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5 Reasons Why The Qianlong Emperor excluded Yongcheng from The Imperial Heirdom
Concerns About Yongcheng’s Character
Historical records suggest that Yongcheng was considered mediocre in ability and lacked the political astuteness required to be emperor. The Qianlong Emperor was known to value intelligence, self-control, and capability above all in an heir, and he found Yongcheng lacking in these qualities.
The Qianlong Emperor’s Succession Philosophy
Qianlong was strongly influenced by his father, the Yongzheng Emperor, who selected him secretly based on merit. Qianlong did not strictly follow primogeniture and wanted to ensure his successor would maintain the stability and legacy of the Qing dynasty. He was very cautious and observant when it came to evaluating his sons.
Political and Court Dynamics
Although Yongcheng held a prince title (he was made Prince Lü of the First Rank), it seems that:
He was never seriously considered as a primary contender for the throne
He may not have had strong backing among key officials or within the imperial family.
His actions and decisions in court affairs did not distinguish him positively in Qianlong’s eyes.
Preference for the 15th Son, Yongyan (Later Emperor Jiaqing)
The son who ultimately succeeded Qianlong was his 15th son, Yongyan, who became the Jiaqing Emperor. Yongyan was known for his diligence, cautious nature, and modest behavior — qualities Qianlong admired. Despite not being one of the eldest, Yongyan’s personal character and behavior fit Qianlong’s ideal of a ruler.
Avoidance of the Kangxi Problem
The Qianlong Emperor had seen how his grandfather, Kangxi, faced severe succession crises due to conflicts among his sons. Qianlong was determined not to repeat those mistakes. Therefore, he carefully avoided elevating any prince too early or obviously, especially if they showed arrogance or court faction-building behavior — something Yongcheng may have flirted with or failed to avoid.
Conclusion:
Yongcheng was excluded from succession because the Qianlong Emperor did not find him suitable — he likely lacked the intellect, judgment, and temperament that Qianlong believed essential in an heir. His exclusion was consistent with Qianlong’s careful, merit-based approach to selecting a successor.
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Empress Sun (c. 1403–1462) was an ambitious and calculating woman who used her influence to shape the political events of her time.
The ambitious consort
Empress Sun’s father was an assistant magistrate in Yongcheng district. Her beauty and intelligence caught the attention of Lady Pengcheng, the mother of Crown Prince Zhu Gaochi’s wife, Lady Zhang.
Lady Zhang agreed to bring the young girl to the palace, where she received an education and earned the admiration of the palace women. In 1417, she became a consort of Zhu Zhanji, grandson of the Yongle Emperor. When Zhu Zhanji ascended the throne in 1425 as the Xuande Emperor, Sun was elevated to the highest consort rank, making her second only to the empress.
An empress falls, another rises
Consort Sun was known for her cunning and ambition. The empress, Hu Shanxiang, was in fragile health and had not given birth to a son—both factors that led her to fall out of favor with the emperor. In 1427, Sun gave birth to a son, Zhu Qizhen. However, some sources suggest the child may have been the son of a palace servant impregnated by the emperor, with Sun allegedly taking the baby as her own.
In 1429, in an unprecedented move, the Xuande Emperor deposed Empress Hu, granting her an honorific title. Sun was then elevated to the rank of empress. The decision was controversial. Empress Dowager Zhang sympathized with the deposed empress and often seated Hu in a place of honor during banquets—much to Sun’s displeasure.
As empress, Sun held court in her residence. She evaluated palace personnel, approved budgets, and arranged the marriages of princes and princesses. She also received visits from the other consorts and reported regularly to Empress Dowager Zhang.
Empress dowager
When the Xuande Emperor died in 1435, his son Zhu Qizhen was still a child. The ministers asked Empress Dowager Zhang to take charge of the regency, which she did unofficially, ushering in a period of peace and stability.
Empress Sun became empress dowager. In 1449, when the emperor was captured during a battle against the Mongols, Empress Sun ordered his half-brother, Zhu Qiyu, to take charge of state affairs. She tried to pay the emperor’s ransom without success but sent him warm furs and clothes during his captivity.
When Zhu Qizhen was finally released a year and a half later, his brother confined him to the palace and ruled in his place. Empress Sun was dissatisfied with the situation. In 1457, she played a key role in a coup that restored Zhu Qizhen to the throne—a turn of events that would not have happened without her influence and summons.
Empress Sun died of an illness in 1462.
If you enjoy this blog, consider supporting me on Ko-fi!
Further reading:
Lin Yanqing, “Sun, Empress of the Xuande Emperor, Xuanzong, of Ming”, in: Lee Lily Xiao Hong, Wiles Sue (eds.), Biographical Dictionary of Chinese Women, Volume II: Tang Through Ming 618 - 1644
McMahon Keith, Celestial Women: Imperial Wives and Concubines in China from Song to Qing
#empress sun#15th century#history#women in history#historyedit#women's history month#ming dynasty#china#chinese history#asian history#powerful women#empresses
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this is the synopsis for the new tv drama xz is working on per Baidu. 👩💻


In 1948, Ren Shaobai ( Xiao Zhan) , an underground party member lurking in the Ministry of National Defense, went into hiding for many years because his single contact was sacrificed. When another underground party member Qiao Mingyu was exposed, Ren Shaobai took the risk of using the Ministry of National Defense radio station and saved the entire intelligence network.
Later, Ren Shaobai contacted his new superior Peng Yongcheng under the pretext of investigating a military pay corruption case and was re-employed. After being "awakened", he began his climb in the Ministry of National Defense and became a trusted assistant to the director of the Intelligence Bureau.
Qiao Mingyu's widow Lan Youyin was a mathematical genius who had been secretly planning to assassinate military officers, but her motives were unclear. Ren Shaobai repeatedly made military achievements in the struggle and established a tacit understanding with Peng Yongcheng, but the risk of his identity being exposed was always there. During this period, his relationship with Lan Youyin gradually changed from hostility to cooperation.
In the end, Peng Yongcheng sacrificed himself to protect Ren Shaobai, and Lan Youyin also changed his beliefs under the influence of Peng Yongcheng and Ren Shaobai. Ren Shaobai continued to play a role in the covert front and made contributions to the revolutionary cause
I’m also including the plot from the novel. You can read it here.


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What was the prince/princess position during the Qing Dynasty?
During Ruyi's series I noticed how arrogant Jingse was with the concubines and thought she was better than her brothers precisely because she was a legitimate princess and the oldest among them all. I know all princes are supposed to refer to their father's concubines as "mother." This left me intrigued, even though I know this was just for the plot, I can believe that in real life many princesses/princes were like this because of their mothers' position.
Jingse's arrogance is based on a system called di-shu which is a hierarchy between the children born of official wives (di) vs. children born of concubines (shu). See the linked Wikipedia for details, but for reference, of the children who have screentime in the drama, the hierarchy would likely be:
Yonglian (as the eldest di son, whose mother is the official wife, actually the second son)
(Yongcong, second di son, actually seventh son, mother is the official wife)
Jingse (as the eldest di daughter, whose mother is the official wife, actually the third daughter - first and second all died young)
Yongji (as a di son, whose mother was also the official wife when he was born, but she was the second wife, who is considered subordinate to the first, actually twelfth son)
(Yongjing - thirteenth son, Jingsi - fifth daughter, mother is the second wife)
Yonghuang (eldest son, but still considered lower than sons born of official wives because his mother was a concubine. Yonghuang's position is specified a shuzhangzi 庶长子 (aka eldest son whose mother is a concubine, which is a very precarious position as technically he should be ranked on top but can't be because of his mother's position, but being the eldest he is a threat to Yonglian's position which is why Langhua hates him so much.)
Other princes according to order of birth*
Other princesses according to order of birth*
*but also sometimes according to the prestige of/amount of favour enjoyed by their mothers
In Legend of Zhen Huan, the empress' entire villian backstory was rooted in di-shu. A lot of dramas like Story of Minglan, The Sword and the Brocade revolves around the fate of unfavoured shu daughters where a lot of the angst/conflict stems from their inferior position in the household.
In terms of choosing an heir/successor, the three main debates are between choosing the di son 立嫡, the eldest son 立长, or the most talented 立贤. Of course, the perfect choice would be the eldest di son who hopefully would also be talented.
Qianlong due to his (in drama) backstory of his mother being a palace maid has a big hang up regarding the di-shu positions of his children. For a long time he was only in favour of making his di sons successors, and part of the conflict between him and Ruyi later was because Qianlong still wanted to make Yongji his successor despite him being not that suited for the position and Ruyi clearly not wanting him to inherit the throne.
When he chooses Yongqi it was a case of choosing for talent. Although, at the time, Yongqi is also technically the eldest since Yonghuang, Yonglian, Yongzhang have all died and Yongcheng has been disinherited/adopted out.
By the time he choose Yongyan I guess he didn't have that many choices left:
Yonghuang, Yonglian, Yongzhang, Yongqi, Yongcong - dead
Yongcheng - adopted out
Yongrong - probably tainted by association to Luyun and Yongzhang
Yongxuan & Yongxing - tained by association to Yuyan and Yongcheng
Yongji - probably also dead by then
Yongyan
Yonglin - younger than Yongyan so between the two of them obvious Yongyan was the one
For someone who had 17 sons, he really didn't have that many choices for a successor ¯\_(ツ)_/¯
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Heritage News of the Week
October 19 was International Archaeology Day! I hope you celebrated by hugging an archaeologist and/or punching a Nazi.
Discoveries!
Archaeologists were preparing to investigate a Stone Age settlement outside Varberg. But they came across a gigantic burial ground from the Viking Age.
Traces of meeting hall and houses found at bronze age site in Germany
Archaeologists digging at the site of a bronze age kingdom in northern Germany have uncovered remains of what they say was a surprisingly densely populated community of farmers and traders whose lives were upended by climate change.
2,000-year-old tomb holding 12 skeletons found at Petra where 'Indiana Jones and the Last Crusade' was filmed
Archaeologists have discovered a 2,000-year-old tomb containing the remains of 12 individuals at Petra in Jordan.
BUT: ‘A little hyped up’: experts downplay claims over Petra archaeological find
Researchers urge caution after Jordan tomb excavation and say new clues about Nabataean culture may lie elsewhere

Rare hoard of Roman-era coins discovered in German mountains — miles from the empire's frontlines
A metal detectorist in Germany has discovered a rare hoard of almost 3,000 Roman-era coins outside of the Roman Empire's ancient borders and far from any known Germanic tribe settlements of the time.
A royal tomb dating back approximately 5,000 years discovered
In the Wangzhuang ruins in the city of Yongcheng in central China’s Henan province, a tomb, thought to be the tomb of a prehistoric king, was discovered, thought to date back about 5,000 years.
Archaeologists make ‘sensational’ discovery of Armenia’s oldest church
Archaeologists have uncovered the ruins of an Armenian church dating back 1,700 years making it one of the oldest such surviving monuments in the world.
Study suggests children made pottery in the Ebla kingdom
According to a statement released by Tel Aviv University, about two-thirds of the 4,500-year-old pottery vessels unearthed at Syria’s site of Tel Hama in the 1930s were made by children as young as seven or eight years old.
Historic wreck of the Hetman Żółkiewski discovered
Archaeologists have discovered the submerged wreck of the Hetman Żółkiewski in the town of Nowy Dwór Mazowiecki, Poland.
Fragments of mosaic floors unearthed in ancient Sicilian house
The ruins in Vizzini, Sicily were built sometime between the 2nd and 4th century C.E.
Ancient humans waited out last ice age in frigid Central Europe, surprising study finds
Most animals retreated to small, warmer enclaves. But some, like humans, seemed to have stayed where they were.
Sixty elongated structures of unknown function and Neolithic silos discovered in France
The Pfulgriesheim site, located in northeastern France’s Alsace region, underwent extensive archaeological research, [which] led to the discovery of over a thousand archaeological structures, including an important settlement center from the Late Neolithic period and isolated medieval funerary monuments.
A trove of 500 ancient Babylonian treasures was just unearthed in Iraq
While excavating the 19/3 site in Iraq’s Al-Fayadiya district, a team led by archaeologist Quhtan Abbas Hassan Aboud has discovered two dwellings filled with almost 500 artifacts, giving new insight into the lives of its prehistoric residents.
Roman marble statue unearthed in Bulgaria
A larger-than-life Roman statue dated to the second or third century A.D. was uncovered during construction work near the coast of the Black Sea, outside the walls of the ancient city of Odessos.
Archaeologists uncovered around 2,000 years old a remarkable inscription dedicated to an athlete in ancient city of Anemurium
During the excavations in the ancient city of Anemurium in Mersin in southern Türkiye, an inscription consisting of 13 lines honoring a wrestling athlete of the period, which is thought to date back to 2 thousand years ago, was found.
Rare gold Rhenish guilder discovered near Kamień Pomorski
According to experts, the coin is a gold Rhenish guilder, the standard gold currency coin of the Rhineland during the 14th and 15th centuries.
WWII British sub that sank with 64 on board finally found off Greek Island
The discovery of the WWII wreck solves an 81-year-old mystery about the submarine's fate.
Archaeologists unearthed more than 4,000 clay seals, around 5,000 years old, in western Iran
Recent excavations at Tappeh Teleneh, in Kermanshah’s Kozran district, revealed approximately four thousand clay seals dating back five thousand years.
Museums
After his triumphant Tate installation, The Procession, the artist is preparing a radical exhibition tackling Britain’s imperial past. He talks about why we must return plundered artefacts and rethink attitudes to heritage
Extinct no more: AI is bringing the dodo back to life (kinda) at a museum in Cambridge
A museum experiment in Cambridge is allowing visitors to have a conversation with a dodo, and other dead animals, with the help of artificial intelligence.
London’s National Gallery restricts liquids and big bags amid climate protests
From October 18 onwards, the National Gallery in London is prohibiting liquids and big bags on its premises in a bid to step up security measures amid ongoing protests targeting its masterpieces
‘This could wreck the area’: anger at new Guggenheim in Spanish nature reserve
Environmental groups are among those appalled at plans to expand into Guernica and the Urdaibai reserve – but others welcome it
The hotly anticipated Grand Egyptian Museum kinda opens for a trial run
As part of a trial run helping management prepare for the official, hotly anticipated, but as-of-yet undisclosed opening date later this year, the institution will open its doors to 4,000 lucky visitors.
The world’s first barbecue museum is coming to Kansas City
A new museum will celebrate America’s long love affair with fire- and smoke-kissed meat. Next spring, the Museum of BBQ is slated to open in Kansas City, Missouri, a place that’s famous for its thick, sweet-and-spicy sauce and burnt ends.
Little ones will also be able to play in a ball pit-style area designed to look like a giant crock of barbecued beans
Texas Art Museum Briefly Shutters Show About Cowboys, Race, and Gender After Visitor ‘Feedback’
The Amon Carter Museum of American Art in Fort Worth, Texas, closed and then reopened an exhibition that unpacked the concept of the cowboy, critiquing it through the lens of race, gender, sexuality, and nationality.
Munsee-Delaware First Nation to visit Wampum belt tied to their history
Later this month about 50 members of the Munsee-Delaware First Nation — located outside of London, Ont. — will take a trip to the United States to pay a visit to what might be best described as an old friend. But instead of visiting a person, they'll be stopping in to a Munsee language and history symposium in Princeton, N.J., to check in on a Wampum belt that originated in their community and is believed to be more than 250 years old.
Repatriation
The Metropolitan Museum of Art has returned another ancient Greek drinking vessel to Italian officials overseeing the countries’ repatriation efforts after finding the artifact was likely looted from its origin site.
Heritage at risk
The declaration by Europe’s oldest intergovernmental organisation founded to uphold rule of law across the continent includes a demand on the Russian Federation to pay reparations to Ukraine. In a statement released on Wednesday, the Council of Europe “deplored” Russian attacks on cultural heritage sites in Ukraine since the start of Moscow's full-scale invasion in February 2022.
Fossil Fuel Development Projects on UNESCO Protected Sites to Increase by 70 Percent, Report Finds
The rate of fossil fuel extraction from UNESCO-protected heritage sites is expected to increase by over 70 percent over the course of several decades, despite global agreements to stop the practice, according to a new report from the German research group Leave it in the Ground Initiative (LINGO).
The history of Caribbean slavery is being lost. Britain must act now to preserve it
Climate-related disasters are destroying precious records. At next week’s Commonwealth summit, King Charles can show his support for their protection
Odds and ends
Black archaeologists join team investigating off the coast of Mozambique as part of global project to identify and tell stories of wrecked ships involved in transatlantic slave trade
How to experience Winnipeg's Indigenous culture
Local Anishinaabe writer Professor Niigaan Sinclair guides you through Winnipeg's Indigenous history and community from healing ceremonies at The Forks to Bannock pizza at Feast Café.
British escaper’s stolen Napoleonic uniform and journal go on display in London
PoW Charles Hare, 19, escaped in rare uniform with tall feathered hat and travelled back to Lincolnshire – accompanied by his dog
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[Boot Ceremony] Spying / Die Bao Shang Bu Feng Ding - 谍报上不封顶 (2026) Part II
Wuihhh, boot ceremony~! Akhirnya diumumkan juga seluruh castingnya, bersama dengan dimulainya proses syuting mereka kemarin, 25 Mei’25. Selain Xiao Zhan sebagai Ren Shaobai, drama ini dibintangi oleh Zhou Yutong sebagai Lan Youyin. Juga didukung oleh Feng Hui sebagai Li Helin, Gu Zhixin sebagai Peng Yongcheng, Zheng Jiabin sebagai Lv Peng, dan Shen Jiayu sebagai Zhu Yanjun. Bersama dengan boot…
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[Boot Ceremony] Spying / Die Bao Shang Bu Feng Ding - 谍报上不封顶 (2026) Part II
Wuihhh, boot ceremony~! Akhirnya diumumkan juga seluruh castingnya, bersama dengan dimulainya proses syuting mereka kemarin, 25 Mei’25. Selain Xiao Zhan sebagai Ren Shaobai, drama ini dibintangi oleh Zhou Yutong sebagai Lan Youyin. Juga didukung oleh Feng Hui sebagai Li Helin, Gu Zhixin sebagai Peng Yongcheng, Zheng Jiabin sebagai Lv Peng, dan Shen Jiayu sebagai Zhu Yanjun. Bersama dengan boot…

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Ip Man’s peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family’s honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San. Credits: TheMovieDb. Film Cast: Ip Man: Tony Leung Chiu-wai Gong Er: Zhang Ziyi Razor: Chang Chen Ding Lianshan: Zhao Benshan San Jiang Shui: Xiao Shenyang Zhang Yongcheng: Song Hye-kyo Master Gong Yutian: Wang Qingxiang Ma San: Jin Zhang Jiang: Shang Tielong Gong Er Di Zi: Song Tao Uncle Deng: Lo Hoi-pang Iron Shoes: Cung Le Gong Clan Elder: King Shih-Chieh Chan Wah-shun: Yuen Woo-ping Master Yong: Lau Ga-Yung Master Rui: Shun Lau Primo: Julian Cheung Sister San: Zhou Xiaofei Brother Sau: Berg Ng Dark Spirit: Lo Meng Gong Er Stand-in: Fang Chengcheng Women of the Gold Pavilion: Jeana Ho Young Gong Er: Wu Yixuan Gong Clan Elder: George Wang Mr. Hung: Elvis Tsui Kam-Kong Master Ba: Wang Man-Cheng Cho Man: Cho Man-Keung Brother Ping: Siu Ping-lam Foshan Martial Artist: Tony Ling Chi-Wah Peking Opera Singer: Li Jing Brother Shui: Water Hung Funeral Procession Leader: Tong Han Ma San’s Disciple: Ni Haifeng Gold Pavilion Client: Yuen Cheung-Yan Razor’s Disciple: Yin Chunxiong Zhang Yongcheng (voice): Charlie Yeung …: Benz Kong To-Hoi Film Crew: Screenplay: Wong Kar-wai Director of Photography: Philippe Le Sourd Original Music Composer: Shigeru Umebayashi Producer: Jacky Pang Music: Nathaniel Méchaly Compositors: Erik Classen Screenplay: Xu Haofeng Executive Producer: Dai Song Executive Producer: Chan Ye-cheng Martial Arts Choreographer: Yuen Woo-ping Executive Producer: Megan Ellison Co-Producer: Cheung Hong-Tat Co-Producer: Ng See-Yuen Story Consultant: Ip Chun Co-Producer: Ren Yue Music Consultant: Steve Macklam Co-Producer: Michael J. Werner Screenplay: Zou Jingzhi Makeup Artist: Kwan Lee-na Associate Producer: Johnnie Kong Art Direction: William Chang Suk-Ping Art Direction: Alfred Yau Wai-Ming Costume Design: Shandy Lui Fung-Shan Movie Reviews: CinemaSerf: I’m a fan of Wong Kar-Wai’s films but I reckon that I still prefer Wilson Yip’s 2008 version of the Ip Man story. Set amidst the turbulent times in China that saw the end of the rule of Manchu dynasty, the embryonic republic established and then the Japanese invasion, we meet a man (Tony Leung) who lives peacefully in the small town of Foshan until he meets Wing Chun grand master Gong Yutian (Qingxiang Wang) who is looking for a successor. That is the beginning of a journey that will see him become a grand master of the martial art himself, whilst meeting, marrying and surviving! It’s a superb looking film but for me just a little too over-stylised. The combat scenes are creatively choreographed but the use of the slowed-down visual effects didn’t always work. Leung and the director are clearly on the same wavelength, and the story itself is a fascinating look at the rise of one culture through the wreckage of an ancient one. It’s also clear that women too had their place in this society – and it wasn’t always where stereotype might assume. A strong contribution from the adept and nimble Ziyi Zhang (Gong Er) demonstrates that well as battle lines between the old and new, the powerful and the aspirational are drawn and a good old dose of ancient tribal warfare sets up a proud story of heritage, loyalty and skill. Though a little soporifically scored at times, this is an enjoyable mix of history with touch of romance and plenty of action, and is well worth a couple of hours.
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【Customer visits】 On June 17, 2024, a Thai customer went to the factory to sign a contract with TOGO Chairman Zhang Yongcheng. The partner had a direct understanding of the factory's production scale and equipment specifications. This is the first customer to sign a contract since the relocation of the new factory. After the new factory is fully renovated, we look forward to more partners coming to visit and inspect the factory.
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Nike_World of Warmth from HAMLET on Vimeo.
Credits:
Nike China Brand Creative Senior Director: Simon Lee, Che Lin Narrative Director: Seven Yang Senior Narrative Manager: Yuling Yao Narrative: Elaine Weng, Phoenix Zhao Senior Copywriter: Yi Qi Art Director: Diana Tang Designer: Cyan Wang, Xiaojing Li, Cathy Shang-Kuan Production Director: Kelly Zhan Senior Producer: Cora Liu Producer: Monika Jiang
Wieden+Kennedy Shanghai Chief Creative Officer: Ian Toombs / Vivian Yong Head of Creative: Matt Meszaros Creative Director: Zhong How Associate Creative Director: Ruby Li Senior Art Director: Alex Litovka Art Director: Edmund Chang Copywriter: Pat Cholavit Head of Production: Fang Yuan Senior Producer: Iris Li/ Jazzy Zhao Head of Planning: Summer Yang Associate Planning Director: Alan Wu Strategist: Katie Li Group Brand Director: Qinna Ye Brand Director: Esther Choi Senior Brand Executive: Wayne Zhang/ Louise Cai Business Affairs: Jessica Deng, Hui Ye, Gloria Ji Head of Design: Juni Hsu Designer: Qi Zhang Junior Designer: Chumeng Design Producer: Vic Zhang Senior Retoucher: Changqing Lee FA Artist: Dennis Chen
Production Company: Hamlet China MD/EP: Yimeng Zhang EP: Ruben Goots, Jason Felstead Hamlet Producers: Claire Qin, Duffy Du Production Manager: Winson Wang Line Producer: Wang Zhiyuan, Sun Ying Production Coordinator: Selene Xu
Director: Henry Scholfield
DOP: Pat Aldinger 1st AD: Stella Gui 2nd AD: Yan 1st AC: Terry Yan Assistant Camera: Ma Chao, He Xiaohu, Cao Cheng, Zhang Hongming, Zhang Zhaoyu, Ou Wentao B-Cam: Ben Kang
Gaffer: Dickson Lim Lighting crew: Sun Zhanchao, Yu Puping, Tang Yichun, Gao Binbin, Wang Yongcheng, Chang Dan, Ma Chong, Wang Jie, An Dongdong, Jing Deliang, Jing Xudong, Li Yaohui, JIn Xin Production Designer: Maruxa Alvar
Art Director: A-Liang Assistant Art Director: Alec Wei, Tziyi Yu, Kuo Hung Tsun Prop Master: Guan Guowu Prop Assistant: Lian Guanglong, Zhang Lei, Liang Jiancong, Li Zhao, Li Xiaolong, Liu Ruijie, Guan Weiwei, Sun Haoyu, Li Bo, Wang Xian, Ding Jun, Huang Yanfei, Gao Xiuquan, Zhao Bangyin Special Props: Julius Mak Special Props Assistant: Tang Cheng, Zhang Zhipeng, Zhai Heguang, Yang Jun, Zhang Bo, Yin Rongliang
Key Grip: Sun Weibin, Wang Hengru, Nan Ben, Xiang Yang, Zhang Po, Wang Weitao Stylist: Cheyuan Lee
Wadrobe/HMU: Alice Hsu, Sunny Chen, Dong Hongjuan, Qin Mengyao, Cao Chenyi, Huang Yu, Chen Weikang, Tian Zhao, Gao Qi, Dong Lulu Casting: Baiwen Zhang, Feifei Zhou Storyboard Artist: Vince Wei DIT: Luo Dong Q-take: Sun Haichen Runner: Yan Baowei, Jiao Qiqi, Xie Jun, Liu Gaochen, Shi Chenhuang, Jia Youpeng, Kong Shaogen, Wu Junqian Chaperone: Joyce Sun
Post Production Post Producer: Joy Chiang Offline Editing (UK): Sam Bould Offline Editing (Shanghai): Bing Feng CG & Online Editing: Wicked Pixel VFX Lead Artist: Eddie Van Rensberg, Carl Jeppe Post Producer @ Wicked Pixels: Kamila Kelly, Leigh Human, Leticha Kisting On-set Supervisor: Schalk van der Merwe, Paolo Gnoni Music Studio (Composition, SD, Mixing): Mr.Pape Colorist: Marina Starke
Special Thanks to: Art Director: YETI Art Studio Online Editing: HUE, Bottles Color Grading Studio: MZ Studio, Fin Design Mixing: Hush Studios
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The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory
Recently, the official WeChat of Yongcheng Co., Ltd. announced that in response to the company's strategic development needs, the company will fully move its production lines to the Foshan factory on September 21, 2023, and the Shenzhen factory will continue to operate.
Yongcheng Co., Ltd. emphasized that after the production line relocation is completed, the company will have a new production environment, a more complete production process, and a first-class R&D laboratory, which will not only meet Yongcheng’s needs to continue to improve technology R&D and production capabilities, but also always maintain the competitiveness of Shenzhen and Foshan. The two locations operate simultaneously to provide customers with better quality UV curing products, solutions and services.
Information shows that Yongcheng Co., Ltd. was established in 2009 and was listed on the New Third Board in July 2018. It is the first listed company in the UV LED curing industry. The company has been committed to the research and development, production and sales of the LED field. Its main products are LED packaging. Devices, UV LED curing light sources and LED application products.
The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory 2023-10-09 09:43:48 [Editor: MiaHuang] Recently, the official WeChat of Yongcheng Co., Ltd. announced that in response to the company's strategic development needs, the company will fully move its production lines to the Foshan factory on September 21, 2023, and the Shenzhen factory will continue to operate.
Yongcheng Co., Ltd. emphasized that after the production line relocation is completed, the company will have a new production environment, a more complete production process, and a first-class R&D laboratory, which will not only meet Yongcheng’s needs to continue to improve technology R&D and production capabilities, but also always maintain the competitiveness of Shenzhen and Foshan. The two locations operate simultaneously to provide customers with better quality UV curing products, solutions and services.
Information shows that Yongcheng Co., Ltd. was established in 2009 and was listed on the New Third Board in July 2018. It is the first listed company in the UV LED curing industry. The company has been committed to the research and development, production and sales of the LED field. Its main products are LED packaging. Devices, UV LED curing light sources and LED application products.
The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory
Image source: Paixin.com genuine gallery
In order to better meet the company's development needs and expand the company's development space, Yongcheng Co., Ltd. invested in the establishment of Guangdong Yongcheng Electronics Co., Ltd. in March 2022, with a registered capital of RMB 10 million, and the company's investment accounted for 100% of the registered capital.
The business scope of Guangdong Yongcheng Electronics Co., Ltd. is mainly the technological development of automation equipment, LED, SMD light-emitting diodes, solar energy, photovoltaic products, electronic hardware machined parts, wind energy, new energy, UV lamps, UV light boxes, LED lighting application products, etc. and sales etc.
It is worth noting that the registered address of Guangdong Yongcheng Electronics Co., Ltd. is located in Building 18, Area 1, Wanze Science and Technology Park, No. 1, Huangyong Industrial Avenue, Huanglong Village, Beijiao Town, Shunde District, Foshan City. The address for the relocation of Yongcheng Shares this time is the same, located at Room 101, Building 18, Area 1, Wanyang Science and Technology Park, No. 1, Huangyong Industrial Avenue, Huanglong Village, Beijiao Town, Shunde District, Foshan City, Guangdong Province.
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There's something that's always confused me in legend of Ruyi, and I don't suppose you would know or be able to explain;
In Ruyi, Jin Yuyan tries several times to get Yongcheng adopted by Fuca Langhua, in order to give him legitimacy in becoming the crown prince, this ends up being her downfall because others clearly see it for what it is, Meiruo even says, that it would make him legitimate.
But one of the major character arc points for Yongqi is that he feels neglected because he's not legitimate and therefore not eligible to be crown prince despite being the most talented, which ends up leading to his death as well. Qianlong says openly to Ruyi that it's a shame he's not legitimate because he's the best choice for crown prince.
But Yongqi is officially adopted by Ruyi both before and after she becomes Empress, so why would Yongcheng being adopted by Empress Langhua, even postmortem, make him legitimate but Yongqi being adopted by Empress Ruyi not also be legitimate?
From my understanding, the two things are different:
Yongqi was raised by Ruyi but in the genealogical records, his mother is still listed as Hailan. As such, he’s still considered shuchu. If Yongqi didn’t die and did become emperor, he would of course be required to honour Ruyi as his foster mother and his official mother/dimu, but he would also be expected to honour Hailan as his biological mother.
What Yuyan actually wants when she wants Yongcheng to be adopted by Langhua is for the genealogical records to be changed, so that Yongcheng is listed as if he’s Langhua’s biological son, that’s how he becomes dichu/legitimate. This basically means Yuyan would no longer have any official place in Yongcheng’s life (and Yuyan can accept this because she still has Yongxuan and Yongxing). For all intents and purposes, it would be as if Yuyan was never his mother in the first place, and if Yongcheng wants to pay respects to her/honour her in any way, it would look only as if it’s because Yuyan helped raised him, not because she’s his birth mother.
(In Story of Minglan, it mentioned at one point that Minglan is also listed in the family records as Da Niangzi's daughter, so she could be counted as a di daughter of the Sheng family. Probably they did this to raise her status a little when she married into the family of a Marquis.)
This is different from what actually happens to Yongcheng, where he becomes adopted into the line of Prince Lu (in the drama it’s Prince Li?) who was Qianlong’s uncle. Younger sons being adopted into the lines of their uncles/male line relatives to inherit when their uncles/relative have no male heir is a more common practice, so Yongcheng would still be recorded as Qianlong’s biological son who was adopted by Prince Lu to continue Prince Lu’s family line. It’s a way for family members to express goodwill and take care of each other, and in more normal families would mean that younger sons would have a chance at a larger inheritance. But these kinds of dramas it’s framed more sinisterly as a way to disinherit Yongcheng from the throne.
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Bladepoint’s new take on battle royale is coming to PS5 on July 13 – PlayStation.Blog
Hello! My name is Yongcheng, the Lead Producer of Naraka: Bladepoint PS5 version. We have been working hard on what we feel is the best version of Naraka: Bladepoint so far, and we’re really excited to finally bring our mythical, melee-focused martial arts battle royale game to PlayStation 5. Play Video For those of you that aren’t familiar with Naraka: Bladepoint, it’s the ultimate…

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“你却不在结局里”
Finally,my ending comes to me,however,you are not there.
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