#a break from original stuff

[clairethecutepup]

Gonna be Fan-Content Only for a Bit...

Don't worry if you were curious about the original stuff promised, like "Tykes at Heart" or "Scaredy Cubs"! Those are definitely still happening; but when I both build up more of an audience to receive them, and when I finally get over my "Chaotic Quintet" and "The Dreams and Nightmares We Share..." obsession (series that crossover "Corn Kidz 64" and "Ed Edd n Eddy"). I know, I should just go ahead and make original content regardless of how much reception it could get, but... Eh, if you're goal is to build your own original brand, rather than simply sharing stuff, you gotta do what you gotta do. Of course, not to say I'm only doing fan-content for views and such. Seriously, did you see the part about "obsessions" with fan ideas?

I also gotta try my hand at finally making that "Ed Edd n Eddy: Assassin AU" fan series I wanted to do, since C2ndyC1d never seemed to do anything with it and the most we get in the EEnE community is some fanart of it...

(I've even made another "bible" for it)

So, for the most part, looks like I'm becoming an EEnE/CK64 blog, for the most part. Along with some other fanart/fanfiction here and there. But if I'm feeling an extra strong "original" itch, then I'll definitely scratch it, like those logos for my original series. But yeah, if you're not interested in the original stuff, but interested in "Corn Kidz 64" stuff or "Ed Edd n Eddy" stuff (especially a more likeable Sarah and Jimmy), then I guess I'm your blog and content creator!

[sixofclovers]

hecate

[evenlyevi]

Something simple as a cooldown, have some bunnies!

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 1x05 - "Everybody Wants to Be My Enemy" ↳ "Undercity's gonna eat you alive."

[b1ttersweet-dreams]

self portrait

[whalesharkstho]

turned my car into a big robot yes his name is actually maximus and yes he is that exact obnoxious shade of green i love him

[hyperspaceoddity]

Maul was once described as Sisyphus, forever doomed to almost reach success, only for everything to crash down again, continuing to push the bolder. Looking at Von Stuck's work, a lot of it captures the visceral nature of a Sith. This is one of two painting studies I plan to do. ref and creative process under the cut

i made slightly less distinct shading around the face because i love how his skin and tattoos stood out. i also wanted to make it look as traditional as i could. and the clone wars style did a lot of the legwork…haha…pun not intended. i've seen the Freaky Eye Thing done in pictures before, and in screenshots where he'll be mostly shaded where his eyes show. the animators are aware of this effect too. theres this whole video where they explain the freaky shadow thing they do with him. it's a fantatstic piece as long as you don't have an extensive knowlege on what his first set of legs look like. but i think if i tried to make it look more accurate i would have gone mad. and you don't want me to go mad do you? you want me to keep making art don't you?

Sorry I didn't post anything in a while, I had the Fanfic Writer Curse befall me. And i don't even write much. But I'm here to keep drawing more of the same motherfucker and maybe one other character one time that i have planned and then disappear into the void like i usually do. Hopefully hopefully a fathers day picture. peace out. no i dont' have any consistency with how i type.

[beeduoo]

exile

[fujoshiromiya]

🤍

[skeletoninthemelonland]

"The Exocannis Ressurection"

[chaotic-minds-think-alike]

@somewhatidealname hi your design is rlly cool and caught my eye

[tiresomespaceplant]

doodles of the two of them at polar ends of the emotion spectrum

+ a little silly comic

[katabay]

L'APPEL DU VIDE

okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.

this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.

combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.

jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.

to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:

J. G. Ballard, The Drowned Giant

anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.

[itachi6756]

Oh my foolish heart, why don't you understand that the one you don't want to lose, doesn't want to be yours.

~itachi6756

[tomaturtles]

IT'S KAWOSHIN DAY!!! As well as the last day of Kawoshin Week :') It's been such a blast, gonna miss it when it's over

Kawoshin Week Day 7: Cuddling/domestic fluff! + Sleepover and Spinoffs (again)! Based on the Campus Apocalypse sleepover chapter ☺️

[flow2024]

I wish you would write a fic about irreconcilable artistic differences on a movie set between Joe and Nicky.

not really irreconciliable as in not solvable at all but you know i had fun with this

Joe squeezes his eyes shut, covering his face with both hands, and leans forward. His shoulders tremble uncontrollably. He takes a short, sharp breath, and another, and another, but he can’t quite seem to get enough into his lungs. There’s a lump in his throat and a weight in his stomach. He leans forward with a low, wounded sound and–

“Cut,” Nicky says softly. Then, because it takes Joe a second to hear him: “Joe, stop.”

Slowly, Joe raises his head. Wipes at his eyes and takes a few deep breaths to steady himself. Nicky’s already up, frowning ever so slightly as he looks at the camera. 

“What is it this time?” Joe manages. His voice is hoarse; he has to clear his throat once or twice. Nicky doesn’t look up. The clock on the nightstand reads 01.34, but Nicky’s changed it a few times over the course of the shoot. He has no clue what time it really is, only that it’s dark outside.

It’s just the two of them in the room. Nicky had wanted to keep this one small, just him and Joe and the camera. The apartment they’re in is nice, if a little empty, though Joe supposes that’s the point. They’re in the bedroom, Joe sitting cross-legged on the bed, shirtless, sheets bunched up over his lap, a phone lying on the nightstand behind him. One entire wall of the room is taken up by a floor-to-ceiling window which lets the moonlight in, though there’s a few low lights set up behind Nicky to send bars of silver light across the bed, because the natural light hadn’t quite been strong enough for the effect Nicky wanted. It’s otherworldly; it’s beautiful. 

Nicky still isn’t looking at him, so Joe says again, “What?” It comes out a little harsher than he means it to, but it gets Nicky’s attention.

Nicky runs one hand through his hair. Joe can’t see him well, not with the light behind him and the shadows in the room. “I don’t know,” Nicky says. “It’s missing something.”

Joe has worked with Nicky enough times before. It’s not that he doesn’t like working with him - they’re friends - but he can’t fucking read him, and so after the sixth take of the same scene he can’t help but take it a little personally. 

Joe reaches for the bottle of water hidden just under the bed and takes a long drink, mostly to keep himself from snapping. What time is it? “I can try again, but I can’t do this indefinitely, Nicky.”

“I know, I know,” Nicky says, fidgeting again with the camera, “it’s not you, it’s just–” 

“What else could it be?” Joe interrupts. He’s not stupid. This scene doesn’t work if he can’t get it right, which means the entire film doesn’t work if he can’t get it right. More than anything else, this one depends on him. No music, no camera movement, no dialogue, nothing but him and the camera. And he wants to do it right, he loves this project almost as much as Nicky does, but there’s a hollow feeling in his chest and he’s spent the last however-many-hours having a near-complete breakdown over and over again and it’s still not right. And Joe doesn’t know what it is he’s doing wrong.

“I don’t know,” Nicky says quietly. Now he is looking at Joe, and Joe can’t tell if he’s disappointed, or angry, or – or what. He’s perfectly expressionless, as always. 

Joe loves this job. And he wants to get this right. But it doesn’t mean it’s not one of the hardest things he’s ever had to do, and he’s tired.

“I don’t have much more left in me, Nicky,” he says, and this time he does snap. He wipes at his eyes again, can’t look at Nicky. He’s supposed to be making himself vulnerable, above all in this scene, but suddenly he can’t stand the way Nicky’s looking at him. “Pass me my hoodie.”

“Joe–”

“I can’t. I can’t keep doing this.” He kicks the sheets off and gets tangled trying to do it, grabs his hoodie when Nicky offers it, pulls it over his head in one fluid motion and gets out of there as soon as he can. Thankfully, there’s only Andy and Nile in the other room, Andy lying back on the couch with her feet up and Nile perched on the arm of it. They both look up at Joe as he enters, both look like they’re about to ask, and Joe can’t stand it, can’t be in here a second longer, can’t–

“We are done for the day, I think,” Nicky says behind him, startling Joe. He hadn’t realised Nicky was there.

Andy raises an eyebrow, but doesn’t argue. It’s already the second day of trying to shoot this scene: they’re running the risk of falling behind schedule. 

“We’ll find something else to do tomorrow,” Nicky says. “I’ll look over everything tonight. We will try this again on Monday.”

Andy and Nile look at each other. Nile shrugs. 

“Get some rest, Joe,” Nicky says. 

Joe shoves his hands in his pockets and doesn’t say a word.

–--------------------------------

He doesn’t get called in the next day at all, and he doesn’t interrogate it too closely. Takes the day off, pretty much, because they’ve only really got one scene left to film, and there’s not much more he can do for that. Nicky had wanted to leave it to the last, and Joe had agreed, at the time.

At about nine pm, someone knocks on his hotel room door, which is unusual on a day where they don’t have a night shoot to do. When he opens it, Nicky is on the other side. Joe lets him in without a word. 

“I wanted to apologise,” Nicky says, standing in the middle of the room and looking as uncomfortable as Joe’s ever seen him. “For last night. I was pushing you too hard, and I should not have done.”

Joe closes the door behind him. Nicky fidgets with the sleeve of his hoodie. 

“Sit down,” Joe says. 

Nicky does, settling himself on the edge of Joe’s bed, not quite looking him in the eye. Joe joins him, after a moment. 

“At the risk of sounding cliche,” Nicky says, “it’s not you, it’s me.”

Joe laughs, mostly because the phrase sounds so strange coming from Nicky and also because out of everything he’d thought Nicky might say, he hadn’t expected that. 

Nicky smiles slightly, too. Then he gets up and heads for the minibar. “Mind if I have a drink?”

Joe shakes his head. Nicky gets out a little bottle of wine, glances at the label, and takes a swig straight from the bottle without bothering to get a glass. 

“I can’t seem to get it right,” Nicky says. “You know I wrote almost fifteen different versions of that scene?”

The scene in the script itself is barely a page long. “No,” Joe says. 

Nicky nods. Rubs a hand over his face. “I wanted it to feel real. I thought if I could get it right, it would… help, somehow. I don’t know.”

It’s the exact same reason Joe said yes before he even read the script, when the whole thing was just an idea in Nicky’s head, when they were talking about it over drinks at Andy’s and Joe was in love with the idea almost immediately. He knew exactly why Nicky was writing it; he knows, now, exactly why it needs to be right. But at the same time – “I don’t know if that’s possible, Nicky.”

Nicky sighs. “I know.” He crosses back over to sit beside Joe again, takes another drink from the bottle. “But there is something missing, and I cannot seem to find it. And so it does not feel real. And I know this is not easy for you.”

“It’s not,” Joe says plainly. 

“But you know,” Nicky continues, “I could not have trusted anyone with this but you. If you had not said yes, I would not have done this.”

That, Joe didn’t know: he knows he’d been Nicky’s first choice, but he’d assumed that’s because they know each other well enough already. But it makes sense: the reason Nicky wrote the script is the same thing they’d bonded over. 

Even still, it’s a lot. “I don’t know if I can do it the way you want,” Joe says. 

Nicky looks up at him from where he’s been running his fingers over the label on the bottle absentmindedly. “If you want to stop, I can–”

“No,” Joe says quickly. “But I don’t think it’s ever going to be exactly the way you felt.”

Nicky looks away. “It is a lot to ask,” he says. “I know this.”

Joe doesn’t think; just reaches over and takes Nicky’s hand. “I know,” he says. “Trust me.”

Nicky takes a deep breath. Then he nods. "Okay."