#The Cabin at the End of the World

[the-woman-upstairs]

Favorite Horror Novels I Read in 2023:

[gordonstanheight]

stumbled upon a $3 copy of the cabin at the end of the world by paul tremblay and got soo excited like omg……. read it the first time immediately after finishing the shyamalan adaptation and it is just too good. i couldn’t walk out without it

[ill-try-to-do-book-reviews]

The Cabin at the End of the World

Paul Tremblay

RATING: 🕯🕯🕯🕯🕯 (5/5)

The Cabin at the End of the World is a horrifying tale of homophobia, cultism, and perhaps even Catholic guilt. It has a slow start, but when it picks up speed, it absolutely does not stop. No matter where you are in this book, you will not figure out the ending. You will find yourself questioning if maybe this little pseudo-cult is right, and you will wonder up until the very end about who, if anyone, is going to make it out of this story alive.

SUMMARY: Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault.” Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.”

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

MY DETAILED REVIEW (SPOILER WARNING):

This story is fucking gut-wrenching. There were times that I had to take a break from reading for my own sanity, despite how much I wanted to keep going until all of my questions were answered.

And all of your questions will not be answered. Is the apocalypse actually happening? Who fucking knows. But really, isn't that the point? It doesn't matter if the apocalypse is happening or not - because we will go on.

Normally, I'm not a reader pushed on by romance. I could normally not care less if the protagonists have somebody waiting for them back home - it just doesn't motivate me to read any faster than if I were already hooked. But Eric and Andrew's love for each other, and their love for Wen, it was a pretty big factor in my finishing of this book in 7 hours, 48 minutes. I wanted, needed, to know if their small little family would make it out alive. I couldn't bear the thought of little Wen being without one of her dads, or one of her dads being without his husband, or, gods forbid, her dads being without their daughter.

Wen's death was a gut punch. Not a wholly unexpected one, I admit, but still a heart shattering moment to know that the little girl they had fought so long and hard for had died. And, though I do regret to admit it, the fact that she died so unceremoniously.

A gruesome death befell everyone in our story, and narratively, it is rather fitting that Wen was shot, on accident, by a man who loved her and a man who lied to her and took advantage of her trust and naievity.

As much as I feel whether the apocalypse was real or not does not matter to the story, I also can't help but find myself making my own interpretations of whether or not it was. As a born Christian, now pagan, I found myself on Andrew's side for a majority of the book.

But what is all the more frightening is how I was also finding myself beginning to believe Leonard and his gang, just like Eric.

I made notes to myself throughout my reading that I was predicting Eric was going to give in and believe, at least partially out of Catholic guilt, once that second earthquake and tsunami hit. Finding myself to be partially right was vindicating, but finding that I am also susceptible to cult-like mentalities, especially on the basis of end-of-the-world, the-Rapture-is-here talk that is so engrained into my mine, was also a reminder. A reminder that no matter how sure you are of yourself, you are not immune to propaganda.

Anyways, as for whether I believe the apocalypse or not, no. I think that it was a religious nutjob who rallied other religious nutjobs. Granted, I cannot explain whether Redmond or O'Bannon was stalking Andrew or if it was n unfortunate coincidence that they were the ones at the cabin, or anything like that. There are questions I have leaving this book that I do not have enough evidence to base an idea or theory or solid answer off of.

All in all, The Cabin at the End of the World is a gut-wrenching story that had me biting my fingers in suspense from start to finish. I have a feeling it is going to be one of those books that you read once and the story sticks with you for the rest of your life. Regardless, a physical copy is in my future, because I loved this book from front to back.

[hail-dondus]

what the fuck do you mean wen dies in the book-

[proceduralbob]

They wonder if one or both or neither of them is crazy and they wonder if it even matters. They wonder if the other has always been as weak as they are now.

The Cabin at the End of the World, Paul Tremblay

[bookskittychad]

might start tender is the flesh

[alley-cat777]

Book Review: The Cabin at the End of the World by: Paul Tremblay

No matter how bleak or dire, end-of-the-world scenarios appeal to us because we take meaning from the end… there’s also undeniable allure to witnessing the beginning of the end and perishing alone with everyone and everything else. The Cabin at the End of the World by: Paul Tremblay Initial Thoughts: This book will keep you up at night. It’ll make you question whether the mysterious visitors are…

[perfectionistwannabe]

The Most Anticipated Horror Book of the Summer: Horror Movie

It is rare that I come across a book that surpasses all others. A diamond in the rough, so to speak. Of the hundreds of books I peruse each year, I may come across one, maybe two books, each year that sit with me long after I’ve turned that last page. These are the books I take my time with. I don’t rush through them over the course of one or two days. I take over a month to read that book. It’s…

[bookcoversonly]

Title: The Cabin at the End of the World | Author: Paul Tremblay | Publisher: William Morrow (2018)

[the-woman-upstairs]

Read Incidents Around the House and The Cabin at the End of the World back-to-back if you want to terrify yourself out of ever becoming a parent.

[idontreallyexistyet]

just finished ‘The Cabin at the End of the World’ by Paul Tremblay. I will not be watching the movie I don’t think. but holy shit, I can and will ramble about this book for hours. Later ofc, right now I’m sobbing and you will leave me to my misery for a while.

can you tell I love it?

[alexmfrank]

The Cabin at the End of the World

By: Paul Tremblay Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is…

[swan2swan]

The more things change, the more things stay the same, eh, Darius?

[voiceofthe]

princess concept i've been thinking about is like. let's just go all in on those options that are like "no i'm fine with the world ending." you go down to the basement and tell her that you were sent to kill her because she's going to end the world, and that's why you're going to get her out of there. the princess, momentarily shocked and wanting to protest, quickly readjusts to the idea. the narrator completely flips out and tries to take over as quickly as possible. i'm tentatively calling the chapter 2 of this the harbinger with a chapter 3 being the dawn

[maddymoreau]

🌍 + Unknown ^_^

Send 🌍+ a series and I'll tell you a fact about my self insert!

Songs that make me thing of her:

Exist for Love - Aurora

Under Your Spell - Snow Strippers

Tw: Character threatening noncon (over the phone) and strangulation.

( ☞ ˙ワ˙)☞ As a heads up, all my Self Inserts are named Madison/Maddy, including my Unknown Self Insert. Also, in order to explain my Self Insert I have to talk about Grant, since the two are the opposite of each other when it comes to three things.

Grant is eight years older than the player. So for my Self Ship he's thirty-four years old. Grant has lived a very full life with multiple past relationships, friends, and a successful career.

He used to be in the Army until his Lieutenant made a bad call, resulting in all of Grant's Squad/Friends getting killed. The only survivors were Grant and his Lieutenant, who he drifted apart from after the Army.

Note: That's the Lieutenant's messed up photo from another game.

When Grant left the military, he moved into his parent's old log cabin. Later, he sees the player in town, starts stalking them, and eventually kidnaps them.

Meanwhile, my Unknown Self Insert is a twenty-six year old who has struggled with issues isolating herself (social recluse).

She recently moved to the city/town for a fresh start, sometime before Grant. Unfortunately, the quote, "Wherever you go, you take yourself" reflects her situation. As moving to a new place didn't change anything.

She isn't happy with where her life is at. She feels behind others her age, both career-wise and socially.

Madison works as cashier for a home improvement store (like Home Depot/Lowes/Ace Hardware). She's working at a dead-end retail job until she can figure out something else. Her dream job is being an artist, which feels unattainable since it won’t provide her with financial stability. This has caused her to suffer from art block.

She's unsure what to do to since her future feels bleak.

Before being kidnapped, Madison was an extremely lonely person. She doesn’t have any friends, isn’t close to any of her coworkers, and has felt disconnected from the rest of society for a very long time. She feels like there’s something wrong with her that she can't pinpoint but everyone else sees. That everyone got a manual on how to be human except her.

Madison is extremely insecure. Due to her lack of confidence, she tends to put walls up since she's afraid of rejection and failure. However, she desperately wants to break out of this self-destructive cycle she's in. She's TRYING to change, but is struggling.

Her insecurities about herself, her passions, and future are a HUGE contrast to Grant, who is EXTREMELY confident in himself.

For example, in the game, Grant calls the player under the ruse of receiving a fake number.

He'll call them again and ask, "Hi there. Yea, it's me again. I just had to ask. Why would someone who was hitting it off with someone else turn around and then give them a fake number afterwards?"

The player can later say, "Sometimes it's cause they just don't find the other person all that attractive."

To which Grant responds, "What? No. I'm plenty attractive. Lots of women find me attractive."

Also, insulting Grant doesn't really work as he tends to turn it back onto the player.

Player: "You're a fucking creep! YOU'RE SICK!"

Grant: "Mmmm . . . That I am dear. But only for you."

Player: "Getting off on just my breathing huh? You must be a two pump chump!"

Grant: "Whether I am or not, there's other ways to make you scream. And either way. I'll still be filling you with my hot cum. Wait. . . . right . . . I was suppose to be insulted, wasn't I? I'm sorry dear, let me try again. Oh . . . forsaken me . . . Woe is my manhood."

He chuckles to himself as if he was incredibly funny. I don't find myself laughing though.

Grant: "I do love talking to you sweetheart. But I think it's time now."

However, his confidence isn't like a stereotypical egotistical cocky character, but rather it's something he views as simply a fact. Like yes, he's objectively attractive and hasn't struggled to date.

His confidence is what makes him so terrifying. That he without a doubt believes the player will eventually submit to him.

Grant is so convinced the player will given in, that he can accidentally kill you. Since he believes you'll stop resisting and sleep, if you refuse and try to stay awake he'll accidentally strangle you to death.

It's one of the few endings where you're killed.

There's also two scenes where the player can threaten Grant with a knife. However, Grant doesn't take your threat seriously at all.

Player: "Stay the fuck back!"

He doesn't listen though, instead he starts to walk forward towards me.

Player: "I said-"

Grant: "Yea, I heard you sweetheart. But we both know you don't have what it takes to use that thing. So, why don't you just put it down."

Depending on the player's choice he CAN get stabbed:

The other scene where you threaten him with a knife:

Player: "STAY BACK!"

He lifts his hands slowly but without caution.

Grant: "Sweetheart . . . This is very disappointing of you. Why are you fighting me?"

Player: "Stay back or I'll stab you!"

He lets out a long sigh but continues to slowly walk towards me.

Grant: "You wouldn't stab me my beloved. Now put the knife down."

I find it interesting the way Grant is so confident that you won't stab him that he approaches you without any caution. Technically, Grant does have military experience, which could add to that. However, I'm pretty sure that lore wasn't added until after the game's release. So it's not that Grant believes he can handle you, but that he 100% believes you don't have what it takes to do it. Something he's so confident about that could end with him getting stabbed.

Grant feels very optimistic about the future and is convinced after kidnapping her, that, in his own words: "We're going to be the best couple there ever was."

While Madison felt very grim about her future. When Grant kidnaps her, he takes her away from all her problems and fears. While unintentionally giving her a new fear (him) and a new goal (escaping).

Since she's isolated (and possibly restrained):

She's now no longer dealing with the issues that plagued her for so long. The stress of paying bills and figuring out what career path she wants to follow. One that will both pay well, and she's happy with.

Art that was once the skillset she never felt good enough at now has turned into a creative outlet for the situation.

Also, since Grant kidnapped her, she's not able to interact with anyone outside him. Which also means she is no longer is at risk of facing rejection or judgement from others.

As horrible as the situation with Grant is, it's one of the first times she's ever felt fully accepted. Since she can’t turn to her coping skills by running away or isolating herself after being kidnapped. She’s forced to spend time with him and be vulnerable. It’s very jarring since she has so desperately craved to connect with another human being. Yet it’s happening with the worst person imaginable.

Due to her low self-esteem she has mixed feelings over Grant's obsession with her. She tries to rationalize it in her head, but it just feels so nice to be desired. To be complimented and praised.

Grant: "You're so beautiful. So precious. I knew you were the one for me the moment I saw you. You're perfect. In every way."

Due to not having very high hopes for her future overtime, she subconsciously develops a fear of returning to society. After all, if she escapes and Grant is arrested she'll truly be alone again.

There's this HUGE fear of restarting. Just because you've been kidnapped doesn't mean the world stopped moving. You still lose your apartment and job. Everyone else continued to live their lives and the world you already struggled to feel a part of functioned fine without you.

So, when you so desperately want to be loved and accepted, having someone say that they unconditionally accept you and all they want in return is for you to love them, sounds so enticing.

Grant: "I'm going to take real good care of you. You don't have to work anymore. Or do anything. All you have to do, is love me. There's nothing to be afraid of. I'm going to be real good to you."

It doesn't help her and Grant have this natural chemistry. That he also desperately wants the player to reciprocate even though it's super unrealistic they would. To the point you can use it to your advantage in the game.

In one of the routes after Grant breaks through your apartment window, you can scream for help and he'll grab your mouth. He'll then pull you over to the couch and telling you to not do that again. The player afterwards can try to stall for time with the hope that one of their neighbors has called the police after hearing you scream.

Grant: "I have to get you home."

Player: "Can't we just stay here?"

I pat the couch invitingly.

Grant: "Nice try. We both know you don't mean that."

He starts to dig for something out of his pocket.

Player: "But what if I did?"

He pauses before he pulls it out all the way.

Grant: "What if . . . you did?"

He thinks it over for a moment.

Player: "You could . . . come sit with me. Watch some tv . . . talk?"

He eyes dart around the room in contemplation.

(HE'S ACTUALLY CONTEMPLATING ADFN;LAKDJ. She was screaming for help two seconds ago there's no way she actually wants to- BUT WHAT IF?!!!!!!!)

Grant: "Why the change of heart?"

He's not foolish enough to fall for it that easily and the police arrive before you can answer but oH MY GOD.

In the beginning, Madison would occasionally fight against him. However, she quickly stops since she doesn't want to constantly be punished and is scared he's going to accidentally kill her. Instead, she plays the waiting game looking for an opportunity to attempt to escape. Until she just has one moment where a flip switches inside her, wondering what she's even fighting to return to.

A life with Grant she's guaranteed to know what she gets. Meanwhile, life outside is scary and filled with uncertainty. Even though Grant is the thing she should fear most overtime he becomes a source of comfort and the outside world is what scares her.

As long as she stops fighting then everything will be okay :)

Grant: "I know, it's really scary but I'm not going to hurt you unless I have to. Everything's going to be ok."

Grant: "I don't want to hurt you Maddy. That's not what I want."

Player: "Please don't hurt me. Please . . ."

Grant: "Shhh . . . I'm not here to hurt you. I could never hurt you."

He pulls my head backwards and places a kiss on the top of it.

Grant: "There's no need to be scared. See?"

Somehow I just can't agree.

Grant: "Let me make this simple for you Maddy. You don't want to get stabbed. I really don't want to have to stab you. So come quietly and neither one of us have to do something we don't want to. Just cause I don't want to, doesn't mean I won't. You're likely to be easier to handle if you're wounded."

I try to showcase her transition in some of my commissions:

Unaware of the stalking: Drawn by Saccharineheartx

The night of the kidnapping: Drawn by Toxictrashdump

Being held captive at Grant's log cabin: Drawn by Ohmenthamo

Confused about her feelings: Drawn by Eliotlime

I gave Eliotlime creative freedom with what the Mini Maddys would be doing, but asked if they could have mixed emotions. Like one angry, scared, shy/embarassed, and the other lovey/affectionate.

Madison initiating affection: Drawn by Bebbyb00

Acceptance: Drawn by UnusualMuffin-Art

Shown through them being silly and lovey-dovey together.

[tuesday-teyz]

I'll have you guys know that I have become a rabid Slay The Princess Fan and the chances of Teyz writing an STP & dsmp crossover are no longer zero