#I loved drawing that scene from the intro... It got a sort of chill vibe to it :>
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Also a huge thanks to @kleineralbtraum who commissioned several One Piece themed drawings, this one being the second one created this week, with all the money going into the fundraising! Your support means a truly great deal to me!! ;///;🖤🤍
Trafalgar D. Water Law (c) Eiichiro Oda Art (c) FinzPhoenix
#I loved drawing that scene from the intro... It got a sort of chill vibe to it :>#One Piece#One Piece fanart#Traflagar Law#trafalger d water law#one piece trafalgar law#opfanart#Finz art#commissions#b/w art#ink art#Anime
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Skam Austin episode 3 reaction
My favorite comment this week on the Skam Austin Facebook page:
Why do you use the font that SPAM uses and say you are in Austin where SPAM is located when you are actually in Austin TX and have no affiliation with #HormelFoods
Hormel Foods, the manufacturer of Spam is located in Austin, Minnesota, for the record.
Episode 3
Clip 1 - Lying in the back of the truck
This scene was actually new. I think it’s supposed to stand it for the Eva/Jonas lying in bed when she kicks him out and her mom comes in, but most of the ideas and dialogue within the scene were original, not borrowed. They didn’t have Meg mention that Zoya said she should break up with Marlon, nothing about Marlon saying she couldn’t live without him though he was similarly dismissive. She does it in a text later, though, and he tells her she wouldn’t last a second without him.
This camerawork does feel like Julie a lot. Especially the overheard of both Meg and Marlon lying down, that’s some total Skam couple vibes. Except early on Meg and Marlon are not touching and aren’t even on the same level, because as a couple … they’re not on the same level, lol.
Well, I considered the dance team to be sports but Meg disagrees with me, I guess. If you’re funded by the athletics department, then I’d say you’re a sports team. (It might vary from school to school but my high school definitely counted the cheerleading and dance teams as part of athletics.)
Meg: Dancing is about art. Marlon: Nah I don’t think so. GODDAMN MARLON FUCK OFFFFFF
I know a high school dance team has a different purpose in mind than like, New York City Ballet, but dance is absolutely an art form. This isn’t controversial, dumbass.
Can you please just be supportive of your girlfriend, Marlon? She found something that might make her happy and she’s socializing with other girls.
Someone in the FB comments said Meg and Marlon are cute together in a way that Eva and Jonas weren’t and like, everyone has a right to their opinion but I’m going to make a PowerPoint detailing my opposing view, which is 100 slides of NOPE.
Clip 2 - Sloooooooow mooooooooo whiiiiiiiiite guyyyyyyyyyyyyyy
Meg is actively lying to her mom about being on the dance team. At least she runs into some new friends when her mom says to tell Abby hi.
KELSEY’S EYEBROWS I’M YODELING
There are some parts where Kelsey seems a little too like a sitcom character. It has more to do with the writing/directing than the actress, who’s been doing a decent job and having fun with the role. The bit where she’s like “SOME people in the group” works perfectly fine as a joke on its own - we all recognize the absurdity of her trying to obscure the person’s identity when there are five girls in the group and everyone knows who Kelsey’s got beef with. You don’t need to add on “you know … Zoya” which is just overkill.
Zoya just got them 100 pounds of free cookie dough to raise money for the team. Or… y’all could eat it … not that this is what I would do or anything.
But good job Zoya! And now Kelsey has to reconsider her position on Zoya. Free cookie dough?
He’s called Penetrator Jo??????????????
“Why is he called Penetrator Jo?” “No one knows.” OK …. I actually find that kind of funny but also … really, Julie? That’s far more obvious inside the narrative than calling a character Marlon.
Now we have what is obviously the most important scene of the season according to certain parties: William/Daniel’s introduction.
I have a confession to make. Uhhhh … taken on its own, I sort of like this version of the slow motion montage over the original.
I was never wowed by William’s intro, and this one at least has some tongue-in-cheek choreography with the football players and has Childish Gambino over it (in my version).
But at the same time I’m like really?
I think if I just watched both scenes side by side with no further context, I would prefer this one, because it’s so OTT ridiculous I would assume the director was making a joke. However, knowing the full situation, with S2’s Noorhelm and William depiction, and Julie’s intense love of the character, it does spoil the effect, because Julie really does believe that stuff about William/Daniel being painted as a villain. Like there’s definitely a humorous component to the scene but it doesn’t work as well when the director buys into the character’s hype. Same with Grace’s unimpressed eye roll and her comment about him being a cliche: on its own it’s a welcome voice for the audience, and I’m sure it’s an entertaining comment for the shippers, but knowing that it’s going to be ironic later spoils the effect.
Thinking about it, I also feel the same about the Penetrator Jo comment, maybe. On its own with no context, I’d find it funny - there’s something ridiculous not just about that nickname but by the fact that “no one knows” how he got something that should seemingly be obvious, yeah? Knowing that show ends up being on #TeamPenetrator is not as fun.
And not gonna lie, part of me will just never get Julie’s love of the William character when she has created so many more well-rounded, interesting, unique characters, and William is a well-worn trope played straight.
On that note, I see the complaints that this is like a very typical American teen drama, and on the one hand I can’t argue with that, popular football player all the girls thirst over is a pretty common trope. But also, lol … the original was just like this, the William character and the Noora/William relationship were the most CW-ish parts of the show. No matter whether you liked them or not!
Neither William nor Daniel are really my type so I’m not hung up on stuff like whether the actor is hot enough. He’s kind of just like … a generically attractive white boy. I saw four of those at Steak ’n Shake the other night. Not trying to be mean, I get why girls would like him, and I really don’t care about anyone’s appearance on this show. His bone structure does seem above average.
Girl Jo is so cute. “He has a lot of shirtless pics.” “She has places to be, that’s like, adult stuff.”
She is getting a little passive-aggressive with using Kelsey as her cosmetic guinea pig. Kelsey is kind of a pushover, isn’t she? There’s a dynamic to explore there, where the two of them are obviously BFFs but Kelsey is letting Jo commit atrocities on her face. I wonder if that will build to anything or it’ll be a running gag. Maybe Daniel, instead of telling Kelsey she’s not pretty or good enough, will just be like your brows are NOT on fleek.
Clip 3 - Marlon and his crew are the worst
Shay: “I don’t know why we’re arguing about this, you’re freaking rich...ly, killing it in that sweater.” Marlon is selling his Adderall, I’m calling it now. Shay doesn’t want to draw attention to the fact that Marlon has some spare change accumulating from somewhere. I guess Abby could be buying from him and that’s why she was all CALL ME?
That’s not a bad change at all from the source material. Because while smoking weed can get you in trouble, selling drugs can get you into even more trouble. It would also be thematically relevant to the theme of pressure, do everything to succeed, be a winner not a loser, etc.
The way they’re sitting is so (intentionally) awkward with Megan clearly on the outside of their little group dynamic and on a lower level.
They are eating the pizza and someone presumably paid for it already, so this is a strange conversation to have, but then again I have ordered takeout plenty of times with friends where one of us paid upfront and then the rest of us paid them back or covered them. I guess Marlon could have paid for it at the door? Still kind of a weird conversation when you consider they could have been like … looking at the menu and talking about what to order and arguing about who’s gonna pay.
Marlon is SUCH an asshole. DUMP HIM. He started to make fun of her about her dance team in front of his friends. Meg gives Marlon’s crappy music her attention, he can’t support her in her dance team?
This scene made it really clear that it’s not a situation similar to Eva, where yeah, Jonas and Isak did gang up on her and could be mean to her, but she was still a part of the trio. We saw them eat together, go to movies together, have little jokes together. Eva was friends with Isak. Megan is only here for Marlon. Tyler and Shay aren’t her friends.
Some of the joking here - like Tyler saying, “Wait, Megan, you actually became a stripper? You took my advice, bro” - in another context I could see that being fine, like if Tyler was saying that to Shay, it’s just friends taking the piss out of each other, but he and Megan aren’t good enough friends for that not to have any tension or awkwardness.
Marlon being like “I’ve tried to convince her that team sports brainwash people … guess they already got to her though” is so so insensitive. Jackass! This was something that made her happy and she had to give it up FOR YOU.
I am so so glad that she called him out though, and she’s right. He’s got a limited set of talking points.
But it sucks that Shay and Tyler got in on it and called her out. Her attitude about the Kittens was clearly motivated by hurt and resentment over what she’s lost and a person who has since made her feel like shit, not her overall attitude toward sports teams. I would think they would know that much since they have to be somewhat familiar with the Megan-Abby drama. Tyler especially takes it too far when this is not a comfortable situation for Megto be in, she’s not included in anything, she’s just the girlfriend who’s there. Like I do not blame Megan at all for having some interest in Jo, because even if he’s sleazy, he’s the one who’s paying her compliments.
Clip 4 - Party invite
Julie continues with her tradition of “shooting the protagonist from behind as they walk somewhere.”
Kelsey’s eyebrows aksdfalsjnd
“I’m only waxing my mom’s chin so” Jooooooo.
Zoya telling Kelsey to chill and Kelsey immediately trying to chill … I feel like she wants to impress and go along with Zoya more than Vilde did with Sana. Kelsey seems like more of a people pleaser.
See, I heard people complaining that Zoya is too mean (and IDK, there might be some stuff to unpack there) but I felt in this scene she made her intentions pretty clear, that she was trying to help Kelsey calm down and not embarrass herself in front of the football guys, whereas Sana’s motives were probably the same but weren’t laid out like that and Vilde got pissed off at her.
I was kinda hoping that Zoya would be like “You are a hot girl” to Kelsey specifically but it’s nice she referred to the whole group as the hot girls. The only part I found excessively mean was the bit about Kelsey’s eyebrows (and I mean … she’s not wrong, but tact).
Jo is in love with Zoya.
It was sort of random that we pulled back a little and just watched Jo and Kelsey talk about her eyebrows, I mean that kind of casual conversation is fine, it was just the physical distance that was odd when so much of this series relies on closeups. We didn’t even see Meg’s reaction, not even to show Megan and Grace being like well, we’re done with this conversation and walking away.
There was an IG pic of the girls with Kelsey covering her eyebrows, which is adorable, but I’m not sure when the pic was taken because Meg is shown walking up at the start of the clip and Meg and Grace walk away at the end, and it looks like they’re in the same location. I guess Meg ran back to take a group selfie.
Clip 5 - American teen party with red Solo cups
I was wondering how they’d do the slow motion walk since I mean… they’d probably have to drive to the party, lol. And they did have them in the car! With the girls having a good time and Grace in the backseat looking awkward.
Actually I’m really glad Julie didn’t full on recreate one of the most iconic scenes of the original show, I prefer that she gave it a different spin. I don’t think this version of the scene will stick in my mind as much as the OG, but this does feel, well, American and relevant to the culture.
All the girls look great. I’m really digging Zoya’s hoops.
If anyone cares to know what I hissed at Daniel when he was checking out Kelsey.
I like how Abby seemed like she’s holding court among the Kittens.
I hate Marlon/Meg so much that even Meg/”Don’t be a cocktease” Jo is preferable. Though neither is the best option.
Part of me is like SIIIIIIIIGH at them not going to address Kelsey’s religion at all. It’s not that every Christian has to be abstinent or anything, I know Christian girls who were big on partying and had premarital sex. It’s that this is a big opportunity to shake up the story and add another dimension to the situation, and I feel like it won’t be addressed. I’d love if they at least talked about it in the next episode, if Kelsey’s trying to lose her virginity to Daniel and acquire birth control.
“I touch my friend’s boobs all the time” LISTEN UP JULIE ANDEM. Please let Jo be not straight. Please let Jo and Shay interact and possibly date. Both of those characters have some of the most personality on the show, it’d be a hit. Skam France set the precedent and made the equivalent character bi, YOU CAN DO IT.
I am overjoyed that so many people seemed to share my opinion of the world peace guy, which is Daniel who? Penetrator what? Give us more of THIS rando.
Honestly in his limited screen time, he has some decent comedic timing? He might be funny as the Magnus character.
That whole conversation was the highlight of the clip, the episode, and the series so far.
This is super random but I’m glad Meg and Grace went to the bathroom together because like … yes, that is what you do when you’re girls who are awkwardly standing around at parties. Bathroom solidarity. And actually that’s a good setup for Grace leaving Meg alone and Jo getting to her rather than Noora ditching Eva to take a phone call.
Marlon’s last name is Frazier for anyone curious.
“There’s another bathroom upstairs I can show you.” Smooth.
Zoya adding some food coloring into her Abby attack was an upgrade, particularly when the target’s in a white shirt.
Jo taking off her earrings once the fight starts - she is the beeeest.
The shot of the girls climbing into the car is really cute to me, IDK.
I thought this was a fun clip but admittedly that’s 90% because Jo is a gem.
General Comments:
Some of me wonders … what if Tyler has it bad for Marlon and Shay has it for Meg? Tyler being “clingy” in the gc according to Marlon (which is just Marlon’s opinion and may not be that serious, to be sure) and Shay is noticeably nicer to Meg than Tyler is. I think.
Actually that text about Meg being added to their group chat made me cringe. They really aren’t welcoming to her. Meg has been dating Marlon since at least February - I’m pretty sure it was more like Christmas - and he’s only now adding her to the chat. Okay.
When Isak contacted Eva on Skype in episode 1, it seemed like he just wanted to chat with her. I guess maybe he wanted to sniff out if Jonas was there but he didn’t ask about it first, and he and Eva laughed about the Pepsi Max girls, and when he saw Eva was sad, he tried to give her some advice about talking to Ingrid. It was definitely a friendly conversation. When Shay did the same call, she asked where Marlon was, and after Meg said she didn’t know, Shay quickly said she had to go. It wasn’t a friendly, just-to-talk conversation. Meg tried to extend the conversation a little longer by talking about the Kittens - this makes me sad because it felt like she really needed to talk to someone, and Shay’s response isn’t that supportive or like she knows the magnitude of the situation with Megan and Abby. It makes me wonder because Eva was close enough to Isak to confide in him, and Meg will probably do that with Shay, but I don’t feel their relationship is as tight on its own terms to merit that.
I do find all the viewer comments on Meg and Marlon’s IG pics that are like “He’s cheating on you!” and “Why are you lying to her?” to be very funny and endearing.
Some of the FB comments about Zoya’s character … have some implications, like I haven’t seen anything outright Islamophobic, but there is a sense of “she’s too aggressive/too mean” and some of it is hard to judge whether it’s a fair assessment of her character thus far and how much of it is code for “she’s a mouthy black Muslim.”
It also got me thinking because all of the Noora/William combos have been white across the remakes, and IDK, I think it’d be great if the big man on campus that all the girls found attractive was a MOC, but also - can you imagine if a William was black and how differently he would be judged on his behavior, provided it was the same as in the original? The black guy heartlessly using and throwing aside the sweet virginal white girl? Or the black guy relentlessly pursuing the white girl who said she wasn’t interested? Or the black guy smashing a bottle over a guy’s head? I feel like a black William would reveal some ... enlightening viewer reaction. To put it mildly.
Jo is the most popular character by a landslide according to a poll on the FB group and that does not surprise me in the slightest. I’d be a little interested to know who was the most popular character so far in the original Skam. My guess is that opinions would be more widely spread.
Her IG posts/stories with Kelsey’s makeover and eating with the girls are really cute, btw.
I don’t really know how to judge the ratings because Facebook Watch is largely untested as a streaming platform, but there seem to be at least 1,000-2,000 new users following the show per day, maybe more (though stuff like fake/spam accounts need to be taken into consideration) and the full episodes are getting far more hits than the individual clips.
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’77 Fest 2017 @ Jean Drapeau – 28 July, 2017
Rancid
Ever since the Warped Tour started to skip over our fair city a few years ago, there’s been a punk-sized hole in our Montreal summers. Pouzza Fest has carried the torch admirably, but there’s really nothing quite like a day of punkin’ in the park on a nice summers day. Clearly, a group of punk promoters here felt the same way; after booking punk rock shows for over 25 years, they decided to take matters into their own hands.
Enter ’77 Montreal. 13 bands across 2 stages in a small section of Parc Jean Drapeau, blessed with a rare day of dry weather in this bummer of a summer. No bands overlap either – the bane of many a festival. This year’s inaugural event, likely due to the schedules of the headliners, takes place on a Friday, so crowds are a little sparse to begin with, which makes sense. After all, many of the “punks“ towards whom this line-up is aimed are now grown-ups with full-time jobs who can’t get a day off frivolously… or perhaps it’s just me!
Jake Burns
After the bizarre request to surrender the top of my plastic bottle (note to organizers, despite the various admonitions around the site, this makes staying hydrated quite difficult, irrespective of the presence of water filling stations, if I can’t actually store it in my pocket for when I need it), I finally enter the venue midway through Jake Burns (of Stiff Little Fingers fame) set, which is the perfect soundtrack to a relaxed afternoon in the park if ever you heard one. It sounds especially chilled in comparison to what follows next: New York hardcore legends Madball.
Madball
The chilled vibe is obliterated within about 2 seconds of the first song, as the crowd explodes into life in the mid-afternoon sunshine. Frontman Freddy Cricien is an engaging one: he patrols the front fence right off the bat, and, as if the crowd isn’t already involved enough, waves his finger like a lasso, the universal symbol to start a circle pit, to which the hardcore-heads duly oblige. He’s funny too, introducing Madball as “a brand new band working on their first album,” and declaring “we love coming to Canada…but not the border.” An explosive 45 minutes.
Madball
New Jersey’s finest The Bouncing Souls are immediately up next, and draw another huge, excitable crowd. Frontman Greg Attonito skanks his way onto the stage and launches right into the epic Manthem, and they keep up the frenetic pace on Late Bloomer. Greg roams the front fence too, shaking hands and high-fiving as many as possible, and then darts up the aisle that splits the crowd down the middle right to the sound desk on Lean On Sheena, accompanied by a huge sing-along from the rabid crowd.
The Bouncing Souls
Gone sounds epic too, and after wishing everyone “have a great night, have a great everything!!!”, they wrap up a brilliant set with the classic True Believer. The pit picks up once more, and due to a bizarre design on the smaller ‘Scene Ouest’ stage (in which the middle of the floor area is raised a few inches up compared to the left and right sides), those at the edge of the raised area are thrown off the edge during the crowd surge (including myself). Thankfully, no damage is done, save for one punk’s young daughter who leaves the area in tears, but such a floor design is certainly asking for trouble in the form of sprained ankles and tumbles. Another note to the organizers there then…
The Bouncing Souls
Old school So-Cal punks The Vandals follow, and despite being physically older dudes, clearly haven’t gone all ‘grown-up.’ Opening with Its A Fact (complete with comedy guitar solo) and Take It Back, frontman Dave Quackenbush then dedicates People That Are Going To Hell to himself. Seriously, these guys were joking about on stage way before Blink 182 made it mainstream.
After Cafe 405 and Pizza Tran, Dave demands to see himself on the huge screens on the opposite stage during Live Fast Diarrhea, all to no avail. Still, he sparks a huge sing-along to the chorus, and you know that The Vandals are the only band who could get a whole crowd to yell “Diarrhea” and make it sound anthemic. Oi To The World and the brilliant The New You follow before Dave and bassist Joe Escalante once again address the crowd: “you know The Vandals, we like to address political shit; we know your President, he’s fuckin’ good-looking, he could be a Kardashian!!”
The Vandals
On I’ve Got An Ape Drape (their ode to mullets), Dave replaces ‘Queensryche’ with ‘Bouncing Souls’ to declare “I’ve been growing that one braid back there for years / I’ve had it since the first time I saw Bouncing Souls!!!”, much to the amusement of anyone who actually caught the joke. And Now We Dance, Anarchy Burger, My Girlfriend’s Dead are blazed through next, before the set concludes with I Have A Date, and the biggest goofball of all of them, guitarist Warren Fitzgerald, heads into the crowd, onto the sound tent, dancing crazily for the video screens. Anyone who didn’t know The Vandals before today will certainly not forget them in a hurry; 50 minutes of ridiculous genius fun.
X
Many bands to this point have expressed their excitement at seeing punk legends X at this festival, who in the words of Dave Quackenbush, are “the only band here that really live the spirit of 1977” (after which this very festival is named). Indeed, even Mac DeMarco has turned up for them, watching their set from the side of the stage and singing along to We’re Desperate (at least I think its him…). However, it seems that most of the crowd uses their set as an excuse to grab some food, as the crowd is notably thinner at the front during their set. Not that any of the band seem to notice, or if they do, they don’t seem to care. Oozing cool, frontwoman Exene Cervenka has her hands in the pockets of her X hoodie, and you know how cool you have to be to get away with wearing your own merchandise. Aside from a cover of a 1920s country song (since “the 1920s were way more punk than the 1970s,” according to Exene), the set is unmistakably old-school punk, and sounds as timeless as it did back in the day.
X
After lining up for 40 minutes for a supper of 2 waffles (and that was the shortest of the line-ups for the 3 food trucks available to service the entire festival; one had sold out already. Note to organizers: more food trucks are needed for an event of this size!), it’s time for the first of the co-headliners in the form of Massachusetts legends Dropkick Murphys. It’s hard to know if it was them or Flogging Molly who first merged the Celtic influence with punk, but it’s a sound they’ve never strayed from across their 9 studio albums, and why would they? It’s clearly beloved by the thousands now assembled for their set. Indeed, it’s traditional celtic music and tin whistles that signal their arrival on stage, and after a melancholy intro, the pit explodes into life with the first bars of The Boys Are Back, and is swiftly followed by Blood and bagpipes.
Dropkick Murphys
Johnny, I Hardly Knew Ya starts out very traditionally with a mandolin, before again erupting into life, and the energy of the crowd is palpable. Some down-time arrives with a stirring cover of You’ll Never Walk Alone, which is followed by the anthemic Rose Tattoo, which sounds even more fantastic in conjunction with the sun setting over the trees around the venue. The pit erupts back into life with The State Of Massachusetts and I’m Shipping Up to Boston. At this point, various members of the crowd gatecrash the stage and dance and sing with the band, and remain there for Until the Next Time, and in fact are joined by even more of the crowd; the stage is pretty packed by the end. A cannon-blast of confetti into the crowd wraps up the epic set.
Dropkick Murphys
For the first time all day, there’s a lull in proceedings, with no bands playing, as Rancid‘s crew set things up on the same stage Dropkick Murphys just vacated. The tiredness of a busy week at work and an afternoon on my feet in the sun begins to set in, and I wonder if I have one more band left in me. Of course, when that band is Rancid, there’s absolutely no way I’m leaving early, and as soon as Tim Armstrong staggers onto the stage and sings the opening notes of Radio, the tiredness evaporates and euphoria takes over, as they blast through classic after classic, as Roots Radicals, Journey to the End of the East Bay, and the bass-shredding Maxwell Murder follow soon after. Its amazing stuff.
Rancid
During The 11th Hour, Tim tells us how they and Dropkick Murphys participated in a draft as to which band would headline each night, and he chose Montreal! The crowd roars approval at his choice; tonight, there really couldn’t be anyone else headlining. Guitarist Lars Frederiksen rips through Ghost Of A Chance, despite some obvious annoyance at some clowns who intermittently throw junk onto the stage, and when he proclaims “we’re gonna take you back to 1995 to a little record called And Out Come The Wolves,” the ska vibes of Old Friend kick in and get everyone dancing once more.
New song Where I’m Going follows that ska vibe perfectly, despite being over 20 years younger. For It’s Quite Alright, Lars asks for circle pits either side of the central aisle, which the crowd are happy to provide, and they keep this up for Buddy. Fall Back Down is met with a huge clap-along, and ends in a huge sing-along for the last chorus The timeless Time Bomb brings back the ska vibe once more, before Ruby Soho closes out the main set with the biggest sing-along of the set so far. A truly magnificent hour of music, from a truly magnificent band.
Both Rancid and Dropkick Murphys emerge for a combined encore of covers, consisting of Cretin Hop (Ramones), I Fought The Law (The Clash) , Folsom Prison Blues (Johnny Cash) and TNT (AC/DC) , to bring the festival to a carnival sort of conclusion, before leaving the stage and leaving the tired but elated crowd to fight their way onto the Metro and back home.
Setlist Radio Roots Radicals Journey to the End of the East Bay Maxwell Murder The 11th Hour Nihilism East Bay Night Dead Bodies Ghost of a Chance Telegraph Avenue Old Friend Where I’m Going Salvation Bloodclot Black & Blue Olympia WA. It’s Quite Alright Buddy Fall Back Down Time Bomb Ruby Soho
Encore Cretin Hop (Ramones cover) I Fought The Law (The Clash cover) Folsom Prison Blues (Johnny Cash cover) TNT (AC/DC cover)
Will this Festival be a regular thing, or a one-off? One would hope the former, since the video screens read “see you next year” on the way out. Here’s hoping so – despite a few minor glitches and gripes, the first edition of ’77 Montreal was a resounding success, and here’s hoping for many more years punkin’ in the park!
Pale Lips
Pale Lips
This mighty creature was hanging out in the Monster energy tent
This little guy emerged from out of the shadows of the Monster Energy tent to have a quick nibble and was gone as quickly as he had appeared. Its not a common occurrence, to find a rodent that digs the Dropkick Murphys.
Barrasso
Barrasso
Genetic Control
Genetic Control
The Kingpins
The Kingpins
The Creepshow
The Creepshow
The Creepshow
The Creepshow
Hairdressing in the Monster energy tent
Review – Simon Williams Photos – Kieron Yates
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’77 Fest 2017 @ Jean Drapeau – 28 July, 2017
Rancid
Ever since the Warped Tour started to skip over our fair city a few years ago, there’s been a punk-sized hole in our Montreal summers. Pouzza Fest has carried the torch admirably, but there’s really nothing quite like a day of punkin’ in the park on a nice summers day. Clearly, a group of punk promoters here felt the same way; after booking punk rock shows for over 25 years, they decided to take matters into their own hands.
Enter ’77 Montreal. 13 bands across 2 stages in a small section of Parc Jean Drapeau, blessed with a rare day of dry weather in this bummer of a summer. No bands overlap either – the bane of many a festival. This year’s inaugural event, likely due to the schedules of the headliners, takes place on a Friday, so crowds are a little sparse to begin with, which makes sense. After all, many of the “punks“ towards whom this line-up is aimed are now grown-ups with full-time jobs who can’t get a day off frivolously… or perhaps it’s just me!
Jake Burns
After the bizarre request to surrender the top of my plastic bottle (note to organizers, despite the various admonitions around the site, this makes staying hydrated quite difficult, irrespective of the presence of water filling stations, if I can’t actually store it in my pocket for when I need it), I finally enter the venue midway through Jake Burns (of Stiff Little Fingers fame) set, which is the perfect soundtrack to a relaxed afternoon in the park if ever you heard one. It sounds especially chilled in comparison to what follows next: New York hardcore legends Madball.
Madball
The chilled vibe is obliterated within about 2 seconds of the first song, as the crowd explodes into life in the mid-afternoon sunshine. Frontman Freddy Cricien is an engaging one: he patrols the front fence right off the bat, and, as if the crowd isn’t already involved enough, waves his finger like a lasso, the universal symbol to start a circle pit, to which the hardcore-heads duly oblige. He’s funny too, introducing Madball as “a brand new band working on their first album,” and declaring “we love coming to Canada…but not the border.” An explosive 45 minutes.
Madball
New Jersey’s finest The Bouncing Souls are immediately up next, and draw another huge, excitable crowd. Frontman Greg Attonito skanks his way onto the stage and launches right into the epic Manthem, and they keep up the frenetic pace on Late Bloomer. Greg roams the front fence too, shaking hands and high-fiving as many as possible, and then darts up the aisle that splits the crowd down the middle right to the sound desk on Lean On Sheena, accompanied by a huge sing-along from the rabid crowd.
The Bouncing Souls
Gone sounds epic too, and after wishing everyone “have a great night, have a great everything!!!”, they wrap up a brilliant set with the classic True Believer. The pit picks up once more, and due to a bizarre design on the smaller ‘Scene Ouest’ stage (in which the middle of the floor area is raised a few inches up compared to the left and right sides), those at the edge of the raised area are thrown off the edge during the crowd surge (including myself). Thankfully, no damage is done, save for one punk’s young daughter who leaves the area in tears, but such a floor design is certainly asking for trouble in the form of sprained ankles and tumbles. Another note to the organizers there then…
The Bouncing Souls
Old school So-Cal punks The Vandals follow, and despite being physically older dudes, clearly haven’t gone all ‘grown-up.’ Opening with Its A Fact (complete with comedy guitar solo) and Take It Back, frontman Dave Quackenbush then dedicates People That Are Going To Hell to himself. Seriously, these guys were joking about on stage way before Blink 182 made it mainstream.
After Cafe 405 and Pizza Tran, Dave demands to see himself on the huge screens on the opposite stage during Live Fast Diarrhea, all to no avail. Still, he sparks a huge sing-along to the chorus, and you know that The Vandals are the only band who could get a whole crowd to yell “Diarrhea” and make it sound anthemic. Oi To The World and the brilliant The New You follow before Dave and bassist Joe Escalante once again address the crowd: “you know The Vandals, we like to address political shit; we know your President, he’s fuckin’ good-looking, he could be a Kardashian!!”
The Vandals
On I’ve Got An Ape Drape (their ode to mullets), Dave replaces ‘Queensryche’ with ‘Bouncing Souls’ to declare “I’ve been growing that one braid back there for years / I’ve had it since the first time I saw Bouncing Souls!!!”, much to the amusement of anyone who actually caught the joke. And Now We Dance, Anarchy Burger, My Girlfriend’s Dead are blazed through next, before the set concludes with I Have A Date, and the biggest goofball of all of them, guitarist Warren Fitzgerald, heads into the crowd, onto the sound tent, dancing crazily for the video screens. Anyone who didn’t know The Vandals before today will certainly not forget them in a hurry; 50 minutes of ridiculous genius fun.
X
Many bands to this point have expressed their excitement at seeing punk legends X at this festival, who in the words of Dave Quackenbush, are “the only band here that really live the spirit of 1977” (after which this very festival is named). Indeed, even Mac DeMarco has turned up for them, watching their set from the side of the stage and singing along to We’re Desperate (at least I think its him…). However, it seems that most of the crowd uses their set as an excuse to grab some food, as the crowd is notably thinner at the front during their set. Not that any of the band seem to notice, or if they do, they don’t seem to care. Oozing cool, frontwoman Exene Cervenka has her hands in the pockets of her X hoodie, and you know how cool you have to be to get away with wearing your own merchandise. Aside from a cover of a 1920s country song (since “the 1920s were way more punk than the 1970s,” according to Exene), the set is unmistakably old-school punk, and sounds as timeless as it did back in the day.
X
After lining up for 40 minutes for a supper of 2 waffles (and that was the shortest of the line-ups for the 3 food trucks available to service the entire festival; one had sold out already. Note to organizers: more food trucks are needed for an event of this size!), it’s time for the first of the co-headliners in the form of Massachusetts legends Dropkick Murphys. It’s hard to know if it was them or Flogging Molly who first merged the Celtic influence with punk, but it’s a sound they’ve never strayed from across their 9 studio albums, and why would they? It’s clearly beloved by the thousands now assembled for their set. Indeed, it’s traditional celtic music and tin whistles that signal their arrival on stage, and after a melancholy intro, the pit explodes into life with the first bars of The Boys Are Back, and is swiftly followed by Blood and bagpipes.
Dropkick Murphys
Johnny, I Hardly Knew Ya starts out very traditionally with a mandolin, before again erupting into life, and the energy of the crowd is palpable. Some down-time arrives with a stirring cover of You’ll Never Walk Alone, which is followed by the anthemic Rose Tattoo, which sounds even more fantastic in conjunction with the sun setting over the trees around the venue. The pit erupts back into life with The State Of Massachusetts and I’m Shipping Up to Boston. At this point, various members of the crowd gatecrash the stage and dance and sing with the band, and remain there for Until the Next Time, and in fact are joined by even more of the crowd; the stage is pretty packed by the end. A cannon-blast of confetti into the crowd wraps up the epic set.
Dropkick Murphys
For the first time all day, there’s a lull in proceedings, with no bands playing, as Rancid‘s crew set things up on the same stage Dropkick Murphys just vacated. The tiredness of a busy week at work and an afternoon on my feet in the sun begins to set in, and I wonder if I have one more band left in me. Of course, when that band is Rancid, there’s absolutely no way I’m leaving early, and as soon as Tim Armstrong staggers onto the stage and sings the opening notes of Radio, the tiredness evaporates and euphoria takes over, as they blast through classic after classic, as Roots Radicals, Journey to the End of the East Bay, and the bass-shredding Maxwell Murder follow soon after. Its amazing stuff.
Rancid
During The 11th Hour, Tim tells us how they and Dropkick Murphys participated in a draft as to which band would headline each night, and he chose Montreal! The crowd roars approval at his choice; tonight, there really couldn’t be anyone else headlining. Guitarist Lars Frederiksen rips through Ghost Of A Chance, despite some obvious annoyance at some clowns who intermittently throw junk onto the stage, and when he proclaims “we’re gonna take you back to 1995 to a little record called And Out Come The Wolves,” the ska vibes of Old Friend kick in and get everyone dancing once more.
New song Where I’m Going follows that ska vibe perfectly, despite being over 20 years younger. For It’s Quite Alright, Lars asks for circle pits either side of the central aisle, which the crowd are happy to provide, and they keep this up for Buddy. Fall Back Down is met with a huge clap-along, and ends in a huge sing-along for the last chorus The timeless Time Bomb brings back the ska vibe once more, before Ruby Soho closes out the main set with the biggest sing-along of the set so far. A truly magnificent hour of music, from a truly magnificent band.
Both Rancid and Dropkick Murphys emerge for a combined encore of covers, consisting of Cretin Hop (Ramones), I Fought The Law (The Clash) , Folsom Prison Blues (Johnny Cash) and TNT (AC/DC) , to bring the festival to a carnival sort of conclusion, before leaving the stage and leaving the tired but elated crowd to fight their way onto the Metro and back home.
Setlist Radio Roots Radicals Journey to the End of the East Bay Maxwell Murder The 11th Hour Nihilism East Bay Night Dead Bodies Ghost of a Chance Telegraph Avenue Old Friend Where I’m Going Salvation Bloodclot Black & Blue Olympia WA. It’s Quite Alright Buddy Fall Back Down Time Bomb Ruby Soho
Encore Cretin Hop (Ramones cover) I Fought The Law (The Clash cover) Folsom Prison Blues (Johnny Cash cover) TNT (AC/DC cover)
Will this Festival be a regular thing, or a one-off? One would hope the former, since the video screens read “see you next year” on the way out. Here’s hoping so – despite a few minor glitches and gripes, the first edition of ’77 Montreal was a resounding success, and here’s hoping for many more years punkin’ in the park!
Pale Lips
Pale Lips
This mighty creature was hanging out in the Monster energy tent
This little guy emerged from out of the shadows of the Monster Energy tent to have a quick nibble and was gone as quickly as he had appeared. Its not a common occurrence, to find a rodent that digs the Dropkick Murphys.
Barrasso
Barrasso
Genetic Control
Genetic Control
The Kingpins
The Kingpins
The Creepshow
The Creepshow
The Creepshow
The Creepshow
Hairdressing in the Monster energy tent
Review – Simon Williams Photos – Kieron Yates
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