#Voltage Controlled Studio No.3 | Explore Tumblr posts and blogs

geotechharper · 2 months ago

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GIM-5 Multi-channel Intelligent Resistivity & IP Meter: Redefining Subsurface Imaging Standards

Technological Paradigm Shift: From Conventional Methods to Intelligent ERT Systems

The High-Density Electrical Method, as an advanced evolution of DC Electrical Sounding, achieves 2D/3D Electrical Resistivity Imaging through intelligent electrode array networking. At its core lies Electrical Resistivity Tomography (ERT), which constructs millimeter-precision geological models by analyzing the three-dimensional distribution of subsurface electrical parameters.

Traditional single-channel systems are constrained by low data acquisition efficiency (daily coverage <0.5 km²) and limited detection depth (<500m). The GIM-5 system revolutionizes this with its 5-channel parallel acquisition architecture and patented segmented cabling technology, delivering:

400% efficiency improvement (daily coverage >5 km²)

Detection depth exceeding 1,500m

8x higher data density compared to conventional methods

Core Innovation: Engineering Implementation of Intelligent Acquisition

1. Multi-mode Electrode Management System

Featuring titanium alloy deep-water electrode arrays and bidirectional cascade controllers, the system enables:

IP68 underwater operation (100m depth endurance)

20% electrode fault tolerance

Auto grounding detection (±5Ω accuracy)

Technical Parameter Comparison:MetricConventional SystemsGIM-5Max Channels15/10 (expandable)Voltage Accuracy1%±5μV0.3%±1μVDynamic Range±24V±48VPower Output800W3,200W

2. Hybrid Array Synchronization Technology

Breaking through traditional Wenner-Schlumberger array limitations, GIM-5 pioneers the Tripole-Bipole Hybrid Mode:ρa=K⋅IΔV

With dynamically adjusted K-values, this innovation achieves:

30% vertical resolution enhancement (0.1m thin-layer identification)

50% lateral coverage expansion

40% reduction per measurement cycle

Full-scenario Applications: From Mineral Exploration to Urban Underground Space

1. Environmental Engineering Monitoring

In contaminant plume tracking Project, GIM-5’s 4D resistivity imaging demonstrates:

300×300m site scanning in 48 hours

Precise identification of 3 chloride sources (positioning error <2m)

Dynamic diffusion model accuracy R²=0.93

2. Urban Geological Surveys

In Metro Extension Project results using cross-hole measurement:

0.5m³ karst cavity detection at 30m borehole spacing

92% geological anomaly prediction accuracy

60% cost reduction vs traditional drilling

Intelligent Data Processing: Forward Modeling to Dynamic Inversion

1. Forward Modeling Optimization

GIM Studio software integrates FEM-BEM Coupled Algorithms, significantly accelerating modeling:

Complex geology modeling time: 6.8 minutes (vs 42 minutes conventionally)

Grid precision: 0.1m×0.1m×0.1m

2. Inversion Algorithm Advancements

ANN-TD Hybrid Inversion Architecture performance:Algorithm TypeResolution GainTime CostMemory UsageConventional LSQBaseline120min8GBNeural Network+40%25min3GBTime-Dynamic+65%18min5GB

Sustainable Engineering Solutions

GIM-5’s modular design enables full lifecycle management:

SPB900 Smart Power Unit: 850WH Li-ion battery with multi-unit series support

Segmented Cable System: 70% replacement cost reduction

OTA Wireless Updates: Firmware upgrades without factory return

Explore Revolutionary GIM Series Now

Visit Product Page Now https://geotechcn.net/products/electrical-instrument/gim-1-single-channel-intelligent-resistivity-ip-meter%e4%b8%a8high-density-resistivity-tester/

Whether you’re engaged in environmental monitoring, mineral exploration, or urban underground space development, the GIM Series DC Electrical System delivers tailored solutions. Our product page features:

Technical comparisons of full series (GIM-1/GIM-5/GIM-10)

Latest underwater detection kit specifications

Typical engineering configuration packages

Global case study video demonstrations

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eclecticreviewpeace · 3 months ago

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Buy New VSMART BVSM-340 Battery online

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Brand New VSMART BVSM-340 replacement battery for VSMART Mobile Phone 3500mAh/13.30Wh 3.80V

SPECIFICATIONS:

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Description for VSMART BVSM-340 Battery :

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thefanstudioindia123 · 6 months ago

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The Ultimate Guide to Choosing the Best Stand Fans in India for 2025

As summer temperatures continue to rise across India, having an effective cooling solution becomes a necessity for homes and workplaces. Stand fans, also known as pedestal fans, have remained a popular choice due to their ability to provide a refreshing breeze efficiently.

Whether you're setting up a new space, replacing an old fan, or upgrading to a more advanced model, this guide will help you find the best stand fan in India for 2025.

Why Choose a Stand Fan?

Before diving into the best stand fans available, let's explore why these fans are a preferred cooling option. They offer several benefits, including:

Portability: Unlike ceiling fans, stand fans can be moved easily from one room to another.

Adjustable Height: Allows you to position the airflow exactly where it's needed.

Space-Saving: These fans require minimal space and can be stored conveniently when not in use.

Affordable Cooling: More cost-effective than air conditioners while still providing relief from the heat.

Energy Efficient: Consumes significantly less electricity compared to air conditioning units, making it a sustainable choice.

Factors to Consider When Buying a Stand Fan

To make an informed choice, consider the following aspects before purchasing a stand fan for your home or office:

1. Fan Size

The size of the fan plays a crucial role in determining how well it circulates air. Select the right size based on your room dimensions:

Small rooms (up to 100 sq ft): 16-18 inches

Medium rooms (100-250 sq ft): 20-24 inches

Large rooms (250+ sq ft): 24 inches or more

2. Airflow and Speed Control

A stand fan’s primary purpose is to improve air circulation. Look for models that offer multiple speed settings (low, medium, high) so you can customize airflow intensity as per your comfort.

3. Oscillation Function

Fans with an oscillation feature distribute air more effectively across the room. Most modern stand fans provide oscillation ranges between 90-180 degrees, ensuring better air coverage.

4. Noise Levels

A noisy fan can be a distraction, especially in bedrooms or workspaces. Opt for a model designed for quiet operation while maintaining strong airflow.

5. Durability and Build Quality

A fan’s lifespan depends on the materials used in its construction. Choose models made of high-quality plastic or metal with a sturdy base to prevent tipping, especially at high speeds.

6. Energy Consumption

To keep electricity bills low, go for an energy-efficient fan. Many modern stand fans come with power-saving features, ensuring comfort without excessive energy use.

7. Design and Aesthetic Appeal

While functionality is the priority, the design also matters. Today’s stand fans come in stylish, modern designs that complement your home or office decor.

8. Additional Features

Some advanced stand fans offer:

Remote Control: Adjust settings from anywhere in the room.

Timer Function: Schedule the fan to turn off after a set duration.

Smart Features: Operate the fan via mobile apps or voice assistants like Alexa and Google Assistant.

LED Display: Easily monitor speed, oscillation, and timer settings.

Top 4 Stand Fans from The Fan Studio for 2025

For those looking for stylish and high-performance stand fans, The Fan Studio offers a premium selection. Here are four top picks:

1. Hana Air Circulator

A sleek and powerful fan, the Hana Air Circulator is designed to deliver superior airflow. It comes with an energy-efficient motor, adjustable height, and oscillation control for customized cooling.

Specifications:

Motor Finish: Matt Black

Sweep: 24 inches

Voltage: 220V

Power Consumption: 70W

Blade Finishes: Available in wood (Natural Teak, Walnut Lite, Walnut Dark, Rosewood) and metal (Matt Black, White, Charcoal Grey, Smoke Brown, Pewter, Aluminium Silver, Antique Bronze)

Hana Air Circulator: A stylish yet efficient solution for keeping your space cool.

2. Pedestal Metal Fan

This fan is built with a sturdy metal frame to ensure stability, even at high speeds, while offering excellent air circulation.

Specifications:

Motor Finish: Matt Black

Sweep: 16 inches

Voltage: 220V

Power Consumption: 65-70W

Blade Finishes: Available in various metal shades

Pedestal Metal Fan: A blend of durability and powerful cooling performance.

3. Pedestal Wooden Fan

Perfect for those who prefer a classic or rustic aesthetic, this fan features wooden blades and a durable metal frame, offering timeless elegance and efficient cooling.

Specifications:

Motor Finish: Matt Black

Sweep: 16 inches

Voltage: 220V

Power Consumption: 75W

Blade Finishes: Available in wood (Natural Teak, Walnut Lite, Walnut Dark, Rosewood) and metal options

Pedestal Wooden Fan: A sophisticated addition to any space with optimal cooling efficiency.

4. Tripod Pedestal Fan

With a modern tripod design, this compact yet powerful fan enhances the look of any room while providing effective cooling.

Specifications:

Motor Finish: Matt Black

Sweep: 16 inches

Voltage: 220V

Power Consumption: 50-60W

Blade Finishes: Available in various wooden finishes

Tripod Pedestal Fan: A unique and stylish fan that delivers exceptional airflow.

Final Thoughts

Choosing the best stand fan in India for 2025 depends on factors such as room size, airflow needs, energy efficiency, and additional features. Whether you need a high-powered fan for a spacious room or a quiet model for your bedroom, there is an ideal option for you.

Before purchasing, evaluate key aspects like motor power, noise levels, oscillation, and energy consumption to ensure the best value for money. Investing in a high-quality stand fan guarantees long-lasting comfort and efficient cooling for years to come.

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howzitsa · 6 months ago

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HP EliteDesk 800 G2 Mini Intel Core i5 6th 65W Designed for every demand Blast through your most demanding challenges with the uncompromising performance of 6th Gen Intel® Core™ processors,[2] Intel® HD 530 Graphics, and optional high-end discrete graphics and HP Turbo Drive.[3] Seriously secure Help protect your PC and maintain maximum uptime with a suite of solutions that help stop security breaches, including HP BIOSphere[4] with SureStart. Make durability a reality Get the reassurance of a PC that goes through 120,000 hours of HP Total Test Process and is designed to pass MIL-STD testing.[5] Add an optional Dust Management Solution for enhanced reliability in dusty environments. Expand with ease Extend the life of your investment with a toolless chassis and a range of expansion slots, bays, ports, and connectors for the most demanding business needs. SPECIFICATIONS: General Platform Technology Intel vPro Platform Type Personal computer Product Form Factor Mini desktop Built-in Devices Speaker, hood sensor Embedded Security Trusted Platform Module (TPM 1.2) Security Chip Localization Language: English / region: United States Processor / Chipset CPU Intel Core i5 (6th Gen) 6500T Clock Speed 2.5 GHz Max Turbo Speed 3.1 GHz Number of Cores Quad-Core CPU Upgradability: Upgradable Processor Main Features: Intel Turbo Boost Technology 2 CPU Socket: LGA1151 Socket Chipset Type: Intel Q170 Cache Memory Installed Size: 6 MB Cache Per Processor: 6 MB RAM Installed Size: 8 GB Technology: DDR4 SDRAM - non-ECC Effective Memory Speed: 2133 MHz Rated Memory Speed: 2133 MHz Memory Specification Compliance PC4-17000 Form Factor: SO-DIMM 260-pin Slots 2 (total) / 1 (empty) Features Unbuffered, dual channel memory architecture Configuration Features: 1 x 8 GB Hard Drive Type: HDD Capacity: 1 x 500 GB Interface Type: SATA 6Gb/s Spindle Speed: 7200 rpm Storage Controller Type: 1 x SATA Controller Interface Type: SATA 6Gb/s Optical Storage Type: No optical drive Graphics Controller Graphics Processor: Intel HD Graphics 530 Dynamic Video Memory Technology Video Interfaces: VGA, DisplayPort HDCP Compatible: Yes Max Monitors Supported: 3 Audio Output Sound Output Mode Stereo Max Sampling Rate 192 kHz Compliant Standards High-Definition Audio, DTS Studio Sound Input Device Type Mouse, keyboard Keyboard Keyboard Name HP Business Slim Keyboard Interface USB Localization & Layout US Mouse Interface USB Networking Ethernet Controller Intel I219-LM Wireless LAN Supported Yes Wireless NIC Intel Dual Band Wireless-AC 8260 Data Link Protocol Ethernet, Fast Ethernet, Gigabit Ethernet, IEEE 802.11b, IEEE 802.11a, IEEE 802.11g, IEEE 802.11n, Bluetooth 2.1 EDR, IEEE 802.11ac, Bluetooth 4.1 Remote Management Protocol DMI Features Wake on LAN (WoL), PXE support, auto-uplink (auto MDI/MDI-X) Compliant Standards IEEE 802.2, IEEE 802.3, IEEE 802.3u, IEEE 802.3i, IEEE 802.1Q, IEEE 802.3ab, IEEE 802.1p, IEEE 802.11b, IEEE 802.11a, IEEE 802.11g, IEEE 802.11i, Wi-Fi CERTIFIED, IEEE 802.11n, IEEE 802.3az Expansion / Connectivity Bays 1 (total) / 0 (free) x internal 2.5" x 1/8H Slots 1 (total) / 0 (free) x CPU | 2 (total) / 1 (free) x SO-DIMM 260-pin | 1 (total) / 0 (free) x M.2 Card (x1 mode) | 1 (total) / 1 (free) x M.2 Card (x4 mode) Interfaces 1 x headphones - mini-jack (1 in front) | 1 x headphones/microphone - mini-jack (1 in front) | 1 x USB-C 3.0 (1 in front) | 6 x USB 3.0 (2 front, 4 rear) | 1 x VGA | 2 x DisplayPort | 1 x LAN (Gigabit Ethernet) - RJ-45 Miscellaneous Theft/Intrusion Protection Security lock slot (cable lock sold separately) Security Slot Type Kensington security slot VESA Mounting Interface 100 x 100 mm Compliant Standards ACPI, CCC, CECP, SEPA, low halogen Manufacturer Selling Program HP Smart Buy Power Device Type Power adapter Voltage Required AC 120/230 V (50/60 Hz) Power Provided 65 Watt Efficiency 89% Power Factor Correction Yes (active) Operating System / Software OS not provided Environmental Standards ENERGY STAR Certified Yes

#REFURBISHED #REFURBISHED_DESKTOP #6TH_GEN #CORE_I5 #ELITEDESK_800_G2 #HP #INTEL #MICRO #SMALL_FORM_FACTOR #TPC_P055_DM

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linuxgamenews · 1 year ago

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Explore the Exciting World of Electric Trains with High Voltage DLC

High Voltage DLC is due to make its way onto Railway Empire 2 which is playable on Steam Deck and Linux via Windows PC. Thanks to the brilliant team at Gaming Minds Studios. Due to make its way onto Steam. Big news from Kalypso Media and Gaming Minds Studios – the new DLC, Railway Empire 2 – High Voltage, is sparking its way to your screens on July 30th. Coming to Linux and Steam Deck (Verified) via Windows PC. It's time to electrify your railway empire. In High Voltage, you'll dive into the exciting world of electric trains. Due to leave those old steam engines in the dust. This DLC is packed with great new content, like 10 historically accurate electric locomotives. Leading the charge are the PRR GG1 Blackjack and Ce 6/8 III Krokodil, true legends of railway tech from the early 20th century.

Railway Empire 2 | Release Trailer

youtube

You'll also get to explore the stunning Swiss countryside and race through Europe on a brand-new map – Switzerland. This map isn't just about the views; it's also about the cargo. You’ll be transporting 10 new goods, including Swiss Pocket Knives, Herbal Candies, and even Cheese Fondue. These unique items will boost your revenue like never before. Take control in two new scenarios – High Voltage and Power to the People. In these, you'll master the art of high-speed, efficient train travel, ensuring your passengers and goods get where they need to be quickly and profitably.

What’s New in High Voltage?

The Age of Electrification: Step into a new era as electric trains start due to take over from steam giants. Get ready for some serious speed and efficiency upgrades.

Fully Charged Locomotives: You’ll have 10 carefully recreated electric locomotives at your disposal. So you can experience the power of the Ce 6/8 III Krokodil and the PRR GG1 Blackjack. Plus, enjoy 3 new electronic locomotive sounds that bring these machines to life.

New Scenarios: The DLC also features two fully voiced scenarios, "High Voltage" starting in 1914, and "Power to the People" beginning in 1920. These challenges will test your skills as you navigate the shift to electric power.

Swiss Expansion: Expand your empire across the middle of Europe with the new Switzerland regional map. Since you can play it as one large map or in five detailed sections.

Unique Swiss Goods: Transport iconic Swiss products like Pocket Knives, Herbal Candies, and Cheese Fondue. These new items add variety and profit potential to your routes.

Fresh Tunes: Get into the groove with 20 new music tracks and jingles. They’re designed to immerse you in the high-energy world of electric trains. Railway Empire 2 – High Voltage is due to hit Steam on July 30th. Mark your calendars and get ready to power up your railway empire. Playable on Linux and Steam Deck (Verified) via Windows PC. So, if you're ready to jump into the future of railroads, this content is for you. It’s packed with everything you need to take your game to the next level. Don’t miss out the base title, on sale via Steam (20% off) and Humble Store (15% off). Dropping the price to roughly $39.99 USD / £36.79 / 39,99€.

#railway empire 2 #high voltage #dlc #linux #gaming news #gaming minds studios #ubuntu #steam deck #windows #pc #Youtube

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ezrajteboul · 1 year ago

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Book available for preorder

"Modular Synthesis: Patching Machines and People" is available for preorder. The release date is April 30th, and it will be available in pdf, paperback and hardback.

Introduction - Andreas Kitzmann and Einar Engström

Preface (All Patched Up: A Material and Discursive History of Modularity and Control Voltages) - Ezra J. Teboul

1. The Buchla Music Easel: From Cyberculture to Market Culture

Theodore Gordon

2. Modular Synthesizers as Conceptual Models

Jonathan De Souza

3. A Time-Warped Assemblage as a Musical Instrument: Flexibility and Constauration of Modular Synthesis in Willem Twee Studio 1

Hannah Bosma

4. Interview

Dani Dobkin

5. Gordon Mumma’s Sound-Modifier Console

Michael Johnsen

6. Artist Statement: Switchboard Modulars – Vacant Levels and Intercept Tones

Lori Napoleon

7. Eurorack to VCV Rack: Modular Synthesis as Compositional Performance

Justin Randell and Hillegonda C. Rietveld

8. Strange Play: Parametric Design and Modular Learning

Kurt Thumlert, Jason Nolan, Melanie McBride, and Heidi Chan

9. Grid Culture

Arseni Troitski and Eliot Bates

10. Modular Ecologies

Bana Haffar

11. Ourorack: Altered States of Consciousness and Auto-Experimentation with Electronic Sound

William J. Turkel

12. Patching Possibilities: Resisting Normative Logics in Modular Interfaces

Asha Tamirisa

13. Draft/Patch/Weave: Interfacing the Modular Synthesizer with the Floor Loom

Jacob Weinberg and Anna Bockrath

14. Composing Autonomy in Thresholds and Fragile States

David Dunn and David Kant

15. Virtual Materiality: Simulated Mediation in the Eurorack Synthesizer Format

Ryan Page

16. Interview: Designing Instruments as Designing Problems

Meng Qi

17. Interviews with Four Toronto-based Modular Designers

Heidi Chan

18. Interview

Dave Rossum

19. Interview

Paulo Santos

20. Interview

Corry Banks

21. Modular Synthesis in the Era of Control Societies

Sparkles Stanford

22. Randomness, Chaos, and Communication

Naomi Mitchell

23. Interview

Andrew Fitch

24. From "What If?" to "What Diff?" And Back Again

Michael Palumbo and Graham Wakefield

25. Interview: The Mycelia of Does-Nothing Objects

Brian Crabtree

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toneburst · 2 years ago

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Эдуард Артемьев

30.11.1937, Новосибирск — 29.12.2022, Москва

уходят легенды, помню его юбилейный вечер в СПб Филармонии 11.12.2012, очень жаль!

Дискография

LP. «AHC — синтезатор» (Э. Артемьев — С. Крейчи, музыка к кинофильму «Космос»). «Мелодия»: 1972. D 25631—2 (СССР).

«АНС» [ANS synthesizer] (в честь композитора Александра Николаевича Скрябина) фотоэлектронный оптический музыкальный инструмент, сконструированный советским инженером Евгением Мурзиным в 1958, один из первых в мире многоголосных музыкальных синтезаторов, в 1959 Мурзин получил на своё изобретение авторское свидетельство.

LP. «Siberiade». Bande originale du film d’Andrei Konchalovsky. «Le Chant Du Monde»: 1979, LDX 74719 (Франция).

LP. «Метаморфозы» (Э. Артемьев, В. Мартынов, Ю. Богданов). Электронные интерпретации классических и современных произведений. Аранжировка для синтезатора Synthi-100. «Мелодия»: 1980, С10—13889-90 (СССР).

«Синти-100» (Synthi-100) выпускала английская фирма EMS (Electronic music Studios) c 1974 года. Всего было собрано около 30-ти экземпляров. Стоил он 25 000 долларов (сейчас в разы дороже). Построил его русский по происхождению инженер, пото��ок князей Долгоруких - Пётр Зиновьев. В Москве на фирме «Мелодия» проводилась выставка мировых достижений в области музыкальных технологий, где и был представлен и «Синти-100». К композитору Д. Шостаковичу пришла целая делегация композиторов с просьбой написать письмо советскому премьер-министру А.Косыгину о целесообразности приобретения этого инструмента. А.Косыгин письмо подписал и Синти-100 привезли в Москву. Установкой синтезатора занимался сам Пётр Зиновьев и несколько инженеров от EMS. Он обладал внушительными размерами, являясь инструментом сугубо стационарным, напоминая огромный письменный стол, под которым находилась двухмануальная (то есть верхняя и нижняя) клавиатура. По сути, он объединял в себе три синтезатора EMS VCS 3 (Electronic Music Studios Voltage Controlled Studio с 3 осцилляторами). Для производства звука в синтезаторе задействуются 12 генераторов (для сравнения - синтезатор Minimoog обладает тремя генераторами). Генераторы «Синти-100» были фантастического качества. Также в конструкции инструмента использовался компьютер, маломощный по сегодняшним меркам, но уникальный для того времени. Кроме того, в нем уже тогда был цифровой секвенсор, способный запомнить и воспроизвести 256 шагов. Эдуард Артемьев: 'На «Синти-100» звук синтезировался путём настройки многочисленных генераторов и сопутствующих им приборов вручную. Но в нашем «Синти» отсутствовала память — надо было сделать звук и сразу его записать, использовали магнитофоны. Сначала стояли несколько стереомагнитофонов, и путём перезаписи, причём с большой потерей качества, фиксировали выстроенные звучания. Ещё имелось две клавиатуры, что давало возможность записывать в два слоя на одну плёнку — находили способы соблюсти качество. Так что, каждый тембр приходилось делать заново, и повторить его уже было весьма проблематично. Даже если знали, как и что надо подкрутить, мы всё равно не могли повторить тембр один к одному — функции ползли, уплывали, и всегда сэмпл был немного другой'. Используя Синти-100, Артемьев создал музыку ко множеству фильмов, среди наиболее значительных - «Сталкер» Андрея Тарковского, «Сибириада» Андрея Кончаловского, фильмы Никиты Михалкова «Несколько дней из жизни Обломова», «Родня»; фильм Вадима Абдрашитова «Охота на лис».

LP. «Картины-настроения». Электронная музыка к фильмам «Сибириада», «Когда уходят киты», «Лунная радуга», «Ночь рождения», «Инспектор Гулл», «Жаркое лето в Кабуле», «Охота на лис», «Сталкер», «Легенды перуанских индейцев». «Мелодия»: 1984, С10—21077-002 (СССР).

LP. «Ода доброму вестнику». Олимпийская кантата. Стихи Пьера де Кубертена. Поёт Геннадий Трофимов. «Мелодия»: 1984, С60-21277 000 (СССР).

LP. «Тепло Земли». Вокально-инструментальная сюита на стихи Юрия Рытхэу. Поёт Жанна Рождественская. «Мелодия»: 1985, С60-23029 000 (СССР).

CD. «Solaris», «The Mirror», «Stalker»: films by Andrei Tarkovsky. Torso Kino: 1989, CD 5001 (Голландия).

LP. «Музыкальное приношение». «Мелодия»: 1990, C60 — 30721 000 (СССР).

CD. «Urga»: original motion picture soundtrack a film by Nikita Mikhalkov. «Philips»: 1991, 510 608-2 (Франция).

CD. «Looking East — Estonia and Russia» (Eduard Artemiev «The Road to Nowhere»). Erdenklang: 1992, 29612 (Германия).

CD. «The inner circle»: music from the original soundtrack music composed by Edvard Artemiev. Milan: 1992, BMG 7313835613-2 (США).

CD. «Burnt by the sun»: Bande originale du film «Soleil tromteur». «Auvidis traveling»: 1995, CD 5001 (Франция).

CD. «Территория любви»: Музыка из кинофильмов Никиты Михалкова. «Тритэ & Edart Music», «Ладъ»: 1995, LDR 417038/9 (Россия).

CD. «Тепло Земли». «Musea»: 1999, FGBG 4309. AR (Франция).

CD. «The odyssey: music from motion picture». «Electroshock records», 1998. ELCD 008 (Россия).

CD. «Солярис», «Зеркало», «Сталкер»: музыка к фильмам А. Тарковского. «Electroshock Records»: 1999, ELCD 012 (Россия).

CD. «Barber of Sibiria»: original motion picture soundtrack a film by Nikita Mikhalkov. «Sony Classical»: 1999, SK 61802 (США).

CD. «ANS». Electroshock Presents: "Electroacoustic Music. Volume IV. Archive Tapes. Synthesiser ANS. 1964—1971. «Electroshock Records» 1999, ELCD 011 (Россия).

CD. «A book of impressions by Edvard Artemiev». «Electroshock Records»: 2000, ELCD 018 (Россия).

CD. «Three odes»: «Ode to the Herald of good», «Phantom from Mongolia», «There & Here». «Electroshock Records»: 2002, ELCD 030 (Россия).

CD. Музыка к кинофильмам «Водитель для Веры», «Мама». Продюсерская фирма Игоря Толстунова. 2004 (Россия).

CD. «So Weit Die Füsse Tragen» («As far as my feet will carry me»). «Electroshock Records»: 2005, ELCD 045.

CD. «Shadows of a Theater». «Electroshock Records»: 2005, ELCD 046.

CD. «Территория любви. Музыка из кинофильмов Никиты Михалкова», коллекционное издание, посвящённое юбилею Н. В. Михалкова, ремастированное, дополненное. «Electroshock Records»: 2005, ELCD 047/048 (2 CD).

CD. «Эдуард Артемьев. Музыка кино». 2007, VSMCD-001 VSMCD-002 (2 CD).

CD. «Преступление и наказание». Рок-опера, 2007 (2 CD)[31].

CD. «Invitation to Reminiscences». «Electroshock Records»: 2010, ELCD 057.

CD. «Mood-Pictures». «Electroshock Records», 2010. ELCD 061 (Россия).

CD. «Гармония бытия. Сентиментальное путешествие по фильмам Никиты Михалкова под музыку Эдуарда Артемьева». «Electroshock Records»: 2015, ELCD 064/065.

CD. «Герой». «Electroshock Records»: 2016, ELCD 066.

CD. «Антология» (11 CD Box Set), коллекционное издание с музыкой из кинофильмов разных лет, «Electroshock Records», 2018. ELCD 067—077 (Россия).

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Eduard Artemyev

Soviet and Russian composer of electronic music and film scores. Outside of Russia, he is mostly known for his soundtracks for films such as At Home Among Strangers, Solaris, Siberiade, Stalker, and Burnt by the Sun. Eduard Artemyev wrote a couple of songs the most famous of them Deltaplan by Valery Leontiev. His collaboration with the film director Andrei Tarkovsky in the 1970s made him well-known. He wrote the film scores of Tarkovsky's Solaris, Mirror and Stalker. Later, he also wrote film scores for Andrei Konchalovsky and Nikita Mikhalkov.

• Solaris (Солярис, 1972)

• A Very English Murder (Чисто английское убийство, 1974)

• At Home Among Strangers (Свой среди чужих, чужой среди своих, 1974)

• Mirror (Зеркало, 1975)

• A Slave of Love (Раба любви, 1976)

• An Unfinished Piece for Mechanical Piano (Неоконченная пьеса для механического пианино, 1977)

• Territory (Территория, 1978)

• Stalker (Сталкер, 1979)

• Siberiade (Сибириада, 1979)

• The Bodyguard (Телохранитель, 1979)

• A Few Days from the Life of I. I. Oblomov (Несколько дней из жизни И. И. Обломова, 1980)

• Anna: 6 - 18 (Анна: от 6 до 18, 1980—1993)

• Fox Hunting (Охота на лис, 1980)

• The Fairfax Millions (Миллионы Ферфакса, 1980)

• Family Relations (Родня, 1981)

• The Train Has Stopped (Остановился поезд, 1982)

• Without Witness (Без свидетелей, 1983)

• Moon Rainbow (Лунная радуга, 1983)

• Return from Orbit (Возвращение с орбиты, 1983)

• TASS Is Authorized to Declare... (ТАСС уполномочен заявить..., 1984)

• The Invisible Man (Человек-невидимка, 1984)

• One Second for a Feat (Секунда на подвиг, 1985)

• Courier (Курьер, 1986)

• Visit to Minotaur (Визит к Минотавру, 1987)

• Zerograd (Город Зеро, 1989)

• Close to Eden (Урга - территория любви, 1991)

• Genius (Гений, 1991)

• Burnt by the Sun (Утомлённые солнцем, 1994)

• The Odyssey (Одиссей, 1997)

• War is Over. Please Forget... (Война окончена. Забудьте..., 1997)

• The Barber of Siberia (Сибирский цирюльник, 1998)

• As Far as My Feet Will Carry Me (Побег из Гулага, 2001)

• House of Fools (Дом дураков, 2002)

• A Driver for Vera (Водитель для Веры, 2004)

• 12 (2007)

• Gloss (Глянец, 2007)

• The Nutcracker in 3D (Щелкунчик и Крысиный Король, 2009)

• Home (Дом, 2011)

• Branded (Москва 2017, 2011)

• Legend No. 17 (Легенда №17, 2013)

• The Postman's White Nights (Белые ночи почтальона Алексея Тряпицына, 2014)

• Sunstroke (Солнечный удар, 2014)

• The Heritage of Love (Герой, 2016)

#Эдуард Артемьев #eduard artemiev #artemiev #eduard artemyev #solaris #siberiade #stalker #andrei tarkovsky #tarkovsky #films #фильмы #Артемьев #icon #legend #советская музыка #советский композитор #русский композитор #русская музыка #russian

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fansofvow · 4 years ago

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Interview with Eve Golden Woods!

Many of you know who is Eve is. She's a writer and artist, a part of Dreamfeel studios whose beautiful game If Found won Best LGBTQ Narrative and Best LGBTQ Indie game at the first ever Gayming Awards presented by EA games. I am really excited I had the chance to ask Eve some questions about herself, her time at Lovestruck and her creative process.

Congratulations on the two Gayming Awards (Best LGBTQ Narrative, Best LGBTQ Indie Game) for "If Found" from your game studio, Dreamfeel. What was the inspiration behind making the game?

If Found... was a game that emerged out of a collaboration between Llaura McGee, the founder of Dreamfeel, and artist Liadh Young. Liadh's background is as a comic artist, and so when they started working together Llaura had the idea of showing off Liadh's art by making a diary game, and using an erasing mechanic she had previously developed to let the player move through the diary in a fun way. By the time I came on board at the start of 2019, the game had already been in development for a while, so in some ways my work on that game was similar to the work I did for Voltage, because it was taking existing characters and concepts and writing a lot of scripts for them. Unlike Voltage, though, my work for Dreamfeel was a lot more collaborative and I had a lot more creative input. I really enjoy taking something and helping to make it the best version of itself that it can possibly be, but I was also really happy that I got to reflect a lot of my own experiences in If Found. Llaura and I both grew up on the west coast of Ireland, and although If Found... isn't autobiographical for either of us, it was definitely really meaningful to be able to tell a story that reflected our own experiences of growing up as queer teens in a similar kind of environment. Since the game came out we've had fans reach out to us and tell us that they also connected to the experiences of the main characters, and as far as I'm concerned, that makes me feel like I achieved everything I wanted to.

You are a writer and a visual artist. Does one come easier to you than the other?

I used to think of art and writing as talents, and I always felt like my art was at a very mediocre level (that's probably still true, lol). So when I was younger I focused a lot more on writing. It was only later that I started genuinely trying to improve as an artist, but when I did, I think I had a much healthier mindset, and approached it as a skill I could learn with patience and effort. Because of that, even though I still have a lot more confidence in my writing, I find art more fun and relaxing, and I don't stress about it as much.

Did you always know you would follow a creative path?

Kind of? Both my parents are artists, and I grew up surrounded by artists and writers, so it was something that was always very familiar and accessible to me. On the other hand, I didn't exactly have a clear idea of how to make it into a career, or what kind of work would be involved. But there's never been a point in my life where I wasn't doing something creative, even if it was only writing fanfiction.

What did your path to working professionally as a writer/artist look like?

I did a creative writing masters in college, but after that I spent years teaching English as a second language. That was really fun and I got to live abroad, but it was so busy and tiring that I didn't have time to do any writing outside of the occasional fanfic. I only started to take art seriously again when I became interested in games and comics as ways of telling stories. I did some critical writing, which led me to speak at a few local events and get involved in zine fairs. That was how I met Llaura, the director and lead of the Dreamfeel studio, and it's also what gave me the confidence to start applying for actual writing jobs.

Is there any work of art, visual or written, that you look to for inspiration?

So many! I try to read and watch as widely as I can, although there are touchstones I always return to, like the works of Ursula Le Guin and Terry Pratchett. Right now I feel very passionate about the actual play podcast Friends at the Table, which manages to combine really thoughtful worldbuilding and storytelling with cool, fun characters and great action scenes. I'm also reading a book called The Memory Police by Youko Ogawa, which has extremely beautiful prose.

Do you have a favorite piece of your own art, whether it is something you’ve drawn, a screenshot of something you’ve written or something else?

My favourite piece of art is usually whatever I finished most recently (I think that's true for a lot of people). Especially with visual art, once a bit of time has gone by you look back on it and start to notice all your mistakes, which is very annoying. But actually I do still really like the first piece of Fiona fanart I did last year. I managed to use some effects to give it a kind of nineties anime quality that I find really fun, and I think it conveys an emotion pretty effectively. That's always one of the hardest things to predict with visual art, whether the different parts will come together to create the exact mood you're looking for.

I also really like the compass I did for Bycatch. Krissy (@xekstrin) was the one who suggested filling it with fingernails, which was such a good, gross idea! As soon as I heard that I knew it was perfect and that I had to try and draw it.

Many people who read this blog know you as a writer for Lovestruck. When you look back on your time there, what stands out in your mind?

Lovestruck was very important to me when I first started because it was my first ongoing, regular, paid writing work. It gave me a lot of confidence and helped me to get into the habit of writing consistently and rapidly, which is a really useful skill to have. I know I was right to leave when I did, though, because I am just brimming with energy to work on my own projects, and channeling that power into something that you can't control will always end up disappointing you. Also, I made a ton of incredible friends, through Lovestruck itself but then even more so through VOW (@vowtogether), and that is more than worth all the difficult parts.

Is there any character that you would have liked a crack at writing?

Oh gosh, what a fun question! There are so many, but one I do sometimes think about is Axia, just because I know there are a bunch of fans who want her route, and because I had fun writing her as a villain in Zain's route. I can see in my head the shadow of a storyline that takes place after Zain's route is over, where she's in prison and trying to understand how she lost the battle with Zain and MC. I think there's, like, a gap there, where you could see her downfall forcing her to reconsider her assumptions about power, and that could build into a very interesting redemption story. But maybe it's for the best I never got to do that, because I would have wanted full creative control over it, and also I think the story in my head is very different to the sexy, in control, menacing version of Axia that her fans enjoy.

Do you have any upcoming projects you can talk about?

Most of my current work is under NDA, but I will say that I'm doing something very exciting with other VOW members that we should be able to talk about soon(ish). Maybe I can even give a little teaser... It's not a game, but it is something you can read, and my part involves cakes, swamps, and a museum.

Do you have a favorite quote or song lyric?

It's a big long, but there's a section from The Dispossessed by Ursula le Guin that has stayed with me ever since I read it:

"For we each of us deserve everything, every luxury that was ever piled in the tombs of the dead kings, and we each of us deserve nothing, not a mouthful of bread in hunger. Have we not eaten while another starved? Will you punish us for that? Will you reward us for the virtue of starving while others ate? No man earns punishment, no man earns reward. Free your mind of the idea of deserving, the idea of earning, and you will begin to be able to think."

It's such a profoundly radical way of imagining the world, so different to everything I was raised with, but whenever I think about it I feel like I can see something very beautiful and powerful that I hope to come closer to understanding some day.

And of course, "Solidarity forever, the union makes us strong."

I was a big fan of the show Inside the Actor’s Studio. Host James Lipton asked every single guest the same 10 concluding questions. I’ve picked 3 of them:

-What is your favorite word?

My favourite word: for sound, I like words you can really roll around on your tongue. Chthonic, alabaster, insinuation. For meaning, I think simple words that encapsulate big concepts have a kind of power to them. We use them so often we forget how big they are, how much weight they really have, but they give us the space to imagine new possibilities. Love. Freedom. Revolution.

-What is your least favorite word?

I've heard that "moist" is a lot of people's least favourite word but it doesn't actually bother me. My least favourite word is probably one where I feel like the sound doesn't match the meaning. One of the Irish words for rain is báisteach, which I feel has a much weightier and more onomatopoeic sound than rain. Rain is just very flat and uninteresting.

-What profession other than your own would you like to attempt?

Oh, so many! I love history, and I think being a historian/archaeologist would be fascinating. Or something that had a physical component to it, like being a potter or a carpenter. I don't think I'd be any good, but I'd love to take the time to learn.

What would be your advice to anyone who wants to pursue a creative career?

All the work you do matters. Even the failed experiments, the things you hate when they're finished. It all helps to make you better. Also, creative career paths are often really unexpected, so chase any opportunity that seems remotely interesting. Don't work for free for anyone who can afford to pay, but work for yourself and put it somewhere. On a blog, twitter, whatever. You'd be amazed how many people get noticed and get offered opportunities because of something they made in their spare time. You'll probably have to work another job for a long time, so don't be hard on yourself if you're too tired to devote much energy to creative work. Try to make art consistently, but don't feel like that has to mean every day. Don't chase after celebrities. Make friends with your peers.

#vowtogether #vow interview #writing #art #lovestruck #dreamfeel #iffound #gayming #gaming #mod atlas

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foxge291 · 4 years ago

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atplblog · 6 months ago

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Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Features: - Ultra-low Noise Design with High Headroom - USB Sound Card/Audio Interface, for Computer Playing & Recording - Combo Jack (XLR+6.35mm) for MIC/LINE/GUITAR Inputs - Independent 3.5mm Stereo Input Jack - Flexible Connectivity for a Variety of External Devices - 6.35mm Jacks for Stereo Input and Output - 6.35mm Jack for Earphone Monitor Output - +48V Phantom Power - DC 5V Power Supply, or PC Power Supply - Rugged Metal Chassis Bluetooth Connectivity: - Instantly Receives Wireless Music Streaming Audio - Works with All of Your Favorite Devices - (iPhone, Android, Smartphones, iPad, Tablet, MP3 Player, etc.) - Bluetooth Version: 5.0 - Bluetooth Network Name: 'MP' - Bluetooth Wireless Range: 50' Feet What's in the Box: - Mini Mixer - (2 Flat Plug) Power Adapter - USB Cable Technical Specs: - USB Sound Card: 2.0 Type-B - Power Supply: DC 5V, 500mA - Voltage: 100/240V - Power Consumption: 5W - USB Cable Length: 3.94 ft. - Product Dimensions (L x W x H): 4.80'' x 4.19'' x 1.38'' -inches 2 CHANNEL: This wireless 2 channel audio interface controller DJ mixer machine by Pyle is the perfect way to mix audio from mic, and bluetooth connected devices. Each channel has its own independent volume control BLUETOOTH MUSIC STREAMING: This sound mixer USB interface mixer is compatible w/ bluetooth and works w/ smartphone, tablet, laptop, pc w/ simple hassle-free pairing. Wirelessly stream music like Pandora / Spotify from your device directly to your mix USB INTERFACE AND MIX MONITORING: This personal mixer has a USB port to connect to a computer and use it as an audio output and input interface for playing & recording and a 6.35mm jack for mix monitoring via headphones 3 INPUTS: Pyle DJ mixer USB audio interface mixer is equipped w/ two combo jack XLR+6.35mm for mic/line/guitar inputs, independent 3.5mm stereo input jack,& a 3.5mm headphone jack. Produce creative remix which is perfect for DJ party/music recording +48V PHANTOM POWER: For the reliable power source, the stage/studio sound mixing console features a +48V phantom power supply. has ultra-low noise design with high headroom and rugged metal chassis. Perfect for both beginners & professional [ad_2]

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eclecticreviewpeace · 5 months ago

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n5md · 4 years ago

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Cloudwalker

In our newly relaunched "Learn more about..." interviews, we switch up the continuity slightly and focus on just one release: Gimmik's Cloudwalker. Martin kindly agreed to answer a few questions to kick off what we'll refer to as v2 of the "Learn More About..." blog.

While Entre Les Chambres was the actual return of Gimmik to the public eye, Cloudwalker is more of a return to form. It is undeniably Gimmik; however, Cloudwalker treads some new ground for you. Can you shed some light on how the creative process changed from Entre Les Chambres / Deux Nouvelles and how those two albums might have influenced Cloudwalker?

Very well observed - they did influence Cloudwalker! Entre Les Chambres and Deux Nouvelles were both produced under technically limited circumstances. On top of that, I thought that no one will ever hear this material. Luckily it was not the case, and I got the chance to become a member of the n5MD family. When you produce with the idea that the material will never get released, it gives you a lot of room and space. You are not concerned about expectations. The music can flow and evolve freely. The calm nature of those albums helped that process. It was research where I experienced myself more as a witness than a composer. For me, that is a new approach. This approach was still the same when I produced Cloudwalker. That is the reason why the tracks are so diverse. Short Wave Memories and In My Family do not have anything in common, but that is the way they evolved, without me constructing anything. The most significant difference is that Cloudwalker was produced in a proper studio environment. Plus, I took a step into eurorack, which brings a very unpredictable element. And yes, that is Mutable Elements "Rings'' what you hear on In My Family. I was working on a self-generative patch with "Marbles'' when all of a sudden, the melody appeared...

I think you sent me In My Family shortly after you finished it, and it was one of the darkest days of the early pandemic; where our local government-issued curfews and such. It was the track that I needed at that moment; it brightened my day. It's very cool that the melody was a generative experiment gone right. I seem to remember you have quite a bit of the Mutable Instruments modules. Modular, to me, seems like a bit of a wormhole of experimentation. So, how do you stay focused when experimenting with new sounds and textures to bring, say, one of your Modular Nature tracks, which you have on your Youtube channel, to life.

Working with a modular system is entirely different. My approach is always a question. What will happen if I connect this with that and modulate with this? Then you start patching, and the results are entirely different from what I expected - a lot more exciting and better! In the beginning, I thought modular was about rebuilding synth voices. So I started emulating the signal-flow path of a 101 for a start. I missed the whole point of modular... A system has a life of its own and takes you to completely different places, and sometimes I do not even understand the results. (-: But that is not important. The decision to work with modular is to avoid walking down paths I have taken too many times when composing. What keeps you focused is your ear. The trick is to learn when to stop. In the beginning, I lost a lot of great patches when the result was already at 90%. When trying to reach 100%, my tweaks destroyed that patch's beauty, and I never found a way back to 90%. That happened a lot of times in the beginning. A modular system really helps to learn when to let go… (laughing). I chose Mutable Instruments because those modules are very focused on musical and harmonic results.

So, going back to Cloudwalker, how did it feel getting back to basics as far as Gimmik goes. People may not know that Entre Les Chambres and Deux Nouvelles were made for very personal listening. Care to shed a little light on those two, and more importantly, what made you want to go past those themes and bring Gimmik full circle for Cloudwalker?

Entre Les Chambres and Deux Nouvelles were NOT a conscious decision. Those were a necessity! The title Entre Les Chambres means "between two rooms", the space that is between two rooms. That is nowhere! It mirrors how I felt at that moment. There were many significant changes in my life, luckily nothing concerning my family, but still major changes. In order to cope with it all, I started making ambient tracks. It was the only thing that helped me to cope and focus again. The tracks happened by themselves. Listening to them and working on those albums was a calming experience. When they were finished, I played them to Chris, and he convinced me that he liked them. That led to the decision to make those first tapes. Later I sent them to you. Your reaction was very motivating because the music got released. With that motivation and getting back into a studio environment, the Cloudwalker tracks just poured out of me very quickly - it felt terrific to go back to the studio. My family gave me the time to work in my studio, and you and Chris gave very motivating feedback! From my perspective, this makes Cloudwalker my most important album so far, and I am very thankful for this chance! Another key element is that you gave me total freedom regarding artwork, choosing tracks, and their order. Just great!

Well, I knew going in that you know what you are doing. So I shouldn't have needed to step in and manage such details. For release prep, I'm available to take care of the details that an artist doesn't have access to or the working knowledge. You and Chris ran Toytronics, and you are a graphic artist as well, so I knew that you know the drill. If something was glaring or didn't work under the n5 stylistic umbrella, it is my job to say something, but I was pretty confident that wouldn't happen. I also know that after you completed the tracks, you took a great deal of time to get them to flow perfectly and also fit on four LP sides—your care in craft shows, and it's been great to work with you.

You brought up Chris, and there is an Abfahrt Hinwl remix on Cloudwalker, so; I'm going to ask. Are we going to hear some new Abfahrt Hinwl soon?

Thank you, as I said, that means a lot to me. And I still think that it is a fortunate situation. The AH RMX of Sailing Everest on Cloudwalker was just me, to be honest. That is why I used an abbreviation - AH. It is more a hint. It has a lot of the Abfahrt Hinwil ingredients. We tried to revive the project and realized that working over a distance via the internet does not work for either of us. The key of Abfahrt Hinwil was that we worked in the same room, at the same time, with the same equipment - listening to what the other one does - giving an immediate reaction. The most important point is communication, which has to happen immediately - you need to respond straight away, not with a delay. Today we find ourselves in two different life situations. We both would like to continue. After an online experiment, we realized it would be only possible when we visit each other and then work in the same studio. That is not possible at the moment, and Covid plays a significant role in that.

Ah, I see; Abfahrt Hinwil was you and Chris basically feeding off one another; also, there are cheques and balances, which is great to have. I completely understand why it would not be feasible to do it from a distance effectively. So, I'd like to pivot to these little builds I see on your Instagram. You recently sent me a pic of a peculiar little box that looks to be a synth. Assuming this is something you built (loving the stickering, by the way). What is this, and does it appear on Cloudwalker?

(laughing) That is a drone box handmade by a guy in Russia. Six oscillators, each one with a kill switch. Three standard range oscillators and 3 Sub. A very rough-sounding machine, great for drones. The filter sounds very nasty, just great. There is a little bit in the track Cloudwalker itself but washed out by Big Sky. The downside is that there is no midi, trigger gate, or voltage control. It is more of an experiment tool. The important parts of the track Cloudwalker have Mutable Instruments: Plaits and Tides 1, using the Sheep mode. Both outputs went into Warps, modulated by Stages. The little melody was played live on the Yamaha DX Reface, going into the Big Sky. It was all recorded live onto tape to 4 tracks to a Tascam 234. Then it was mixed the classic way, patchbay, fx, analog mixer main out to digital. 75% of the album was recorded to a Sound Devices MixPre-3 II.

It sounds like your Big Sky gets some action! Strymon makes some exceptional pedals. It seems like you can almost entirely make music out of the box if you needed to, which is excellent. So one last question: When we collaborated on the Cloudwalker one sheet text, you added something about the production tools "representing technology from 1958 to 2019," and I asked if 1958 was a type-o that needed to be corrected to 1985 when it was not. When people read that, I think they will be very curious as to what technology you utilized from that far back…

Yes, it is a great pedal, I love the sound and the fact that you get nice results very quickly.

1958- (laughing) There is an on oscilloscope from Russia, which can be seen in some of the videos on HIDDEN REALITY, and 2 vintage function generators. I got those old function generators from a close friend, he is an electronic engineer and professor for physics at a university. They got rid of all their old equipment, and he asked if I wanted to have something. He could not throw those old machines away, so he rescued them to his cellar. He changed the connections for me, so I can use them with the modular environment, using my standard patch cables. I used them a lot as modulation sources, as they can modulate extremely slow (like MI tides). But I have to admit that I got them for their looks in the first place…(laughing) - Those machines look like the machinery you see in Qs research center in old James Bond movies...

Order Cloudwalker now: US / UK / EU

Learn even more about Gimmik

#Bandcamp #mutable instruments #IDM #experimental electronica #gimmik #toytronic #Abfahrt Hinwl #n5MD #Austria #ambient

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bellbrendan15189-blog · 5 years ago

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DIMMER SWITCH

On the off chance that the garments make the man, the lighting makes the room. Regularly, after we've picked our goods, our paint, the embellishments with which we customize a room and make it our own, lighting is an untimely idea. However, it is integral to the presence of your room, yet your delight while in it. Since the greater part of the rooms in our homes will in general be multifunctional, (for example, the lounge area that fills in as an office, expressions and specialties studio, game room, and even a spot to eat), having only one wellspring of lighting isn't compelling.

To utilize the lounge area as an illustration once more, you may require solid, direct light for work, yet a milder, more climatic light for sentimental meals or social affairs with loved ones. You could have different light installations, or you could attempt a dimmer switch. When you introduce a light dimmer, you will have the option to control your lighting and use it for your potential benefit. This guide will take a gander at which dimmer switch brands are the best, what to search for, the amount they cost, and the amount you will cherish them.

Better than ever Light Dimmer Switches - Before home lighting became environmentally friendly, light dimmer switches were not horribly effective. Wire wound dimmers had a loop inside, and when you darkened your lights, part of the vitality went to the light or light, and the other part was occupied to the curl. Here, it was changed over to warm and squandered.

This is the reason old dimmers and lights would get hot - and why your electric bill would get high. Another reaction was that when the vitality was being changed over to warm, it made a humming sound. You would get the pleasant barometrical light you needed, just as a foundation orchestra of your vitality charge ticking upward. Luckily, light dimmer switches have gone through an earth-accommodating makeover, and they are considerably more effective. Furthermore, calm.

The present better than ever light dimmer switches work by just killing the ability to the unit and walking out on quickly. This occurs so rapidly that your eyes simply observe a consistent shine. Let's assume you needed to have a pleasant sentimental supper. You faint the lights to 25 percent of their most extreme yield. This implies the unit is turning itself off for 75 percent of the time and running for 25 percent. The advantages?

*No humming or murmuring.

*Bulbs last more.

*Easy to introduce.

*Cooler bulbs, which can convert into cooler rooms. Each degree includes in the late spring!

*Lower vitality bills on the grounds that the light is killed for a bit of time.

The disadvantages to these vitality productive light dimmers?

*They cost more than wiring a dimmer switch.

*Choosing one is more included.

For the primary concern, we'll state that they pay for themselves in vitality reserve funds. For the second, perused on. Picking the Right Dimmer Switch - The hardest piece of picking the correct dimmer switches is knowing the wattage of your present lighting framework. You need to discover the circuit burden and ensure you don't surpass the most extreme heap of the dimmer unit. Let's assume you have 5 50-watt lights on a circuit.

Your circuit load is 5 x 50, or 250 watts. Add another 10 percent to compute the base wattage your dimmer switch will require. You will likewise need to pick a dimmer that is directly for your light or lighting apparatus. On the off chance that you use CFL (minimized bright lights, ensure you purchase bulbs that are explicitly intended to work with dimmers. This will be composed on the bundling. One final tip: choose a general light dimmer as it will diminish low voltage incandescent lights and glowing fundamental voltage lights, rather than just incandescents.

The Best Light Dimmer Switches - For us all non-circuit testers, the universe of dimmer switches can be befuddling. AsktheBuilder, a confided in site for committed DIYers, lights up it a piece. Among all the decisions, three names develop as the best:

*Leviton

*Lutron

*Pass and Seymour

We should investigate a couple of their best models. You can peruse the smash hit dimmer switches online here.

This Leviton can work with dimmable CFLs, just as radiant bulbs. It highlights Auto Mode to decide if the light is glowing or CFL and changes the dimmer range to oblige for it. The 6673-10W replaces a normal switch yet utilizes standard wiring, so establishment is fast and simple. It can oblige illuminating to 300 watts - 120VAC CFL and 600watt - 120VAC brilliant.

The alternative for 3-way diminishing permits you to redo your lighting. This vitality sparing dimmer switch conveys a restricted five-year guarantee. For the cost of simply over $22, this is an extraordinary speculation for your home.

This dimmer presents a brilliant method to control lighting for table and floor lights. What is extraordinary about this dimmer is that it doesn't need any establishment and can be moved varying. You essentially plug your light into the installation on the dimmer, and afterward plug the dimmer into your outlet. You would then be able to utilize the slider to change the degree of lighting or turn it off.

The Lutron TT-300NLH highlights a LED finder light so you can discover your way in obscurity, slide on/off, 6-foot line, and UL (Underwriters Laboratories) endorsement. It works with lights that have a 300-watt greatest limit and handles both glowing and incandescent lamps. In the event that you faint your lights by 50 percent utilizing the Lutron, you spare 40 percent of the power and broaden the life of the bulb by multiple times. This is an extraordinary, versatile, lighting answer for your home. It sells for about $14.

This Pass and Seymour is an extraordinary choice for those with roof fans. It includes a fan speed regulator and dimmer, with one next to the other slider controls. There are 4 preset fan speed controls, and the De-Hummer include kills the murmur from the fan's engine. It is evaluated at 1.6 amp/300-watt and has a 3-way dimmer switch. The Pass and Seymour is anything but difficult to introduce, offers remarkable warmth the board, has power-disappointment memory, an effect safe thermoplastic lodging, and is UL recorded and CSA ensured.

It sells for just shy of $40 - somewhat pricier than the past two models, yet you have the double capacities to compensate for that. Including light dimmer switches is a simple, generally economical approach to build the reasonableness of your lighting. An extraordinary symptom is that you'll diminish your electric bill and proportionately increment the delight in your home. Peruse here for a broad choice of dimmer switches.

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armansk3399-blog · 5 years ago

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Best Needable Gadgets in 2020

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Original Xiaomi Hair Trimmer

ENCHEN Boost USB Electric Hair Clipper Two Speed Ceramic Cutter Hair Fast Charging Hair Trimmer Children Hair Clipper

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Features a slider-type positioning comb that locks haircut lengths from 0.7 to 21 mm and supports one-button adjustment for easy operation.

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The hardness of nano-ceramics is 1.6 times that of ordinary stainless steel. The surface smoothness is smaller than that of stainless steel. Therefore, when the hair clipper is running at high speed, the noise generated by the ceramic cutter head will be lower and it will not be easy to generate heat. Working noise is less than 55db

Variable Frequency Power, Two Speed Control

The ENCHEN Boost hair clipper adopts frequency conversion technology, and with the powerful 280 type motor, it provides two-speed power flexible switching to meet the needs of different hair types. The normal starting speed is 4500 rpm for normal hair, long-press the switch button. Instantly activates the "Turbo" speed mode, with a powerful output of 5800 rpm, making it easy to build thick hair

- ESM Intelligence Prevent Stucking Hair

ESM (Energy Smart Manager) is the brain of ENCHEN products. It has two large modules of energy management and motor mastering, which can guarantee high speed operation and no stucking hair when the battery is low. During the charging process, the ESM will activate multiple guarantees to extend battery life and ensure safe charging. In addition, Boost's indicator system can accurately display the status of low battery, charging, and full power.

- R Type Rounded Corner Processing

The parts that contact the skin with the cutter head and the positioning comb are rounded to ensure safety and comfort during hair cutting. The hair clipper head consists of a movable cutter and a static cutter. It can safely contact the cutter head at any angle during the working process.

Best Quality LED Ring Light

Take the cool continuous power of fluorescent light, blend it with the soft, shadow-less caress of a ring light, add a 13" diameter of 5500 K at 600 w and you have the formula for great results for video and still photography when the subject demands a beauty solution. Dimmable 18" LED SMD Ring Light with a wide dimming range from 1%-100%. Widely applied to portrait, makeup, YouTube videos, Studio shoot, video blogging, portrait photography and live streaming, etc. Dimmable continuous light with hot shoe mounts for most DSLR cameras.

BOYA MM1 Microphone

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This microphone is compatible with Smartphone and DSLR Cameras. It Comes With both TRS cable and TRRS output cable included, it can be used on Smartphones, DSLR cameras, camcorders, audio recorders, PCs, and other audio/video recording devices.

Sonoff POW R2

Sonoff POW R2 is a 2nd generation of Sonoff POWwith more accuracy and with more analytical data. Now you can view LIVE current, voltage and power consumption for your load. Sonoff Pow R2 is a 16A WiFi smart light switch that allows you to remotely manage and control your appliances and monitor your home energy usage. The WiFi light switch works like a power monitor, which allows you to keep track of 99% accurate real-time current, voltage and power on your app.

Portable Bluetooth Mobile Printer

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Rechargeable 1400mAh Battery included

With 3 Month Replacement Warranty

If you have a shop or Showroom or Restaurant and if you wish to give your customer a sales receipt and at the same time, you want to keep your sales record online. Then we have a fantastic solution for you. With a mobile app, you will be able to connect with Bluetooth to this Mobile POS printer and print easily ever. For more convenient, you will have a full access to the web. The means you can setup your store from the web, adding products one by one or import as bulk. You can track all your sales as daily or weekly or monthly or as you wish. A mobile printer can be widely applied to supermarkets, clothing industry, postal services and so on.

https://gadgetinsiderbd.blogspot.com/

#technology #gadgets

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cooperhewitt · 6 years ago

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X-Ray Vision: Exposing 40 Years of Gadgets

Written by Nicolai Garcia

On August 28, we went to the Conservation Center (Institute of Fine Arts, New York University) housed in a historic town house on the Upper East Side to x-radiograph some electronic objects in Cooper Hewitt’s collection. The x-ray room, which doubles as a photography studio, is entirely black from floor to ceiling. Behind a door—reminiscent of those in sci-fi nuclear thrillers—sits the x-ray machine, black and medical.

Over the course of the morning, we unboxed an array of objects from Cooper Hewitt’s collection dating from the early 1980s to the present. We laid them onto an x-ray-sensitive sheet (which was wrapped in vinyl as to not expose the sheet to light) and then exposed them to the x-ray beam for a short amount of time (like a photographic exposure). Once the machine was done, the lights in the studio were turned off while we loaded the x-ray plate (like a photographic negative) onto a scanner.

We sat in anticipation while the image rendered, layer by layer, giving us a glimpse into each object’s concealed interior. In some cases, the rendering was over-exposed, meaning we had to do another round, with a lower voltage or shorter exposure. Andy Wolf, a current Conservation Center graduate student who assisted in the examination, compared adjusting the voltage and exposure of an x-ray beam to adjusting the strength and open area of a faucet; both control how much water comes out, but in different ways.

X-radiograph of a Braun calculator (2015-5-4) in the Cooper Hewitt collection, taken at 25 kV, 5mA with a 30s exposure.

Exterior of ET55 Calculator, 1980; Designed by Dieter Rams (German, b. 1932) and Dietrich Lubs (German, b. 1938); Manufactured by Braun AG (Frankfurt, Germany); Molded ABS plastic, electronic components; H x W x D: 13.6 × 7.6 × 1 cm (5 3/8 in. × 3 in. × 3/8 in.); Gift of George R. Kravis II, 2015-5-4

Digital x-radiograph of a GRiD Compass laptop (2010-22-1) in the Cooper Hewitt collection, taken at 70 kV, 5mA, with a 60s exposure.

Exterior of GRiD Compass Laptop Computer Prototype, 1981; Designed by Bill Moggridge (English, 1943–2012); Manufactured by GRiD Systems Corps (Mountain View, California, USA); Die-cast magnesium, injection-molded plastic; H x W x D: 25.4 x 29.2 x 37.9 cm (10 in. x 11 1/2 in. x 14 15/16 in.); Gift of Bill Moggridge, 2010-22-1

In the case of the objects we imaged, adjusting the voltage versus exposure depended on the object’s material. The voltage, measured in kilovolts (1,000 volts), is typically increased for materials made with elements with a higher atomic number. Steel, which is an iron-based metal with just a little bit of carbon, has a lower density and therefore requires a lower x-ray voltage compared to platinum, which has an atomic number close to lead, meaning it requires a high voltage in order for the x-ray beam to penetrate its surface. Lead is dense and heavy enough to be impenetrable to x-rays, and is used to line the x-ray room to protect those nearby from stray radiation. For reference, the voltage for a medical x-ray of a human being (carbon-based life-form!) hovers around 60 kv.

We repeated the cycle of imaging and adjusting for all the electronics objects (save for a platinum-encased cell phone, which our x-ray beam did not have high enough voltage to image), then took the images to analyze what we saw.

Digital X-radiograph of collections objects including a 2007 iPhone and a 2014 Pixel phone shown with contemporary cell phones (iPhone SE, iPhone 8, and Samsung Galaxy).

In the current age of technology, common devices, such as mobile phones and home assistants, are designed to hide their screws and other traces of how their components come together, making it hard to know what they look like under the hood. X-ray imaging these objects gives conservators a better idea of the structural makeup so that they understand what techniques must be applied to preserve them. In my experience seeing the x-ray of my iPhone 8 (far right), I felt more connected to it because I feel I saw who it really is inside.

Nicolai Garcia was the Digital Collection Intern at Cooper Hewitt during summer 2019. Nico is from Berkeley, California, and is a senior at Stanford University where he studies Computer Science and Art Practice.

Our thanks to the faculty and staff at the Conservation Center for allowing us to use their X-radiography equipment, and to Andy Wolf for his help!

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