#Why am I talking about the animated series specifically? Because the human version has real actors (scary) and too not sparkly tails | Explore Tumblr posts and blogs

jonnnysuh · 4 years ago

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could we get along with svt in real life?

A collaborative series by @vernonsnostrils and me (Nala)!

A/N: Lately Bee and I have been doing daily rankings for fun and we decided to share our very very specific and dumb insights with all of you. For this one we're ranking who we think could tolerate us......... <3 Warning: Dumb info ahead

NALA:

13.Wonwoo – looks scary. I also have a rbf so imagine us together omg. Everyone would think we’re vampires. No one would want to be friends with us so we’d only have each other.

12.Woozi – I feel like I know nothing about him :-( He’s an amazing musician, and does come off as a little tiny bit mischievous. I feel like Woozi is the type of guy I have every class with but then we graduate never saying a word to each other.

11. Jun – I think Jun is funny as hell but he’s so quiet. I’d want to be his friend but I wouldn’t know how to approach him. Everyone loves him tho so he has his pick of friends and it does not include me LMAO

10. Jeonghan – (this one kind of doesn't make sense bc he should be higher on the list,, but also?? i'm the one who made this list so fite me) but I think that me and him are pretty similar. We both have a side that’s devious and wants to create havoc but we’re also the mom friend that takes care of everyone and with that I feel like we’d butt heads/ be the designated parents which is EW I am 20 years old,, I'm no one's mommy YUCK.

9. Joshua – he’s also quiet but I know he has a good sense of humour!!!! Hypes up my bad ideas bc he’s not involved -- but he will be giving me a thumbs up in the sidelines. I feel like he’s the type to make me text the guy I have a crush on “Just do it. What do you have to lose?” UM my dignity??? Tf Josh.

8.DK – The human version of a “pick-me-up” He is so “no thoughts, head empty” and I am too. Let’s go cloud watching !!!!!!!!! Let’s pick flowers !!!! A good friend to text on a bad day bc he will literally tell you the most embarrassing thing that happened to him, and even though you’ve heard it before it’ll still make you laugh.

7. The8 – simple, really. He likes art and I love art. He likes fashion, I like fashion. I feel like we could talk shit together LMAO. He has the most specific roasts but they’re always on point. I need someone who’s a little bit mean in my life <3

6. Mingyu – I know I could bully him jokingly and he’d take it (bc he knows I’m joking) but it wouldn’t stop him from pouting a bit. I feel like he’d be scared of me at first LMAO. We both share the hobby of photography so my ideal day out with him is just wandering around with cameras and taking pics of things we think are beautiful. Also forcing each other to pose in front of a dirty brick wall bc “IT LOOKS COOL, TRUST ME.” “WAIT I DON’T KNOW HOW TO POSE THO” and then he’d literally have to mold me into a good pose bc I am Play-doh

5. Vernon – The calm to my crazy, convinces me not to beat someone’s ass. Walks into my room to say nothing else but “Spaghetti” and then leaves quietly. Doesn’t talk to me for 5 months but will send me a meme at 5am bc it reminded him of an inside joke we had. Live-texts his emotions to me while watching tv shows, and shares new conspiracy theories with me. He’s a little bit too chill, I need someone ready to fuck shit up.

4. S Coups – is reliable and gives good advice bc he’s also a ball of anxiety. Nags me to do the right thing. Messes with me a lot. Would stay on the phone with me if I was home alone and told him I heard a noise. Says “Calm down there’s no one there.” BUT he’d also say shit like “check under your bed”

3. Seungkwan– I feel like we’re just as annoying as each other. He has the biggest heart and is super encouraging and thoughtful. Half the time we’re joking around, and the other half we’re fighting. Very much love-hate. Capricorns and virgos are a superior duo. I said it.

2. Hoshi– all round good vibes. Chaos and Loudness matched. Doesn’t always have to be around a lot of people bc he creates the fun when it’s just us two. The kind of friend I practice flirting on and everyone’s like ??? “You’re in love with him” no bro I’m just bored… we just do this kind of shit and he is IMMUNE to my lovey antics by now.

1.Dino– We bully each other a lot but we also have each other’s backs. Definitely not ride or dies tho bc we will tell each other when the other fucked up. We are sarcastic dumb dumbs and that’s why we like each other. I feel like he would only tell me how much he cares about me on my birthday.

BEE:

13. mingyu – i literally don’t know what i would say to mingyu. “tall man” or “what up big boy.” i would be scared of him until someone taught me how not to be. like i gotta hang out with him in a group setting for three months straight until i can say hi to him when i enter a room. if i saw him i would simply just Not See Him.

12. wonwoo – like mingyu i don’t know if i’d have anything to say to him. him and mingyu both have popular high school boy personalities and that scares me.

11. josh – besides being californian, i don’t know if we’d have anything to talk about outside of in n out and traffic. he’s too pretty for me.

10. The8 – i feel like we’ve been over this for me. he’s too intellectual and polite i wouldn’t have much to say to him. but i feel like we could talk good shit about other people.

9. jun – i think i get along well with people with quiet funny personalities. like the kind where you don’t have to necessarily say anything but look at them and they’re telling you what they’re thinking. he knows that i know. so he kept reacting and looking at me. i think it’d take a while to develop a friendship though.

8. jeonghan – i wanna cause chaos with jeonghan. i want to do lots of things with jeonghan i feel like he would give me piggyback rides while sliding with his socks on the floor. he would tease me and i would be offended for five minutes while he pretends to tell me he’s sorry (he’s not).

7. dino – dino and i would be like twins building a sandcastle on the beach. that’s our vibe. like the kids you meet on vacation and play pirates with at the pool. relegated to the kids table kind of vibe.

6. scoups – he’s like the type to play catch with the stuffed animal in the room while we sit on the floor and chat. like he just arrived and is asking me about my day and picks it up from my bed and we throw it around while talking.

5. seungkwan – i think seungkwan and i could sit and talk outside on the patio when the stars are bright. like we could sit outside and stare out at the stars while i talk about my biggest dreams and don’t even need to see him to know that he thinks the world of me

4. hoshi – i see a lot of face masks. hoshi teaches me how to dance while they rest on our faces, but they keep sliding off because we’re laughing too hard. he has immaculate vibes, like the type to say “here for a good time not for a long time” but it’s an absolute lie because he’s there for both.

3. woozi – although i like to joke that he’s an evil little man, i think we could talk a lot about music and he would be very happy to teach me what he knows, and we’d spend a lot of time developing ideas and growing together.

2. vernon – he has the personality of my irl best friend, like a slightly chaotic aquarius who is horrendously hard to reach like 99% of the time. he’s the kind of guy who would try to make dinner but end up fucking it up so horribly that when i come in it’s like smoky and awful and the fire alarm is going off, so i have to air out the apartment and go get takeout and bring it home to my burned smelling apartment and eat it on the floor of the living room while binge watching a new netflix show.

1. dk – i just love the kind of joy and energy he radiates, like would be excited to do anything at all if it’s with me. would love to accompany me on any task if i just asked, like getting ice cream at 10pm and he’d know exactly what kind of flavor he’d get so it could accompany mine well when we inevitably switched halfway through the cone. saves the bottom of the cone, the chocolate tip, for me because he knows it’s my favorite.

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twistedtummies2 · 4 years ago

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Well, you've done DC. How about Marvel?

Okay, this one was REALLY tricky. XD The issue with Marvel is that while there is one character who is consistently one I adore, the rest of the characters I can have kink crushes on tend to be in flux, so to speak. Like, sometimes I'll like them a whole lot, sometimes I'll only like them a small bit, sometimes I'll like certain designs or portrayals and not others, etc. So there are NUMEROUS Marvel characters I wouldn't mind writing for and can fantasize about, but how much those levels stand is forever fluctuating. Having said that, this won't REALLY be a Top 5 of favorites, but more...a Top 5 of consistency. Because aside from my number one (and maybe my number two), the other characters here fluctuate in terms of how much I like them compared to others. HOWEVER, they are ALL characters I CONSISTENTLY enjoy to some degree or another in a pred/big eater role. (Mostly pred, if you haven't guessed from previous answers.) Now, let's get into them...

5. Galactus.

Ah, yes, the Eater of Worlds himself. In point of fact, Galactus' literally cosmic appetite is both his biggest pro AND his biggest con. Galactus is a veritable god of destruction; a nigh-omnipotent being whose entire existence REVOLVES around consumption on a massive scale. Galactus literally eats worlds; he absorbs all energy the planet has into his being, and his hunger is neverending. Time and again he's come after Earth, but every time, he's outsmarted by the heroes and left to find some other place to gorge himself. On the one hand, God-level predators are freaking AWESOME, and that level of sheer hunger is INTENSELY squeak-and-blush-inducing. On the other hand, however, it doesn't leave much room for intimacy or for writing that will present an especially great amount of conflict. As a result, Galactus' appetite is both incredibly appealing and yet slightly off-putting for me.

4. Fin Fang Foom.

While his name is pretty silly, this giant dragon is actually one of Marvel's most underrated and intensely powerful antagonists. Originally imagined as a sort of unlikely cross between Godzilla and Fu Manchu - a monstrous distillation of all things that terrified people during the Yellow Scare - Fin Fang Foom has evolved with the times and, much like the Mandarin, still has a steady home at Marvel in the comics and in animation. He's not very well known, however, I think mostly because he hasn't appeared in any movies. As you know, I love dragons, and Fin Fang Foom is a dandy of a beast: a regularly rampaging monster who is, indeed, a canon pred. The image used here is actually from a defective clone of Fin Fang Foom, which had much of his power but little of his intelligence; the REAL Fin Fang Foom is actually highly intellectual...but this does not make him any less ravenous than the version depicted above. (Plus...come on, with imagery and writing like that, I HAD to make this the image I shared.) He's pretty much perfect for macro/micro type stuff, if you're into dragons.

3. Nightcrawler.

There are several X-Men characters I have had crushes on: Beast, Blob, Toad, and Sabretooth are the chief ones. However, in all four of these cases, how much I like them tends to fluctuate, as I've said before: it depends on a LOT of factors. However, the one X-Men character I seem to consistently want to stuff full of food or end up feeding myself to is, ironically, one of the least likely options: Kurt Wagner, a.k.a. Nightcrawler. I WOULD say this is because he's my favorite X-Men character (which is true), but I don't really think that's the reason. There's not much evidence of Kurt being an ESPECIALLY big eater, and certainly no evidence of him being of a predatory mindset...yet he has developed a niche group of vore-loving or belly-loving fans who really love the thought of feeding him one way or another, and I am in that niche. I think it's a mixture of his design and his personality: Kurt looks like a fanged, fuzzy demon, but his soul is actually that of a very fine fellow. He's an impish mischief maker, a charismatic and chivalrous gentleman, and a kind, charitable, religiously devout sweetheart, all at the same time. You can imagine Nightcrawler being a big tease to someone who has certain kinks, but you can also imagine him being very docile or very comforting. He's pretty much a tailor made character for the softer, safer, more playful sides of these interests almost without trying.

2. Tiger Shark.

I've only come to know Tiger Shark fairly recently, and I haven't READ much of him...but with what I have seen of him and learned of him, he's definitely worthy of the number two spot. Remember how I said in a previous thing of these sorts that Killer Croc was sort of "King Shark done right"? Yeah, I think Tiger Shark is an even more accurate example of that. In the comics, this rogue's story goes like this: Todd Arliss was once an Olympic swimmer who lost his abilities in an accident: desperate to regain his athletic capabilities, he gave himself over to experimentation, and his DNA was fused with that of a tiger shark, and also of the mythical Sub-Mariner, Prince Namor. The resulting mutation turned Arliss into a predatory monster, with superhuman strength and a savage appetite. Over the years, Arliss has been depicted less and less human and more and more animalistic by various artists; whether this is a canon show of his worsening mutation or just artistic license is anyone's guess. Tiger Shark has a more consistent personality than King Shark, and while his design has changed over the years, he's at least retained the basic concepts, as well as his hunger. I have to admit that I actually prefer a version OUTSIDE of the comics for my interests: the version that appears in the series "Avengers Assemble," which gives him a whole new backstory and a decidedly beastly design. If I were to write for the guy, I'd likely follow that one more closely. Still, the comic version definitely has some merits, too.

1. Venom.

Now, I'm specifically talking about the original Eddie Brock Venom; other versions just don't interest me as much. With that out of the way...Venom didn't START OUT as a predatory beast, but quite quickly, as time went on, the character became more and more focused on that aspect of things. Just looking at the guy, it's easy to see why. The Jekyll-and-Hyde-esque relationship between Eddie Brock and the ravenous Symbiote that controls him is one that can be used for both comedy and tragedy, and Venom's gluttonous, aggressive, and at times delightfully witty personality makes him a very fun character to imagine. He can devour massive amounts, has a canonical love of chocolate (as well as human flesh), and has more appealing dialogue than you can shake a stick at throughout his long history. He's right up there with Killer Croc as one of my favorite predator crushes in comics, and possibly the only Marvel character I can consistently say I adore above ALL others.

#ask #answer #marvel #q&a #comics #supervillains #superheroes #nightcrawler #venom #fin fang foom #galactus #tiger shark #pred crushes #kink crushes

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ninja-go-to-therapy · 5 years ago

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Shaken

Chapter 2

Summary: MK wakes up in the hospital. If there's one thing he knows, it's that he's got to get away.

Trigger Warnings: hospital, referenced abuse, mentioned death

2990 words

“—just started freaking out—”

“—swear, if this is more monkey madness you’re putting him through—”

“—not.”

Words and voices faded in and out. What was going on? His head felt like it was going to explode. Everything was fuzzy, and he hadn’t even opened his eyes yet.

Come to think of it, he probably shouldn’t open his eyes. He didn’t want them to know he was awake.

MK fought to keep his breathing even, just barely suppressing a groan.

He hadn’t escaped.

He was in the “hospital”, no doubt, completely surrounded by those fake shells of his friends. He had to get out of here.

“—think he’s waking up!”

“—id! Kid, can you hear me?”

Shit. They knew he was awake. There was no getting out of this.

He fluttered his eyes open, sitting up with great difficulty.

“MK? How are you feeling?” Fake Tang asked. He looked so real, too.

MK scanned the room as subtly as he could. The door wasn’t blocked. He had to make a run for it. It was a long shot, but if he could just get to his staff, then he could get out of here. But it was so far away.

Pretend Monkey King took a step closer, reaching out a hand to put on MK’s shoulder — or to kill him.

“Don’t touch me!” he demanded.

“Oh, kid—”

He scrambled off the bed and onto the opposite side, nearly collapsing entirely at the immediate searing pain that came from it. He’d forgotten about his leg.

“Shit, kid, sit back down!” Not-Pigsy said, like he was panicking and genuinely worried for MK’s safety and well-being.

As they advanced on him, MK backed away, using the wall for support. He had to get away.

He made it to the door, but immediately bumped into something — or someone. He turned around, stifling a pained gasp at the action. Pretend Sandy was there, almost totally blocking the doorway.

He looked back behind him, terror growing as he saw the concern etched on his not-friends faces. It looked so real, and that only made it worse.

He had to get out of here.

He faked left. As predicted, not-Sandy followed. MK quickly changed his direction, sliding past him and making a break for it down the hall.

The violent burning crawling up his leg was, quite literally, his downfall. His leg gave out, and he was sent sprawling to the floor, and then he was being surrounded, by nurses and his friends alike, and then… he didn’t remember much, after that.

He woke up again in the same blindingly white hospital room. It felt like he was missing more than he knew he was.

This time, he was alone.

Hope soared in his chest. If he wasn’t being watched, he could get out! He went to sit up, but was stopped short by straps that were holding him down.

“No,” he begged, tugging on them desperately. “No!”

He was trapped. Done for. They were going to kill him, and there would be nothing he could do about it.

Oh god, he was sure now that they’d make it extra slow and painful. Of course they would. They had to despise him, by now.

He heard someone approaching from the other side of the door, and immediately, he went limp, pretending to be asleep again.

The door opened.

“Oh, bud…” he heard pretend-Monkey-King say. “You’re gonna be okay.” they must have known MK was awake. There was no other reason they’d be spewing this bullshit. Maybe they could watch him even without a human puppet around.

MK couldn’t take it any longer. “Just drop it,” he said, staring numbly at the ceiling. “You don’t have to act anymore. The jig has been up for a long time.” he blinked back the tears that were pushing at his eyes. “So, who am I talking to? Jin or Yin? Or both? I don’t know how this Calabash shit works.”

MK couldn’t see not-Monkey King’s reaction to that. He just kept staring at the ceiling, blinking away his tears. His head was beginning to hurt.

“Those bastards? You think—? Oh, MK…”

Oh, great, now they were playing from this angle. When would they just give it up? He knew it was them.

“I don’t think. I know.”

“Oh, come on, bud, you don’t really think they could replicate my stunningly good looks, do you?”

In spite of himself, MK laughed. That was just like his mentor.

Monkey King smiled. “Really, bud, it’s me. Wukong.”

MK glared at the ceiling. “Nice try. The real one wasn’t… I wouldn’t have called the real one by that name.” he never had before. The demons clearly hadn’t done enough research.

Pretend Monkey King’s confusion was so fake it hurt. “What do you mean?”

“We’re not that close, you know. Hell, I doubt he even actually knows my name. Just — god. Kill me. Don’t try to make me believe it’s really them. Just get it over with!”

“Dammit, MK, we’re not going to kill you!”

“Whatever.”

For a moment, fake Monkey King looked genuinely upset. He sighed. “Get some rest, kid.”

And then he left.

MK spent the next few minutes in silence, struggling to get out of the restraints. But they were tough. Fucking hell.

But he didn’t give up. He couldn’t afford to. He had to get out of them, he had to get home, to his real friends. How long had he been in here, anyway? Pigsy would probably be pissed at him for missing work.

The door opened, and this time, it was the fake version of Mei. He didn’t even get the chance to wonder what she wanted before she spoke.

“Ask me something,” she demanded. “Monkey King told us what you think is going on, so ask me something. Something only you and I would know.”

Oh, so they could make it all worse by making him see just how much they knew about him? Hard pass.

At his lack of reply, Mei began to talk. “We’ve known each other since we were 13. Pigsy took you in a year or two after that. Your favorite season of Monkey King: the animated series is season 8, because you think whatshisname is hot.”

Okay, sue him, he had a thing for redheads! But that wasn’t important right now. “So what? Anyone could find out stuff like that!”

Mei huffed, continuing on. “Your favorite coping mechanism used to be writing fic about Monkey King adopting you. You wrote one of the biggest fics in the fandom ever.”

“And? That’s not that hard to figure out!”

Mei looked like she was about to scream. “Your parents were bad people.”

MK, who had been struggling, immediately went still.

“They were bad people, and they were even worse parents. You told me not to go after them, even after you got kicked out. Because you’re too good to have ever even considered it. What else do you want from me, MK? When you defeated DBK—”

MK had to admit, he’d almost begun to believe her. “You almost had me there,” he admitted, “I don’t know how the hell you found out about any of that, but if you didn’t notice, the DBK thing didn’t work last time either.”

“...What?”

“Oh my god, I’m not that dumb. I would remember locking away DBK if it had really happened.”

“But… it did?”

“Yeah, sure. I really did lock away the entire Demon Bull family, yeah. And Tang and Pigsy have some weird gay relationship going on, and Mo can just talk now, and Sandy is hosting romantic river cruises, of all things. And you,” he said, forcing down the vomit. “are in love with me!”

Mei made a face. “Ew! That’s disgusting. Wait, okay, I think I have one. What if I tell you what MK stands for? Then will you believe it’s me?”

MK rolled his eyes. Nobody knew what MK really stood for but the real Mei. Even demons would have a hard time figuring it out. Hopefully.

“Whatever.”

They were probably bluffing, anyway.

His name, what MK really stood for, was a nearly perfectly kept secret. Especially in… recent times.

“MK stands for Monkey King, “because he’s like, my hero! And doesn’t MK have this super cool and kinda mysterious edge to it?” she replied, imitating him badly and hardly missing a beat. “And, even though you think it’s a super cool name, you’re embarrassed about it, and keep it to yourself.”

MK glared at her. “I don’t know how you heard that—”

“What will get you to believe me?” she begged.

“Nothing! Absolutely nothing! I’m not falling for this bullshit again!”

“Ask me something! Anything! Please.”

MK thought for a moment. There was maybe one thing he could think of that they wouldn’t know. Something real. Something they would have no reason to.

He sighed, weighing it over in his mind. There was no downside, he supposed. “What did you say when I first told you about… me?”

Again, Mei didn’t even need a moment to think. “I told you that I was really happy that you were comfortable telling me, and that I would love to take you shopping sometime to get you some better clothes, and then I demanded to know where your father lived so that I could scoop his eyes out with a plastic spoon, because he doesn’t deserve to even be able to lay eyes on you. And then I said I would keep him alive, but only barely, because an asshole like that deserves to suffer.”

MK’s blood went cold. It was too oddly specific, and had happened years ago. There was no way they could have known. Which could only mean…

“Mei?”

“Yes!” she cried, nodding frantically.

He couldn’t help himself, the tears he’d been so desperate to hold back earlier finally beginning to fall. “It’s really you?” he sniffled.

Mei nodded. “It is, I swear.”

Carefully, she wrapped him in a hug. It felt so nice and comforting. For a moment, MK just let himself be swept away by it.

Until the door opened.

He pushed Mei away gently, wiping his eyes furiously.

“You uh… feeling alright, bud?” Monkey King… the real one…? asked.

“I’m okay.”

It was real. Pigsy and Tang, they were both real. And Sandy, and Monkey King, and Mei. God, he was so stupid.

“So… you thought you were in some evil magical illusion? Why?” Sandy asked.

“Because I was there before, and—” MK cut himself off. “Wait, no, this is still wrong. I would remember defeating DBK. That never happened.” But they knew — but he also would have remembered — he didn’t know what to believe. Oh god. How was he supposed to know for sure? How was he supposed to be confident in his decision? What was he supposed to do?

The others shared a look.

“You defeated them weeks ago,” Tang said, slowly.

“In like, April,” Mei added.

“It’s March,” MK corrected, his breathing picking up.

“It’s definitely May,” Pigsy said.

“I don’t… but…” MK took a deep breath, trying to ground himself. He didn’t feel so good. His head hurt so bad. He wanted it to stop.

His eyes were hurting, too. Was the world always so covered in little black spots?

“MK?” someone asked, their voice a thousand miles away. “Are you alright?”

The darkness fully overtook his vision, and MK didn’t have the chance to answer.

———

“—kill you, monkey asshole—”

“—do I have to do with this?”

“—our kid a — concussion!”

“—my fault?”

MK groaned, feeling faintly like he was going to vomit. He didn’t try to sit up, this time.

“MK, how are you?”

He eyed his maybe-friends warily. “Trying to figure out if I’m being tricked.”

“Yeah, about that. You’ve got a concussion, kiddo.”

Well, that was a lousy excuse. “I didn’t even hit my head,” he said, rolling his eyes. “Try again.”

“What about that earthquake earlier?” Sandy offered.

“That lasted for like, ten seconds.” Not even. It had been over before it had even actually begun. They needed to try harder than this to fool him. He’d almost fallen for their lies the last time he’d been awake. He couldn’t risk it happening again.

“It definitely lasted for longer than that,” Pigsy said.

“No?”

“Yeah?”

“I bet that’s what happened, then. You hit yourself on the head during the earthquake, forget some important shit — I mean, stuff — gave yourself a concussion, and then you went on a quest that I like to call how badly can I scare my parentals?” Pigsy said, all but yelling by the time he was done with his explanation.

Out of all of that, MK couldn’t help but hone in on one part of it. “...parentals?”

Mei sighed. “You’ve forgotten a lot.”

MK looked at her for a long moment. He still just wasn’t totally convinced. But if there was one thing he knew Yin and Jin would jump at, it was this. One last try. “You know what? I changed my mind. I am in love with you.”

“I — what the fuck, MK?” Mei asked, looking sick at the thought.

“Oh, thank god,” he said, sighing in relief. “Okay, I believe you now.”

Thinking about it, he supposed it all made sense. It didn’t make it much less disturbing, though. In fact, the growing sense of horror he was getting was almost worse than thinking he was inside the Calabash.

But god, it had all been so obvious. Besides the initial earthquake, there had been nothing else like it the entire day. No glitches, no inconsistencies, no random people surrounding him and insisting that this was completely and totally perfect. Yin and Jin would have probably jumped at the chance to gloat once he’d initially figured it out, too.

In short, MK was just… really fucking stupid.

Shit, it was really hitting him now. He must have seemed absolutely fucking crazy all day. Especially considering he’d never told anybody about his first experience in the Calabash.

His friends really had been concerned about him. And with good reason. To them, he’d just lost his mind out of nowhere.

He’d attacked them. He’d actually landed a hit on Mei. He’d been so sure that they weren’t really them. Oh god.

He couldn’t breathe.

He was so stupid. He’d freaked out over nothing, and had very obviously put his friends through enormous stress. All because of a little paranoia that had snowballed into — well. This.

He’d gotten a fucking concussion, broken something in his leg, he’d attacked Mei, he’d fought with everything in him against the people who were only trying to protect him. And all he had in response was to try to hurt them.

He was an idiot.

“C’mere, bud,” Monkey King said, crouching down beside the bed and wrapping MK in this sort of embrace that was all warm and soft and fuzzy. It was so comforting and nice, and probably more than he deserved. “I’ve got you.”

From the other side of the bed, Mei leaned over, hugging MK from behind.

The others, to the best of their ability with the limited space the hospital bed provided, joined in, however uncomfortably.

It was like being completely cocooned in warmth and love.

They… still wanted him around.

He’d completely flipped shit for no reason, had attacked them and screamed at them and done everything in his power to get away, but they still wanted him around. He’d been so sure they would be disappointed in him, would be angry that he’d fought them so viciously, or even hate him.

But if this was anything to go by, they didn’t.

In fact, he’d never felt so safe.

“You’re gonna be okay,” Tang assured from somewhere to his left.

For the first time in the last day (two days? more?), he actually believed it. His friends were real, they weren’t out to end him, and the danger, for the most part, was gone.

The Demon Bull family was gone, locked away under a mountain. Jin and Yin had nothing to do with it, this time.

Also, Pigsy had willingly referred to himself as MK’s parent figure, and wow was that strange.

Strange, but not unwelcome.

And, if the day’s interactions were anything to go by, it seemed like Monkey King didn’t just tolerate him, but actually… actually cared about him?

He wondered if he’d felt that way at the point in time where MK’s memory stopped.

It was startling to know that everyone else in the room was much better informed about… well, everything, than him. They knew about thoughts and feelings he’d had that he didn’t even recall experiencing. They knew about his greatest battle, about how his relationship with all of them had developed in that time, all of it.

And he didn’t.

There was an uncomfortable gaping hole in his mind that he hadn’t even known was there. He felt sort of… naked without it. Like he’d run to work without his pants on and for some reason or another, couldn’t get back up to grab a pair.

His stupid brain was locking the door so that he couldn’t retrieve his pants.

But it would be okay. Something deep within him told him it would be. Or maybe it was the pile of people crowding around him in a group-hug, who knew. Probably a little bit of both.

But really, he was somehow certain that it would work out. He would regain his memory, and in the meantime, the others could fill him in on everything that he’d missed.

It was all going to be fine. It would take some adjusting, and it would be hard, but they still wanted him around. That was, in of itself, a miracle.

“Wait, does this mean he doesn’t remember that Tang and Pigsy are together?”

“What?”

#yeah i dunno #monkie kid #hospital #referenced abuse #mentioned death #tw hospital #tw referenced abuse #tw mentioned death #kat writes #monkie kid fanfiction #angst #whump #fluff #not often I use that tag #I tried #amnesia #cross-posted on ao3

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365days365movies · 4 years ago

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May 10, 2021: Blade Runner 2049 (2017) (Recap: Part Two)

Said I’d talk about artificial humans in sci-fi, so...

There are a HELL of a lot of examples of artificial humans in science-fiction, as well as the ethical and philosophical concepts that their existence raises. Now, your definition of “artificial” may differ from medium to medium. At its base form, these are humans that are not born, but made. I’ll be talking fleshy organic humans, not robotic ones. The most common of these is, of course, clones.

A clone, strictly speaking, is a genetically identical copy of a pre-existing organism, in this case a human. While this isn’t technology we’ve applied to humans as of yet (due to the NUMEROUS ethical problems and questions), we have done so with animals, mostly sheep and cats. It’s actually a good way to de-extinct certain species, and we’ve already done experiments with that. Of course...that has its own concerns.

Keeping up the Jurassic Park reference streak! Anyway...

There are a FUCKTON of examples of clones in science-fiction, but since I’m a massive comic book nerd, I’ll use Superboy. The genetic combination of Superman and Lex Luthor, Conner Kent is one of the most prominent clone superheroes. He’s not the only clone of Superman, of course. He’s not even my favorite clone of Superman, to be honest...

Bizarro am the worst. ME WILL LIVE ON THAT HILL.

Oh, and let’s not forget THE most prominent artificial human in comic books PERIOD. I don’t care what her origin in the movies is, that’s never been my favorite version of Wonder Woman. Making her a demigod robs her of something important, in my opinion.

...Should I make a comic book blog? Shit, thinkin’ about it.

OK, before I do that, these are just my favorite examples. Fact is, there are FAR too many examples of artificial humans to go into, whether they’re built, grown, sculpted, conjured, or a chemical reaction with an extra ingredient in the concoction.

And look, I could go on all day about this, but we got a long-ass movie to get back to. SO, lets jump back in. Part One is here!

Recap (2/2)

Understandably exhausted, K returns home, confused and conflicted. However, he’s greeted with a surprise from Joi: a prostitute! Namely, this is Mariette (Mackenzie Davis), one of the girls who approached him earlier. Joi’s called her here in order to be “real” for K, the effect is impressive, if somewhat...off-putting. Still, while K obviously didn’t need this to be happy with their relationship, Joi might, and Mariette’s all on board.

And it doesn’t take K terrible long to get on board, either. As both Mariette and Joi strip, it makes me wonder...how much does this subscription service for Joi cost. There’s no goddamn way this is free, right? Like, how exclusive IS this AI? And they cut from that scene to a Joi commercial, where we hear that Joi becomes anything you want her to be, and does anything you want her to do. But something tells me that...well, that it’s not quite so simple.

Once the night is over, Joi tells Mariette to leave, and not nicely either. Mariette leaves, rebuking her on the way out as well. K, meanwhile, knows that the Blade Runners will soon be coming after him. He’ll be going on the run, and Joi wants to go with him. And so, they put her inside of a remote device, while deleting her information from the main apartment console. This gets the attention of Luv, who head over to the apartment to figure out what’s going on.

K goes to Doc Badger (Barkhad Adbi), who analyzes the horse for him. It’s discovered that old radiation can be found there, and that amount and kind of radiation can only be found in areas where a dirty bomb has been set off. This would be in the desolate and weird-ass ruins of Las Vegas. While nobody lives there at this point, K and Joi go to check it out.

An IMMENSELY frustrated Luv, unaware of K’s discovery about himself, goes to confront Joshi about K’s whereabouts. Luv berates her for being afraid of change, and tells her that she “can’t fend off the tide with a broom”. Which is a great line. However, as Joshi is no use to her at this point, Luv just straight up kills her. Which, I’m sure, will go over well with the whole “Replicants aren’t dangerous” thing.

Meanwhile, in Vegas...shit is WEIRD. First off all, the desolate wasteland is full of statues of giant sexy wimmin, and I mean GIANT statues. Beneath one of them is a series of beehives, which K goes into to get a hand of beeeees. After that, he goes into an abandoned hotel/casino, rigged with tripwires and booby traps. OK. What.

So, somebody’s using this place as a hideaway, despite the entire city being destroyed by a dirty bomb, and probably extremely radioactive. K searches around and finds it empty. He begins to play a piano, hoping to draw someone out. He ends up drawing out a dog, as well as the inhabitant of the hotel.

Rick Deckard (Harrison Ford), baby! Quoting Stevenson’s Treasure Island and holding K up at gunpoint with dog at side is the original Blade Runner himself, Rick Fucking Deckard. God, I love this. Deckard hunts K down throughout the casino, where we see some trippy holograms, and the future of Vegas stageshows (probably).

The two fight, but eventually call a truce and decide to get a drink at the bar. K gets to it pretty quickly, and confronts Deckard on his potential child with Rachael. He confirms that Rachael was indeed pregnant by him, but he had never met his child. Which was the plan, to be fair. He wanted their child to be protected, not hunted down and eventually dissected.

Sometimes, to love someone...you gotta be a stranger.

To an old Frank Sinatra song, a forlorn K (now calling himself “Joe”) looks around, and sees carved wooden animals that resemble the horse that’s haunted his life and memories so much by this point. Which makes sense, considering the foil unicorn from the previous film. Neat little tie-in there.

But paradise is not all it’s cracked up to be, as someone soon comes to find both K and Deckard, despite the fact that K came alone. Although, now that I think about it, Joi may not be one that you can truly trust. Deckard and K try to escape their pursuers, but are caught pretty quickly. In the process, K is injured, but manages to get up in order to fight back. However, this is Luv with these people, and she beats K down EASILY. Turns out that Luv is actually an enforcer, rather than just a secretary. And when Joi awakens from K’s device to ask her to stop, well...she kills the device, and she kills K. In the process, she also takes Deckard away, leaving K behind. Fuck.

K wakes up, only to discover Mariette standing over him in the Las Vegas wasteland. She takes care of him as he wakes up, also stitching up with wounds from the explosion. She tells K to trust her, as well as her compatriots. One of them is the hooded woman from earlier, a Replicant named Freysa (Hiam Abbass). An old friend of Sapper’s she saw the delivery of the child, the “miracle”, and also hid the child away, as it was a symbol that the Replicants are more than just slave, that they are their own masters.

Freysa is building a revolution in order to free the Replicants once and for all. And I’m hard-pressed to disagree with their cause, not gonna lie. However, this comes at a price. In order to prevent Wallace from killing the cause, K must prevent Deckard from leading them to Freysa. They must do what they can until they can reveal the child to the world. For she will be their leader.

Fuck.

Understandably COMPLETELY crushed at this revelation, and more confused than ever, K collapses. Freysa tells him that they ALL wish they were the one, and they all believe. It’s at this point, that K realizes exactly who the Hybrid is: Dr. Ana Stelline. The horse from earlier, it turns out, did in fact belong to her, and she planted her childhood memory with the horse in K’s mind as a Replicant. Damn. DAMN! That’s why the memory moved her so: because it was hers.

Meanwhile, Deckard awakens to a separate nightmare: Jared Leto telling him how he feels about him. After all, Deckard helped to create the first Replicant-human hybrid. He asks him for his help in obtaining the child, so that the key of Replicant reproduction can be further unlocked. And he proceeds in convincing Deckard by playing audio of Rachael and his first meeting (from the first film, of course).

Niander fucks with him further, by suggesting Deckard was summoned all those years ago specifically to fall in love with Rachael in order to father a child with her. But despite all of this, Deckard refuses to give up any of his information. And so, Niander pulls out his ace-in-the-hole...and it’s a real shitty thing to do to a man in mourning.

Damn. Dude rebuilt Rachael, tries to tempt Deckard with her, FAILS, then lets Luv shoot her in the head. Fucking power move, and fuck Niander for playing it. Dude is a DICK. Meanwhile. that one visual from every single ad of this movie is happening, and I can FINALLY use one of the 8000 GIFs of it, goddamn.

Not gonna lie, it’s an iconic appearance, so I get why it’s so famous. Anyway, K considers a suicidal option, now that he knows the truth. However, before we get to see the final decision, we get to see Deckard being taken back to LA for interrogation by Wallace. However, to prevent him from potentially leading Wallace to the secret of Ana Stelline, K suddenly appears, opening fire on their ship.

The craft is downed, and K exits the car to engage in a firefight with Luv. He appears to win, but Luv isn’t killed once she’s shot. The two have a fistfight out in the rain, and Deckard waits for water to slowly kill the craft that he’s still inside of.

As expected, Luv handles herself well, and despite a number of close calls, she JUST. WILL. NOT. DIE. Damn, she’s resilient. However, despite K, Luv, and Deckard all nearly drowning in an INTENSE fight between the Replicants, an enraged and crazed Luv finally eventually drowns, ending her threat for good.

K saves Deckard from the sinking ship, and agrees to stage his death, allowing him to meet his daughter for the first time. Once at her facility, K returns Deckard’s horse to him, knowing that it was a gift from him. He tells Deckard that his best memories all come from her, implying that this makes him similar to Deckard’s son, which he picks up on when he asks if he’s OK.

Deckard goes to meet his daughter, and K hangs out on the stairs outside. He feels the snow fall on his hand, and he just...watches it all fall around him. He sits, and he watches it all. And meanwhile, Deckard meets his daughter for the first time.

...Can I just say...GODDAMN!

That movie was absolutely stellar, and it’s definitely landing in the high ‘90s for me, calling it now. I...wow. Seriously. Amazing.

See you in the Review!

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popculturebuffet · 5 years ago

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New X-Men Xtrospective Part 1: E is For Extinction “They Will Need Us”

I am SO fucking excited for this one. As might not be obvious to ALL of my readers but should be obvious to some, I fucking love the X-Men. They are one of my favorite superhero teams period as are several of their spinoffs such as X-Factor (All versions), New Mutants, and Marauders. I love the wide cast, the hugely vast universe within the already vast and wonderful marvel universe, and the sheer amount of GREAT stories. I own all 11 movies, have several action figures, and two posters from Jonathan Hickman’s current and utterly dynamite run right above me right now as I work, as well as a marvel 80′s themed poster behind me that’s at least half x-men for good reason. I love this gang of mutants and I have not talked about them enough.

I”ve done some X-Men stuff sure: I’ve talked about hickman’s time as head writer of the books a year in earlier this year, I did a few scattered reviews back when I did single issues of comics, and then we get to the one I beefed big time: covering ALL of X-Men evolution. While it’s a noble endeavor I freely admit to overexerting myself: I recapped the episodes way too closely, gave myself no real schedule and did so while I was already covering two shows a week at the time. My point is it was a good idea, but the timing was REALLY fucking bad and if I do it again, I intend to do it right and iwth a proper place in my now properly paced schedule. I also planned to do the movies which, unlike evolution, I have solid plans to do once I clear out some of my projects. Point is I burned bright and then exploded and took a whole projecet with me phoenix style.

I had until this moment yet to do a really big x-men project, something digging into the comics, something that could help fans both of the comics and not get familiar with something really good, and help me dig into both the good and bad of something. I jsut needed the right start.

Then Christmas gave me that spark, that project that gave me the idea for a butload more x-men content on here and was the perfect starting point for some. See my friend Marco lives in Honduras, and so since i couldn’t afford to send him anything for christmas in the mail, as i’m not exactly rich, I instead offered him three reviews of anything.l He still hasn’t taken up two of them, nor one I gave him for graduating college, but the first one was a doozy, something he hadn’t read due to not liking the art, which is fine as I have some art in comics I don’t like everyone has diffrent tastes, at least for the first arc, and something VITALLY important to x-men as a whole and that’s the backbone of hickman’s current run: the first arc of new x-men, e is for extinction. And given New X-Men is one of my faviorite comics of all time I not only lept on it.. but decided fuck it I’m covering the whole thing. So every so often on here from now until I finish, i’m going to be covering Grant Morrisons ground breaking, mind shattering, status quo destroying run on the children of the atom. This.. is going to be fucking awesome. Buckle up.

New X-Men came about in 2001. Stop me if you heard this one: The X-Men, once marvel’s best selling title and one of i’ts most beloved, had been set adrift in a seal of editorial bullshit, bad writing, bad storylines and a stale continuity where not much could change or grow and things always reset to about the same place it was last week. If this sounds familiar it’s because it somehow happened AGAIN thanks to Ike Perlmutter’s bullshit, hence the current hickman run, but we’ll get into all of tha tsome other time. Point is as it was in 2018, so it was in 2001: The x-men were in bad straits and marvel reached out to a host of various creators to swing for the fences and find a new direction, something to bring sales and life back to the book. To my shock they actually took a LOT of diffrent pitches in before Morrisons won and from huge names: Geoff Johns, who had not yet returned to DC never to leave, Alex Ross, Keith Giffen.. all huge creative types. but in the end the best man won.

For those unfamiliar with him, Grant Morrison is a gloriously batshit scotsman with a long, storied and delightfully insane history in comics, mostly at DC before and after this comic. This is for good reason: DC scouted Morrison specifically because of his early work at 2000ad. See at the time Alan Moore had hit it really big with Swamp Thing, taking a d list, so so book and making it into an utter masterpiece and giving it thoroughly interesting mythology. Given it was a blockbuster hit that’s still widely loved and discussed, as it should be today, DC decided to repeat the strategy of asking British indie comics creators to come do the same to another property. This same experiment is why Neil Gaiman’s The Sandman exists, so.. yeah it was actually a great strategy and naturally Grant had their first big hit with Animal Man, a metafictional take on a b-list hero that made him a loveable family man, while also putting him through hell and playing with the medium and dc’s vast history, the last two being Morrison’s trademark from then on out.

They’d next go on to reinvent one of my other faviorite teams: THE DOOM PATROL! The patrol are a bunch of victims of strange accidents who got powers out of them that are basically curses... and Morrison solidified that concept, taking over after a weak run that ironically enough was trying to imitate the x-men’s success at the time. Instead Morrison just went all out with his weird shit for the first time and made them a team of broken but likeable people with weird powers fighting just the weirdest most incomprehensible shit, a run i’ll likely be digging into eventually along with the team as a whole. It’s also, along with Gerard Way’s recent run, the bedroock for the current and utterly masterful doom patrol series I need to catch up on. They also apparently once wrote a satrical comic starring and lik mocking hitler... a fact I somehow JUST learned but naturally doesn’t surprise me at all.

Morrison’s career at dc, after doing some creator owned stuff there when Vertigo opened up, hit it’s peak in the late 90′s as they were given the go ahead to reinvent the Justice League, with the wildly successful and awesome JLA, another book I probably need to take a look at that put the big 7 back into the team. And by now your probably getting the point of me covering his career pattern.. besides giving morrison the praise they deserve, and they’d have some really great runs after this.. and some terrible ones but no one’s perfect. My point is that at this point in their career Morrison’s greatest skill was taking something that had grown stagnant or been forgotten, blowing it up and reworking it into something glorious and new. Taking what worked, scraping away what didn’t and on the whole making something fucking glorious out of it. So here we are. The X-Men needed a new coat of paint and uncle grant had their lcd laced psycadelic paint bucket and brush shaped like a pidgeon at the ready. And for better, way better and admitely sometimes here and there worse,they changed the x-men for good. Some changes were rolled back out of spite, others finally got their chance after said rollback recently, and some were just outright thrown on the grown and smashed with a hammer. But for the most part Grant left a huge impact on the x-men and i’m here to show you why, warts and all. To me my x-men, this is new x-men. Now naturally there’s even more exposition but i’ts more in what COULD’VE been. Originally while Wolverine, Cyclops, Jean Grey and Professor X were all part of the team the other two members of the slim roster for this run, Beast and Emma Frost.. weren’t. Originally Morrison was going to have Colossus and Moira Mactaggert, long time team ally, token human until very recently, and now thanks to hickman one of the most important x characters peirod and long before that a fan favorite of mine, on the team, with Moira taking over for beast.

This.. didn’t pan out since Marvel apparently either didn’t give a shit about their plans or already had things in motion as the climax of the longtime legacy virus storyline killed both off. Colossus until Joss Whedon, bastard he may be, brought him back for his terrific Astonishing X-Men, and Moira SOMEHOW stayed dead until House/Powers of X. See this speaks to one of the big roadblocks morrison faced: Jonathan HIckman currently has absolute power and all his writers working in concert, a new way of doing things comic companies shold honestly copy en masse as it’s really working wonders. Grant.. was just one of many writers and one of three main x books the others being Chris Claremont’s XTREME X-MEN, basically “let the legend do what he wants since he can’t get freedom on the main book” and another writer on uncanny... before eventually chuck austen took over and I will tackle that horrible mess some other time. Point is while Morrison was setting the tone, costume style and making the big waves, they still didn’t have full power and thus had to play nice with eveyrone else. So their next idea was Rogue, making mer more like her x-men evolution version.. except Chris wanted her, so that was out, though being a decent enough guy he willingly gave up Beast since the moira thing meant Morrison needed a science person. As for Colossus replacement, as it turned out a fan had suggested Grant do something with Emma Frost since Gen X was canceled and while Morrison had zero intention for it clearly Emma clicked with hthem and she was soon both a main part of the cast and one of their biggest contributions to X-Men as a whole.

As for what I think of the needed changes.. they ended up being for the best. I do like Moira... but Hank ended up being a much better fit for the team dynamic wise and power set wise, while Emma was the same. While Colossus, Rogue and Moira are all fantastic characters, I think what we ended up with was just a better mix overall. I DO think the team is incredibly white, but that’s a general x-men problem, even with having an assload of diverse and intresting characters, so it’s not entirely his fault. All in all it’s a fantastic roster: four of the x-men’s best, their leader in the field for the first time in forever, and a new and intresting wild card. IT’s a nice ballance of characters and we’ll get more into it as we go. Now all the expositions done, we can finally dive head first into new x-men. I hope you survivie the experince under the cut.

After an utterly gorgeous and striking cover, the one used up top, we get one solid page to introduce us to Morrison’s mission statment, how they feel and how good Frank Quitely’s art looks

I cropped it best i could for tumblr but this one image immidetly says a lot. Our heroes are just.. easily taking down this sentinel, an old model... the same one we’ve seen a dozen times. What were once the grim, possible destroyers of an entire race of beings in days of future past and devistating killing machines in the present.. had become stale easily defeated murder bots There had been noble attempts to really make the sentiinels work again like the horrifying omega sentinels, humans forcibly converted into sleeper agent killing machines, during operation: zero tolerance, but otherwise they were mostly just a prop for the x-men to knock down. And that.. really is morrison’s whole point. Lampshading and mocking the fact the x-men had grown stale, things hadn’t really progressed.. and that it was time to move on. But to Uncle Grant’s credit, they not only uses this as a mission statment but it’s plot relevant: this mission will both be explained soon and explains why Logan and Scott are out and about enough to end up where the plot will soon need them. It also helps, via the sight of the syndey opera house establish something Morrison made a staple of their run: the X-Men going global. While the x-men were never really NOT global post claremont, Morrisons run has them handling rescue missions and what not worldwide far more often than most runs before it sans Claremont, and really made it feel like they weren’t just another super team but a global force of good with a specific goal and mission. More on the global aspect next time, as that’s where it really comes in but I felt it was important to show it was there for minute one.

So yeah before we move onto the first full scene of the run, let’s talk about the costumes.

We’ll talk about Emma’s later since she’s not introduced to the story for a while but yeah. There’s a sharp, obvious and immediate change just in the outfits, which take after the movie’s more military look, having the x-men not only look more like a unit but more like a professional orginization. Someone to come and help when needed. While this would take on more siginifigance in a bit, we’ll get to it, it also fits Morrisions own views that the x-men were less of a traditional superhero team and more something different on the edges that fought things out there, sorta what like he did with doom patrol. And it’s honestly a valid interpretation as the x-men are often seen as outlaws and misfits by society for beingn well.. mutants. Not as trusted as the avengers. So having them adopt this look played into that: Having them look more professional and focused as The X-Men have a less blanket mission statement than the avenger.. but also mildly threatning. Something to alarm the humans. It’s an utterly brilliant look thrown best together by the big yellow x’s, still giving it a nice flash of color to show off and show this is still a comic and this is still damn colorful.. this just isn’t your AVERAGE supherhero comic or the x-men your used to. IT’s a real shame the only fox x-men movie to use it was fucking dark phoenix.. a film where it didn’t even fit as xavier was getting flashier and more reckless so why wouldn’t he have more garish and colorful and more traditional superhero outfits. They did look good in their variants in first class though. Props there. Point is this is a classic, utterly stunning look, and tha’ts coming from someone whose fine with goofy superhero outfits and perpetually bitter hawkeye is almost never allowed to wear his actual comic outift and is instead stuck with shades instead of you know.. a mask. Or anything resembling an actual good looking costume. This though this is how you do a less superheroy costume: practical and realistic, but still cool looking and comic book friendly.

We cut to a mysterious lady, we’ll come to know her as Cassandra Nova and while I know her origin... i’m saving it for later as the comics themselves explain it eventually, and a simpering dolt she brought with her, Donald Trask, a distant relative of the creators of the sentinels who, via holograms she’s showing cro magnons slaughtring the neanderthal. Her point is that Mutants are going to do this and she’s clearly fearmongering him and trying to talk him into genocide: to wipe them out before they wipe out humanity. And it’s here we get one of hte most important plot points of Morrisons run and one of the most intresting: according to cassandra’s research Humanity will be no more in 4 generations. Mutankind is on it’s way to overtaking them at last.. i’ts still a few decades off.. but it’s coming. It’s sometihing that the whole decimation nonsense sadly snuffed.. and John Hickman has thankfully brought back. I’ll get to his run once i’ts complete in a few years, but point is it’s an utterly marvelous plot hook: Humanity, whose already attempted genocide a few times, is now in real danger of what their petty, racist, fearful attacks have been about: being replaced. It’s one of the central themes of the work the other two being “Just what IS mutantkind and what will it be”. WHat are they as a people? We’ll dig into these as we go but the threat of exctincion is the backbone of this arc... and will lead to something truly ghastly.

It’s then we get our title page.. which nothing really to add it just looks really good and helps show off who are cast is and what they can do with striking simple art.

And since we’re already talking the art of the book, let’s take a moment to discuss an intresting detail of this run: despite it’s short length there’s quite a few diffrent artist, who we’ll talk about of course as we get to each one. The most common and notable though is Frank Quitely. Frank Quitely is one of Morrison’s closest and best creative partners, having a unique, squishy art style.. i.e. the one my friend didn’t like which is why i’m covering this. And while I like the art style quite a bit, I do get why it’s not everyone’s cup of tea: His art is squashed, weird, and admitely some faces can be good god no incaranate. But it’s also why I like it: his characters feel unique, each body and figure feels like it was custom made and thus feels.. real. Like this is a person before you. And given comics can often surrender to having everybody look the damn same, this is nice. His faces may sometimes look similar but his bodies are where the action is. But while having a realistic feel his work also has a weird alien quality that perfectly fits Morrison, and thus his run on x-men. I will say while I love All-Star Superman, his art fits less there in the more hopeful silver agey story, so he’s not an artist for EVERY STORY OF EVERY TYPE.. but when it comes to sci fi weridness, he fits it like a glove so i’ts unsuprising he and morrison are practicaley soul mates, nor that his art sets the tone perfectly for the run: this is something new, diffrent and strange.. and what says x-men at it’s best more than that?

So after our opening titles we cut to the mansion where Hank is showing off his latest and greatest invention: Cerebra. Cerbebra is a massively upgraded version of Cerebro, aka Professor Xavier’s iconic helmet that allows him to track mutants to help them out.. and covertly backup their conconousness for his long game plan, but shhhh, don’t tell anyone yet that’s not going to be retconned in for a few decades. Though i’m damn certain if Morrison has heard about the current era of x-men and how it both builds on what he built, shatters the status quo and is incredibly weird, he’d be damn proud. As for how it’s diffrent Cerebra not only has a large dome around it but said dome allows the machine to amply Charles powers to a global reach. He can now see mutants all over the world anywhere in the world, something I didn’t realize wasn’t ALWAYS a thing because it seems so simple. It’s also likely to bring it more in line with the movies. And while marvel has done TERRIBLE with bringing things in from the movies or in line with them in recent years, i.e. making star lord more like his movie self while forgetting that’s how he already used to be in canon before later writers thankfully did hte better step of merging the two, Hawkeye’s outfit, Cap’s outfit or Nick Fury Jr. But for every mistep there’s also been tons of times it’s worked out really well such as here, as well as bringing hulk into the avengers for the first time since the founding, making tony stark more like the mcu version and less like a nightmarish self righetous dicktator who rightfully gets beat up and called out a lot, making Scott Lang prominent since he became prominent in the MCU, Wakanda being a major force in the marvel universe as it always should have been and various titles that have popped up to tie into movies, often bringing back a team or property that hadn’t had a book in some time like Ant-Man, Black Panther, and Shang Chi just to name a few. It’s not always hawkeye looking all jeremy renner is what i’m saying.. though thankfully comics clint isn’t that uninteresting. Hopefully the series will change that.

So yeah along with a bigger shinier cerebro we’re also introduced to a big change in Hank whose taken on his lion form rather than his classic gorilla with a weird haircut or his return to that except bald. Here he’s more like aslan in a human body and I.. love it. It looks great, helps sell hanks delima of being brilliant while looking like a beast and makes sense: he kickstarted what was likely his own secondary evolution by drinking the potion that made him bestial, so it only makes sense his body wouldn’t be all that stable even if it took years to change again. And even that makes sense as hank was breifly turned back to his original hairless ape mutation during x-factor, easily one of the books.. worse decisions honestly and one that louise simonson thankfully later undid. That probably bought him some time hence why it’s only mutating further now. It also adds an intresting wrinkle which the run will explore further: how far does this go? Will he regress? and how much hank will be left? And how will society treat his new form?

For now he’s actually extatic. While he’s going through hormonal changes, and giving out some excellent banter with Jean

Which also includes one of the greatest lines in comic book history, one that’s been in my head for decades and made me absolutely love henry mccoy.

He’s just great is what i’m saying. As you can tell it’s stuff like this why i’m glad Moira fell through. While I love her.. Morrison’s hank is just a delight and one really questionable subplot aside, we’ll get to that, he’s one of the highlights of this run with an intresting internal struggle, and great chemistry with EVERYONE. And that is the main reason i’m glad Moira fell through as his history with everyone but Emma, who he still has a great raport with, means each interaction has weight. He’s close friends with both scott and jean and thus serves as their needed confidant, while still being able to buddy and banter iwth good old weapon x, and speak with his mentor charles as an equal. While I love moira... Beast just fits into the cast too perfectly and I 100% suspect Morrison was only using her because, while she’s awesome, Claremont wanted her and thus gladly snapped her up when he no longer had a science person. I’ll get into his Jean soon enough but she’s likewise fantastic and easily my faviorite version of the character.. not that until very recently there was much honest competition.

So Cerebra fires up showing a massive cloud of mutants, showing just how much of a huge spike theirs been with Xavier wondering what it all means.. and Hank seeing a weird flare on the mointor for just a second with his special eyes. But since Xavier isn’t stupid and isn’t the kind of idiot who just dismisses it as a fulke, and since Scott and Logan are in the field, he decides to confrence call them in to see if they can go take a look.

And naturally we get to see what their up to and get context for what the hell happened in the first page. Our heroes were on a rescue mission to save Ugly John, tha’ts what people called him, a three faced mutant who ends up passing out as they head out of the atmosphere for a second. Wolverine is regenerating and smoking out of his neck becaue he could still smoke back then before marvel decided “he’s setting a bad example”.. in a comic meant for teens and adults.

I mean I get it on some level as the x-men cartoon was a huge thing in the 90′s and Ben Grimm is basically a giant children’s toy with the mind of a surly 40 year old jewish man from yancy street, but stilll it’s just.. why. I may not like smoking but it’s not like it was SPIDER-MAN saying

It’s a grown man.. whose not a sterling roll model and who Claremont went out of his way to have Logan point out his healing factor means it really dosen’t hurt him in the long run and when Kitty, an actual teenager, tried one of his cigars she choked. I know it’s a weird thing to get hung up on but while i’m all for keeping kids from smoking, this was a really clumsy way to try and hehlp that that made no sense and will never make any sense.

One tangent later we find out that Cassandra was showing Trask a simulation on a flight to, unsuprisingly, south america, to a sentinel blacksite. Between covertly funding civil wars as they do, the US Goverment naturally founded an experimental sentinal project, and a second master mold during the production of the first line... when larry trask asks where it could possibly be well...

Subtly was not the trasks strong point.. or common sense... or.. not realizing their creations would dominate humanity too or not dying.

Anyways we then cut back to the x-men, as their having a psychic zoom meeting with Charlie giving one of his patnted big speeches.. and like a lot of this comic it’s too damn good not to use

The reason I couldn’t should be obvious: This one speech sums up the x-men, why their great and why their necessary in a nutshell: in a world full of prejucided morons.. there’s plenty of scared kids who NEED the x-men to protect and guide them, and with a surge in the mutant population, their needed now more than ever. We also get a good explanation in universe for the uniform change: Charles had them in the superhero outfits hoping humanity would accept them if they were packaged as something they know. Since that clearly hasn’t worked he’s trying new ways to reach out and thus going with a diffrent more rescue team approach to the uniforms. He assigns Wolvie and Cyke to go check out the flair as you’d expect and the meetings over. On the blackbird we get our first hint at a subplot as Logan noticed Cyclops couldn’t wait to get out of there, and is being a tad distant to his wife. He actually has reasons for being kind of cold for once instead of just bad writing as he just came back from being possed by apocalypse. Yeah that happened. So the experience has rattled our boy some what. More on that as we go. But Jean ducks the subject with hank but does breach the fact that Charles has been going kind of crazy with the spending, new uniforms and ambition lately. Hank explains it perfectly: After all the death, suffering and misery the x-men have endured lately, the aforementioned deaths I talked about that took Colossus and Moira off the roster, have lionzed Charles to make sure it was all worth something and look towards the future.

But enough hope time for horror as Cassandra makes her first direct move, trying to take over Charles brain , make his body her own and use cerebra to kill lots and lots of mutants. We then get one of the best moments of Morrisons run with Charles response to a horrifying monster trying to take his brain

While it is shocking to find out Charles has a gun..it’s a grim but kind of understandable precaution. The guy once got fully taken over by a brood, assembling the New Mutants in part because the brood wanted to create more of i’ts kind with more super powers. You’d be paranoid too if some of your beloved students were brought together partly due to your good intentions and partly because a space monster wanted to make more space montsters out of helpless teens, and even horribly gaslighted one of them. We’ll get to that some day. Point is Charles brain is one of the greatest weapons on earth and if the wrong person got a hold of it, it’d be the end of said earth. Thankfully Charles does not need plan gun, as Jean yanks Cerebra off him but the sheer HATE Charles felt from Cassandra, the sheer power has rattled him.. and also told him she’s in Ecuador and his X-Men need to be warned NOW. It’s a great way to set up just HOW powerful Cassandra is. Speaking of which as our first issue of the arc ends, we find out two things: Cass faked being int he government but really just used dead soldiers as prop.. and just what kind of sentinels are out there.. wild sentinels. Easily my faviorite variant of the old killing machines and one that’s barely used despite being really damn awesome. Their adaptive killing machines, designed to mutated just like their pray and take tech from around them, as a result they look like a jumble of guns and parts.. but not only does it give them a unique, cool look.. but it makes them ten times deadlier as instead of being big bricks of robots that while intimidating, the x-men know how to kill... their unpredictable variable killing machines. You can figure out how to kill one sure.. btu the next might be entirely diffrent. They are one of morrisons best creations and I hope someone uses the idea again.. aka hickman. Please use it jonathan I know your focused on nimrod but come on.

And we end on one of the best lines of the entiire run as we close out the issue

Yeah it goes without saying but i’ll say it anyway; Morrison is really damn good with dialouge and being damn quotable.

So we open with another great quote “When I got up today I didn’t expect to kill 20 million people”... and Cassandra being aware Wolverine and Cyclops are on their way and sending the Wild Sentinels to dispatch them. Also our heroes brought Ugly John along while while a dumb move, Wolvie does point out how dumb it was to divert to Ecuador with a civlian in tow.. after the plane crash of course. As for “wait what plane crash’, the sentinels attack and start picking it apart... and since letting them have such good tech is a terrible idea, Scotty blows up the damn plane. So to recap our heroes are stuck in ecuador, surrounded by murder machines, and oh look their there and knock off cyclops viser. Fantastic. So yeah our heroes are fucked. And naturally captured by the enemy.

The rest of the x-men are doing SLIGHTLY better. While beast makes a note for his girlfriend, more on that later on, Charles is in bed, half alive, explaning the rationale I gave for why he has the gun with Jean refusing to let him get back out of bed and you know.. put on the device that just nearly killed him. But when beast announces they lost contact with our boys.. yeah that ceased being an option.

Back in the Ecuadorian Genocide Factory, Cassandra does the obvious and kills donald trask as his real purpose..was to stick around and be stupid for a bit while she copied his dna so she could have full control of her new murder toys.She soon uses them, having a horrifying death chamber slaughter john.. or at least flash fry him. Wolverine takes it how you’d expect and since the sentinels need to “perserve trask dna”.. they can’t fire on him without killing her. Scott escapes.. and in a heart wrenching scene mercy kills john.. before getting badass.

To anyone who says Scott Summers is boring, unintersting, or a stupid asshole idiot head I present exhbit shut the fuck up. Morrison gets scott just right, deconstructing his emotional suppression, while showing him off as a dedicated, companionate man who gets the job done and who seconds after tearfully having to mercy kill an innocent mutant whose death was partially his fault, wastes no time making it painfully clear to the person responsible she WILL die if she tries that again. Logan however realizes she’s already won in some fashion as she’s grinning.. and yeah never a good sign when a genocidal madwoman is grinning like a loon.. and when we find out why.. it’s even less good> We cut to Genosha. A lot of you probably know what happned to Genosha but in case you don’t know what it is it was once a horribly racist country that genetically enslaved mutants and used them for slave labor. It was freed, but still struggled to truly move on.. till Magneto showed up, took the country for himself and made it a home for all mutants. When we last saw him he once again tried to take over the world leading to Logan seemingly killing him. Right now though Emma Frost finally enters the scene teaching some mutants.. when a young one named Negasonic Teenage Warhead.. yes that one and yes she was entirely chosen for deadpool for her name, reveals, via precognition, that their all going to die.. right as the sentinels attack.

Genosha.. is gone. In an eyeblink 16 million mutants are dead, a possible future gone, and one of their greatest leaders is no more. Yeah Magneto WAS alive.. but paralyzed so he could do nothing when his island was utterly slaughtered. Only a handful of mutants will be revealed to survive. Humanity had done a lot to mutants before .. but for once.. they’d succeeded in wiping a massive chunk out. What was an x-men location for DECADES at this point.. was now a smoldering crater. A what could of been that would hant the x-men ever after, even now into utopia it remains the darkest day in mutant history outside of hte decimation. It is a truly horrific moment.. and if the changes already hadn’t made it clear this is morrison saying “NO character is safe, nothing is safe, and nothing will be the same and I damn well mean that”. In one act of hate the world has changed. And it hasn’t finished changing yet.

Issue Three opens hammering in things, as Jean and Beast are in the ruins of genosha, with Xavier having found ONE surivor among the rubble, and our heroes sturggling to find even them, though Jean eventually picks them up and uses her TK to sift through the rubble.

They find Emma who emerges from a bunker in shock, clutching NTW... and not realizing she’s dead until later and revealing she now has diamond skin, her own secondary mutation. Secondary Mutation was a birlliant idea, new powers sprouting up within established mutants.. it’s just morrison barely used this great idea as did hardly anyone else. Only X-Men Blue ever really dug into it and those were artifical at that. IT’s a great idea..it’s just barely used and at most heavily implied to explain changes in powers like Jamie Madrox Multiple Personalities later on or Doug Ramsey’s vast increase in power. Disapointing.

While Charles takes in the tragedy and the fact his old frienmie is dead, the x-men wonder what the fuck Cassandra is and what to do with her.. why did she kill 16 million people, and what the fuck is she. I mean I know, but as I said i’ll explain that when the story does. IN the other room Beast tends to Emma who wants none of not fucking killing Cassandra.. and is utterly right. Bitchy, because i’ts Emma, but right: she killed 16 million people. Say what you want but while it may not be up to the x-men to kill her.. she shoudln’t be living much longer. She commited genocide. Emma decides fuck that and prepares to leave summoning a cab and making peace with being a glorious living fabrige egg. Emma did apparelty change in generation x.. but Morrison is responsible for returning her not only to being a bitch, but a gloriously delightful one And really I don’t think they reset her character entirely: she’s not the heartless monster she started out as: she has empathy, grace, and caring.. she just buries it under a lair of absolute bitch and after you know, surviving a fucking genocide who can blame her? And honestly.. I love their verison of her. She provides a nice contrast to the more idealistic, even logan, x-men and a nice contrarian voice in the room without being obnoxious and her style and sacrastic swagger makes her endlessly entertaning. Thanks to morrison she’s stuck around to this day and went from a pretty good character.. to a great one. And what makes her this way, or as jean puts it “such a bitch?”

With that settled, Hank explains what Cassandra is: a competing species. As he puts it sometimes evolution takes a quantum leap forward.. and Cassandra is the result. Thus she wants to wipe out the compettition and is so far above humanity, she dosen’t need them... especially since she knows what Hank now knows: humanity is at an end. As hank puts it we have an E Gene, one that basically shuts off a race.. and thus the x-men now know what we learned earlier and that cassandra wasn’t lying: in 4 generations there are no more humans and something has to repalce htem. And Cassandra wants it to be her.

Before Logan can do what he does best, and asks why she looks like charles, Cassandra escapes, and Scott briliantly urges them to fight only on instict as she’s a telepath. A damn awesome fight insues including Cassandra donning Charles Psoonic battle armor, Scott being put in his black bug room and the general good looking chaos you’d expect from a superhero fight. While this goes on Emma has an ephinany and realizes she likes to teach, the x-men have a school.. and she shoudln’t give up on helping kids just because of what happened and turns around.

Cassandra is near victory, slipping her way to Cerebra.. and planning to kill only one mind before getting to the millions she wnats, a horrifying slug manifesting around her.. only...

So the x-men accept this and cassandra rises.. seemingly saying “I am charles” Huh... and then charles uncaracteristiacally shoots her saying things must change

We’ll get to what all of that means next time as we close on Jean and Scott in bed. Scott explains why he’s been so distant as what I said earlier: fighting off apocalypse stripped away a lot of illusions about himself and he’s having a hard time walking back from that but Jean is willing to help.. but before they can resolve their issues.. charles has an annoucnment to make and grant has one last whopper of a suprise to end his opening arc on, and just like genosha...it’s a game changer of titanic proportions

No longer is Xavier’s School hidden. Their walking into the light now and so is charles. Hope they surivive the experince. Obviously this move is brilliant: while it removes the veil of saftey the x-men had it also brings on tons of new possiblities and unlike secondary mutation, this one not only stuck but would impact the x-men for good: no longer would they hide and cower.. their mutant and proud.. and their here to stay. E For Extinction is one of the best x-men stories period. Blisteringly paced, full of great character, great concepts and utterly terrifying and terrific moments that would impact the x-men all the way to present day. It’s beautifully drawn, well paced, and a masterwork. I highly recommend it and it’s a great kickoff to a great run. Shame the run couldn’t of ended on this kind of high but.. we’ll get to that. For now this is a masterclass in how to start a run and if you haven’t read it do so NEXT TIME ON NEW X-MEN: A bunch of weirdos try to harvest mutant organs, the x-men get a brain in a jar and a new teamate, and Scott maybe cheats on his wife. Until then, goodbye goodbye goodbye.

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kob131 · 5 years ago

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Looks like Hbomberguy's hours long crap is up(publicly).

“Made a legendary animator, his most trusted colleage (shows Shane) and two-”

People he outright went to and he acknowledged were better writers, thanks for admitting that HBomberguy and not be an insulting jackass right?

“RWBY’s failures matter because it could have been something-”

So could Twilight- That means nothing at this point other than ‘I made a bunch of headcanons and the show dared to not follow them.’

‘It’s easy to see why this show has such a devote fanbase because it frequently threatens to become good-”

So did Fairy tail (except for real) and that died out. Also you are really chipping away at my goodwill

‘People say what it promised!”

You mean this?

‘Weaken REAL criticism by being given too much attention-”

Hypocritical much douchebag?

“*insert a bunch of sarcastic bullshit mocking critics of RWBY*”

*rolls eyes* You say as you mimick them down to using the DEAD.

‘It’s separated into two eras with issues that don’t necessarily overlap-”

Bull. Fucking. Shit. Most of RWBY’s problems now ORIGINATED in the early Volumes.

“If you’re a fan of the show you’re probably gonna dread what I’m about to say and if you’re a fan of the second half then you’ll probably agree with what I’m about to say-”

Considering you’re stupid sarcasm is just a less smug version of what I do, pretty clear ‘agreement’ and ‘actual good point’ are very different here.

“If you love RWBY and are still gonna watch, thank you and I love you for joining me on this journey.”

Less a journey and more a Seven Page Muda but sure.

“My goal isn’t to make people think less of the show-”

Which is why you openly insult it in the beginning.

“-but to think more about it.”

So far you’ve shown about as much understanding of the show as FloofArtist, complete with hypocrisy. And considering what I’ve heard about your video, you’re not getting better.

“I hope to give credit where credit is due-/It’s said failure is the best teacher-”

Which is why you openly insult people.

“’Rooster Teeth is starting game development!’ *insert insulting Steam Statistics*’

Fucking wonderful. Like you haven’t already tested my patience.

“*gushes about the Red Trailer after about eight minutes of recaping*”

Cool, eight minutes wasted on knowledge that EVERY RWBY fan knows. Literally every RWBY fan knows the origins of RT and Monty and the bitch basic knowledge of how they came together. You seem to have targeted this to RWBY fans and yet to blab about shit that you get after looking at the fandom for 2 seconds.

To say nothing of how you prove something was wrong with the Red Trailer. Namely, you never mention a plot, a personal conflict, a display of character or anything other than ‘cool music!’ and ‘animation!’ despite the show being pretty plot dependent.

*Gushes about the White Trailer*

Yet another bitch basic gushing with nothing of substance to it. For a guy who says he wants people to think critically about RWBY, you sure don’t do that for what is considered the basis of the show. It’s just talking about shit you like instead of anything worthwhile.

*Yet more gushing with the Black Trailer.*

... You know, I watch these kinds of videos searching for some kind of intellectual stimulation. Something to make me think and engage with. Right now, I get more stimulation and engagement from RWBY itself than a supposedly critical video that doesn’t even have to bother with anything original.

“The show already has generic monsters who just want to destroy humanity and yet you have written your characters to act exactly the same-”

And within your own bitching, you discovered the counter. The Grimm have nothing really to explore about them outside giving them variations and powers whereas the human characters can have these things called ‘motives’ and ‘reasons’. Not to mention even you would say people act like that in real life *cough* anyone NOT of your political alignment *cough*.

“And the audience is left with one lingering though...he can make that jump.”

youtube

How does it feel that Family Guy did a better version of your joke?

“She’s written like two adult men who have never written anything professional before except Red Vs. Blue wrote a Teenage girl-”

.... Monty wrote her based off her voice actress. You’ve also made me regret ever using this same insult against Miles and Kerry so congrats on that.

*Even more gushing...*

You know, I am legitimately considering rewatching the Persona episode of Game Theory because at least MatPat’s faffing about is short and he has more content in his first eighteen minutes than this.

“More people have gone back to watch the trailers than watch actual episodes of the show!”

The trailers are the first thing people would watch to know about the series- no shit they’d be higher in view count.

“It’s so hard to not be onboard with the trailers!”

It’s actually very easy, especially in their release.

Why? Simple, a lot of the depth in the trailers only exists with context from the show itself. The White Trailer is cool and all but it’s symbolism and deeper meaning comes from Weiss’ backstory and the truth depth of Blake leaving Adam and what it causes is found in the show, the two best trailers while Red is just mindless fun that you can get better from other places and Yellow is just kind of neat.

How the fuck am I the more critical of the two of us so far?

“Then the show actually came out and it was terrible-”

Piece of advice, don’t follow this up with a super janky, uncanny valley 3D animation that makes Volume 1 look appealing.

“RWBY isn’t just a bad show, it’s a bad show that could have been something-”

*cracks neck*

The idea that RWBY or any show ‘had potential’ is most often used when a person once had a fondness for the property in question but has long since lost the goodwill to see it in a positive light, trying to make up for the cognitive dissonance of the conflict between liking what it once was and disliking what it is now. The issue here is that these so called ‘issues’ are born of the original creator who either founded the show or helped found it which means that it was pretty much DESTINED to be this way as the creator’s specific interpretation of their own work is what resonated with you in the first place and was likely built up to in the subtle inner workings of the show, thus making the big changes you want so badly would cause a ripple effect that would have affected your past impression of the show because everything in a show is connected. And in all likelyhood, your impression would have soured no matter what.

Tl;Dr- ‘It had potential!’ is self defeating and stupid.

‘The creators are receptive to criticism!...well, they try to be.-”

Oh boy I can’t wait for Mr. ‘kill half of all babies’ to try and speak about THIS topic.

“You don’t engage with any of the good faith criticism and just reward shitty people with attention. And I hope to show them that as a lifelong fan of RT and Monty Oum, that I’m saying this thinking RWBY could have been good...and still could be.”

Says the man who when referencing Miles for the first time, actively SEPERATED him from being a ‘treasured college’ of his friend and insulted him with Yang even though the fault lied with MONTY.

All while referencing a tweet where he chews someone out for saying EXACTLY WHAT YOU ARE SAYING ( ‘God this is why i hate this fandom. You miss the point. If I critise the show I'm a hater because you worship it. I'M OFFERING CRITISM U IDIOT SO THE SHOW SEES ITS FAULTS AND FIXES THEM. HOW THE FUCK CAN U KEEP MOVING FORWARD IF YOU DON'T IDENTIFY YOUR OWN FAULTS AND LEARN’). Yeah great job there jackass- How exactly are you any different from this fucker?

So that’s my thoughts on the first twenty or so minutes. Can already tell it’s gonna be shit.

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muthaz-rapapa · 4 years ago

Text

HealPre Final Review: Not terrible but not entirely laudable either...

*sigh* Where do I start?

Well, one thing I’m pretty sure of is that COVID definitely affected production somehow. By that, I don’t just mean the show needing to go on hiatus, resulting in a shorter run compared to previous seasons. I’m also talking about any possible changes that might’ve been made to the original narrative, if there was one.

Much like how Suite’s story had to be altered in the wake of the 2011 Tohoku earthquake and tsunami disaster, I believe Heal underwent a similar treatment in response to the pandemic becoming more widespread as 2020 went on.

Especially since it dealt with health and nature, HealPre is probably the season that has come the closest in relevancy to real life events.

Frankly, that can be quite scary because this virus was and is still a fucking nightmare on a massive global scale. From that view, I can understand why the writers/producers would be concerned of the anime hitting too near home. At least for their main demographic’s (children) sake, maybe they were compelled to shift to something lighter and less edgier so that the kids could find some comfort and enjoyment in the midst of the world’s current crisis.

So I can’t fault Toei for that, if that’s really the case. Going through a pandemic is terrifying, infuriating and exhausting and UGH. We could use something that can help ease our worries or momentarily distract us even a little bit.

Though would it have killed them to dedicate one episode to the importance of wearing a mask or washing hands? (-_- ;;)

HOWEVER! Seeing as I am not a fragile child, I’ve still got several (oho~) criticisms to air out before I put this season behind me. This review isn’t particularly scathing but...there is a lot of discontent so you’ve been forewarned.

But first, let’s tediously review what structure means in Precure.

We all know that there are certain things that will forever (?) remain fixed in the series formula.

The plot is always going to be “magical girls fight evil doers threatening to ruin the world”.

There are plot points to indicate story progression but in reality, are put there to correspond with toy releases which are usually marked by these five: introductions, first power up, midseason Cure, second power up, and build-up to the climax + finale.

There is usually a specific message (a theme) to be told with every season and motifs (narrative tools) to aid in getting that across. For HealPre, the theme is “living is fighting” and its motifs are “health” and “nature”.

I left out “animals” b/c 1) it didn’t hold as much significance as the other two did, 2) animals are part of nature anyway and 3) let’s be real, it’s just a synonym for “mascots” which we already get every year. :P

Right. I’m probably forgetting something but for the most part, these are immovable pillars of Precure.

Story, on the other hand, has more variables you can work with.

Story is how you tell the plot, how you convey the message.

Precure, as a tv series, is unarguably carried by its main stars, the Cures. So it only makes sense that a huge percentage of a season’s success owes itself to how much of an impact its characters had on the audience as well as how effective their individual story arcs were as sub-plots tying back to the bigger picture (the message/theme).

Ideally, these arcs would shine the brightest in the filler episodes, where the plot (“good guys vs. bad guys”) is less of a focus so there is more space for personal development and growth.

Also, not all character arcs have to be directly related to the plot but they ought to be written well in order to support the overarching message (the theme).

Now, has HealPre done that? Has each girl’s story demonstrated a good example of what “living is fighting” means?

...nnnnnnyyeeee... look, even I can’t give a straightforward answer on that because while technically they did, by virtue of Nodoka’s observance in ep 44 recounting it as such, there’s also actually not enough to make it feel substantial from a viewer’s standpoint.

At least, that’s what I thought while watching HealPre.

With the exception of Nodoka’s, there was a lot of saying but not much doing to convincingly back the other girls’ arcs up. The fillers themselves were very weak, loosely composed in relation to the motifs and, if I may be so blunt, downright boring that if Nodoka didn’t phrase those episodes as things that counted towards the theme, I probably would put up more of a fight on disagreeing. so shoot me, I’m soft for her :P

And I know that sounds confusing right now but I will elaborate as I continue.

Before that though, to be utterly fair, some seasons keep their respective themes shrouded in vagueness until they’re given a more concrete form in words around the finale. So it’s not like we can do much except make educated guesses on what they really are. Most of the time, we’re just measuring everything against our perception of a standard in the fog. Or maybe that’s just me?

Nevertheless, you can just tell, y’know? By simply watching and observing the whole show, you can tell if the characterization, the development, and the outcome (essentially the content given) really live up to what the season claims is endgame.

So let’s go through that first then. The characters, starting with our lead Cure...

Nodoka being the only Cure in her team to have an arc deserving of the praise “exceptional” should come as a surprise to no one.

She was the most solid in terms of direction on how her story was going to proceed. Out of all the girls, her journey had the greatest connection to the subject “health”, repeatedly delved into it every time the spotlight was on her and fulfilled everything it seemed to promise from her debut in episode 1.

Her struggles on the road to recovery from a long-term illness and the strength she’s drawn from that traumatizing experience as well as her time as Precure did more than establish her as the strongest character in HealPre.

She has also rose to become one of the most memorable Pink Cures in the entire franchise (personally, I rank her in the top 5).

And it’s not hard to see why she’s earned such high regard in a lot of fans’ hearts.

The writers clearly worked a lot on her character composition to the point where she can pretty much embody the theme of “living is fighting” all on her own.

She came into HealPre fresh out of the hospital and full of earnest desire to make the most of her newfound freedom but she also wasn’t without knowledge on what hardship is. From there, she only got stronger, even when she was stumbling and trying to figure things out along the way. She grew more fortified in her beliefs on what it means to be truly live a healthy life.

She bravely defied the ones who attempted to take advantage of her and twist her cause against her. And she learned that taking care of herself is equally as important as wanting others to be safe from harm.

It was never about winning or coming out on top. It was about protecting a fundamental yet precious truth. That one thing any decent human being should never have to concede: the right to live well.

Honestly, Nodoka is absolutely inspiring all around, as a fictional character, a heroine and a normal everyday person.

Everything about her arc went satisfyingly right like it was meant to and the best thing is, we don’t need to question it because we saw how it all happened with our very own eyes.

I sincerely wished I could say the same for the others but sadly, they were just too flawed.

And Pegitan can throw flippers with me all day if he wants but as undeniable as the above statements are about Chiyu, her arc failed to leap over the increasingly mounting disappointment I had with every episode that’s been assigned solely to her.

Two of which weren’t even about Chiyu. One centered on Pegitan’s admiration for his partner and the other focused on her brother, Touji. Which, while nice to give to supporting/secondary characters, is a fat waste of valuable screentime and not what I’m here for.

It also didn’t help that the conflict of her arc (the indecision over choosing between two dreams) started really late in the game and was resolved so quickly within two episodes. There was no time for me to get invested into it, there was no powerful sense of conviction like how Go!Pri or Hugtto handled theirs and really, it just felt like Chiyu was only following what the script dictated for her rather than genuinely awakening to her own competitive passion towards track and field.

It was almost like it didn’t matter. Almost as if the writers procrastinated in thinking up something worthwhile to further her development...but then settled on grabbing an old idea off the shelf without refining it to suit Chiyu when they ran out of time.

This happened similarly with Minami in Go!Pri and Elena in StarPre, both of whom left me angry at how their arcs were executed. Yet theirs don’t compare to how pissed off I am about Chiyu’s. Because while Minami’s took a while to arrive, it wasn’t done poorly and linked back to Go!Pri’s theme well enough. And while Elena’s was over crammed last minute, at least it was unique to her character and had lots of potential ways to play out if they actually started it earlier on in StarPre.

Chiyu’s arc is like a discount version of the former with hardly any of the intriguing qualities of the latter. Sure, she had two early episodes that laid out the two most important aspects of her life (her family inn and her dedication to her sport) but after that, they weren’t brought up again until we were only weeks away from the ending. Y’know, just to fill up episode slots and meet the minimal requirement of saying they did give Chiyu some issue to resolve.

It was not engaging at all.

Furthermore, the fact that her arc had very little to no relation with either “health” or “nature” hurt my appreciation of her character somewhat. I just...don’t think her kind of story really matches with the central topics of HealPre?

...but maybe I’m being bitter about this all wrong and that’s screwing up my rational thinking on this matter.

Because Chiyu’s arc is valid under the logic of the overall theme, I would never say it isn’t. And again, character arcs don’t have to be close to the plot nor is it necessary to employ the “suffering builds character” method to make them interesting.

Chiyu always does her best every day. That’s sufficient argument on why her story does fit within the frame of HealPre’s premise.

Guess I’ll just have to wrangle my resistance into acceptance somehow.

...still, her arc could’ve been done so much better than what we were given. Chiyu at least deserved that much.

Next, Hinata.

Since the beginning, I knew she was gonna be runner-up to Nodoka for having the (for lack of better term atm) “best” arc because it was heavily implied that she has ADHD and therefore, immediately checked off the “health” trait. She was even more obvious about it than Nozomi was.

Difficulty paying attention, hyperactivity, impulsiveness. Hinata didn’t just display all those signs, she also showed how hard it was for her to deal with the downsides to them on a regular basis.

She kept apologizing and put herself down excessively for inconveniencing her friends even though they never blamed her for her condition. Got them annoyed a few times, yes, but didn’t stop them from staying friends with her and definitely didn’t make them hate her either.

Everybody was understanding of Hinata...except Hinata because she always took her failures to heart and considered quitting several times to avoid the crushing dejection of making mistakes over and over again.

She got better, though, and no one could have summed it up more heartwarmingly than Nyatoran with the encouraging words he gave her at the conclusion of her arc.

But it still feels like there’s a huge chunk of development missing between the start and finish. Or rather, it seemed like all of it occurred offscreen and we were only informed later that it did in fact, happen.

To recap, iirc, Hinata had around 5 episodes that focused on her (ep 9, 13, 23, 35 and 40). Ep 18 doesn’t count because that was a Nyatoran-centric filler more than anything.

Ep 9 and 13 did their jobs of introducing and highlighting the details of Hinata’s troubles while also suggesting she will eventually learn to overcome her insecurities. The ones after, though? They pushed those issues to the backseat.

In Ep 23, she had to share the (uneven) spotlight with Asumi. Hinata’s improvements were briefly mentioned but the majority of the ep went to teaching Asumi what “cute” meant and how to get along with puppies. I mean, I get that Asumi recently joined the group and bonding with her was mandatory by tradition. But since each Cure only gets a limited number of eps to herself, it would’ve been more beneficial for Hinata if she didn’t have to split screentime with someone else’s growth schedule.

Ep 35 is slightly better but not by a whole lot. Sure, Natasha was able to reconcile with Elizabeth which was very sweet and heck, it was the goal for that episode. But again, nothing was really done or addressed about Hinata’s main conflict. She tossed it back with the rest of her homework to deal with later. ahaha, a TroPre hint

Then ep 40 came to formally close the curtains on her story and apparently, Hinata screwed up lots of times since...whenever but she picked herself up every time after and kept on trying. Awesome. So WHY didn’t we get to see that?

I’m not asking for the impossible here. I’m not asking for Hinata to be cured or anything miraculous like that. There is treatment available for ADHD but it is not curable.

Also, forcing Hinata to find a way to get better at studying, the thing she struggles with the most, is not the solution either because that would only make her more stressed and anxious over her own disorder.

What I want is to see how she moved from wailing “I can’t do it! I don’t wanna! I’m so scared of failing so why bother?!” to determinedly declaring “So what if I failed 1 or 100 times? So what if I fail another 1000 times? What matters is that I don’t let that stop me!”

That confidence is not something that can be built up overnight. It’s gradual and it takes numerous tries to reach from where Hinata was to where Hinata is now.

Telling me she grew emotionally stronger can only allow me to believe so much. I need to actually witness the changes as well.

If it weren’t for that, Hinata’s arc would have been a lot more impressive. Shame.

Finally............... Asumi.

Asumi, Asumi, Asumi, Asumi, Asumi, Asumi, Asumi... *sighs & drums fingers*

...she has no arc, ok? Seriously, what story is there to speak of, much less write a hefty analysis on?

A spirit born for the sake of Latte who just went along with the Precure ride because Latte didn’t want to abandon her duty. She made friends with those who aren’t Latte, extended her knowledge and understanding and gained valuable human experience during her stay on Earth. But ultimately, she will always define her entire existence around a puppy.

Nothing is more important than this puppy.

...... to be honest, Asumi not having a storyline isn’t what bothers me. It’s her lack of depth that does.

Hell, even the giant burger she ate had more depth than she did!

Oh, Asumi does have a personality alright. She’s consistently and unfailingly polite, utterly devoted to her raison d’être and in crucial moments, gives pearls of wisdom when the girls are in a pinch. She’s good.

But if that’s all she is, then she’s also painfully dull.

She has nothing to contribute to the discussion of health or nature, despite being created through an element of the Earth so you’d think she’d have an opinion of her own. At least worry about the planet that gave life to her as much as she frets over Latte all the time. But nope.

She shares the exact same face as Teatine’s past Precure partner so you’d think we’d explore that connection to see if it would influence or affect her in any way. But nope.

90% of the time, her role was just being Latte’s constant, fawning satellite.

Not only did that irritate the hell out of me but it just reinforced my stance that this type of character is one of the worst you can ever insert into any narrative.

Because if someone keeps reiterating how much they’re obsessed with this one thing and seldom talks about anything else without bringing their obsession into it... then what’s so special about them on their own?

You’ve practically surrendered the different qualities you could have had for worship of something else. That’s not a fair trade-in.

Asumi’s character is so packed with Latte-related stuff that there’s not much space left for anything that can be considered uniquely Asumi.

I mean, maybe it’s because I can never see myself or any normal person comfortable with living like that.

Living for the sake of being together with the one you love? Okay. But living with your whole universe revolving around that one thing? Making most if not all decisions based on this one thing?

No. That’s absolutely crazy, alright? Nobody with a healthy amount of awareness and self-worth would live like that.

And you can counter that Asumi’s just born like that. That she can’t help her origins because Teatine’s wish to protect her daughter is essentially what brought Asumi into existence so of course, her biggest concern would be Latte. At least, she wasn’t forced into it, right? As long as Asumi chose of her own will to follow Latte, it should be fine, right?

You can even use the fact that Asumi isn’t human. That she’s a spirit and we shouldn’t apply our human standards too strictly to her.

Yea, but those are feeble defenses in the face of her being a good main character, a good main heroine.

There are many ways to make a decent MC. The way Asumi was written proves she certainly does not possess traits that can classify her as true protagonist material. A protagonist has to be more than one amplified feature, which Asumi is not.

For the record, I don’t hate Asumi (she’s not interesting enough to generate a feeling that intense). I'm just severely let down because even if I don’t end up loving the midseason Cure for whatever reason, I can usually count on them to bring something intriguing to the table to dissect and analyze. At least I should find something to care about them.

Didn’t happen with her. :(

Oh god, I’ve been working on this post for days now and I’ve got a headache and with the baton pass happening in less than a few hours as I type this, I just really need to get it done and over with so please forgive me for speeding up through the rest, I’ll try to keep it as coherent as possible. NYARGH! (@_@ ;;)

Mascots.

Would you be surprised to hear that I’m not surprised that they were actually written very well?

Like I said early on, I suspected the return of fairy partnerships were going to improve the mascots’ significance in the story and, well, I was right.

This time, they didn’t just fill in the usual expectations of relaying exposition, serving as the Cures’ transformation devices and looking cute for the merchandise. The Healing Animals had to make progress on their own training to become doctors as well.

And they did through their relationships with their human partners.

It was a refreshing take on the mascot aspect of the series because the friendships felt really symbiotic. When the trainees arrived on Earth, they relied on the girls to help them perform their jobs as well as provide them with shelter, food, the occasional peptalk about their trainee status, etc.

Then as the story continued and they got to know each other better, the mascots were able to return the favor by giving support when the Cures needed it. Rabirin when Nodoka was frightened and confused about how to deal with Daruizen, Pegitan when Chiyu was having trouble choosing between two dreams and Nyatoran who made sure to always lift Hinata’s spirits up when she got upset at herself.

In short, they achieved their objectives of learning what it means to be good doctors by being there for their friends! How wonderful! :D

My memory for Latte is hazy, unfortunately, since she’s coddled by everyone all the time (can’t blame them, she’s friggin’ adorable! <3) but I’ll never forget how she stood firm on the battlefield to see things through, to fight for the Earth like she promised her mother. She started out so babie but showed us all there was enormous bravery behind her cute face and ugh, we should all be very proud of her! <3

The only major issues I had about the mascots were these:

1) Too many irrelevant fillers went to them. They only needed a maximum of two for their entire mascot group.

2) Latte kept getting sick even after she acquired a Precure partner of her own. I was hoping it wouldn’t hurt her as much as it did before Asumi arrived or that she would build up a stronger immunity but noooo, they insisted on torturing the poor pupper! T_T

Villains + Finale Battle

Not a lot needs to be said for the first part. We’ve had mediocre antagonists before. HealPre’s just happened to be extra annoying as they were despicable.

Which is worse because jerks you can just leave in the trash but assholes won’t stop harassing you unless you pummel them into their graves, set fire to their corpses and leave no trace of them behind! >:(

Y’all know who I’m talking about. Opinions on him continue to vary depending on who you talk to and if they’re avid fans of his face or not but whatever. The son of a bitch served his purpose and is dead now. That’s all that matters to me.

Anyway, the King was flat like his two lesser generals. He was neither intimidating nor distinguished enough in the brand of evil to really make us think of him as a serious threat and because of that, it ended up making the boss fight look like any run of the mill boss fight.

I know, they tried so hard with all that shiny animation but it just didn’t have that glorious sense of vindication that previous seasons (or ep 42) gave and I blame it all on this Rumiko Takahashi reject.

Also, this strategy was pretty useless?

They built it up like Earth was gonna sacrifice herself and die or something (she wouldn’t and even if she came close, deus ex machina would’ve kicked in to prevent that and COVID-induced caution too I guess).

But there were no signs of pain (well, that’s a relief) after absorbing Shindoi-ne and they really pissed King Byogen off more than they did any damage with the absorbed byo-gen power.

...so yea, this tactic was just to kill some time and budget, nothing more. Meh.

By the way, did Asumi eject Shindoi-ne’s pathogen out of her body yet or did they just leave it in there to bounce around until it eventually dissolves on its own?

Because that’s eww. I mean, it’s obviously not gonna hurt Asumi they can both relate on hyperfocusing their affection for someone so maybe the compatibility helps :P but still, ewwwww.

Fillers + Underused Motifs

In hindsight, perhaps HealPre didn’t exactly promise the content we I wanted about “health” and “nature” if their objective was to teach that any manner of “fighting” can count towards “living”.

......but fuck you Toei, you’re still cowards! >:/

Fillers will be fillers but it’s always better to try and make some of them as meaningful as possible. And they wasted the opportunity to inform an impressionable audience (during a very crucial period of our time, I must add) on a lot of things related to the HealPre’s motifs. Especially about the environment which for some ridiculous reason, they chose not to touch on for the main stretch of the overall story.

Proper hygiene, good diet plan and sleeping habits, regular exercise (already done by the girls a few times but could use another example), meditation, counseling/therapy (especially for mental health!), etc.

Real life pollution, climate change/global warming (IMPORTANT!!), deforestation, preservation vs conservation, endangered species, recycling, volunteering to clean up your community, etc.

These just came off the top of my head but yes, there’s more and no, I’m not saying that the writers need to cover all of them in extreme detail or replace the slice-of-life episodes.

But they should be able to mesh both serious and light-hearted together in harmony somehow. Like those fillers where the mascots saw people cleaning up littering at the park or that interaction with that arborist who taught them about wild animals and trees when the group went to visit a lake.

For health, maybe let the girls visit patients with chronic illness in the hospital or have them converse with a medical professional on some matter. Particularly if it’s got something to do with mental illness because stigma in Japan on those who are afflicted with such conditions is still prevalent and has caused a number of sad and shocking tragedies that could have otherwise been avoided if people didn’t have such outdated, judgmental mindsets.

That last part might be too dark for a children’s anime but there’s a lot more out there that is doable.

Do that without reducing it into a footnote, Toei. It is so necessary for your target audience to be aware of these issues at the age they are now. You have an almost 20-year old franchise to serve as a very effective platform. Make better use of it if you truly care about the message you’re conveying through your show!

Also, what the fuck.

The last episode was a mess. Why are you only mentioning this now when the season is already over?

This should’ve been brought up months ago!

All the things we could’ve seen the Cures done to protect the Earth without magic.

The excuse of “I didn’t know humans were so horrible!” is a shit one because everybody knows humans are deplorable trash when it comes to abusing the Earth. All the more reason why you have to persistently drill it into people’s heads that they should not be like those who don’t care or choose not to care.

One crack episode isn’t going to cut that.

God, I so want to unsee this ep just so I don’t have to end HealPre on a more sour note than it already was. *big aggrieved sigh*

Lastly (and this really is the end of my long ranting, I promise), the missing undisclosed lore.

There are few Precure seasons without a past lore of its own in the recent years. Is it a wonder, though?

Lore is mysterious and fascinating. If it involves a past Precure, even more so.

Sometimes fans might just hang onto a show because they’re curious about what happened before the main story. We’d never get the full tale of those adventures but at least, it’s fun to imagine the “prequel”.

Also, past Precure are just badass. Fact.

Strangely enough, we didn’t get that for Heal. All we know is that she was called “Fuu” and was very close to Teatine.

Hmm. Probably one of those changes caused by COVID interference cuz I can’t imagine the writers choosing not to tell her past in the original draft.

With all that finally off my chest, I’m ready to part ways with you girls until the next All Stars (Nodoka, I’m gonna miss you so much! T_T)

HealPre wasn’t the worst and it was nowhere near the best that it had the potential to be. But it’s passable. At least for those who loved it even with its flaws, I’m genuinely glad it was good for you.

For those who are thinking about picking it up (although why you would read this spoilery post before watching, I have no idea), if you’re looking for a standard magical girl anime to enjoy casually, then this is a safe pick. If you really want to invest your attention and heart into it, though? Then perhaps it would be in your interest to ask someone who saw it already to help you filter out the episodes that are worth watching. You don’t need to worry about the rest, they’re inconsequential. :P

Ok then! Thanks for reading as always, brave souls who have reached this point.

Stay healthy and safe out there and I’ll see you at the beach next week! Tropic underwater paradise here we coooooommmmmeeeeee!!!!!!!!!!!! xDDD

#i rage quit two drafts and an outline before i got anywhere with this #now if you'll excuse me i gotta catch up on my workout and play pokemon and eat pho later #and catch up on the ccs manga #livin' the healthy life oh yea~#healin' good precure #cure grace #cure fontaine #cure sparkle #cure earth #hanadera nodoka #sawaizumi chiyu #hiramitsu hinata #fuurin asumi #rabirin #pegitan #nyatoran #latte

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words-writ-in-starlight · 5 years ago

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Just saw Animorphs is getting a movie. Any thoughts?

I never keep track of media news, so asks like this are the only way I learn anything about movies. I went out and did some research and...

Listen.

I’m going to try to go into this with an open mind. I’ll read all the reviews and Internet comments when it comes out, and I might even go see the thing in theaters, if theaters are a thing again by then. I work hard not to be completely consumed by my pessimistic nature about stuff like this. I’ve been wrong about movie adaptations before--maybe I’ll love it and watch it a hundred and fifty times and finally revel in the Animorphs Renaissance I (and they!) deserve.

However. First problem I foresee, the last two things that were made by Scholastic were Goosebumps and Clifford the Big Red Dog. I am not optimistic about what that portends for a book series best known for gore, body horror, war crimes, moral ambiguity, and the grim realities of how there is no such thing as a just war. Offhand, I can’t think of a way to make a G or PG live action Animorphs movie that is...good. Maybe if you bump it to PG13, we could talk (admittedly, the guy in charge of Picturestart has been involved with a lot of blockbuster YA movie adaptations, all of them with serious problems in my opinion but not always, like, ruinous problems, eg: Hunger Games, Divergent) but even then, they’ll probably end up cutting back on a lot. Okay, I’ll live if they cut the body horror (I’ll complain, but I’ll live) but it is a series about war. There’s only so much you can cut to get under a rating and preserve the actual point of the story. This is the short version of my long ramble about how an animated Animorphs series would be better and more functional in basically every way. Which brings me to...

Second problem I foresee, how much are these fools planning to adapt???? On the one hand, I think you could very competently turn The Invasion into a full length movie without, A, a huge amount of dull filler breaking your pacing into tiny pieces, or, B, losing any important plot or character beats. On the other hand, I absolutely do not trust movie studios and I’m concerned that their desire to have Ax for the Alien Value will make them over-ambitious and try to do multiple books. Don’t do multiple books. The Invasion is plenty of plot for a movie. If you desperately desperately want to shoehorn Ax in there (I don’t think you should do this!!!! Scholastic, are you looking at my post? Are you there, Eric Feig? It’s me, Starlight. Don’t do that! And if you HAVE to do that, call me to check your plans!), you can just pop him on Elfangor’s ship and have an emotional beat about Elfangor’s death, or else have Elfangor give the kids an exact location and make it their first Morphing Caper to go get an alien. Don’t do multiple books. One book. If this movie covers more than one book, I am going to be Very Upset, and I will without a doubt have reason to be Very Upset, because it will be a mess.

As some just...general concerns:

I’m concerned that they’re going to make everyone a one-note character. Specifically, I’m concerned that this is going to be a movie starring Protagonist Boy, also featuring Clown Boy, Nice Girl, Mean Girl, Alien, and Cautionary Tale.

I’m concerned that they’re going to strip back the moral ambiguity to the wire, which is to say “everyone but Tom is A Bad Guy, no complications needed.” I know everyone gets a lot of jokes in about the Oatmeal Book, but that book and others like it make the requisite legitimate points about the issues with fighting Controllers. Those are real people! Make sure you mention it!

The Yeerk Pool scene at the end of Invasion is an outstandingly good moment to underline that. Hell, you can dredge up the later Yeerk Pool scene of the temporarily free Hork Bajir and humans forming a wall of bodies to buy the kids time to run, shove that in there (because we’re not going to do multiple books, right Scholastic????). Foreshadow the absolute shit out of it with Tom and the other Controllers (hell, if you gotta, have Jake discover why Chapman is voluntary when he scopes out his office), and then come out swinging with the free hosts protecting the kids with their own bodies, and you’ll be able to minimize the “gore” rating while preserving the “body snatcher horror” aspect.

I’m concerned they’re going to overplay the humor. These books work because they understand how to balance humorous scenes with serious scenes, and how to employ dark humor during dark scenes, and when there shouldn’t be any fucking jokes. If I hear one joke during Elfangor’s death scene, I’m suing.

Basically, I’m concerned about these books getting the Percy Jackson treatment (or, apparently, the Artemis Fowl treatment), by which I mean that I’m worried they’re going to make an objectively terrible movie, which will be righteously hated by the fans and critics alike, and then they’ll go “okay, these books are poison, we will never adapt them into anything again.” Which would be tragic on a lot of levels, most of all that it will mean I never get the animated Animorphs series we all deserve, ideally featuring one episode per book (except the Invasion, which obviously deserves a double-length pilot) and directed by, I dunno, Noelle Stevenson or someone else who will give us the bisexual Marco and gender-confused Ax and deeply traumatized Tobias I crave. I would trust the She-Ra team implicitly with the Animorphs. Not so much the companies that gave us The Maze Runner and fucking Clifford.

#animorphs #animorphs movie #TL;DR: i_don't_want_these.jpg #much like dark phoenix (which i still have not seen) my fears vastly outweigh my hopes #because if this movie is good it will be a pretty okay adaptation of the invasion #and if it is BAD the internet will remember it forever and we will return to the dark ages of everyone dunking on these books #i suppose there's a chance that if the movie is dreadful the fandom will Rise #and there will be a renaissance after all as we collectively force the books on the general populace #but my point is that i'm pretty sure this movie is going to come out and i'm going to go comfort-binge the whole series #again #remember how the tv series was so bad it took 20 years for anyone to consider an adaptation again?#i do!#i remember that!#i foresee that problem raising its head again #i'm going to get the graphic novel though it looks amazing #a queue we will keep and our honor someday avenge #Anonymous #asked and answered

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littlemisssquiggles · 5 years ago

Text

So ...about "The Warrior in the Woods"...

Okay so this morning, this squiggle meister took a read at a preview for one of the stories that would be featured in the upcoming RWBY: Fairy Tales of Remnant set to release this year September 15th. It’s titled “The Warrior in the Woods”. If you haven’t read the small preview of the tale for yourself, you can find it right here on kobo.com where you can also preorder a digital copy of the book.

Speaking of, does anyone know where one can preorder a hardcopy version of this book? Or do I have to wait till it comes out in September to order the hard copy version then? Of all the upcoming RWBY-related projects that I was most looking forward to, it’s definitely this one and I’d definitely love to own a tangible copy of the book for myself if it’s available.

Anyways let’s talk about “The Warrior in the Woods” story specifically. Obviously I read it and without spoiling much from the short story, all I can say is that I definitely loved it. I think right out the gate, I’m going to peg this one as one of my favourites of the fairy tales purely because I found it to be a rather sweet one.

[SPOILERS AHEAD! NUFF SAID]

Plot-wise, the tale focuses on a young boy who ends up getting lost in the woods after wandering out too far from his home village while out playing with his friends. Basically the gist is that the people of this boy’s village have lived in peace away from the Grimm; so much so that the villagers; as well as its youths had never encountered a creature of Grimm before.

While lost in the forest, the boy is attacked by a Bolbatusk Grimm (I believe) during which he is rescued by a woman with silver eyes. In a nutshell, the boy is saved by a Silver Eyed Warrior which leads into a routine where every year from the day they met, the young boy would always return to the forest in the hopes of meeting the Silver Eyed Warrior again.

Let’s get into what I liked about this tale: The whole relationship between the young boy and the Silver Eye who I will hereby refer to as “Warrior”. From the get-go, it’s very evident that the Boy is infatuated with the Warrior but what I found adorable was that this boy’s interest in the Warrior was what encouraged him to brave the forest in the hopes of seeing her time and time again for two to three more years (I believe if I’m remembering correctly). And what I thought was interesting was that each time the boy ventured into the forest, he was described as being much braver and stronger than previous encounters.

During his first encounter with the Warrior, the boy was completely powerless during his first run in with a Grimm but as the years went by, the boy would learn from his experiences and would go in a little more prepared each time. While he still needed the Warrior to come to his aid (which she always did in spite of saying she wouldn’t save him and telling him never to return), I definitely dug how much the boy began to mature with each time he met the Warrior as reflected in his growing combat competency.

I liked the angle of the Boy being motivated to become a stronger person thanks to his meeting with the Warrior. I liked that just as much as I love the angle of how much the Warrior in turn grew to care for the Boy in her own way.

When we first meet the Warrior, she described as strong and beautiful (by the Boy) yet hardened and reserved due to her past experiences since according to her story, her kind were known to be hunted and slain by humans because of their power (as we the readers are aware of from the main series as of V4-V6).

So due to this, the Warrior has basically settled into a life of solitude and survival. This is even reflected in her initial attitude towards the Boy since after saving him the first time, she warned him never to return again.

Unfortunately for the Warrior, she had underestimated the Boy’s persistence since he did return to her and each time they’d meet in the woods upon her saving him, the young boy would bring her gifts as a token of his appreciation and fondness of her as well as a symbol of their growing bond.

And in spite of pushing him away at first and all the times they would “meet” afterwards, I liked how it was shown how much the Boy had grown on the Warrior and how his compassion had warmed him up to her to the point that I think she began looking forward to seeing him in a way---or rather she expected him to always return to her in a sense.

Until one year when the boy returned to woods, he would find his Warrior gone. Whether that meant the warrior had eventually met her fate or simply moved on, I don’t know. It is of my assumption that the Warrior was ultimately killed in battle. The ending of story in regards to the Warrior’s fate felt a bit ambiguous to me. The story mentioned the possibility of the Warrior being dead but honestly never confirms it. Not really. So for me, I’m only assuming that the Warrior did die since that’s how the tale left her conclusion.

Now for the real meat of this post---the comparison that I’ve already seen my Rosegardening peers make after reading this tale and now I’m going to chip in and basically say the same thing too.

Yes, the Boy and the Warrior definitely remind me of Oscar Pine and Ruby Rose.

It’s actually kind of hard to NOT make that stark comparison.

After finishing the tale, my theory is that the Boy was probably around the same age as Oscar is currently when he first met the Warrior. Probably 14-15 years of age and I’d like to think that he was probably 17-18 years old by his third and last encounter with the Warrior since later in the story, the author began referring to the boy as a “young adult man” (I believe).

As for the age of the Warrior, that one has me stumped to be honest. In the story, she is described as “woman”. I also recall the author describing the Warrior having strands of silver in her hair which made me think she was probably a much older woman---probably in her 40s.

Then again…women in their late 20s to early 30s can start showing signs of grey hair. Not to mention that people as young as 18 can start greying out due to family background and stress.

So…in that case, I dunno. Going off the featured artwork of the Warrior in the preview, she doesn’t look to be that old at all. So I’m going to safely assume, that compared to the Boy, she was probably in her late 20s or so.

That’s my cookie crumb deduction.

Either way, here we have yet a second example of a RWBY content featuring an adolescent male expressing romantic interest in an older woman with the writers behind the tale treating this dynamic as something wholesome and rather quite sweet. I would be lying through my teeth if I said I wasn’t rooting for the Boy and the Warrior to end up together-together. I am NOT sorry. My hopeless romantic of a shipping heart couldn’t help but find the boy’s interactions with his Warrior to be adorable since the story treated it that way.

It’s for this reason why despite the story’s ending, a part of me is still kind of hopeful that the preview isn’t the whole story for that specific tale; y’know what I mean? Like I’m kind of hoping that once the full book is out, there will be more to the Warrior in the Woods story that potentially reveals the young boy and the Warrior reuniting and having their happy ending together.

I could be completely wrong here but dagnabbit, they got me again folks. Not gonna lie. I want this now. I need Roosterteeth to adapt this book into a new animated series like World of Remnant. These characters don’t even have names and already I adore their bond and story together.

Overall, as you can tell, I’m smitten with the relationship between the Boy and his Warrior. And the ending where the boy; now a man, professes his love for his Warrior since the day they met only made me gush even more over this pair. In the squiggle shire, we stan “A Boy and his Warrior”. That’s what I’m going to call this pair.

I guess the point that I’m trying to make here is that it’s nice to see a love---even if it was unrequited in a sense---between a young man and an older woman be treated respectfully in literature. We live in a time when people would screech over the slightest age difference while ignoring the context of the relationship itself.

Though only a short story, I’m happy that the author of Fairy Tales of Remnant portrayed the rapport between the Boy and his Warrior as a sweet relationship.

It’s here where I’m reminded of the Rosegarden dynamic. For the most part, the CRWBY Writers have always treated the bond between Ruby and Oscar as wholesome. It’s what makes the arguments against it in regards to their small 2-year age different sound so silly in my opinion.

So that being said, thank you CRWBY and E.C. Myers for creating yet another sweet dynamic between a young adolescent teenage boy and an otherwise “older” and much more experienced Silver Eyed Warrior.

“…I wish I could have been there for her,” he said slowly, “the way she was there for us.” If she was dead, she had died alone.

“Why did you keep going back there, year after year?” a village woman asked him. “Because she saved you?”

“For that reason, and for many more,” he said slowly. “But I believe she knew the deepest reason of all.”

The group waited. He gazed into the fire.

“I fell in love with her the moment I saw her silver eyes.”

- “The Warrior in the Woods” | Fairy Tales of Remnant by E.C Myers

I would like to say more about this story but I’m afraid right now, all I can give are my first impressions. In a way, my mind is all a tizzy with how much this tale got me thinking in respect to the growth and potential future of the Rosegarden relationship.

I’m not trying to imply that I’m taking this as a sign of their endgame. Nah. That would be too premature of me. But it did get me thinking and excited for them in respect to Oscar’s continued development.

I think what I loved and enjoyed the most out of this tale is how much the Boy reminded me of my favourite little prince and how his endearing love for his Warrior made me think of how much Oscar looks to Ruby as someone to believe in and perhaps, even fall in love with.

And what got me the most was the line about the Boy wishing he could’ve been there for his Warrior the same way she had been there for him and by extension the people of his village.

That line hit me deep since that’s exactly how Ruby has been with Oscar from the moment the two met!

Out of everyone amongst the hero team, Ruby has supported Oscar the most from the start. She’s always stood by him. Looked out for him. Protected him and believed in him or supported him even when others were reluctant about that.

She was the first person to mention how brave he is in spite of his fears. And above all else, Ruby inspired Oscar to be a stronger person. Not just for himself and the huntsmen in his care; like his teammates. But for her.

The Boy was inspired by the Warrior to become a stronger man, not just for himself but also the people of his village. Not only that but I loved how the young man even wanted to be strong enough to support his Warrior too

“…I wish I could have been there for her,” he said slowly, “the way she was there for us.”

I love that. I love that line because it reminds me of everything I’ve been saying about Oscar and his inspiration from the Little Prince.

What was the lesson the Fox taught the Prince? Love and responsibility. To be responsible for the people who love and support you just as much as you love and support them.

I got the same vibe from this story from the relationship between the Boy and the Warrior. The sad reality is that the Boy never got a chance to be there entirely for his Warrior and thus she was believed to have died alone; never truly knowing the whole truth of how much she meant to him and how much he loved her.

This is a parallel that I’m hoping for in V8 in respect to Oscar’s side of the story with him on his own in Mantle with only Oz. I’m hoping that during his journey back to Atlas; Oscar comes to terms with his feelings for Ruby. What would even be amazing is if at some point, the tale of the Warrior in the Woods is brought to life and told in the main series.

I would absolutely love it if at some point Oz would tell Oscar the Tale of the Warrior in the Woods when the little prince starts thinking about his rose. Even better, what if…“The Warrior in the Woods” is how Oscar learns the “Fox’s lesson to the Little Prince”?

Imagine if…Oz, fairy tale and it through hearing that story and learning of the Boy’s dedication to his Warrior that it helps Oscar realize how much Ruby means to him!

Overall, what I’m mainly anticipating is for Oscar to come to terms with his true deepest feelings for Ruby. For me, I would love it if Oscar really is no different than the Boy in the fairy tale.

What would even be more of a trip is if Oscar is a descendant of the Boy or meets someone in his travels who is related to that boy in the tale and it’s a story and lesson that’s been passed down throughout their family for generations.

I know that might be pushing it a little bit but it’s not a bad concept. Either that or…Oz is the one who tells Oscar the Tale of the Warrior in the Woods. It would make sense for Oscar to hear that tale through Oz since, ironically, isn’t he the one who compiled the Fairy Tales from Remnant book? Correct me if I’m wrong. I know his notes are a feature of the book.

Anyways, either way, I want to see Oscar realize how much he loves Ruby and it’s his love for her that further fuels his drive to support and protect her.

The Boy never got his chance to be there to protect his Warrior. While he kept her legacy alive through her story, the sad truth is the Warrior died alone never knowing how the Boy felt for her.

This is something I’m expecting NOT to be repeated with Rosegarden. I want to see Oscar promise to Ruby that he will always be there for her; fighting by her side for the cause they both believe him: Saving humanity. And above all else, I want to see Oscar realize his love for his rose in the hopes of one day telling her that to her face.

While I don’t know if we’ll have Ruby return Oscar’s feelings. Regardless, this is what I’m anticipating to see at least for Oscar’s side of things and this fairy-tale gave me more believe for that. Then again, it’s just a story and only time will really tell for what the CRWBY Writers have in store for V8. But a squiggle meister can wonder and hope, right?

In the meantime, like I said, I’m excited for the official release of Fairy Tales of Remnant.

I don’t plan on reading any more of the previewed stories though. I don’t know about some folks, but for this squiggle meister, I more want to wait till the book is out so I can hopefully get a hard copy because I do want to own the book itself.

That way I can read it through, make notes of things and always have that stuff on hand when I want to make a point of analysis for future musings and headcanon posts. Plus I really want that book. This is one of the sure-fire times where RoosterTeeth will actually get my money. (Still waiting patiently on dem Oscar merch though).

So with that being said, I think “The Warrior in the Woods” will be the ONLY story preview I will read and talk about for now.

I know there are previews for the other stories available but I’d rather not read them now. I think I’ll wait for the full book to go through and give my official thoughts then. We’ll see. Until then, this is all I got to say for now folks.

~LittleMissSquiggles (2020)

#rwby #oscar pine #ruby rose #oscar and ruby #rwby rosegarden #rwby fairy tales of remnant #rwby remarks

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hartsgold · 5 years ago

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𝐀𝐮𝐝𝐢𝐨. 𝐕𝐢𝐠𝐢𝐥𝐨. 𝐎𝐩𝐩𝐞𝐫𝐢𝐨𝐫.

𝚖𝚢 𝚗𝚊𝚖𝚎 𝚒𝚜 𝚌𝚕𝚊𝚞𝚍𝚎 𝚟𝚘𝚗 𝚛𝚒𝚎𝚐𝚊𝚗. 𝚒 𝚠𝚘𝚛𝚔 𝚏𝚘𝚛 𝚝𝚑𝚎 𝚜𝚎𝚒𝚛𝚘𝚜 𝚒𝚗𝚜𝚝𝚒𝚝𝚞𝚝𝚎, 𝚏𝚘𝚍𝚕𝚊𝚗, 𝚊𝚗 𝚘𝚛𝚐𝚊𝚗𝚒𝚣𝚊𝚝𝚒𝚘𝚗 𝚍𝚎𝚍𝚒𝚌𝚊𝚝𝚎𝚍 𝚝𝚘 𝚊𝚌𝚊𝚍𝚎𝚖𝚒𝚌 𝚛𝚎𝚜𝚎𝚊𝚛𝚌𝚑 𝚒𝚗𝚝𝚘 𝚝𝚑𝚎 𝚎𝚜𝚘𝚝𝚎𝚛𝚒𝚌 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚙𝚊𝚛𝚊𝚗𝚘𝚛𝚖𝚊𝚕. 𝚝𝚑𝚎 𝚑𝚎𝚊𝚍 𝚘𝚏 𝚝𝚑𝚎 𝚒𝚗𝚜𝚝𝚒𝚝𝚞𝚝𝚎, 𝚛𝚑𝚎𝚊, 𝚑𝚊𝚜 𝚎𝚖𝚙𝚕𝚘𝚢𝚎𝚍 𝚖𝚎 𝚝𝚘 𝚛𝚎𝚙𝚕𝚊𝚌𝚎 𝚝𝚑𝚎 𝚙𝚛𝚎𝚟𝚒𝚘𝚞𝚜 𝚑𝚎𝚊𝚍 𝚊𝚛𝚌𝚑𝚒𝚟𝚒𝚜𝚝, 𝚠𝚑𝚘 𝚑𝚊𝚜 𝚛𝚎𝚌𝚎𝚗𝚝𝚕𝚢 𝚙𝚊𝚜𝚜𝚎𝚍 𝚊𝚠𝚊𝚢.

i’ve been working as a researcher at the institute for four years now, and am familiar with most of our significant contracts and projects. most reach dead ends, predictably enough, as incidents of the supernatural, such as they are - and i always emphasize there are very few genuine cases - tend to resist easy conclusions. when an investigation has gone as far as it can, it is transferred to the archives.

now, the institute was founded in 1818, which means that the archive contains almost 200 years of case files at this point. combine that with the fact that most of the institute prefers the ivory tower of pure academia to the complicated work of dealing with statements or recent experiences and you have the recipe for an impeccably organized library and an absolute mess of an archive. this isn’t necessarily a problem - modern filing and indexing systems are a real wonder, and all it would need is a half-decent archivist to keep it in order. my predecessor was apparently not that archivist.

from where I am sitting, i can see thousands of files. many spread loosely around the place, others crushed into unmarked boxes. a few have dates on them or helpful labels such as 86-91 G/H. not only that, but most of these appear to be handwritten or produced on a typewriter with no accompanying digital or audio versions of any sort. in fact, i believe the first computer to ever enter this room is the laptop that i brought in today. more importantly, it seems as though little of the actual investigations have been stored in the archives, so the only thing in most of the files are the statements themselves.

it is going to take me a long, long time to organize this mess. i’ve managed to secure the services of several researchers to assist me. I plan to digitize the files as much as possible and record audio versions, though some will have to be on tape recorder, as my attempts to get them on my laptop have met with… significant audio distortions.

that’s probably enough time spent making my excuses for the state of this place, and i suppose we have to begin somewhere.

𝚊𝚞𝚍𝚒𝚘 𝚛𝚎𝚌𝚘𝚛𝚍𝚒𝚗𝚐 𝚋𝚢 𝚌𝚕𝚊𝚞𝚍𝚎 𝚟𝚘𝚗 𝚛𝚒𝚎𝚐𝚊𝚗, 𝚑𝚎𝚊𝚍 𝚊𝚛𝚌𝚑𝚒𝚟𝚒𝚜𝚝 𝚘𝚏 𝚝𝚑𝚎 𝚜𝚎𝚒𝚛𝚘𝚜 𝚒𝚗𝚜𝚝𝚒𝚝𝚞𝚝𝚎, 𝚏𝚘𝚍𝚕𝚊𝚗.

𝙘𝙧𝙚𝙙𝙞𝙩𝙨: photography / texture art / tma s01e01 blurb & transcription.

Hello! If you’re reading this, welcome to the hell that is The Seiros Archives. I’m hoping to make this as comprehensive a series translation as possible without integrating too many spoilers/telling the stories of characters that aren’t mine (save Sothis and Rhea, who seemed lore-mandatory additions). For example, I don’t have a character to fulfill [Gertrude/the past Archivist’s] position, simply because I can’t think of one and would prefer not to kill anyone off that might want to use this as an AU base. (Feel free to, btw! Just let me know/tag me in your verse thoughts, I��m so excited to read ‘em!)

Spoilers below. Additionally: please peruse the Wiki pages with caution. There’s a trigger list for TMA episodes/general content warnings located here.

Essentially:

The Seiros Archives is an institution that’s existed for two centuries, currently under the jurisdiction of one Rhea, who claims to have come into control of it within the last decade or so. Obviously, this is not true. Rhea’s been alive since the founding of this institute, as she had it built order to resurrect Sothis/The Beginning/The Beholding, [her mother].

Sothis is both a God and not. In TMA, Gods are also known as ‘The Entities’, or The Fears. They are described, on the wiki, as such:

The Entities are various aspects of an amorphous force of fear that exists next to reality. Their influence upon reality manifests as supernatural happenings - all supernatural phenomena in the world are simply extensions of them. These phenomena can take various forms such as people, animals, monsters, books, objects, or places.These entities do not simply feed off of our fear, rather they are our fears made manifest. “These things... these forces, they are our fear. Deep fears. Primordial. Always looking for ways to grow and spread.” Not all their actions inspire fear, they are simply a part of the process, a means to an end. (cont. This link includes a list of the Fears and should be read with caution, as there is some horror imagery, etc.)

In this verse, I’m going to conflate Sothis with The Eye, or The Ceaseless Watcher. She is an Entity of Fear manifested specifically as “being watched, exposed, followed, of having secrets known, but also the drive to know and understand, even if your discoveries might destroy you. Fear that you’re suffering for the sake of something watching.” I think her relationship with being able to control the flow of time and know results of the past and future translate well here. It’s terrifying to consider someone who Knows what might happen in the far future can directly alter it as well.

Let’s say that Sothis’ “death” in this verse was a failed “Ritual” of The Eye. Centuries ago, Rhea attempted to bring her mother’s Entity to full power above all the others.

Rituals are ceremonies held in order to empower The Entities. “Most entities have their own ‘ritual’, a symbolic act that, if completed, will allow the entity to merge with reality, changing the fabric of the world as it exert its will and nature upon reality. These rituals have the potential to bring other closely-tied entities along with it. It requires centuries for each Entity to build up the power needed for its ritual, and if it is stopped, it cannot try again until it rebuilds that power base. No ritual has ever succeeded” (x).

When Rhea’s Ritual for The Eye was thwarted, the Entity lost a great sum of its garnered power. I imagine she was an Avatar of the fear, and her connection with her mother was severed to an extent. As a result, she began to construct the Seiros Institute as a means of rebuilding power for the sake of The Eye.

Avatars are essentially vessels for spreading the influence of The Entities. “Some humans can become attached to an Entity and become empowered by it, gaining supernatural abilities related to their patron, but losing some or all of their humanity in the process. Most people fall to the powers through love or fear, though it can happen for other reasons such as debt. Avatars and agents of a power retain their agency but can become physically dependent on it, suffering withdrawal effects, including death, if they go too long without feeding the entity that empowers them” (x).

People influenced by, or who encounter Avatars are often Marked by them, and other Entities alongside their Avatars can sense this fact.

In building The Seiros Institute, Rhea hopes to give Sothis enough power through a ritual to “merge with reality”/live again/to be able to communicate with her once more.

The former hired Archivist stopped countless Rituals of The Entities, and was eventually killed as a result of attempting to quell Rhea’s efforts.

There are tunnels underneath the institute in canon, which I’m going to say is the equivalent of the Holy Tomb.

Characters, once employed by The Institute, are unable to quit/be fired. Literally. This is a canon mechanic, where they can’t even say the words.

TL;DR: This is set in a modern Fódlan. I imagine it as something of a large city interconnected with several other neighboring states, such as Almyra, Brigid, Dagda, etc.

Are there tense relations between these places? Of course! Is The Empire probably allied with a different Entity and is aggravated that Rhea is doing what she’s doing? Very likely! Are Those Who Slither In The Dark likely allied with one as well, or are experimenting on people in the attempt to complete a Ritual? Why Not!

The Entities create very viciously real manifestations of their respective fears, so people have supernatural encounters of all kinds. Vampires––weird lore, but yes. People being replaced by doppelgängers––Oh, Yeah. Circus people who steal voice boxes and dance around with mannequin limbs? Uh huh. Worms? Don’t forget the worms. As weird as you can think of it!

So this modern Fódlan is rife with the eccentric and the supernatural. At the moment, The Seiros Institute is simply an academic place set on recording and understanding those supernatural occurrences!

I’m setting Khalid as the current archivist because he seems the appropriate “linchpin” figure that Jon is in the main series, having been marked by several Entities. As the most knowledge and balance-hungry of the Three Lords, he fits the part. Obviously there’s something to be said of Byleth’s potential role as an Archivist, but the Archivist does a lot of talking, much like Khalid. He also interacts with everyone giving statements to the Archive, and I think Khalid’s canonical tendency to disarm others in exchange for secrets and stories is par for this course.

Nonetheless, if you do want to use this AU as a base for your Byleth or any other character, please don’t feel restricted by anything!

Whether your characters are employed by the Archive, is an Avatar for a Fear, or is simply terrified by whatever the fuck is going on here, please feel free to get in on this! Write it with me! Ask me any questions you might have and I’ll do my best to spoil myself on this wonderful podcast further so I can answer you to the best of my ability! [I’m about 75 episodes in right now, but am content to spoil myself, truly...] So please hit me up anytime. I’m really excited about this and would love to plot things out with you!

#❛ ・ﾟ the watcher’s crown and king — tma. ✧#feel free to reblog!#what have i done.

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starlightshore · 5 years ago

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im kinda want to get into this sort of thing so is it okay to ask u a few questions? if not just delete this, but here goes? would u reccomend game maker studio 2, and how hard is it to use in ur opinion? and is there anything u wish u knew at the beginning of making ur fangame?

aw anon you’re so sweet! don’t worry about asking about this, its really exciting to make games and trying new things! i would not say i’m an expert, and i wouldn’t even say i know gml like. at all. i just understand a how the code is used, but now what the code itself is or what to type exactly. like, i understand the theory more so than actually doing it. which is, eh, fine? i’m getting by, and i’m still learning. i’ve only been using gms 2 for 2 months now.

also, i’m using a fangame engine! i feel its kinda like cheating lmao, but its just meant to be a framework to build your own thing off of. and i still need to learn gms2 to use it, and i plan on doing more advanced and complicated things (ie: changing how battles even work structurally.) so. i’m not good at gsm2 yet, but uh, really once you understand coding its not any harder than i’d imagine w/ other professional game engines. compared to unity, i like this better because it seems built on the idea of making 2d sprite games. its SO much more simpler and the userface (while. i’m not a fan of how it has its workspace but whatever) is simple and easy to grasp.

i can’t say for certain if i recommend game maker. its very pricey and doesn’t go on sale often. (big sales i mean, it goes on 15% somewhat frequently) i really, really recommend doing your research first.

so here i talk about what game engines i’ve used over the last year. (also i hear Godot is good!)

at the end of that post i said this: “TLDR; figure out what kind of game and story you want to tell/make. i could of saved a year’s worth of work if i just sat myself down and realized i wanted to make a completely new fangame separate from my old blog stuff. and that i wanted to make an rpg specifically.“

and so! past me has good advice. figure out the scope and what story do you want to tell. with AL, I know it has 2 chapters, and rn i’m only concentrating on chapter 1. chp 1 has 7 nights and one area where you fight enemies. its very story/character driven and is more so like. a deconstruction of the rpg genre than an actual rpg game. (i know that the word deconstruction is over used as hell, but it is what this is.)

it builds off the themes of the original, while focusing on things that i want to focus on and develop. ut, at it’s heart, is about stories and grief, i’m just taking it to a different extreme and angle.

uh, anyway, i really wish i knew what i wanted to make and understood the source material more and what i wanted to make. i’ve. thought really really hard over what UT means, what message toby was trying to convey, how he did it and what I thought about it. understanding what YOU want from and for your project is the most important thing. WHY do you want to make this? WHAT do you want people to feel and think about when playing? or even, after playing? it doesn’t have to be super deep either.

so, figure out what you what to make, and then you can work on the how. really plan your story, but honestly i wouldn’t recommend planning it in super big details right off. also, super helpful to have a friend help you brainstorm and plot check things for you. (shout out to my friend the sniffer <3 ilu) its a fun bonding activity, having someone else there will put things into perspective and help things become coherent, and its just. legit so fun and rewarding.

anyway, don’t plan things TOO detailed because things are GOING to change no matter how well you plan! just try to get get an outline done, then rewrite it 5 more times and then MAYBE you’ll be ready to tackle a more detailed version. then write it 5 more times. i can’t stress enough how important planning is, and how you shouldn’t expect everything to work out even on draft 10! things will work, and when they do, draft 10 is going to look like bad awful nonsense cause you’re at draft 20 now and everything is much more coherent and better. games aren’t written or consumed all at once on the fly. its not a piece of fanart, a fanfic, a comic. its not updated more than once. its out, and then its just out. plan for it.

and real quick, don’t worry about art assets! depending on how you do the art, that’s most likely going to change and its going to be polished LAST. i could go more into how you should think of art when game developing, but thats another topic. just. honestly use shitty art assets and worry about it later.

kris’ place holder sprite for deltarune ^ it don’t need to be pretty, it needs to be practical.

second advice: start SMALL!!! i feel i should of done this, and frankly i probably will have to sit down and do this lmao, basically, you should make boring small games to learn the basics. I know, i know, nobody really wants to recreate asteroid when you got big ideas of making stories and animations u wanna make. but like. you really need to figure out how the program works and how the code works in theory and practice.

ok so like, think of coding like this. i got this from a skillshare video series, so uh. i’m going to retell this but in a shittier and likely less nuanced way. sorry

ok so imagine. you’re telling this guy who is trying to get to Gary’s house. now, Gary’s house is just down the road, few houses down, now, you can tell this guy that and he’ll likely find the house just fine. but if you’re telling a robot it’s not going to understand what “down the road” means. what road? how long? it needs instructions that are simple and work in a language it understands.

so you tell the robot “go down two houses, stop at sign until x seconds pass, turn right, go forward 1 house, turn ect. stop at house, ring doorbell. IF Gary answers, go inside; ELSE: do not go inside, wait;

so this what i mean by understanding the theory behind the code rather than the code itself. yes there’s complexities and differences in each language, but they’re ALL based on the same concepts. different program languages are less like different speech languages, but rather different dialects of the same. (uh, like us english vs uk english) its just different rules and “spellings” of the same core concepts.

next advice: don’t be afraid to ask for help! but also! do so within reason! if people are OPEN for helping, be sure do so in the right environment and within what time works for them. compensate people for the time and effort if you can. ALWAYS try to figure out the solution yourself first. often with coding, it can be a simple solution that you could of thought of yourself if you took the initiative to. google is your friend, youtube is your friend! (ok, youtube isn’t, but in this case! yes!) the answer might not always be easy to find, and its perfectly fine to look for help but its good to at least try on your own first!

speaking of which! LEARN LEARN LEARN! be ready to devote A LOT of time to watching and reading about game development. this goes to every game making program, not just gms2. i watch. so many videos on gms. i rec having the video play at 1.5x or 2x speed to cut down time. obvs you still need to retain the information, so speed might be not a good idea then. and its REALLY GOOD to pause and type out the code and follow along. but its also good to just understand the concepts, and theres no harm in rewatching once you’ve understood it better at a different speed.

things WILL click and work out for you, and its going to be a very time consuming and long journey to get there. i LOVE making this game and telling this story but I also had no idea what i was getting into! and i probably will have more advice once i’m further in, (i’ve only used gms 2 for 2 months!) but thats the best i can say for now! i hope you pursue your dreams and start making things!!! you can do it!!!

the best time to start is yesterday, the second best time is right now! even if you put a little effort into it everyday, you’ll build up progress and you can learn SO MUCH over time and theres this whole world of possibilities out there! the world NEEDS your story and your perspective, and i think creating it in anyway you can is necessary for humanity! your work will mean something to someone someday, and i am so excited for you to start your journey!

#i know u probs meant gms2 specifically but this got a little out of hand lmao #long post #personal stuff #sams replies #Anonymous

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thefloatingstone · 6 years ago

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Y'know what? Give us the long answer. Have fun with it. Go wild.

The full title of the show is “Revolutionary Girl Utena”. It has 39 episodes and was released in 1997. The series director, Kunihiko Ikuhara, previously worked on the anime version of Sailor Moon, and was the main force behind turning Sailor Uranus and Sailor Neptune from simple team partners into a romantic lesbian couple, turning Sailor Uranus from an androgynous person who changed gender at will into a masculine lesbian, and Sailor Neptune from a borderline “background character” into a character in her own right, motivated by her romance with Sailor Uranus.

Revolutionary Girl Utena was originally an idea to have a Sailor Uranus and Sailor Neptune spin-off show until somebody told Ikuhara that the story he wanted to tell wouldn’t make sense with those characters. Instead, he decided to make the Utena anime. The anime IS based on a manga which had not yet concluded at the time of the anime’s creation, but the anime deviates from its source material in the extremes.

SO! Revolutionary Girl Utena!!

I am going to answer “What is it about?” with 2 answers because both are true but just giving you the plot summary doesn’t actually tell you shit about what the show is….about.

Answer 1:

We open with what appears to be a fairy tale. Long ago, there was a young princess whose parents had recently died and she was very sad. One day, a beautiful prince smelling of roses came to her, and told her “Beautiful princess who holds up alone in such sadness, never lose that nobility even when you are grown”. He then gives her a ring with a rose crest on it and promises they’ll meet again. The fairy story ends with “That’s all well and good, but so impressed was she by him that she decided to become a prince too. But was that really such a good idea?”

The story follows 14 year old Tenjou Utena. She attends the prestigious Ohtori Academy with her best friend, the rather unremarkable Wakaba. (Basically think the “Magical Girl Trope” of Sailor Moon and her “best friend” character Naru. Utena is doing the trope on purpose). Utena says she enrolled in the school because it has the same rose crest as its symbol as the ring she has, which was given to her by “a prince” long ago, and she hopes to meet him again one day.

Utena is admired by practically every person in school, both girls AND boys. The boys admire her as a very talented athlete, specializing in basketball and playing on the boy’s team, and the girls admire her because she’s a girl who comes to school wearing the boys’ uniform (even though it doesn’t resemble any of the boys’ uniforms), refers to herself with the male “Boku” rather than the feminine “Watashi” and for her self confidence and energetic and positive personality, as well as her disregard for authority figures (like the teacher who confronts her for wearing “inappropriate” clothing, pointing out that the student rule book only says students have to wear the inform. Not that they have to wear the specific gendered uniform)

The story follows Utena, as she accidentally, while trying to defend her best friend Wakaba, getting involved in a “game” which involves the 4 members of the school’s student council, Juri, Saionji, Miki and the council president, Touga. The game involves a mysterious dueling arena in the middle of the forest which can only be accessed by people who have a rose crest ring, that looks exactly like Utena’s childhood ring. There, they duel in sword fights as an upside down figment of a castle looms over them. The winner of a duel becomes “engaged” to the female student, “Anthy Himemiya” who is called “The Rose Bride”. The Rose Bride gives her current fiance the power to use “The Sword of Dios” which she pulls from her chest, and the duelists believe that the one who is engaged to the rose bride can eventually enter the castle in the sky, wherein lies the power to revolutionise the world. Each member of the Student council believes this to be something completely different, each one of them thinking it will change their current situation in the real world into one they wish. One believes the castle contains the ability to create “True Friendship”, another “The ability to create miracles” another “A return to purity” etc etc.

Utena, who wins the duel in the first episode and ends up accidentally engaged to Anthy, has no interest in the castle or the rose bride or any of this dueling stuff. But she sees Anthy as a girl in distress, played around with and handed back and forth between people to use, and so Utena decides to, effectively, become Anthy’s “Prince Charming” to rescue the fair maiden in distress. Anthy is a very demure, introverted, and ultimately strange girl. She and Utena share a dorm together as is apparently Utena’s right as her “fiance”, and Utena starts building a friendship with Anthy, as well as learning what all these duels actually are, what is inside the castle, what IS the “power to revolutionise the world” and how she can save Anthy from this twisted game.

So…. that’s what the STORY of Utena is about…. but that has nothing to do with what Utena’s about…

Answer 2:

Utena is, at its core, about MANY strong themes, but to pick one out to talk about first, it’s about the human psyche. And I know that sounds like pretentious garbage but hear me out;

Utena is about how human beings will trap themselves in their own destructive behaviours, constantly going round and round and round about something they can’t change in their life and their desire to change the OUTSIDE world to fulfill something that has gone wrong on the INSIDE of them. Every character believes the world to be a certain way, and what they believe the world is like means they can never achieve happiness or what they truly want, but none of the characters realise the ONLY way for them to be happy, TRULY happy, is in fact to let go of the desires and hang ups and psychological barriers that are keeping them trapped in unhappiness.

Utena is a 39 episode show talking in extensive detail “This is why you’re so fucked up”. And it pulls NO punches. Dealing with subjects like abuse, incest, rape, manipulation, sexual awakening, homosexuality, unrequited feelings, projecting your wants and desires onto other people, the list goes on.

The OTHER major theme of Utena is, and again I am not being pretentious here, this is what the show is about, the oppression of not only women, but of toxic beliefs surrounding what women’s roles in life “should” be, and how society as a whole uses this oppression and, frankly, abuse, to further people’s own desires and wants, and how society and those most toxic parts of it, try and break and bend women’s empowerment into something “more desirable” with complete disregard for how women in question actually FEEL about this supposed “place” they should be filling. It draws strong parallels between personal, one on one abuse, and a larger problem with women’s treatment of society as a whole.

And the OTHER other major theme of Utena, is sexuality as a whole. Not just Utena’s but literally every single character. The show is about sexual awakening (which is why the main characters are 14 but look older) and all the psychological hang-ups that comes with it, and how it shapes your opinion of the world and, in turn, how the world tries its best to shape YOU into something it WANTS you to be, rather than what you are. Female sexuality, Lesbian sexuality, Bisexuality, Sexual repulsion, Sex used as a weapon to control others, Sex as a metaphor for adulthood. Utena is an entire thesis on human sexuality, the form it takes in different individuals, the freedom it offers, as well as how predators use sexual attraction in terrible terrible ways to control others through manipulation, adoration, or domination.

The show is about trauma, both personal as well as on a societal level. it’s about abuse. It’s about what abuse turns people into. It’s about shutting off who you really are so tightly that NOBODY is able to pull it out. It’s about how being naive and “pure” is incredibly damaging, both to yourself and those you care about. It’s about confronting reality. It’s about confronting the adult world. It’s about breaking cycles. Both the ones we keep ourselves in which are self destructive, as well as the ones caused by abuse.

The OTHER thing Utena is about is “Speaking all of its plot, character motivations, themes, and story in metaphor so thick you need to be a psychology student to figure out half of this shit”

The first time I watched the show, I didn’t understand the ending AT ALL. And it took scouring the MANY essays written by people smarter than me on https://ohtori.nu/analysis/introduction.html for me to not only fully grasp what the ending was trying to say, but also literally 60% of the show which went completely over my head because I was 22 and a lot of the more adult themes was something I just didn’t pick up on, or fell into a complete trap with, thinking the same as the overly naive Utena, rather than understanding the reality of the situations and story.

My favourite scene to use as an example is in episode 5, where Miki runs into his twin sister Kozue in the school’s music room.

Miki had just finished telling Utena how he and his sister Kozue use to play the piano together, but something happened and Kozue refuses to play the piano with him any more. He and Kozue use to be very close in many ways, but these days Kozue has greatly distanced herself from him, and is very obviously slutting around the school, something Miki is disgusted in. It makes him want to distance himself from her all the more while also enraging him on a personal level. He has discovered, however, that Anthy (the Rose Bride) is very talented at playing the piano, and he hears in her playing something he feels he’s lost with his sister. Something calm and innocent which is no longer there between him and his twin. And he falls in love with Anthy.

He runs into Kozue as he goes to play the piano. He bumps into her unexpectedly. Her shirt is unbuttoned, her necktie undone, and she visibly adjusts her skirt. Inside the music room we see Touga, notorious school playboy, leaning idly against the windowsill, his own shirt unbuttoned.

Miki enters the room because he was intending to play the piano. Then THIS conversation happens;

This is one of the more obvious ones. But in case it wasn’t clear;

Neither of them are talking about playing the piano.

So take what I just told you about this situation… Read that info again…. THEN look at what they’re saying to each other… THEN look at how the show has chosen to place its camera angles.

Miki and his sister Kozue use to be very close, but have grown distant due to some event (which Miki says involves playing the piano. But that’s what Miki says). Miki yearns for when he and his sister use to be very close. a… “More innocent and pure” time… His sister has apparently completely embraced her sexuality, whereas Miki obviously sees her openly being slutty as extremely enraging and something he finds repulsive. He sees Anthy has in her the “purity and innocence” he lost with his sister. He falls in love with Anthy.

He runs into Kozue. She gives him…. THAT look. Up close and personal. When Miki speaks to her first, the camera ZOOMS back. Far away. a Great distance. Kozue asks him “Are you here to get me to play again?” She says, pointedly adjusting her skirt as she does so. She’s framed as towering over him. “I don’t have any more hope for you.” Miki dismisses her, as her presence looms over him.

They use to “play” together before they became distant. Kozue teases him about how he must miss playing with her. He scoffs. He’s no longer interested in her. They’re not talking about pianos.

Every single scene, exchange of dialogue, ever camera angle, every pose, every micro expression, every character’s body language, every bizarre visual or item that seems out of place in every shot… EVERYTHING in this show is a metaphor, or a hint, or a double meaning, or talking about something completely different than what they’re talking about.

Every second of this show is like this. If you wanna watch it… you’re gonna have to pay attention. Idly just letting it play while you take in the pretty visuals, and you’re not gonna understand one moment of what’s really being said, or shown.

And finally, everything that Utena is about, is in its intro’s lyrics. In fact the intro’s visuals all actually give away the entire story. But you know what? I can TELL you that because it is so heavy in symbolism and double meaning that even if I tell you that STRAIGHT OUT… you’re not gonna be able to understand what the hell it means until you reach the final episode.

Lets live with good grace and style.(just a long long time)Even if the two of us are ever torn apart…(let go of me)Take my revolution

In a sunlit schoolyard (garden), We took each other by the handDrawing close for comfort, we both swore:Never again would we ever fall in love.(Every time)

In that photograph of us, standing cheek-to-cheek,A touch of loneliness fills our smiling faces. (Revolution)

Even though we dream, even though we cry, even though we hurt ourselves, Reality keeps on approaching frantically,

I want to find my place, the worth of my existenceThe person I’ve been until nowAnd find the strength to throw it all away. Strip down to nothing at all.Become like rose petals blowing free

Even if the two of us are ever torn apartI swear to you, I will change the world.

youtube

#C-Puff answers #Utena #SKU #long post #video #anime #90s #Anonymous #tumblr why the hell did you format it like this???

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precuredaily · 6 years ago

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Precure Daily Halloween Special 2019

Episodes: SPC 37, HaCha 37, GPP Movie, MPC 38-39, KKPC 37, HUG 38, STPC 37 Dates watched: 30-31 October 2019 Original air dates: Sunday in October 1-2 weeks before Halloween, 2011 & 2016-2018, and the Saturday of Halloween, 2015

Is that little girl in the witch hat dressed as Akko from Little Witch Academia in a nod to her seiyuu, Han Megumi, playing Hime or is this just a coincidence? These are the questions that keep me up at night.

You may remember the PCD Christmas Special I did last year, where I watched every Precure Christmas episode and compared them to each other, charting the common elements and evolution in how they handle the subject. Well, I really love Halloween, but for a while, Japan didn’t celebrate it. It only started to catch on in the late 2000s and into the 2010s, and so despite several episodes of Precure airing on or near Halloween night over the years, the first time it was brought up in the franchise wasn’t until 2011′s Suite Precure. You can read more about how it became acceptable to celebrate and the ways in which the Japanese people enjoy themselves in this article, but the important takeaways are that Halloween events are more about food and festivities, and trick-or-treating is a highly organized activity, no going door-to-door.

At this point in the shows, all extra heroines have been introduced and the team is usually on the cusp of acquiring a new powerup. The villains have suffered significant losses and are preparing to pull out some form of trump card (this will facilitate the team getting their new attack). Typically, the monster of the week will be made from a Jack O’Lantern or some other Halloween decoration. In more recent years there’s been a tendency to explain what Halloween is about, but they don’t always do this. The biggest draw of a Halloween episode, though, in my opinion, is getting to see the characters in costumes. I’m going to briefly run down each Halloween episode (or movie) and then compare common elements at the end.

Note: At the time of writing, I am about 6 episodes behind in Star Twinkle Precure, did not wish to skip ahead for the purposes of this article, and didn’t have the time to catch up. I will add my thoughts on STPC 38 at a later date, and I will announce when I have done this via a reblog to @pcd-status. Thank you for your patience and understanding.

Star Twinkle section added 12 Nov. 2019

Suite Precure 37 - “Wakuwaku! Everyone Transforms for Halloween!” Original air date: 30 October 2011

With Mephisto freed of his brainwashing, Falsetto takes charge of Trio the Minor and leads an attack on the girls. Ako has decided to stay in the human world, and the older girls take her to a Halloween celebration to brighten her spirits. Ako isn’t really enjoying herself, but some younger kids rope her into playing with them and that brightens her up. When Trio the Minor turn a pumpkin into a Negatone, they try to perform a new attack with Crescendo Tone: Precure Suite Session Ensemble Crescendo, but it falls apart, so Ako uses her invidual attacks while the older trio uses their group finisher. At the end, Falsetto sings an incomplete Melody of Sorrow to speed up Noise’s revival.

Costumes and references: Hibiki is dressed as a pirate, but specifically she resembles a genderbent Captain Marvelous, the red ranger from the contemporary Sentai series Gokaiger. Kanade is dressed as a pumpkin witch. Ellen is dressed as a black cat, an allusion to her true form, and Ako is a dressed as a princess, which she is. (not digging very deep for this)

HappinessCharge Precure 37 - “Big Bang, Defeated! An Unbelievably Strong Enemy Appears!” Original air date: 19 October 2014

Oresky, Namakelder, and Hosshiwa are all feeling weakened after taking the Happiness Big Bang attack, so Queen Mirage concludes they may not be useful to her anymore and prepares her next agent. Meanwhile in Pikarigaoka, Megumi encourages Blue to join them at the town’s Halloween festival, and he agrees. They all begin to share pumpkin cakes with each other, a local tradition. Seiji shares his with Megumi, Megumi eagerly shares hers with Blue, and the other girls look on from a distance as they recognize the love triangle unfolding in front of them. Oresky appears, trying to ruin the Halloween festival that makes people happy and attempting to prove his worth. He really wants to be the number one general in the Phantom Empire, as he feels that if he’s not first, he’s worthless and he doesn’t want to be replaced. The girls transform, and begin to persuade him that there’s enjoyment to be had in fun things, and it’s okay if you’re not first. They hit him with Happiness Big Bang and it begins to purify him, when suddenly an attack interrupts it. As the smoke clears, their new opponent is revealed to be a corrupted Cure Tender, Iona’s missing older sister.

Costumes and references: Megumi is wearing a Halloween-themed dress, orange with jack-o-lanterns on it. Hime is dressed as a princess, which much like with Ako, seems kind of low-effort since she’s an actual princess. Yuuko is dressed as a witch, and Iona is a fortune teller. Also, Blue is dressed as a vampire.

Go! Princess Precure: Go! Go!! Gorgeous Triple Feature Original release date: 31 October 2015

The Princess movie was experimental, being made of three shorter films: a chibi short with no dialog, a 50-minute traditional feature, and a 20-minute all CG adventure. The film leaned hard on its Halloween theming, with Pumpkins and Halloween being prominent motifs in all three parts. I’ll break them down individually.

Cure Flora and the Mysterious Mirror

This is a cute sketch where Cure Flora finds a fancy crown, puts it on, and accidentally startles some mischievous sprites on the other side of what she thinks is a mirror. They have the ability to transform, so they take on her appearance and mirror her, but they forget to duplicate the crown and eventually they begin to compete with the real Flora, doing tricks. She accidentally breaks the crown, so the sprites decide to transform into a special pumpkin outfit for her, just as the other girls come in. The 5-minute short uses a super deformed art style with all CG animation and has no dialog.

Costumes and references: Cure Flora’s pumpkin dress and hat.

The Pumpkin Kingdom’s Treasure

Haruka, Minami, Kirara, and Towa are transported to the wondrous Pumpkin Kingdom, where the royal chancellor Warp is hosting a Princess Contest to find a princess for the kingdom. Towa, being well-versed in evil schemes, smells a rat and is on edge. Haruka finds the true princess of the kingdom, Pumpururu, who is locked away, and learns that the Pumpkin King and Queen are under Warp’s control. Minami, Kirara, and Towa each win their rounds in the contest, but the former two are captured while Towa is able to avoid capture. Haruka participates, even managing to snap the monarchs out of the control. She transforms, frees the others from their capture, and Warp transforms to a giant monster. Pumpururu, the sprites, and the Precures’ strong feelings summon Halloween Dress Up Keys that the girls use to defeat Warp and save the Pumpkin Kingdom.

Costumes and references: The girls get special outfits to wear for the Princess Contest (not halloween themed), as well as Mode Elegant Halloween dresses that feature pumpkin flowers on them.

Precure and Leffy’s Wonder Night!

This is an episode-length feature using the CG animation style from the dance endings. Haruka discovers a doll on her desk, when she’s suddenly transported to the Pumpkingdom, already transformed, and the doll is now a girl named Leffy. Leffy tells the cures they need to defeat Night Pumpkin, who has taken over Pumpkingdom and stolen the daylight from them, making it always night. What follows is essentially an ongoing chase through the city to the top, where they fight and defeat Night Pumpkin and restore daylight to Pumpkingdom. Haruka is then transported back to her room, and the Leffy doll is gone. It’s worth noting that Leffy appeared as Pumpururu’s doll in the previous portion. The connection to this section of the film is unclear. Also, Minami, Kirara, and Towa do not appear in their civilian forms at all.

Costumes and references: Leffy isn’t overtly pumpkin themed, and nobody else gets any special forms in this one. However, there is a glorious moment where Flora accidentally bonks Night Pumpkin on the head.

a proud Precure tradition

Maho Girls Precure 38 - “Is it Sweet or Not? The Magic Pumpkin Festival!” Original air date: 23 October 2016

This isn’t explicitly a Halloween episode, because the Magic World doesn’t celebrate Halloween, but they have fall traditions that involve pumpkins and sweets so it counts. Their tradition is to chase a Pumpkin Bird that appears every year. It shoots candy from its mouth, and if it hits someone, they turn into a giant piece of candy. If you capture it, you get a special prize. One of the villains brings up the actually valid point that the creature may not like being chased and that’s why it runs, but Mofurun talks to it and finds out it just has a cavity. The girls transform into Topaz Style to fight Shakince in a creatively silly battle. When they beat him, Mofurun gets the credit for “capturing” the Pumpkin Bird and so she gets presented with its prize, which turns out to be a seed that grows into a tree which sprouts toothbrushes. I am not making that up.

Costumes and references: Mofurun gets a special orange and yellow dress to wear when she receives the prize but it’s never shown in closeup from the front. Also, there is a cameo appearance by Watanabe Mayu, who sings the insert song for the Maho Girls Movie that was in theaters around this time, and also served as the ending theme for episodes 38 and 39 (only on the TV version, on home release they use “Magic a la Domo”). She makes a special appearance as herself. Even better, in a flashback, she’s seen beside giant statues of Mipple and Mepple.

Maho Girls Precure 39 - “This is Halloween! Everyone, Smile!” Original air date: 30 October 2016

The girls from magic school come to visit the non-magic world and learn about Halloween! But Jun, Kay, and Emily have to be reminded, even when things seem bad, to not use magic to help out. The students of the non-magic world are running a crepe stand and the magic world students decide to chip in, and after being scolded for using their powers, they learn how to do things the old-fashioned way and appreciate the value of hard work. In the middle of all of this, Ha-chan changes costumes almost every scene. Benigyo is extremely confused by all the Halloween festivities and doesn’t understand what the girls want when they tell her to stop ruining it. They never do give her a proper explanation, but she summons a Donyokubaaru that blows air and the girls have to transform to Sapphire form to fight it off. There’s a small plot point about Mirai’s grandmother recognizing the magic school Headmaster from her own youth. At the end of the episode, it’s implied that Liko’s father has made a big breakthrough about relations between the magic and non-magic worlds, and more ancient powers. Kind of a disjointed episode.

Costumes and references: Mirai is dressed as Mofurun, Liko is dressed as a cat in an orange and purple dress, Mofurun is dressed as Cure Miracle, Chikurun is dressed as a bunny, and Ha-chan is dressed as:

an alicorn

a sarcophagus

a mummy

a sphinx

a UFO

and a thunder god (Raijin)

And just a cool thing I noticed, the final stage for the ending dance was updated with a Halloween theme. I’m really curious why, since they replaced the ending with “The Right Way to Use Magic” in the initial television broadcast of this episode, and I don’t think the Halloween version was seen in any previous or subsequent episodes.

Kirakira Precure a la Mode 37 - “Salut! Ciel is Going Back to France!?” Original air date: 22 October 2017

Ciel’s old boss, Madame Solaine, finds her and tries to get her to come back to Paris and work for her there, feeling that Ciel’s talent is wasted in this small town. Not wanting to admit that she initially came searching for her brother, and that she’s got responsibilities as a Precure, she tries to demonstrate what she likes about Ichigozaoka. Everybody is worried that Ciel is going to leave, and even lowkey encouraging her to do what’s best for her career, but she wants to stay. Ultimately she wins Madame Solaine over with a dish inspired by Ichika’s cooking style. Elisio is the antagonist of this episode but I honestly found the battle to be completely irrelevant. The most notable point for the villains is that Grave makes some kind of discovery at the end of the episode.

Costumes and references: Their costumes here are modifications to their patisserie uniforms. Ichika is a jack o’lantern, Himari is an angel, Aoi is a devil, Yukari is a cat (of course), Akira is a vampire, and Ciel is a witch.

HUGtto! Precure 38 - “Charged with Happiness! Happy Halloween!” Original air date: 28 October 2018

Hagukumi town is going to be hosting a Halloween Party, with Papple’s business providing food and entertainment. Daigan is tasked with food prep, but he gets frustrated with a very delicate task, and a visit from Bishin has him questioning his loyalties. The girls are ready to hit the town, and have even prepared costumes for Harry and Hugtan. They made a lot of costumes for Hugtan, in fact, but Ruru detects that she doesn’t really like any of them, so they ask her what she wants to be, and she responds “Pwecyua!” They set to work making her a Precure costume in short order, but an Oshimaida attack secretly requested by Daigan threatens the party. The girls transform and make a show of it to keep people’s spirits high, finishing the monster off with Cheerful Attack. Papple knows that Daigan was responsible and chides him for defecting, even momentarily, and informs him that everybody loved his food. Up at Beauty Harry, the girls finish Hugtan’s costume and show her to Harry, who briefly has a flash of Cure Tomorrow.

Costumes and references: Hana is a witch, Saaya is a lolita devil, Homare is a cowgirl, Emiru and Ruru are pirates, Harry is a werewolf (because he’s.... hairy, IDK if that was the joke), and Hugtan is dressed as Cure Yell. Foreshadowing ahoy!

Star☆Twinkle Precure 37 - “Cryptids Will Win! The Halloween Costume Contest” Original air date: 21 October 2019

Mihoshi Town is having a Halloween costume contest with prizes for best group, so everybody brings their A-game. Except Yuni, she takes the chance to walk around in her true Rainbownian form. Everybody is having fun and the girls get to explain Halloween to Yuni and Lala. Unfortunately, Kappard is hanging around, reminiscing about what happened to his planet, and he doesn’t like the festivities. Everyone thinks he’s just dressed as a sexy kappa and they want pictures with him, which annoys him even more, so he steals one arguing couple’s imagination and goes on the attack. In an effort to guide him away from all the people and hide their identities, when the girls transform, they claim to be the Mihoshi Stars and do a full Sentai roll call, finally settling the debate over Milky and Cosmo’s color designations. (I was probably one of the last people to maintain that Milky was blue by this point, tbh) They lead him away from the festivities and then try to talk him down, but all he can say is he doesn’t believe different species can live in harmony, that Lala and Yuni are living a lie by celebrating Earth customs, and he doesn’t understand this holiday at all, so they defeat him and return to the festival. Elena wins prizes as part of two different groups, but Kappard is declared the overall winner. Too bad he’s MIA. This episode doesn’t do much for the plot, but it does give a little backstory to Kappard, as we see that his planet got destroyed by a non-native species monopolizing all of their natural resources. Considering what we see of Eyewan and Tenjou in the next few episodes, it’s possible we’re aiming to redeem the villains. Hard to tell with an ongoing show.

Costumes and references: Hikaru is a yeti, Lala is a tsuchinoko, Madoka is a cat, Elena is a flower (with her family) and a cat (with Madoka and Yuni), Yuni is herself, Fuwa is a sheep I guess, and Prunce is the Michelin Man (TELL ME I’M WRONG).

Analysis

Halloween episodes, unlike Christmas episodes, don’t have as much of a running theme. Halloween is more of a dressing than an opportunity to explore feelings. The placement of these episodes in the series means that things are usually starting to ramp up, but none of them features a major conflict. In a few episodes, the fight with the villains felt downright inconsequential, while it was more meaningful in others. There was a trend in more recent years to explain the origins of Halloween, as a gathering of spirits, but otherwise there aren’t as many identifiable patterns or shifts in patterns as there were in the Christmas episodes, it’s mostly been “this is Halloween, have fun.” The Go Princess movie had the opportunity to make the most of their halloween theme, but instead they just focused on pumpkins, pumpkins, and more pumpkins without really diving into what makes Halloween as a holiday special or significant. It’s an alright movie but it’s a sour note on an excellent series that knew what it was doing. HappinessCharge probably utilized Halloween the best as a setting, using some Halloween traditions to create romantic tension, and I appreciated Maho Girls’s attempt to create a Halloween-ish fall holiday for a fictional culture, and then also bringing those people in to explore our Halloween. Since it’s a newer holiday for Precure to work with, only getting regular exposure since 2014, we might see them figure out more ways to spin Halloween in the future. Honestly I hope so, and I’ll be here to write about it for you.

Happy Halloween, everybody, and look forward to more Yes 5 coming soon. Hopefully I’ll finish that by the end of the year. Hopefully. (yeah not likely)

#Precure #Pretty Cure #Suite Precure #HappinessCharge Precure #Go! Princess Precure #Maho Girls Precure #Kirakira Precure a la Mode #HUGtto! Precure #Star Twinkle Precure #PCD Halloween

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that-shamrock-vibe · 5 years ago

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Disney+ What To Watch: My Top 10 Favourite Modern-Day Disney Classics

#3. Lilo & Stitch

Of all the movies I have talked about so far, this movie is the one that has shocked me the most with how much I enjoy it and how high it is on this list.

At first, the only real good takeaway from this movie is Stitch as a character, with both how cute he is and the surprising take on the traditional fish out of water story.

However, as I have gotten older and been able to decipher the hidden and deeper meanings of these movies, I have to say the true meaning of family that runs throughout this movie is very heartening and very true to life particularly for a Disney animated movie.

Especially when you consider that this movie came out during what could be known as Disney’s second “dark times” after the 80s where the Renaissance had finished and Disney was trying to go in a different direction with very mixed results, this is definitely the shining beacon in the murky waters of Treasure Planet, Brother Bear, Home on the Range and especially Chicken Little.

Not only is the animation styling unique to the movie and, a lot like Moana and Princess and the Frog, animates Hawaiian natives in the styling of how they actually look so that they can’t look like any template design for any ethnicity. But the way in which this movie incorporates land, sea and outer space and makes them all feel like land, sea and outer space.

Lilo & Stitch is not shy of delving into the real-life struggles of depicting how a family in these sisters’ position live and get by. Nani struggling to find work because she spent her formative years as the guardian of her young sister, Lilo having a very damaged upbringing because she lost her parents young and, because she is an outsider who sees the world differently to everyone else, she doesn’t fit in with the other girls her age. She seeks solace in the fact there is a fish who controls the water and must be appeased but also recognises that she is troubled.

It’s then clearly fitting that a recently created alien crashlands in their neighbourhood and crosses paths with them. Stitch is like Olaf in the sense that because he has only just been created he has no real morals or ethics and, because he is an experiment designed for destructive purposes, has very high anger management issues.

However, what I love is as much as the movie focuses on Lilo and Nani’s relationship and particularly Nani’s struggle to keep them together, it also explores Stitch wanting to feel like part of a family and the parallels to the famous story of the Ugly Duckling.

Honestly one of my favourite parts of this movie is the “Hawaiian Roller Coaster Ride” montage when David is trying to cheer up Nani and Lilo and all Stitch wants to do is be involved and be a part of the fun. Honestly one of the sadder moments are when they’re making sandcastles and Stitch sees the three of them enjoying the fun and tries to emulate it himself...I can relate rather a lot to looking in from the outside.

I mentioned that a recurring theme with this list would be outsiders and both Stitch and Lilo are definitely outsiders, but this movie shows how that’s not exactly a bad thing as them being outsiders is what brought them together and by the end of the movie it is essentially a family of outsiders but more functional a family than most traditional nuclear ones.

Stitch is adorable, not only does he have that newborn innocence but because he doesn’t really talk until towards the end of the movie and mostly communicates in noises...very relatable by the way...he is even more likeable because of the fact we effectively see him mature throughout the movie so that by the end, when he stands up to the Grand Councilwoman, not only does he earn that moment but again it is just so cute that he can talk like a human and, I know others have tried but, no one can do his voice like Chris Sanders.

I don’t know why but, watching the movie on Disney+ for the first time since getting my dog, makes me compare my dog to Stitch and how my dog would act if he was more anthropomorphic or of alien origin like Stitch,

Lilo and Nani were very well established in terms of their sisterly bond, it is clear that Nani works her butt off in order to not only provide for the two of them but also to ensure they stay together. I mean the fact that Nani reduces herself to working at that fake luau place just to makes ends meat speaks volumes to how much she cares about her sister.

But I also enjoyed whenever they argued or quarrelled because, at the end of the day, they’re still sisters and sisters fight. Siblings fight, regardless of if one is the primary care giver or not and the fact you see the explosive rows, the fallout and the two of them making up afterwards just shows a fully-realised family unit.

It’s also a strong statement to the sisterly bond that Nani doesn’t give in to her “womanly urges” and gets with David despite the many, many times he offers. Yes, it maybe would make life easier to have another source of income and immediate support network in the family, as established at the end when they actually get together, but throughout the movie the amount of times he asks and she rejects is all for legitimate reasons. They’re under scrutiny from social services so adding a new relationship at this point would not be good.

As for our alien antagonists, this was the first time that Disney Proper animation had featured aliens in their movies, because Toy Story was 1) Pixar and 2) Featured toys not actual aliens.

But I really enjoyed these aliens, while they are all clearly of different species, not knowing the species and simply focusing on who they are as characters was really fun. the Grand Chairwoman looked like an authoritarian figure, both Jumbaa and Gantu looked menacing Jumbaa looked goofier than Gantu so of course Gantu was the bigger threat than Jumbaa.

Pleakley is a revalation for Disney Animation and yet it’s played up more for laughs then anything else. It’s not just that he enjoys dressing up like another somewhat famous alien from American Dad! but the fact he specifically enjoys dressing like a woman...Disney had it’s very first transsexual character on their hands and yet he’s never been promoted as strong LGBTQ+ representation for Disney.

I absolutely loved the inclusion of an Elvis Presley soundtrack to this movie. The fact you’re combining a Hawaiian setting and a sci-fi space theme with the music styling of Elvis is very clever and it works so well. Also Gareth Gates’ version of “Suspicious Minds” is still a favourite of mine.

One thing that always sticks in my mind was the lead up to this movie particularly in the ad campaign of having four teasers beginning with iconic scenes from the four most iconic Disney movies of the past decade being hijacked by the at the time untested new character followed by different snippets of his own movie before releasing a full trailer.

It is one of the best examples I know of a successful PR campaign as it gained a lot of interest for the movie.

I also really really enjoy the longevity of this franchise. As I said, this movie resides in that Post-Renaissance era which was very hit and miss for fans, but the fact that we not only got three direct-to-home sequels as well as a progressive spin-off series akin to the Aladdin and Hercules animated shows. But I have seen that there are other recent animated shows about the titular characters and Lilo & Stitch is even getting a direct-to-digital live-action/CG-hybrid remake...who would’ve thought this movie would have such strong legs.

If for no other reason, I can whole-heartedly say that Lilo & Stitch is a reason I am thankful for Disney+ as it has re-energised my fondness for this movie, I mean I always loved Stitch and always will, but over the years I have managed to revitalise my love for the movie on multiple levels.

So what do you guys think? Post your comments and check out more Disney+ What to Watch Top 10s as well as more Top 10 Lists and other posts.

#disney #disney+#disney plus #disney+ what to watch top 10s #disney+ what to watch #my top 10 favourite modern day disney animated movies #my top 10 favourite modern day disney classics

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