#Regulate... G Funk Era

[todayinhiphophistory]

Today in Hip Hop History:

Warren G released his debut album Regulate… G Funk Era June 7, 1994

[k-i-l-l-e-r-b-e-e-6-9]

Warren G feat. Nate Dogg - Regulate (With Nate Dogg)

[tha-wrecka-stow]

[soupy-sez]

Warren G – Regulate ft. Nate Dogg (1994) [X]

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[firebarzzz]

Foesum -"Deep Fallin' " - Album: The Playtime - (2011) -

🎙️ARTIST: Foesum Ft Bo-Roc📣TITLE: Deep Fallin’💿ALBUM: The Playtime📆RELEASED: (2011) 📍La note Firebarzzz Titre qui rappelle la gloire ancienne du G-Funk. Foesum un artisan de cette variante musicale. Content de partager cette petite perle auditive. Prend ça dans tes tympans. 🎶 Foesum

[doyoulikethissong-poll]

Warren G featuring Nate Dogg - Regulate 1994

Warren G is an American rapper, record producer, and DJ known for his role in West Coast rap's 1990s ascent. A pioneer of G-funk, he attained mainstream success with the 1994 single "Regulate". He significantly helped Snoop Dogg's career during the latter's beginnings, also introducing him to Dr. Dre, who later signed Snoop Dogg. After the success of "Regulate", American singer and rapper Nate Dogg became a fixture in the West Coast hip hop genre, regularly working with Dr. Dre, Snoop Dogg, and Xzibit in the 1990s; his deep vocals became sought after for hooks, and he would expand to work with a larger variety of artists in the 2000s. As a featured artist, Nate charted 16 times on the Billboard Hot 100, and in 2003 reached number one via 50 Cent's "21 Questions". Nate Dogg also was notably featured on Dr. Dre's "The Next Episode" and Eminem's "'Till I Collapse" (poll #239). In 2015, Warren G released Regulate… G Funk Era, Part II, an EP featuring archived recordings of Nate Dogg, who died in 2011.

"Regulate" was released in the spring of 1994 as the first single on the soundtrack to the film Above the Rim and later Warren G's debut album, Regulate… G Funk Era. The album debuted at number 2 on the US Billboard 200 chart, selling 176,000 in its opening week. The single spent 18 weeks in the Top 40 of the Billboard Hot 100, with three weeks at number 2, and earned a Grammy nomination and a MTV Movie Award nomination. In 2017, "Regulate", certified platinum in 1994, went multi-platinum, propelled by digital downloads.

It employs a four-bar sample of the rhythm of Michael McDonald's song "I Keep Forgettin' (Every Time You're Near)", and also samples "Sign of the Times" by Bob James and "Let Me Ride" by Dr. Dre. "Regulate" starts with a read introduction referencing dialogue from the 1988 film Young Guns.

"Regulate" received a total of 75,7% yes votes! Previous Warren G polls: #20 "Prince Igor".

[jamiemooreblog]

Behind the Shadows: The Saga of Adam the Shinobi

Lord of the Phonk

In the neon-lit underbelly of the internet, where the bass slaps harder than a freight train and the synths shimmer like a mirage, emerges Adam the Shinobi, a masked maestro of the phonk sound—a cultural phenomenon and a harbinger of a new era in underground music.

Who is Adam the Shinobi?

His music speaks volumes: a fusion of Memphis rap's raw energy, G-funk's smooth grooves, and futuristic, cyberpunk aesthetics. A sound that’s both nostalgic and cutting-edge—a sonic assault that rattles your soul and ignites your spirit. But who is the artist behind the music? That’s the million-dollar question, and the beauty lies in the mystery.

Shrouded in shadow, his identity remains a tantalizing secret. Could this be a deliberate choice, letting the music speak for itself? Or is there something deeper behind this enigmatic persona? Perhaps it's a commentary on the digital age, where anonymity allows for true artistic freedom. The allure of the masked artist has always held intrigue, from Daft Punk to MF DOOM—artists who understood that the music could exist independently of the face behind it.

The Tracks That Made the Shadows Move

91 Sliden: A slow-burn masterpiece, this track’s hypnotic bassline will shake your very foundation. It’s perfect for a late-night cruise—windows down, bass up, with city lights blurring past like streaks of neon fire. The sound drips with nostalgia while its laid-back flow embraces the future, an eternal night ride through the heart of a digital jungle.

Sup Foo: A straight-up banger, a braggadocious anthem demanding attention, with lyrics that ooze confidence and swagger. Adam’s flow is smooth, his delivery ice cold. This track makes you feel invincible, ready to take on the world. It’s an anthem for the digital warrior, the underdog who thrives in the shadows.

Regulate the Phonk: A phonk reimagining of Warren G and Nate Dogg's classic, this track is gritty, grimy, and captures the essence of both West Coast and Midwest, with a fresh, futuristic twist. The West Coast vibe is warped into something darker, infusing every beat with the energy of an underground movement that has found its own path forward.

96 Gankin’: A nostalgic trip back to Memphis rap’s golden era, raw and unfiltered. Echoing pioneers like DJ Screw and Three 6 Mafia, it’s a deep dive into the roots of phonk, while injecting it with that Adam twist—stealthy, powerful, and unpredictable. The rawness of the production feels like a call to those who still remember what it means to keep it real.

Just the Two of Us: A more introspective track, showcasing Adam’s versatility. It’s somber and atmospheric, hinting at the emotions hidden behind the mask. It’s a rare glimpse into the soul of an artist who lets the silence between the beats speak just as loudly as the sound itself.

The Ninja Code: Adam’s Philosophy

Adam’s music isn’t just about the beats; it’s a reflection of his lifestyle. He lives by a simple code:

Adapt: Stay ahead of the curve, constantly evolving and innovating. Like the ninja who never stays in one place for too long, Adam’s sound shifts and morphs with the underground, always a step ahead of the pack.

Discipline: Every track, every performance, every detail meticulously crafted. Whether it’s the low-fi crackle of a sample or the punch of a snare, each element serves the greater whole, creating an atmosphere you can’t escape.

Mastery: Strive for perfection, always pushing the boundaries of the genre. In an age where everyone’s a producer, Adam stands out because he’s not just making music—he’s crafting experiences. Every drop is a masterclass in mood and rhythm.

The Mask: A Symbol of Mystery

The mask is more than a disguise; it’s a symbol of Adam’s enigmatic persona. It allows him to connect with his audience on a deeper level, fostering a sense of intimacy and intrigue. By concealing his identity, Adam shifts the focus from the artist to the music itself, creating a deeper, almost spiritual connection with the listener. It’s not just about keeping things mysterious—it’s about giving the audience the space to interpret the music as they wish, free from preconceived notions of who the artist might be.

This approach places Adam within a long tradition of masked artists, such as MF DOOM, whose ability to craft music that transcends personality made him a legend. It’s also in line with the digital age's embrace of anonymity, where the music becomes an extension of the listener's personal journey. In Adam's world, the mask isn’t a barrier—it’s an invitation.

Phonk's Legacy and the Shaping of the Future

Adam the Shinobi isn’t just a rising star—he’s a force to be reckoned with. His unique blend of old-school influences and futuristic soundscapes is shaping the future of phonk, pushing boundaries and inspiring a new generation of artists. He stands alongside innovators like uicideboy$, Night Lovell, Lil Peep, and Ghostemane, whose music is a fusion of dark, distorted production with themes that resonate with a new era of listeners. This generation embraces the idea that music is more than just something you listen to—it’s an experience that moves through you, shaping how you view the world.

My first encounter with Adam's music was pure accident. I stumbled upon "91 Sliden" late one night while scrolling through SoundCloud. The beat instantly hooked me—that hypnotic bassline, the hazy atmosphere, it was like being transported to another dimension. I felt an instant connection, like this music understood the anxieties and aspirations of my generation in a way that nothing else had.

Adam’s music brings an urgent, melancholic energy that feels both personal and universal. Whether you’re cruising the streets late at night or reflecting on your place in the digital age, his beats serve as a soundtrack for a generation that feels both lost and liberated by technology.

The Phonk Revolution Is Now

With his seamless blend of nostalgia and futurism, Adam is pushing the genre forward. He’s reshaping what phonk can be, exploring a space where past and future collide. His music isn’t just a revival; it’s a reinvention. And with that reinvention comes an entire ecosystem of influence, reaching out to listeners and creators alike.

Adam the Shinobi’s movement is a part of a larger underground revival that’s transforming how music is made, consumed, and shared. The DIY ethos that defines phonk—and the underground music scene at large—is driving new creators to use platforms like SoundCloud and Bandcamp, bypassing traditional channels to reach a global audience. Adam’s work has helped to build that bridge, demonstrating that the future of music isn’t bound by commercial expectations, but rather by raw, untapped creativity.

So, don’t just sit back—dive into the shadows with Adam the Shinobi and let his tracks redefine your world. What’s your favorite track so far? Let me know in the comments, and join the ever-growing phonk movement. And if you're hungry for more underground sounds, be sure to check out artists like uicideboy$, Night Lovell, and Ghostemane—they're all pushing the boundaries of what music can be.

#AdamTheShinobi #Phonk #UndergroundMusic #NinjaBeats #MemphisRap #CyberpunkAesthetic #ShadowstepBeats #RegulateThePhonk #SupFoo

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#New music

[randomvarious]

Warren G feat. Nate Dogg - "Regulate" 1994 Hip Hop / G-Funk / Gangsta Rap / R&B

This was such a momentous debut single from Warren G that served as America's top rap tune during the summer of 1994, and the video was put into heavy rotation on MTV too. The song was originally released as part of the soundtrack to the film Above the Rim, which co-starred 2Pac, and that's why you see him also briefly appear in the video a few times as well.

As a smooth west coast hood tale that was based on real-life events, "Regulate" debuted at #2 on the Billboard Hot 100, has now gone double-platinum in the US, and for a label that had been, up until that point, known mostly as a New York entity, became Def Jam's biggest ever single too. The song also helped Warren's debut album, Regulate... G Funk Era, go triple-platinum in the States, and it also reached #2 on the Billboard 200 album chart as well.

Warren, who not only raps on "Regulate," but produced it too, liberally samples Michael McDonald's 1982 blue-eyed yacht-soul classic, "I Keep Forgettin'," and there's a fantastic version of "Regulate" called the "Jammin' Mix" that manages to seamlessly incorporate some of McDonald's and his sister Maureen's vocals from "I Keep Forgettin'" as the chorus. I actually slightly prefer that version to the original, but you also do happen to get a little bit less of Nate Dogg's vocals with it too 😕.

And the iconic whistling portions are lifted from Bob James' 1981 song, "Sign of the Times." Warren slows that whistle down, and along with the introductory dialogue from the 1988 film Young Guns, manages to evoke a Wild West vibe, appearing to draw a parallel between his own modern day-in-the-life story about his friend Nate rescuing him from a robbery, and then them getting some girls for the night, to that of a cowboy's tale that could have taken place in the same region over a century ago.

Legendary west coast rap classic.

Check out this playlist here for more great videos.

[cyarskaren52]

REGULATORS: THE 25 DOPEST G-FUNK SONGS

By Stereo Williams

Published Mon, February 7, 2022 at 12:00 AM EST

West Coast Hip-Hop was already becoming a force. 

In the late 1980s, artists like Ice-T, Too $hort, King Tee and N.W.A. were putting California on the Hip-Hop map and by the dawn of the 1990s, New York City's grip on the rap industry was no longer a given. Producers like Above The Law's Cold 187Um (aka Big Hutch), DJ Quik and most famously, Dr. Dre, began melding their love of the bass-heavy grooves of Parliament/Funkadelic and other bands like Zapp and the Ohio Players, into Hip-Hop beats. The sound that emerged came to be known as G-Funk, and after 1992, it took over the West Coast.

And, in turn, the West Coast would take over Hip-Hop, commercially. After Dr. Dre took G-funk to the mainstream with the success of his solo debut The Chronic, the sound was virtually everywhere. With the Super Bowl Halftime Show putting everyone in a West Coast spirit, we decided to rank the 25 Dopest G-Funk songs. 

#26

"YOUR LOVE IS A 1.8.7." - THE WHITEHEAD BROS [BONUS SONG]

G-Funk was so big in 1993/1994, that it started to influence R&B. One of the most obvious examples was this single from The Whitehead Bros. With its squealing synths and references to murder and automatic weapons, it's a gangstafied love song. 

#25

"SUMMERTIME IN THE LBC" - THE DOVE SHACK

One of the most criminally overshadowed groups of the era, The Dove Shack came out swinging with this breezy ode to Long Beach in the summer. 

#24

"GETTIN' IT" - TOO $HORT W/PARLIAMENT-FUNKADELIC

"We gon' do it like this...on the last album," $hort Dog mournfully announced on this Parliament-assisted banger. Of course, we all know Too $hort was far from finished, but he delivered one of the most prominent latter entries in the G-Funk canon. 

#23

"AIN'T NO FUN" SNOOP DOGGY DOGG FEAT. WARREN G, NATE DOGG AND KURUPT

Yes, it's one of the most problematic songs of all time. But what a banger! Daz ghost-produced this G-funk staple. 

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#22

"DEEZ NUUUTZ" - DR. DRE FEAT. DAT NIGGAZ DAZ, NATE DOGG

Another classic from "The Chronic," and a song that spawned 30 years of eighth grader jokes, the Nate Dogg outro is just perfection. 

#21

"ALWAYZ INTO SOMETHIN'" - N.W.A.

Probably the clearest indicator on N.W.A.'s notorious sophomore album "Niggaz4Life" of where Dr. Dre was about to take things with "The Chronic" a year later. 

#20

"REAL MUTHAPHUCKKIN G'S" - EAZY-E FEAT. B.G. KNOCC OUT AND DRESTA

Eazy-E's diss aimed squarely at Dr. Dre and Death Row, this track was one of the best examples of Ruthless Records' brand of G-Funk, a sound the label rarely gets acknowledgment for. 

#19

"INDO SMOKE" - MISTA GRIMM

A weed theme song for stoners circa 1993, this banger from the "Poetic Justice" soundtrack gave an indication of where Warren G was going to go production-wise. It also memorably provided an intro snippet on Snoop's "Doggy Style" a few months later.

#18

"DUSTED 'N' DISGUSTED" - E-40 FEAT. MAC MALL, SPICE 1, ANT BANKS, 2PAC

E-40 pulls together a who's-who of Bay Area legends for one of the most beloved singles in his catalog. 

#17

"BLACK SUPERMAN" - ABOVE THE LAW

ATL's G-Funk legacy has always been overshadowed by the behemoth that is Death Row, but know that Cold 187um got there first and Ruthless sustained the sound alongside more high-profile camps. 

#16

"LET'S PLAY HOUSE" - THA DOGG POUND FEAT. MICHEL'LE AND NATE DOGG

A song that would become a West Coast backyard boogie staple for years to come, it's Daz in top form, production-wise. But everyone brings their A game here. 

#15

"DOLLAZ & SENSE" - DJ QUIK

Quik takes no prisoners on this infamous MC Eiht diss. Their feud would be one of West Coast Hip-Hop's most notorious, and this track is a classic entry. 

#14

"AFRO PUFFS" - LADY OF RAGE FEAT. SNOOP DOGGY DOGG

The First Lady of Death Row came with it on this hit single from "Above The Rim," an ode to natural hair, gangsta shit and keepin' it funky. 

#13

"DOGGY DOGG WORLD" - SNOOP DOGGY DOGG FEAT. THA DOGG POUND, THE DRAMATICS AND WARREN G

The pimptastic video is one of the most memorable of the 90s; and the groove is pure 70s funk, highlighting how deeply indebted to that era G-funk had been. 

#12

"YOU KNOW HOW WE DO IT" - ICE CUBE

Cube's first album was Bomb Squad bombast and his second outing was looser, but still hard. After enjoying mainstream success with singles like "It Was A Good Day" and "Check Yo' Self," Cube dropped his most obviously G-Funk-leaning single in this West Coast classic. 

#11

"LET ME RIDE" - DR. DRE FEAT. SNOOP DOGGY DOGG AND JEWELL

Dre's love of P-Funk was never more evident than on this Sunday driving anthem. The flip of "Mothership Connection (Star Child)" is perfect and it gave "The Chronic" another hit single. 

#10

"THIS D.J."

Sure, the Nate Dogg-assisted "Regulate" is way more famous. But this follow-up single best sums up the sunny vibe of Warren G's particular brand of G-Funk. He kept it street, but also gave a more laid-back alternative to what was coming out of Death Row at the time. And this is a great summer song.

#9

"CALIFORNIA LOVE" [REMIX] - 2PAC W/DR. DRE FEAT. ROGER TROUTMAN

The original may be more famous, but it's the remix that's pure G-Funk. From that wobbly bassline to those squealy synths and the presence of an electro-funk legend in Roger Troutman himself. 

#8

"WHO AM I? (WHAT'S MY NAME)" - SNOOP DOGGY DOGG

It's so P-Funk-like, it's like you can hear George Clinton sitting in the room. Nobody would ever have trouble remembering his name again. Shoutout to "Atomic Dog." 

#7

"CALL IT WHAT YOU WANT" - ABOVE THE LAW FEAT. 2PAC AND MONEY B

Big Hutch (Cold 187Um) is one of the most underrated producers of all time. It's so funky and Pac and Money B bring some of that freewheeling D.U. energy to the proceedings. 

#6

"BIG PIMPIN'" - THA DOGG POUND FEAT. SNOOP DOGGY DOGG

Daz's spin on G-Funk is so distinct. He goes deep into those bass grooves and this is one of his rubbery best. From the classic "Above The Rim" soundtrack, it helped announce that Tha Dogg Pound was up next. 

#5

"DRE DAY" - DR. DRE W/SNOOP DOGGY DOGG

From that opening thump; you can feel Parliament's influence. This hit from "The Chronic" was the culmination of his sound up that point--and yes, a scorching diss of Dre's former bandmate Eazy-E (and Luke and Tim Dog). 

#4

"REGULATE" - WARREN G FEAT. NATE DOGG

Where the G-Child proved to any late comers that he was more than just Dre's brother. The Long Beach product crafted his own uniquely melodic brand of G-Funk, and this classic epitomized it. 

#3

"TONITE" - DJ QUIK

Another example of G-Funk before Death Row and "The Chronic," DJ Quik's breakout hit wasn't necessarily called "G-Funk" at the time, but when you listen to it now, it's clear that he's pointing towards where so much mainstream West Coast Hip-Hop was headed. 

#2

"GIN AND JUICE" - SNOOP DOGGY DOGG

Another ode to getting drunk as hell, Snoop's second single cemented him as the most unique new voice in the game back in 1994. All these years later, it's a staple of the sound and era, a true G-Funk classic. 

#1

"NUTHIN' BUT A 'G' THANG" DR. DRE FEAT. SNOOP DOGGY DOGG

"Deep Cover" obviously came first, but this was Death Row's first smash and the song that pushed G Funk into the mainstream. Snoop and Dre's chemistry was on fire, and the groove launched a thousand imitators.

Sent from my iPhone

[todayinhiphophistory]

Today in Hip Hop History:

Warren G released his debut album Regulate… G Funk Era June 7, 1994

[zebtron]

Warren G - Regulate (Official Music Video) ft. Nate Dogg Analysis

Overall Content Summary

This is the remastered HD version of Warren G's iconic 1994 hip-hop classic "Regulate" featuring Nate Dogg. The video showcases the quintessential G-Funk era sound and aesthetic, featuring the famous narrative-driven lyrics about a late-night encounter. Released from the album "Regulate…G Funk Era," this track reached #2 on the Billboard Hot 100 and #8 on the R&B/Hip-Hop chart. The video has garnered over 394 million views since its YouTube upload in 2009, cementing its status as a legendary 90s hip-hop anthem.

Key Timestamps Navigation

Due to the nature of this music video, specific narrative timestamps aren't available from the transcript data. The video flows as a continuous 3:58 musical performance without distinct spoken segments.

Time-Sequential Content Breakdown

🎵 Opening & Verse 1 00:00

Warren G establishes the iconic West Coast G-Funk sound with smooth production

Classic 90s hip-hop visual aesthetics with low-rider cars and urban settings

Opening verse sets the narrative tone for the story-driven lyrics

🎤 Nate Dogg's Hook 01:20

Nate Dogg delivers the memorable melodic chorus that became a cultural touchstone

Signature G-Funk harmonies blend rap and R&B elements seamlessly

Video showcases the collaborative chemistry between Warren G and Nate Dogg

🎶 Verse Continuation & Bridge 02:30

Warren G continues the narrative with smooth flow over laid-back beats

Visual elements emphasize the West Coast lifestyle and 90s hip-hop culture

Production maintains the distinctive G-Funk synthesizer-heavy sound

🎵 Final Chorus & Outro 03:30

Song concludes with repeated hooks and melodic elements

Video maintains consistent visual theme throughout to the end

Classic fade-out typical of 90s hip-hop production style

Note: This legendary track represents a pinnacle of West Coast G-Funk and remains one of the most recognizable hip-hop songs of the 1990s, with its smooth production, memorable hooks, and cultural impact spanning decades.

[tha-wrecka-stow]

[pjswave]

G-funk in the LBC I was born in Socal around the era of G-funk. While I was too young at the time to enjoy it, there was a sense of pride knowing the street names and places that these rappers talked about in their music whenever these songs were played at parties. I once went to a Halloween party in Long Beach, and I’ll never forget the sea of mostly strangers rapping along to these G-funk tracks. While I was only familiar with the chorus of the songs, they knew every word and recited them together between the brick apartment buildings. It reminded me of what happens when someone plays a Selena song at my Latino family parties, sort of like a joint karaoke concert where the closest object available becomes a microphone. Long Beach City had historic shutdowns of factories and Naval bases in the early 90’s. During this time, the Black community of Long Beach had fewer occupational opportunities to choose from, and struggles relating to poverty were prevalent. This set the tone for the rise of G-funk, a style of rap made famous by musicians like Snoop Dogg, Warren G, Dr. Dre, and many more. The sound of G-funk(short for “Gangsta Funk”) is known for its laid-back grooves, house-party vibes, and repping for communities of color. G-funk in its own is a form of resistance to a society that often viewed it negatively with its association of drugs and gang culture. As fewer job opportunities were left for the Black community, those who popularized G-funk on the West Coast found its creation to be a valid way to make money in a system that was built against their favor. During this era of low economic stimulation, a rise in drug and gang culture was seen within the communities of color, and G-funk/Hip Hop/Rap culture was a creative stance of empowerment made by the lower class in Long Beach and the surrounding area(LA/Compton, etc). Gin and Juice serves as an anthem for those surviving troubles involving racism and oppression. Its unbothered delivery and laid-back lyrics give power to the self, unallowing outside forces to break their walls and bonds. Nothin’ But a G Thang by Dr. Dre and Snoop Dogg sheds light on the community of Long Beach/Compton. The music video takes us from shots of cruising cars to house parties, which come together to set the tone for this era of music. They deliver smooth lyrics that exemplify the “cool” of gangsta life, all while putting their hometowns on the map. Regulate by Warren G and Nate Dogg is a strong example of the self and other ideology of togetherness. It’s a representation of their LBC lifestyle. It feels like a rap duet, which further showcases their strong bond. They define G-funk near the end of the song by letting us know that part of its uniqueness comes from the bass singing the melody instead of the bass being an accompaniment to the melody. Nothin’ But a G Thang by Dr. Dre and Snoop Dogg sheds light on the community of Long Beach/Compton. The music video takes us from shots of cruising cars to house parties, which come together to set the tone for this era of music. They deliver smooth lyrics that exemplify the “cool” of gangsta life, all while putting their hometowns on the map. The importance of music and its significance within the cultures that create it help bring not only their respective communities together, but many outside that can relate to it, or simply just vibe to it. G-funk still has a heavy influence on the rap created today. It can be heard in songs like King Kunta by Kendrick Lamar from its choice in samples and lyrical content.

[sdierdorf]

A Tale of Regulation

You’re probably familiar with the 90’s song “Regulate” by Warren G and Nate Dogg. (If you’re not, watch the video. It’s a classic.)

But even fans of this song might not know that its story is actually an update of a much older tale! It turns out that “Regulate” is based on a popular story from a Victorian-era periodical called “Adventure Stories for Men”. Read the original below, and follow along with the lyrics to “Regulate” on Rap Genius to see how it was adapted for a modern audience.

* * *

The Dawn of The Gentlemen’s Funke

A Raucous Tale of Derring-Do In Which the Acquaintance of Ladies Is Made, A Musical Revolution Is Begun, And A Regulation Is Necessarily Performed

“Regulators! We regulate any stealing of His property. We're d—ed good, too! But you cannot be any geeke without bona fides—you must be friendly with the flintlock, if you take my meaning. That is to say: earn thy keep!” —The Right Hon. Sir Charles Bowdre

T’was a clear black night, and a clear white moon hung heavy in the sky. I, Lord Warren G—, was driving the streets in my carriage of an evening, in search of ladies’ calling cards. I was rolling in my ride and becalmed, but all alone.

I cross’d to the east-side of Lower Bunbury, Cotswaldshire, with but one aim: to locate Lord Warren G—. As an aside, I have just seen a carriage full of ladies, but, unlike some men of my station, I do not feel out of sorts. This is because all ladies of good breeding in this region understand the implications of an encounter with the gentlemen who reside in the two-hundred and thirteenth district!

So: I turned my carriage left at the intersection of 21st Street and Lewis Avenue and there espied some gentlemen playing at dice. 

"Let us proceed!” I exclaimed. 

I leapt out of my carriage, and I greeted the men.

"Well met, sirs!" I said.

But alas, these knaves pulled some miniature Gatling guns from beneath their cloaks and aimed them in my direction.

"I am stuck," I lamented.

Since the ladies I mentioned are now paying me attention, I decide to impishly pilot my carriage back and forth upon the macadam. These ladies—who, in confidence, are dressed so provocatively as to resemble painted women—are so taken aback by my antics that they drive their own carriage straight into the curb! 

With that, my libidinous jocularities are concluded. But then, at that precise moment, what do I see but the very Lord G— himself, surrounded by a group of bounders who have him ‘in the mix’!

I am getting jacked, Dear Reader. And I have no one to blame but myself! I simply cannot believe that these villains are absconding with Lord Warren G—’s valuables. They took my precious rings! They took my Swiss chronometer!

I regarded the rogues evenly and said, "D—n, gentlemen. What is next?"

These blackguards have my compatriot dead to rights! They could not hope to defeat him in a fair fight, by the Marquess of Queensberry’s rules, of course. But this is no fair fight, and I fear for the life of my dear friend. Given the situation, I feel I must draw my own hand-gun in anger, before Lord G— suffers injury.

These churls have their pistolas to my temple. I fear I have breathed my last. I can scarce believe I shall suffer such an ignominious death in my own demesne! I dream that I’m an angel, escaping heavenward on wings of gossamer.

But then: what could this be? A quick glance down the avenue reveals none other than my boon companion, Sir Nate, speeding towards me in his carriage!

Using the seventeen bullets in my hand-gun (sixteen in the gun’s magazine, the one remaining bullet already loaded into the chamber), I, Sir Nate D—, am about to send these bandits to the D—l! As I fire, they drop to the ground and exclaim to one another about their ill fortune, but it is too late. It is a regrettable situation, but Lord G— and Sir D— had no choice but to regulate!

[The gentlemen dance.]

My hand-gun’s report explodes in the night air, and soon the highwaymen are most violently killed. With that matter sorted, I turn my attentions back to the fairer sex. As you may recall, I encountered some women whose carriage had errantly veer’d curb-side. I would suppose that they are still there…

It is known widely, both at home and abroad, that Sir Nate D— is always able to locate ladies in want of calling cards, and this evening was no different, in spite of the circumstances. Before the unpleasantness, I was of a similar mind myself. Let us therefore sally forth, we two: Sir D— and Lord G—!

We returned to the earlier scene, and my suspicious were confirmed: the ladies, their carriage disabled, were in dire need of assistance. Lord G— and I, gentlemen both, were naturally happy to lend aid. 

One of the ladies in question had an aspect that was quite pleasing to the eye, and I paid her this compliment.

She blushed slightly and replied, “Prithee, sirrah, but as you can see, my carriage is the worse for wear. You seem a kind sort. Might I and my coterie ride with you into town?” 

So now I find myself in my carriage with a fine lady and her hand-maidens, bound directly for the inn in the neighboring town to the east, that the ladies may find accommodation. Once there, mayhap we might share a toddy! Huzzah!

[The gentlemen dance.]

I hereby declare that I preside over the dawning of a new era—the era of The Gentlemen’s Funke! I dare you to say otherwise! This funke is on a level heretofore never seen!

This funke is so overwhelming that it will cause you to finally realize that there is no difference ‘twixt rhythm, bass, and treble!

Our musical approach employs both chords and strings to produce a powerful melodic funke that supports our mantra: that life and rhythm are inexorably intertwined.

If you fully understand our fighting prowess, you will avoid confrontation with us! For this is the era of The Gentlemen’s Funke: a funke in the grand tradition, but overlaid with an element of danger that is the special bailiwick of fighting-men such as ourselves.

‘Tis true that we spend a fair portion of each day smoking pipe-weed from the Silk Road, but don’t be confused: if you attempt to assault our honor, the two gentlemen from area two-hundred and thirteen (that is to say, myself and the Lord Warren G—) will be forced to perform a violent regulation upon your person!

[eventseeker789]

Warren G

Warren G is an American rapper, producer, and songwriter who emerged as a key figure in the West Coast hip-hop scene during the 1990s. Born Warren Griffin III on November 10, 1970, in Long Beach, California, he is best known for his 1994 hit single "Regulate", featuring Nate Dogg, which became a defining anthem of the G-Funk era. Warren G's smooth production style blends funk-inspired beats with laid-back grooves, contributing significantly to the genre's popularity. As Dr. Dre's stepbrother, Warren G had early exposure to the music industry, and his collaborations with artists like Snoop Dogg and Tupac solidified his legacy as a pioneer of West Coast rap.