#Red panda raster knobs

[mainscampus]

Red panda raster knobs

While designing the Raster 2, we wanted to enable as many classic rack mount digital delay tricks as possible while keeping the fast and intuitive control that made the original Raster so fun to use. The bypass switch can also mute the output in bypass while always listening, to catch, repeat, and manipulate what you just played. Both footswitches can be latching or momentary, for instant pitch jumps or quick blasts of echo. Alternate knob settings are related to the primary knob function, labeled, and off at the center position. The original Raster was praised for its knob response and immediacy, and the Raster 2 maintains that simplicity while adding flexible modulation and extensive stereo functionality. The Raster 2 is performance friendly, with 6 knobs and 9 switches. Stereo controls adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes.Ĭapable of extreme sonic mayhem, the Raster can also be used with restraint to add unique character to your sound. Envelope and inverse envelope enable dynamic flanging and pitch bent delays. There are two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. The Raster’s modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart. At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays.īeyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. The left and right channels can be shifted by the same amount, a ratio, or opposite directions. The detune setting can dial in micro pitch shifts and chorused repeats. Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds. The two delay channels can be arranged in series, parallel or ping pong. The left and right delay times can be set as a ratio, so a single knob changes both in sync. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. The feedback control has infinite repeats at 3 o’clock and chaotic, textured feedback loops at higher levels. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The core of the Raster™ is a clean delay with up to 1600 milliseconds of delay time. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. Forward or reverse delay can be shifted once or have continuously shifted repeats. It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart.The Raster™ is a digital delay with a pitch and frequency shifter integrated into the feedback loop. Two reverse delay modes can be used for reverse solos or with pitch shifting for crystal echoes.īeyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. Repeats can continuously shift up or down, or shift once and remain at that pitch. Slight detuning creates chorused delay sounds, while wider intervals with feedback create strange organ-like textures. The detuning mode gives smooth pitch changes from a fourth down to a minor third up. Repeats can be pitch shifted up or down by an octave in semitone steps. Three pitch shifting algorithms are integrated into the feedback loop. The feedback control covers a wide range from slapback delay to noisy, textured infinite feedback loops. The low end of the delay control allows you to precisely dial in resonant feedback sounds. The core of the Raster is a clean delay with up to 750 milliseconds delay time. It delivers a wide range of sounds including harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. The Raster is a digital delay with a pitch shifter integrated into the feedback loop. BC Rich Warlock Extreme Floyd Rose Matte White (.).BC Rich Mockingbird Extreme Exotic Floyd Rose (.).Arrow Silver NT Natural acoustic guitar.

[greysmaster]

Red panda raster knobs

#Red panda raster knobs full

The pitch shifting is not the best I have heard in a delay but is charming in it’s own way. I will say most of the awesomeness besides pitch shifting comes from running it in ping pong stereo. I did however mostly use it last night on my wavestate using acoustic instrument samples from things like harp / piano / koto / guitar so I feel the pedal is great for just about any instrument. I play synths so this will be in regards to using it on a synth. Requires a 9V 250 mA center negative power supply (not included).I have wanted this since it was announced and actually sold my context v2 (which in the end I did not care for) to buy this. Web-based editor for editing presets and accessing hidden parametersĭesigned and assembled in USA.

#Red panda raster knobs full

Full MIDI implementation with additional parameters (USB or TRS).

Assignable expression pedal, remote switch, remote tap, or MIDI port.

Shift footswitch momentary, latching, or assignable to tap tempo.

Soft touch bypass switch with selectable momentary, latching, or mute output.

Parallel, series, or ping pong structure.

Most parameters have left/right controls for stereo delay.

Modulation can be assigned to delay, pitch, or amplitude.

7 modulation waveforms, envelope, and reverse envelope.

3200 ms forward delay available via editor.

1600 ms stereo delay time in three ranges.

Instead of multiple modes with generic knob names, all of the parameters are always available, so you can mix and match different effects and explore new sounds in between. While designing the Raster 2, we wanted to enable as many classic rack mount digital delay tricks as possible while keeping the fast and intuitive control that made the original Raster so fun to use. The bypass switch can also mute the output in bypass while always listening, to catch, repeat, and manipulate what you just played. Both footswitches can be latching or momentary, for instant pitch jumps or quick blasts of echo. Alternate knob settings are related to the primary knob function, labeled, and off at the center position. The original Raster was praised for its knob response and immediacy, and the Raster 2 maintains that simplicity while adding flexible modulation and extensive stereo functionality. The Raster 2 is performance friendly, with 6 knobs and 9 switches. Stereo controls adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes.Ĭapable of extreme sonic mayhem, the Raster can also be used with restraint to add unique character to your sound. Envelope and inverse envelope enable dynamic flanging and pitch bent delays. There are two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. The Raster’s modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart. At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays.īeyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. The left and right channels can be shifted by the same amount, a ratio, or opposite directions. The detune setting can dial in micro pitch shifts and chorused repeats. Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds. The two delay channels can be arranged in series, parallel or ping pong. The left and right delay times can be set as a ratio, so a single knob changes both in sync. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. The feedback control has infinite repeats at 3 o’clock and chaotic, textured feedback loops at higher levels. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The core of the Raster™ is a clean delay with up to 1600 milliseconds of delay time. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. Forward or reverse delay can be shifted once or have continuously shifted repeats. The Raster™ is a digital delay with a pitch and frequency shifter integrated into the feedback loop.

[polhphp]

Red panda raster 2

Red panda raster 2 manual#

Red panda raster 2 plus#

Whether you’re a singer-songwriter, rocker, or ambient player, the Raster 2 is guaranteed to bring something new, wild and exciting to your sound. It takes 9v power and needs at least 250ma to run properly. Four presets are available on board with the additional option for up to 128 presets via MIDI. The footswitches can be configured to be momentary or latching and there’s also a control input for expression pedals which can be assigned to affect any parameter you choose. Half, whole, or quarter note divisions are also available for the delays as is whether the feedback cycles forward, in reverse, or infinity (back into itself). Tremolo is also possible as are glitchy, stuttering pulses to chop up your sound anyway you like. Add to that the fact that you can really customize the LFO modulation by scrolling through different waveforms, different rise and fall choices for both speed and depth using the alt switch that’s part of the wave button and you really have a sonic, cosmic dream. So the technical stuff is cool but how does this sound in practical use? So, for instance, you’re playing along and you’ve got a groovy little part going with some nice clear delay, a little modulation and you simply step on the left switch and you will have a rippling, cascading goddess flowing through your signal. It’s very handy that you can use the pedal as a straight delay with no pitch shifting at all and simply add the shifting via the dedicated left footswitch. In between, you will discover inversions and chords along the way.

Red panda raster 2 plus#

Counterclockwise is below standard pitch to minus 1 octave and clockwise past noon is 2nds, 3rds, 4ths, etc., to plus 1 octave. The tone control varies, from darker analog-voiced repeats counter-clockwise to bright, crisp color fully clockwise, emphasizing your attack.īut of course, the real star of this unit is the pitch shifting and the various combinations thereof that should really spur your creativity, and isn’t that what any new music toy is really about? Where does it lead you and what new sounds do you come up with? The shift knob is the key element for shifting the pitch. The left and right delay times (that’s right, two delays) can be set in series, parallel or ping pong and can be set as a ration so a single knob changes both in sync. Resonant feedback sounds are also available through three delay ranges fixed by a switch. Infinite repeats start at 3 o’clock on the feedback control and above that lives beautiful chaotic mayhem. The Raster is a digital delay with a pitch and frequency shifter integrated into the feedback loop. The web app includes control over many other deep dive functions and greatly increases the functionality of the pedal and lets you assign MIDI and other applications if you wish. Stock delay time is 1600ms, which can rise to 3200ms via their web app.

Red panda raster 2 manual#

You can deep-dive if you’re into that sort of thing but all of the tactile, manual features at your fingertips are highly useful and easily accessible.Īt its heart, the Raster 2 is a digital delay with pitch and frequency shifting integrated into the feedback loop. Would mean they’re overly complicated, but they’re not. Red Panda packs as many features into their pedals as anyone I know and you’d think that

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Red panda raster demo

RED PANDA RASTER DEMO FULL

If we determine the unit failed under warranty within 30 days of purchase, we will send you a replacement unit. Please contact us at respond quickly with assistance or provide you with a return authorization (RA) number. The only policy we have is we'll do whatever it takes to fix the problem and make you happy. If there's a problem with your order, the first thing is to email us at staff will take care of you, no matter what. Returns & Exchanges What if there is a problem with my order? Requires a 9V 250 mA center negative power supply (not included).

Web-based editor for editing presets and accessing hidden parametersĭesigned and assembled in USA.

RED PANDA RASTER DEMO FULL

Full MIDI implementation with additional parameters (USB or TRS).Assignable expression pedal, remote switch, remote tap, or MIDI port.Shift footswitch momentary, latching, or assignable to tap tempo.Soft touch bypass switch with selectable momentary, latching, or mute output.Parallel, series, or ping pong structure.Most parameters have left/right controls for stereo delay.7 modulation waveforms, envelope, and reverse envelope.3200 ms forward delay available via editor.1600 ms stereo delay time in three ranges.Instead of multiple modes with generic knob names, all of the parameters are always available, so you can mix and match different effects and explore new sounds in between. While designing the Raster 2, we wanted to enable as many classic rack mount digital delay tricks as possible while keeping the fast and intuitive control that made the original Raster so fun to use. The bypass switch can also mute the output in bypass while always listening, to catch, repeat, and manipulate what you just played. Both footswitches can be latching or momentary, for instant pitch jumps or quick blasts of echo. Alternate knob settings are related to the primary knob function, labeled, and off at the center position. The original Raster was praised for its knob response and immediacy, and the Raster 2 maintains that simplicity while adding flexible modulation and extensive stereo functionality. The Raster 2 is performance friendly, with 6 knobs and 9 switches. Stereo controls adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes.Ĭapable of extreme sonic mayhem, the Raster can also be used with restraint to add unique character to your sound. Envelope and inverse envelope enable dynamic flanging and pitch bent delays. There are two random waveforms for glitchy sliced delays or random pitch shift, wow and flutter, and broken tape deck effects. The Raster’s modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart. At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays.īeyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. The left and right channels can be shifted by the same amount, a ratio, or opposite directions. The detune setting can dial in micro pitch shifts and chorused repeats. Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds. The two delay channels can be arranged in series, parallel or ping pong. The left and right delay times can be set as a ratio, so a single knob changes both in sync. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. The feedback control has infinite repeats at 3 o’clock and chaotic, textured feedback loops at higher levels. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The core of the Raster™ is a clean delay with up to 1600 milliseconds of delay time. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. Forward or reverse delay can be shifted once or have continuously shifted repeats. The Raster™ is a digital delay with a pitch and frequency shifter integrated into the feedback loop.