#Preamplifier

[pedaloftheday]

Today's pedal brings guitar and bass together in one glorious tone-shaping, amp-driving unit - come along as we check out the options-filled Helion R2D3 Guitar & Bass Preamp from our old friends at Sunnaudio!! Full Demo below, be sure to like, comment and subscribe!!

[liquidaudio]

Superb Plinius M16 Preamplifier Repair

Welcome folks, as we look at this lovely Plinius M16 preamplifier I’ve just repaired. Plinius may not be a brand everyone is familiar with, but I can assure readers that this small New Zealand-based company has always made superb hi-fi gear. Plinius is the ‘other’ Perreaux, both are NZ manufacturers, and both have always adopted a quality-first approach that is so often lacking these days. It’s…

[richardvarey]

From loving Dream Topping, to living the Topping Dream

As I wrote a year ago, when investing in a trio of Topping DACs (and later, a headphone amplifier), in my first few formative years before striking out as a hi-fi adventurer, I was a dedicated fan of Bird’s Dream Topping powdered dessert. It tasted delicious, and I didn’t know or care about its ingredients (hydrogenated oil, emulsifiers, unnamed flavour enhancers, etc.). Today, as a confirmed…

[fernand0]

Extravagancia.

[stone-cold-groove]

From the classic audio files: a Carver stereo preamplifier and sonic hologram generator ad - 1981.

[megacarapa]

there are two wolves inside you... one of them just wants to make an informed purchase and the other cannot comprehend any information if it is not presented to him like to a 2 yr old

[myerseng]

Boost Your ADS-B Signal: Why Use an LNA for Better Reception

In the world of aviation, Automatic Dependent Surveillance–Broadcast (ADS-B) plays a crucial role in enhancing flight tracking and air traffic management. Enthusiasts, professionals, and organizations rely on ADS-B technology to track aircraft positions in real time. However, maximizing the reception of ADS-B signals requires specialized hardware, and one key component that significantly improves signal quality is the ADS-B Low Noise Amplifier (LNA).

What is ADS-B?

ADS-B is a surveillance technology in which aircraft automatically transmit their position, velocity, and other data to ground stations and other aircraft. This data transmission operates at 1090 MHz in most regions and is received by ADS-B ground stations, satellites, or enthusiasts using software-defined radios (SDRs). Due to the relatively weak signal strength over long distances, receiving these transmissions with high accuracy requires specialized components like an ADS-B LNA.

Understanding Low Noise Amplifiers (LNAs)

A Low Noise Amplifier (LNA) is an essential component in RF (radio frequency) reception systems. It amplifies weak signals received by an antenna while adding minimal noise to the system. LNAs improve the signal-to-noise ratio (SNR), which is crucial for capturing ADS-B transmissions with higher accuracy and over greater distances.

Why Use an LNA for ADS-B?

ADS-B signals at 1090 MHz are susceptible to attenuation, interference, and environmental factors such as buildings, trees, and weather conditions. An LNA helps mitigate these challenges by amplifying weak signals before they reach the SDR or receiver. Here are the key benefits of using an ADS-B LNA:

Improved Reception Range: Amplifying weak signals allows users to track aircraft farther from their location.

Enhanced Signal Quality: By boosting ADS-B signals while adding minimal noise, an LNA improves decoding accuracy.

Better Performance in Urban Areas: Buildings and other obstacles can weaken signals; an LNA helps overcome such losses.

Optimized SDR Performance: Many SDRs have limited sensitivity, and an LNA provides the necessary boost to receive clearer signals.

Choosing the Right ADS-B LNA

When selecting an ADS-B LNA, several factors should be considered:

●       Gain: A gain of around 20–30 dB is typically ideal for ADS-B reception.

●       Low Noise Figure: A lower noise figure (around 1 dB) ensures minimal added interference.

●       Built-in Filters: Some LNAs come with bandpass filters to block unwanted signals from nearby frequencies.

●       Powering Options: LNAs may require power via Bias-T, USB, or an external power supply.

Installing an ADS-B LNA

To set up an ADS-B LNA, follow these steps:

Place the LNA close to the antenna to amplify the signal before cable losses occur.

Ensure proper power supply based on the LNA’s requirements.

Use high-quality coaxial cables to minimize signal loss.

Pair with a bandpass filter if experiencing interference from other RF signals.

Conclusion

An ADS-B LNA is a game-changer for aviation enthusiasts and professionals looking to improve aircraft tracking performance. By amplifying weak signals and reducing noise, an LNA significantly enhances ADS-B reception, allowing users to track aircraft with greater accuracy and over longer distances. Whether you're a hobbyist or an aviation expert, integrating an LNA into your ADS-B setup is a worthwhile investment for superior tracking capabilities.

[accusticarts]

Why You Need a Stereo Headphone Amplifier: A Guide for Audiophiles in Germany

Most audiophiles in Germany understand the importance of high-quality sound, but you might not realize how much a stereo headphone amplifier can elevate your listening experience. Whether you’re using premium headphones or exploring high-resolution audio files, an amplifier can unlock the full potential of your setup. Here’s why investing in one is worth your attention.

Your headphones may already sound good, but they likely aren’t performing at their best without proper amplification. Many high-end headphones have impedance levels that standard devices, like smartphones or laptops, can’t adequately power. A dedicated headphone amplifier provides the necessary voltage and current to drive your headphones efficiently, ensuring clearer highs, deeper lows, and a more balanced soundstage.

If you’ve ever noticed distortion or a lack of detail in your music, your source device could be the culprit. Built-in audio outputs often compromise quality to save space and power. A stereo headphone amplifier bypasses these limitations, delivering a cleaner signal with lower noise and interference. This means you’ll hear every nuance in your favorite tracks, from the subtle strum of a guitar to the rich texture of a vocal performance.

Germany’s thriving audiophile community values precision and craftsmanship, and a headphone amplifier aligns with that ethos. Many German-made amplifiers, such as those from brands like Beyerdynamic or Sennheiser, are designed with meticulous attention to detail. These devices often feature high-quality components like premium DACs (digital-to-analog converters) and robust circuitry, ensuring your music is reproduced with accuracy and warmth.

You might also appreciate the versatility a headphone amplifier brings to your setup. Whether you’re at home, in a studio, or traveling, portable amplifiers let you enjoy studio-grade sound anywhere. Some models even offer adjustable gain settings, allowing you to fine-tune the output to match your headphones’ specific needs. This flexibility ensures your investment adapts to your lifestyle.

For those who enjoy vinyl records or high-resolution digital files, an amplifier is even more beneficial. These formats capture a wide dynamic range, but without proper amplification, much of that detail gets lost. A dedicated amplifier ensures your music retains its depth and clarity, letting you experience recordings as the artists intended.

Finally, a stereo headphone amplifier future-proofs your audio setup. As you upgrade your headphones or explore new music formats, your amplifier will continue to enhance performance. It’s a long-term investment that grows with your passion for sound.

If you’re serious about audio quality, a stereo headphone amplifier is a logical next step. It transforms your listening experience, revealing details and dynamics you might have missed before. For audiophiles in Germany, where precision and excellence matter, an amplifier isn’t just an accessory—it’s an crucial part of your journey toward sonic perfection.

[transparentcomputertidalwave]

Leben CS-600X PRE VALVOLARE Leben CS 600X nuova versione del CS600 con significativo miglioramento in dinamica e trasparenza. L’amplificatore integrato CS600X di Leben potrebbe essere descritto come decisamente retrò, se sei educato, o antiquato se non lo sei. Il mix di guance laterali in legno, pannello frontale dorato brillante e circuiti delle valvole rimanda sicuramente a tempi lontani. Ma è una brutta cosa? Non ne siamo così sicuri, in particolare quando il prodotto è così talentuoso. Leben, Fondata nel 1992 da un ex ingegnere della Luxman, questa piccola azienda giapponese realizza a mano una piccola gamma di amplificatori a valvole in numero limitato. L’attuale gamma di prodotti include una combinazione pre / potenza, uno stadio phono e, naturalmente, amplificatori integrati, di cui il CS600X è il top di gamma. È un’unità solo a livello di linea, quindi se riproduci dischi o hai bisogno di input digitali, dovrai predisporre un budget per scatole extra per svolgere quei lavori. €7.500,00

[watthifi]

How to Select the Right Power Amplifier in India for Your Needs?

Find the perfect power amplifier in India for your audio needs. Explore top amplifier brands, compare power amplifier prices, and discover the best amplifier for outdoor speakers, including the Atoll power amplifier and budget preamplifiers. Shop power amplifiers today for high-quality sound!

[pedaloftheday]

We're getting good 'n heavy today, kiddos, as we check out another long-awaited effect from This Heavy Earth Amps & Effects🤘🔥 The Hesher v3 Preamp combines elements of several across-the-pond amplifier circuits, forming its own sonic path and crushing amps along the way…Full Demo out now, be sure to check out their website, too, cheers!!

[audio-magic]

The Heart of Vinyl Revival: Unveiling the Perfect Preamplifier for Your Turntable (Audio Magic Australia)

For vinyl enthusiasts, the resurgence of the record player is more than just a trend; it's a return to a richer, more immersive listening experience. Here at Audio Magic, a leading distributor of high-end audio equipment in Australia, we understand the importance of every component in your vinyl playback system. Today, we'll delve into the crucial role of a preamplifier for turntable and guide you towards selecting the perfect one to unlock the full potential of your vinyl collection.

Beyond the Groove: Unveiling the Signal Chain and the Need for a Preamplifier

The journey of your vinyl's sound begins with the delicate needle tracing the grooves. This creates a tiny electrical signal, too weak to be directly amplified by your speakers. This is where a preamplifier, also known as a phono stage, enters the scene. Here's how it elevates your vinyl listening experience:

Signal Boost: The preamplifier takes the weak signal from your turntable cartridge and amplifies it to a level suitable for your power amplifier and speakers.

EQ Correction: Vinyl records utilize a specific equalization curve (EQ) to encode the audio signal. The preamplifier applies the inverse EQ curve, ensuring accurate and balanced sound reproduction.

Impedance Matching: Turntables and power amplifiers often have different input/output impedance levels. The preamplifier acts as an intermediary, ensuring optimal signal transfer between these components.

Choosing the Right Preamplifier for Your Turntable (Audio Magic Australia)

Selecting the ideal preamplifier for your turntable requires careful consideration of several factors:

Cartridge Type: Different phono cartridges (MM or MC) have varying output levels and impedance requirements. Ensure your chosen preamplifier is compatible with your specific cartridge type.

Features: Some preamplifiers offer additional features like adjustable gain controls, built-in equalization filters, or even headphone outputs for private listening.

Budget: Preamplifiers range in price depending on features, brand, and overall quality. Audio Magic Australia offers a curated selection at various price points to cater to diverse budgets.

Audio Magic Australia: Your Partner in Vinyl Excellence

As a vinyl enthusiast, you deserve a sound system that faithfully reproduces the warmth and detail inherent in your records. Here's why Audio Magic Australia is your ideal partner in finding the perfect preamplifier:

Extensive Selection: We offer a comprehensive selection of high-quality preamplifiers from leading audio brands, ensuring you find the perfect match for your turntable and sonic preferences.

Expert Guidance: Our team of passionate audiophiles possesses in-depth knowledge of vinyl playback systems and can assist you in selecting the ideal preamplifier to unlock the full potential of your turntable.

Unwavering Commitment to Quality: We source our products from reputable brands known for their dedication to exceptional sound quality and reliable performance.

Imagine the True Potential of Your Vinyl Collection Unleashed

A well-matched preamplifier acts as the bridge between your turntable and the rest of your audio system, breathing new life into your vinyl collection. Imagine experiencing the full spectrum of your favorite recordings, with all the subtle nuances and sonic details faithfully reproduced.

Contact Audio Magic Australia Today!

Elevate your vinyl listening experience to new heights. Contact Audio Magic Australia today! Our team can guide you towards the perfect preamplifier for your turntable, allowing you to rediscover the magic of vinyl in all its glory. We'll help you create a sound system that honors the artistry and emotion captured in your precious vinyl records.

Contact- Web - https://www.audiomagic.com.au/products?Products=Preamplifier Mail - info@audiomagic.com.au Ph - +61 39489 51 22 Address - 215 Bell St, Preston VIC 3072 Melbourne, Australia

[ipilokko]

-| I Dislike Redheads |-

– Chapter 2 - The Tomorrow

  Mollie once again, was trying to get ready in limited time. She had left her phone plugged ever since she was done watching The Silence of The Lambs for the millionth time last night. She had eaten two and a half bags of chips and she could smell them on her hands even after nine hours of one of the best slumbers of her thirty-one year life and washing her hands three times. Even though she knew how unhealthy those things were, she didn't regret eating that many as she hadn't tasted them for over half a year. This was how it would go. She'd randomly crave for a snack one day and overdose it then she wouldn't even look at its package for months.

 She checked the battery just in case it would decide to betray her again. It was full. She plucked the metal socket out from the bottom of her phone. These things still were never to be trusted though; she had learned the hard way.

 She walked along the stranger but pleasant streets of the human part of the neighborhood. A few people were spending their morning gardening. She walked by them, passing through the cloud of flower scent.

 After a few minutes of walking and following signs, she made it to the subway. Unlike yesterday, there were actually people. She didn't make the same mistake as yesterday and spent that two stops in the metro this time.

  Roy opened his satchel and took out his keys. He pushed the cold metal into the keyhole, turned it to the right and pressed on the handle once he felt the pins had positioned correctly. 

 As soon as the door left the threshold, the smell of coffee welcomed him, telling him to go to the kitchen. He hoped he didn’t forget to close the lid of the coffee jar yesterday. He hung his satchel and coat before going in to check. The lid was where it was supposed to be; on the jar, yet he had forgotten to throw away the coffee filter he had used. 

 He picked it up before taking the coffee out of the filter and putting it in D'artagnan's pot. He didn’t like throwing things away and D'artagnan enjoyed having coffee in his pot, just like most of the other plants did. He went back to the kitchen to put the coffee filter in the paper recycle bin before he pulled up the curtains and switched on his system. 

 One of his customers had yet to pick up her freshly repaired Jadis JA200 MKll. It had been quite some time ever since he’d had the chance to listen to one. He knew, of course, if he started listening to it, he’d spend the whole morning trying to talk himself into turning it off to start working. Jadis sounded magnificent, but few were fortunate enough to lay their hands on it, which meant they rarely found their way to his desk. He wouldn’t hesitate to get one for himself if his budget could ever catch up.

 And this was another perk of running a second-hand hi-fi repair shop. As an audiophile, he had the daily privilege of choosing from a large stock that was kept fresh with his customers leaving their sound systems to his care for a period of time. Sometimes, in cases like this; cases like the Jadis JA200 MKll, testing was less of a purpose but more of an excuse to listen. 

 He went behind the wall of varied sound systems to channel his Wilson Sophia 3 to pick up the sound from the Jadis, Jadis from REF 6se preamplifier, it from Audio Research EAR 834-p phono amplifier, and it from his Technics sl-1210 turntable. After he’s done he went back to the open space, standing in front of the giant wall of records of all genres, most of them being jazz. Today was one of the rare cases that he was in the mood for smooth jazz. He picked up Bob James’ ‘’Double Vision’’ to insert it into his turntable. 

When the first track began he melted instantly. He loved being alive, he really did.

 And one bad thing about running a second-hand hi-fi shop was that he had to say goodbye to his favorite systems every now and then. Maybe not the Sophia 3, but the Jadis was there only for a short period of time. Even though he enjoyed listening from the eighty-five percent of all the modals he currently had to some degree, he really wanted to keep that Jadis. 

After taking time to listen past the beginning of the track, he went back to his workroom and checked the post it note on one of the many amplifiers that were patiently waiting for service. It read;

"Slight buzzing sound”

He stuck the post it note on his shirt, put his hands on either side of the case and slipped his fingers underneath for better grip. He lifted it with a small grunt, took it to the test room and placed it on the stack of assorted amplifiers. He paused the music and turned the volume down to avoid damaging the other equipment as he did the channeling. 

When he started listening, there was a faint buzz and the sound lacked clarity, although as much was already expected. It sounded dry, flat and lifeless, worsened the more he brought the volume up. He rested his hand on the chassis, his fingers picking up a slight vibration. 

The failing transformer, it was. He switched it off and waited for the hum to fade, then unplugged it to take it to his workroom for a proper look inside.

-

-

-

 Mollie was tired of the boring atmosphere of her workspace. She could barely stand still until it was lunch break. Her arms, her feet, her back, her neck, seriously, all of her body was screaming at her ears and pulling her hair for her to just move, walk around a bit. As soon as it appeared to be 1.40 she got up without wasting another second and made her way to the giant break room after grabbing her beef sandwich in hunger. There were seven giants and… and some number of humans in the room, filling the room with buzz. 

She cracked her back and neck, stretched her arms and feet. Luckily she had managed to warm up before her libs started attacking each other with their bags like karens fighting over who was using the cash register first– since they all had bought out the ⅓ of the whole grocery store. 

She took the elevator to one of the tables. A giant and a human were watching something from a phone that seemed to be more than triple of her height in length. Even when It was turned sideways, the shorter side was still over her head. 

‘’Heyy, what are you two watching?’’

‘’The Shining’. Danielle hasn’t seen it yet." The human replied, looking up at the giant. He was sitting on an eraser next to the giant girl’s hand, who was towering over both of the humans. After trying to pause the movie three times, the touch screen finally caught the human his hand .

‘’Well, what do you think so far?’’ She looked up at the woman whose name was Danielle, apparently.

‘’To be honest with you... I’ve seen better."

‘’Than ‘’The Shining?’’ Mollie chuckled.

‘Are you being sarcastic or for real?"

“You’ll never know.” 

 That looked fun, she wished she could have that three-wheeled bike. She’d crash somewhere as soon as she’d start riding it, though… 

She just stood there as the movie played, in silence if you don’t count the movie.

Okay… This was awkward. She decided to leave them alone and go outside. ‘’You guys enjoy the movie. I’ll go outside."

‘’Thank you, Toodles!’’ 

After a long walk, Mollie finally reached the door.

Even though she was craving for people interaction a minute ago, right now was one of the times when she was glad nobody was outside– other than some protesters which sounded to be a few streets away. She leaned against the wall and took out her beef sandwich. She stared into the sea for a little, then noticed the giant from like a day ago? He was on one of the benches under the marble gate-like thing whose columns were human subway stations. He was facing the sea, his back to Mollie. She couldn’t name what, but she had some good feelings about him… 

And instantly she decided to was crave for ‘people interaction’ once again. She decided to join him and walked the distance until she neared the bench. 

"The ocean is beautiful." She commented.

The giant took a second to process. "Yes, I..." He looked in the direction of the voice. "...Agree."

 Roy smiled kindly, leaning a little forward to see the human down on the ground. He was unable to see the details of her face, but the general shape of it and the sound of her voice belonged to the lady from yesterday. He didn’t have a clear reason but he was happy to see her again. 

The giant’s gentle but strong voice slightly rattled her bones even after traveling all that tens of feet between them. "Isn't it weird that just big holes full of water actually look like this?"

 She stepped into the elevator inside the column-station thingy and pressed the button for the highest balcony to be eye level. Looking up wasn’t her favorite thing to do.

“I… Suppose it is…” He put his fist on the space between his nose and his rounded chin, covering his thin lips. "Depends on how different your weird and my weird are.”

Being a person and having your own point of view was weird when you thought about it. Drawing and thinking was weird, and some bugs looked weird as well… 

"Well, I don't know about you but I love weird." she leaned her back against the oversized marble that sparkled almost like glitter as the sun shone on them. It reminded her of the snow, if it was a little cooler in shade. “Do we at least agree that it’s a good thing?”

 "Mostly, yes." the sides of his eyes creased slightly as he moved his fist a little to his cheek, thumb curving around his chin. “Life would be far less enjoyable if there weren’t any weird in it.”

“I can’t agree more.” She looked at the ocean for a short moment. “Now I’m curious about how an ocean flavored ice cream would taste like.”

“Personally, I am more curious about opal.” he smirked slightly. It was bizarre to look at his face here from afar. It looked big and close enough that she could touch it if she reached out, yet at the same time she could feel every inch of the seventy feet distance between them. She wondered how he could even hear her. 

“I don’t know why but I feel like opal would be bitter if it was a flavor.” She paused to think for a second.  What are your favorite ice cream flavors? I bet you like lemon or tangerine.”

“I do like lemon. But my favorites are walnut, honey-almond and salted caramel. And you?” 

“You want the truth? I'd eat anything except for yogurt.”

Both smiling, they sat in silence for a few moments until Mollie decided to break it. ‘’So… what do you do? I mean for living.”

"I repair hi-fi systems.”

"Yeah sure, I can pretend to know what those are."

He chuckled. "High end sound gear…” And a money pit– one he was happily stuck in. “They’re meant to allow you to hear the details regular systems miss.”

"Ehh, I’m happy with my average headphones." 

He shook his head slightly. “That, I cannot.”

She had never thought of switching, her headphones weren’t really expensive and they got the job done just fine. Though now she had to admit that she was curious about a ‘high end sound gear’.

‘’Oh well, Where do you work?" 

"I’d like to hear your guess."

She looked around for anything sound-oriented. the building across the street caught her eye. “Wave of Sound? That's close." 

"It is…” a small drop of salty water hit his face as a wave crashed. His hazel irises looked soft, the skin drooping over them made him look a bit tired, even if he wasn’t. “What about you?’’

“I’m a storyboard artist. I just started to work at that game company back there… The previous one was The Vivid Light though."

"The Vivid Light, you say?"

"You've heard of Them?" 

"My niece and I are quite fond of their films. His mother too."

"Seriously?” Mollie let out a short laugh. “It's so rare I meet someone who knows about them."

"We put on one of their films whenever he comes over. It's a tradition." He chuckled.

"That’s adorable, made me proud as well.” She grinned. “ How old is he?”

“He’ll turn six soon.” He chuckled, “I’ve been trying to keep up since three.”

she giggled and checked her watch. “...I should probably get back to work. I’m Mollie, before I forget to tell you."

"Pleasure meeting you, Mollie. I’m Roy." he gave her a warm smile.

"So you're not a Dave? I have to work on my name-guessing skills..."

“See you tomorrow?” She added.

"Certainly."

Beaming up at him, she took the elevator back to the ground. She waved and took a few steps towards her workplace. 

"Mollie."

She turned back around and walked until the column stopped blocking Roy’s face.

She rested her hands on her hips. ‘’Yeah?’’

‘’Have you ever experienced a high-end sound system?"

‘’Nope. I don't think I have.’’ 

he asked after taking a short moment. ‘’Would you like me to walk you to work?"

 ‘’Ahh thank you, that would be great!"

The giant nodded and slowly rose from his seat, his already tall stature extending to an even more impossible height.

‘’Whenever you like, you can come by." He kneeled and laid his hand flat on the ground for her to climb on. 

“We’ll see. I have to decide if I like you enough first.” She chuckled as a palm like a wider version of Dracula’s dinner table, and fingers like construction pipes neared her, only full of life. You could definitely fit two beds in the length of that hand. 

‘’Geez, you’ve got huge hands. How tall are you?’’ Mollie put her foot on the warm flesh and tested the squishiness, then brought her other foot as well, almost losing her balance in the process. She eyed the surreal curves of the ridges of his fingerprints and the barely visible stretch marks on the skin, with the bizarre feeling of feeling a different kind of heat beneath her feet. She could pick up a faint ironish smell from his fingers, though considering he was mingling with the iron or copper or whatever cables or all the electric stuff she didn’t know about was made of, it was understandable.

“Sixty-nine metres, fairly average, for someone like me.” he paused, “1.78 in magnameters, if you prefer it that way..”

“Almost there, I’m 1.76…  You can get up, by the way.”

He slowly lifted her as well as rising up himself. Even though he was being much gentler and steadier than Mrs. Smith had been, she could still feel a very slight jerkiness. Though this was probably just him being giant. She swayed with each step he took, almost like a gondola. How much she loved riding those things with her cousin when they were kids.

 She put her hand on one of his slightly curled fingers to balance herself as he began to lower her back on the ground. His palm was pretty much soft, but his fingertips seemed to be a little more hardened; the ridges of his fingerprints almost scratching her hand when she touched. She could relate to him a bit, having a small callus on her middle finger right where she would place her pencil.

When she couldn’t feel any more major movement, she stepped down from his hand, taking support from his thumb. “You just saved me ten minutes, thanks.” She smirked. “Don’t get your hopes up for another round of chatting, though. I’m probably late already.”

-

-

-

"Your favorite color? Your favorite food?’’ Mollie asked Roy as she stepped down from Roy’s hand for the second time today. Finally, it was home time. Almost… Maybe not so almost… From here to her hotel room was a long way to go. a whole hour of subway couldn’t be underestimated… Despite sitting all day she was so tired. All she wanted to do was to sleep, sleep and sleep. 

"I've always liked brown. Persimmon, too… And I love any kind of salad."

"My favorite color has to be dark blue. Prussian blue specifically. And dark red as well. I like literally anything from Italian cuisine.”

“What do you like the most about Italian cuisine?”

“I don’t know… pastry, I guess?” She expected him to ask questions like “What do you like to do? How do you spend a day?"

He chuckled innocently. “Not much, I’m a boring person.” 

"I… wake up, sometimes have a chat with my plants. I like to have a bit of jazz playing in the background while I work... Breakfast’s nice, too.”

“I like walking to work by the shore, especially under the sun or rain… I like to read, I like to watch films… I like…  laying down, feeling the sun on my face, Smelling flowers… Daily things, mostly. You?”

“I like... Drawing? I hate cooking. But sometimes I also like cooking because sometimes I like doing things I hate... I know it's weird but I just like it. I like watching movies as well, I also like doing things I definitely don't need or shouldn't be doing. Mine is kind of daily too, I guess. Whose isn’t, though.”

She made her way to the entrance of the column in a suppressed rush and smiled warmly.  

“Well, Roy… My tomorrow wasn’t so bad after all... See you later.”

“Goodbye.” He smiled, watching her go inside.

He got up, taking support from his knee. There weren’t many humans that he knew the faces of– other than a few close friends. And he wouldn’t be upset if Mollie became one of the minority.

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previous // next // first // Index

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Yeah... sure, why not. I struggled a lot writing this one, as I'm not the best at my word choice in english (esp on dialogues)... I've edited this one myself!

Fret not, though! The next chapter will be much better, I promise! We're getting closer and closer to the better parts!

I can't express how excited I am for them! I keep geting butterflies when thinking lol.

I didn't want to wait until I finished the illustrations because they still have some way to go.

also my exam week starts tomorrow please wish me luck...

[fuzzkaizer]

AXE - BPA-1 - BUFFER PRE-AMP

ARTISTS X-PONENT ENGENEERING

"ARTISTS X-PONENT ENGINEERING was a company based out of Menlo Park, California. It seems that the BPA-1 Buffer Pre-Amp was the first of 3 plug-in effects produced by AXE (at least from what the 1982 catalogue would indicate). Here's what said manual/catalogue tells us: -Super boost your signal up to 20 dB -Adds punch and highs lost when using effects devices -Direct instrument plug-in eliminates cord loading -Signal is ALWAYS buffered at all gains -Battery life in excess of 1000 hours AXE's Buffer Pre-Amp eliminates the loss of signal level and punch when using effects devices or driving long cords. But, unlike other preamps, AXE's Buffer section is ALWAYS in the circuit removing the effects of loading. The unit's switchable, variable gain can increase you instrument's output 10X. There are many floor-box style preamplifiers available, all with one glaring design fault: they are on the floor!!! The loading effects caused by the instrument's cord can not be resolved from this location. AXE's Buffer Pre-Amp is where it should be: in the instrument. But the REAL PLUS is that it makes a terrific, AFFORDABLE DIRECT BOX for ANY instrument. It is capable of driving up to 1000 ft. of cable without loss of signal level or highs. Every instrument with a pick-up or transducer -- guitar, bass, or keyboard -- will benefit from the use of AXE's Buffer Pre-Amp SPECIFICATIONS Bandwidth: 20Hz to 20 kHz, plus or minus 0.5dB (any gain) Maximum Output: +7 dBV THD+N: Less than 0.08% (any gain) Gain: 0 to 20 dB (variable) Equivalent Input Noise: -106 dBm (20kHz BW) Maximum Input Signal: 2.3 V (+9dBm) Input Impedance: 5 ohms"

cred: reverb.com/Fuzz Wizzard's Fabulous Gear