads particularly enjoy movie-inspired puns like “Jurassic Pork,” creating viral crossover jokes that spread rapidly through shares and comments. Ham-fisted Puns To Use At Barbecues And Cookouts Fire up your sense of humor alongside your grill with these perfectly seasoned pork puns that’ll have everyone at your cookout rolling with laughter. Grill-themed Humor Nothing brings people together like great food and even better jokes at a barbecue. Try declaring “Pork it over—no one’s sharing my pulled pork!” when guests eye your masterpiece too eagerly. Your cookout companions will appreciate hearing “Time to get this pork party sizzling!” as you lift the grill lid to reveal your smoky treasures. Classic crowd-pleasers like “Don’t go bacon my heart!” create instant smiles while showcasing your culinary wordplay talents. We’ve found that comments such as “These ribs should be on a BBQ billboard!” offer a playful way to highlight your grilling prowess. Interactive jokes work wonderfully too—ask guests “Why did the pig love BBQ? It was un-pork-gettable!” to engage them in the fun while keeping the conversation deliciously on-topic. Grilling-Exact Wordplay Action-oriented quips keep the energy high around the barbecue pit. Announce “Grillin’ and chillin’ with my favorite pork dishes!” as you tend to your smoky domain, or proudly proclaim “I’m just here to pork it up at the cookout!” when guests ask about your role. Meat-centric terms like “pork perfection” or offers to “sauce things up with tender ribs” humorously celebrate your BBQ skills without seeming boastful. Sizzle-focused humor connects the sensory experience with wordplay—try saying “Pork on the grill is my kind of thrill!” as the meat hits the hot grates. Guests appreciate enthusiasm, so don’t hesitate to declare “Life is better with BBQ pork in hand!” while passing plates around the table. Pork Puns That Sizzle At Summer Parties Summer heat provides perfect inspiration for seasonal pork puns. Ask your sun-soaked guests “Why did the pig bring sunglasses? To avoid getting sun-piged!” to combine weather humor with pork wordplay. Food-driven laughs create community around the table—encourage everyone to “Bring on the ribs; I’m ready to pig out!” or announce “Feast mode: activated with BBQ pork!” as you reveal your culinary creations. Puns with dual meanings add an extra layer of humor to your barbecue banter. Questions like “What’s a pig’s favorite music? Swine music!” or “Why was the pig good at math? It’s a pork-fessional!” deliver unexpected punchlines that work perfectly between bites of your delicious BBQ offerings. Pig-tastic Pork Puns For Special Occasions Pork puns add a playful touch to any celebration, making them perfect companions for holidays, birthdays, and other special events. We’ve gathered some ham-tastic wordplay that will surely bring laughter to your festivities. Holiday Ham Humor Holiday-themed pork puns create memorable moments during family gatherings and seasonal celebrations: Celebrate with a side of laughter at your next holiday meal May your Thanksgiving be stuffed with delicious pork and plenty of joy Santa’s favorite treat? A big plate of ribs waiting by the fireplace Let’s make this Easter egg-citing with some ham centerpieces Have a very merry ham-mas with delicious holiday feasts Wishing you a pork-ful New Year filled with joy and prosperity Let’s toast to a ham-some holiday season with friends and family Birthday And Celebration Swine Jokes What do you call a pig that runs marathons? A ham-bassador. Perfect for fitness-loving friends Why did the pig cross the road? To get to the Baconator on the other side. Great for casual birthday dinners Why was the pig dropped from the cheerleading team? It kept hogging the spotlight. Ideal for lighthearted roasts Let’s pork-ceed to the main course when it’s time to serve birthday dinner Let’s make this party ham-tastic with delicious food and great company Pork-tunately, there’s always bacon to make any celebration better Pork Pun Merchandise And Gift Ideas Looking to bring your love of pork puns into the physical industry? From wearable humor to home decor, there’s no shortage of pig-tastic merchandise and creative gift ideas to make any swine enthusiast squeal with delight. Popular Products Featuring Pork Wordplay T-shirts and pins offer some of the most popular ways to showcase your love for pork puns. Music enthusiasts can rock designs featuring phrases like “Let’s Pork Rock And Roll,” while martial arts fans might prefer the “Pork Chop Karate” themed merchandise. Home decor items have also joined the pork pun party, with blankets and metal prints sporting sayings such as “It’s Guinea be a great day” – perfect for guinea pig lovers looking to add some humor to their living spaces. Stickers and posters featuring cartoon pigs with funny phrases like “I’m Kinda A Big Deal” provide affordable options for those wanting to add small touches of pork humor throughout their home or office. DIY Pork Pun Gift Suggestions Creating personalized pork-themed gifts adds a special touch that store-bought items simply can’t match. Pig-themed baking presents a delicious option where you can create pig-shaped cookies or cupcakes with bacon or pork-themed toppers, giving them creative names like “Pig-fect Treats” or “Bacon Me Crazy.” Customized mugs transform morning coffee routines with phrases such as “Pork-fect Morning” or “Ham it Up” printed on ceramic vessels. Pig-inspired art offers another creative avenue, using pig-shaped canvases or creating custom pieces with witty wordplay like “Pigment of Imagination.” Compiling a cookbook with pun-filled recipe names and adorable pig illustrations makes for a thoughtful gift that combines humor and practicality for the food lover in your life. Famous Pork Puns In Pop Culture And Media Pork puns have firmly established themselves in mainstream entertainment, adding humor and whimsy to various media formats. From animated characters to blockbuster films, these playful wordplays continue to delight audiences of all ages. Memorable Movie And TV Show References The industry of entertainment has embraced pork-themed humor across many beloved productions. Porky Pig from Looney Tunes stands as an iconic character whose stuttering catchphrase “Th-th-th-that’s all, folks!” has influenced countless pig-related jokes in popular culture. The 1995 film Babe introduced audiences to an adorable talking pig, generating a wave of pig-themed puns that continue to resonate with viewers decades later. In the Winnie the Pooh series, Piglet serves as a sweet, timid character whose pig-inspired name adds charm to the beloved franchise. More recently, Zootopia featured a character named Hamhock, continuing the tradition of incorporating clever pig references into mainstream animation. These characters demonstrate how pig-themed wordplay has become a staple in family-friendly entertainment. Celebrity Pig Pun Moments The entertainment industry frequently uses pig puns when referring to certain celebrities or within cooking shows. Kevin Bacon perhaps faces the most pig-related wordplay, with his surname providing an irresistible opportunity for pork-themed jokes across comedic contexts. Celebrity chef programs such as “Chopped” and “Beat Bobby Flay” regularly showcase pork dishes, creating natural openings for hosts and contestants to engage in playful banter filled with ham-handed puns. These shows use pork terminology to add humor while discussing cooking techniques or judging prepared dishes. The integration of pig puns in relation to celebrities demonstrates how these wordplays have transcended simple jokes to become culturally important references that audiences immediately recognize and appreciate. How To Craft Your Own Original Pork Puns Creating your own pork puns is easier than you might think. We’ve assembled some proven techniques to help you develop clever pig-related wordplay that will have everyone laughing. Word Association Techniques Start by identifying key pig-related words like “pig,” “pork,” “ham,” and “bacon” as your foundation. These core terms serve as the building blocks for creative puns. Try associating these keywords with common phrases or everyday idioms to create unexpected combinations. For example, “taking it easy” could become “taking it greasy” when talking about bacon. Play with homophones that sound similar to pig-related terms. Words like “boar/bore,” “sow/so,” and “ham/hamper” offer excellent opportunities for wordplay. We recommend keeping a list of these sound-alike words handy for quick reference when crafting puns. Think about words that contain pig-related syllables too. Terms like “hamper,” “hamburger,” or “spectacular” can be transformed into “ham-per,” “ham-burger,” or “spec-tac-u-lard” for amusing effect. Mixing Pig Terminology With Everyday Phrases Transform pig-related words into different parts of speech to create versatile puns. Use “hogging” as a verb to describe taking too much of something or “pigheaded” as an adjective for stubbornness. These adaptations work particularly well in casual conversations. Incorporate pig sounds into regular expressions for playful results. Replace words like “scream” with “squeal” or “talk” with “oink” to add a porcine twist to ordinary statements. We find this technique especially effective for creating visual humor. Create new compound words by combining “pig” or “pork” with other terms. Inventive examples include “porkfessional” (a pig expert) or “ham-bassador” (a representative of ham products). These creative combinations often result in the most original and memorable puns. Try replacing parts of well-known phrases with pig terminology. “When pigs fly” can inspire variations like “when bacon sizzles” or “when hams soar” to create fresh expressions that maintain the original meaning while adding humor. Experiment with pig-related puns in different contexts to see what works best. What sounds funny in a barbecue setting might fall flat in a business context, so tailor your wordplay to your audience for maximum impact. The Most Groan-Worthy Pork Puns That Are Still Worth Sharing We’ve roasted up quite a collection of pork puns that are sure to bring home the bacon at your next gathering! From social media captions to birthday celebrations these ham-azing jokes add flavor to any conversation. Pork puns aren’t just funny—they’re versatile tools for connecting with others. Whether you’re breaking the ice at barbecues gracing merchandise or spicing up holiday celebrations these swine-inspired quips create memorable moments. So go hog wild with these jokes and watch as they transform ordinary interactions into something truly special. After all life’s too short not to ham it up occasionally! These puns might make people groan but that’s half the fun of sharing them. Frequently Asked Questions What makes pork puns so effective in comedy? Pork puns are universally effective because they combine two things people love: humor and food. They’re accessible to audiences of all ages and backgrounds, making them perfect for social gatherings. These puns serve as excellent conversation starters and can transform awkward silences into moments of shared laughter, fostering connections even among strangers. What are some examples of pork puns I can use in everyday conversations? Try lines like “You had me at ham-llo,” “I’m experiencing ham-xiety,” “Let’s not bacon-clude anything yet,” “You’re acting like such a ham,” or “I’m going hog wild over these deals.” For social settings, “Don’t go bacon my heart!” and “Life is too short; eat more bacon!” work great as ice breakers that add humor to ordinary interactions. How can I use pork puns on social media? For Instagram, use captions like “Don’t go bacon my heart!” or “Feelin’ hog-tastic today!” with food photos. On Twitter, short quips like “Pork it over—no one’s sharing my pulled pork!” work well in food discussions. TikTok creators often use absurd humor like “When pigs fly, I’ll be there with a plate of ribs!” These platforms embrace pork puns for creating viral, engaging content. Are there pork puns specifically for barbecues and cookouts? Absolutely! Try saying “Time to get this pork party sizzling!” or “These ribs should be on a BBQ billboard!” as you’re grilling. Interactive jokes like “Why did the pig love BBQ? It was un-pork-gettable!” keep conversations lively. These grilling-themed puns not only showcase your culinary skills but also foster community among guests. How can I incorporate pork puns into special occasions? For holidays, try “May your Thanksgiving be stuffed with delicious pork and plenty of joy” or “Wishing you a pork-ful New Year.” For birthdays, use jokes like “What do you call a pig that runs marathons? A ham-bassador” or “Let’s make this party ham-tastic!” These puns bring extra laughter to celebrations, making them more memorable. What kind of pork pun merchandise is available? Popular items include T-shirts and pins with phrases like “Let’s Pork Rock And Roll” and “Pork Chop Karate.” You can find home decor, stickers, and posters featuring pig-themed humor. For a personal touch, consider DIY gifts like pig-themed baked goods, customized mugs, or pig-inspired art that blend humor and creativity. Where can I find pork puns in pop culture? Look for iconic characters like Porky Pig and films such as Babe and Zootopia that frequently use pig wordplay. Celebrities, especially Kevin Bacon, often become subjects of pig-related jokes. Cooking shows featuring pork dishes are also full of these puns. Their presence in mainstream entertainment demonstrates their enduring appeal and cultural significance. How can I create my own original pork puns? Start with word association using pig-related terms (ham, bacon, pork, swine). Play with homophones that sound like pig terminology, and try mixing pig terms with everyday phrases. Experiment in different contexts and adapt your puns to suit your audience. The best puns are clever, timely, and delivered with good humor. https://lolpuns.com/?p=2138 LOL Puns

[malaliusmanshaikhc]

POV: You’re ‘Working from Home’ But Really Just Watching Netflix 😅 #WFHStruggles #OfficeHumor #MondayMotivation

In the age of remote work, the lines between professional responsibilities and personal leisure have blurred more than ever. We've all been there—sitting at our makeshift desks (a.k.a. the dining table) with a laptop open, but our attention is clearly elsewhere. Welcome to the world of "working from home," where productivity is often overshadowed by the latest Netflix binge worthy series. Let’s dive into the humorous struggle of this modern day conundrum!

The Setup: It’s Monday Morning

Picture this: it's Monday morning, the alarm goes off, and you roll out of bed with the optimism of a corporate warrior ready to conquer the week. You pour yourself a cup of coffee, throw on a decent shirt (because, let’s be honest, no one can see the pajama bottoms), and log in to your virtual workspace.

But as soon as the work emails start flowing in, your mind starts wandering. The bright Netflix logo catches your eye from the corner of the screen, and just like that, your "work from home" mission shifts into a cozy couch retreat.

The Temptation is Real

It all begins innocently enough. You promise yourself, "Just one episode" of that gripping show everyone’s been talking about. Before you know it, you’re four episodes in, and you’ve mastered the art of listening for the faint sound of your manager's notifications while keeping your laptop strategically placed to avoid detection.

And let’s not forget the dreaded multitasking. Who hasn’t tried to type an email while half watching a character’s intense monologue? The struggle is real. You end up with messages that read like cryptic codes, such as, “Let’s circle back on that… Oh, and also, what did I miss in Season 2?”

The Guilt Sets In

As the hours pass, a creeping sense of guilt begins to set in. You start justifying your behavior with thoughts like, “I’ll make up for it later,” or “This is self care!” Meanwhile, your to do list grows ever longer, and the only thing you’ve really accomplished is successfully completing the entire season of Stranger Things.

The hashtag #WFHStruggles becomes all too relatable. You scroll through social media and see posts from colleagues who also seem to be living the Netflix dream, and suddenly, you feel a sense of camaraderie. It’s like we’re all in this together, balancing deadlines with dashing plot twists.

The Art of the ‘Fake Work’ Face

When your boss checks in on your progress, you master the art of the ‘fake work’ face. You know, that look of deep concentration while your screen shows a paused episode and your heart races as you click back to your spreadsheet just in time.

“Absolutely, I’ve got that report ready!” you say confidently, while your mind is still tangled in the emotional cliffhanger of the last episode you watched. If only your boss could see the turmoil of emotions playing out behind your eyes!

Finding Balance: Work and Play

The challenge lies in striking a balance. How do you maintain productivity without sacrificing the joy of your favorite series? Here are a few tips:

Set Clear Boundaries: Establish a dedicated work schedule and stick to it. Use breaks as an opportunity to indulge in a quick episode, but keep it to a strict time limit.

Create a ‘No Distraction’ Zone: Designate an area where you work, free from the temptations of the couch and the remote control.

Incorporate ‘Watch Breaks’: Schedule short breaks where you can watch a bit of your show without the guilt. Set a timer and hold yourself accountable.

Utilize Work Breaks: Use your lunch break for a quick episode, making it a part of your day rather than a distraction from it.

Engage with Colleagues: Share your binge watch adventures with coworkers. Maybe you can host a virtual watch party for a little mid week motivation!

Conclusion

So, the next time you find yourself ‘working from home’ but really just watching Netflix, remember that you’re not alone. Embrace the humor in the struggle, and try to find that elusive balance. After all, a little laughter (and a few episodes of your favorite show) can go a long way in making the workweek feel a bit more enjoyable.

Now, if you’ll excuse me, I have some serious ‘work’ to do... right after this next episode! 🍿

#WFHStruggles #OfficeHumor #MondayMotivation

[jrmilazzo]

The place of the rumbera in cinema and in the Mexican national consciousness at this time revolved around the shaping of a sexualized other for the Mexican middle class. These films presented the “tensions in the new social standards of the emerging middle class,” as scholar María S. Arbeláez writes. The rumbera was the central, problematic, and powerful figure in the midst of these cinematic lessons. Her presence also underscored the relative freedom of Cuban sexuality in contrast to the more repressed Mexican counterpart. The sexuality of the rumbera is one that cannot help itself, yet it is a sexuality that is productive through the form of dance. As the boss says to Rosa Carmina’s Maria Antonia in En carne viva, “Tú sabes que cuando bailas, los hombres se despiertan. Te gusta provocarlos.” (“You know that when you dance, guys snap to attention. You like to turn them on.”) Meche Barba’s María Esther makes a similar statement in Humo en los ojos, “Cada vez que un hombre se me acerca, algo pasa.” (“Every time a guy gets near me, something happens.”) In her dance performances, she subverts the male gaze, if temporarily, and with her body makes sense of the musical chaos around her.

[azulvape]

azul vape

Humo Azul is a distinguished vape brand offering a premium vaping experience with its innovative disposable vape pens. Known for their impressive longevity, Humo Azul pens can deliver up to 15,000 puffs, thanks to their generous e-liquid capacity and rechargeable 500mAh battery. These devices feature a 1.2Ω mesh coil, ensuring smooth vapor production and enhanced flavor profiles, making each session enjoyable and consistent. With a wide array of flavors like Peach Ice, Blueberry Ice, and Strawberry Watermelon Grape, Humo Azul caters to a variety of tastes, providing something for every vaper. The brand's easy-to-use design, combined with the ability to recharge, offers both convenience and reliability. Humo Azul continues to earn praise for its quality, longevity, and flavor, solidifying its position as a favorite in the vaping community. For vapers seeking a long-lasting, flavorful experience, Humo Azul delivers a product that combines style, performance, and satisfaction

[bnavmo]

loveless generation

though i'd like to like you all

i don't, you make me hit a wall

you act big, but you're too small

truth is, you make my eyes bawl

cos we're loveless generation

an impossible permutation

we're the product of accidental creation

representing the death of an entire nation

so bebé, si no estás en mi órbita

es porque tu vibra es inhóspita

si me alejo, descifra el acertijo, despeja la incógnita

no es tan difícil, no es una charada insólita

tu criticismo es una fuente eterna de estrés

y tu trato hacia a los demás es todo lo opuesto a cortés

tu indisponibilidad impide que haya un después

y tu superficialidad resulta en mi completo desinterés

segismundo montando caballos de troya

y los rascacielos rodeados por árboles secoya

más caliente que un verano en nicoya

un sol y una luna colgando de argolla

a lo lejos...

afrodita en lencería

nutriendo el ego y la idolatría

más selecta que la mayoría

desafiando cualquier teoría

sin estándar ni categoría

diabla de noche y angel de día

delirando en grandeza como rosalía

llena de deseo y sabiduría

privilegiada, nunca minoría

fucking with venus, qué osadía

por telepatía, quién lo diría

busca aislarse para salvar su batería

no es a modo de defensa, ella es bien fría

poco le importa lo que el mundo pensaría

borrar rastros es mi doctrina

los astros me llaman divina

nunca paro, mi don es la disciplina

a cargo del mar y toda la marina

prendo en llamas cualquier piscina

y el cielo alcanzo desde la ruina

piscis como un verso que no termina

me llaman el aconcagua de argentina

todo lo sintético digiero como medicina

a veces cruelmente masculina

pero siempre sutilmente femenina

mi presencia te sube la dopamina

quieres mucha rosa, pero poca espina

eres israel bombardeándome como palestina

y quieres tapar el humo con una cortina

crees poder impresionarme con tu harina

pero eres carbohidrato y yo mucha proteína

conozco tu intención y sé que no es genuina

puedo ver a través de toda tu neblina

fuera de alcance en alguna calle josefina

escuchando a lorde, soy tu pura heroína

dime qué estoy pensando, a ver, adivina

de punto y coma a punto final se termina

[zoneoftools]

Text to Voice Converter: Transforming Words into Audio Magic

Introduction

In today's digital era, technology continues to push the boundaries of what we once thought was possible. One such innovation is the remarkable text to voice converter. This cutting-edge tool has the power to transform written words into delightful audio experiences. Whether you are a teacher looking to engage your students, a content creator seeking a new medium, or someone with a visual impairment, a text to voice converter opens up a world of possibilities. Let's delve deeper into this revolutionary technology and explore its benefits, applications, and how it works.

What is a Text to Voice Converter?

its core, a text to voice converter is a software or application that converts written text into spoken words. It utilizes advanced voice synthesis technology to generate human-like voices that can accurately interpret and communicate the written content. By leveraging natural language processing and artificial intelligence algorithms, a text to voice converter can capture nuances in tone, emphasis, and pacing to deliver an authentic audio experience.

How Does a Text to Voice Converter Work?

Understanding the inner workings of a text to voice converter can be quite fascinating. Behind the scenes, these remarkable tools employ complex algorithms and linguistic analysis techniques to decipher and interpret text. Here is a simplified breakdown of the text to voice conversion process:

Text Analysis: The input text is carefully analyzed, taking into account punctuation, grammar, and formatting.

Linguistic Processing: The converter breaks down the text into smaller linguistic units, such as sentences, phrases, and words.

Pronunciation Mapping: The converter utilizes linguistic rules and databases to determine the correct pronunciation of words and phrases.

Voice Synthesis:��In this crucial step, the converter generates audio by matching specific phonetic representations with corresponding voice samples. This process ensures a seamless and natural-sounding result.

Audio Rendering: Finally, the synthesized voice is combined with appropriate intonation, rhythm, and pacing to produce the final audio output.

Benefits of Using a Text to Voice Converter

The application of text to voice converters is vast and far-reaching. Let's explore some of the key benefits this technology brings to various industries and individuals:

Accessibility: For individuals with visual impairments, a text to voice converter enables access to written content that may have otherwise been inaccessible. Whether it's books, articles, or websites, converting text to audio form empowers individuals to engage with information effortlessly.

Language Learning: Language learners can significantly benefit from a text to voice converter. By hearing the correct pronunciation and intonation, learners can enhance their spoken skills and improve their overall language proficiency.

Content Creation: With the rise of audio content platforms, such as podcasts, a text to voice converter offers content creators a new medium to reach their audience. Converting written content into audio form allows for an immersive and engaging experience.

Productivity: Busy professionals can save time by listening to documents, emails, or reports while multitasking. Instead of dedicating exclusive time to reading, a text to voice converter provides a hands-free option for consuming information.

Future Developments and Challenges

As technology progresses, so too does the development of text to voice converters. Deep learning techniques and neural networks hold the promise of even more realistic and human-like voices. Additionally, providing a wider range of voice options, including regional accents and languages, will further enhance the user experience.

Nevertheless, challenges still exist in perfecting this technology. Overcoming issues such as pronunciation errors, naturalness of speech, or accurately conveying sarcasm or humor remains ongoing research areas. However, continuous advancements indicate a promising future for text to voice converters.

In Conclusion

Text to voice converters have revolutionized the way we interact with written content. From accessibility to language learning and content creation, the applications are endless. With the potential for even more realistic voices and improved capabilities on the horizon, text to voice converters are set to shape the future of audio experiences. Embrace this technology and open yourself up to a world of spoken word magic.

Meta Description: Discover the wonders of a text to voice converter. Transform written words into audio magic with this innovative technology. Enhance accessibility, language learning, and content creation

[heywoodsays]

Animated Short: War Is Over!

The nominees are:

Letter to a Pig

Ninety-Five Senses

Our Uniform

Pachyderme

War Is Over! Inspired by the Music of John & Yoko

War Is Over! Inspired by the Music of John & Yoko is almost certain to walk away with this year’s Oscar for Best Animated Short. And… it’s fine. Really, it’s an okay short, but it’s (by far) my least favorite of the five nominees. While War Is Over! seems like it was crafted to win an Oscar, the other nominees each offer something unique to the field.

Our Uniform, a 7-minute short from Iran, uses stop motion on fabric to tell its story about schoolgirls wearing the hijab.

France’s Pachyderme is the most conservative in its animation technique yet is still highly creative in the way it uses those techniques to tell its difficult, heart-wrenching story. It’s cleaned up all the European awards.

The Israeli/French Letter to a Pig has been a favorite at North American festivals. Its themes surrounding the holocaust and generational trauma may resonate strongly with American Academy members, especially in the current political climate.

But my favorite animated short this year was Ninety-Five Senses, featuring the voice of Tim Blake Nelson of O Brother, Where Art Thou? and The Ballad of Buster Scruggs fame. The film uses different animation styles in its exposition of each of the five senses, and its poignant story keeps you gripped for the full 14 minutes.

Who will win: War Is Over! Inspired by the Music of John & Yoko

But look out for: Letter to a Pig

Who I’d vote for: Ninety-Five Senses

If I could add one more: Humo

◄ Previous: Live Action Short | Next: Documentary Short ►

2024 OSCAR PICKS | FEATURES AND SHORTS: International Feature | Animated Feature | Documentary Feature | Live Action Short | Animated Short | Documentary Short | TRADE CRAFTS: Cinematography | Film Editing | Production Design | Costume Design | Makeup and Hairstyling | Sound | Visual Effects | Original Score | Original Song | TOP CATEGORIES: Original Screenplay | Adapted Screenplay | Supporting Actor | Supporting Actress | Actor | Actress | Director | Picture | TOP 10 FILMS OF 2023