#Idk it's something about this book... I'm a writer I know it shallow and full of smut however... It good
Explore tagged Tumblr posts
Text
I ain't fronting Alpha is my fav choices book atm... I love TCH... But I keep replaying Alpha... Tell me why?
#playchoices#Aplha#Choices#Idk it's something about this book... I'm a writer I know it shallow and full of smut however... It good#Because despite it quick pace the characters are well defined and consistant#Narrative wise is works#I don't like stories that drag and beat around the bush#That's a lie I read Tolkien... But you get my point#It fast pace but I like it
3 notes
·
View notes
Note
Will you watch season 2 of HotD or you've lost interest in the show? I wasn't thrilled with season 1, but I do like some characters and I'm curious to see if they'll do them any justice in the next season(s). I'm still trying to be optimistic (which is definitely against my nature 😁), although the latest leaks from Spain (which I desperately hope to be false) doesn't sound promising.
Idk it you read Fire & Blood, but that book is often overrated imho, almost all the characters there are painfully one-dimensional, shallow and bland, while the plot is full of illogical things (especially the Dance part) . So, as you can see, I'm not the biggest book fan, and I do believe that the show did some things better and gave a bit of depth and complexity to certain characters and fleshed them out. However, at the same time it seems to me that they didn't complete what they started, like, you see the potential of the characters and understand their motivations, but then out of the blue they do or say something totally nonsensical and OOC. Take Alicent at the end of episode 8. Rhaenyra says something nice to her and she suddenly forgives everything and forgets that's the same woman who wanted to "sharply question" Aemond after her son Luke maimed him over an insult (a fact, actually), the woman her husband always favoured at the expense of Alicent's own children and finally, the woman who is married to Daemon, the sociopath who hates Alicent and her children and who will kill anyone (and apparently with Rhaenyra and Viserys' blessing) without remorse if it benefits him and his side. I mean, the guy even had the gall to look annoyed during the prayer for Vaemond. Still, according to the show, Alicent somehow needs to "misunderstand" Viserys' last words to crown her own son, and not because it's probably the only way to keep her and her children alive and safe and because her son actually has the strongest claim to the throne according to Westerosi laws avd tradition. And don't get me started on the Velaryons who are collectively depicted as "Dae and Rhae fan club". Like, what is Corlys even thinking?! I won't ask about Baela and Rhaena because they obviously don't get to think and are just unconditionally supportive of Rhaenyra and the Strong boys. Rhaenys is contradictory and inconsistent. It's frustrating, really. Also, the fact that the narrative/the framing of the show heavily favours team black is also off-putting. Nevertheless, I'm still curious and just a bit hopeful that season 2 will balance these things a little. Maybe I'll just be terribly disappointed, but oh well. Sorry for the rant :D
Anyway, as a fan of your fic, I would like to know your opinion. Does the show deserve our optimism and what are your predictions regarding season 2?
S2 predictions? 🤣🤣🤣🤣🤣
Why would you ask me this? This is a show where someone in a professional HBO writers room said, "So what if a dragon just bursts up from the underground?" And the showrunner was like "Fuck yeah!"
I don't think they even thought to do a camera pan of the carnage. It's like they wanted to make Rhaenys look badass but did a Koolaid Man scene instead.
Tell me that this isn't Rhaenys
Predictions? This is not Leftovers where you could do a whole video essay on foreshadowing and subtext and hidden clues. This is a series where there's a horse running loose in a writer's room and nobody knows what it's going to write next.
This is the most bizarre thing I've ever seen.
My prediction for S2 is that during the time off at least one person realizes that they failed to make Aegon into Joff 2.0, that instead of having him be affably evil, he's onscreen affable and offscreen evil, and they'll try to double down on actually showing that he's evil and actually showing that he's worse than Daemon and Rhaenyra.
We've seen Daemon in brothels, grooming and marrying children, killing Rhea, killing innocent people and murdering lords at court, but we've only been told (by very minor characters) that Aegon is a baby-eating rape monster. It's all extremely "tacked-on."
I think Aegon's the biggest problem that they have to work on. Just getting at least this one character to make sense moving forward.
When Jahaerys is killed, I think they'll use that to really commit to making him the bad guy. Like he'll have to be killing a baby or raping someone or eating someone so that it's not Rhaenyra and Daemon killing a child but "Look at what this bad man was doing instead of protecting his son."
As far as predictions go, that's all I can see. If they only develop one character in S2, it needs to be him. Rhaenyra has Rockstar!Daemon, Rhaenys and Corlys on her side, so they'll have to upscale the green threat otherwise it's a bunch of grown people and veteran soldiers fighting two children who have no experience at anything because the oldest one is a 20-year-old frat boy and his brother is still a teenager. Aegon's going to have to really be villainous.
I feel like there's a reason all his nude scenes are with his mother, it's one of the few consistent things between them through the time skips and actor changes, and I feel like they're going to go fully 500% in that Commodus direction
and have him just be creepy and rapey with her in a "bad incest," how-the-turntables, "be careful what you wish for" way. Alicent's defining trait seems to be "perpetual victim," so I feel like they'll go this way and frame it as if she's getting what she deserves for slapping him around. Ten extra points if they have Rhaenyra or Rhaenys there on hand to be like "Is this your king?"
I don't see them doing anything with Rhaena besides sending her away, and I actively don't want to see Baela going out there getting her dragon killed and her face burnt off in defense of Rhaenyra.
I honestly try to not think about s2 of this.
I was a hardcore asoiaf fan but I didn't like Feast or Dance. I read Dunk and Egg, but he didn't finish that either. And when F&B came out, I got the audiobook and I listened to it for a few hours, probably less than five, and I couldn't concentrate because I kept thinking "Did this bitch seriously package his story notes as a novel for sale??? This is an insult to storytelling."
And I deleted it.
It's the quality for one thing. It's the lack of diversity, it's the author not finishing anything, it's the fandom being 20% fantasy fans, 80% trump rally...
Like, in just 10 episodes HotD has managed to give a voice to pro-rape feminists. Didn't even know that was a thing until I saw it on Twitter.
I saw some of the leaked pics of Helaena at the funeral on my feed, didn't have to scroll far to see people just casually r-wording Helaena and acting like having six fingers is a killing offense since eugenics rhetoric is apparently thriving in this fandom.
And on top of all that, the story doesn't even make sense.
I don't want to be like "dramaturgically speaking" but narrative coherence is a thing. Just from bing chat (yes, I'm using bing 😣):
Narrative coherence is the degree to which a story makes sense. Coherent stories are internally consistent, with sufficient detail, strong characters, and free of significant surprises. The ability to assess coherence is learned and improves with experience. Individuals assess a story's adherence by comparing it with similar stories. The ultimate test of narrative sense is whether the characters act reliably. If figures show continuity throughout their thoughts, motives, and actions, acceptance increases. However, characters behaving uncharacteristically destroy acceptance.
This show has curb-stomped narrative coherence.
Like, take that scene where they killed Vaemond. The way they write it, Rhaenyra has come back after 6 years of never visiting her father to drag him off his deathbed so he can support her in taking Driftmark, the seat of house Velaryon, away from Velaryon people to give it to her son by Harwin Strong. Vaemond is killed for telling the truth.
With different lighting and music, that's peak tyranny. That's some Mad King Aerys shit. In full view of all the lords at court. Every single person in that courtroom is aware that Luke is a bastard and they've just witnessed a lord like themselves get beheaded over it. This isn't Daemon killing commoners. He's killing the lords and ladies of Westeros.
But there's no fallout. Nothing. All the lords of Westeros cease to matter. It's just another Tuesday to them.
Hell, they go even further and frame the scene like Viserys is Old Theoden fighting off the curse of Wormtongue. Otto, Alicent and her goblin children all but shrivel and wither from the sunlight that Rhaenyra brings as Vaemond is cut down by noble Daemon. In that scene, Dark Sister might as well be Andúril, Flame of Old Valyria, sword of justice.
There are shows that are easy to watch that we say are "no brain cells required," but HotD is like, "No brain cells allowed. Switch them off or put them on silent so you don't disturb anyone."
I have no hope for season 2. I would never rec this to anyone or say that I think the writing will improve. The foundation is shit. You can't build a strong s2 on a shit s1 unless you're writing a procedural or an anthology where nothing that comes before matters.
You can't undo things like Alicent supporting Aegon as king because of a misunderstanding. There's a limit to how many things you can retcon without destroying all sense of continuity and they've already gone beyond that in s1.
They're past plot holes. They have whole parts of the world that are just void of all thought. Alicent and Rhaenys are characters who respawn and disintegrate from scene to scene as needed. Corlys is three lines of dialogue in a trenchcoat. Daemon Targaryen is somehow, impossibly, a less-developed Damon Salvatore.
No optimism here.
I'm that jaded ex fan who's like, "hotd is a barren wasteland, riddled with racists, ableists and toxic stans, and those are just the writers. The very fandom air you breathe is a poisonous fume. Not with ten-thousand Lindelof-level writers could they fix this shit."
But that being said, I have a really bad habit of watching shit TV.
I've seen Catwoman more than 5 times.
Waterworld, Jonah Hex, Elektra, Daredevil (Ben Affleck and Colin Farrell), Battlefield Earth, Supernova. At least 8 of the Fast movies. All the Transformers. Dracula 2000. All the old school classics of bad cinema.
I haven't watched Morbius as yet and the only reason why is because I feel like Jared Leto is intentionally trying to become Nicholas Cage and I don't want to support that.
There is something about the cringe that hooks me. And with a TV series? That weekly cringe? That is peak entertainment.
It used to take me 4 sometimes 5 hours to watch and digest a single episode of Titans because there were so many questions to think about.
I hyperfixate on bad writing. Trying to figure out all the ways it went wrong and why and what they were trying to do. Once I start, I can't stop thinking about it. I'm hoping swhhw gets it out of my system, but I don't know.
Like, anybody can make good TV. Anybody can do that if you try hard enough. But truly horrible TV isn't supposed to exist. It's like 20 million an episode to make HotD? Nobody is supposed to invest that in a show where the showrunner doesn't even know how old the characters are. Bad TV shows are supposed to be snuffed out before they see the light of day.
But HotD is something special.
You don't accidentally end up with a Koolaid Dragon busting up through concrete. A director described that scene to a VFX crew. The actors had to rehearse that repeatedly. They had to do a read-through...
Like, just think about that.
And then they announce that they're going ahead with s2 without writers?!
That is insane. Part of me says look away, and the other part of me says that s2 of HotD will be something the likes of which I'll never see again.
I really don't want to watch S2, but honestly, I might. Not because I think it will be better but because I'm dead certain it can only get worse.
47 notes
·
View notes
Note
hi! idk if requests are open now but i'm feeling kind of sad about some trauma (the police got involved in what happened to me by the way) and i was wondering how seven would react to finding out about about some trauma that still really messes with mc when he's doing a background check on them - like he's going through their files and finds this almost 10 year old file about something that happened... how would he confront that? tysm you're an amazing writer and i love your stuff sm <333
hey hey i’m so sorry this took so long i haven’t been writing much lately because my life has been going through a lot of changes (all good tho)
as for the request i want to say first that I’m sorry your feeling sad but I’m so proud of you for staying strong and searching for positive things to make you feel better i have depression and i know how easy it can be to simply stay in the sad so your strength is really inspiring! I hope my writing can help even just the teensiest bit! so without further ado
seven reacts to finding trauma in MC’s background check
· by in large it would be the same. At first at least.
· He doesn’t want to bring it up in chat because he knows from experience that some people (read as him) prefer to keep trauma and painful pasts secret
· If someone brings up something similar to the incident than he not so subtly changes the subject
· For example, if it happened on a specific holiday and someone brings up that holiday he suddenly spams the chat with meme’s and ads for sevenstar drink until everyone gets distracted
· If for whatever reason he can’t change the subject to spare you potential triggers than he’s watching the CCTV extra carefully for any changes in your behavior, he can tell how tense you are how shallow your breathing is he’s been trained to notice high stress
· Soon enough your kicked from the chat as he’s calling you up his tell-tale singsong voice bouncily greeting you
· Plan A cheerful distraction! He’s turning up his energy and humor to a ten just for you. He’ll be your personal rainy day clown. Laughter is the best medicine after all.
· If you tell him, you don’t feel like joking around however he’ll quietly admit to what he’s doing.
· He’ll tell you, well, everything and suddenly all the meme spamming and ADHD-esque shenanigans make sense
· You’ll laugh, that broken half sob kind of laugh that happens when things suddenly make way too much sense
· And when he sees your shoulders shaking on the CCTV he can’t do this anymore there’s a new edge to his voice when he says “hang on” then the line goes dead
· You figure that’s just one more person who thinks your past is too much to handle (you’ve lost a couple people this way, after all why would anyone want “damaged goods”)
· Slowly you set about the arduous task of coming down from a panic attack when you hear a knock at the door and a familiar voice announcing that he’s coming inside
· You make it to the entryway as he enters and the world freezes. He has your favorite snacks and drinks his arms full of everything you two had talked about in the chat. Every off handed reference to something you loved, every mention of an obscure childhood candy, every anime, manga or book you had chatted with him about. he remembers every single one and he’s standing before you now holding them.
· “I can’t change the past.” He says lamely, like he’s admitting a great fault “but I hope I can make your present a bit better”
· You know that meme where one person says “if I run at them right now they’ll definitely catch me” well you run at him and he does in fact drop everything to catch you.
· You see Saeyoung knows trauma, knows it like the back of his hand, he knows trauma better than he knows himself. He knows he can’t fix it knows he can’t change or control it but he can make sitting with it a bit easier.
· He’ll you want you want and do anything to make it easier on you. Need to sit on his lap he’ll blush and sputter and think of a hundred and one reasons that’s a VERY bad idea, but he’ll let you all the same.
· Need to talk a mile a minute about everything that happened back then, well no matter what the RFA thinks he does in fact know how to sit down shut up and pay attention. Especially when it’s a topic he’s passionate about and there isn’t a single thing in the world he’s more passionate about than you.
· He’s honestly surprised by the difference between reading a file and hearing your firsthand account. The details are the same of course but your version is so much more visceral, so real and vivid and horrifying. The exact opposite of the cold clinical unflinching facts of the case file.
· If in ten years you were to ask him when he fell in love you he’d say it was in this moment. When your voice is shaking and your makeups messy from tears and your expression was as raw and honest and real as a person could possibly be.
· Of course he loved you before but something in that moment brought it into focus. Like taking the protective film from a camera lens. When you trusted him, when you believed that he was worthy of absolute trust and capable of absolute protection. When you chose him to share your trauma with he knew in that moment that not only did he WANT to live up to that but that he HAD to live up to that.
· You are his inspiration for change. His catalyst and muse. You make him want to be better.
· He does not love you BECAUSE of your trauma. He does not love you IN SPITE of your trauma. He loves you through your trauma, amidst it, inside and around it. He loves you, past present and future.
5 notes
·
View notes