#analog controls

[zomb13s]

Randy’s Collection of space warships

[70sscifiart]

For Control Panel Saturday: Two Analog covers by Frank Kelly Freas. The one with the ironic shoulder patch is from July 1964 and the one with the "timeline" dial is from Nov 1965.

[sartorialreform]

You are a tool to be used.

Wear the suit. Conform. Obey.

[sepulchrypha]

What do you think the internal conversation between Nina and Thomas is like?

In their continual struggle for control over Freedom, Thomas's willpower eclipses Nina's. I enjoyed the imagery in s3 regarding this. His role as father has become more overprotective and controlling.

[serpentface]

Retconned Wardi firearms- a basic handgun, a highly decorative ceremonial handgun (belonging to Faiza), and a lance-gun.

Gun tech has officially been nerfed down to hand cannons (press F) (this has been a long time coming but I'd been fallacy of sunk costs-ing myself out of retconning).

Handguns are held similarly to a shotgun, with the butt pressed into the user's shoulder, one hand gripping under the barrel, and the other free to ignite the gunpowder. These represent the most advanced firearms in contemporary usage, both in make and in their use of uniform iron projectiles built to match the gun's bore for greater range and efficiency. Lance-guns are the more basal form, usually larger and mounted with the pole held over the shoulder, and are most effectively used by two people (one to hold and aim, one to light the gunpowder).

The spread of firearms is currently mostly limited to the Eastern Inner Seaway peoples (with some additional distribution via overland trade), and actual manufacture of hand cannons and gunpowder at Significant scale is limited to the region's core powers.

The reason for this limited spread is partially due to specific elements of the technology's history. Gunpowder was first synthesized by Burri alchemists and considered to be the discovery of the legendary divine weapon + solar fire of the deity Inanariya, and its formula (along with techniques for ideally refining its components) remained a closely guarded state secret. It was used predominantly in priestly contexts to generate flame and explosive sounds (in conjunction with earlier practices of generating multicolored flames with use of other chemicals), then integrated into combustible weaponry in the forms of fire lances, which would eventually develop into early handcannons.

The treatment of gunpowder as a guarded sacred or semi-sacred substance continued with Wardi adoption, where knowledge of its making is considered a closed rite. It's name (inya tsatsul or just tsatsul, a derived adoption of the Burri iñazatsūya) still reflects a divine solar association (the Burri word means 'sun's thunder', the Wardi 'inya' invokes the sun, 'tsatsul' is an adapted loanword and has no meaning independent of the substance itself), though its priestly use is now predominantly associated with the firearm'ed Odonii (rather than priests of the solar Face Inyamache). The composition of gunpowder can no longer be regarded as a Secret by any means, though efforts to obscure the methods of its creation are still moderately successful and has kept knowledge of gunpowder manufacture more limited than the total sphere of firearm usage itself.

The actual strongest limiting factor of firearm usage is the rarity of natural saltpeter deposits necessary for making gunpowder. The practice of actively producing saltpeter via nitraries has not been developed anywhere in the setting, and all is instead obtained via natural sources. These sources are rare and limited within the current spread of firearm technology, and result in gunpowder being a limited and expensive substance to produce. The weapons themselves are also very expensive to manufacture (a good quality steel SWORD is far too material-cost prohibitive for most people to own), particularly high quality firearms designed for use with standardized ammunition.

These guns are also very basal, and logistical difficulties in their use (weight, very slow loading and firing speed, high visibility, Relatively low reach and accuracy) along with the restrictive cost of production has kept firearms far from rendering conventional weaponry, armor, and projectiles obsolete (even within the societies that have access to them). They are still, however, very devastating in use within their contemporary context, particularly in that high quality guns have a longer range than the best arrow-based projectiles, and utterly negate most contemporary forms of armor at close range.

[casketour]

[n64retro]

[soupy-sez]

Sly Cooper and the Thievius Raccoonus - Muggshot guards

[theautismzone]

x x x x x x x x x

[zomb13s]

Randy’s Collection of space warships

[shoezuki]

rambling bout divinity au in the wake of the new fic:

sampo Did in fact wipe gepards memory of that night. but at this point in the rough timeline i have in mind sampo has fucked w gepards memory So Much and hes... not really good at it like thats fuli's job. so gepards building up a resistance

sampo has a tendency to wipe geps memory a Lot and often for stupid shit. like mid chase sampo trips and eats shit? oo thats embarassing cant have gep remembering that.

(another fic idea is the first chase where gepard actually catches sampo and sampo is so flustered he causes a localized ecological disaster around em and accidentally grows plants n flowers around gepard and then wipes geps memory)

gepard 100% knows that sampo was the one who arrested elias/the dude who stabbed him. he knows that sampo somehow got around all of their guards and security. he knows sampo tried to mess with his memory somehow.

i dont want gepard to seem like an airhead in this. kind of hard to balance it because his obliviousness to aeonic influences is central to the whole au but at the point of this fic. he Knows theres something not 'right' w sampo

at this point gepard knows sampo isnt human or has some inhuman things going on. hes decided its not relevant to the records against him and refuses to mention it or allude to it.

serval was mentioned for exactly 1 line but i have a fic planned from her perspective. she knows sampo isnt human and does her own investigations against him which leads to her butting hands with natasha. pela also knows 'something' is up w sampo but moreso about how sampo feels bout gepard.

gepard shuts down all insistances that sampo is abnormal esp from serval and pela because he doesnt want anything to change for sampo. its sort of his own way of being protective

i cut out that segment where sampo goes to natasha before finding elias but my idea is that sampo goes to natasha for comfort very often. they have a strong mutual understanding and shes kinda like an older sister/maternal figure sometimes to him

(his 'childhood' was shit and he sees his own experiences in the underworld children. so hes envious of how nat treats them lovingly because he never had that and has never had any supportive older figure considering hes not human)

i loved writing the segment with lan because lan's origins as an aeon are interesting to me.

considering lan rose to aeonhood from a hatred for Yaoshi, how sampo felt when spiralling in his anger towards elias is how lan 'feels' all the time. Lan is an aeon but is a very... emotion based aeon.

thats why lan reached out to sampo but never aha. he could feel sampos anger and relate to it. (lan's message was almost a warning as well as a jab at sampo being 'weak')

sampo thinks gepard is an emanator of qlipoth but hes so wrong.

sampo considers making gepard his emanator. he wouldnt though. if he was aha? absolutely. but hes human now and knows doing something like that and altering gepard without his knowledge would be a betrayal. gepard isnt suited for elation anyways

people who know sampo isnt exactly human: gepard, natasha, serval

people who know sampo is so down bad for gep: pela, seele, natasha

i dont think anyone fully realizes hes an aeon though. because thats so unimagimable. nat is the closest though

[bumblingbabooshka]

Perpetrators and Survivors Let me Change your Mind [Patreon | Commissions]

[finitevariety]

Andrei Tarkovsky (1972) Solaris | Jeff Wall (1989) Photography and Liquid Intelligence | Kaja Silverman (2015) Water in the Camera

[licaonia]

♠️_La sensazione più bella è quando incontri una persona che ha la tua stessa mentalità. Il suo analogo. In questo momento... i tuoi pianeti escono dalla loro orbita e ti rendi conto che tutto coincideva: abitudini, opinioni, corpi e pensieri.🖤🌹

©️Licaonia Lupe

[retrocgads]

UK 1998

[zomb13s]

Randy’s Collection of space warships