#Peter Brook
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huariqueje · 2 years ago
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The Woods are Lovely, Dark and Deep * -    Peter Brook 
British,  1927–2009
Oil on canvas,  24 x 60 in.
Embellished 
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julyeve · 3 months ago
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Peter Brook
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thunderstruck9 · 7 months ago
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Peter Brook (British, 1927-2009), Evening in the West Riding. Oil on canvas, 20 x 24 in.
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chadlesbianjasontodd · 2 months ago
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brecht's use of 'distance' has long been considered in opposition to artaud's conception of theatre as immediate and violent subjective experience. i have never believed this to be true. i believe that theatre, like life, is made up of the unbroken conflict between impressions and judgments -- illusion and disillusion cohabit painfully and are inseparable. this is just what weiss achieves. starting with its title, everything about this play is designed to crack the spectator on the jaw, then douse him with ice-cold water, then force him to assess intelligently what has happened to him, then give him a kick in the balls, then bring him back to his senses again.
--peter brook, introduction to peter weiss' marat/sade
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kundst · 2 years ago
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Peter Brook (UK 1927-2009)
Give Way (n.d.)
Oil on canvas (51 x 61 cm)
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davidhudson · 5 months ago
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Peter Brook, March 21, 1925 – July 2, 2022.
Photo by Carlos Garcia Pozo.
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gregor-samsung · 1 year ago
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Tell Me Lies [also known as Us] (Peter Brook, 1968)
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dreaminginthedeepsouth · 1 month ago
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"The fact that a symbol possesses an indefinite number of aspects does not mean that it is imprecise at all. Indeed it is its reading on an indefinite number of levels which confers on it its extreme precision. Commenting on the theatre of Samuel Beckett, Brook writes:
“Beckett’s plays are symbols in an exact sense of the word. A false symbol is soft and vague: a true symbol is hard and clear. When we say ‘symbolic’ we often mean something drearily obscure: a true symbol is specific, it is the only form a certain truth can take... We get nowhere if we expect to be told what they mean, yet each one has a relation with us we can’t deny. If we accept this, the symbol opens in us a great wondering O.”
~ Peter Brook, 'The Empty Space', cited in 'Peter Brook and Traditional Thought' by Basarab Nicolescu, Gurdjieff International Review.
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andichoseyou · 2 years ago
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"Which is better, to have rules and agree, or to hunt and kill?"
Lord of the Flies (1963) dir. Peter Brook
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huariqueje · 2 years ago
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 View in the Dales  -    Peter Brook 
British,  1927–2009
Oil on canvas,  22 x 18 in.
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lesbiansagainsttheatre · 2 years ago
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performance theory
the state of dreaming, marina / the fan, richard schechner / theatre of the unimpressed, jordan tannahill / chapter 20: and rend up both to dust bellow, the silt verses / the empty space, peter brook / as you like it, william shakespeare / the main character, will wood
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oublimart · 5 months ago
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Peter Brook
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gatutor · 9 months ago
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Jeanne Moreau-Jean-Paul Belmondo "Moderato cantabile" 1960, de Peter Brook.
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holespoles · 2 years ago
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Peter Brook
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davidhudson · 1 year ago
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Peter Brook, March 21, 1925 – July 2, 2022.
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rwpohl · 9 months ago
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moderato cantabile, peter brook 1960
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