#Ina Conrad

[pedroam-bang]

Babylon (2022)

[dustedmagazine]

Listening Post: Gastr Del Sol

Photo by James Crump

Gastr Del Sol was the convergence of two individuals who had not spent their youths like anyone else and were on their way to lives quite unlike most lives. Between 1991 and 1998 David Grubbs and Jim O’Rourke made a sequence of records that simultaneously pointed out what a lot of music listeners were missing and where music might go next if it was really interested in being interesting. Grubbs came from Louisville, Kentucky’s hardcore scene; he played in Squirrel Bait while he was in high school, and took Bastro with him to college. Jim O’Rourke grew up tracking down recordings from the far reaches of every fringe and then setting about making his own place within each method he learned. Before he was out of college, he’d already made connections with Henry Kaiser, Derek Bailey and the folks at Ina GRM. Each was a guy who knew what the other did not, and their collaboration pushed both to make music that they would never make again with anyone else.

Gastr Del Sol began when Grubbs decided to let Bastro get quiet, and made one LP before O’Rourke came aboard. Their first album together, Crookt, Crackt, Or Fly, was assembled from miniaturized poetry, elongated post-punk riffs, frozen improvisation and fluid, texturally-focused compositions. Their last, Camofleur, is a droll pop statement completed just weeks prior to the collapse of the duo’s relationship. The acrimony between them took a couple of decades to die down, but around the same time that they buried the hatchet, a live recording of their final concert surfaced. We Have Dozens Of Titles shuffles together that performance plus every compilation, single, or EP track that Gastr Del Sol released outside their core Drag City discography.

Intro by Bill Meyer

Jonathan Shaw: I have admired Gastr del Sol from a sort of distance. I like “At Night and At Night,” from the terrific Hey Drag Citycomp; I know Upgrade & Afterlife quite well and dearly love “Dry Bones in the Valley...”, the Fahey cover collab with Tony Conrad. The first song on this new-ish record sidles in alongside those wooden textures, but is a more anxious affair. I like that it never quite boils over or takes its propulsive energies to catharsis. It’s sort of a complement to the conversation with the French kid blowing up firecrackers at the track’s close: it can’t quite move forward, in spite of all of the things that want it to.

That’s also a handy metaphor for my relationship to the music. When I have listened to Crookt, Cracked..., I get the sense that these are really, really smart folks, doing some smart stuff, but I haven’t quite connected with and moved into the sounds. They can be forbiddingly remote. So, I am glad for this record, and its invitation to revisit the band’s trajectory.

Bill Meyer: Each record is so different that I can easily see someone liking one and not likening others, and if you held a gun to my head, Upgrade & Afterlife is the one I would name as my favorite. Which makes it all the more interesting that this collection spans their existence from O’Rourke’s first presence (the Teenbeat single — and it’s pretty amazing that they ended up on that label) to the very last concert (that trip is probably when the encounter with the Francophone child occurred, since the concert was in Quebec).

By virtue of its length and timespan, We Have Dozens Of Titles shows more sides of Gastr Del Sol than any other record.

Bryon Hayes: I think that’s one of the band’s traits that I find appealing, that their sound and approach shifted from record to record. “At Night and At Night” was my introduction to the band, and it also seems to encapsulate multiple faces of Gastr Del Sol in a single track: a drone intro, followed by a guitar/poetry passage, and then a dollop of minimalism accompanied by backwards cymbal splashes. I bought Hey Drag City for Pavement, Silver Jews, and Smog but was introduced to some new and intriguing sounds across the whole of the comp. That track, and Gastr Del Sol as a whole, always felt like a riddle or a logic puzzle to me, albeit one that continuously changed, so it wasn’t possible to “solve” it. But I actually like that fact: the thrill of the act of investigating is pure enjoyment itself.

I never did get to experience Gastr Del Sol in a live setting, so those tracks on We Have Dozens of Titles are particularly revelatory for me. I like the more stripped-down setting of “The Seasons Reverse,” for example. Maybe even more than the version on Camofleur. I’d also bet that the field recording of the kids came from Victoriaville. The town is far enough into Quebec that it’s likely there was a language barrier between O’Rourke and the local youth at the time. Also, the drawn-out version of “Blues Subtitled No Sense of Wonder” feels much fuller and richer in the live setting than it does on Camofleur. I’m not saying I dislike that album, but I too would pick Upgrade & Afterlife as my favorite...

Bill Meyer: Because I lived in the same town as Gastr Del Sol, I was fortunate to see them a lot. The concerts were pretty different from one another, and didn’t always sound much like the most recently released record. When they played with John McEntire, things could be more rock-ish, and I have one fond memory of them getting pretty wild with the feedback. Afterwards O’Rourke seemed embarrassed, like he’d lost control and done the wrong thing. There was room for spontaneity, but they were not an improv act. In 1997 they did lock into the two guys with two acoustic guitars thing for a while, probably because they had a fair number of out-of-town gigs in their later years; they didn’t necessarily want to lug a lot of gear around.

Another aspect of living in the same town with them was seeing the other things they had going. O’Rourke could often be seen accompanying someone whose work he championed (ex: Rafael Toral), and they both played with Red Krayola (although O’Rourke bailed for a while and Grubbs kept going), Edith Frost, and Arnold Dreyblatt.

Jonathan Shaw: Never saw the band, and the live material on this comp is what’s impressing me most. Given my proclivities toward their work with acoustic guitars, I am most compelled by “Onion Orange,” which works a space between gentle and tense to very satisfying effect. The repetitive sequence of notes in that initial six-or-so minutes is really engaging; it invites anticipation, flirts with letting that become apprehension. I can imagine that would be even more powerful in a real room, with the players really making the noises in front of you. But even here, via the mp3 I am playing on a device, it’s strong stuff.

Bill Meyer: I still need to a-b that with the original on Grubbs’ solo album.

That album, Banana Cabbage, Potato Lettuce, Onion Orange, seems not to be on Bandcamp, and Table of the Elements is long defunct. I’ll have to pull out my CD and play it. On the original edition, Grubbs plays everything, but O’Rourke recorded two of the album’s three tracks. I remember it being very still, a Grubbs take on Morton Feldman. What you hear in this live performance, Jonathan, is probably what makes me think I like this new version better than the original. There’s a management of tension that probably comes from two people playing it together in real time.

The way that We Have Dozens Of Titles is sequenced, with live tracks littered throughout the collection, makes it easy to forget that we’re hearing a complete set here.

Ian Mathers: There’s a relatively well-known tweet (for those of us that are too online, at least) where a guy who’s only ever seen one movie sees a second and immediately compares it to his only experience. As someone who’s never heard Gastr del Sol before (although they’ve lingered somewhere on my impossibly long “get to this someday” list) and only really knows Jim O’Rourke’s work via his Bad Timing album, I had my own “Getting a lot of ‘Boss Baby’ vibes from this...” moment playing the opening live version of “The Seasons Reverse.” The guitar playing there immediately put me in mind of Bad Timing, which isn’t a bad thing! I was slightly relieved when this compilation pretty immediately shows off different aspects of his and Grubbs’ sound, even in the other live tracks.

And while I did enjoy all of We Have Dozens of Titles, enough so that I’m wondering based on the comments here which of their albums I should check out next, the live tracks do feel like a cut above everything else. I’m probably going to try listening to just them, and while I respect the choice to scatter them throughout this release despite being one show (do we have any idea if they preserved the order of the setlist, or jumbled that up as well as splitting them up?) there is a part of me that wishes it was a separate release. Which is kind of silly, I know — absolutely nothing is stopping me from just playing the live stuff whenever I want, and I’m very glad to have the rest of the material here. My first question for those more knowledgeable: is the album version of “Blues Subtitled No Sense of Wonder” as amazing as the live one here, and should I make that my next stop?

Bill Meyer: If you like the live version of “Blues Subtitled No Sense of Wonder,” you definitely need to check out the studio version. For that reason, I’d point you to Camofleur and then suggest that you work your way backwards through the catalog.

Bryon Hayes: The album version has beautiful vocal harmonies with lyrics that are dryly humorous; the title of the box set is derived from them, actually. The music on the box set version feels fuller and louder than that on the album, the electronics bolder and noisier, accompanied by rich organ tones. Also, that interlude of shouted movie dialogue (or whatever it is), is not in the Camofleur version. Both are appealing, but I enjoy the live version slightly more. If Grubbs sang on the live version, it might be the clear winner for me.

Ian Mathers: Interesting, thanks for the tips! If I’m remembering correctly, there’s no vocals on this collection for at least a while, and I was slightly nonplussed when they came in; not bad, certainly, but it felt slightly out of place with the music. (I was working while listening, which might be the culprit there.) I’ll be interested to A/B the two versions and see what I think.

Bill Meyer: I just drove past the Lyon & Healy building at Lake and Ogden, which prompts the question — what do you make of “The Harp Factory On Lake Street”?

Jonathan Shaw: I sort of like it when there are vocals — in part because of the poetic nature of what’s sung (see “Rebecca Sylvester” on Upgrade & Afterlife), in part because it feels grounding in musical contexts that frequently get very abstract.

Bill Meyer: I like the way you frame that, Jonathan. Grubbs’ words do have a way of anchoring part of the music, bringing a sonic fixedness that contrasts with the music around them, but also introducing an uncertainty of their own because of their sometimes-oblique content.

Roz Milner: I’ve just been lurking this thread. I’m not familiar with this group, although I do like what little Jim O’Rourke’s music I’ve heard (Bad Timing, Happy Days). Any recommendations on where to start with them?

Tim Clarke: I’d start with Camoufleur, which is easily their most accessible album. I have a bit of an uneasy relationship with Gastr Del Sol. I got into them soon after I became obsessed with Jim O’Rourke’s Eureka, but it was quite a shift in tone from that album. I do enjoy Camoufleur a lot, and the album versions of “The Seasons Reverse” and “Blues Subtitled No Sense of Wonder” are, in my opinion, far superior to the live versions on We Have Dozens of Titles.

Gastr Del Sol are quintessentially experimental, in that much of their music sounds so open-ended, as though O’Rourke and Grubbs are constantly wondering what x would sound like played at the same time as y, whether it’s an open, suspended acoustic guitar voicing alongside a sour synthesizer drone, or some piano with some field recordings or samples. Upgrade & Afterlife actually freaks me out! The first time I listened to it after buying it from Rough Trade in London, I couldn’t venture past the opening track as a massive gnarly insect flew in through my open window while I was listening to it on a spring evening. It scared me so much I don’t think I’ve revisited the album since. There are moments on We Have Dozens of Titles that are truly magical, so I think I’ll have to get over my fear and revisit Upgrade & Afterlife after all this time.

Christian Carey: The timing of this release is interesting. David Grubbs was just appointed Distinguished University Professor by CUNY, the highest faculty distinction possible. In addition, he was just awarded the Berlin Prize, and will be in residence there next year. Wonder if the awards might have helped to fund the recording project.

Jonathan Shaw: Distinguished Prof at CUNY — pretty swell. Makes sense. Some of Gastr del Sol’s headiest stuff has the feel of the “experimental,” and in ways that engage the connotations of knowledge and concept in that term (which often gets used lightly and lazily, IMHO). That might have something to do with why I like the live tracks so much. There’s an organic quality to them. Still thorny and challenging music, like the ebbs and flows that make “Dictionary of Handwriting” disorienting and strange. But it’s happening. It’s made, not just thought or assembled.

Jennifer Kelly: Once again, not super immersed in this band, though I had a copy of Crookt, Crackt or Fly at one time, which I can’t find and don’t remember very well, though I’m listening to it on YouTube right now, and the combination of Grubbs’ wandering vocals and aggressive, stabbing guitars seems familiar-ish. So, coming to this a bit cold, though I’ve enjoyed Grubbs’ more recent work with Ryley Walker and Jan St. Werner — and there are definitely some common threads. Nonlinearity, an elastic sense of key and rhythm, a haunted room kind of aesthetic.

I found this track-by-track exposition at the Quietus, which I was trying to read as the songs came up and it’s quite good. I especially liked the paragraphs about “The Bells of St. Mary’s,” written for what sounds like a truly bizarre Christmas comp with Merzbow and Melt Banana on it. Gastr del Sol’s lone concession to the holiday form was sleigh bells, though Grubbs says the main reference was to “I Wanna Be Your Dog” not “Jinglebells.”

Anyway, you might enjoy this.

Tim Clarke: In addition to the Quietus piece, this recent podcast interview is also very enlightening in regard to the history of the band. A rare opportunity to hear Jim O’Rourke chat lightheartedly too.

Having spent more time with the album now, I realize that my listening gets derailed by a couple of Grubbs’ and O’Rourke’s tendencies with this music. The first is when Grubbs does a kind of scat singing that follows the spiky contours of the acoustic guitar parts. And the second is when they retreat into near silence.

Bill Meyer: Near-silence is an O’Rourke strategy to make sure that the volume is set high enough when you get to the loud part.

Christian Carey: I’m curious what connections to later projects people hear in the recording. As TJ mentioned, there are some mannerisms that seem to forecast avant moves by both Grubbs and O’Rourke, with greater assuredness in the idiom. The post-rock vibe is unmistakable, and I am finding the songs with connections to Tortoise et. al. to be the most compelling music-making here.

Bill Meyer: Re: similarities with Tortoise, it’s worth keeping in mind that John McEntire of Tortoise was also a member of Bastro and a key non-member contributor to Gastr Del Sol. Re: the term post-rock, I appreciate the irony that Gastr Del Sol was actually O’Rourke’s entree into rock following years of intense work in improvisation, musique concrete, etc. with people like Henry Kaiser, Eddie Prevost, Christoph Heemann and Illusion of Safety. It was his “I’m almost ready to rock" project.

Ian Mathers: Roz, if you still haven’t settled on a way to check out Gastr del Sol, I was in a similar position to you and honestly, I found this compilation a pretty welcoming (and broad-ranging) introduction! I haven’t moved on to checking out any of their albums yet, but I have played We Have Dozens of Titles a number of times, and while I’m still experiencing it more as a gestalt than I am picking out specific elements (so I’m not sure how I’d answer Christian’s question at the moment, for example), I find the time just slipping away when I do. I was reading Steven Thomas Erlewine’s newsletter recently where he was discussing this collection and he described Gastr del Sol as “music that changes the temperature of the room,” and I keep coming back to that as an apt description of what I’m experiencing.

Bryon Hayes: I read somewhere that Grubbs’ The Plain Where the Palace Stood is his solo album most similar to his work in Gastr Del Sol. I’m listening to that record now and it actually reminds me of the little Bastro that I’ve heard along with parts of The Serpentine Similar.

Bill Meyer: Gastr Del Sol’s existence corresponded with Grubbs’ time at University of Chicago, where he was getting his PhD. I believe it was in poetry, and the words he wrote for the band’s songs reflect that study.

Christian Carey: I've been having fun poring over David Grubbs’ trilogy of books and guessing which stories might be about Gastr del Sol. He's excellent at being covert, but I would be surprised if they weren't featured in some of his writing.

[higherlearningtvshow]

Greetings Family, 

August 15th, is the birthday of Ancestor Dr. Conrad Walter Worrill, an outstanding Community Advocate and Leader, who was the Director of The Carruthers Center for Inner City Studies of Northeastern Illinois University, my Colleague and my friend. I am grateful to Mama Edie McLoud Armstrong for today's H3O Art of Life Blog,“ Remembering Dr. Conrad W. Worrill.“ We will offer the Libation created by his compatriot, Ancestor Baba Hannibal Tirus Afrik for The Bolozi Wazee Council of Elders, as we prepare to present Part I. The link follows:

Libation of the Bolozi Wazee Council of Elders: 

"Sifa Ote Ina Muumba Weusi, All praise is due to our Black Creator; 

Sifa Ote Ina Mababa Weusi, All praise  is due to our Black Ancestors 

Sifa Ote Ina Taifa Weusi, All praise is due to our Black  Nation; 

Sifa Ote Ina Wote Weusi, All praise is due to our Black People.

As always, we welcome your comments and value your support as you continue to share our content with others via texts, email, and other forms of media. Thank you.

Dr. Gloria Latimore-Peace, 

Editor-in-Chief, The H3O Art of Life Blog 

Host and Producer, The H3O Art of Life Show 

Founder, Omni-U Virtual University 

[agendaculturaldelima]

#ProyeccionDeVida

🎬 “BABYLON”

🔎 Género: Drama / Comedia / Años 20 & 30 / Cine dentro del Cine

⌛️ Duración: 182 minutos

✍️ Guion: Damien Chazelle

🎼 Música: Justin Hurwitz

📷 Fotografía: Linus Sandgren

💥 Argumento: Década de los años veinte en la ciudad Los Ángeles, una historia de ambición y excesos desmesurados que recorre la ascensión y caída de múltiples personajes durante una época de desenfrenada decadencia y depravación en los albores de Hollywood.

👥 Reparto: Margot Robbie (Nellie LaRoy), Brad Pitt (Jack Conrad), Tobey Maguire (James McKay), Phoebe Tonkin (Jane Thornton), Samara Weaving (Constance Moore), Diego Calva, Kaia Gerber (Starlet), Flea (Bob Levine), Li Jun Li (Lady Fay Zhu) y Olivia Wilde (Ina Conrad)

📢 Dirección: Damien Chazelle

© Productoras: Paramount Pictures, Material Pictures & Marc Platt Productions.

🌎 País: Estados Unidos

📅 Año: 2022

📽 Proyección:

📆 Martes 06 de Agosto

🕗 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[ftnbooks-blog]

Ina van Zyl (1971)

Ina van Zyl, born and raised in Ceres, South Africa, matriculated from Charlie Hofmeyr high school before studying art at the University of Stellenbosch from 1990 to 1994. During her time there, she became a regular contributor to Bitterkomix, an infamous Afrikaans comic magazine created by fellow students Joe Dog and Conrad Botes. Graduating with a BA in Fine Arts, with a focus on Drawing, she…

[sopolicegardener]

The Advanced Guide to 009BET

The internet was just born and already it has 6 billion websites, one for every person on Earth today. Human beings are obsessed with writing and even more obsessed with Paris Hilton, the number one search on the internet. Lets get to know a little about our modern day Aphrodite aka Venus, the Goddess of Love, Beauty and Sex worshipped by the Greek and Roman people 4 thousand years ago. Paris Hilton proves once again that sex sells both hamburgers and religion.

The Greek Goddess Aphrodite Festival is called the Aphrodisiac, which was celebrated all over Greece especially in Athens and Corinth. Christina Onassis was the heiress of Aristotle Onassis the Greek shipping billionaire. We are talking real money here. Christina was Aristotles only living child, a real heiress, like Jennifer Gates, 9, and Phoebe Gates, 3, the two daughters of the worlds richest man, 009BET send me the Bill Gates, at $51 billion dollars and counting. Bill and Melinda French of Dallas Texas have given so much money to charity that they have completely eradicated poverty in Africa. Paris Hilton, if she is lucky enough to make it into her grandfathers will will be lucky to inherit one million dollars. The One with the money, Paris great grandfather Conrad Hilton, (whose son Nicky was the first husband of Elizabeth Taylor), left the grand total of nothing to his 4 children. He married his third wife at 87 and then left his entire fortune to the Catholic Church. Paris grandfather Barron Hilton went to court to contest the will and he won, becoming the first person ever to defeat the Vatican in court, walking away with a few hundred million. He has 8 kids. They have kids. Paris slice of the pie could be $200,000, walking around money for the Sultan of Brunei, whose oil fields America is now spending its blood to protect. That is hot not.

Being an heiress is normally a mirage, as Christina Onassis can testify to. Have you ever noticed how many pop icons cash in on Jesus story right in their names? Its like peoples minds are like search engines responding either positively or negatively to certain keywords like Paris Hilton. Madonna, the Virgin Mary, Christ Ina Aguilera, Britney Spears, I have a pain in my side, said Jesus. Is that a spear in my ribcage or are you just happy to see me? Jesus Christ was a Jewish Rabbi painted by the Greek New Testament writers with the Godlike qualities of the Greek Goddess Eurynome and Bellerophon and his flying horse Pegasus and several other Greek deities. You can read all about it at The Temple of Love. 20 million Christian and Jewish children lost their lives in WW2 aka The War Against the Jews because according to stories which God of Mount Sinai aka Jesus aka Allah aka Elohim Himself endlessly calls man made legends and fairy tales right in the Holy Bibles, the Jewish people killed this half real half fictitious character 2,000 years ago in Jerusalem. Humans have a problem separating fact from fiction. At least Paris Hilton is a real person. Ive seen her. Ive touched her. Ive kissed her. Her lips are as candy. Her legs are as ladders.

Sex sells. Paris Hilton was a nobody, an extra in a series of B movies until the videotape of her coiting Rick Salomon in 1 Night in Paris showed up on the internet last year at the same time that The Simple Life debuted. People are fascinated by infamy. Did you know that the male cats penis has spines which point backwards? Upon withdrawal of the penis the spikes rake the walls of the females vagina. The female needs this stimulation for ovulation to begin. Paris Hilton, outraged over the release of the video, raked in $400,000 plus a percentage of the profits of the film which shot her to super stardom. Without that video Paris Hilton is serving cocktails at Studio 54 today instead of dancing on the bar topless with the worlds media murdering each other for a snapshot of Paris Hilton half nude.

Paris Whitney Hilton was named after Whitney Houston because her name wasnt famous enough. During the Aphrodite Festival, the Aphrodisiac, in Corinth Greece, the men had intercourse with the Priestesses of Aphrodite. This was considered a method of worshipping Aphrodite. What did you get for Christmas? In the Holy Temple in Jerusalem the Priests lured the people in with The Temple Prostitutes who lived in the Holy Temple in Jerusalem. King Solomon who built the Holy Temple had 900 wives, concubines and mistresses. Compared to him Jesus was a mere piker with his Mary Magdalene and a few of her girlfriends. Do you hear what Im saying girlfriend? At least Paris Hilton is a real person.

Aphrodite was born as an 18 year old Paris Hilton in the Sea off of Cyprus after Cronus cut off Uranus genitals and the elder Gods blood and semen dropped on the Sea where they began to foam. Aphrodite rose out of the foam in her 18 year old birthday suit. When did people become so prudish? Going wild over 1 Night in Paris? 4,000 years ago mating with hookers in the Temple was normal. In 1879 William-Adolphe Bouguereau painted the Birth of Venus, (Venus was Aphrodites Roman name), which showed the full face on nude 18 year old Aphrodite being born rising from the sea foam. How did Hugh Hefner get to be called risqu? And where did all the paintings and likenesses of Jesus come from? There isnt one single word of description of Jesus in the Holy Bible or anywhere else.

Sex sold religion then and it still sells it today. The Las Vegas Hilton boasts the worlds largest free standing sign, Welcome Idiots. The hijackers on 911 fully expected to hit the twin towers then immediately wake up in eternal paradise with 72 virgins and wine with no side effects, because they read it in their Bible. Lot, the only righteous man in sin city, (Tony the Ant came in second) Sodom and Gomorrah was saved by God and rewarded with wine and sex with his two virgin daughters. Oscar Goodman, the mayor of Las Vegas with 85% of the vote was the mobs lawyer who represented Meyer Lansky, Ace Rosenthal, Tony the Ant and corrupt San Diego mayor Roger Hedgecock to get the job. He recently said on Television, Those who deface freeways with graffiti should have their thumbs cut off on Television. Violence sells too. At least Paris Hilton is real.

[giantcypress]

1. Ina 2. Delbert 3. Santos 4. Millard 5. Gonzalo 6. Cecelia 7. Sherry 8. Brent 9. Kevin 10. Katie 11. Cesar 12. Frances 13. Allyson 14. Drew 15. Lakisha 16. Brittney 17. Lino 18. Dena 19. Jeanette 20. Buster 21. Rolando 22. Letitia 23. Jefferson 24. Lynwood 25. Lloyd 26. Gretchen 27. Opal 28. Laverne 29. Alana 30. Chung 31. Hyman 32. Chasity 33. Dewitt 34. Erasmo 35. Concetta 36. Manuela 37. Lilly 38. Rosalie 39. Roscoe 40. Donald 41. Myrna 42. Meagan 43. Salvador 44. Lionel 45. Florentino 46. Elvia 47. Laurel 48. Felix 49. Socorro 50. Rafael 51. Miranda 52. Harland 53. Edna 54. Kasey 55. Dominic 56. Nathan 57. Mayra 58. Alton 59. Dane 60. Deana 61. Valentin 62. Irwin 63. Nickolas 64. Burl 65. Truman 66. Natalia 67. Woodrow 68. Sebastian 69. Erik 70. Earl 71. Harold 72. Leroy 73. Kenya 74. Malik 75. Dana 76. Clarice 77. Cedrick 78. Sally 79. Ernesto 80. Dino 81. Tabatha 82. Normand 83. Millicent 84. Jo 85. Max 86. Dona 87. Yvette 88. Yvonne 89. Kristie 90. Patrick 91. Chandra 92. Marisa 93. Lester 94. Jaime 95. Stacy 96. Eddie 97. Guillermo 98. Fran 99. Van 100. Rey 101. Darius 102. Freeman 103. Melva 104. Giovanni 105. Amos 106. Taylor 107. Tabitha 108. Dillon 109. Angel 110. Terry 111. Amanda 112. Quincy 113. Elma 114. Angelique 115. Gayle 116. Warren 117. Berta 118. Tomas 119. Darwin 120. Juliana 121. Ellen 122. Sam 123. Mary 124. Lorraine 125. Jody 126. Janis 127. Cleo 128. Shelly 129. Michale 130. Valeria 131. Rod 132. Amelia 133. Annette 134. Laura 135. James 136. Buddy 137. Derrick 138. Herminia 139. Hubert 140. Tara 141. Murray 142. Josh 143. Vera 144. Gerald 145. Cecilia 146. Ahmad 147. Salvatore 148. Danilo 149. Carmine 150. Ana 151. Jerrold 152. Myra 153. Jayson 154. Penny 155. June 156. Allison 157. Etta 158. Federico 159. Rosario 160. Liz 161. Robby 162. Chuck 163. Avis 164. Jamie 165. Kelli 166. Anne 167. Carmela 168. Polly 169. Leon 170. Vance 171. Jude 172. Lauri 173. Thomas 174. Edwardo 175. Velma 176. Rhonda 177. Adrian 178. Conrad 179. Russ 180. Earle 181. Augusta 182. Kenton 183. Casey 184. Cory 185. Lyman 186. Carmella 187. Reuben 188. Donnell 189. Sung 190. Joesph 191. Molly 192. Desmond 193. Brooks 194. Kathrine 195. Wilbur 196. Lola 197. Sue 198. Ty 199. Margo 200. Ladonna 201. Brock 202. Jon 203. Cleveland 204. Nicolas 205. Dawn 206. Ola  

Pediatrics trivia: in a newborn baby, we'll need an additional 64 names.

Name all the bones.

[pedroam-bang]

Babylon (2022)

[farsouthproject]

Books 2019-20

I didn’t bother with one of these booklist blog posts last year but I got curious as to what books I’d read this year. I don’t write a regular book blog so here are some short comments on the books that I’ve read starting in January 2019, more or less

Virginie Déspentes’ Vernon Subutex 1 & 2 made me feel that she is the author who best expresses in fiction a clear vision of the world in the first fifth of the late capitalist 21st Century, the first volume in particular. 

I haven’t read a lot of poetry this year but I did begin 2019 with Pey Pey Oh’s Pictograph and Shadowplay by Phillip Gross; Lutz Seilor’s In Field Latin (thanks to translator, Alexander Booth) Later in the year, Alexander Booth’s own collection Insulae. All treasures. Another poetry pleasure was a re-read of Ifor Thomas’s Body Beautiful, a vision of the body as it the writer faces cancer. This is also the year that I delved deeply into Cavafy (which led me to re-read Durrell’s Justine.) This poetry created for me a feeling of space, opening up areas away from the rich density of prose.

After a second Moroccan visit, prose reading continued to circle the Levant: Abdellatif’s The Law of Inheritance; Olivia Manning’s The Levant Trilogy; Amin Malouf’s Ports of Call; and a new Mathías Énard Tell Them of Battles (translated by Charlotte Mandell).

Not so much reading on the noir/crime front this year but John Lincoln Williams’ Fade to Grey was an intriguing and action-filled investigation that exposed a complex Cardiff/Bristol underworld. James Lee Burke’s In the Moon of Red Ponies managed to skewer undercover American politics and arms trading while involved in a story of an Indigenous American on the run for crimes he may or may not have committed.

A group of writers that kind of fall together subject-wise are Chris Kraus, Olivia Laing, and Maggie Nelson: New York, Kathy Acker, S&M, Artaud, sex positive, art-queer. Have to include Cosey Fanny Tutti’s Art Sex Music here, too.

To put another couple of books/writers/artists together with them: Dreamweapon by Angus MacLise; and LouReed: A Life, by Anthony DeCurtis. They deal with directions in which I’m interested in taking my own creative work to some extent: nonfiction and performance art, particularly Butoh. After training in Butoh with Yuri Nagaoka and Seisaku, I picked up the anthology, Inside, Japanese women write on Japanese women. Inside covers in short fiction every stage of life from birth to menopause. Yuri’s daughter, Rio Minamoto, who has won a plethora of Japan’s most prestigious prizes, has a story in this, the only piece of her work that I could find in translation.

After re-reading the hardback copy of ICE by Anna Kavan, I read and re-read a lot more Anna Kavan, inspired by that and the Machines in the Head anthology from Peter Owen Publishers. I reviewed Machines in the Head for 3AM magazine. In connection with the review article, I also read Rhys Davies’s Honeysuckle Girl, a novel based on Kavan’s life. https://www.3ammagazine.com/3am/missives-from-a-parallel-dimension/

Speaking of anthologies, I was pleased to have story – Our Lady of Penrhys – in High Spirits: A Round of Drinking Stories, edited by Jonathan Taylor and Karen Stephens.

Outside of any reading pattern, I read three by Cynan Jones, Richard Hughes’ A High Wind in Jamaica (kind of like the Famous Five on an acid trip), two by the extraordinary Christa Wolf. Sam Shepard’s Spy of the First Person, Patti Smith’s The Year of the Monkey, Ann Quin’s Berg. Wayne McCauley’s Simpson Returns. Jean-Luc Nancy’s The Fall of Sleep.

Happy New Year Everybody

Here’s the full list more or less in the order of reading. All power to the makers.

Vernon Subutex 1                   Virginie Déspentes (trans. Frank Wynne

Art Sex Music                          Cosey Fanny Tutti

Ports of Call                            Amin Malouf (trans. Alberto Manguel)

The Law of Inheritance           Yasser Abdellatif (trans. Robin Moger)

Ice                                           Anna Kavan (re-read)

Tell them of Battles               Mathías Énard (trans. Charlotte Mandell)

Fade to Grey                           John Lincoln Williams

In Field Latin                           Lutz Seilor (trans. Alexander Booth)

Bright Magic                           Alfred Döblin (trans. Damion Searls)

Pictograph                               Pey Pey Oh

Shadowplay                            Phillip Gross/Jenny Pollack

High Spirits                             Jonathan Taylor/Karen Stephens eds.

The Levant Trilogy                  Olivia Manning

The Fall of Sleep                     Jean-Luc Nancy (trans. Charlotte Mandell)

The Balkan Trilogy                  Olivia Manning

Crudo                                       Olivia Laing

Simpson Returns                    Wayne McCauley

The Lonely City                        Olivia Laing

Aliens and Anorexia                Chris Kraus

Vernon Subutex 2                   Virginie Déspentes (trans. Frank Wynne)

Star                                         Yukio Mishima (trans. Sam Bett)

City of Angels                          Christa Wolf (trans. Damion Searls)

News from Berlin                   Otto de Kat (trans. Ina Rilke)

The Case of Anna Kavan         David Callard

Sleep has his house                Anna Kavan

Julia and the Bazooka             Anna Kavan (re-read)

Accident                                  Christa Wolf (trans. Heike Schwarzbauer/Rick Takvorian)

Don’t Hide the Madness         William Burroughs/Allen Ginsberg

Stranger on Earth: A biography of Anna Kavan          Jeremy Reed

The King, the Witch and the Priest    Pramoedya Ananta Toer

My Soul in China                     Anna Kavan

Honeysuckle Girl                     Rhys Davies

Aleister and Adolf                   Douglas Rushkoff/Michael Avon Oeming (graphic novel).

Asylum Piece                          Anna Kavan (re-read)

Machines in the Head             Anna Kavan

Berg                                        Ann Quin

Inside: Japanese Women by Japanese Women (Cathy Layne editor, trans. Louise Heal Kawai)

Body Beautiful                        Ifor Thomas (re-read)

Transit                                     Rachel Cusk

Cavafy: Poems                       C.P. Cavafy (trans Daniel Mendelsohn)

Justine                                     Lawrence Durrell (re-read)

Granta Book of Travel            Liz Jobey editor

The Art of Cruelty                   Maggie Nelson

A High Wind in Jamaica         Richard Hughes

Freya of the Seven Isles         Joseph Conrad

Flights                                     Olga Tokarczuk (trans Jennifer Croft)

Insulae                                    Alexander Booth

Dreamweapon                       Angus MacLise

In the Moon of Red Ponies     James Lee Burke

The Dig                                    Cynan Jones

The Long Dry                           Cynan Jones (re-read)

Lou Reed: A life                      Anthony DeCurtis

Stillicide                                  Cynan Jones

Spy of the First Person           Sam Shepard

The Year of the Monkey         Patti Smith

In the middle of reading now:

A Dream Come True   Juan Carlos Onetti (trans. Katherine Silver) (halfway through)

Bluets                          Maggie Nelson (halfway through)

The Scarlet Gang of Asakusa Kawabata (trans. Alisa Freedman).

[imoim36news]

Brad Pitt nhập vai Jack Conrad Tạo ra hình Brad Pitt vào phim Vào BABYLON, Jack Conrad là 1 ngôi sao sáng phim câm phổ biến, anh ta lý tưởng cùng với khét tiếng và gia tài, mến thực hiện TT của những buổi tiệc hoang phí. Song cùng theo với việc phân mục phim câm thoái trào sinh sống Hollywood, sự nghiệp của Jack theo này cũng trở xuống. Lần đi đầu khán fake chạm mặt Jack Conrad là Khi anh đó thuộc người vợ chuẩn bị ly hôn của chính mình Ina (Olivia Wilde) trên buổi tiệc của Wallach. Jack gợi cho những người coi lưu giữ cho tới John Gilbert, Douglas Fairbanks và Rudolph Valentino – những ngôi sao sáng năng lượng điện hình họa phổ biến của kỷ nguyên phim câm. Brad Pitt là 1 trong mỗi khuôn mặt hạng A của Hollywood với việc nghiệp trải nhiều năm nhiều thập kỷ. A ma tơ ko tuổi được biết tới qua cụm kiệt tác World War Z, Ocean’s Eleven, The Curious Case of Benjamin Button, Fight Club, Ad Astra, Moneyball, Mr. and Mrs. Smith, cụm phim của Quentin Tarantino như Once Upon a Time in Hollywood, Inglourious Basterds. Quy định mời Brad Pitt thủ vai Jack Conrad – một ngôi sao sáng phim câm đang được sinh sống đỉnh điểm sự nghiệp – sẽ cho tới một cơ hội vô thuộc đương nhiên. “Brad là một trong số ít những diễn viên hiện đại khiến chúng ta nhớ về những ngôi sao điện ảnh trong quá khứ.” Chazelle phản hồi. “Sở hữu một... website tin : afamily.vn #Siêu #phẩm #nhận #đề #cử #Oscar #quy #tụ #dàn #tài #tử #đình #đám #Hollywood

[postpunkindustrial]

Tracklisting

01. Siege - Armageddon [Off the Disk Records,(recorded 1984)] 02. Conrad Schnitzler - Untitled 03. Christian Zanési - Stop ! L’Horizon [INA-GRM, 1990] 04. Otto Von Schirach - No Wood [Schematic, 2001] 05. Negativland - Negativland 4 [Seeland, 1980] 06. Michel Redolfi - Appels D’Air (Sudden Drafts) [INA-GRM, 1993] 07. Mario Rodrigue - Tilt [Empreintes DIGITALes, 1994] 08. Operating Theatre - Fin-estra [United Diaries, 1981] 09. My Bloody Valentine - Glider [Creation Records, 1990] 10. Bob Ostertag - Tears of the Sand in the Fierce Companionship of Thirst [RecRec Music, 1992] 11. Cabaret Voltaire - The Dada Man [Industrial Records, 1980] 12. Jim O’Rourke - Mere Part 2 [Staaltape, 1992] 13. The Hafler Trio - I Remain, Yours… [Tragic Figures, 1991] 14. Miles Davis - Rated X [Columbia, 1974] 15. Tod Dockstader - Two Fragments From Apocalypse (Second Fragment) [Owl Records, 1966] 16. Xavier Garcia - 6 Regards Sul L [GMVL, 1991] 17. Pascal Florian Mutschler - Haute Tension [GMVL, 1991] 18. Adam Bohman - Reisling Riots [Mycophile Records, 1997] 19. Jozef Malovec - Orthogenesis [Turnabout, 1968] 20. Rhythm & Sound - Distance [Rhythm & Sound, 2001] 21. Scientist - De Materialize [Greensleeves Records, 1981] 22. Kit Watkins - Tone 4 [Linden Music, 1990] 23. Nurse With Wound - Soliloquy For Lilith (Second Fragment) [Idle Hole Records, 1988] 24. Nocturnal Emissions - Ooerrdn [Earthly Delights, 1990] 25. Phoenecia - Non-specific Acoustic Stimulation [Schematic, 2000] 26. Zoviet France - Caught in the Square [Staalplaat, 1990] 27. Toshinori Kondo X DJ Krush - Tobira-1 [Sony Records, 1996] 28. Jörg Thomasius / Lars Stroschen - Die Rabenschwarze Dame [Tonart, 1993] 29. Illusion Of Safety - Looking Forward To Silence [Complacency, 1990] 30. Denis Smalley - Wind Chimes [Empreintes DIGITALes, 1992] 31. Asmus Tietchens / PBK - Manifesto 3 [Realization Recordings, 1992] 32. Confuse - Indignation [Violent Party Records, 1984] 33. Mescalinum United - We Have Arrived (Aphex Twin QQT Mix) [R&S Records, 1992] 34. JH - No Rain 35. Rhythm & Sound - Roll Off [Rhythm & Sound, 2001]

[sopolicegardener]

11 Ways to Completely Sabotage Your Bắn Cá Liên Minh

The internet was just born and already it has 6 billion websites, one for every person on Earth today. Human beings are obsessed with writing and even more obsessed with Paris Hilton, the number one search on the internet. Lets get to know a little about our modern day Aphrodite aka Venus, the Goddess of Love, Beauty and Sex worshipped by the Greek and Roman people 4 thousand years ago. Paris Hilton proves once again that sex sells both hamburgers and religion.

The Greek Goddess Aphrodite Festival is called the Aphrodisiac, which was celebrated all over Greece especially in Athens and Corinth. Christina Onassis was the heiress of Aristotle Onassis the Greek shipping billionaire. We are talking real money here. Christina was Aristotles only living child, a real heiress, like Jennifer Gates, 9, and Phoebe Gates, 3, the two daughters of the worlds richest man, send me the Bill Gates, at $51 billion dollars and counting. Bill and Melinda French of Dallas Texas have given so much money to charity that they have completely eradicated poverty in Africa. Paris Hilton, if she is lucky enough to make it into her grandfathers will will be lucky to inherit one million dollars. The One with the money, Paris great grandfather Conrad Hilton, (whose son Nicky was the first husband of Elizabeth Taylor), left the grand total of nothing to his 4 children. He married his third wife at 87 and then left his entire fortune to the Catholic Church. Paris grandfather Barron Hilton went to court to contest the will and Ae88 Vin he won, becoming the first person ever to defeat the Vatican in court, walking away with a few hundred million. He has 8 kids. They have kids. Paris slice of the pie could be $200,000, walking around money for the Sultan of Brunei, whose oil fields America is now spending its blood to protect. That is hot not.

Being an heiress is normally a mirage, as Christina Onassis can testify to. Have you ever noticed how many pop icons cash in on Jesus story right in their names? Its like peoples minds are like search engines responding either positively or negatively to certain keywords like Paris Hilton. Madonna, the Virgin Mary, Christ Ina Aguilera, Britney Spears, I have a pain in my side, said Jesus. Is that a spear in my ribcage or are you just happy to see me? Jesus Christ was a Jewish Rabbi painted by the Greek New Testament writers with the Godlike qualities of the Greek Goddess Eurynome and Bellerophon and his flying horse Pegasus and several other Greek deities. You can read all about it at The Temple of Love. 20 million Christian and Jewish children lost their lives in WW2 aka The War Against the Jews because according to stories which God of Mount Sinai aka Jesus aka Allah aka Elohim Himself endlessly calls man made legends and fairy tales right in the Holy Bibles, the Jewish people killed this half real half fictitious character 2,000 years ago in Jerusalem. Humans have a problem separating fact from fiction. At least Paris Hilton is a real person. Ive seen her. Ive touched her. Ive kissed her. Her lips are as candy. Her legs are as ladders.

Sex sells. Paris Hilton was a nobody, an extra in a series of B movies until the videotape of her coiting Rick Salomon in 1 Night in Paris showed up on the internet last year at the same time that The Simple Life debuted. People are fascinated by infamy. Did you know that the male cats penis has spines which point backwards? Upon withdrawal of the penis the spikes rake the walls of the females vagina. The female needs this stimulation for ovulation to begin. Paris Hilton, outraged over the release of the video, raked in $400,000 plus a percentage of the profits of the film which shot her to super stardom. Without that video Paris Hilton is serving cocktails at Studio 54 today instead of dancing on the bar topless with the worlds media murdering each other for a snapshot of Paris Hilton half nude.

Paris Whitney Hilton was named after Whitney Houston because her name wasnt famous enough. During the Aphrodite Festival, the Aphrodisiac, in Corinth Greece, the men had intercourse with the Priestesses of Aphrodite. This was considered a method of worshipping Aphrodite. What did you get for Christmas? In the Holy Eu9/EuBet Temple in Jerusalem the Priests lured the people in with The Temple Prostitutes who lived in the Holy Temple in Jerusalem. King Solomon who built the Holy Temple had 900 wives, concubines and mistresses. Compared to him Jesus was a mere piker with his Mary Magdalene and a few of her girlfriends. Do you hear what Im saying girlfriend? At least Paris Hilton is a real person.

Aphrodite was born as an 18 year old Vave Paris Hilton in the Sea off of Cyprus after Cronus cut off Uranus genitals and the elder Gods blood and semen dropped on the Sea where they began to foam. Aphrodite rose out of the foam in her 18 year old birthday suit. When did people become so prudish? Going wild over 1 Night in Paris? 4,000 years ago mating with hookers in the Temple was normal. In Luk88 1879 William-Adolphe Bouguereau painted the Birth of Venus, (Venus was Aphrodites Roman name), which showed the full face on nude 18 year old Aphrodite being born rising from the sea foam. How did Hugh Hefner get to be called risqu? And where did all the paintings and likenesses of Jesus come from? There isnt one single word of description of Jesus in the Holy Bible or anywhere else.

Sex sold religion then and it still sells it today. The Las Vegas Hilton boasts the worlds largest free standing sign, Welcome Idiots. The hijackers on 911 fully expected to hit the twin towers then immediately wake up in eternal paradise with 72 virgins and wine with no side effects, because they read it in their Bible. Lot, the only righteous man in sin city, (Tony the Ant came in second) Sodom and Gomorrah was saved by God and rewarded with wine and sex with his two virgin daughters. Oscar Goodman, the mayor of Las Vegas with 85% of the vote was the mobs lawyer who represented Meyer S9BET Lansky, Ace Rosenthal, Tony the Ant and corrupt San Diego mayor Roger Hedgecock to get the job. He recently said on Television, Those who deface freeways with graffiti should have their thumbs cut off on Television. Violence sells too. At least Paris Hilton is real.

[allaboutcolleen]

The BEST FEELING EVER? Ang maging isang ina. Biological man 'yan o Hindi. The moment na naging ganap na ina ako, ibang pakiramdam talaga. Pakiramdam na hindi mo maexplain. Para bang naging bagong tao ka. Tipong kaya mong magpaka-Selfless para sa anak mo. Gagawin mo ang lahat, mapasaya lamang sila. Unconditional Love: ikanga. Sabi nila, Madali lang maging ina. Totoo naman. Ang mahirap ay ang "MAGPAKAINA." Noon, may fears ako na "Kakayanin ko kaya maging mabuting ina?" "Paano ang future nila?" "Gaano nga ba kahirap" Etc Etc. Sa totoo lang, wala namang libro HOW TO BE A PERFECT MOM. At wala rin namang perfect mom. Sabi nga, "the moment child is born, the mother is also born. She never existed before. The woman existed, but the mother, never. A mother is something absolutely new." For me, Gawin mo ang tingin mong tama para sa anak mo, and GOD will do the rest. 🙏 Happy Mother's Day sayo! Remember: You are awesome. You are wonderful. HULAAN SINO SI Riley Conrad Mateo AT Valerie Colleen sige ngaaaaa P. S. Salamat mga anak hindi nyo ako pinahirapan masyado during labor at during delivery. Ang bilis n'yo lang lumabas. Excited ata kayong masilayan ang ganda ko 😂 I Love You Kuya Riley and Bebe @valerie. Everyday I am thankful ❤️ Mahal na mahal kayo ni Mama ❤️ Pati na rin ni Papa ❤️ #happymothersday https://www.instagram.com/p/COpoSUjNAmd/?igshid=6uuopjtynv1w

[pedroam-bang]

“SILENCE PLEASE”

Babylon (2022)

[asks-n-trolls]

Conrad: " Wow you look super rad! Very punk-"

Cicero: " Dude it's so fuckin funny seein you try to act cool its the funniest thing-" Conrad: "Quit it dude im trying to make friends here-"

Cicero: "Yeah yeah. Hey you look like you'd be ina band or somethin'. Like the singer or maybe even like a roadie... are ya?"

Conrad: " You don't have to answer him aha..ahem BUT you do look super cool, Definetly strike me as the party kind of guy ...maybe? I'm sure you and my brother would get along great!"

Twin Judgments!

Conrad and Cicero are taking a small break from their usual mechanic duties to say hi to everyone! Got any problems that need solvin? They can maybe help ya with that but mainly they are here to see if you'd be cool to hang out with :)

One troll per reblog please! Judge backs are appreciated but not   required! Multiple reblogs are allowed(within reason) ,18+ Muns and Muses only

[hansoedt627]

Erfolgreiche Infrarot Wärmelampe Test Taktiken Die Am Besten Sind --

Zu den 10 von 30 besten Modellen bei Rotlichtlampe, die miteinander verglichen wurden, gehört das Modell "Philips HP3616". Sehr gut erhaltene, alte Rotlichtlampe aus den 1950ern ohne Markenangabe, funktioniert einwandfrei. Der echte Rotlichtlampe Test Kauf Ratgeber Erfahrungen Vergleich Top Preise Top Modelle Günstig & Sicher bestellen.

Sie können Preise, Verfügbarkeit und Lieferzeit der Händler vergleichen. Ihr könnt den Lichtstrahl focussieren, die Farbe wec... Auch zur Planung der weiteren Verhütung. Ideal ist es, zehn bis 20 Minuten lang die Nasenregion zu bestrahlen, bei einem Abstand von 30 bis 50 Zentimetern. Eignet sich eine Rotlichtlampe für den Einsatz auf dem Wickeltisch?

Unsere Redakteure und Produkt-Tester vergleichen und testen zudem die beliebtesten und meistverkauften Produkte. Wer bereits unter Rückenproblemen leidet, sollte den Griff zur Tablette meiden und sich lieber auf die wohltuende Wirkung einer Rotlichtlampe berufen. Deshalb muss die Rotlichtlampe in entsprechender Entfernung vom Gesicht und dem Körper positioniert werden. Beim Infrarotlicht ist die Wärmestrahlung sehr hoch, was für ein angenehmes Wärmeempfinden sorgt. Bei Verspannungen und Gelenkschmerzen werden die Blutgefäße durch die Wärmeentwicklung erweitert, wodurch die Durchblutung verbessert wird. Wenns nicht klappt kaufe ich mir im Frühjahr nochmal neue. Die Übersetzungen von Rotlichtlampe auf andere Sprachen, die in diesem Bereich vorgestellt werden, sind zustande gekommen durch automatische statistische Übersetzung, wobei die Basiseinheit der Übersetzung das Wort «Rotlichtlampe» in Deutsch ist. Die wichtigsten Kaufkriterien von schutzbrille fuer rotlichtlampe.

Rotlichtlampe Für Welpen

TIPP

Rotlichtlampe Stiftung Warentest

Rotlichtlampen Gesundheit

Infrarotlampen (im Sprachgebrauch auch Rotlichtlampen oder Wärmelampen genannt) geben neben dem sichtbaren roten Licht vor allem Wärmestrahlen ab. Also im wesentlichen die energiereiche, langwellige Infrarotstrahlung. Immer Öfters sagen die Anschaffungskosten wenig über die Brauchbarkeit des Produktes aus. Sanitas SIL 45 Infrarotlampe Infrarotstrahler Infrarotwärme Rotlichtlampe Pflege. Bei richtiger Anwendung ist die Infrarotlampe bedenkenlos und wirkt gesundheitsfördernd. Doch leider sind die angebotenen Geräte nicht alle gleich gut und unterscheiden sich doch teilweise deutlich im Preis. Dadurch eröffnet sich für Sie die Möglichkeit die aktuellsten Rotlichtlampe auf den Markt zu finden.

Letztendlich gibt es vor dem Kauf von einem passenden Rotlichtlampe viel zu beachten. Informationen zu "rotlichtlampe" Hochwertige Modelle können durchaus eine Lebensdauer von bis zu 500 Stunden aufweisen. Ich erinnere mich, dass man früher häufig Infrarotlampen bei Erkältungen benutzt hat.

Sie interessieren sich heute für ein Rotlichtlampe und halten es morgen schon in der Hand? Unter diesem Verzeichnis finden Sie zusätzlich nachstehende Symbole mit folgender Bedeutung: Pb: Batterie enthält Blei Cd: Batterie enthält Cadmium Hg: Batterie enthält Quecksilber Interseroh prüft anhand der von Ihnen übermittelten Daten, ob Sie zur Abgabe an einer der Interseroh Sammelstellen berechtigt sind. Plush Design Infrarot Lampe Efbe IR812 Rotlichtlampe Weiß 150W Infrarotlampe Real Kaufen Baby Anwendung Schädlich Erkältung Wirkung Test.

Rotlichtlampe Anwendung Augen

Die 240-V-Lampe ist spritzwasserfest und durch die zementierte Schraubverbindung von Metallsockel und Glas äußerst stabil. Foto: Ina Renke. Doch Vorsicht: Nicht für jeden Akne-Patienten eignen sich die Wärmestrahlen gleichermaßen. Die Rotlichtlampe wird in der Medizin als Therapie gerne eingesetzt. Nicht bei jedem sitzt der Geldbeutel locker. Viele Versionen von Rotlichtlampe waren so vielleicht noch gar nicht bekannt und sollten trotzdem nicht direkt ausgeschlossen werden. Eine günstige Alternative: Behandlung mit einer Rotlichtlampe. Allerdings ist dies nicht bei allen Erkrankungen er Fall.

Infrarotlicht Nasennebenhöhlen

AW: Rotlichtlampe - Variante für Tiere gesundheitsschädlich? Dort hast du eine große Produktauswahl. - vielleicht ist sie einfach nur umgefallen...wie wurde das Kabel gesichert?)

Dabei entstehen gleichzeitig auch Bestenlisten, mit denen alle Kundenwünsche erfüllt werden. Hier finden Sie reduzierte rotlichtlampe brille, die zu Amazon zurück Philips Infrarotlampe 100 Watt geschickt wurden. Der Zustand der.. «SWR Nachrichten, Dez 16» Conrad Rotlichtlampe. Dieses ermöglicht somit breit gefächerte Anwendungsbereiche für den Hausgebrauch. Share StumbleUpon; Facebook; Google+; Twitter; Email; Na ja,.... ich halte das für Jägerlatein. Cool Ideas Infrarot Lampe Infrarotlampe PR3110 00 Philips Kaufen Baby Anwendung Schädlich Erkältung Wirkung Test Stiftung Warentest Augen.

Rotlichtbestrahlung Wie Oft

Wärmelampe Erkältung

AutorThema: Sollte man eine bestimmte Rotlichtlampe kaufen? Infrarotlichtlampen kosten je nach Größe und Ausstattung bzw. Stellen Sie das Rotlicht etwa 50-80 cm entfernt vom Käfig auf und sorgen Sie, wie oben beschrieben, für einen Schattenplatz. Bestrahlungen mit Rotlicht von vorn können Sie auch bis zu 3 x täglich machen. Du überlegst, ob Du eine Rotlichtlampe bei Erkältung anwenden kannst? Vor allem zu Hause wird auf die Wirkung von Rotlicht vertraut. Die Bestrahlung mit einer Rotlichtlampe ist eine weitere Möglichkeit, dem Schnupfen durch gezielte Wärme beizukommen.

So können Sie mit großer Wahrscheinlichkeit sicherstellen, dass Ihr Gewebe bei der Nutzung Ihrer Rotlichtlampe keinen Schaden nimmt. Im Handel stehen verschiedene Varianten von Rotlichtlampen zur Auswahl. Aber Achtung ! Auch hartnäckige Akne wird durch die Behandlung mit Rotlicht wesentlich besser. Um eine Beschwerde auf dieser sog. Eine Infrarotlampe nennt der Volksmund häufig auch Rotlichtlampe... wenn Sie Ihr Gesicht bestrahlen oder Bereiche in der Nähe des Gesichts. Beim Rotlichtlampen Vergleich, solltest Du Dich immer schon im Voraus in einem Rotlichtlampen Test über den jeweiligen Bestseller informieren.