#Travel Interpreter

[otaku553]

I really wanna here more about the time travel au. What would c!vanilla and r!vanilla think of each other?

Tbh! I can’t really tell by the abbreviations which one is c and r so I’m sorry about that 😔

But here’s a summary of what I think they think of each other:

On a conscious level both of them realize that the other is themself but they are so removed from each other in age and demeanor that they treat each other as different people, if that makes sense.

In young Pure Vanilla’s mind, he of course is scared of what in the future makes him turn so apathetic to the world, and so reluctant to give and receive kindness. But more importantly, his adult self needs comforting and healing and that’s what he can control and can do for him.

In Truthless Recluse’s (I’ve been calling him Dark Vanilla for the most part as an alias he would use in the AU) mind, he is prepared to protect his child self from Shadow Milk by any means possible and is initially on a hair trigger looking for any signs of Shadow Milk Cookie’s early influence. However, he is slowly but gradually realizing that Shadow Milk Cookie influenced his memories when they interacted, and re-experiencing them from this outside perspective is giving him a tiny bit more peace of mind for the safety of his child self. But this also means that he’s done a lot to himself in the future based on the words of Shadow Milk and is blaming himself for having changed so drastically. He doesn’t believe that he himself will ever be fit to hold the title of hero again, but he does believe that his child self’s potential is separate from his and that child Pure Vanilla, with his boundless kindness, is fully deserving of all the status and power to come his way in the future.

[anormalf1sh]

Girl just destroyed a whole endangered species and is feeling good about herself

[devilcatdarling]

Ghost and Grimmchild doodle <3

[sysig]

How far did you get? (Patreon)

[m1nsur0]

“In Mount Huaguo, a day unlike any other unfolded. The Mandrill Chief was leaping through the mountains when she suddenly saw the celestial stone on the mountaintop explode, producing a stone egg. As the wind blew over it, the stone egg transformed into a stone monkey. The Mandrill Chief approached to observe, and the stone monkey began to mimic, learning to crawl and walk.”

- Mandrill Chief In-Game Journal entry

[mostlyihyperfixate]

Can't believe Phoenix thinks it's appropriate to passive aggressively drop hints that he wants Miles to send him more flowers in the middle of a murder trial

a man is dead, boys; I think this can wait

[yardsards]

do people who have listened to taz balance but not graduation Know that it was HEAVILY IMPLIED that lup and barry eventually adopted a lil sorcerer child who got disowned by his family for his natural necromancy magic, and they taught him how to use his powers for good and were overall great parents that he looks back on fondly

(and said child grew up to be a dimension-hopping lich, caretaker of the dead, and very sweet adoptive father of a major npc)

[catthestampede]

Danny Phantom, Billy Batson and Jason Todd are all the same age

In a kind or better world, they would’ve formed a new superhero team, the three of them 

But instead, Jason died at 15

Danny Fenton never went to the basement 14

And Billy Batson‘s best friend died at 15

Which led to none of the meeting each other and not forming a team that would’ve stopped the world from ending 

Now ???? Has been sent 40 years into the past to ensure

one voice survival

one boy death

and one boys reason

can ???? They do it? 

[starzarealligned]

Feb 6, 2025 vs March 31, 2025

I never realized how much I improved until today and I couldn’t be happier ❤️ Both pics are art pieces from my fancomic "Anemoia" where Sonic is basically wiped out of all multiverses but one and try’s to find a way to restore the original timelines! I SRSLY DUNNO WHEN ISSUE 1 WILL BE OUT, IM SUPER LAZY BUT HOPEFULLY THE PROCESS WILL BE PLEASING TO YOU ALL 😭ALL POSTS RELATING TO THE COMIC WILL BE UNDER THE HASHTAG #AnemoiaAu

[kylermalloy]

Sometimes I don’t think people understand the point of deterministic time travel stories.

(For the purposes of this post, a deterministic universe refers to a story in which there is only one timeline. Even if time travel exists, the characters cannot go back and change things, so to speak. In a deterministic universe, they would’ve always time-traveled, so the “changes” they attempted were already there, and nothing was altered. Think Interstellar, in which Cooper sends himself to NASA from the future.

By contrast, a branching timeline story would allow changes. Traveling through time assumes a new set of events and/or people who were not present the “first time around,” and so events can be altered, to the point of erasing established history. Think The Butterfly Effect, in which changing the smallest thing balloons out into an entire alternate reality.)

Whenever I hear people discuss a deterministic model of time travel, they seem to be under the impression that those characters are trapped by some nebulous fate or destiny, and that’s why things can’t change. The time-travel mode chosen by the author for the story has locked them into this particular set of events, they’ll posit, and no matter what the characters do, they are literally unable change it.

I couldn’t disagree more!

A deterministic timeline is a trap, to be sure—to us, the audience. The characters are free to make whatever choices they want.

I started thinking about this because of Attack on Titan, how Eren sees a glimpse of himself causing the rumbling from his father’s memories.

So many analyses will claim that’s why Eren started the rumbling later in the story—that from the moment he saw the future, he was somehow locked into that particular course of action. He was destined to kill millions whether he wanted to or not.

But…no. Eren didn’t cause the rumbling because he saw himself do it in the future. He’s not the audience looking in on his own story (not in that way, at least). He isn’t figuring out that there is only one timeline, or that he was fated to cause so much death. He doesn’t even know that he’s in a time loop where everything happens the same way every time!

No! Eren isn’t thinking about time travel physics—which are made-up anyway. Eren isn’t thinking Well I HAVE to do it, since I saw it in Dad’s memories. (Well, he probably does think that. As an excuse.)

Eren makes the choice to start the rumbling because that’s the choice he will always make regardless. That is who he is as a person. It’s a tragic flaw. It’s his character.

I’ve also been thinking about this because of Netflix’s Dark—a time-travel show I heartily recommend. It too has a single timeline, in which many characters meet older—and then younger—versions of themselves, and they pass along information bootstrap-paradox style.

The first time I watched the show, I had this passing thought—how did these characters remember exactly what their older selves said to them, so they could replicate the conversation when they were the older self?

It was a silly question, and the more I watched the show, the more I came to understand: The show is not about ~replicating~ or ~preserving~ events in the timeline. They’re not sacred, as some time-travel stories would have you believe. No, the single timeline never changes because the characters don’t change.

When Jonas, the protagonist of Dark, meets his older self, he can’t believe the shell of a man he’s become. He can’t believe himself capable of saying the things he’s saying, or doing the things he does. He’s not cataloguing the information passed to him so he can one day say it back to his younger self—that’s stupid.

I was caught in a fallacy of bootstrap paradox—how did they know what to say? Where’d those words come from? Well, where all words come from.

Older Jonas is speaking from his heart. He too had believed fervently that he would never become the person he is—but the day has arrived, and now he’s on the other side of the door. He’s saying the words while his younger self is frozen in disbelief. He’s not replicating a conversation he remembers—the words he says are the words he would say regardless. That’s what he’s always said, because that’s who he is.

This little quandary serves as a microcosm for explaining everything about deterministic time-travel. Both Eren and Jonas see themselves in the future doing horrible things. Becoming a version of themselves they would never dream of being.

As much as they tell themselves that’s not me, I would never do that, and even vow to find a way to prevent that future, they both fail in that endeavor. They both experience profound hopelessness and loss, and they eventually give in to their desires and their hopelessness and become the worst, murderous versions of themselves.

And they both, funnily enough, tell themselves and others that it was just fate. It was how things had to be. Inevitable.

This is a lie.

Eren always had the capacity for terrible violence. Jonas was always capable of manipulation and single-minded ruthlessness. Those are their character flaws. The sneak peeks they received of their futures weren’t showing them what they had to do. They made those choices of their own free will. As much as they fought against what they would become, as much as they protested that isn’t me, it was them. And they become those monsters anyway.

It’s only inevitable in the way a tragedy is inevitable.

Tragedies come about because of characters’ choices and flaws—not because the author or the timeline or fate is puppeteering them into these horrible ends. Romeo and Juliet aren’t doomed to die because the opening narration tells us they do. They’re doomed to die because they’re young and impulsive and desperate to escape the cycle of hatred their families perpetuate. It’s a tragedy because they’re scared teenagers and because the feud that drove them together, apart, and then to death was pointless.

It wasn’t inevitable. At any point, they could’ve put down the loaded gun (narratively speaking) and walked away. Romeo didn’t drink the poison because he heard the opening lines about him taking his life. Juliet didn’t watch the rest of the play and go alas, I have no choice, ‘twas foretold. O happy dagger! No! They both made those choices because of who they are as characters and the circumstances they were in.

But because we’re the audience, and we’ve been told the ending, we feel trapped in it. We’re the ones being granted a sneak peek into the future. We watch the story unfold with growing horror, because there are so many outs!

Romeo could have not killed Tybalt. Juliet could have entrusted her letter to a faster rider. They could have just not gotten married after eighteen hours. They could have spilled the secret and asked for help. This entire tragedy seems so preventable—but we’re trapped watching it happen regardless.

So when Eren says he has no choice, he’s not saying that because his vision of the future locked him into that course of action. Eren chooses to start the rumbling because that’s what Eren would do. He tells us himself—his disappointment in the outside world made him want to flatten everything and start anew.

Jonas too chooses to become the worst version of himself because he believes only he can make the world right. He has to—he feels responsible, like he doesn’t have any other choice. He wants to destroy the timeline and his family. He wants to tear it all down, because he can’t let go of the people he loved and lost.

The future does not dictate Eren’s and Jonas’s actions. Eren’s and Jonas’s characters dictate the future.

Maybe seeing themselves do it in the future helped them give permission to themselves to start something so unthinkable—but make no mistake. It was always just them.

(And I don’t say this as a condemnation of either character. We have all had those impulses. Sometimes we just want to tear it all down.)

But getting that glimpse into the future doesn’t absolve them of their choices, either. These two always had another choice. They just chose causing the apocalypse every single time.

(Well, that’s not completely true. Dark and Attack on Titan have different endings—Jonas receives new information that changes his perspective on everything. He learns the truth about the time knot, and that growth and recognition is enough to help him finally make a different choice—one that actually ends the loop. Eren could have made a different choice, too. He just doesn’t.)

Dark sums it up better than I ever could: “Man can do what he wills, but he cannot will what he wills.” In other words: You can do whatever you want, but you cannot make yourself want to do something else. Time travel only highlights that struggle for us.

[wewere-here]

giggling and kicking my feet while imagining Night!Traveler

[muchmossymess]

This fandom shit is easy

[margaretcruzemark]

The never ending summer of my mind.

[starlene]

Not going to get overly excited before I actually have my Pie Experience Seat (incl. a meat or a veggie pie) booked...

but I have to say, just the fact that the upcoming Finnish concert production of Sweeney Todd has Pie Experience Seats to begin with feels invigorating to me. Finnish musical theatre is healing??

[shaylogic]

[jasminepaolini]

there is a universe where ons jabeur has two wimbledon titles but unfortunately we're not in it.