#Pi AI studio

[jwkkbiz]

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[ms-demeanor]

Why reblog machine-generated art?

When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.

When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.

When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.

When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.

You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.

And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.

My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.

People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.

I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?

The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.

I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.

However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.

Also because it's just patently untrue.

But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.

It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.

I liked it.

I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.

Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)

Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?

My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.

What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.

And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).

There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.

I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.

Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.

[mariacallous]

One of the many knock-on effects of Marvel making post-credit scenes a feature of the studio’s cinematic universe is that fans get a glimpse of just how many “below-the-line” workers it takes to make all that superhero movie magic. Production designers, hair and makeup folks, camera operators, the lists run on and on. Amongst them, usually toward the end, as theatergoers are eagerly anticipating that tease for the next MCU movie, are lists of the visual effects studios—places with names like Framestore, The Third Floor, Cinesite—that created all of those space scenes and Wakanda visuals. But unlike most of the other names in those credits, the ones attached to VFX artists have never been in a professional union.

On Monday, some folks at Marvel made a move to change that, with a supermajority of Marvel Studios’ VFX crew signing cards saying they want to be represented by the International Alliance of Theatrical Stage Employees (IATSE).

To be clear, the Marvel team is a small faction of a huge industry and doesn’t represent all those outside VFX houses that also work on MCU films. But their move marks a huge shift in Hollywood at a time when people in other industry unions—the Writers Guild of America (WGA) and the Screen Actors Guild—American Federation of Television and Radio Artists (SAG-AFTRA)—are on strike to get better deals with the major studios. VFX workers have been talking about unionizing for more than a decade, says Bilali Mack, a VFX supervisor who has worked on everything from The Whale to The Flash. The fact that one group, albeit a small one, has taken steps to unionize is “huge,” he says.

This moment has roots in 2013, when Life of Pi won the Oscar for Best Visual Effects just as the company that worked on those effects, Rhythm & Hues, was facing bankruptcy. When the movie’s VFX supervisor, Bill Westenhofer, took the stage to accept his award he said the traditional thank yous and then added “Sadly, Rhythm & Hues is suffering severe financial difficulties right now. I urge you all to remember …”—at which point his mic was cut off and the theme from Jaws began to play.

Rhythm & Hues wasn’t the only VFX studio facing troubles. Some 21 similar companies shuttered between 2003 and 2013, due in part to production delays and the fact that many jobs were going to companies based outside the US, where tax subsidies and incentives give VFX houses a better shot at survival. Attempts to organize have been bubbling up ever since, and this week they bubbled over. “We are witnessing an unprecedented wave of solidarity that’s breaking down old barriers in the industry,” IATSE president Matthew Loeb said in a statement. “That doesn’t happen in a vacuum.”

Loeb was, of course, talking about the fact that the unionization effort at Marvel is happening amidst the SAG and WGA strikes, which may be emboldening folks in other Hollywood sectors. When the Marvel news came, I called Dave Rand. He’d worked on Life of Pi at Rhythm & Hues and had helped organize a protest outside the Oscars on the night the movie won. He agreed that the current strikes played a role but added that the VFX workers who are laid off or on hiatus amidst the strikes may be hesitant to organize because they’re worried about landing their next job. Still, he added, “it’s a step in the right direction, and it can set an example.”

Considering artificial intelligence has been a major point of contention in the Hollywood strikes so far, I asked Rand and Mack if it might be on VFX artists’ minds as well. Both agreed that it was, adding that AI can be a tool for VFX artists, but it will still always require a human to guide it. Is it possible, I asked Mack, that studios would try to create shots with AI and then have human VFX artists clean them up?

“A hundred percent,” Mack replied. “That’s a legitimate worry. Because there’s a saying in visual effects, and I think in a lot of other industries, which is that the first 90 percent takes 10 percent of your time, the last 10 percent takes 90 percent. They’re gonna spit it out, it’s gonna be a piece of crap. Then they’re just gonna be like, ‘We just want it to look perfect and feature film quality,’” and then a VFX company will get called in to spend 90 percent of their time to get paid for 10 percent of the work.

Whether that scenario plays out remains to be seen. The National Labor Relations Board still needs to do due diligence on the Marvel VFX team’s request. Only after that’s complete will all members of the eligible Marvel team be able to vote on whether they want to join the union. And only then, presumably, will it be known whether the other visual effects studios in the MCU credit sequences follow in their footsteps.

[swedesinstockholm]

23 février

j'ai entendu une humoriste sur france inter qui disait qu'elle se sentait tellement seule qu'elle allait se faire faire des manucures pour que quelqu'un la touche et les gens dans le studio ont poussé des exclamations de dégoût choqué, les gens ne sont clairement pas prêts pour mon livre. et puis ce matin, toujours sur france inter, j'ai entendu un écrivain que je connaissais pas qui parlait de son travail d'homme à tout faire et de sa situation d'ultra précarité et que parfois c'est dur mais bon c'est lui qui l'a choisi (avant il était photographe et il portait des costumes dior). il est publié chez gallimard mais il est quand même homme de ménage et archi pauvre, il peut pas chauffer plus d'une pièce de son appartement que j'imaginais tout pourri à la bordure d'un paris imaginaire avec de la tôle rouillée et des murs qui suintent. il faut que j'arrête de voir la publication comme une finalité. je veux de l'argent, tant pis pour la liberté, ça veut rien dire la liberté. il me faut un plan de carrière.

25 février

encore en train d'écouter le nouvel album d'mgmt, je crois que je commence à l'adorer. j'étais un peu partagée au début. j'ai regardé des interviews et ça m'a replongée en 2008 dans mes jours de groupie en chef d'andrew vanwyngarden. ils sont inextricablement liés à mon adolescence de bloggueuse insupportable mais touchante (quelqu'un m'avait dit ça un jour dans les commentaires et je trouve que c'est une bonne description). dans une interview on leur demande pourquoi ils sont pas sur les réseaux sociaux et andrew dit qu'à leur époque c'était pas cool de s'auto-promouvoir et que faire un selfie c'était le truc le plus embarrassant du monde et ça m'a fait réaliser que beaucoup de temps avait passé depuis... je sais pas, que je suis née? aussi j'ai toujours honte de faire un selfie en public.

andrew a 41 ans. il est verseau, comme r. et comme a. j'ai réécouté leurs deux premiers albums hier, après m'être promenée sur le campus du lycée pour me rouler dans la nostalgie. la nostalgie de quoi, je sais pas trop parce que j'étais aussi déprimée à 17 ans qu'aujourd'hui, le seul truc bien c'était la musique les concerts et ma double vie de bloggueuse populaire où les gens me disaient que je leur manquais quand je partais en vacances. la première fois que j'ai écouté mgmt c'était un dimanche matin sur youtube, c'était le printemps et j'avais 17 ans et j'étais assise au pc dans la pièce de l'ordi et il faisait probablement soleil. le soleil et le printemps sont des composantes importantes de ma relation à mgmt. leur musique me rend nostalgique de plein de choses que j'ai connues et pas connues. comme wildflower des avalanches. 

les choses pas connues: les époques avant les années 90; les états-unis. les choses connues: un truc doux et joyeux de l'enfance, une piscine chaude où il fait bon vivre; les sapins, la forêt de manière générale; le soleil (PLEDGE ALLEGIANCE TO THE SUN); le jardin de la maison quand j'étais petite, les fleurs de ma grand-mère, les habits que j'aimais quand j'étais petite (le tshirt avec les papillons, du rose barbie et du vert fluo, du jaune bordé de rouge, des pois, des fleurs); du bois (meubles).

6 mars

je me force à écrire. je suis en crise. j'ai envie d'exploser et d'imploser en même temps. j'ai envie de manger du sucre mais j'en ai pas envie, j'ai juste besoin de combler un vide, HA, à chaque fois je crois avoir trouvé un truc profond mais après je me rappelle que ça existe déjà et que c'est archi commun. j'essaie d'écrire un texte sur les mythes pour un appel à textes mais je me sens submergée par l'ampleur du thème et par les choses que j'ai à dire mais en même temps j'ai rien à dire. j'ai trop pris goût à avoir mes textes publiés dans des revues, c'est en train de devenir addictif, comme mon addiction aux annonces de location immobilières bruxelloises sur fb. je suis accro aux photos d'apparts dans lesquels me projeter et je suis accro à voir mon nom imprimé sur du papier.

mon texte sur a. tiré de bluettes que j'ai été assez naïve d'envoyer à deux revues différentes a été sélectionné par les deux revues et j'ai du choisir entre les deux et ça m'a stressée toute la journée lundi. j'en avais mal au ventre, comme à chaque fois que je dois faire un choix, ça a pris des proportions de vie ou de mort, j'avais peur de faire le mauvais choix et de le regretter toute ma vie. j'arrive pas à accepter l'idée selon laquelle y a pas de mauvais choix. dans ma vision des choses, y en a toujours un qui est forcément mieux que l'autre. j'arrive pas à voir les choses à égalité, tout est en compétition. alors j'ai demandé conseil à j. de paris, vu qu'elle a fait des meilleurs choix de vie que moi, je me suis dit que son intuition fonctionnait mieux que la mienne, et je l'ai suivie.

j'ai écrit aux deux revues en rentrant de la chorale et j'avais l'impression d'être dans the voice quand les candidats doivent choisir un coach et qu'ils s'excusent auprès des autres de pas les avoir choisis, sauf que ça aurait été mille fois plus facile de choisir un coach de the voice (mika). j'arrivais pas à croire que j'étais en train d'écrire un mail à une revue pour leur dire qu'elles pouvaient pas publier mon texte, j'avais l'impression de me tirer une balle dans le pied. en plus elles m'ont dit que ça leur faisait rien à elles que mon texte soit publié ailleurs. j'arrive pas à m'en remettre. l'autre revue m'a dit que c'était un beau luxe de pouvoir choisir mais entre la peur de faire le mauvais choix et la déception de pas être publiée dans mouche j'arrivais à peine à savourer le goût du succès.

[pupurpupull]

Texte écrit en début d’année pour une revue qui semble en pause/abandon

Il y'a des redondances (résonances ça fait plus classe) avec le petit chapitre “Gâteau de pute” du livre l'etoile de mer car écrit au même moment sur les base des même notes

Voilou

***

Celle qui sort.

La nuit a été ma première et ma seule vocation, le lieu et le foyer de toutes mes rêveries enfantines. Dans la cour de récré se distribuent les rôles du papa, de la maman et j'annonce aux camarades que moi je ne veux être ni le père ni la mère : je suis la jeune adulte, celle qui sort la nuit. On m'assigne le rôle du bébé.

Durant de longues heures passées dans les salles de concert et les trajets nocturnes, ma peau subit les résilles des collants, le vent, la pluie, les tabourets. Le bitume et le béton martèlent la chair de mes pieds. Les salles de concert sont pleines de filles tristes au corps fatigué.

Je flâne entre les toilettes et le bar, je cherche des pièces de monnaie, je vis ma timidité le plus pleinement qu’il est possible de le faire, je trouve une ombre dans laquelle m’asseoir. J’attends que quelque chose se passe et vienne me modifier. Quand je bois suffisamment, j'accepte des mains dans mon slip et des ébats grotesques dans les buissons. La nuit brutalise mon corps et mes organes, elle m’ennuie, me désespère, elle me remplit de rien. Il n’y a rien de plus vide et plus bête que mes nuits. Cela tombe bien : j'aime le vide et j’aime la bêtise. La nuit est mon âme sœur.

Voilà quelques semaines que je me promène avec ce qui ressemble à un petit ami. C’est si rare que je renifle la moindre tendresse. Mon museau sombre dans des coudes, de la nuque, de l’oreille et des mailles de tshirt sans que jamais l’odeur de la mort ne vienne à poindre. Un tel réconfort n'est pourtant jamais gratuit.

Je dis “mon mec” dans les conversations et personne ne réagit. C’est donc que je suis normale ! et donc il est normal pour les gens de me voir faire des choses normales. Personne ne semble avoir compris de quelles horreurs est fait l’amour.

En classe de cinquième j’ai constaté que mes seins tombaient déjà, l'idée d’être aux yeux des garçons un thon intouchable s’est installée dans chaque cellule de ma peau. Les séries TV et les romans ont continué de faire naître divers songes de romances. Je les ai cultivés comme les bactéries secrètes d'un laboratoire hermétique.

Je dis “mon mec” dans les conversations et j’ai le sentiment de répudier mon monde. Le monde des cageots et leurs élevages de moisissures.

Il est 4h30 et mon mec me demande pourquoi on ne rentre pas, qu’est-ce que je trouve ici d'intéressant ? Nous sommes fatigués, je ne sais pas quoi lui répondre.

一 Je suis désolée, je ne veux pas rentrer. Je préfère rester c’est toujours ça qu’ils n'auront pas !

一 Qui ça “ils” ? Moi je vais rentrer toi tu restes ?

Je lui demande de m’attendre et rassemble lentement mes affaires.

Dans le tramway, Un mec met un coup de sac à dos sur ma tête, et mon voisin me défend :

一 Eh ! Oh !

一 Oh la la désolé

一 T'as mis un p'tit coup là ! mais allez c'est pas grave !

Les deux parlent très peu le français. Ils se sourient. Le voisin sort de son sac une barquette cellophanée de poulet Le Gaulois. Il murmure quelque chose qui semble le rendre heureux.

Je prends la main de mon mec avec l’impression de contaminer le monde.

Il me semble que si je rentre (chez moi, dans mon foyer, dans mon lit, dans les bras de mon petit ami) mes progénitures clandestines s’éteindront. J’aimerais que le chauffeur de tramway m’emmène au dépôt et me recouvre d’une vieille couverture sale. Tant que je reste dehors…

Je tourne la clé dans la serrure de mon studio et la nuit se dissout dans une orgie de produit à lentilles et de dentifrice. Sous la couette, mon mec se colle à mon corps que je fige ; il touche une peau que je crispe. «Tu es ma paresseuse préférée». Je simule les modulations de l’endormissement. J'entends l’emballage d’une capote se déchirer et son sexe comprimé de latex se faufile dans l’obscurité menaçante des draps. Je marmonne : «Tu vois, tu as fini par rentrer.»

Ce n’est pas grave, rien n’est grave. Tout est normal et je suis normale. La prochaine nuit me repêchera. Toujours ça qu’ils n'auront pas.

[solhrafn]

Random thoughts

C'est très satisfaisant de voir des photographes qui ont une certaine notoriété faire des photos avec les mêmes gens que toi mais dont les images sont bof bof. Par contre je ne comprends pas comment je n'ai pas plus de demandes pour des shoots (parce que ça me manque). Mais bon, desire nothing, desire nothing, desire nothing! (Univers envoie moi qq chouettes shoots si tu veux, mais seulement si tu veux hein! Je cours pas après).

Parlant de shoots, y a une ou deux personnes qui ont l'air d'en faire souvent qui m'ont suivi dernièrement mais je me garde bien de les contacter. Leurs comptes donnent de mauvaises vibes. Personnes casse-bonbons dans le contrôle obsessionnel de leur image qui ont l'air de râler sur tout en mode diva. J'en ai eu assez lors de mes shoots pros (quand je faisais des portraits d'artistes pour une édition). Les pires c'étaient les chanteuses lyriques. Je sais pas pourquoi, mais j'imagine que l'expression faire la diva ne vient pas de nulle part.

Ca me rappelle au tout début de ma carrière quand j'ai photographié un concert Jazz d'une flutiste assez connue qui s'était ensuite plainte à l'orga du festival parce que je l'avais "déconnectée de son public". Le boss de la boîte de Jazz à l'époque avait rédigé un email incendiaire en prenant ma défense, attends je vais le retrouver, j'espère que je l'ai encore, ça date de 2008

"Le photographe envahissant !!  (il m'a en effet dit qu'elle lui avait reproché de l'avoir coupée du public) Je peux te dire que j'en ai vu pas mal, des photographes, des qui flashent à tour de bras depuis le bas de la scène, qui se mettent debout devant toi et t'empêchent de voir le spectacle, qui n'arrêtent pas de se déplacer ... qui ont des vestes safari pleines de poches (voire même un chapeau de cow-boy), qui photographient en veillant à se faire remarquer et qui sont reconnus comme de grands artistes avec copyrights.  De vrais emmerdeurs à qui personne n'ose rien dire.  Évidemment ils sont des stars et ont leurs petites entrées partout.Celui qu'elle a considéré comme envahissant est le plus discrets des photographes jamais rencontré.  Il bosse à quatre pattes (ça n'embête pas le public, et il n'est pas dans le rapport artiste-public), il travaille toujours sans flash.  Alors, dire qu'un photographe au niveau de ses pieds, à une distance de 2 à 4 mètres, planqué derrière les retours, ait pu la déranger ... !  Faudrait alors qu'elle se décide à ne plus faire que du studio.   Son manager peut aussi spécifier dans le contrat, l'interdiction de photographier.  Sans doute aussi, si elle avait été moins souvent à genoux ou accroupie à chercher l'énergie ou l'inspiration dans sa peau de mouton, elle se serait moins souvent trouvée face au photographe en question?"

Je suis mort de rire.

[8no1]

PiNetwork（パイネットワーク）Pi App Studio DEMO 生成AIがアプリを作ってくれる！？【仮想通貨マイニングアプリ】

[jwkkbiz]

Pokles hodnoty Pi Network: Co způsobilo pokles o 1,6 % #blockchain #pinetwork #pibazar #KYC #migrace #crypto #picommunity #piopenmainet #pi #nakupzapi #zapinakup #pipayment #pinetworkkyc #pinode #paywithpi #Cex

[pinetworknewupdate9121987]

🚀 Tin Nóng: Stake Pi Network Là Gì? Hướng Dẫn Tạo dApp Bằng AI Studio Ch...

[arbitcoin]

🔥🚀 تحديث ضخم لشبكة Pi بمناسبة Pi2Day 2025! 🚀🔥

✨ أبرز ما جاء في الإعلان الكبير اليوم: 🔹 إطلاق PI App Studio: منصة جديدة تُمكِّن الرواد من إنشاء تطبيقات ذكاء اصطناعي بسهولة دون كتابة كود! المبدعون يمكنهم بناء تطبيقات مخصصة (مثل chatbots أو اختبارات أو أدلة تفاعلية) باستخدام خبراتهم الشخصية، ونشرها في النظام البيئي لـ Pi. تكامل مباشر مع منتجات Pi مثل شبكة الإعلانات، أسماء المجالات .PI، ومحافظ Pi. 🔹 دعم الذكاء الاصطناعي والـ Blockchain معًا: رؤية Pi تهدف إلى توزيع إنتاج الذكاء الاصطناعي بشكل عادل وشامل بين البشر، باستخدام آليات الـ Blockchain لضمان الشفافية والمساءلة. التركيز على بناء تطبيقات تُفيد المستخدمين، وتدعم العدالة والرفاهية. 🔹 دليل النظام البيئي (Ecosystem Guide): أداة جديدة لدعم التطبيقات داخل Pi عبر آلية الرهن (staking). يمكنك الآن دعم التطبيقات المفضلة لديك لتحسين ترتيبها وزيادة انتشارها في المنصة. 🔹 تحديثات KYC والهجرة: أكثر من 500,000 مستخدم إضافي أصبحوا مؤهلين للانتقال إلى Mainnet. تحسينات في سرعة الترحيل وتقليل العقبات التقنية. 🔹 تكامل مع Onramper: تسهيل شراء العملات الرقمية والدخول إلى النظام البيئي مباشرة عبر المحفظة. 🔹 تحديث العقدة (Node): إصدار جديد 0.5.2 مع تحسينات في الأمان ودعم أكبر للتطبيقات. إضافة صفحة ترتيب العقد لعرض أفضل 5000 عقدة أداءً. 🔹 توسيع فترة مزاد أسماء النطاقات .PI: تمديد المزاد حتى 30 سبتمبر 2025. فرصة أكبر لحجز أسماء مميزة لتطبيقاتك. 🔹 تحدي Pi2Day التفاعلي: تحدٍ ممتع من 27 يونيو حتى 7 يوليو. جوائز رقمية خاصة للمشاركين الذين ينجزون الخطوات المطلوبة! 💡 لماذا هذا التحديث مهم؟ يُظهر التزام Pi بمزج الذكاء الاصطناعي مع البلوكشين لبناء بيئة أكثر عدلاً وابتكاراً. يفتح الباب أمام المستخدمين غير التقنيين للإبداع والمشاركة. يعزز النظام البيئي ويزيد من قيمة Pi كعملة ومجتمع. ⚡️ هل ترى أن دمج AI مع Pi خطوة ثورية ستجعل Pi رائدة في مجال Web3؟ 💬👇

[36crypto]

Pi Network Launches AI-Powered Pi App Studio and Staking Feature on Pi2Day 2025

The Pi Network marked Pi2Day 2025 by unveiling several ecosystem enhancements aimed at boosting user participation and app development. At the forefront of these updates is the introduction of Pi App Studio, a no-code development platform designed to simplify app creation for non-developers. This new tool integrates artificial intelligence to support real-world use cases, allowing individuals and…

[tesi-e-confutazioni]

Ho sempre 25 ma tra qualche giorno ne faccio 26, pensa che avrei scritto più in la e invece sono qui a scrivere già ora e a sentirmi scema per quello che ho scritto tempo fa. Fra una settimana circa sono a Londra per il comicon di Hannibal, non ci sarà Mads ma solo Hugh, ma sono felice lo stesso. Ad ogni modo c'è mia nonna che strilla di fianco a me e sono innervosita, mio fratello si è appena trasferito di nuovo a casa dei miei, dove vivo ancora, ma ho comunque voglia di scrivere.

Facciamo un piccolo recap, ho appena finito gli esami, è assurdo. Me lo sono goduta fino in fondo, l'ambito accademico mi piace, mi è sempre piaciuto anche quando credevo non mi piacesse. E' il mio, mi piacerebbe fare un dottorato, ma me la prendo comoda sarà quello che sarà! E' strana la vita senza esami, devo ancora rendermene conto effettivamente. Sono vent'anni che studio e ora ho quasi finito, sto correndo per scrivere la tesi, vorrei laurearmi nella sessione autunnale, il professore è pignolo da morire, ma l'argomento è buono e credo di piacergli. L'ho beccato in corridoio mentre attendevo per sostenere l'ultimo esame, e stavo cazzeggiando con i colleghi, lui aveva un zainetto della estpack colorato, come i bambini e imbarazzato mi ha chiesto quando avremmo dovuto risentirci. Ha detto che se lavoro bene per luglio posso laurearmi a settembre, così sto cercando di essere celere ed efficente.

Mi sento un idiota avevo creduto tantissimo in M. ma si è rivelato un coglione, ha cominciato lentamente e in modo subdolo a farmi sentiree che il mio corpo non fosse ai suoi standard, "ti immaginavo più grossa", "hai il viso tondo", "se perdessi qualche kg saresti perfetta", "una volta sembravi una modella"... Sono cose che dette da uno che sta facendo la scuola per fare lo psicoterapeuta hanno un certo peso, sapevo che sapevo quello che stava dicendo. Mi ha deluso profondamente, vorrei dire che io ho deluso me stessa ma non è così, più che altro mi dispiace perchè a volte il desiderio di essere vista mi acceca, ma credo sia una pulsione in fondo. Mi ha spezzato in due il cuore, avevo dei sogni, vedevo già il mio futuro a Roma, che città stupenda così imponente, e invece no sono ritornata con il culo per terra. Ci siamo mollati a Marzo e ora siamo alla fine di giugno, se prima tenevo conto del tempo ormai il suo ricordo sta diventando piano, piano sbiadito assieme al suo viso. Anche se non sono ipocrita e non nego che ancora un po' di rancore lo porto in serbo.

Ma veniamo al succo! veniamo agli elementi calienti della mia vita, sapevo che dopo M. ne avrei trovati altri, perchè come testimoniano questi fiumi di Wall Text che qualche malato mentale come me legge solo per fare una sorta di profiling delle turbe mentali di chi ha davanti, non ho avuto mai in fondo veramente problemi a rimpiazzare uomini disagiati con altri uomini disagiati. Ed ecco qui N. professore universitario quarantenne, con la fede al dito, sta lottando per diventare professore ordinario, imprenditore con sulle spalle un azienda. L'ho conosciuto su Fetlife che stavo cazzeggiando e mi sembrava un coglione che scriveva male e invece è venuto fuori che è un mezzo genio, è palesemente 100% ADHD come me, e giuro io mi rivedo tantissimo in lui, abbiamo tantissime cose in comune. Per la prima volta mi rendo conto che non me ne frega un cazzo di essere vista e riconosciuta ho dato, ed è proprio ora che lui uomo tutto d'un pezzo si sbraccia come un bambino perchè io lo veda. I suoi occhi sorridono, ogni volta che ci vediamo, l'ultima volta che ci siamo visti abbiamo fatto l'amore per tutto il pomeriggio. Mi sento amata e per la prima volta mi pare di ricambiare senza sentimi però in cerca di un appiglio disperato. Non chiedo niente, non cerco conferme, confronti, non sono gelosa. So che prima o poi finirà e sono tranquilla, ci sono già passata milioni di volte, e questa cosa lo fa impazzire.

Non lo so se sono innamorata, almeno non sono innamroata come prima, mi piace questo sentimento, mi piace vedere che lui si perde in me ed esserci senza sentire il bisogno di scappare ma nemmeno il bisogno di perdermi in lui. Se mi avessero detto a 18 anni che un professore universitario si sarebbe innamorato follemente di me, avrei riso in faccia a chi me lo avrebbe detto, eppure eccoci qui signore e signori. La mia vita è il trash più totale e mi paice pure, non ci sarei a cambio con niente.

Come ho già detto andrò a londra a breve, e quando mi sarò laureata vorrei poter fare un periodo all'estero, dovevo fare l'erasmus per corfù ma ho dato priorità al servizio civile, e poi sincera non credo sarebbe stato il momento migliore dovevo ancora realmente curarmi per l'ADHD e sarebbe stato un macello. All'estero potrebbe essere una buona occasione per me per acquisire indipendenza e poi voglio imparare bene l'inglese per un'eventuale dottorato. N. mi aiuterebbe con l'application, e potrebbe farmi una lettera di referenza anche se non è nel mio stesso ambito di studi, so che a fianco a lui ho possibilità e porte che forse adesso sarebbero più difficili da raggiungere per me. Vedremo sono fiduciosa

[blogaitools]

Top 10 AI Tools Every Digital Marketer Should Use in 2025

The digital marketing landscape is evolving faster than ever. With algorithms changing, competition growing, and customer expectations skyrocketing, marketers are turning to AI marketing tools to stay ahead of the curve. At Incinque Business Solution Pvt. Ltd., combining smart strategy with the right tech stack is the key to scaling online success. So, if you run campaigns, make content, analyse data, and personalise the customer journey, these AI marketing tools help your life easier today. Let's glimpse the top 10 AI tools every digital marketer should use to boost productivity in today's hyper-digital age.

1. ChatGPT (OpenAI)

Keyword: AI content generation tool Perfect for: Copywriting, blog posts, email campaigns, ad copy.

ChatGPT is an AI writing assistant that helps digital marketers create human-like content in seconds. Whether you’re stuck with a blank page or need a catchy CTA, ChatGPT speeds up the content creation process while keeping it relevant and engaging.

Use for: SEO blog writing, Instagram captions, landing page content.

2. Jasper AI

Keyword: AI copywriting tool for marketers

Perfect for Long-form content, product descriptions, and brand voice.

Jasper AI has become a go-to tool for marketers looking to maintain brand consistency while scaling content output. With pre-built templates and tone settings, Jasper saves hours on writing and editing.

Use for: Content marketing strategies, product pages, newsletters.

3. Surfer SEO

Keyword: AI SEO optimization tool

Perfect for: On-page SEO, content scoring, and keyword clustering.

Surfer SEO combines AI and keyword analytics to help you write content that ranks. Just paste your content into its editor, and it gives real-time SEO suggestions.

Use for: SEO blog strategy, content audits, and improving search rankings.

4. GrammarlyGO

Keyword: AI writing assistant

Perfect for Grammar checks, tone adjustments, and rewriting.

Grammarly GO goes beyond basic proofreading. Its AI features help you rewrite entire paragraphs, suggest alternative phrases, and adjust tone based on your audience.

Use for Email marketing, client proposals, and social media captions.

5. AdCreative.ai

Keyword: AI ad creation tool

Perfect for Facebook ads, Google display ads, and social creatives.

Struggling to design scroll-stopping ads? AdCreative.ai uses AI to generate ad banners, headlines, and CTAs that convert — all within minutes.

It is used for paid ads, display creatives, and A/B testing of visual content.

6. Canva Magic Studio

Keyword: AI design tool for marketers

Perfect for Designing visuals, brand kits, and presentations.

Canvas AI-powered Magic Studio can generate images, auto-fill text, and resize content for different platforms in one click. No design skills are required!

Use for Branding, social media posts, and email headers.

7. Lumen5

Keyword: AI video marketing tool

Perfect for Video content creation, YouTube Shorts, and Instagram Reels.

Lumen5 turns your blog content into professional-looking videos using AI. With drag-and-drop features and automatic scene suggestions, video marketing becomes effortless.

Use for YouTube marketing, LinkedIn video posts, and video repurposing.

8. Zapier + OpenAI Integration

Keyword: AI marketing automation tool

Perfect for Automating tasks, lead generation workflows, and chatbot replies.

Integrating Zapier with AI tools like OpenAI allows you to automate lead nurturing, follow-ups, and more. You can even auto-reply to DMs or generate personalized emails.

It is used for workflow automation, lead engagement, and time-saving hacks.

9. MarketMuse

Keyword: AI content planning tool

Perfect for Content strategy, topic research, and SEO outlines.

MarketMuse uses AI to analyze your content gaps and recommends what topics to target for better SERP visibility. It’s like having a content strategist in your back pocket.

It is used for strategic content planning, keyword research, and topic clusters.

10. Pictory AI

Keyword: AI video content repurposing

Perfect for Repurposing webinars and blog-to-video transformation.

Pictory allows you to convert long-form text or video into bite-sized social content using AI. Great for building an omnichannel presence without spending hours editing.

Use for Social media clips, video storytelling, and content repurposing. Last Thoughts As we enter the future of digital marketing in 2025, the key to keeping ahead is working smarter, not harder. These AI technologies for digital marketing aren't simply cool; they change the game. They let you automate tasks you repeatedly do, generate better content, and make real-time decisions based on data. Incinque Business Solution Pvt. Ltd. helps businesses grow using innovative marketing techniques combining AI and creativity. Adding these AI technologies to your business can boost your return on investment (ROI) and save you a lot of time, whether you're just starting or your brand is booming.

[mounianjali]

Accelerate Your SAP Career with BTP Training from ProExcellency

SAP BTP Online Training In today’s fast-evolving digital panorama, SAP Business Technology Platform (SAP BTP) stands on the coronary heart of innovation. Organizations international are harnessing the electricity of SAP BTP to integrate processes, unlock information-pushed insights, and build clever organization programs. If you're seeking to future-proof your SAP profession, gaining knowledge of SAP BTP isn't always just a very good concept — it is a strategic necessity.

At ProExcellency Solutions, we offer a complete and sensible SAP BTP online education program designed to assist both freshers and experienced SAP experts develop their careers. With our structured curriculum, professional guidance, and real-time challenge publicity, you'll advantage the abilities and self assurance needed to paintings on corporation-stage BTP projects from day one.

What is SAP BTP?

SAP BTP is a unified platform that brings collectively facts control, analytics, integration, AI, and alertness improvement into a unmarried environment. It enables businesses to extend and decorate their SAP and non-SAP applications within the cloud while making sure scalability, agility, and efficiency.

By getting to know SAP BTP, you open doors to diverse roles which include:

SAP BTP Developer

Integration Consultant

Extension Suite Specialist

SAP Cloud Application Developer

Fiori and CAP Developer

Why Choose ProExcellency for SAP BTP Training?

ProExcellency Solutions has a proven song record of education lots of specialists across the globe. Our SAP BTP education program is crafted by using licensed experts who have real-international enjoy in enforcing SAP BTP in diverse industries. Here’s what units us apart:

Live Instructor-led Online Sessions – Interactive and engaging sessions with enterprise professionals.

Complete Hands-on Training – Work on stay initiatives and real-time scenarios for in-intensity practical understanding.

Comprehensive Curriculum – Covers all middle modules along with SAP Extension Suite, Integration Suite, HANA Cloud, CAP Model, SAP Fiori, and Business Application Studio.

Flexible Timings & Weekend Batches – Perfect for working specialists and students.

Lifetime Access to Recordings & Study Materials – Learn at your very own pace, anytime.

Resume Building & Interview Preparation – Personalized career help that will help you crack interviews confidently.

Certification Guidance – Assistance in clearing SAP BTP certification assessments.

What Will You Learn?

Overview of SAP BTP structure and services

Extension and Integration abilties the use of BTP

Developing custom programs with SAP CAP and Fiori

Working with SAP Business Application Studio and HANA Cloud

Security, authentication, and authorization inside BTP

Real-time deployment, tracking, and debugging techniques

Integration with SAP S/4HANA and 0.33-birthday celebration structures

Our training is suitable for:

SAP Technical Consultants (ABAP, UI5/Fiori, PI/PO, etc.)

Integration Developers

Java/Full Stack Developers

SAP Beginners looking to research subsequent-gen SAP tech

Anyone inquisitive about cloud-primarily based application improvement

Transform Your Career with SAP BTP

The international call for for SAP BTP specialists is developing unexpectedly as extra organizations transition to cloud-first techniques. With this training, you’ll function yourself as a skilled, future-ready representative able to handing over high-price solutions using the cutting-edge SAP technology.

Don’t leave out the possibility to stay in advance inside the SAP atmosphere. With the proper steering, practical publicity, and support from ProExcellency, your adventure toward a rewarding SAP BTP career can start nowadays.

Accelerate your SAP career and become a BTP professional with ProExcellency’s online Training

info@proexcellency.com, +91-9148251978,+91-9008906809