#Trivikram srinivas

[vennilave]

Mahesh Babu as Bhogineni Veera Venkata Ramana

Guntur Kaaram (2024) dir. Trivikram Srinivas

[desigrrrl]

Telugu Movie Dialogue #1

movie: athadu.

నిజం చెప్పకపోవటం అబద్దం, అబద్దాన్ని నిజం చేయాలనుకోవటం మోసం

Not telling the truth is lying, but wanting to make a lie the truth is deceit.

nijam chepakapovadam adabham, abhadhani nijam cheyali anukovadam mosam

నిజం - truth

చెప్పకపోవటం - not telling -> cheppu (tell) [root] + aka [negative] + povu (going) [aux. verb] + adam [suffix]

అబద్ద�� - lie

అబద్దాన్ని - lie itself - abadham [root] + ni [suffix]

నిజం - truth

చేయాలనుకోవటం - want to make - cheyyu (make) [root] + ali [stem] + anukon (think) [refl. -> aux. verb] + adam [suffix]

మోసం - cheating/deceit/treachery

complete dialogue (as in, with context) available here.

[telugufundahyd]

Trivikram Srinivas Unveils Rentala Jayadeva’s ‘Mana Cinema: First Reel’ Book in Grand Launch- Telugu Funda

Renowned filmmaker Trivikram Srinivas unveiled the much-anticipated book Mana Cinema: First Reel, written by celebrated journalist and Nandi Award-winning cine critic Dr. Rentala Jayadeva. The launch event was held at the Boyi Vijayabharathi venue during the Hyderabad Book Fair and drew eminent personalities from diverse fields.

The book, published by Emesco Publications, is the result of Jayadeva’s meticulous 25-year research on the history of South Indian cinema. It delves into the early days of filmmaking, tracing the evolution of cinema across Telugu, Tamil, Kannada, and Malayalam languages.

A Star-Studded Launch Event

Trivikram Srinivas presented the first copy of the book to IRS officer Krishna Koundinya and the second copy to Emesco’s co-chairman Vijay Kumar. The event witnessed participation from notable figures such as:

Mamidi Harikrishna, Director of Telangana Language and Culture Department

Acharya D. Chandrasekhar Reddy, a mentor to Jayadeva

Afsar, a poet and critic

Kalpana Rentala, Jayadeva’s sister and an accomplished writer

Dasharath, director

Indira Parimi, senior journalist

Trivikram fondly recalled his first meeting with Jayadeva in Chennai during his early struggling days. Praising Jayadeva’s passion for cinema, he said, “Jayadeva’s writing captures the essence of films with rare authenticity. His new book is gripping, much like the first reel of a great movie.”

Insights into “Mana Cinema: First Reel”

The book offers a compelling narrative, providing insights into South Indian cinema’s formative years. Trivikram noted that the book captivates readers within the first ten pages, akin to how a film draws audiences into its story. Despite its 500-page length, the director remarked he found it easy to read and immensely engaging.

Jayadeva’s detailed research even clarified the release date of India’s first Telugu talkie, Bhakta Prahlada. Emesco’s Vijay Kumar and IRS officer Krishna Koundinya lauded Jayadeva for his groundbreaking research.

Words of Gratitude

Dr. Rentala Jayadeva expressed heartfelt thanks to his family, particularly his sister Kalpana Rentala, who inspired him to write this book. He dedicated the work to the many mentors and figures who shaped his career.

The launch of Mana Cinema: First Reel marks a significant milestone in celebrating South Indian cinema’s legacy. Readers and cinema enthusiasts alike will find this book a treasure trove of history and insight.

[telugusitara]

Poonam kaur : త్రివిక్రమ్ శ్రీనివాస్ పై సంచలన వాఖ్యలు చేసిన పూనమ్ కౌర్

[movienized-com]

Guntur Kaaram

Guntur Kaaram (2024) #TrivikramSrinivas #MaheshBabu #Sreeleela #MeenaakshiChaudhary #RamyaKrishnan #Jayaram Mehr auf:

Jahr: 2024 (Januar) Genre: Action / Drama / Familienfilm Regie: Trivikram Srinivas Hauptrollen: Mahesh Babu, Sreeleela, Meenaakshi Chaudhary, Ramya Krishnan, Jayaram, Prakash Raj, Jagapathi Babu, Ajay, Rajiv Kumar Aneja, Brahmaji, Ajay Ghosh, Vennela Kishore … Filmbeschreibung: Guntur Karam, der König der Unterwelt der Stadt Guntur, verliebt sich in eine Journalistin, die die illegalen…

[flash-fresh]

Jagapathi Babu Opens Up About Mahesh Babu's "Guntur Kaaram": "It Became Messy, Difficult to Finish"

Telugu actor Jagapathi Babu, known for his versatile roles in cinema, recently shared candid insights about his experience working on Mahesh Babu's film "Guntur Kaaram." While Jagapathi Babu has been a sought-after antagonist in the industry, his involvement in this project didn't quite meet his expectations.

In a revealing interview with Times Now, Jagapathi Babu expressed initial optimism about the film, acknowledging its potential scope. However, as production progressed, the experience turned sour for the actor. He admitted, "I would love to work with Mahesh Babu always. But, to be honest, I didn’t enjoy 'Guntur Kaaram'. It was supposed to be very different, with more characterisation. Unfortunately, it became sort of messy after a while, making it difficult to finish."

Despite his professional commitment, Jagapathi Babu emphasized the importance of maintaining high standards in their collaborations. "I did whatever I had to do," he remarked, "I don’t want to waste our combinations on such films; it should be the best."

While Jagapathi Babu and Mahesh Babu have delivered blockbuster hits like "Maharshi" and "Srimanthudu," "Guntur Kaaram" fell short of expectations. The film received mixed reviews and faced tough competition at the box office during the Sankranti season.

Directed by Trivikram Srinivas, "Guntur Kaaram" marked Mahesh Babu's comeback after a two-year hiatus. The star-studded cast also included Sreeleela, Meenakshi Chaudhry, Ramya Krishnan, Prakash Raj, Sunil, and Jayaram. Despite its challenges, Mahesh Babu's next venture with SS Rajamouli promises to be an exciting adventure, described as an Indian rendition of "Indiana Jones."

[bigtvmojify]

అలసిపోయిన గురూజీ !! | Trivikram Srinivas Mythological Movie Update | Allu Arjun | NTR || BIG TV ET

అలసిపోయిన గురూజీ !! | Trivikram Srinivas Mythological Movie Update | Allu Arjun | NTR || BIG TV ET Watch LIVE Stream : https://www.youtube.com/watch?v=ueJsgNKeq8c 🔔 Subscribe to our channel ✅ Stay Connected to Us. 👉 Website: https://ift.tt/mf4hybY 👉 Facebook: https://ift.tt/eGWldM6 👉 Twitter: https://twitter.com/bigtvtelugu 👉 WhatsApp: https://ift.tt/0gfoDc5 👉 Instagram:…

[newseee]

'BRO' to be released in USA by People Cinemas

Power Star Pawan Kalyan and Sai Dharam Tej are going to be seen together in director Samuthirakani's fantasy comedy 'Bro'. This remake of the super hit Tamil movie 'Vinodhaya Seetham' is produced by TG Vishwa Prasad and co-producer Vivek Kuchibotla on People Media Factory. Trivikram Srinivas, who is fondly referred to as the Telugu Wordsmith, is providing screenplay and dialogues for the big-ticket film. In recent weeks, every single update related to 'Bro' has only added to the ever-surging expectations.

The first look of 'Bro' has received a stunning response, thanks to the well-staged look of Power Star Pawan Kalyan. The recently released teaser is another stunner, amassing millions of views on YouTube.

The much-awaited movie will hit the screens on July 28 in a grand way. People Cinemas is going to release the highly anticipated movie in the US.

[playermagic23]

SHOCKING: Near House-Full shows of Hanuman replaced with that of Mahesh Babu’s Guntur Kaaram

Last month, the screen sharing issues over Shah Rukh Khan-starrer Dunki and Prabhas-starrer Salaar became the talk of the town. Bollywood Hungama was the first to report the viral news that Salaar makers had decided to pull their film from PVR Inox and Miraj properties in the South after they accused the multiplex chains of ‘unfair trade practice’. A few hours later, thanks to the impact of the article, all parties renegotiated the deal. It was expected that show-sharing would take place. Alas, it didn’t happen. Instead, exhibitors were asked to play either of the two films. As a result, some opted for Dunki while others decided to play Salaar. However, what unfolded in the Telugu industry over the last few days is much more shocking than Salaar vs Dunki screen sharing fight.

On Monday, the exhibition sector across the country got a shock when the famous Prasads Multiplex, Hyderabad cancelled nearly sold-out shows of Hanuman and replaced them with that of Mahesh Babu-starrer Guntur Kaaram. The social media was abuzz with pictures of the famous theatre’s booking page. Earlier, Hanuman had 15 shows and later, the 1:00 pm, 1:30 pm and 7:50 pm shows of Hanuman were cancelled. Meanwhile, Guntur Kaaram was earlier playing in 7 shows. Later on, it got four more shows. A similar scenario was also reported in other centres in Telangana.

An exhibition source told us, “It’s unheard of to see a show, which is nearly house full, being replaced by shows of a film which is not doing as well. This is unacceptable and it would have been understandable if Guntur Kaaram had a huge demand too. However, it hasn’t performed as per expectations while shows of Hanuman are full everywhere. The demand for it is crazy and yet, it’s getting a raw deal.”

Another exhibition insider commented, “Theatres have the power to reduce or increase shows. But this happens as per the demand and supply usually. In an ideal scenario, Hanuman’s shows should have increased while that of Guntur Kaaram should have reduced since the latter is a crowd-puller. But in this scenario, the opposite has happened.”

On Saturday, January 13, a complaint was filed with the Telugu Film Producers Council (TFPC) by Hanuman’s makers alleging unfair theatre practices. TFPC released a statement stating that Mythri Movies Distributors LLP (the distributor) had made an agreement with some theatres in Telangana to screen Hanuman from January 12. But some theatres did not honour the agreement and failed to show the film. Hence, the distributor and producer, Niranjan Reddy, filed a complaint with the TFPC.

The statement remarked that “The theatres did not screen the movie Hanuman as per the agreement. The distributors and producers suffered huge losses. So these theatres must immediately start showing the movie Hanuman and bear the loss so far”. It also said that “Such moves affect the entire Telugu film industry which runs based on faith, morality and justice”.

Hanuman and Guntur Kaaram were not the only Telugu releases during the Sankranthi festival week. Venkatesh-starrer Saindhav released on January 13 while Nagarjuna-starrer Naa Saami Ranga arrived in cinemas on January 14. Hanuman, nevertheless, has emerged as the dark horse as it collected more than Rs. 50 crores in four days and is set for a huge run. Even in Hindi, it has performed beyond expectations.

Meanwhile, On Tuesday, January 16, Prasads Multiplex is playing just 6 shows of Hanuman while Guntur Kaaram has been provided with 8 shows. Interestingly, on Wednesday, January 17, the situation will be reversed as the modern mythological entertainer will have as many as 10 shows while the Trivikram-directorial has been allotted only 6 shows.

[odnewsin]

Did Ram Charan replace Allu Arjun in Sandeep Reddy Vanga's flick? Here's the scoop

Allu Arjun opting out of Trivikram Srinivas’ ambitious mythological project, reportedly due to fallout, has been making headlines. Well, amid this, new reports are doing rounds that Allu Arjun also backed out of #AA23 (working title) with Sandeep Reddy Vanga. Now, reports are coming that Vanga is collaborating with Ram Charan for his next.

[mobilemasalaa]

Khaleja re-release date - Mobile masala

https://www.hindustantimes.com/ht-img/img/2025/05/30/550x309/Khaleja_re-release_1748593781484_1748593792122.jpg

Frustration Boils Over: Mahesh Babu Fans Create Ruckus After Iconic Scenes Cut from ‘Khaleja’ Re-Release

With special premieres held in a few theatres the day before, the 2010 Mahesh Babu film Khaleja, directed by Trivikram Srinivas, was re-released in 4K in theatres on May 30. However, when fans waited in line to see the cult favourite movie, they were taken aback by the absence of certain scenes. Soon after, videos and images of supporters arguing with the theatre administration over the film's incompleteness made their way online.

Khaleja is the subject of chaos caused by Mahesh Babu fans.

Many moviegoers expressed their displeasure with the team on X (previously Twitter) over the lost footage. "Orey song cut chesaru ani chepali kadha raa mundhey fans tho aatalu adadhu @KhalejaTheFilm direct adham pagal d*****u manolu cinema api d*****u, Sunday monday song ledhu movie lo," one devotee wrote alongside a video of spectators bickering with the projectionist while the movie was playing. (You must inform the audience in advance if you intend to edit footage. Here, fans shattered glass and prevented the film from playing. The song for Sunday Monday is not included.

For more on Bollywood entertainment news, trending celebrity news, latest celebrity news, and new movie reviews, stay tuned!

[desicinema2]

Exploring Regional Cinema: Tamil, Telugu, Marathi, and Beyond

While Bollywood often takes the spotlight, regional cinema in India is just as integral to the country’s cinematic identity. In this post, we’ll explore the rich diversity of regional cinemas, including Tamil, Telugu, Marathi, and others, highlighting how they have shaped the broader landscape of Indian desicinema.

Tamil Cinema: Kollywood’s Global Influence

Tamil cinema, known as Kollywood, has long been one of the most influential film industries in India. The Tamil film industry is renowned for its strong storytelling, larger-than-life characters, and its blend of drama, action, and music. Legendary actor Rajinikanth is the face of Tamil cinema, with a cult following in India and worldwide. His films like Baasha (1995) and Kabali (2016) have grossed millions and earned international acclaim.

Kollywood also boasts the works of filmmakers like Mani Ratnam, who revolutionized Tamil cinema with films like Roja (1992) and Bombay (1995). His films skillfully combine social issues with romance and music, and they have earned a place in both national and international film festivals.

Telugu Cinema: Tollywood’s Epic Narrative

Telugu cinema, often referred to as Tollywood, is known for its massive budgets, grandiose spectacles, and larger-than-life storytelling. The Baahubali franchise (2015, 2017), directed by S.S. Rajamouli, redefined what was possible in Indian cinema, pushing technical boundaries while weaving an epic tale of politics, power, and love. The film’s success catapulted Telugu cinema into the global spotlight, and its visual grandeur set a new standard for Indian filmmakers.

Tollywood is also known for its innovative filmmakers like Trivikram Srinivas and Sukumar, who blend entertainment with thought-provoking themes. The success of RRR (2022), another Rajamouli masterpiece, further solidified Telugu cinema’s global reach, winning international accolades and widespread admiration.

Marathi Cinema: The Heart of Realism

Marathi cinema has a distinct identity within Indian cinema, known for its realistic storytelling and focus on social issues. The Marathi film industry has been a platform for filmmakers who explore the struggles of ordinary people. Films like Swaas (2004) and Court (2014) have won acclaim at prestigious international film festivals.

Marathi desicinemas also gave rise to some of India’s finest actors and directors. The works of directors like Nandita Das (Firaaq, 2008) and films such as The Disciple (2020) highlight the unique narratives that Marathi filmmakers offer, often dealing with themes of identity, culture, and modernity.

Punjabi Cinema: The Cultural Renaissance

Punjabi cinema is another rapidly growing industry that resonates with both Indian and international audiences, particularly in the diaspora communities. The industry saw a surge in popularity in the 2000s with films like Jatt & Juliet (2012) and Carry On Jatta (2012), which mixed comedy with drama and showcased Punjabi culture in a fresh, engaging way.

Moreover, Punjabi cinema is also producing socially relevant films, such as Chauthi Koot (2015), which deals with the 1980s Sikh insurgency. The diversity of Punjabi cinema allows for a wide range of narratives, from light-hearted comedies to serious historical dramas.

In conclusion, regional cinema is an essential part of the Indian film industry. Each regional industry has its own unique style, and their stories offer fresh perspectives on culture, society, and human emotion. As global interest in these films grows, regional cinema is helping redefine what Indian cinema is all about.

[news365timesindia]

[ad_1] Mahesh Babu has just seen through the release of arguably one of the most anticipated Telugu films for the year - Guntur Kaaram. The film fared well at the box office. Now, the movie featuring Mahesh Babu and Sreeleela in lead roles is back in theatres for a limited period of time in Hyderabad.Guntur Kaaram to re-release in theatres?Mahesh Babu’s Guntur Kaaram was released on January 12, 2024, with high expectations. Even though the film was liked by audience, it received mixed reactions during its theatrical run. The makers have planned limited re-release only in Hyderabad. Five special shows have been planned on the last day of 2024.For the unversed, Guntur Kaaram is directed by Ala Vaikunthapurramuloo famed director Trivikram Srinivas, stars Mahesh Babu, Sreeleela and Meenakshi Chaudhary in the lead roles. The film also features veterans like Ramya Krishnan, Jagapathi Babu, and Prakash Raj in important roles. File photo of Sreeleela in Guntur Kaaram | Source: IMDbGuntur Kaaram’s box office performanceGuntur Kaaram opened to a good start at the box office but was unable to build on it due to a lack of good word-of-mouth. The film managed to bring in numbers during the Sankranti period, but after the holiday period ended, it plummeted dramatically. The Mahesh Babu starrer performed slightly better in Coastal Andhra, where the Sankranti boost was strongest, with final numbers similar to Sarkaru Vaari Paata, but the latter film was an under performer. Nizam closed with a dismal ₹47 crore, of which ₹19 crore came on the first day alone.Poster of Guntur Kaaram | Source: IMDbIn Telugu states, the film earned ₹129 crore, the lowest for a Mahesh Babu film since Maharshi in 2019. The film fetched record prices for a Mahesh Babu film from distributors, who lost a significant portion of their investment. The film needed a ₹105 crore share in APTS to break even, but only got ₹73 crore, Pinkvilla reported. [ad_2] Source link