#Jayma International

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[mymanyfandomramblings]

Glee-cap: Episode 4x14--I Do

I'm watching Glee for the first time, and writing recaps of my episode reactions (I'm also watching it a second time through with my sister, and I'll provide those recaps too). Here's my reaction recap for I Do

We start off strong--Finn and Rachel. Together! (Know that I am a Finchel shipper, before we go any farther)

Aaaaaand Rachel giving Finn terrible advice. Please stop.

Also, I do love Finn's 'not everything is about you'. I love Rachel, but she needed to hear that

Yesss Emma!! I love how confident she's gotten. Stressy, but a lot more confident

"I hope it's Britney again." Never change, Brittany, never change

Cory Monteith's facial expressions are perfect. Especially the 'internally screaming' one.

Emma knows exactly how to communicate with Artie. To a vaguely concerning degree.

Marley is so cute, especially with Jake. Her smile is so sweet, and I totally believe they are In Love

Jake is a sweetie too

Ryder is so level-headed, and I love him as well. Also yes, call out Puck dating a sophomore (as much as I like Puck, I don't like that subplot whatsoever)

Shoutout to the ridiculous outfit that looks like the lovechild of Kurt and Mike's fashion sense that Puck is wearing in the flashback

The bro-ship between Ryder and Jake is amazing. Ryder's acting is so bad. The tuxedos are everything

Jake and Marley's musical chemistry is *chef's kiss*

Not gonna lie, that bouquet was gorgeous

Yesss, Mercedes!! I love her!

And Sue is officially hilarious. "What, this old thing? It's an exact replica of your wedding dress."

and we're back with the random cracks about Finn's weight. The dude's insecure, and everyone needs to back off him

Aside from the aforementioned fat-shaming, every word out of Sue's mouth is gold. Not whatsoever helpful for poor Emma, but comedy gold

And Jayma Mays shows off hitherto unsuspected talents with Getting Married Today, as does Amber Riley. I haven't loved any of Emma's songs before this point but goshdarn it, Jayma knocks this out of the park.

Emma's freaking out, meanwhile Sue is just eating, and I love it.

Brad is the organist. Guy cannot catch a break.

Shout out to Becky, the world's most angry looking flower girl. Also shout-out to Kurt's reaction.

The doors open and...SUE. Gosh, I love her sometimes. And the organ crashing to a halt is hilarious.

Will and Sue's faces straight afterwards are delightful

Brittany mouthing that Sue 'looks so good' as she walks down the aisle at someone else's wedding. Never change, Brittany.

Jane Lynch hit comedy out of the ballpark in this episode. Everything Sue does here is hilarious

Finn now has himself in deep trouble

I am, at my heart, a Samcedes shipper, but I can't lie, he and Britts are pretty cute

Marley looks so pretty in that darkish pink.

I am vaguely frustrated that my hunch that Ryder has been having all of Jake's ideas all this time was correct, but I do still appreciate that they're bros, rather than, you know, fighting.

Jake and Ryder: Most Reasonable Dudes in the Glee-verse

Kurt's dance moves always make me laugh. I also love that Blaine looks so intense while he sings, and meanwhile Kurt's shimmying around and making Big facial expressions

Yes, Artie!!! For all his faults, Artie is really good at standing up for himself (no pun intended)

Sam and Brittany are so unhinged together /affectionate

Lots of people find Tina OOC in S4, but ever since The Power Of Madonna she's been given to occasional outbursts where she never gives her outburstee enough context to know what they've done

The comic timing on 'Did you vapo-rape my ex-boyfriend' is so perfect.

Did my eyes deceive me, or was Sam also lining up to catch the bouquet too?

Finn is my favourite character but occasionally he takes this particular tone with Rachel, and I Don't Like It

Whoa, Finn gets poetic and metaphorical. Guess being a teacher did make him smarter

Rachel missing the point is always hilarious.

I love Finn, and I love Finchel, but he's being just a tad presumptuous and condescending here, and I wish he'd express these same sentiments in a different way

Okay, what's with almost every couple heading upstairs. I kind of hoped that Marley would set some boundaries for Jake to respect (I mean, I'm not saying she has to, I'm saying that it would have been nice to see what would actually have happened if Ryder had been right, and how Jake would respond)

And that's how you know that I'm writing this as I watch, because I got what I wanted. Jake is so chill about it, even after getting his hopes up, and I'm glad he's not letting Marley apologise

Ah the glorious love between Brody and Rachel where they're constantly lying and being unfaithful. Love it /heavy sarcasm

Tina's dress is so cute

RYDER! You have been being so great the last few episodes now you ruin it!!

Artie's French accent is so cute

Their final song is really good, even if the dancing makes them all look completely insane

I also appreciate that their final-episode songs are starting to look a lot more low-budget and like real school performances than they used to

It's way too soon for Rachel to actually know if she's pregnant--unless there was supposed to be a timelapse in that song, but okay then.

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[sillyname30]

Also the comment though that Harry only became full cast member in 3 - yeah that’s madness - and probably got paid a lot less than them. Yet he was main male dancer -🙄

I know they swooped in and out who was main cast members - pretty sure Kevin was one of those who was throughout all six seasons, along with the big main characters of Lea, Jane, Matthew and Chris.

Harry didn't have big storylines, but as a dancer he did more than Kevin and Jenna in their group numbers.

I think the main cast gets paid for every episode, recurring cast only for the episodes they in. I didn't really understand what they said, but Harry gets less money now from Glee than Jenna and Kevin, except for international something.

I think the first ones in the Glee club (Lea, Cory, Chris, Amber, Jenna, Kevin) and the teachers (Matthew, Jane, Jayma) were main cast in season one. Naya and Heather became main cast in season two.

But Harry is working pretty steady after Glee although he didn't have a chance to shine - except as a dancer.

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[quarterfromcanon]

Unexpected

Heather & Valencia - Femslash February - Day 12 - Surprise [3,003 words]

Heather was not in the mood for company. Thankfully, the usual Home Base crowd at that hour of night was not a chatty bunch. Most just caught her eye when they wanted a refill. At least it eliminated the need for small talk. Weekend time slots were already something Heather preferred to avoid, but filling in for Greg while he and Rebecca attended Jayma Chan’s wedding left her feeling especially averse to the social requirements of customer service. 

Heather was cleaning glasses when she heard the determined clack of heels approaching where she stood. She couldn’t really say who she’d expected when she turned around, but it certainly wasn’t Valencia Perez in a strapless pink gown.

“I want a drink.”

“People who come in here usually do.” Heather set a tumbler aside and draped the rag over her shoulder. “So, like, a cocktail? Martini? Mimosa?”

Valencia shook her head, which made her disheveled hair slip further from the grip of the metal clasp intended to hold the style in place. “Something straight out of the bottle.” 

“Okay, that’s a start. Vodka, brandy, whiskey --”

“Sure. That sounds fine.”

“Whiskey?” Heather verified. “Do you want scotch, Irish, bourbon, or rye? We don’t have Tennessee or Japanese.”

“Why are there so many choices?” Valencia impatiently smacked her hands against the bar. “I just need to get hammered. Surprise me.”

“I’ll get you bourbon.” Heather tucked her lower lip into her mouth, prematurely dreading the response she might get to the next thing she had to say. “How much?”

Valencia spread the thumb and forefinger of her left hand as far as they could go. “I’m thinking about this much. Maybe times two.”

“Whoa, there. You really don’t drink, do you?” 

“Not usually, no.”

Heather stretched across the bar and adjusted the measurement between Valencia’s fingertips with the pressure from her own, pushing lightly until they were one finger-width apart. “Let’s start with about... that much. See how it goes.”

Valencia let her hand drop. “That works.”

Heather prepared the order and returned a few seconds later. Valencia slid a bill forward and set her clutch purse beside the drink. “Keep the change.” She took the first sip and leaned back in surprise. “Interesting. Different from what I thought it would be. Is that nutmeg?”

Heather’s shoulders lifted. “It might have similar flavor notes. People don’t usually ask about that stuff. It’s called Angel’s Envy.”

Valencia shrugged disinterestedly and took another drink. 

“Cool. Enjoy.” Heather went back to the used dishes.

Valencia attempted to hike herself onto a stool, but the dress was too restrictive. She settled for a chair instead and kicked out her legs, crossing them at the ankle.

Not even five minutes later, Heather heard her voice again.

“Men suck.”

Heather rolled her eyes. She focused her attention on the present task and did not engage with the conversation starter. 

Valencia glowered at some nearby barflies who were studying her. “That means you, too. Turn around.”

Heather’s lips twitched at the exchange she heard but did not see. Despite her effort to ignore Valencia’s outbursts, Heather internally conceded that she was curious what Josh did now. Recent observations suggested that it likely had something to do with a proposal or, rather, a lack thereof. Though she had her suspicions, Heather had no intention of voicing them. She was on the outskirts of the group’s interpersonal drama, and she intended to keep it that way. 

“Can I get another?”

Heather dried off her hands and grabbed the bottle. She poured Valencia a second serving, double the measure of the first. While she did so, Heather kept her eyes averted to deter additional interaction. 

“I know you, don’t I?” Valencia asked. The inquiry sounded semi-rhetorical as if she knew full-well this was not their first encounter, and yet it was clear that she expected verbal acknowledgement. 

Goddamnit.

“Kind of,” Heather replied. “We met on that super dramatic party bus ride and then hung out at the beach? Also, I’m in here when you pick up your little sister, so, there’s that.”

“Right!” Valencia feigned a light bulb recognition. She pointed at her and nodded. “Greg’s date. Sporty. Lots of bracelets.”

“I mean, I’m wearing the same accessories right now so I don’t know if that really counts in your favor, but yeah. That was me.”

“Wait, did he throw you over for Rebecca?” Valencia tried to move into Heather’s line of sight as the latter went about her routine procedures. “I saw them tonight at the reception, on the other side of the room. I didn’t say hello, obviously. But did he?”

Heather busied herself with a stack of utensils.

Valencia gasped. “He did!” She angled against the bar and gripped the far side. “Hold on. You called her ‘neighbor’ before, didn’t you?” She popped onto her tiptoes, eyes wide. “Were you friends?”

Heather stopped what she was doing, crossed her arms, and finally looked at Valencia. “We still are. I wasn’t gonna let some CW-style love triangle change that.”

“How can you forgive her after what she’s done?” Valencia demanded incredulously. “She completely betrayed your trust and tried to steal Greg when she knew you two were together!”

Heather’s brow furrowed. The undercurrent of projection was evident, but she couldn’t exactly say that Valencia was incorrect either way. She sighed and tossed her towel beside the register. “I was upfront with her that it hurt my feelings when I first found out but, like, at the same time, she couldn’t really steal him from me if he didn’t wanna go, y’know?” Heather gave Valencia a meaningful look. “I had to deal with that. I had to accept that he didn’t have strong enough feelings for me to make him want to stick around.”

A rapid succession of emotions flickered across Valencia’s face. One instant, she appeared geared up for an argument. The next, she deflated and her shoulders sagged wearily.

“You’re right,” Valencia murmured. “That was the bigger problem.” She dropped back onto her feet and hiked the top of her dress more securely into place. Valencia drank and put it down with a rough thunk. “I called him on that tonight. He was never going to truly commit to our relationship.”

Heather edged away and purposely wiped down flat surfaces in the opposite direction from where Valencia stood. “Yeah, I feel like this isn’t about me, so I’m just gonna--”

Valencia rotated her glass between her hands and continued speaking, undeterred. “I don’t see how you’re supposed to fix a thing like that. If you’re giving him your perfect body, the perfect relationship, the perfect future right on the horizon -- what more could he want? What part of drinking gross tapioca balls with a backstabbing little lawyer from out-of-town fulfilled a need of his that wasn’t being met?”

“Maybe he needed someone who listened to him?” Heather suggested pointedly. “Someone who wasn’t gonna talk over him or say something judgy?”

Valencia drew up short and gaped at her. “Did he talk to you? Did he tell you that’s what was wrong with me?”

Heather wrinkled her nose. “What? No. I don’t really know the guy that well.”

Valencia shook her head in bewilderment. “It’s just that he said almost that exact thing right before we broke up. That I never listen to him.”

“Huh. What a weird coincidence.”

Valencia lifted her gaze to Heather’s face with shame. “Am I really that awful?”

Heather’s features softened. “There were some major communication issues between you two, but it wasn’t all coming from one side.” She drew closer to stand across from Valencia again. “Most of my information is secondhand, so I might not be the person to ask, but I always felt like you and Josh were not on the same wavelength, like, at all. You clearly had a life you were trying to build for yourself and Josh was like this buff, clueless puppy who kept running around the neighborhood. He was supposed to fit into your big picture, but he didn’t. Or didn’t want to.”

Valencia threw back the remainder of her second round. 

Heather’s mouth twisted at the corner. “Sorry. I kinda suck at sugarcoating. I was just giving you an outside perspective.”

“It’s okay.” Valencia waved the apology aside. “I’m the one who asked you. And you’re not wrong. It just...”

“It sucks,” Heather supplied.

Valencia’s laugh carried the hint of a sob. “Yes, it does. Fifteen years gone down the drain.” She reached reflexively for her glass but realized it was empty. 

The majority of the patrons had wandered toward the parking lot during the course of their conversation. Heather left the bar and tidied the vacated stations.

“Better fifteen years than the rest of your life.”

The words washed over Valencia and she dropped her head to rest on her arms. “I don’t know what life has left for me without this.”

Heather awkwardly patted the back of Valencia’s dress as she crossed behind her. “Hang in there... pal... You’ll get through it.”

“I guess so.” Valencia stared into the middle distance with bleak uncertainty. “But I have no clue where to begin.”

“Well, wherever you start, it can’t be with our alcohol,” Heather told her. She jerked her head in the direction of the clock. “We’re past last call.”

The only other customer, a man in a corner booth, tossed down a few dollars beside his empty bottle and departed. Valencia cast a look around the vacant room and landed on something fixed to the wall. 

“Do you have darts?”

Heather gathered the money the man left behind and wiped down his table. “I know I literally did that exact thing after my breakup, so it makes me a hypocrite, but you really don’t wanna be throwing pointy objects right now. Okay, actually, put it this way: you might, but our walls don’t want you to.”

‘I need to let out some of my anger,” Valencia protested. “Like you said, you just went through this; you get it.”

Heather considered her for a moment. She circled behind the bar, ducked out of sight, and stood once more with three darts in her fist. Heather set them down in front of Valencia. “Just while I’m closing things up, okay? Technically I’m supposed to be ushering you out the door by now.”

Valencia accepted the offer and positioned herself in line with the board. “Thank you.”

Heather made a noncommittal noise at the back of her throat.

Valencia took aim and threw, but the dart left her hand too late on the curve and swerved right, narrowly missing Heather’s shoulder before it embedded into the wall. 

Heather stared at it for a fraction of a second and simply arched her eyebrows. “I can’t tell if this means you were way off or almost right on target.”

Valencia nearly smiled but protruded her lip in a fake pout instead. “Don’t make fun of me.”

“How many times do you get to try to impale me before I’m allowed to say something?”

“At least one more.”

Heather laughed and continued flipping chairs onto empty tables. 

Valencia’s second dart nicked the baseboard but was otherwise harmless. Her third lodged into a single scoring space near the top. She gave a triumphant cry, but the accompanying bounce of joy proved hazardous to her health. Her balance was briefly thrown off and she had to grab onto the edge of the bar to steady herself.

Heather hip-checked the register closed. “Is it starting to catch up to you?”

“I think maybe a little.” 

Heather upended one of the overturned chairs and scooted it directly behind Valencia. “Wait on this. I’ve gotta do a quick sweep -- the checking the bathrooms kind and the broom-across-the-floor kind -- and then we can figure out how to get you to your apartment.”

Valencia sat swaying in place while Heather rushed to wrap up the last duties. “At least I don’t live too far from here. It’s impossible to live far away from anything in a place this small.”

“Yeah, no, you’re not driving.”

“You have a ride service?” Valencia removed the decorative clasp and winced from the faint ache as her heavy hair was allowed to fall naturally beyond her shoulders.

“No, but we should.” Heather tucked her foot behind the dustpan to keep it from sliding. 

“So what am I supposed to do? Sleep this off in my car? That’s not safe either.”

“Leave it here. Have someone bring you by to pick it up in the morning.” Heather dumped the detritus into a waiting trash can. “I’ll swing wide and take you where you need to be.”

Valencia blinked and tilted her head to the side. “Why?”

“So no one gets hurt. Duh.”

“But I’ve been bugging the crap out of you for the past hour.” Valencia rubbed her fingertips along the oval of metal in her palms. “You could just leave me here. Why help if you don’t have to?”

Heather briefly vanished to check the men’s restrooms. She reemerged and caught Valencia’s eye with her brows knitted together. “People don’t have to want something from you to treat you like a person who matters. I mean, there are totally dickheads out there who act that way, but like... Basic human decency shouldn’t be transactional.”

She disappeared through the door to the women’s stalls, leaving Valencia to mull over her statement. Neither spoke for the remainder of Heather’s shift. Valencia observed the blue moonlight dappled across the floor and scratched her heel against the back of her ankle.

“Ready?” 

Valencia looked up to find Heather holding out her forgotten clutch purse. She took the bag, put her hair clasp inside, and tucked it under her arm. “Yeah, I’m ready to call it a night.”

She stood and Heather put her chair on its designated table. “Same here.”

They left the building. Heather fished the keys out of her cargo pants. She locked the door, turned around, and held out an elbow. 

“Are you good to walk, or...?”

Valencia looked at her feet. Admittedly, it would be easier if she removed the heels and went barefoot, but there was no way that was happening. She tested one exhausted, wobbly step. The parking lot seemed so far from where they stood. Valencia sighed and took hold of Heather’s arm. “I’d better play it safe.”

“Yeah, I think that’s a good call.” Heather proceeded with small strides. Her gaze repeatedly darted in Valencia’s direction, monitoring her steadiness. It took them at least thrice the time it would have ordinarily, advancing at such a faltering pace, but they made it to their destination without disaster. Heather pushed the button to unlock the vehicle and helped Valencia get situated. “You can just throw that notebook in the back.”

Valencia cleared the cushion as Heather suggested and settled comfortably. She reached for the seat belt and Heather climbed in beside her. “Why does the inside of your car look like you bought out a yard sale?”

Heather lifted her eyebrows, but her tone was unfazed. “You kinda have a habit of insulting people who are being nice to you.”

“Sorry.” Valencia’s expression became genuinely apologetic. “That was rude.”

Heather twitched her shoulders. “It’s just a thing you might wanna think about. Maybe figure out where that’s coming from.”

She draped an arm across the back of Valencia’s seat while she twisted. Heather reversed out of the parking spot and turned toward the exit. 

Valencia provided a quick set of directions to the apartment, and Heather gave a nod of confirmation that she knew how to reach the address. Valencia removed her hoop earrings, added them to the contents of her clutch, and used the purse as a rather uncomfortable pillow against her window.

Heather adjusted the dials on the radio to fill the silence. She tapped her fingers against the steering wheel and occasionally glanced over to check on Valencia, who fell into a fitful sleep before they’d even reached the end of the road.

A while later, Heather gave Valencia’s shoulder a gentle shake. “You’re home.”

Valencia jolted awake and sat upright. She swiped a hand across her cheek. “Oh. Okay. I’ll, um --”

She started to unbuckle herself from the seat, but her volunteer chauffeur left the car. Heather walked to the passenger side and pulled the handle. “You said second floor, right? You’re gonna need a hand on the stairs.”

A possible refusal appeared to form in Valencia’s mouth, but the instinct to fend for herself faded from behind her eyes. “Yeah, probably.”

They linked arms, just as they had before, and made a clumsy but safe journey to Valencia’s front door. Valencia sifted through her belongings for the keys and shoved them into the lock.

“You should sleep on your side. Tuck some pillows so you don’t roll over,” Heather advised. “I’m not sure if you’ve had enough to get sick, but it’s an important precaution just in case, especially if you’re here alone.”

Valencia nodded and stepped through the doorway. “I will.”

Heather hooked her thumbs in her belt loops. “Good. Well, bye.”

Valencia’s grip tightened on her purse. She leaned one arm against the door frame. “Thank you for doing this for me. Seriously. I’m lucky you were there.”

Heather flashed a polite smile. “No problem.”

"I don’t know if it helps coming from me, but Greg’s an asshole.” Valencia caught hold of the door handle and brought it slowly to a close. “Bye.”

Heather’s breath puffed out in a weak laugh. “It does a little, yeah. I’ll see you... whenever.”

They lifted their hands in parting. Heather reached the stairwell just as Valencia’s door clicked shut. She wound down the passageway and crossed the parking lot to her car. When Heather slid behind the wheel again, she looked at the upper floor of the apartment building. She shook her head with a bemused chuckle and started the engine.

“What a frickin’ weird night.”

[onejamtart]

American Made - Official Trailer

From Universal Pictures, "In Universal Pictures’ American Made, Tom Cruise reunites with his Edge of Tomorrow director, Doug Liman (The Bourne Identity, Mr. and Mrs. Smith), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

Based on a true story, American Made co-stars Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones and Jayma Mays."

Peace, JW

[bluecollarfilm]

American Made (2017)

Tom Cruise stars in this international escapade based on the outrageous (and real) exploits of Barry Seal, a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

Directed by:   Doug Liman

Starring:   Tom Cruise, Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones, Jayma Mays

Release date:   September 29, 2017

[prmssm-blog]

Csgo ranked smurfs

The film stars Jonathan Winters as Papa Smurf, Katy Perry as Smurfette, George Lopez as Grouchy Smurf, Gary Basaraba as Hefty Smurf, John Oliver as Vanity Smurf, Alan Cumming as Gutsy Smurf, Paul Reubens as Jokey Smurf, Hank Azaria as Gargamel, Neil Patrick Harris as Patrick Winslow and Jayma Mays as Grace Winslow, a couple in New York who help the Smurfs return to their town. It was endorsed that Quentin Tarantino would play Brainy Smurf, in any case this "didn't work out" so Fred Armisen voices Brainy csgo prime records . A CGI/all things considered revived more diminutive than run of the mill film, titled The Smurfs: A Christmas Carol, was discharged on December 2, 2011, on The Smurfs DVD and Blu-bar. 

A mood killer of The Smurfs, titled The Smurfs 2, was discharged on July 31, 2013. A completely vivified Smurfs reboot film, Smurfs: The Lost Village, was discharged in April 7, 2017 with Demi Lovato featuring as Smurfette.The Smurfs secured their place in North American standard culture in 1981, when the Saturday-morning toon design The Smurfs, passed on by Hanna-Barbera Productions in relationship with SEPP International S.A.R.L, stopped on NBC from September 12, 1981 to December 2, 1989 (reruns until August 25, 1990). The show kept airing on the USA compose until 1993, and on Cartoon Network until 2003. The Smurfs is still passed on the Boomerang channel all through the United States. The show changed into a basic accomplishment for NBC, conveying turn TV specials on a yearly prelude.

 The Smurfs was alloted distinctive conditions for Daytime Emmy regards, and won Outstanding Children's Entertainment Series in 1982– 1983.The Smurfs TV program got a kick out of proceeded with progress until 1990, when, after appropriate around a time of accomplishment, NBC crossed out it because of decreasing assessments and plans to enlarge their Today morning show establishment to impact a Saturday to release, paying little mind to the way that they didn't do in that limit until 1992 (after two years). The diminished appraisals were the possible result of the structure changing the relationship of the show, understanding the last season highlighting dependable time travel with just a couple of Smurfs. 

In the TV blueprint, different set up consummate masterpieces are utilized as encompassing sounds amidst the scenes, among them Franz Schubert's Unfinished (Symphony No. 8 in B minor), Edvard Grieg's Peer Gynt and Modest Mussorgsky's Pictures at an Exhibition.Reruns of the show are played on the Cartoon Network's sister channel Boomerang. The Smurfs was named the 97th best fortified arrangement by IGN. It was called "kiddie cocaine" for individuals experiencing childhood amidst the 1980s.On August 31, 2017 it was represented that IMPS and Dupuis Audiovisuel would deal with the new Smurfs TV course of action with CGI animation.

On February 26, 2008, Warner Home Video discharged Season 1 Volume 1 on DVD, containing the hidden 19 scenes. On October 7, 2008, Warner Bros. discharged Season 1 Volume 2 on DVD, containing whatever is left of the 20 scenes from season 1. Ignoring the way that Warner Bros.

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[flickdirect]

Based on a true story, AMERICAN MADE brings the audience into the world of the CIA and drug smuggling. Universal Pictures along with Flick Direct want to give a few lucky individuals the chance to see the movie before it opens nationwide on September 29, 2017.To enter for your chance to win a complimentary admit-two pass to an Advance Screening of AMERICAN MADE simply download the Movie Hype App and "follow" AMERICAN MADE. Be sure to tell us what your favorite Tom Cruise film is and why using the hashtags #flickdirect and #americanmade. We will choose entries at random to win one admit-two pass to AMERICAN MADE on Tuesday, September 26, 2017, at 7:30 pm at Cinemark 14 Boynton Beach.Contest ends September 23, 2017. For more information please visit the AMERICAN MADE movie page on FlickDirect.com or the official website at http://ift.tt/2x3GlnL     In Universal Pictures' AMERICAN MADE, Tom Cruise reunites with his Edge of Tomorrow director, Doug Liman (The Bourne Identity, Mr. and Mrs. Smith), in this international escapade based on the outrageous (and real) exploits of Barry Seal, a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.Based on a true story, AMERICAN MADE co-stars Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones and Jayma Mays.The film is produced by Imagine Entertainment's Academy Award®-winning producer Brian Grazer (A Beautiful Mind), Cross Creek Pictures' Brian Oliver (Black Swan) and Tyler Thompson (Everest), Quadrant Pictures' Doug Davison (The Departed), and Kim Roth (Inside Man). Gary Spinelli wrote the screenplay.RATED R.  NO PURCHASE NECESSARY. Limit one (1) admit-two pass per person. This film is rated R.  Must be 17 years of age or older to win passes. Employees of all promotional partners and their agencies are not eligible. Void where prohibited. Entries must be received by 11:59 pm on September 23, 2017, to be eligible to receive a pass. Winners will be contacted via e-mail to receive their pass. Sponsors not responsible for incomplete, lost, late or misdirected entries or for failure to receive entries due to transmission or technical failures of any kind. SEATING IS LIMITED, SO ARRIVE EARLY. PASS DOES NOT GUARANTEE A SEAT AT THE SCREENING. Refer to screening pass for further restrictions. ONE ENTRY PER PERSON.

via FlickDirect Entertainment News and Film Reviews

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[marienela]

In Universal Pictures’ American Made, Tom Cruise reunites with his Edge of Tomorrow director, Doug Liman (The Bourne Identity, Mr. and Mrs. Smith), in this international escapade based on the outrageous (and real) exploits of Barry Seal, a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

Based on a true story, American Made co-stars Domhnall Gleeson, Sarah Wright Olsen, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones and Jayma Mays.

The film is produced by Imagine Entertainment’s Academy Award®-winning producer Brian Grazer (A Beautiful Mind), Cross Creek Pictures’ Brian Oliver (Black Swan) and Tyler Thompson (Everest), Quadrant Pictures’ Doug Davison (The Departed), and Kim Roth (Inside Man). Gary Spinelli wrote the screenplay.

http://www.americanmademovie.net

Release date: September 29, 2017

Genre: Thriller

Cast: Tom Cruise, Domhnall Gleeson, Sarah Wright Olsen, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones, Jayma Mays

Directed by: Doug Liman

Writer: Gary Spinelli

Produced by: Brian Grazer, Brian Oliver, Tyler Thompson, Doug Davison, Kim Roth

Executive Producer: Ray Angelic

(L to R) Monty Schafer (DOMHNALL GLEESON) and Barry Seal (TOM CRUISE) in Universal Pictures’ “American Made.” Cruise reunites with his “Edge of Tomorrow” director, Doug Liman (“The Bourne Identity,” “Mr. and Mrs. Smith”), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

In Universal Pictures’ “American Made,” TOM CRUISE reunites with his “Edge of Tomorrow” director, Doug Liman (“The Bourne Identity,” “Mr. and Mrs. Smith”), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

(L to R) Barry Seal (TOM CRUISE), his translator (FELIPE BERNEDETTE) and Manuel Noriega (ALBERTO OSPINA) in Universal Pictures’ “American Made.” Cruise reunites with his “Edge of Tomorrow” director, Doug Liman (“The Bourne Identity,” “Mr. and Mrs. Smith”), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

Barry Seal (TOM CRUISE) and Lucy Seal (SARAH WRIGHT OLSEN) in Universal Pictures’ “American Made.” Cruise reunites with his “Edge of Tomorrow” director, Doug Liman (“The Bourne Identity,” “Mr. and Mrs. Smith”), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

Sneak Peek: American Made Stars Tom Cruise In Universal Pictures' American Made, Tom Cruise reunites with his Edge of Tomorrow director, Doug Liman (The Bourne Identity, Mr.

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[moviesshowsnbooks]

American Made - Official Trailer [HD]

Guns. Drugs. Money laundering. Based on an unbelievable true story, watch the #AmericanMade trailer, in theaters September 29. -- Follow American Made Facebook: https://www.facebook.com/AmericanMade... Twitter: https://twitter.com/ammademovie Instagram: https://www.instagram.com/americanmade/ -- In Universal Pictures’ American Made, Tom Cruise reunites with his Edge of Tomorrow director, Doug Liman (The Bourne Identity, Mr. and Mrs. Smith), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history. Based on a true story, American Made co-stars Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones and Jayma Mays. The film is produced by Imagine Entertainment’s Academy Award®-winning producer Brian Grazer (A Beautiful Mind), Cross Creek Pictures’ Brian Oliver (Black Swan) and Tyler Thompson (Everest), Quadrant Pictures’ Doug Davison (The Departed), and Kim Roth (Inside Man). Gary Spinelli wrote the screenplay.

[whatchamagadget]

'American Made' Official Trailer

Universal Pictures just released the officail trailer for Tom Cruise in American Made, an upcoming 2017 biographical crime drama-thriller that's based on the life of drug smuggler turned undercover CIA operative, Barry Seal. American Made, which also stars Sarah Wright, Domhnall Gleeson, Jayma Mays, and Jesse Plemons, flies into theaters on September 29th, 2017."Tom Cruise reunites with his Edge of Tomorrow director, Doug Liman (The Bourne Identity, Mr. and Mrs. Smith), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history."..(Read...)