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What Rank did Michikatsu [Human Kokushibō] Hold as a Samurai?


When we think of a samurai, we often envision a fierce warrior prepared for battle. While this is partly true, we often tend to forget the internal heirarchy among them. Like any military group, samurai had a clear chain of command for smooth operations. However, it's important to note that samurai were a social class rather than a military one.
These "ranks," or more so, distinctions within the samurai were closely tied to hereditary social status, the extent of land ownership, and titles within the clan, rather than personal skills, which could vary depending on the era.
In this discussion, we will concentrate on the Sengoku era, as it is relevant to our topic. I will examine Michikatsu's role based on the available canonical information.
⚠ SPOILERS AHEAD ⚠ | Masterlist
⨳ Where His Father stood
In the image above, Michikatsu talks about his father having a "vassal." A lot could be inferred from this, but it is likely that his father either might be a samurai lord [Sengoku daimyo] or a wealthy, high-ranking samurai who supports smaller samurai.
[Daimyo (大名): military lords who controlled small, unified areas in which all the land either belonged to themselves or was held in fief by their vassals] [Vassals: subordinates who pledged their loyalty and obligations towards powerful lords]
So essentially, he was not just an ordinary samurai but rather a figure of considerable importance. His possession of vassals and land suggests that he must be exercising some form of governance, implying that he is possibly some sort of lord having an independent clan.
As you can see, he seemed to have personal servants:
And also personal messengers:
Though it is rather difficult to tell whether he was a powerful lord or not—an actual daimyo who was the direct vassal of the shogun, or just a lesser lord having a smaller land—possibly a heir to the family head or a landowner with a fief.
⨳ Was The Tsugikuni Clan Powerful?
First, let us understand what was going on during that time:
"This was the 'Age of Warring States', when scores of minor daimyo seized power for themselves in their immediate localities and fought each other until, during the mid-16th century, a comparative handful of 'super-daimyo' competed with each other on a grand scale before Japan was finally reunified" [source]
From this, it seems logical to assume that the Tsugikuni clan was a smaller one rather than a grand one—also considering Michikatsu's father's rather obsessive nature and his intense determination on getting better heirs, even to the point of being willing to harm his own family due to superstitious beliefs. Better heirs: more likely the clan gets to thrive and gain power.
Also, if we consider these words from Kokushibou:
Notice how he says this—he doesn't seem to be very surprised to know that his clan's name has died out, which would only solidify the fact that his clan must not be very powerful to begin with. [Considering that many direct descendants of the major clans today still seem to be thriving, with many carrying out their clan names. Muichiro seems to be an exception here]
So now that we know that his clan was likely not a powerful one, we could also assume that his father was a local lord rather than a full on daimyo for obvious reasons. Not only that, but this would also suggest that their clan must be a retainer family—they would be under a much stronger lord—a powerful daimyo, whom they would had to serve.
⨳ MICHIKATSU'S POSIBBLE RANK [DISTINCTION]
Before moving on, I would just like to point out that holding a high-ranking position as a samurai—such as leading troops— was a result of personal achievement rather than mere familial ties. If a family did not meet the necessary standards of talent and capability, their members would be assigned to lesser roles based on who they served.
With that being said, let us now try fitting in Michikatsu into all of this and find out what military rank he should have based on his family background:
Initailly, I was rather confused and wondered if Michikatsu could be a Hatamoto. They were the highest ranking samurai, considered the most loyal and skilled, who acted as bodyguards towards their lord. Sounds familiar, right? However, there was one piece of canon information that completely debunked this idea:
Samurai usually had to chop off their enemy’s head as proof of their kills; typically that shouldn't be done by the hatamoto, as they typically stayed close to their lords as a last resort instead of fighting on the front lines like the others.
Okay.. so he probably isn't a hatamoto. If his first instinct was to bring the head of Ubuyashiki to Muzan, then it suggests he must have done this before. if that's the case, then he must have ranked lower than a hatamoto, more so in a class where he might have been around collecting heads. After looking into what the manga could offer, I reached two conclusions:
1. He was a Taisho (大将)[general]: These ranked officials were the generals in the Daimyo's army, leading groups of soldiers called kumi. Depending on the troops they commanded, they were either referred to as Samurai-taisho or Ashigaru-taisho. They usually oversaw multiple kumi, each consisting of around 50 to 100 men.
2. He was a Kumigashira (組頭) [captain/platoon commander]: These officers controlled and led a single kumi of troops and were called samurai-kumigashira or ashigaru-kumigashira based on the type of troops in their kumi; which, often consisted upto 15-30 men each.
-> By those conical hats (jingasa) those men are wearing, I'm pretty sure they are depicted as Ashigaru foot soldiers. [This explains why he refers to them as his subordinates, as ashigaru were considered lower than samurai.]
Looking at the image, I doubt there are 50-100 men present there, and it seems more likely there are about 15-30. Therefore, we can conclude that he must be an Ashigaru-kumigashira.

Also, when people talk about Ashigaru, they usually think of peasants taken out of their farms. This is a misconception. Even though they were lower in class, ashigaru were generally treated as full on warriors. Not only were they as capable as their samurai counterparts, some were even stronger than them.The men under Michikatsu's command were fully capable and skilled swordsmen.
⨳ Michikatsu's Troops and His Role:
A general overview of the make up of the sengoku era army
—In short, the troops were reorganised in Sonae, which had between 300 to 800 men. Each Sonae included various types of troops. They were split into smaller units called Kumi, based on their weapons. These included archers, gun squads, cavalry, spear squads, and standard bearers.
By looking at these images, I see no one holding weapons, just a few casual swords thrown in here and there, which I find to be very odd..
Perhaps Michikatsu had set up his base further from his soldiers and gathered them up for a speech about the next day's plans just before they went to sleep? This could explain why they were caught off guard by the demon and didn’t have their weapons ready. After all, it’s strange not to have your weapons out when you are being attacked.
Regardless of the situation, his troops should be either a spear unit [Yari-gumi (長柄組)] or an archer unit [Yumi-gumi (弓組)].
These troops Consisted of: 1 samurai commander/katana samurai, 2-4 servants, ~20-30 foot soldiers, 3 labourers, 1 cavalry horse, and 2 packhorses.
Why you ask? This is because, firstly; guns weren't introduced until the mid sengoku period in 1543 [Michikatsu is theorised to be born around 1432] In the cavalry unit, the troops consisted of samurai rather than ashigaru, and bannermen did not engage in battle.
MICHIKATSU'S ROLE: Although there is not much provided anywhere about these commanders, from everything I have gathered: These commanding officers used to lead a unit of ashigaru soldiers. They were ranked below the sodaisho and samurai daisho (commanders) and an ashigaru taisho.
He would be assigned to train them, discipline the foot soldiers, and turn uneducated common men into reliable warriors. He would command and lead them, ensuring everyone followed his commands and maintained order within the ranks, and not disrupt the hierarchy. Hmm that sounds familiar doesn't it?
[I might actually make a detailed post about the military formation with Michikatsu if any of you are interested.]
Final thoughts:
[A/n: Hello everyone! It's been a while since my last post. No, I haven't abandoned my blogs. I just took a short break last week. Now I'm back and eager to share a theory with you all! Which I will be posting more of, both here and on my other blog, @gilded-sunrays. Please feel free to share your insights!]
And if you've made it through all of this, then I thank you wholeheartedly!
#「ᴛʜᴇᴏʀɪᴇꜱ & ᴀɴᴀʟʏꜱɪꜱ」#Kokushibo#Sengoku era#Tsugikuni clan#Michikatsu Tsugikuni#Kny sengoku era#Michikatsu#tsugikuni michikatsu#Kokushibo analysis#Michikatsu analysis#Kny analysis#Kny nerdery#kny reference#kny fandom theories and meta#kokushibou#kokushibo demon slayer#demon slayer kokushibo#demon slayer#kimetsu no yaiba#kny kokushibo
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Sanka: Mountain-dwellers not integrated into society

“What’s the shape of that cloud?” Not something that seems very important at a Hashira meeting, but perhaps something Muichiro used to know and pay close attention to. After all, not taking nature seriously enough can have dire consequences when you live and work in the mountains.
I’d like to dive a little into what it meant for the Tokito twins to have grown up in the mountains, keeping to themselves. These sorts of people, who were not integrated into society and may not have kept up with newfangled Meiji and Taisho societal regulations, were often called “sanka” by the people who lived in mountain villages and knew of them. The kanji used might vary from region to region, and their relationships to the sanka might vary depending on location and time period. After all, it was often people ostracized from society who had no choice but to live apart from it.
The "satoyama" areas
To back up a bit, many people lived in mountains. Depending on how you define it, two-thirds to three-fourths of Japan’s land is mountainous. Many of those mountains are too steep or treacherous to be hospitable to humans, but wherever they could, people made do.
Thus, you often found the rural areas split up into different zones: the villages people inhabited (hitozato), the deep mountains (okuyama), and the crossover zone between them, the satoyama. Literally, “village mountain.” These were the areas where people would venture into the mountains to collect from the bounty of the mountain.
Nowadays, “satoyama” is an important term when it comes to both retaining traditional culture and managing natural resources (and many, many organizations throughout Japan are dedicated to helping people learn about and experience satoyama practices). The Japanese Ministry of the Environment defines satoyama as areas consisting of farmlands, irrigation ponds, secondary forest, plantation forest, and grasslands around human settlements, but that does not quite capture the human element. Like in other places around the world, people who rely on mountains have developed knowledge of the natural world and used that to collect supplies like food, medicine, and timber, and they have managed the forest to maximize these benefits. There are entire habitats that other species would lose if humans were to stop managing those places now.
To place it in perspective, the Kamado family lived in, relied on, and managed the forest so that they could have a steady supply of their livelihood: charcoal. They fed themselves with fish from the river and edible mountain plants, but they also relied on the village below, whom they were economically and socially intertwined with. They lived a satoyama lifestyle.
But would we call them sanka?
Who were sanka, and how many were there?
Because sanka removed themselves from society, they did not impact a lot of Japanese history and culture. Hence, there is not much information to go on.
Way back in history, there were always people relegated to the mountains because they did not accept the rule of the Yamato clan (aka, the source of the imperial lineage). Many of these people became the sources of oni legends too, demonized by those who left a more tangible impact on Japanese culture. However, as the centuries went on, there were also rumors about, say, samurai who lost big wars, or who left their samurai lives behind and had nowhere to go but the mountains if they wanted to be left in peace.


There are even rumors that after the fall of the samurai in the Meiji Restoration, many of them became sanka. This was well over three decades before Yuichiro and Muichiro were born, so it’s possible that their grandfather was the most recent samurai of their family. If we consider generational trauma, it’s not a far stretch that this urgency to hide away from society might have led Yuichiro to be especially worried for their safety and disillusioned with the expectations of warriors.
However, it is hard to say for sure. Because they did not register themselves and their families like law-abiding citizens did, and because they were not a big topic of cultural study, it is hard to say anything for sure, but according to Professor Owada’s estimate in “Japanese History of Demon Slayers” (a book that is not officially tied to Kimetsu no Yaiba but rode on the tails of its success), there were maybe 200,000 sanka throughout Japan in the Meiji period (1968-1912), and by about the 1940s, there may have been about 10,000. They almost entirely disappeared within about ten years after that.
If we compare those numbers back to the Kimetsu no Yaiba timeline (with the majority of the plot having most likely taken place in 1915), that means there were plenty of mountain-dwelling, not-exactly-following-all-the-newfangled-law characters, and if Tanjiro only lived until the age of 25, he could theoretically have not had any reason to leave his humble mountain abode the whole time. However, at some point his descendants quit making charcoal and moved to the city.
Among sanka, there was likely a lot of variety, both in terms of how much they interacted with human settlements and in what sort of work they specialized in. For example, many people are familiar with the term “matagi.” They are sometimes referred to as hunters, especially for bears (like Yae and her father in the Tomioka Gaiden, or Urokodaki’s friend who was mentioned in a fanbook for having found Giyuu and introduced him to Urokodaki), but matagi could be just as well-versed in plants and medicine. Other people, like “kijishi,” were skilled in making everyday ideas out of materials from the mountains, and they would exchange their wares for what they needed from people in settlements.
Then we have “somabito,” who collected and delivered wood. This is where the Tokito family found their niche.


It is probably thanks to these activities that they procured, say, the kitchen knife that Yuichiro used for cutting daikon. But as for how warmly the nearby village treated them, who knows. Yuichiro’s attitude was probably to go to the village, do only as much business as necessary, and then leave, for he may have felt that their family was distrusted because they were sanka.
Mt. Kagenobu: The Tokito family home
According to the first fanbook, Muichiro is from Mt. Kagenobu, a 727-meter mountain on the border of what would now be called Tokyo Prefecture and Kanagawa Prefecture. It is not a mountain I have been to, but as I understand, it’s not that bad of a climb for beginners (but you should still be adequately prepared). Depending on your course, it can take about 60-80 minutes to climb to the top. Even if they did live near the top, that’s not too bad of a trip for Amane-sama to take several times. However, even a satoyama area still has mountain dangers. Oni, for example. And places where you can slip and fall to your death, rain or no rain.
These are things that are probably engrained in Muichiro, whether he consciously remembers them or not. Plants, weather, animals, searching for and preparing food; somewhere inside of him, even at his foggiest, he probably still knew how to do all this.
And, maybe somewhere in how Yuichiro influenced him, he felt distanced from other people.
However, that’s not the only reason a warrior might wish to run away to the mountains, is it? After all, that is where they and their loved ones might live in peace and be happy.

Two more quick facts:
There is a tea house on Mt. Kagenobu that posts photos of the Mt. Kagenobu landscape, which might be very handy for fic writers, or just plain nice for Muichiro fans to check out! Yes, they are totally aware of Muichiro and love having that connection.
There is a kind of cherry blossom on that mountain called “kasumizakura.” Yes!!! “Mist” sakura!!!!!!!
#kny fandom theories and meta#kny nerdery#kny references#kny reference#haven't done a post with all these tags in a while!#tokito muichiro#tokitou muichirou#tokitou yuichirou#tokito yuichiro#by the way if you want to experience satoyama AND kimetsu no yaiba stuff and like AND do cosplay#you should go to the Yagyu Village in Nara#I went there for the split rock but got to crawl around inside a charcoal kiln too#plus other satoyama stuff#and then there is also all the cosplay activity there not just at the split rock but everywhere#but my favorite satoyama experience thus far was in Akita because I actually got to pick the mountain plants and help cook them#these kinds of things are everywhere IF you are looking for them#please please please if you come to Japan PLEASE GO TO THE MOUNTAINS#the countryside calls you!!! and it is charming!!!!!#I am a liiiiiittle passionate about sending people outside of the overtouristed areas to like ANYWHERE else
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So I've been working on recently making a demon slayer/kny oc, but to do that I needed to learn the art style first. So I traced some of the bodies of the adult women in the series(Shinobu, Mitsuri, and Tengen's wives.) to learn how to draw the adult female bodies in the kny art style, and the eyes of female characters to learn how to draw female eyes in the art style. I'm posting what I created here in case anyone else wants to use them as a base or a reference. If you post them somewhere else please credit me!
#kny#kimetsu no yaiba#demon slayer#kny oc#kny fanart#kny base#kimetsu no yaiba oc#kimetsu no yaiba fanart#kimetsu no yaiba base#demon slayer oc#demon slayer fanart#demon slayer base#oc#anime oc#female oc#kny female oc#kny anime oc#kimetsu no yaiba anime oc#kimetsu no yaiba female oc#demon slayer anime oc#demon slayer female oc#oc base#anime oc base#female oc base#oc reference#drawing reference#anime reference#kny reference#kimetsu no yaiba reference#demon slayer reference
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quote adapted from Kimetsu no Yaiba/Demon Slayer, chapter 175a
#geronimo stilton#thea stilton#thea sisters#kimetsu no yaiba#reference#kny reference#kny spoilers#(kinda? it's just a lil' quote that I recontextualized)#aurora beatrix lane and the klawitzes go brrrrrrr#fanart#my fanart#art#my art
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Demon slayer masterlist
- monster energy drinks I would assign each hashira
- monster energy drinks I would assign each hashira p2
- monster energy drinks I would assign each upper moon p1
- monster energy drinks I would assign each upper moon p2
#demon slayer anime#demon slayer#demon slayer x reader#rengoku kyōjurō#kny rengoku#muzan kny#kny reference#kny manga#kny douma#kny x reader#kny sanemi#hashira#inosuke hashibira#demon slayer kokushibo#kokushibo#demon slayer douma#douma#demon slayer akaza#hantengu clones#demon slayer hantengu#hantengu#x re
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official pint sized pillar au reference sheets !!
sorta in preparation for the ask blog but mostly so its easier for me to draw them, otherwise im changing their designs constantly. whoopsies. also people keep asking and yes ofc ur allowed to draw them! if you do please @ me so i can see! hoping to have the blog up and running by the end of the week
#demon slayer#kny#pint sized pillars au#muichiro tokito#shinobu kocho#mitsuri kanroji#rengoku kyojuro#obanai iguro#sanemi shinazugawa#giyuu tomioka#tengen uzui#gyomei himejima#kny fanart#demon slayer fanart#kny au#demon slayer au#deaging#deaging au#daycare au#psp au#artbites#artists on tumblr#art#digital art#reference sheet#designs#yuichiro tokito#kaburamaru
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Kimetsu Academy sillies



#i can't find the first pic reference 😞#demon slayer#kny#drawing#kimetsu no yaiba#anime#digital art#shinobu#tanjirou#akaza#gyutaro#kimetsu academy#kimetsu gakuen#hakuji x koyuki#hakuji#Zenitsu#Inosuke#sanekana#sanemi#kanae#sanemi x kanae#kanao#tanjirou x kanao#tankana#douma
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A shitpost conjured with a friend. The context for this is so convoluted but all you need to know is:
this took an entire day for him to get suitably dressed
he immediately got sucker punched for trying this
This AU is found family and mentorship on the human side and absolute jokes on the demon side. Muzan assumed Yoriichi killed Kokushibo and proceeded to hide in his delusion pit until he came back missing braincells 💀
I'll make Muzan more serious later but until the main cast starts being a real threat, he's mostly just working in the castle and whining about not getting results to his moons.
He is not cheesed to be here.
#demon slayer#kimetsu no yaiba#demon slayer fanart#kny fanart#fanart#kny shitpost#demon slayer au#kny au#Tsuki no Kaishakunin AU#muzan kibutsuji#kny muzan#kny doma#kny douma#akaza#kny akaza#do you guys spell it “doma” or “douma” because personally I prefer the u#also another dip into my kny hcs‚ I feel like Muzan is not opposed to referring to his moons as his servants#he only calls the big dogs to help him with personal stuff so he can maintain the appearance of absolute authority with everyone else#but he absolutely would consider himself above certain tasks and have them do it for him#he's only doing the appearance work manually this time due to other factors
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shitty drawings but I learned how to anatomy kind of
#“How did u learn???” I lowk just woke up and could draw idk#demon slayer#sanemi shinazugawa#kimetsu no yaiba#kny#kny sanemi#sanemi#sanemi shinaguzawa#demon slayer sanemi#Nemi cold :(#Shitpost#Sort of#My motivation is gone#My motivation has turned and left me here#Only real ones know the reference#digital art#scetch#Sketches I will never finish ever#This is my “idgaf” artstyle BTW
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When Obanai isn't hiding, he's pretty elegant
#kimetsu no yaiba#kny#demon slayer#obanai iguro#iguro obanai#mermaid#kny mermaid rehab au#my art#i didn't want his stripes to connect all the way around#for fear of making him look like a sock#but yay now obanai has a full body reference haha#also i'm sorry about his hand i didn't know what he should be doing with it
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No thoughts, just hands in Demon Slayer









They're a thing of beauty

Maybe Yoshikage Kira was onto something 👀
#demon slayer#kimetsu no yaiba#kny#genya shinazugawa#kyojuro rengoku#tanjirou kamado#giyuu tomioka#sabito#muzan kibutsuji#muichiro tokito#jojo reference#unhinged glaze
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Demons probably hate this time of year.
As the last of the mountain cherry blossoms fade, the wild wisteria open with one fragrant bud after another after another. While cultivated trellises are cut and maintained to sway like a maiden's kimono sleeves, wild wisteria vines are fierce and grip the tallest of trees, spreading their tendrils across the highest branches to selfishly soak up the sunlight.
By daylight, the hills are dusted with purple among the bamboo, pines, and cedar. By night, demons might safely prowl far below the treetops, but the sickening sweet scent may waft down to make them feel as choked as the dominated treetops.
#can't capture it in a photo#so purple prose it is#i love wisteria season#but also in case this provides handy setting info for fic writers#kny references#kny reference
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Uppermoon 6 Daki (Human/Orain/Demon + Her ribbon/sash thingy)


#Uppermoon 6 Daki character sheet#kny character sheets#demon slayer reference#kimetsu no yaiba#demon slayer#kny#twelve kizuki#Uppermoon 6 Daki human character sheet#Daki#demon slayer daki#daki kny#kny daki#daki demon slayer#upper moon six daki#uppermoon six daki#daki character sheet reference#kimetsu no yaiba daki#Daki kimetsu no yaiba#uppermoon 6#upper moon 6#uppermoon 6 Daki#upper moon 6 Daki#uppermoon six#upper moon six#Daki uppermoon six#daki upper moon six#Daki uppermoon 6#daki human#I probably forgot some tags#oh well
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if you're still doing doodle requests, how about fem renkaza?
ok so this took me forever to finish bc Life got in the way but safe to say I am fucking OBSESSED with what i've created
akaza's tats are a mix between her canon demon tats + hakuji's tats. speaking of hakuji, i've always had a pretty neutral stance on the "hakuji & akaza are twins" thing that people sometimes do in modern aus, but i think the idea is growing on me. they're fraternal twins of the opposite sex in this, but they still look pretty damn similar.
akaza i imagine dropped out of college bc she got caught up with muzan (organized crime yippee!!). hakuji, meanwhile, is in his first year of med school. kyojuro's a college junior but she started late bc she spent a few gap years working at her family's company, decided she kinda hated it, and is now going to do corporate law (on the side against corporations. shinjuro is predictably unhappy). they're both in their mid-20s.
surprising literally nobody, they met at the gym. kyojuro was the one who made the first move (akaza would've been perfectly happy to pine from afar forever lol).
i've always imagined fem renkaza as butch4butch (which i still 100% stand by, don't get me wrong), but something about butch4femme renkaza was hitting when i drew these <3
also there was more than these 2 pages but i thought it was a little too spicy for a reply to an ask teehee
#references taken from my endless pinterest ref board that i touch once a month maybe#renkaza#kny#bogposting#bog's art#ask#i forgot kyojuro's arm hair on the bottom right......an angel has lost her wings T_T#t4t lesbian renkaza could solve all my problems i think
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Gyutaro Human Model Sheets
#gyutaro#demon slayer#upper moon 6#kny#gyutaro shabana#kimetsu no yaiba#anime#entertainment district#q#ufotable#settei#animation#character reference sheet#character model sheet
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My addition to this meme, lol 👽
#kny#kny fanart#kimetsu no yaiba#demon slayer#kamado tanjiro#tanjiro kamado#sanemi shinazugawa#shinazugawa sanemi#i included the reference in case someone wants it
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