#Like..YOU WERE JUST SUPPOSED TO BE A TOOL TO GET TO THE MAIN PLOT..MAYBE ITS BC I VISUALIZE THINGS WAY TOO MUCH AND ENDED UP MAKING THE BSF | Explore Tumblr posts and blogs

ask-hexcode · 1 month ago

Text

hex the typa guy to have 8 different accounts all with different political views and ragebaits with all of them

also some stuff ??? i guess ? that has been floating in my head about him ((NOTE. THINGS MAY CHANGE DOWN THE LINE

also also this is going to be bit of a ramble because its all shit thats been stuck in my head for a good few months so

he uses the royal we constantly ... i dont know why

his name is hex becasue. of HEX code get itha hs aha h ahahahahaa ha hah ha

oh yeah general stuff shoudlve gone first ok um. he/it/we/they but honestly? i doubt he cares. anab (Assigned Nuisance At Birth) but yeah hes mmmmale..>????? he doesnt care about that either. personality i havent fleshed out, i've got different ideas and interpretations rn. I CANT DECIDE… but some stuufff likee : he is constantly looking for change and surprises, hes erratic and selfish, hates routine

he got some thick eyebrows

orphan #LOSER!!!!!!!!!!!!sorry thats mean

loses touch with reality often, doesnt kill people because of his ego or something sky write something here to make it make sense later

^ future sky here . maybe like he thinks death is an escape and a prison. or he thinks people who die are cowards. does this imply he'd be a good first responder on suicide hotlines .

(UNSURE ABOUT THIS....) he combined his consciousness, mind with a type of ai/robot? slash reprogrammed his brain with tech and that def changed him a lot. bc of this hes ... strange

has a twin sister that never becomes relevant to the plot

fun fact: they were originally named hansel and gretel but, like, im not sure if i should keep those as their real names

i think hes bi idk i have to ask him

stole the godfathers staff

robo-body is powered by redstone

throws up redstone when hes using too much power/energy

staff is main source of redstone/power. he still has bits of it on him but like not enough if he had to fight someone i guess

voiceclaim is discord mlp

hes SUPPOSED to have wires and tubing all over his design but i just KNOW i cant be bothered to draw allat in the future

^ wires, tubes and loose straps can move on their own and are.. kinda sentient???

other weapon besides the staff is like a hologram saw thing

hes supposed to also have a bug motif and antenna but im not sure anymore

prosthetic/robot eye(s)... i have no idea if he should have both soon robot eyes or just one or straightup rawdogging vision

said robot eye can display images i think itd be funny

scar on forehead might be from battle, an experiment or a lobotomy, you decide.

kinda useless without his staff . look at this loser

hates small spaces

i thiought about the magenta part if his hair chanjng colour depending on the conduit but eehhhhhhhh

would listen to loud metal pipes banging against each other as music

^ unironically would listen to 'sleep phonk' and fall asleep sound as a baby

his design is reminiscent of a printer (if you squint LMAO) and cmyk stuff

cmyk aspect is used when he uses his tech/conduits, he basically has like some variant of these n mixes the colours to generate the right tool, if that makes sense...??????

the circle holograms under his feet are like nezhas fire wheelsHELP i watched nezha2 and i just had to

adding on to that..,,, maybe the holograms arent just for show, and they help him with mobility because hes lowkey weak and frail

ear has a cut part rip

if you wanna draw him and afraid of it turning out inaccurate DONT. actually make it MORE inaccurate there is not a single thing thats consistent about him

also i keep going back and forth on him having a vial of redstone as an earring Idk i feel like theres. already enough going on with his face bye

after his Little Playtime Session in his 'home city' he went about and caused havoc all around random villages and towns . bruh

maybe bumped into a cubed member or two before events of cube and yapped too much they started beating eachother

favourite food is coffee beans

ok i wanna try explaining how each of them look (art/story wise, minecraft mechanics are minecraft mechanics shh

Red conduit: ok i do not know how to explain this one but like, when he shoots laser beams, they come from his fingertips . like he goes 👉 and then A FUCKING LASER SHOOTS OUT

Blue conduit: he uses the palms of his hands and just... hovers them over over the person in question, directing the healing flow towards them

Light blue conduit (I'm calling it cyan idc): pretty basic tbh, hologram shield. maybe its like a cool geometric shape. shatters like glass and hits yo enemies

Lime conduit: deadly lime hologram spikes form the ground and around the opponent, like the walls of a prison

Black conduit: im actually not sure on how it'd visually look like.... but i was thinking like a spiderman kinda thing HELP like it shoots out from his wrists.

^ just got an idea for that, what if its like some anti gravity thing he shoots out and pulls himself towards them

okjayyyyy time for some non minecraft canon ones

Yellow conduit: like. a speed boost. he gets this yellow aura or he passes it on . doesnt take knockback or something too

Magenta conduit: blades of pure pain upon contact. you dont even get sliced it just feels like PAIN

#ooc #hexbites

0 notes

mdhwrites · 2 years ago

Note

Have you ever felt like the fandom makes Luz steal Amity's roles/positions?

I saw many headcanons with Luz being some expert cap in grudgby or other sports (proly because of the jacket she wears all the time) or be top in classes for her wider acknowledge of magic than mere witches... which I still consider it stupid both canon and fanon. Or treating this whole "depression" (rather the reason for it) as something to make her a tragic character too because she had no reason to be one before, all those "edgy" fanarts including beta are just so cringe I can't take them serious, it's pathetic and Amity is rather just there used as a tool to emphasize this bullshit, how "cool" Luz is 🙄.

So I don't think this is a fandom problem as much as it is the fandom wanting to tell stories without the show providing the personalities to enable it. Because... TOH just doesn't have many character types, let alone the sort that are at least easy to write stories about. In S1, so the good part of the show that wasn't affected by the shortening, here is your list of personalities. Eda: Lazy thief and criminal who would rather stay in bed than actually do anything. Learns to be a little nicer. King: Has one joke about wanting to be a ruler, people respond with one joke about him being small, and he's a lazy fuck as well. Feels out of character during his two episodes because they try to have him be a real character but poorly. Willow: Has no personal motivations of her own, her issues are resolved immediately, appears to be shy but more so is just a plot device who's willingness to stand up or stand changes depending on if the episode needs to wrap up now.

Gus: Is comic relief and constantly shit on for being weaker or for doing dumb shit despite supposedly being smart enough to jump up two grades and has an interest in human stuff that is just kind of awkward to include when Luz is RIGHT THERE.

Amity: Smart, overly driven girl who puts way too much pressure on herself and has a crush on Luz. Also has a good heart that even by the end of S1 has easily surpassed her goal oriented thinking for the most part and the show itself never does anything with her smarts but she IS claimed to be smart.

Luz: Happy ball of energy who used to be bullied back home but has a good heart with her head in the clouds. Wants to be a witch. Of those SIX main characters, you have TWO real personalities that are of any use from a storytelling perspective and only one that is more compelling from an angst perspective because Luz being in the Isles effectively resolves her bullying. It's part of why between S1 and 2, there were people outside the fandom who thought AMITY was the main character because of her design and how much everyone did with her. Other than that, most of these characters would live REALLY boring lives if left to their own devices. Which... S2 doesn't fix. In fact, it gets worse. Even by the end of S2A, it has been established that Amity no longer cares about her studies and her actions aren't of a smart person anymore. They are that of, like 90% of the cast, just a generically good person. Maybe a quirk here or there but also interchangeable versus anyone else in the cast because there's so little dividing them except for what moveset they have. By S2B, the Amity replacement of Hunter, who had less personality than Amity to begin with, will also just be a generically good person with an angsty backstory but at least that backstory is still WAY more than any other supporting character. So... What the fuck is a fandom supposed to do? They make shit up effectively. Luz is shown as physically strong far more than she's claimed 'weak nerd arms', the show broke its own magic in ways that are INFURIATING so as to let her have a smart win against Belos even though she doesn't show particularly high intelligence normally, etc. like that but it is enough for the fandom to take it and run with it, especially while the angst arc and the human realm allowed angsty Luz and most fandoms run a quarter on angst, a quarter on fluff and half on shipping.

It makes the fact that Lumity stuff got so boring post S2 not surprising. It makes the fact that a lot of people were leaving the fandom during S3 not surprising. These just aren't engaging characters and you no longer have a storytelling powerhouse out of Amity because they've slaughtered most of her potential even by the end of S2A.

It frankly is almost embarrassing that for how many trios are in this story, they never manage ONCE to even have the smart guy, strong guy, and the heart. The absolute most basic trio and the closest they ever come is in S3 with Gus, Hunter and Willow because Hunter is a sad boy dating Willow so I guess the heart, Gus is FINALLY allowed to be considered at least actually smart and impressive in that way, and strength has defined Willow's character for most of the series. Other than that, the show so quickly makes characters plot devices rather than characters that none of them can be engines of storytelling. You can't really come up with something interesting for a lot of these characters to do on a normal day without outside intervention because at least half of them would do literally nothing.

I mean... Even when I was most invested, between S1 and 2, I had to bring in BOSCHA in order to make a proper trio out of Luz, Amity and Boscha who could all feed into each with stories. That's why Willow, Gus, Eda and King just aren't really a part of The Power of Love because... What the fuck were you supposed to do with them? As characters, they're likable, they have some good jokes, but they're just lacking an interesting personality that makes for a good story.

And even the show admits to that with how much all four of those characters faded away the longer the story goes on. At least with major retcons to their characters. It's kind of why I assume a longer Owl House would not have been a good thing because they were grasping for straws for at least one season. Why should I think that a full S3 wouldn't have struggled to fill the time? Let alone the extra seasons that would be required for a full S3 to not have had an almost identical S2 to what we got?

============

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead, If you want to hang out with me, I stream from time to time and love to chat with chat.

And finally a Twitter you can follow too!

#the owl house criticism #toh critical

27 notes · View notes

lightswentdim · 4 years ago

Text

angel of small death & the codeine scene - anakin skywalker

SUMMARY ◆ anakin is just so fucking enamored by you that he can’t take it holding back from professing it anymore. porn with a plot lol.

WARNING(S) ◆ smut, lowkey public sex but not rly, y’all just fuck in his ship in the hangar, dirty talk, unedited

WORDS ◆ 2.5k

NOTE ◆ this is based off of the song ‘angel of small death & the codeine scene’ by hozier so yeah listen to that if you desire but i can’t stop you if u don’t. this is really short lol im just indulging

»»————-　✼　————-««

“YOU SAID THAT YOU WERE HAVING TROUBLE WITH YOUR SHIP?” YOU ASKED THE GENERAL, WALKING UP THE RAMP. it was later in the day, and just as you were going to call it a day and settle down for the night, you got a call on your comms asking for you to come down to the hangar. that was where the commander told you that they were experiencing some problems with general skywalker’s ship and sent you to do your job.

you hadn’t been working in tech for super long, still young enough to make a real job out of it. but you joined the side of the republic in the war because you didn’t want to see democracy die, and if you could play a small part in that, that was good enough for you.

there was a clank of something mechanical from the main control center and no response to your question, prompting you to walk towards the noise to find out if the general was making the problem worse. the second you came within a few feet of him, he jumped and turned around to face you, wrench in his hand. “maker, you scared me,” he stated.

a small grin made it’s way onto your face. “aren’t you supposed to be able to sense things coming up behind you?”

generally, you wouldn’t be talking that way to a general of the republic. but anakin was different, more close to your age and really didn’t care all that much for titles or respective ranks. you could see it with the way he treated the soldiers with as much respect he would give to someone like general kenobi or general windu.

anakin laughed, stepping out of the way to let you see what he was attempting to do. you saw all these wires popping out of place, and one of the pipes completely busted out of its socket. how the hell had he managed to do this? you turned back to face him and cocked your head to the side, motioning at the carnage and saying, “how did this even happen?”

you allowed your eyes to only look into his blue ones, because you knew the second you let them do what they wanted, you would look over him like he was a meal. and to your defense, anakin was incredibly hot. there was no denying it. but he was a jedi, and a general, and to the most of your knowledge nothing was ever going to happen.

he cleared his throat. “just a . . . just a mishap that’s all, look, can you fix it or not?”

“yeah, it shouldn’t take too long,” you replied, setting down your bag filled with tools and beginning to work. and then hopefully you would finally be done for the day and could get some much needed rest.

“alright, i’ll be back in just a moment,” anakin told you, his hand coming to your waist for just a moment to push past you. you knew that it was just something that he did absentmindedly, but it sent a shock through your body, making your brain hotwire for just a moment. but as soon as it was there, it was gone and you were alone in his ship.

anakin knew that he was a reckless person. it was evident to anyone that most of the time he did what he wanted, not taking into account any of the possible consequences afterwards. you would think that being a jedi wouldn’t keep that much room for error, since sometimes the weight of the galaxy sat on his shoulders, but there were times where he felt himself breaking away from the jedi code. and that happened the second he saw you.

he knew that it was wrong to lust over some mechanic that he only saw from afar most days, but you were just so goddamn beautiful he couldn’t help himself. anakin admired the way that you carried yourself, confidently in anything that you did, the way that your hair framed your face every day, and the face you made when you were concentrating.

at first it just started off as a passing thought, just a brief ‘oh, she’s hot’ instinct that everyone had once in a while, but now he knew that he wanted you. and anakin was planning on just letting the feeling run its course until it was sucessfully gone, but the second you walked into his ship, he could feel the want practically jumping off of you.

he had to have you, especially now since he knew the feeling was mutual. there was just the tricky task of initiating something.

you puffed out a small breath, biting the inside of your cheek as your fingers carefully patched wires together. it was getting later and still no sign of anakin again. weird, you thought to yourself, but not so unlikely. it’s not like you needed him to complete your job anyways. you went back to work, wondering what could have possibly happened to general skywalker.

it seems that devising a plan to get your attention was harder than the man wanted to admit, because he had been standing next to the ramp for almost ten minutes now since he had left for a quick daily briefing. he was probably looking like an idiot just standing there. to hell with it. he would just improvise. like he did most things.

“you finished yet?” you heard anakin ask from behind you. you shook your head in response, taking a moment to look at him.

“your power converters are basically fried,” you told anakin, your cheeks flaring up at the way he was looking down at you. sure, there had always been a slight height difference between the two of you, but you were crouching down right level with his hips. you bit your lip and immediately got back to work, pretending like you weren’t just thinking about giving him a blowjob right then and there.

the problem was that anakin knew exactly what you were thinking and that smirk came onto his face, leaning against the wall closest to you and watching you work. your face flared up, feeling his eyes trail on you. “do you have to watch me while i’m working?” you asked him in a hushed tone, as if you weren’t trying to ask him that indirectly.

“am i making you nervous?”

your stomach dropped, you were so flustered by him that the cable almost slipped out of your hands onto the floor. luckily you were quick to conceal it and you hoped that anakin didn’t notice. but he did, he was watching your every move, seeing how long it took before you broke. “no, general skywalker, you are not making me nervous, just tired that’s all,” you said, not daring to look at him.

though, the next thing anakin asked caught you off guard.

“when are you just going to admit you want me?”

you would be lying if you said your knees didn’t feel like giving out right then and there. anakin said it in a deep voice, like he was teasing you for your attraction towards him. your mouth felt dry, like someone was stuffing cotton balls right down your throat. there wasn’t anything you thought you could say to try and defend yourself.

instead you stood up and crossed your arms, looking into those eyes to decifer what he was thinking. anakin was looking right back at you with those magnificent eyes of yours, yet there was a hint of something else there. he was being mischevious and you knew it, toying around with you all because he could feel the feelings you were giving off. “fine, general, i do feel something towards you, but what does that have to do with anything?” you said, deciding to take the high ground.

it was like a lightbulb went off in his head, and before you knew it he was walking up to you, wrapping his arms around your waist to pull you closer. woah. this was not the reaction that you thought you were going to get. honestly, you thought that he would kick you out and order for someone else to come fix his ship. this was definitely not that.

“I asked you,” he started, one of his hands coming up along your back to your neck. you shivered and leaned into his touch. “because i want you too.” both of you were staring into each other’s eyes, almost daring each other to make the first move.

and that’s all it took before you were leaning in, hesitating for just one second more as your nose brushed against his own. there was still time for you to compose yourself and walk away, leave your desires there and forget this ever happened.

to hell with it. you wanted him and he was looking at you like you put stars in the sky. the stupid jedi code would just have to be pushed aside for the moment, because you were closing the gap between both of you and kissing him, body intermingling with his own.

it was a mesh of your gasps from his roaming hands and his groans from your own hands tangling and tugging on those curls of his that were just begging to be ran through. you could’ve sworn anakin tasted like berries and he kissed with so much want and need that it was almost hard to keep up with him. but you did nonetheless, wanting as much as he was willing to give you. these types of things only happened in your wildest dreams.

your back was soon pressed against the wall that he was once leaning on, one hand on your waist and the other sitting comfortably on your neck to keep you close to him. the air was hot and heavy surrounding both of you and you pressed your body against him, signaling that you needed him right now.

anakin pulled away, cheeks red from lack of air. “the guards come to check the hangar every 2200 hours,” he told you, forehead pressing against your own. you looked at the clock behind him and saw that it was almost that time, and that you had at least fifteen minutes maybe less if the guards decided to come a few minutes early.

you were quick to think, your eyes landing on the chair near the controls. he seemed to hear your thoughts, pressing a kiss against your lips before bringing you over there by your hands. you pushed him down onto his seat, pulling down your pants just enough and watching as he pulled himself out of his pants.

of course anakin skywalker was packing.

you swore that if you could take your time with him, you would already be on your knees for him. oh well, there would just have to be a next time.

“hurry,” anakin said to you, helping you up onto him so you were straddling him, your knees on either side of his sitting body on the chair. you put your hands against his shoulders for support and once you were ready, you sunk down onto him and your eyes rolled to the back of your head. he filled you up just right and it was better than you could ever imagine. anakin panted below you, head bowing down to nip at the exposed parts of your neck.

the second the pain began to subside, you experimentally moved your hips forward, feeling a wave of pleasure course through your entire body. it almost stopped you from moving, which was not good for the time constraint. just as you were about to begin again, anakin grabbed your hips forcefully and lifted you up slightly, biceps flexing as his hips raised to meet your own.

you couldn’t stop yourself from making noise while he continued with this fast pace in the same way, mouth wide open and hands shaking as they tried to keep their hold on him. you were hot all over, every time he pushed into you it felt like he was splitting you open so deliciously. the noise being made by both of you incredibly lewd, though it was on neither of your minds.

you always thought that anakin looked so good after battle, when there was still sweat on his brow and his hair was all messy. he looked like that now, except you were the person messing up his hair and making him sweat, and that made your heart swoon. you wanted to kiss him and now there was nothing stopping you. your lips attached to his in a hungry kiss, tongue slipping right into his mouth and prodding against his own. everything was hot, sloppy, and messy and you didn’t care.

“you look so hot like this,” anakin told you against your lips, pulling back and watching your face as he pounded into you. and he wasn’t lying, it was one of the best things he’s ever seen in his life. he made sure that he would remember this moment so he could replay it in his mind over and over again. “if i would’ve known you’d take me this good i would’ve done something sooner.”

you couldn’t respond to him with words, only moans that came from deep in your throat. you weren’t going to last much longer, not when every time his hips hit your own it rubbed against your clit for just a short moment. you tried to help him with the movement, circling your hips and feeling the release creep up on you before you could compose yourself.

“anakin,” you moaned out as you hit that much needed orgasm, looking right into his eyes as you fell apart. you were so sensitive that you whined against his neck where your head now laid, making use of your lips by kissing along his tanned neck.

a few more thrusts and he was there, cumming right inside of you and making you hum in contentment. the two of you caught your breath against one another, his hand coming to rub against your back in a way that was surprisingly really loving. you moved your head so you were facing him and he leaned in to give you one last kiss, pushing away the hair that had fallen into your eyes.

a new voice in the hangar made you jump, realizing that the cloned guards were here. both of you scrambled to get up, helping each other dress and look at least a little presentable. your legs were shaking with every step and you heard anakin laugh a little from behind you, making you hit his shoulder jokingly. the footsteps came closer and soon enough one of the commanders was looking at the two of you. for good measure, you picked up your bag of supplies.

“general skywalker, you’re out here late,” the guard said, giving a look at you. “is everything alright?”

“yes,” anakin responded. “the mechanic here was just finishing up work on my ship.”

as soon as the guards stepped away, you gave him a look. “you know i didn’t even finish repairments, right?”

anakin shrugged, a grin on his face. “i guess you’ll just have to come back tomorrow then, same time?”

“sure thing, general.”

#anakin skywalker #anakin skywalker smut #anakin x reader #anakin skywalker x reader #anakin smut #star wars #star wars prequels #star wars fanfiction #star wars x reader #star wars smut #anakin skywalker x you

316 notes · View notes

moonstone27ls · 3 years ago

Text

Soooo Disenchantment thoughts...

Okayyyy warning....

I'm warning you.....

Spoiler ahead....

WARNING LAST TIME DON'T READ UNLESS YOU WANT SPOILERS..... Sooooo I loved the show. Bean has her moments but she has developed a lot since the beginning of the show. Been waiting foreverrr to see her and Mora again! And I hope its to stay... hope? not gonna lie its obvious this show ends on cliff hangers sooo just hope this is a good one.

Soo anything I'm hoping for next story? I guess to be rid of Dagmar and her annoying siblings. I get it they're the main baddies but even Futurama ended a season on a good note sometimes. Cliff hangers get tiresome for me XD. But I can live it.

Uhhh besides that, Dagmar's just becoming an annoying over complicated villian. At least with her plans. Like at the wedding, even though Bean made a switcheroo on her. She doesn't look mad. She just acts like this is what she wanted. I'm like "Well why the hell do this then? Why put Bean through this if you would have married Satan anyway?" And even when her doppelganger plan fell through as well she's just "heh I can work with this".

Maybe she's suppose to be a dumb/or quick villain. Or maybe its the curse affecting her. Either wayyy... just think those last two plots weren't needed. Uhh still want things to improve for Derek. Annoying or not he's still a kid. Just wish his family would care about him more. Though I do admit I liked that his half-brother Jasper soon became his buddy. I think he needed that companionship. Hope the Zog clan can all reunite and be a dysfunctional but loving family. I mean really do believe it (even if he fails) that Zog geuninely wants to be a good dad and love his kids.

And I guess I wanna know whats the BIG thing behind the castle/Zog's family curse and the Trogs? I get SOME idea. Its just guessing. Its obvious, what went on between humans and the elves/and mermaids? was a ref to colonization. Whether it was Zog's side or Dagmar's one of them played dirty and won the war. But kicked them out... which might explain why Mora was acting like she wasn't allowed near Bean. If the mermaids were on the elves side.

That means that Mora's people or her mother remembers the war and sees the romance as a problem. Maybe? I do there's SOME connection(just dunno how) to Cremorrah's fall (thats on her mother's side sooo dunno entirely).

And as for the Trogs (cave ones, not the water ones.... eww that worm scene grossed me the hell out)... just trying to figure out how they play in this. Its clear that they see Bean/or Elfo as saviors but to what? 8B

I guess I also wanna know whats Alva's connection with Satan too? And WHY are they all after this one dang kingdom? I mean I still wonder whats’ the point of Odval/ Sorcerio when it seems they still follow the royal family’s orders... also made me wonder why Ooona didn’t get more revenge on their society for killing Yog? But this wasn’t Oona themed season. Hope to see you next season hon :D well more of her:B.

Also kinda hoping Bean gets off her anti-magic stance. Its not that I don't understand her reasoning. I just kinda find it dumb considering that all things including her girlfriend are somewhat magic related. Plus science/or stience as she pronounced it, isn't all candies and roses 8B... looking at Steamland all I saw was "pollution". Not saying I'm anti-technology, haha or I wouldn't be writing this. Just saying it has its own drawbacks if it as a tool isn't used properly. But I think that might be part of Bean's arc. Learning to accept the balance of both worlds.

Oh also YES dogs in heaven (sorry cat lovers8B) but also a YES that Barko the dog survived. Watching Elfo’s origin story the “what happened to the dog” answer was adorable XD. Barko’s got a whole pack lol.

#Disenchantment

15 notes · View notes

showrunnerihardlyknowher · 4 years ago

Note

Idk about you but that trope where a giant gets angry and accidentally scares a tiny and feels bad abt it afterwards makes me go absolutely feral,,

So, originally, I was planning for this scene to be in a future chapter of This Is Nothing Like The Disney Star Wars Trilogy, but I could never really think of a full story arc around it, even though I still really really really love this idea. In any case, if I happen to brainstorm a better plot and find a way to squeeze this in I might edit it into the main story, otherwise enjoy some classic Giant Catboi and Twink Solider fearplay >:3c

“Do you have any idea how dangerous that was!?”

As expected, the little one did not respond to his rhetorical question, though his tone certainly helped snap it out of its previous stupor as it released its death grip on his shirt in favor of squirming as soon as the bedroom door slid shut behind him. His aggravation at the situation was clear as day even without the usual language and cultural barrier that impeded any sort of deeper relationship Edix tried to form with the human. Red ears were still folded back against his curls and his shoulders tense, the stiff posture traveling down to his hands were they gripped the earthling to his chest perhaps just a touch more tightly than usual, not that it prevented it from trying to push and wriggle itself out of his overprotective hold.

Fuck no, he wasn’t ready to let it go yet, not when flecks of blood were still smeared against his knuckles as a result of an impromptu rescue mission. The satisfying snap of cartilage under his fist after one good sucker punch to Talan’s smug face still echoed in his mind, blood gushing from the surely broken nose while the biologist stumbled backwards into the shelves. Edix wondered if he would be reprimanded for that by the directors later, or if Talan would be too proud to report the ass kicking, maybe even taking the lesson to heart to not fuck with his things in the future. And yes, that included trying to vivisect his sweet little pet.

How was I supposed to know the stray belonged to you? He had asked with sarcastic innocence, as if the human in question hadn’t been seen with Edix a thousand times before, and wasn’t drenched in his scent, and didn’t have his ID code printed on the back of its little suit, Maybe if you weren’t such a wuss and actually put it on a shorter leash-

Asshole. He was lucky Edix’s only goal at the moment was to get the little one off the table and back to the appropriate sector rather than rip Talan to shreds with his own tools. A taste of his own medicine, perhaps. Still, he admittedly did have a point about the human, what with how much it would run off and get lost and damn near killed. He simply couldn’t figure out what was so terrible about staying in his company that the little one would risk injury and mutilation in a foreign environment as opposed to the safety and comfort he so desperately tried to provide for it. They might have had a bit of a rocky start, sure, but stars above that was far in the past now. There’s nothing either of them can do to change the facts so why not accept things as they are and make some type of effort to be happy in this new life? By all accounts, Edix was a great owner!

And yet, the little one still fought him every step of the way. Even now, having just saved it from a fate of having its tiny organs sliced while it was wide awake, it made it known it did not want to be near him anymore. It might have been clinging to him the entire walk back to the bedroom, but it must have remembered it was supposed to be oblivious to the notion of genuine love and safety because now it started to stutter out little squeaks on top of struggling. Normally, Edix adored any and all of the sounds it made, especially when it was directly trying to talk to him which only served to give him the mental image of a pup mindlessly babbling before they managed their first few words. This time, however, it only worsened his irritation.

“Stop.” He ordered, which the human somewhat complied with, though it probably had more to do with his harsher tone and the fact that he was already lowering his hand towards the bed to set it down. As soon as it was free of his hold, it scrambled back, looking at him with those wide brown eyes that were full of so much fear it made him sick. Why did it have to be so afraid of him? What could he have possibly done that even now, almost a cycle later, it was still overtly wary of his intentions. All he ever did was care for it. Feed it, pet it, cuddle it, protect it, and still nothing was good enough!

With a tired sigh, he rubbed his hand down his face and resisted the urge to tug at his hair. “I just don’t understand,” he pleaded, begging some cosmic being out there to suddenly grant the little one the power to understand what he was saying, “what can I possibly do to prove to you that I’m not going to hurt you? I’m trying to keep you alive and it’s like...I don’t know, you resent me for that or something!”

The sweet thing looked more confused at his words than anything, but he could tell his body language and voice were making it uneasy. The human was used to soft words and purrs and slow movements, rarely any agitation in his being. After a beat of silence marked by an intense stare down, Edix gave up on hoping the earthling would miraculously explain itself and open up to sharing its thoughts on the matter. He reached for it and it instinctively back up, flinching when a growl rumbled in his throat in response.

“Stop running,” it was a fruitless endeavor, but like hell if he wouldn’t stop trying. That was how new pups learned how to understand a language anyways, wasn’t it? To repeat certain words over and over until they got the idea? Maybe that’s all he needed to do here, maybe by now it already knew the Venandi words for no, stop, be good, and so on. He reached for it again and it did the same thing as last time, always sure to stay just out of the most convenient reach. Not that it mattered how much it inched away seeing how it was trapped on the bed with Edix directly in front of it, but it was the principal of the matter.

And it was then that something inside him snapped. Something primal as a result of dealing with an unruly pup far too long for his nerves to handle at this moment. He wasn’t even aware of his actions, belatedly realizing how he pounced on the bed in a flash, the human scrambling to get away but only having enough time to turn around before being roughly pinned on its stomach against the mattress. His teeth were bared and pressed tightly against its back, fangs scraping against the layers of its clothes to no doubt bruise the tender flesh underneath, though thankfully they didn’t break the skin. A loud growl reverberated though its entire body, shaking it to its core.

“Enough.” He hissed against its back, keeping his teeth pressed into its skinny frame for a moment longer before pulling away. The second he did, his glare softened, all the anger he felt gone in an instant as soon as he saw the sight underneath him.

The poor thing was absolutely petrified.

It was probably the worst it’s ever been scared, arguably. Not even the first time they met, when it had so gracefully tumbled down that hill and landed face first in front of him, compared to the level of fear that radiated off it. A split-second thought had Edix wondering if he had legitimately scared it to death. Soon enough, though, he was able to pick up the minute tremors that shook through it, almost like an aftershock of the warning that it felt more than heard. It was pale, baby face devoid of color not unlike that time before when it had been sick with fever. But its eyes...those sweet little doe eyes he loved so much were wide and wet with a sheen of tears that refused to fall, locked in a blank stare straight ahead towards the wall and refusing to look at him.

A small, choked hiccup made its body twitch every couple of breaths, but it refused to open its mouth to allow any of these sniffles to turn into cries. Shit, it refused to move at all, too terrified of Edix’s threat display that if it did anything he didn’t like there would be dire consequences to pay. He supposed it worked exactly as intended, in that case. It was still, it was quiet, it was technically obeying him after he just forced it to behave via alternative punishment. That didn’t change the fact that he felt absolutely, terribly, extremely awful about what he just did.

It was just a pup, as he always said, regardless of what Ylva would tell him about human adolescence and such. It didn’t know any better, it had never been raised in these situations before and needed much longer than a measly cycle to unlearn all of its prey behaviors it needed to survive on its home planet. Besides, it wasn’t that it didn’t fully know that it was perfectly safe with Edix, it was smart enough to know he was at the very least the safest option when presented with any other Venandi. Edix had been upset, and it knew he was upset, so of course it would want to avoid a potentially hostile predator before-

--before it snatched the little one in its teeth.

Fuck, fuck, he was an idiot. Maybe he wasn’t as cut out for this as he thought, not like Ylva who was the very essence of motherhood. No. Now wasn’t the time for self doubts and pity, not when the human was in such a state. Slowly, hands cupped around its shaking form, mindful to make sure his fingers were in its view so it wouldn’t be any more startled when he lifted it up, not that he was completely sure it was actually seeing anything in front of it. The little one hardly reacted to the movement, laying limp when he pressed it against his chest and moved to sit up against the headboard of the bed in a similar fashion to what he had done the first night the poor thing was on the ship.

“I’m sorry, I’m sorry, it’s okay,” he whispered to it, rubbing his thumb along the curve of its back just how it liked whenever it dozed, “you’re okay, we’re fine, it’s okay to cry. I’m sorry I scared you, I’m so sorry.”

Normally in these types of instances, he’d be purring and shushing the little sweetheart until he was able to get it down for a nap, but he had little confidence that any other types of chest vibrations would have its usual effect of making the human drowsy currently. When it finally started blinking again, the tears that had welled up ran freely down its cheeks, quickly biting down on its wobbling lip to prevent any sobs from escaping and get it in trouble for misbehaving. He softly clicked his tongue at it and cooed, anything to put it at ease with a softer demeanor. “I know, honey, I know. I won’t ever do that again, I promise."

Well, if nothing else, at least the little one’s apprehension of him wasn’t unfounded anymore, much to his dismay.

#g/t #fearplay #g/t writing #g/t fearplay #giant/tiny #macro/micro #my writing #ask #anon #g/t ocs #all i can say is :3c #also i didnt skip math class i skipped english class instead hsjfhdfjhfjjsf

169 notes · View notes

teddy06writes · 4 years ago

Text

Greek Myth AU: Eros and Psyche Part Two

Eret x afab!reader

trigger warnings: general death/death mentions, Aphrodite being a bit of a bitch, reader is pregnant for the sake of the original myth, but its not mentioned that much

premise: again, this explains the original myth, this part is the second half/the challenge thingys.

Part one

list of Greek Gods/characters for this work

Eros- Eret

Aphrodite- Puffy

Zephyrus- Philza

Zeus- Dream

Pan- Tubbo

Demeter- Ranboo

Hera- George

Hades- Wilbur (only mentioned)

Persephone- Niki

------------------------------------------------------------------------------

"No love can exist without trust."

The words echoed through (y/n)s head as they wandered through the still dark field. It seemed no use to them to even try to go back to the villa.

Slowly, they came to a stop next to the brook, laying down amongst the bank, one hand on their stomach as they watched the water pass, wondering what they would do.

How could they go on if Eret had left?

"Are you alright?"

(y/n) jumped at the sudden noise, sitting up and turning to see a saytr- no not just any Satyr, they found themself face to face with Tubbo, god of the wild.

"Uhhh...."

He let his head half fall sideways to look at them closer, "You don't look alright. Have you been crying?"

They sniffed, nodding, "I suppose so, yes. I've just had... a rough day."

He nodded, "Does this have anything to do with what I heard Eret shouting earlier, cause that sounded pretty bad."

"It- was actually."

Tubbo winced, "Yikes. You know, though from what I heard, from what I can see now, you really do look like someone who is very much in love. Don't leave yourself to rot here, you must continue on, and win his affections back."

"But how can I? I've lost all of his trust." They sighed.

"You must try, you must." Tubbo insisted, he offered them a hand and helped them to stand, "There is a way, and you will be able to find it. That I am sure of."

So, (y/n) traveled on, through the lands until they at last reached their home nation. Soon, they sought out their sisters, telling them that their deception had caused them to be cast out, not by a beast, but by the god Eret, himself.

When their sisters claimed excuses, and hurried off (perhaps to try and be taken by the god), (y/n) could only sigh and move on.

As they continued the travel, searching for any signs of their husband, he was stuck in Puffy's castle, the splash of oil having done much more damage than she'd originally thought.

All too soon, Puffy had found out where Eret was, and what had happened. Furiously, she rushed into their chambers, utterly pissed that she had gone so far against her instructions as to fall in love with (y/n).

The goddess was in such a rage, that she hardly noticed the state he was in, instead yelling on about how 'that wretched mortal would need to be punished'.

"No!" Eret cried through gritted teeth, "They may have betrayed me, but this is not their fault!"

"She shall be punished!"

It was only the announcement that Ranboo and George had arrived that pulled Puffy out of her yelling.

"Puffy, what's happened?" George asked once she had returned to the main room.

"Do remember that mortal? The one everyone was infatuated with?" Puffy asked, annoyed.

Ranboo nodded, "I thought you had sent Eret to get rid of them."

"The foolish boy went against me, brought her to some place, kept her safe, and now he's been burned because of it." She sighed, "The mortal will have to be dealt with. No simply plots of a forced love. I shall send them straight down to Wilbur's domain."

George bit his lip, "Well, are you sure that he didn't hide them away for good reason?"

"He fell in love with them." Puffy scoffed.

"Oh come on Puffy, don't punish them just because she fell in love. Doesn't he deserve ore than that? They must have fallen in love for a reason? You are the goddess of love, surely you should understand." Ranboo attempted to defend Eret, only to be cut off.

"I do not care what I should or should not understand! I want this mortal punished, and punished they shall be!" Puffy roared.

Meanwhile, (y/n) still wandered the land, looking for their lover, even as their health seemed to decline.

It had been a rather nice day when they stumbled upon the abandoned temple, covered in debris, and tools left behind. Some how, despite everything, it only made sense to clean the temple. To restore, to the best of their ability, to its former glory, or at least till it didn't look a mess.

It was slow work, but soon they had cleared the weeds, moved the old offerings back to their place, and found a place for the abandoned tools.

"You, poor (y/n)!"

They looked up to find Ranboo, towering over them, "M'lord?"

"I have come with a warning. Since your betrayal of Eret, Puffy has been after you, and you have been in great danger. Still despite this, you've come to clear the temple that my followers have abandoned. Why is this?"

"No place should be abandoned as I have been." (y/n) answered softly.

He frowned, sighing, "Well, I value my alliances with Puffy to much to harbor you. But, I will not turn you in, nor alert her in anyway you were every here. Consider yourself blessed."

As he disappeared, (y/n) couldn't help but breath a sigh of relief. They hadn't been met with Puffy's wrath yet. But that did not stop their sorrow.

Wandering farther and farther away from both the valley, and their home, (y/n) came across another temple, taking a rest from the road to step inside.

At the alter, they prayed, "George, queen of Olympus, I beg of you to help me. I am but a mortal, plagued by sorrow, driven out of every place Aphrodite seeks me. I do not wish for my child to be born to this life. Oh, dear George I beg for your help!"

George, hearing these prayers, quietly appeared to them, "Poor dear. I cannot help you, no matter how much I wish too. Puffy's anger stretches far, and even I cannot shield you from it."

When he had disappeared, (y/n) was forced back out the wandering, wondering, if maybe they revealed themself to the goddess, they might receive some mercy.

After a long pondering they set out, and after journey, the found themself at the palace of Puffy. Upon turning themself into the servants, (y/n) found themself dragged before Puffy, who demanded to know what they were doing.

"So you have finally decided to pay me a visit? Or is this just a trick to see your husband, who sufferers from a wound given by your hand!"

It had been a long afternoon for (y/n), until at last the servants, and even Puffy herself, let off, and gave time for the bruises to fully form, as Puffy taunted them, "Such a plain and boring mortal, how could he have fallen for you? And even given you a child? What a pathetic thing it will be."

It didn't take much longer after that for Puffy to decide, "A challenge then, you look to be a maid, lets see how well of one you are. Then you might gain enough favor to see your husband." She called for bags of wheat, barley, beans, lentils and chickpeas to be spread and mixed on the floor, "Have all of this sorted, before the night, and you may win some favor."

And as she disappeared, (y/n) wept, it would be impossible for them to sort the pile, let alone by the time she returned. It had seemed so hopeless, until, droves of Ants, driven by pity made there way into the room.

"Fear not, we shall help you with this task."

Soon the grain was sorted, and the ants disappeared as Puffy returned, looking around incredulously, "This work mustn't be yours! Surely it isn't! You foul thing! This work is far from over!"

The next day, a new challenge was assigned.

"There is a field, a few miles from here, where golden sheep graze all day. Travel there and bring me back a tuft of wool from one by the time the sun sets, or give up on all hope of seeing your husband again." Puffy commanded.

Obediently, (y/n) set out, and as they crossed the river, a soft nymph whispered the secrets to gathering the wool from the dangeours animals.

Carefully, (y/n) waited until noon had passed, until the sheep had settled to one ide of the field, and crept out, gathering the soft tufts from the briars of the bushes.

Yet again, Puffy was surprised by their ability to comply and finish these challenges.

"Surely your husband had some hand in helping you finish this. Quickly mortal, while there is still light, take this, and fetch me the water from the upper most point of that mountain stream."

(y/n) took the pitcher, and slowly began to hike toward the mountain, dreading the dangerous climb ahead. The mountains slowly grew nearer, until (y/n) was forced to fully climb up and over rocks, and the potential fall could prove fatal.

They had paused for a rest, breathing heavy and staring up at the setting sun, there was no way they could make the trip to the top of the mountain and back before night fell.

Yet again, it all seemed helpless, until a kind eagle, indebted to Eret, swooped down, "Give me your jug child, and allow me to help."

When they returned to Puffy's castle, again they were met with surprise. No one had expected their return.

"You have done what I asked, and that makes me suspect you to be a witch. It will take a greater test to determine if you should see your husband again."

(y/n), barley held in a sigh, bowing their head.

"You will journey to the underworld, and meet Niki. She makes a beauty cream, I need you to get some for me. I've exhausted my supply."

(Y/n) began to shake, tears beginning to spill from their eyes, surely this task was impossible. No one could journey to the Underworld and make it back alive.

"Better get going." She scoffed, "And remember, not a single drop

They had no choice but to go.

It was a slow, painful journey, and it took much help, much advice to reach the underworld.

They called upon Niki, who greeted them kindly, and listened to their plight.

"I just wish to see my husband again, so I can explain myself, so I can apologize." (y/n) finished with a sigh.

Niki frowned, "That I cannot help with. But I can supply you with the beauty cream, to bring back to Puffy."

A box was filled and closed out of their view, before Niki presented it to them, with a warning, "The contents of this box, are not meant for mere mortals. It is highly dangerous for you to even look at it. You mustn't open this box, not for anything."

"I understand." They said, taking the box.

The journey back to the overworld seemed to pass quickly, but soon (y/n)s thoughts began to betray her.

Why would they carry this beauty cream if they were not able to take a drop for themself?

How were they suppose to confront their husband if they looked as ragged and hungry as they did now?

Slowly, the temptation took over, surely they would need this beauty cream more than the goddess of beauty.

As soon as the box was opened, they fell to the ground, nearly dead.

While they slept off their injuries, a great fight took place between the gods.

When they had at last awoken, they were greeted with the sight of their lovers face.

"Eret!" They gasped, "I'm sorry! I truly am! I don't know what I was thinking! Please forgive me! I love you!"

She smiled softly, "There is much we have to talk about my sweet."

It had been decided, that (y/n) would join the gods on Olympus, and remarry the god Eret.

Puffy would hurt them no more, and Eret, having heard what lengths they had gone too to get back to them, he couldn't keep them away.

#mcyt x reader #eret x reader #the eret x reader #teddy 06 #teddy 06 writes

81 notes · View notes

your-brilliant-lady-m · 4 years ago

Text

Part 1 - Basic Concepts of Miraculous Ladybug: Miraculous Jewels

Alright! I promised you meta and now I deliver!

I feel like people mostly watch Miraculous for the romance these days. Shipping is all everyone cares about. I wonder why? Probably because writers themselves don't take their worldbuilding very seriously and because they don't put much effort into making the audience care about something other than Love Square, like the mythology behind the Miraculous, or motivations of the main villain, or some pretty heavy topics for a kid's show that they bring up and then refuse to touch again. You know, all the good things. And this is coming from someone who is a passionate multishipper. I have lived through several shipping wars in different fandoms and came out victorious after all.

I am probably the only person out there who cares about the big picture, the overall storyline and the worldbuilding of Miraculous in addition to all details and implications that could develop into fascinating plotlines relevant to the main story. It is a rather lonely fandom experience, I must confess. But, hey? Who cares? I am here to have fun and bring to the table discussions no one wants to have.

So, let's talk about the basics.

If you, as the writing team, are capable of keeping only 1 thing consistent, then please, I beg you, let it be the basic concepts of your universe. Because in this case, one has to actively put effort into writing characters and conflict resolutions badly. And also because nothing can save bad worldbuilding.

I don't have high worldbuilding standards for Miraculous. They certainly aren't as high as the ones I had for Legend of Korra (which was a badly written trainwreck, that ATLA doesn't deserve as a sequel) or the ones I currently have for Dragon Prince. Therefore I won't be too harsh in my criticisms. Granted, I think that Miraculous has better worldbuilding and lore consistency than Winx Club for example (I haven't seen the reboot yet, so writers might have fixed their worldbuilding at least a little bit). Even though I enjoyed Winx when I was younger and some elements of this story still attract me.

Both serialised and episodic shows as well as movies to the lesser extent must have some flexibility in worldbuilding and plot because you can never be 100% sure where your story is going. Maybe, you'll get money for more seasons, maybe not. However, you must never lose sight of your basic concepts. They have to stay the same no matter what, because rewriting lore and retconning major developments every new season is not and never will be called good writing.

Forgive me for using architectural metaphors, but you need a solid foundation to build any kind of structure. Otherwise, everything falls apart.

I like to apply this logic to writing as well. When designing a world where your story takes place, you must lay a few ground rules. It's especially important if you have a magic system. What kind of ideas absolutely must exist? What kind of conclusion do you want your story to have? Does your magic system has limitations? Where is the grey area? Could you introduce new elements later on?

And I feel like the writing team of Miraculous Ladybug did not ask these questions. This may feel like I am nit-picking canon material and looking for problems that simply aren't there, but I promise that I am not. You see, things that I am about to point out only seem small at first glance. But these details are actually the source of the largest plotholes in the series. And their presence negatively affects character development, conflicts and resolutions of said conflicts.

That doesn't mean that I have nothing good to say about the magic system of the show and its elements. There are a lot of great ideas and concepts. And some of them have the potential to contribute to the delightful story.

Let's dive right into it, shall we?

Camouflage

I have to give credit where it's due because the idea of camouflage and shapeshifting for Miraculouses is brilliant. It seems like Miraculous can't fundamentally change its type of jewellery or accessory. The ring will always be the ring but with a different ornament, colour or shape. This is true most of the time (Monkey Miraculous is an exception since it transformed into earplugs/headphones/headband/circlet) It makes sense and avoids plotholes. Grimoire doesn't have the pictures of each Miraculous in disguise for identity protection. That was very neat too. I have no comments. This concept was very good.

Also, since Marinette wore a nose ring of the Ox in "Kwamibuster" without any problem and Adrien wore Ladybug's earrings in "Reflekdoll", we can assume that you don't need to have piercings to wear a Miraculous. Miraculous just magically passes through your skin.

I'm interested to know the following. Can Kwamis recognise a camouflaged Miraculous on a person? Can the holder order them to confess the identity of this person? This shouldn't be possible for identity protection just like with Kwamis sensing each other. But more on that in later posts.

Power Levels

For a long time, we assume that there are only 7 Miraculouses. Turtle belongs to Master Fu, Gabriel has Butterfly and Peacock, Marinette and Adrien have Ladybug and Black Cat. Everything is pretty straightforward. Then it's revealed that there are more jewels and more boxes. It makes the worldbuilding interesting, but it also majorly complicates things, making them inconsistent.

Their position in the Miracle Box implies their power levels. Creation and destruction are the most powerful forces in existence, therefore they are at the top. Moreover, it makes this Box the most important, the most powerful out of all others. Su Han in "Furious Fu" calls it "Mother Miracle Box". Fox, Turtle, Bee, Butterfly and Peacock have less power than the main pair, but more than the Miraculous of the lower Zodiac tier (since they correspond with animals of the Chinese Zodiac).

1. Ladybug can create anything out of nothing (Lucky Charm, which gives what you need the most at the moment). This Miraculous can resurrect the dead, reverse the effects of the Cataclysm. The power of Miraculous Cure or Miraculous Ladybug can work in several ways:

it simply repairs the damage (puts stuff back together, heals injuries and so on)

it reverses time for the matter, restoring things back to the state they were before the destruction occurred (however, the Cure doesn't erase people's memories of everything that happened unless they were mind-controlled, frozen in place or transformed by Akuma into something else - this is an important point that I'll discuss some other time)

How does Miraculous Cure work when there are no supervillians? In NY Special Marinette just says this.

Excuse me, what? What was that? You can't do anything when the villain is gone? What the hell?

*insert here every scene where Ladybug fixed Paris after destroying akumatized/amokized object (this action causes the Akuma victim to detransform/sentimonster to disappear - villain is gone) and purifying butterfly and feather*

It was such cheap angst. I couldn't even be upset when Adrien gave up his Miraculous, because that whole situation is just stupid. But, never mind. We aren't talking about that today.

Apparently, Lucky Charm and Miraculous Cure only work when summoned to battle a specific villain. What is the point then? Huh? You can't tell me that Ladybug has the power of unlimited creation and then say that she can't repair the damage without a special Lucky Charm that was magically synchronised with specific big bad of the week.

Ladybug also can purify Akumas. It makes sense for Ladybug to have the ability to reverse the magic of less powerful Miraculous. But this power can't be applied universally. How does this power of reversal apply to different situations where there is no evil Butterfly holder? Can Ladybug reverse the magic of any Miraculous?

The unlimited power of creation introduced in season 4 ("Mr. Pidgeon 72") is another fascinating thing. On one hand, it's logical and proves the status of this Miraculous as the most powerful. On the other hand, by introducing this power, you have created a plothole. Look, Marinette can create the charm which repels Akumas. If Ladybug can create anything then what stops her from creating a tool for finding Hawkmoth (like special glasses for discovering identities or a compass)? I mean, the show says that the power of creation is unlimited, it means that the creation of such tool is possible.

2. Black Cat can destroy anything with Cataclysm, even other Miraculous. He can kill living things and turn them into ash, but not himself. This Miraculous is supposed to have other special abilities that we don't see. And they should be equal to powers of Ladybug, both in number and in potency. Unfortunately, after 3 seasons writers didn't give us anything. It makes laughable the idea of balance between Ladybug and Black Cat.

Now, to the second tier. These Miraculouses have a singular ability, but they need a second one to keep the power balanced between Zodiac and the main pair.

3. Butterfly creates champions with different superpowers. But how does the time limit of children work for Butterfly? In theory, the countdown should start right after the creation of the Akuma since for Ladybug and Chat Noir countdown starts after activation of their powers even if they don't use them. However, if the countdown of the Butterfly begins after Akuma creation then there's no point because the holder has to stay transformed to guide their champion. The charged butterfly won't have time to even grant powers before the transformation of the child-holder drops. This issue is never explored because Gabriel doesn't have a time limit. However, I feel like it should be addressed in flashbacks of past Butterfly holders for example.

This Miraculous should be less powerful than Ladybug and Black Cat. It's often not. Some Akumas are too overpowered. Stormy Weather can move the Earth away from the Sun, Timetagger can send people through time and jump through time as well, Chat Blanc destroyed the world with a single energy blast, Miraculer could steal powers of those more powerful than her by default. These are the most notable examples. One could argue that Chat Blanc was a different case. Hawkmoth simply gave the most powerful Miraculous a boost. However, we know that even without a holder (the wildest and the most powerful form of uncontrolled Miraculous magic) Plagg's Cataclysm can't destroy the universe just like that (he presumably wiped out dinosaurs and sunk Atlantis on his own without a holder). I think that the less powerful Miraculous (Butterfly) shouldn't be able to increase the power of destruction to such a degree and give Black Cat the power to destroy celestial bodies and galaxies.

Writers want us to see Hawkmoth as the formidable villain. But it's not easy because he is less powerful than your main heroes by default of your worldbuilding. Sometimes writers make the Butterfly more powerful than creation and destruction to raise the stakes, breaking the laws of their magic system. So, how do you solve this? Let Ladybug and Black Cat keep their status as the most powerful and instead of giving Hawkmoth more magical power, make him smarter, more cunning, inventive. Gabriel is a fashion designer, whose creativity makes him a very good Butterfly holder. He has a life full of experience, he knows much more about things than the main teenage characters. Catalyst was very interesting for this very reason. Gabriel sort of discovered a cheat code to boost his powers. Show us how he experiments with his powers, how he analyses his past Akumas and tries to find the most effective ones. Maybe Gabriel tries to design Akumas that can specifically neutralise Ladybug and Chat Noir. This exploration could also give writers an opportunity to explain how the powers of Butterfly work. Can he control the type of powers he grants? Can he control the appearance of Akumas? There are many things to be explored.

4. Peacock creates sentimonsters. I remember that fans were very disappointed when the power of the Peacock was revealed at the end of season 2. I was one of them. The concept of Amoks is far too similar to akumatized butterflies. Other Miraculouses have unique abilities and keywords for their powers, while Peacock just looks like Butterfly 2.0. That glowing mask effect just adds insult to injury.

You have to start by figuring out the powers of the Peacock in a normal situation. If a holder is a good person, then how does their power work? For example, make them related to sight (because of the "eye" pattern on feathers). Maybe, Peacock grants the ability to see the several possibilities of the future, but only a few minutes ahead. Maybe, this Miraculous gives you the ability to see through someone's eyes for a few minutes (and the victim is completely unaware of the intrusion). Perhaps, Peacock allows the holder to use feathers (or tiny peacocks) as cameras one at a time and be all-seeing. These feather-spies can be destroyed by the holder or disappear on their own after some time. Such power could be devastating when used against heroes in canon.

5. Bee can paralyze. This power is pretty straightforward. Once I read a fanfiction focused on very vell done Chloe Redemption, where she fights alongside Ladybug and Chat Noir. Eventually, she grows and becomes a better person. This fic ends with an Akuma battle, where LB and CN are trapped and Akuma is ready to kill them. But Chloe uses a second power of the Bee on the villain - Miraculous Stinger. It's deadly both for the holder and for the victim (because bees die when they sting someone). Chloe kills the Akuma with a Stinger before it can get LB and CN, but she too dies making the ultimate irreversible sacrifice. I will add a link if I find it again.

6. Turtle can create a shield. I don't have much to say on this either. It feels underpowered compared to others in the second tier. Maybe Turtle can also slow down opponents (because turtles aren't the fasters animals out there).

7. Fox creates illusions and acts as their puppeteer. In order to create a balance between other powers, these illusions must hold for as long as the holder needs them to. I propose this mostly because we see that Venom of the Bee lasts very long, the shield of the Turtle lasts either until it's destroyed or the holder wants to remove it, same goes for Akumas and sentimonsters who disappear only when the holder wants them to or their affected object is destroyed.

Let's talk about Zodiac tier. Miraculous of the third tier shouldn't have the second ability like more powerful ones. These powers are the most inconsistent. Even if we haven't seen all of them yet.

8. Mouse can create many small clones of the holder. It is unclear how these clones communicate with each other and how many of them this Miraculous can create. The holder can control the number of clones. This power was very convenient in "Kwamibuster" and it makes sense symbolically for the mouse. What activates the time-limit for children? Marinette didn't have any problems with it when she became Multimouse.

9. Snake can create a 5-minute time loop and has the ability to come back in time. This Miraculous feels a bit overpowered for the Miraculous of the Zodiac Tier. The holder can reset the time as many times as he/she needs to. It's was a good source of drama and trauma in "Desperada". I was honestly surprised that Adrien was capable of fighting after spending months in a loop. But this doesn't change the fact that Snake is overpowered. You can give this Miraculous the power to hypnotise or keep the time ability but place a limit on the number of resets. How does the lyre work as a weapon? Who knows? No one!

10. Dragon can shapeshift into elements: water, wind and lightning. It has the coolest transformation words hands down (Bring the Storm and Open Sky). Apparently this Miraculous doesn't have the time limit.

11. Rabbit can time travel or jump through alternative realities, even writers aren't sure. Time-travel in this show is so badly written it gives me a headache. This Miraculous shouldn't exist just like its powers. Snake belongs to the same tier, but 5 minutes and whole centuries of time jumps aren't comparable in power levels. They are not and this is the hill I will die on. Give the Rabbit powers related to its symbolism in China like an ability to de-age people, heal them or give them a speed boost in contrast with Turtle who might have the ability to slow down.

This Miraculous is so special that its Kwami - Fluff can live separately from his Miraculous in a Miracle Box for millennia (Fluff lives in the Box in "Sandboy", but his Miraculous, pocket watch, was passed down for generations in Alix's family). This is a discussion for a separate post, however. There's a lot to unpack. We'll do that some other time. You will suffer with me but at a later date.

12. Horse can create portals. They could lead anywhere, which is pretty cool. On the other hand, this power is not very useful in direct combat, especially when it's used by a child since we can have only one portal per transformation.

13. Monkey can cause a malfunction in powers of other people. What is the point of this? This power was specifically created by writers to defeat Akuma in "Party Crasher". That's it. What if your target is not magical? How does this Miraculous work in different circumstances?

14. Pig shows people their greatest desire. Both the holder and the recipient of this power can see this desire. Chat Noir wasn't impressed in "Guiltrip" and neither was I. It's underpowered compared to other Miraculous in this tier. Also, why does the tambourine can shoot energy beams? Why?

That's all I have to say on the matter. I'll update the power analysis as needed.

#miraculous ladybug #ml #miraculous analysis #miraculous meta #ml meta #ml analysis #miraculous transformations #miraculous critical #miraculous ladybug critical #miraculoustalesofladybugandcatnoir #mt of lb and cn #miraculous jewels

49 notes · View notes

marcspectrr · 4 years ago

Text

A word or two on Kiara's mental health...

Before I attempt to summarize the 39 page slideshow living rent free in my brain, a preface! This will include spoilers for s2, as well as a few mentions of suicidal thoughts! Also. I love Kiara Carrera with all of my heart so if you're not a fan of her, you might wanna keep scrolling. If you don't vibe with her that's perfectly fine, but this post is heavy with Kiara appreciation, be warned, my respect for her runs deep. The choice is yours, of course, just understand that I'm writing this bc @yellowlaboratory among others have encouraged me to get it out there because it's all I've been thinking about since I watched s2. This is not to start anything.

(This is also not me hating on Pope because I genuinely like his character, he's just made some very questionable choices throughout the show, some I can forgive and some that still don't sit right with me.)

Deep breath, here we go.

It's no secret Kiara has been poorly handled by the writers and therefore the characters at times. We got little development in s1 compared to other main male characters, leaving us to fill in the gaps as far as her ambitions, motivations, family, overall interest in the boys, etc. While I do keep this in mind, I could rant about it for days so for this I'm going off of what we have as well as what's been implied.

Kiara didn't have the same upbringing as the boys but it's clear the Carrera's had/have their struggles. She's got her foot in both worlds, not quite 'rich' but not entirely 'poor', inevitably giving her a fragile sense of belonging and identity. 16 is a hard age even without societal pressures and growing up in a classist environment, but here is where we're assuming the boys come in. They give her a place to feel comfortable in her own skin, with shared interests and accepting her for who she is, which we know the kooks don't provide. Just being around them helps ease those deep insecurities, helps her form meaningful bonds. We weren't given an explicit scene where this was shown but over the course of the two seasons it's clear how she feels about them and what they do for her mentally.

Her relationship with the pogues, however, puts a rift between her and her parents. Mike and Anna clearly want what's best for Kie but it's also obvious they've struggled with her even before the pogues. Anna wants Kiara to have the things she never got growing up, breeding a disconnect since Kiara doesn't share in her mother's interests. This leads into my biggest problem with Kiara's arc in s2, which was how Anna and Mike were written.

Yes, Kiara didn't/doesn't treat them the best but it went both ways -- they all failed at communicating. Instead of finding a common ground and compensating for the things Kiara cares about, Anna shuts her down and ignores her, leaving her to feel like a problem rather than a person, further perpetuating even less healthy communication. Kiara even says in s2 that's why she doesn't like going home, because it always means walking into an argument and not feeling accepted.

I sorta expected a little more understanding from Anna considering her own background with pogues but instead it backfired. And Mike...he didn't contribute much at all. They could've all done better and need some work. Kiara could be more grateful and Anna and Mike are the parents, the adults, they need to make the space feel safe to talk. Kie didn't just wake up one day and decide to act out and keep her parents in the dark all the time, that stems from not feeling listened to when she does try and open up.

Expanding on this with...the whole Blue Ridge plot. Moment of silence for the show neglecting to acknowledge the academy, even though it clearly had a big impact on Kiara's life. In s1 we got a brief look into how her 'kook year' affected her and it was not good. More isolation, blurred identity, insecurity and this time suicidal thoughts, with no one to turn to for support, assuming she was not on good terms with her parents then either. I'm assuming this because for them to send her to the academy, hoping to give her better opportunities only for it to end with her wanting to cut her wrists, to then thinking the best option is to send her away again? At this point I hope they didn’t know how badly the academy affected her because sending her away a second time with that knowledge is such a hurtful and oblivious move.

Kiara already thinks her parents see her as a burden, hurting her sense of worth as is. I really wanted to like the Carrera's and I still feel like they genuinely love and care for Kie, I just need to see more communication maybe. And if they choose to include the Blue Ridge plot, which I'm leaning towards yes on that one, I hope it's handled somewhat well, preferably not a tool to create drama even though I know a lot of people want to see it be used that way. I'm very particular, I'm sorry I'm this way.

Things I've seen her being criticized for in s2 is her behavior. The thing that people have to remember is that she's 16 and teenagers are just not the best with navigating their emotions. She made questionable choices (the 'murderer' thing and 'abusing' Pope) but these are both things that fit the plot and her character. She was by no means the only one grieving so I don't know why she's being targeted for it (although I'm not surprised, the fandom treats her horribly). Some of her core characteristics are her high moral integrity as well as her headstrong belief in people and causes. She's never been one to make herself palatable for people and s2 shows a lot of this (calling out the Cameron's, going off in front of the court, etc). Even if it caused them problems and even if they are flaws, that doesn't make her an inherently intolerable character, it makes her realistic. She was not in a good place emotionally and it would've been wrong to shy away from depicting it any other way, especially in a show where the teenage experience is decently represented.

Now with the Pope thing. I think it was handled as well as it could've been considering the circumstances. It really should've never happened but to justify it, emotions are messy, relationships even messier and they were both spiraling at the end of s1. I don't agree with the way it started (why give Kie the line of literally telling him she wanted something different only to show them together next episode, I'm forever confused) but I'm not mad about how it ended. They were both in the wrong at times so only bringing up Kie's faults is just unfair.

I believe they both tried their best and even wanted to feel the right things but learned quickly that's not exactly how it works, which was how it was supposed to be shown. Not as this romanticized, idealistic healthy relationship but as one that has its bumps and was bred out of all the wrong things. All of their body language pointed towards this. Pope didn't deserve to be hurt but Kie clearly didn't intend for things to turn out how they did. She wasn't mentally comfortable enough for a relationship and I can appreciate them showing this in the ways the writers framed it. Even the conversation with Kie describing their night on the beach, I think it was perfect. It was awkward but it was honest, which is so important.

Overall, I think Kiara's gone through a lot mentally that the show could be better at exploring. It doesn't have to be big, obvious lingering shots, they can be subtle and still mean so much to people who relate to her. Seeing someone on screen grapple with real life struggles (even if the show walks a painfully fine line as far as realism), it means a lot. Especially when mental health (more prominent than ever) is so rarely portrayed to translate in any significant way in media now. It's definitely something I would love to see get more time and effort so until then, just know I'll be manifesting the screen time Kiara Carrera deserves.

#obx #outer banks #obx s2 #outer banks season 2 #kiara carrera #whoever read this whole thing kudos to you #i also hate the tumblr app for posting it twice before it was finished :)#i have MANY thoughts on kie #as well as the rest of the pogues arcs in s2 #its a curse to have this many opinions agshdjf #obx rants #i guess?

32 notes · View notes

brawltogethernow · 5 years ago

Note

So, I don't think I've ever asked you this... what IS the whole point of the Spider-Sense? It really seems like something that only exists for writers to ignore or work around when they want to inject Legit Tension into a story.

I’ve thought about this power so much, but never with an eye to defend its right to exist, so I needed to think about this. The results could be more concise.

Ironically, given the question, I have to say its main purpose is to ramp up tension. But it’s also a highly variable multitool that a skilled creative team can use for...pretty much anything. It does everything the writer wants it to, while for its wielder always falls just short of doing enough.

I went looking through my photos for a really generic, classic-looking example to use as an image to head this topic, but then I ran into the time Peter absolutely did not reimburse this man for his stolen McDonald’s, so have that instead.

A Scare Chord, But You Can Draw It

That one post that says the spider-sense is just super-anxiety isn’t, like, wrong. It’s a very anxious, dramatic storytelling tool originally designed for a very anxious, dramatic protagonist. I find it speaks to the overall tone of the franchise that some characters are functionally psychics, but with a psychic ability that only points out problems.

Spidey sense pinging? There’s danger, be stressed! Broken? Now the lead won’t even KNOW when there’s a problem, scary! Single character is immune to it? That’s an invisible knife in the dark oh my god what the fuck what the fU--

Like its counterpart in garden variety anxiety, the only time the spider-sense reduces tension is in the middle of a crisis. But in the wish fulfillmenty way that you want in an adventure story to justify exaggerated action sequences, the same way enhanced strength or durability does. Also like those, it would theoretically make someone much safer to have it, but it exists in the story to let your character navigate into and weather more dangerous situations.

For its basic role in a story, a danger sense is a snappy way to rile up both the reader and the protagonist that doesn’t offer much information beyond that it’s time to sit smart because shit is about to go down.

Spidey comic canon is all over the board in quality and genre, and it started needing to subvert its formulas before the creators got a handle on what those formulas even were, and basically no one has read anything approaching most of it at this point, so for consistent examples of a really bare bones use of this power in storytelling, I’d point to the property that’s done the best job yet of boiling down the mechanics of Spider-Man to their absolute most basic essentials for adaptation to a compelling monster of the week TV series.

Or as you probably know it, Danny Phantom. DON’T BOO, I’M RIGHT.

DP is Spider-Man with about 2/3 of the serial numbers filed off and no death (ironically), and Danny’s ghost sense is the most proof in the formula example of what the spidey sense is for: It’s a big sign held up for the viewer that says, “Something is wrong! Pay attention!” Effectively a visual scare chord. It’s about That Drama. And it works, which won it a consistent place in the show’s formula. We’re talking several times an episode here.

So why does it work?

It’s a little counterintuitive, but it’s strong storytelling to tell your audience that something bad is going to happen before it does. A vague, punchy spoiler transforms the ignorant calm before a conflict into a tense moment of anticipation. ...And it makes sure people don’t fail to absorb the beginning of said conflict because they weren’t prepared to shift gears when the scene did. Shock is a valuable tool, too, but treating it like a staple is how you burn out your audience instead of keeping them engaged. Not to go after an easy target, but you need to know how to manage your audience’s alarm if you don’t want to end up like Game of Thrones.

The limits of the spider-sense also keep you on your toes when handled by a smart writer. It tells Peter (everyone’s is a little different, so I’m going to cite the og) about threats to his person, but it doesn’t elaborate with any details when it’s not already obvious why, what kind, and from what. And it doesn’t warn him about anything else-- Which is a pretty critical gap when you zoom out and look at his hero career’s successes and failures and conclude that it’s definitely why he’s lived as long as he has acting the way he does, but was useless as he failed to save a string of people he’d have much rather had live on than him.

(Any long-running superhero mythos has these incidents, but with Peter they’re important to the core themes.)

And since this power is by plot for plot (or because it’s roughly agreed it only really blares about threats that check at least two boxes of being major, immediate, or physical), it always kicks in enough to register when the danger is bearing down...when it’s too late to actually do anything about it if “anything” is a more complex action than “dodge”.

Really? Not until the elevator doors started to open?

That Distinctive, Crunchy Spider Flavor

The spider-sense and its little pen squiggles go hand in hand with wallcrawling (and its unique and instantly identifiable associated body language) to make the Spider-Person powerset enduringly iconic and elevate characters with it from being generic mid-level super-bricks. Visually, but also in how it shapes the story.

I said it can share a narrative role with super strength. But when you end a fight and go home, super strength continues to make your character feel powerful, probably safer than they’d be otherwise, maybe dangerous.

The spider-sense just keeps blaring, “Something’s wrong! Something’s wrong! God, why aren’t you doing something about this!?”

Pretty morose thing to live with, for a safety net! Kind of a double edged sword you have there! Could be constantly being hyperattuned to problems would prime you for a negative outlook on life. Kind of seems like a power that would make it impossible for a moral person to take a day off, leading them into a beleaguered and resentful yet dutiful attitude about the whole superhero gig! Might build up to some of the core traits of this mythos, maybe! Might lead to a lot of fifteen minute retirement stories, or something. Might even be a built in ‘great responsibility’ alarm that gets you a main character who as a rule is not going to stop fighting until he physically cannot fight anymore.

Certainly not apropos of anything, just throwing this short lived barely-a-joke tagline up for fun.

One of my personal favorite things about stories with superpowers is keeping in mind how they cause the people who have them to act in unusual ways outside of fights, so when you tell me that these people have an entire extra sense that tells them when the gas in their house is leaking through a barely useful hot/cold warning system that never turns off, I’m like, eyes emojis, popcorn out, notebook open, listening intently, spectacles on, the whole deal.

It also contributes to Peter Parker’s personality in a way I really enjoy: It allows him to act like an irrational maniac. When you know exactly when a situation becomes dangerous and how much, normal levels of caution go out the window and absolutely nothing you do makes sense from an exterior standpoint anymore. That’s the good shit. I would like to see more exploration of how the non-Parker characters experiencing the world in this incredibly altered way bounce in response.

It’s also one of many tools in this franchise hauling the reader into relating more closely with the main character. The backbone of classic Spidey is probably being in on secrets only Peter and the reader know which completely reframe how one views the situation on the page. It’s just a big irony mine for the whole first decade. A convenient way to inform the reader and the lead that something is bad news that’s not perceivable to any other characters is youth-with-a-big-exciting-secret catnip.

Another point for tension, there, in that being aware of danger is not synonymous with being able to act on it. If there’s no visible reason for you to be acting strange, well...you’re just going to have to sit tight and sweat, aren’t you? Some gratuitous head wiggles never hurt when setting up that type of conflict.

Have I mentioned that they look cool? Simultaneously punchy and distinctive, with a respectable amount of leeway for artists to get creative with and still coming up with something easily recognizable? And pretty easy to intuit the meaning of even without the long-winded explanations common in the days when people wrote comics with the intent that someone could come in cold on any random issue and follow along okay, I think, although the mechanic has been deeply ingrained in popular culture for so long that I can’t really say for sure.

It was also useful back in the day when no artists drew the eyes on the Spider-Man mask as emoting and were conveying the lead’s expressions entirely through body language and panel composition. If you wiggle enough squiggles, you don’t need eyebrows.

Take This Handwave and Never Ask Me a Logistical Question Again

This ability patches plot holes faster than people can pick them open AND it can act as an excuse to get any plot rolling you can think of if paired with one meddling protagonist who doesn’t know how to mind their own business. Buy it now for only $19.99 (in four installments; that’s four installments of $19.99).

Why can a teenager win a six on one fight against other superhumans? Well, the spider-sense is the ultimate edge in combat, duh.

Why can Peter websling? Why doesn’t everyone websling? Well, the spider-sense is keeping him from eating flagpole when he violently flings himself across New York in a way neither man nor spider was ever meant to move.

How are we supposed to get him involved with the plot this week???? Well, that crate FELT dangerous, so he’s going to investigate it. Oh, dip, it was full of guns and radioactive snakes! Probably shouldn’t have opened that!

Yeah, okay, but why isn’t it fixing everything, then? Isn’t it supposed to be why Peter has never accidentally unmasked in front of somebody? ('Nother entry for this section, take a shot.) That’s crazy sensitive! How does he still have any problems!? Is everything bad that’s ever happened to characters with this powerset bad writing!? --Listen, I think as people with uncanny senses that can tell us whether we are in danger with accuracy that varies from incredible to approximate (I am talking about the five senses that most people have), we should all know better than to underestimate our ability to tune them out or interpret them wrong and fuck ourselves up anyway. I honestly find this part completely realistic.

*SLAPS ROOF OF SPIDER-SENSE* YOU CAN FIT SO MANY STORIES IN THIS THING

The spider-sense is a clean branch into...whatever. There is the exact right balance of structure and wishy-washiness to build off of. A sample selection of whatevers that have been built:

It’s sci-fi and spy gadgets when Peter builds technology that can interface with it.

It’s quasi-mystical when Kaine and Annie-May get stronger versions of it that give them literal psychic visions, or when you want to get mythological and start talking about all the spider-characters being part of a grand web of fate.

Kaine loses his and it becomes symbolic of a future newly unbound by constraints, entangled thematically with the improved physical health he picked up at the same time -- a loss presented as a gain.

Peter loses his and almost dies 782 times in one afternoon because that didn’t make the people he provoked when he had it stop trying to kill him, and also because he isn’t about to start “””taking the subway’’””’ “‘’“”to work”””’’” like some kind of loser who doesn’t get a heads up when he’s about to hit a pigeon at 50mph.

Peter’s starts tuning into his wife’s anxiety and it’s a tool in a relationship study.

It starts pinging whenever Peter’s near his boss who’s secretly been replaced by a shapeshifter and he IGNORES IT because his boss is enough of an asshole that that doesn’t strike him as weird; now it’s a comedy/irony tool.

Into the Spider-Verse made it this beautiful poetic thing connecting all the spider-heroes in the multiverse and stacked up a story on it about instant connection, loss, and incredibly unlikely strangers becoming a found family. It was also aesthetic as FUCK. Remember the scene where Miles just hears barely intelligible whispering that’s all lines people say later in the film and then his own voice very clearly says “look out” and then the room explodes?? Fuck!!!!

Venom becomes immune to it after hitchhiking to Earth in Peter’s bone juice and it makes him a unique threat while telling a more-homoerotic-than-I-assume-was-originally-intended story about violation and how close relationships can be dangerous when they go sour.

It doesn’t work on people you trust for maximum soap opera energy. Love the innate tragedy of this feature coming up.

IN CONCLUSION I don’t have much patience for writers who don’t take advantage of it, never mind feel they need to write around it.

#spiderman #peter parker #spiderverse #spidey #marvel #danny phantom #one day you'll see what i'm doing with it in the project i'm collabing on w/ my brother and then you'll all be sorry and hopefully impresse #mirrorfalls #asks answered #essays

1K notes · View notes

rachelbethhines · 4 years ago

Text

Tangled Salt Marathon - The Lost Treasure of Herz Der Sonne

So now we get to what is, in my opinion, the best episode in season three. However, it’s still season three, so that’s damning with faint praise.

Summary: Rapunzel tasks the kingdom with refurbishing the throne room. While breaking down a wall, they find a map to the Lost Treasure of Herz Der Sonne and Rapunzel decides to set up a race to the location. The teams, which consist of twos, are only allowed to look at the map briefly before the start of the race. However, Rapunzel's partner, Feldspar, brings a copy of the map with him and he warns her that the treasure is cursed.

Why Are You Just Getting to This Now?

It’s literally been months since you defeated the Saporians. Edmund had to have time to travel all this way to Corona and you’ve rebuilt an entire village since then. We’re talking at bare minimum three months or more.

Who just leaves a gapping hole inside their home for three months? Where did you conduct the government’s important business during that time? Is there any other structural damage to the castle or the town outside from previous battles that you’ve just left unattended? I understand that rebuilding Old Corona is important but those villagers have been evacuated and living elsewhere for a year and a half now since Queen for a Day. It wasn’t a priority, but this is.

Also this episode has to come after The Return of the King and Who’s Afraid of the Big Bad Wolf because Red, Angry, and Hamuel exist. It can’t just be slotted in somewhere else in order for it to make more sense. The writers genuinely planned for Rapunzel to be this disorganized and didn’t think to give a logical reason as to why.

Also Why Are You Conscripting Regular Citizens Instead of Hiring Professional Contractors?

Unlike Old Corona, which is a full on community that would require multiple building projects going on simultaneously and therefore could use volunteers, this is a single government building. It’s Rapunzel’s job as leader to make sure that that building is kept maintained and up to code. It’s her responsibility not the regular average citizen’s who has their own jobs to do and zero experience with construction.

Rapunzel is literally forcing these people to be slave labor for her under the pretense of ‘community’. She’s taking their time away from their own busy lives, forcing them to work a dangerous job, and not compensating them for that time, effort, and risk. And no, they’re not just volunteers at this point; because as acting queen, no one can safely say no to her nor can they just leave even when they’re clearly annoyed and fed up at having to do the work.

Lastly they’re untrained. They lack the skills and tools to this job. You need an architect, you need a safety inspector, you need actual carpenters and masonries ... maybe even an interior decorator... The point is you need trained professionals and part of being an administrator is using government funding to hire these people in order to make sure the work gets done safely and efficiently and create jobs and keep money circulating through the economy.

Rapunzel may not mean any harm. She might just be oblivious and untrained herself. But this is terrible leadership and the show never points that out. It never has her learn how to be a better a ruler so by the end of the series you don't feel she’s earned that title of Queen and you fear for the kingdom’s continued existence.

So Why Is This Here?

Why would there be a Saporian map to a king of Corona’s tomb hidden in the wall? What’s the story behind this?

Yes we know his wife was Saporian, but that doesn’t explain anything. Why would she need a map on the wall to her own husband’s resting place; assuming he didn’t out live her himself. Why would said map be carved into the wall of Corona’s castle and not written on a scroll? Why is it in Saporian when they don't speak that language in Corona?

Like I could come up with explanations and create this whole backstory for Herz Der Sonne and the first Saporian/Coronian War, but at this point I’d just be doing the work of the writers for them. They’re the ones who introduced this lore and had it inform plot points and character motivation; and then failed to explain any of it to the audience and adequately have it all connect back together in a way that makes sense.

The Moment When You Realize This Whole Episode Exists Because Zachary Levi Enjoys Doing an Ed Wynn Impersonation

Ok time to explain some behind the scenes Info.

This is Ed Wynn.

As you can tell from the gif above, he’s famous for voicing the Mad Hatter in Disney’s Alice in Wonderland. He’s also done a whole bunch of other stuff and was well known even before working with Disney, but the Mad Hatter is his most well remembered role today.

Many actors, particularly voice actors, like to do impressions of him because he has such a distinctive voice. Including Eugene’s VA, Zachery Levi.

Now I don’t know if the character of Feldspar was created specifically because the creators were inspired by Zachery Levi’s impression, or if they had this character already planned out and just casted him in the role since he could do it and it’d save them money. Either scenario is plausible and not unheard of in animation. But the long and short of it is, as a shoemaker, Feldspar is intended to be a parody of the Mad Hatter. That is why the character exists.

Now as I said, this isn’t unusual for animated tv shows. Quite often you get main cast members to voice secondary and/or one off characters because it’s convenient, efficient, and doable when working with audio recordings. Also quite often voice actors will do impressions of other famous people to flesh out these background characters. It’s also not out of left field for these secondary characters to get an episode of focus if they’ve been around for awhile and keep popping up in the story.

What is unusual, however, is to focus on said character in the final season when there are a bunch of other more important characters with unresolved arcs that need the screen time more. It’s an incredibly odd decision to highlight Feldspar here when we still got Varian readjusting back into society, Red and Angry settling into their new home, and Edmund running around off screen. And while some of these character feature in the episode, they’re just there for the jokes not for any development.

What’s a “Sap Pond” and How Does That Even Work?

Ok its a fantasy world, I get it. But the franchise does try to have a distinction between the magical and the mundane. Or at least pretends to try and have a distinction. There’s to my knowledge no such thing as a ‘sap pond’, and if such a thing does exist I doubt it’s an actual deep pit full of tree sap as shown here.

If you want characters to still be surprised by out of the ordinary occurrences and have the supernatural world be separate from the regular world; then you need to have the mundane world grounded in our known reality. Nature needs to function as real world nature would. If something exists in your world that doesn't in ours, then you need to either explain it or have the characters responded appropriately to it.

But You’re a Prince Now?

Look, I’ll buy that season one Eugene didn’t have unlimited access to the royal treasury as he and Rapunzel were still new to their roles and their relationship. But it’s been over two years since the movie ended.

Since then Eugene and Rapunzel have lived together, shared finances together, and currently are co-acting rulers of the kingdom. He’s also a bonified prince in of itself on top of being practically married to princess/queen.

Yeah I said it. Part of what makes season three so frustrating is that Rapunzel and Eugene are functionally married at this point, they just haven’t gone through the ceremony yet, and there’s no stated reason for why they keep dragging things out.

This is why we get out of place jokes like this that no longer reflect who Eugene is now as a person and feel like they belong back in season one or the even the movie itself.

I can understand if he wanted to join in the competition because it’s fun, but he’s not poor. Neither he nor Rapunzel needs the treasure. I’m not sure even Lance needs it because as Eugene’s best friend/adopted brother he’s piratically nobility at this point as well.

Royalty and the rich are not and never will be underdogs show. Stop trying to make them such.

So Why Feldspar Again?

This is such a half assed plot point.

Remember Rapunzel literally pulled out a book earlier to translate the map. Xavier not only knows the legends about the Saporians, but also keeps a book of magic lying around, and the Saporians are the only human people who have functioning magic in the show as part of their culture. Varian spent a year living and working with the Saporian leader, and knows how to decipher ancient scrolls written in dead languages. And said Saporians, are being currently held in the dungeons of the castle.

But you’re telling me that only a random cobbler can read the warning clearly written on the map?

They give some bullshit reason as to why Feldspar knows Sapoprian but it doesn’t matter. It’s a forced and contrived excuse to get the character involved in a plot he has no business being in. The story fails to justify the use him over the other more prominent characters who have closer ties to this particular subplot.

And We’re Suppose to Believe That Herz Der Sonne Was a Good Guy?

Why would a benevolent king who supposedly brought peace to a warring land have a doomsday curse involving zombies? Why would said king be enshrined a tomb that’s not native to his culture? What even is the treasure and why be buried with it?

There’s clearly more going on here regarding Corona’s past and the treatment of the Saporians as a people in their own right, but the show never does anything with it. Why introduce these complexities and world building if you’re not going to tell a story with them? Why have the Saporian subplot at all in a series already over stuffed with villains if you aren’t going to have them challenge your protagonist and have her grow into a more mature person?

I’m not dunking on the series for being ambitious nor for having flavor text to help flesh out the world, but it so aggravating that there’s no follow through on the show’s set ups and narrative promises. If you’re not going to give the needed focus to something then just don’t put it in. Cause once it’s aired you’re committed to it and the audience is going to hold you to account.

I haven’t seen plot mismanagement this bad since the 80s; back when cartoons had to battle network syndication, episode commissions instead of contracted seasons, and could be canceled at any time without prior notice. Now there’s still plenty of bad practices going on in the industry, especially as the move to streaming messes with things, but Tangled does not have the same excuses as say Johnny Quest, Dungeons and Dragons, or even Gargoyles did.

How Do You Even Know That Would Work, Rapunzel?

No seriously, how does Rapunzel know that putting the treasure chest back on the pedestal will stop the cruse? That hasn’t been established yet by any known source of information. Heck no one knew what the curse actually entailed until it was activated. Except for Xavier who oh so conveniently didn’t say anything until the last moment. If anyone should have the knowledge to on how to end the curse it’s him. But nope we gotta make the Rapunzel the infallible hero who is always right for no logical reason.

I don’t know how to explain this to you show, but perfect is boring. No one wants a flawless protagonist who can do it all 24/7 without any help whatsoever. And it becomes down right annoying to watch a hero who is clearly flawed still put upon a narrative pedestal as if they weren’t.

So Why is Varian Suddenly Useless In This Fight?

This entire climax is about showcasing the ‘power of teamwork’ by having the characters use their various skills sets and work together to defeat the enemy.

Except for Varian.

He’s treated at best as a spectator to the unfolding events and at worst as a damsel in distress.

Varian. You know the guy who is the series most competent and threating antagonist. Who brought an entire kingdom to it’s knees, twice. The only other character besides Rapunzel herself who could and does hold his own against other major antagonists, including super powered ones.

If this was just a one off incident, I’d just shrug it away as him being a glass cannon; insanely overpowered when well prepared but easily out of his depth when not. But that’s not what’s happening here.

Season three constantly nerfs Varian’s abilities, same as they did back in The Alchemist Returns, and there’s three reasons for this.

The first is to try and stop him from overshadowing Rapunzel and Cassandra. The writers don’t want to give him any more story focus for fear of him being more popular the the two girls. Which is a ridiculous and petty reason to write a character OOC but there you go.

The second is the on going issue of making Rapunzel needlessly the center of any and all solutions to every problem regardless of her level of involvement in the initial conflict. Yes, it’s her show, but she’s still not the whole world. Other people exist outside of her and it’s not fair to anybody when the writers ignore that simple fact.

Last is the writers sacrificing established character for a joke. And as already pointed out, even in this very review, Varian’s not the only character to fall victim to this. It’s just bad writing. Yeah the joke might be funny in the moment but you run the risk of jarring you’re audience’s immersion. In a series like Tangled where you’re constantly asking the audience to suspend their disbelief, humor needs to be firmly rooted in the characters natural behaviors and must evolve to match any character development.

Why not just have Varian throw a chimball or two, run out cause he wasn’t planning on fighting anybody that day, and then have the other characters rescue him? It’s not that hard to work in a joke while still being respectful of the characters.

So What Does Anybody Learn From This Episode?

Yeah the other characters learn some vague lesson on teamwork and getting along or something, but they’re not the focus of the episode. What do Rapunzel and Feldspar learn?

Unlike some people I don’t mind Feldspar’s existence. When’s he’s kept as a background character he works. In fact he’s one of the few townspeople who do work as intended, because he’s representative of the everyday citizen who’s often on the outside looking in on these fantastical events and therefore gives insight into what’s going on and the populous’ opinions on things without being a major player in anything.

That's fine, needed even, and I don’t mind him getting a single focus episode to gain a greater insight into how this world works or even flesh out his character more, but that’s not what we got. Feldspar doesn’t grow as a character because of this episode. I, as the viewer watching, learn nothing about him nor his life that I didn’t already know. This resolution with him resolves nothing cause it’s a ending for a conflict that was never established beforehand.

In fact what even was the main conflict of the story? Rapunzel being annoyed by Feldspar? Ok and..? Did she need to learn not to be annoyed by him? Was that a thing that needed to be addressed? Hasn’t Rapunzel already put up with annoying people before now? Was was this deficiency of character actually solved by this one interaction? Has she learned to be more appreciative, attentive, or open minded of others?

If you tell me it’s Rapunzel’s show then I expect Rapunzel to actually learn shit!

I expect the external conflicts to tie back into her interpersonal conflicts. If the external conflict does not do that than there better well be a another character who gets that focus instead without her hogging the limelight.

This Dynamic Adds Nothing

They set up this friendship with Varian and Xavier and it doesn't go anywhere. It never comes back into play and we never see them interacting on screen together again. It also undermines a future plot point that’s coming up later.

More over it doesn’t further either of their characters.

Xavier is still an extraneous exposition fairy. Turning his flat characterization into a one note joke does not erase that fact. Giving him a kid to tell stories to doesn’t explain his place in the narrative or give him purpose to the story. We still don’t know why he has these connections to magic nor how he knows all the this lore, and he doesn’t push the plot forward.

Meanwhile Varian maybe lonely but that doesn’t mean he needs yet another mentor figure in his life. We already have his father, who we barely see him interact with since coming back, and all his other ‘friends’ are way older then him already as well. Rapunzel’s the closest in age to him and she is constantly condescending to, well everybody, as she pretends to be more mature than she actually is. There’s no one in the story who Varian is on equal footing with, and no Angry and Red don't count as they’re far younger than him.

I don’t know what this series has against teenagers but it showcases some very unhealthy depictions of them; ether by constantly infantilizing them, traumatizing them while subjecting them to parentification, or just flat out ignoring their existence all together.

Teenagers exist and they need to be treated as teenagers. I don’t know how to put it more simply than that. Teens aren’t children. Teens aren’t adults. They’re teens. And when writing for them you need to understand that difference and acknowledge that they have a completely different phycological development and placement within society to anybody else. That’s why the category of adolescence exists separately from childhood and adulthood in the first place.

So to tie things back to the first point. The concept of Xavier and Varian having a friendship is not a problem. But as with so many things on this show, it’s the surrounding context and lack of follow through where the issues arises.

Varian needs a friend his age, who is his equal, more so than a mentor; if indeed Xavier is even intended to serve that function as he doesn’t do any real mentoring. This should have been an opportunity to bring Faith in and establish her better. In fact it’s reasons like this why she should have been a bigger character all along but we’ll get more into that as we get to her only ‘focus’ episode.

Conclusion

It’s fun seeing all the various character interactions and unique team ups. Also the humor does work. The jokes do land even if they do bulldoze through established canon. Plus seeing Rapunzel actually annoyed by shit going on around her is always entertaining as it humanizes her. If watched in isolation from the rest of season three, this is an enjoyable episode. But that’s it’s core problem. I shouldn’t have to find filler to keep me going in the last leg of the show.

This was pretty short comparatively speaking with the rest of the ones I have to write for S3, but longer ones are going to come out more slowly just due to real life and time. As always though you’re support is helpful in keeping going, and if you feel like you can donate to my Ko-fi and leave a tip there.

https://ko-fi.com/rachelbethhines

#tangled #tangled the series #rapunzel's tangled adventure #rapunzel #varian #anti-tangled #feldspar

57 notes · View notes

sirescumbag · 4 years ago

Text

AA7 thoughts

So I just finished Spirit of Justice and then I heard about Ace Attorney 7 apparently in the works, so my brain decided this is the time to make up potential plot twists to be excited about that don’t actually exist. I know this is divergent from my usual fanart posting but here’s a very long text dump of some new stuff I’d be interested in seeing but will probably not happen because it is all very specific and caters to my own desires, probably not the fandom’s in general:

Phoenix is still there, but not as active as an acting defense attorney, though he’s still key to the plot (as a mentor, or to be used as emotional blackmail). He’s not playable (or if he is, it’s not for long), but more there as a plot point in a Maya sort of way (oh the turntables). This time, he’s the one under threat or danger. Instead of switching around from lawyer to lawyer, I think that Athena should undergo some more development as a main character this time around since Phoenix and Apollo have had their time to shine. The removal of Phoenix and being all alone, I think, would also be interesting in her character development

On that note, bring on the major character angst!! Having a big tragedy occur, with a fairly major character. Usually the tragedy pulled is a murder/death, but how about a different sort of tragedy-- a fate worse than death/on par with it to someone who is still alive? Someone is severely incapacitated, a psychological injury (classic old memory loss, or perhaps a genius who is reduced to a very limited mental capacity), coma, or even a temporary death (like with Petenshy, Edgeworth), or perhaps a kidnapping (not Maya this time, please). If it happens to a major character, it’ll have greater impact, BUT there’ll be fan riots if it’s not reversible. So have the tragedy with the character get resolved, but not in a deus ex machina way-- recovery is slow and angsty but filled with hope.

There’s often a focus on the past haunting you-- let’s try shifting this to the present! Building suspense on a case that is happening in real time-- I am fond of the idea of a serial killer on the loose in the present and the dread of suspense in present time throughout trials as they continue to kill and hinder key advances in solving the mystery.

Very often, there are personal ties in court-- both the prosecution and defense are tied together in some way in the past, resolving their own personal backstory. Instead of oneself, maybe let’s have some focus on a client instead? It might be interesting to see a lawyer get so deep into protecting a single client-- instead of a new client for every case, protecting a single person over multiple cases-- that they get roped into an outsider’s story instead. A little idea in my head is of playing around with maybe witness protection, or say (off the serial killer idea) someone is expected to be the next target for a murder and you are tasked with trying to protect them in real time (and then a tragedy happens to them that moves plot forward, bonus if players gets to build an emotional connection between you and the client).

In SOJ and DGS, the stakes were big on “saving the masses” and government reform-- the stakes can still be high, but instead of something lofty like reforming the world or community, instead it could focus on the relationships with the people immediately around you, protecting them, or just some good old self-preservation.

Newer characters like Athena being really fleshed out! Whether there are new or old characters, really build and explore the depth of their character beyond that of a plot point. Not just slapping on relationship labels that immediately trigger emotion but have no context beyond it (like the killing off “my best friend” Clay in DD, or the classic parental death). I thought the fleshing out of Dhurke and building an emotional relation to him in SOJ was a lot more effective in making it really feel like a tragedy than with Clay in DD.

For introducing any old characters, please show some personality changes due to age. Or, maybe! Even a 180 change from the personality from the original trilogy for intrigue-- what happened to the old person I knew (and have it be integral to the plot)? I know I griped about the old “ah That Event 5/7/10 years ago” past plot thing being used but I wouldn’t mind this being used as a part of plot development either

Maybe try to bridge the feeling of separation between the old trilogy and newer characters’ worlds by, instead of kind of sequestering them into their separate spheres of interaction to preserve nostalgia (like in Turnabout Time Traveler, where the old gang is all together in the same dynamic, Maya and Phoenix and Edgeworth, etc), have old trilogy characters interact with newer ones in significant ways and build their own unique bond. So, not just a passing mention where the old encounters the new, having the old interact with the new and build a bond through going through significant conflicts together (for example, this has already been mentioned but if Athena is the main focus of the next game, there could be an opportunity to explore this if she confronts Franziska in court!).

I know there’s already so many gimmicks added (Apollo’s perceive, Athena’s widget) but if there has to be something new added, instead of making it individual-specific, maybe have be similar to spirit channeling as a concept-- have it be a broad phenomenon in the world that plays a key part in causing a case, rather than a tool for discerning the truth of a case.

Or, if we’re sticking with the same gadgets/tricks, instead choosing to tamper more with the tools of the trade that were supposed to never lead you astray-- this has already been seen in DD, where Apollo’s bracelet led him to the wrong conclusion about Athena, and AA4, where evidence was tampered with. Perhaps instead of adding new gadgets, let’s manipulate, tamper with, lose, have it used against them in new ways!

The use of a civil case in SOJ was very much unexpected but in my opinion a very interesting one! Would be very interesting to see more in-fighting among the prosecutor group or within the defense attorney group and see how that moves the plot along. Messing more with the court system instead of adding new gadgets would also be interesting.

More threats during investigation, not just in court! Remember when von Karma tased you in the evidence room? Let’s have suspense in AND out of the courtroom.

I’m sure there’s plenty of interesting psychological phenomena that could be used to complicate court cases (for example, that use of Justice Minister Inga’s cognitive disorder in recognizing faces coming into play)!

Different approaches for moral ambiguity for clients using psychology-- we’ve seen this with defending clients who are actually guilty, or being blackmailed. I’d be interested in seeing a Jekyll and Hyde situation where 2 different sides of one person commit a crime, but one side is unaware of it-- and how a defense lawyer would handle this!

Exploring the plea for insanity in court! Double jeopardy! Escaped convicts! A murder whose trial to find a good jury has been delayed for a long time and is forced to find its resolution outside of court due to the murderer striking again!

Also, to pull in some stuff I read about elsewhere, after reading about moral psychology in Jonathan Haidt’s book The Righteous Mind and moral triggers that typically pull strong reactions (care, fairness, loyalty, authority, sanctity), I was also thinking about how ace attorney manages to build emotionally compelling cases in relation to this model. Ace Attorney imo so far has done pretty alright at hitting most of these triggers at some point to hype the emotion, but for the final case, it ends up being played in what I see as generally the same way (ex: character development starts from from my duty as a lawyer is my role as the defense/prosecutor into that of my duty is to find the truth, authority corrupt and that is bad, justice should be served fairly, I am loyal to my group of prosecutor/defense, also played with loyalty and betrayal in DD with Apollo and Athena splitting, also triggered sanctity a bit in SOJ with the religion, lots of other examples probably but that’s a few). I’d be interested in seeing these same moral triggers played upon in different manner for some variety! Maybe even pursuing some different themes than justice and truth and duty and all that jazz, but idk what else could be alright to explore cause the courts kinda embody all that and deviating to make a statement about other themes might not fit as well in the courts hmm

Also part 2, I wonder if there’ll be romantic undertone somewhere (or heavily implied) for any new or old major characters. Romantic love isn’t usually used with major characters as a plot point (usually platonic stuff, friendship, family, or duty to the truth is instead) but I’d think it’d be interesting if romance was used this time around as an emotional motivator to drive the plot

#ace attorney #ace attorney 7 #aa7 #i kind of wrote this all at once so it's probably really jumbled ahhhhfhhhh #basically i want that sweet major character angst #i might just end up making an AU with these ideas if they're not in AA7 because i want an excuse to see these in a plot hohohoh #anyway i'm trying not to have expectations but i got myself all excited anyway so here we are

48 notes · View notes

rigelmejo · 4 years ago

Text

fyi if anyone besides me IS trying out the Listening Reading Method - I have some tips you can read if you want (or feel free to ignore):

you should see significant progress within 30 hours. If you started as an absolute beginner, did what the guide suggests beforehand (learned some common words like a few hundred, looked at a pronunciation guide, looked at a basic grammar summary), then you should see SOME progress. If after 30 hours you don’t see any - you might be doing it wrong (or its not a method that works for you in which case don’t feel u need to waste ur time on it when other stuff might help you more). (http://users.bestweb.net/~siom/martian_mountain/!%20L-R%20the%20most%20important%20passages.htm)

Someone did L R Method as an absolute beginner in Italian (they already knew french, english). They took tests - were A1 when they started L R Method. They did about 30 hours of L R Method. They took a test again and scored B1. So 30 hours should see SIGNIFICANT progress for a language reasonably close to yours, and SOME clear progress I’d imagine even if it’s a less common language (even some gains from absolute beginner to A1-A2 would be solid and noticeable). (https://forum.language-learners.org/viewtopic.php?f=15&t=1721&p=99415#p99415)

Someone tried to L R Method mandarin as a proof of concept. So they only did several hours, and used The Little Prince (which is much simpler writing/language than the L R Method article recommends using). This is their results: “I tried Mandarin LR as a proof of concept a while ago. I used "The Little Prince", and did a few hours. The first couple of hours were exhausting and I was usually lost; by the end, I was associating quite a few characters with their sounds, occasionally understanding sentences in real time as I read along (knowing what parts corresponded) of up to 7 characters or so, etc. Again, this was a small handful of hours, as an effectively zero-beginner; I know some Kanji, but my active Mandarin vocabulary was probably in the single digits... I think this was after I'd studied tones/Mandarin phonology relatively intensively, but I don't recall for certain.” So - within a handful of hours, someone saw language improvement in Mandarin as a total beginner (http://how-to-learn-any-language.com/forum/forum_posts.asp?TID=38593)

I personally have been trying L R Method as a beginner-intermediate ish learner. What I noticed: without a parallel text (so just using english text for step 3) I improved listening comprehension of words I already partly knew (through reading) FIRST. I also picked up some new words, but listening comprehension of words I knew improved most noticeably the first 10ish hours I did L R Method. Using Pleco’s dictation tool for step 3 (so instead of english text, I use chinese text where the english definition auto-pops up as the audio reads each word), or using a parallel text (so chinese and english visible at same time), both VASTLY improved how many new words I pick up per session. For me at least, seeing the chinese text to keep my place in the audio, and seeing easier what audio matches to what english definition, lets me learn new words faster. Since I waste much less effort trying to just keep the text/audio matched up.

So if the effort of matching up text is draining to you (like it is to me), I recommend: getting an audiobook and chinese text that match as closely as possible. And getting either a parallel text, or using Pleco’s dictation tool in the Reader, or something similar (Pleco’s dictation tool is a lot like using a word by word chinese/english translated text).

Step 2 seems very useful for: giving you context prior to step 3, practicing reading comprehension and reading speed, listening practice with the chinese(target language) spelling visible, and reinforcing what’s learned in prior step 3′s.

Step 3 does seem useful the more you repeat it (I’m just lazy).

Test yourself by trying to LISTEN ONLY every once in a while. You should be noticing some improvements in your listening comprehension - the audiobook chapters you should follow more parts, a show without subtitles you might recognize more dialogue, etc. If your listening comprehension itself is not improving to some noticeable degree after 10+ hours of L R Method you may either be doing L R Method wrong, or its just not useful for you.

To see considerable progress in language abilities, it may take 50-100 hours. Or even 100-300. The article linked above, the person who does L R Method (aYa) would usually do at least 30 hours, then 50-100 for a language - eventually also doing step 4 shadowing, step 5 translating back and forth. For less-closely related languages, people mention having done it for a few hundred hours. So do NOT expect total beginner to Fluent in 30 hours. I simply mean, you should expect noticeable progress after some X milestones. After a dozen or so hours you should be able to start recognizing word boundaries with ease, some short phrases. If you’re not a total-beginner, but beginner-intermediate like me, then you should start notice much BETTER listening comprehension of words you already half-knew from reading within a few dozen hours. Then after 30-50, maybe some dialogue understanding, some common words regularly understood, etc. Again - test yourself with Listening-Only every once in a while to see if you’re actually making any progress. Also to see if you wanna ‘alter’ the L R Method to suit your needs better. Maybe you’ll find a way to do it that works better for you.

For ABSOLUTE beginners, especially in languages very different from their own, at the beginning stages simply using sentences with audio may be easier. To perhaps learn a few hundred to thousand common words first - and/or using translations that are word BY word translation right under the target language word. To help with getting used to the grammar, all the new common words, the sounds etc. So materials like Assimil probably do this - Spoonfed Chinese anki deck with its audio/text does this, Nukemarine’s LLJ audio/text deck does this, Japanese Core 2k with its audio/text does this, etc. Clozemaster app might even be a nice beginner transition tool...

For the L R Method steps - really READ them and understand what they mean. Step 3 is NOT watching a target language audio movie with english subs. It is trying to comprehend all of the audio, glancing at the translation JUST to fill in the gaps for parts you can’t manage to comprehend (so for looking up words here and there). While you’re supposed to ‘follow along’ with the translation text, you do NOT tune out the audio. The audio should be your main focus, keeping in line with the translation text is so you can REFERENCE it when you hear a word/phrase/sentence you don’t fully comprehend. And I am guessing step 3 is suggested to be done multiple times so that each time you need the translation less.

L R Method works best with very vocabulary rich, long texts. If you use a simple text, or a short one (3 hours of audio for example), there’s only so much you’ll be able to learn from it. For example The Little Prince only has a vocabulary of 2000-3000 unique words, 1200ish hanzi in it - so even if you learned it entirely, repeating it over and over, that’s not a lot of info. Particularly if you don’t plan to repeat things, it’s probably going to serve your time better to pick rich vocabulary long texts (so you can pick up tons of words just through one pass through the book, and if you choose to repeat the book, pick up tons more words, before you start running into the rarely used words which will be harder to pick up).

I am mentioning all this, because I saw someone who did L R method for mandarin for hundreds of hours, and does not have natural listening yet - so cannot follow a new audiobook listening-only, cannot follow a show listening-only. Considering that people have demonstrated they made some progress in 5-10 hours for Mandarin, and 30 hours for Italian, then 300 hours in Mandarin might be able to make more progress. I’ve done maybe 20-30 hours of L R Method so far, and already find I can now listen to at Least the audiobook of the book I’m L R Method-ing now without the text, and follow the main scenes fine. With simpler audio, if I have a visual cue (like acting scenes, or pictures) I find I can follow the main idea much easier than I could before. So I just think... if you are seeing very little noticeable progress after 30-50 hours, the method may not be giving you benefits as quickly as you might want a study method to show improvements. I think if something isn’t giving you some improvement after X effort, you don’t need to stick with it if something else helps you more.

Other factors that may affect this:

I had some reading basis before I started L R Method. This might have helped me as far as how fast a rate L R Method is helping my progress. For an example: when I simply do step 2 ON ITS OWN I see improvements - because it helps me read through a chapter as fast as the audio, matches audio to the spelling I might already know, and I already can understand enough when reading at that speed to follow the general plot (so step 2 gives me context and increased plot understanding). Therefore, when I do step 3, I can really primarily put my attention on learning to recognize the SOUND of what I already understood - and on learning a few new keywords I already JUST saw and realized I didn’t know. Basically I can use L R Method to quickly pinpoint areas I’m weaker in, while practicing what I can already do. A total beginner won’t have the ‘practice what they already know’ benefit. (Genuinely though step 2 is helping my reading SO much and I know that’s in part due to my current reading comprehension level).

Also I have seen an example of someone who did L R Method while already B2 in Italian - he was aiming for C1. He noticed less drastic improvement after 40 hours - he did still notice some, like easier listening comprehension for shows and conversations. But he did not reach C1 listening/reading skills. So from this we see: L R Method might help you improve faster if you start off with more you still need to learn (which makes sense, since as the words you need to learn get rarer you will run into them less frequently in L R Method). Also, the gap from B2-C1 may be bigger than the gap from A1-B1? Also what I took from his example, is repeating step 3 multiple times becomes MORE important as you’re more intermediate-advanced. I would guess because you probably have less frequently occurring words/grammar to learn, so repeating content WITH those things in it is a way to get more exposure (whereas just going over it once then moving on is Not going to expose you to it much). Also step 3, if you really look away from the transcript for most of it, allows you to really practice listening comprehension. Also shadowing/translating, steps 4 and 5, may be of more benefit to an intermediate-advanced learner. Since shadowing may be doable for them now, and translation may be doable (and hone in on skills more). So... I would guess either the gap you have to bridge as an intermediate-advanced learner is bigger, and/or you just need to do more challenging aspects of L R Method to get similar frequency of benefits you would’ve saw at the beginning stages.

#l r method #listening reading method #rant #............................................................................................#basically just... its fun? i love it? its working great for me?#but if i had to wait 100 hours to see even a little improvement id think i was doing it wrong #or that it didnt help me #and if u try it. i think testing ur progress every 10-30 hours is a good #gauge to see if its helping you in any noticeable way

8 notes · View notes

foulserpent · 5 years ago

Note

adore ur remake of oblivion so i have to ask. how would u remake skyrim.

thats something i havent thought out as extensively so it wont be as good as my oblivion rewrite idea. ill just focus on main questlines rather than all the issues with the world itself

heres a summary bc in spite of what i just said, this is long as fuck:

get rid of or completely rebuild the civil war plot (use new vegas formula a bit here).

create real choices and real consequences for the dragonborn and how their rise to power will influence them.

throw in a little ambiguity and make them have to work for their hero status

rewrite miraak to be a more effective foil to the dragonborn

adjust alduin

adjust the blades

civil war:

i think the biggest thing that needs to just happen IMMEDIaTELY is either just. removing the civil war or rebuilding it from the ground up. if they want to keep the factions the same, literally they should go with a new vegas approach where the conflict is largely between imperialists and fascists, playing the fascist questline is treated as a pretty unquestionably evil option, and theres a separate independent ending. also either way i think the stormcloaks have to be rewritten to be less appealing to white nationalists lol. its okay for Bad People to exist in videogames, but it should not be something irl racists can unite behind.

so if youre going to keep it, add in an independent resolution, maybe even two (a more "no gods no masters" kind, and maybe one where the dragonborn seizes control, which would have to involve the main quest probably)

main quest:

i think the dragonborn should struggle more. it doesnt hve to be like the nerevarine but their “chosen one” status should not just be handed to them. let there be more ambiguity in the prophecy, more question about how predetermined fate is. if theyre really super special, let them earn it.

a major theme should be grappling with power, and questions of the dragonborn's own nature. you should have to make real decisions about the kind of person you want to be and whether you will embrace a powerhungry nature or deny it, and your absorption of souls should have an effect. maybe you dont Need souls to unlock shouts, but it makes the function easier and more powerful or smth. the more souls you absorb, your character should be changed. not enough to ruin the game, but NPCs will be a little scared of you. maybe you even look a little different. you are a mortal body with dozens of godshards inside you and youre extremely powerful, it should be like that.

it would have to be done carefully to not come off as some shitty slapped on moral of "wow youre such a bad person for involuntarily absorbing the souls of dragons who try to kill you", id envision it as like. if your character makes actual powerhungry choices in the plot, its monstrous, if they strive to be a good person but are warped by all the souls, its tragic, and you can find ways to abstain from it entirely. alternate routes to fighting dragons. challenging them to duels etc

on that note, dragons need to be more people and less just monsters. each one of them is a person, and that should be very apparent. you should be able to engage with them in ways other than just killing outside of a few plot relevant ones, and even ones who just fight you should at least like. talk to you.

also alduin needs work, at least have his motivations be more clear. like why exactly is he so determined to enslave mortals rather than fufilling his duties as world eater? also its written really fucking confusingly bc on one hand its like "alduin has abandoned his duties and is just running around being a dragon" but then at a few points its implied that he IS trying to end the kalpa as hes supposed to, which is like...which one is it. im pretty sure its supposed to be the former so lets just pick a narrative and stick with it.

so like honestly i think the basic structure of the main quest can stay, it just needs to Know what its doing rather than just kind of flailing around

dragonborn dlc:

i think it needs work, mostly in the miraak department, since they set him up as like a big intimidating villain but hes kind of nothing . stop trying to make him live up to dagoth ur, and instead really hone in on him being a foil to the dragonborn. he is an example of what the dragonborn could become. from that point, either: make him actually really intimidating, or make the playing field feel very level to play up how this is hermaeus mora ultimately pitting prospective tools against each other.

i would go for the latter approach, though miraak should still have to be a convincing villain. set up miraak as the big bad, but make it become increasingly clear that hes just another chucklefuck ensared in mora's tentacles. which i think they were TRYING to do but werent very successful. like i like that YOU dont get to kill him, mora just decides hes not needed anymore and does it himself. really shows that this is all just kind of a farce. i even like the idea that maybe miraak is like, kind of a hollowed out meatpuppet for mora at that point but idk.

either way id want the dlc to actually challenge how superspecial and stuff dragonborn are, by making the Legendary Duel Of The First and Last Dragonborn be very clearly be like the equivalent of bugs in a jar being made to fight.

The Blades:

the blades need work, but i actually think their depiction is.. accidentally? good. i think their insistence on killing paarthurnax is good and makes sense, but it needs to be reworked and yeah you do need to be able to talk them out of it or handle it otherwise (even by killing them) bc its such a meaningless quest.

make their motivation more clear like delphine and esbern dont want him dead for just his 10000000 year old war crimes, its really about them being incredibly fucking paranoid individuals and needing the ultimate proof that they can trust you. so beef up the whole blades - you - paarthurnax dynamic. give them all more meaningful and complex interactions. this doesnt mean Make Paarthurnax Bad, but maybe give like more of a legitimate reason for the blades to want him killed (legitimate does not mean Good, like it could be they percieve him as a threat to the empire)

#anon

91 notes · View notes