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brokenpinballmachine · 4 months ago

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✶ moon rising at 12 o'clock

yan batfam x gn neglected reader

masterlist ch1 ch2(coming....)

a/n: hiii so like,, obviously I havent been on tumblr for like YEARS so excuse if anything looks bad. 2nd thing to get off: I am in now way like PRO EXPERT level, or whatever and this is mostly just for fun so expect like,,, shitty writing/characterization maybe, wonky time schedules etc. This is like my first post in like, what, 5 years?? maybe more?? Im quite new to the fandom so sorry for like any inconsistencies LMAO

TW: mentions of death, GN reader, slightly a crack fic (pov: my excuse to everything i write), neglect (OBV), english is NOT my first language... sorry yall... im not as american as you think..... sentence structure might be a little funky

word count: 3,662 words

summary: basically every batfam x neglected reader plot ever /w like multiverses or whatever,, inspired by a lot of authors + into the spiderverse

chapter 0: finding yourself

────── ₊˚⊹ ᰔ ──────

How many years has it been since you've last seen your mother?

You remember showing up at the door of the Gothic-styled manor, so excited, out of your mind, livid that you were the child of Bruce Wayne. What would you do? What would you say? Would you finally have the regular life that you've always dreamed of? To say you were ecstatic would be an understatement.

The butler next to you, who you soon found out was named Alfred Pennyworth, could only chuckle at your antics, holding your suitcases filled with clothes from your old house.

You were the child of Bruce Wayne and a prostitute who you knew as your mom. She wasn't home often, but that never wiped the smile off your face.

That stupid smile on your face.

Whenever something went wrong, you somehow managed to keep positive, to keep being optimistic. It was one of the traits that your friends always remembered, despite your upbringing.

When your mom did return home, though, she would place a few items of food on the table and leave once again. You never knew where she would run off to.

A vivid memory of your childhood is your mom coming home with another man, both of them turning in your direction when you decided to make yourself known.

It was strange. Why were they holding each other like that? Questions popped up in your mind, but they were shooed away with the flick of your mother's hand, telling you to go to bed. So you did.

You convinced yourself that night that maybe your mother was trying to make a change; perhaps she was finding you a dad? Yeah! That's it! She was just finding you a new dad so the three of you could finally live a normal, happy life. The stories of your classmates also filled your mind, and how their fathers would take them to the zoo, play baseball with them, and even allow them to put makeup on him. You wanted that. You just wanted a father.

When you woke up, you couldn't find either of them anywhere. Maybe they were planning a party for you?

Then a week passed by. Then another. And before you knew it, you had run low on the food supply your mother would always bring you, not knowing it was going to be your last.

You expected your mother to show up in the nick of time to save you from starvation, but it never happened. She never showed up.

Maybe… they were playing hide and seek?

You stopped showing up to school a week before your food supply finally ran out. You had portioned every last bit of food for each day, not allowing yourself to eat even an extra breadcrumb. Even if you never felt full, it was enough to keep you alive, even if you felt numb and more tired than usual.

Occasionally you would fall asleep on the couch, and you wouldn't even realize how long you had slept until you checked the time again.

That was until the day after your supply of food ran out; someone knocked on the door.

Opening it, you peeked your eyes out until they fell upon a tall police officer who seemed shocked at the sight of a small, malnourished child looking up at him, with heavy eye bags despite the constant rest you were getting. He asked you where your parents were. You shrugged.

Before you knew it, you found yourself in the police station as they questioned you endlessly about your parents and their whereabouts.

Your teacher had gotten worried about you not showing up to school or about your parents not answering any of their calls, so as a last resort, she called the police to make sure you weren't dead or anything.

Well, you might not have been dead, but you looked like you were about to pass out at any second.

Of course, when they found you in a dirty, broken-down home that almost looked abandoned, they started searching for your biological father immediately to see if he could house you. At the same time, they were also searching for your mother, but she seemed to either be missing or dead.

And you could still remember your own shocked face when they told you that the Bruce Wayne, multimillionaire, was your damn father. Even if your mom was missing, perhaps you could still have that life you always dreamed of with your dad?

As both Alfred and you went inside the manor, you followed him around like a little duckling as he gave you a tour of every room, and your wide-eyed face was plastered with a big smile as you ran around each room and explored every detail with your eyes.

It was bigger, better, and fancier than you could have ever imagined.

"Master Y/n, would you like to visit your father?" A voice snaps you out of your haze. You see Alfred standing near a door.

With a nod, your little legs run up to him, and the sound of pitter-patter comes from your shoes hitting the recently swept floors, echoing throughout the mansion.

"Master Wayne, your child has arrived."

Bruce didn't bother looking at you. His eyes remained on the many stacks of papers that cluttered his desk. A small cough from Alfred's mouth as he speaks up once more, repeating his sentence. This time, with a tired sigh, Bruce Wayne opens his mouth, each word coming out snappy and tired.

"Not now, Alfred; I'm busy."

And that was it. Those were the only words you heard him speak, and it wouldn't be until a few months later that you would hear him speak again—not towards you, of course, but that never swept off the smile on your face.

────── ₊˚⊹ ᰔ ──────

Richard "Dick" Grayson, Jason Todd, Tim Drake.

The names of your three other siblings.

When you had first met Dick, you stared at him in awe. Your cheerful attitude clashed well with his own, and he would ruffle your hair whenever he talked to you. Well, at least for the first week you were in the manor.

Afterward, he would always give you an excuse, as if the free trial of him being a brother to you had ended. As if he was being held at gunpoint to be the "nice" brother.

"Sorry, Y/n! I'm going out tonight, but I think Tim isn't busy!"

"Sorry, Y/n, I'm feeling a little too tired today!"

Sorry for this, sorry for that. Excuses seemed to be the only thing that ever came out of his mouth nowadays. Whenever he saw you, he would rush out of the house as soon as you came in—like he didn't want to hurt your feelings with the expected answer he would always give you.

The warm light of the manor seemed to make you chillier every time he rejected you, but it was fine. You still had two other brothers, right?

Who were you kidding?

Jason seemed to always ignore you, no matter the situation. The times he did acknowledge you were to give you short answers—a simple "yes" or "no." It wasn't like you saw him a lot, anyway.

For Tim, it seemed to be the same thing, but he did actually live in the house. He pushed you away every second he got, not bothering to even make up an excuse.

It's fine. You had Alfred, you had his cooking, and you had the manor. You had a roof over your head, so you still smiled even if it was foolish of you to do so.

You were extremely grateful for Alfred, of course, being the only one who bothered to check in on you. In your spare time, he would even let you help him cook! Maybe it was something as simple as icing a few cookies or rolling some cookie dough, but you still appreciated his effort to make you feel acknowledged.

Then came Damian.

Oh dear, not Damian.

You were immediately intimidated by him from the moment he entered the house. Maybe it was the threat that came out of his mouth when he first laid his eyes on you, or the small cut he left on your collarbone—spoiler alert: it was both—you decided not to even try to socialize with him. It wasn't worth the risk.

So why was he more beloved in the house than you?

Was it because you decided not to become a vigilante?

Why did Bruce, Dick, Jason, and Tim all seem more fond of him than they ever had been of you, even though you had "known them" for longer? You were jealous, to say the least, but you didn't make your voice heard. It would just cause a mess, and you knew they were often busy, so you brushed it off as you usually would.

You held a small hope that they would eventually notice you, and that was enough for you to keep a childish smile on your face. The innocent smile remained, despite being aware of everything that was happening around you. Your twelfth birthday was just around the corner, and you planned to celebrate it as you usually did: alone with Alfred.

Of course, that didn't mean you wouldn't hand out little invitations. You slipped them underneath each of your brothers' doors, pouring your blood, sweat, and tears into every detail of the handwritten notes before moving on to the next sibling. They never came to your birthdays, but that wouldn’t stop you from trying.

"Master Y/n, where would you like me to hang the balloons?" Alfred's voice rang in your ears. When you looked in the direction of his voice, you noticed your favorite colored balloon in both of his hands, making the smile on your face grow wider. This might be the best birthday you had decorated, like, ever!

"You can hang them up in the corners of the room!" you giggled. "Or maybe we could scatter them on the ground!"

"I'm afraid that might be a safety hazard, Master Y/n," he replied.

You could only shrug. "Hey, it's not as bad as you think!" You gave him a lopsided grin. "I'm sure no one would slip on them!"

Right, quite literally 'no one,' because you knew none of your family members were actually going to show up. Both of you continued to set up as Alfred checked on the birthday cake, the scent of which wafted toward you.

Aw, he shouldn’t have! You could recognize the aroma of your favorite flavor anywhere, and the sight of it made the corners of your mouth drool too. You inconspicuously wiped it from the edges of your mouth, blushing a bit and hoping Alfred hadn’t noticed.

He lit the candle on the cake, and you both sang together.

Despite Bruce never being there for you, you could always count on Alfred. The cool wind blew against the faces of the rest of the family; each one wore a frown as they made their way toward Wayne Manor.

The moonlight illuminated the pathway ahead and shone against their suits, almost mockingly, as if highlighting the mistakes they had made that night.

You know when people say, “Well, it can’t get any worse, right?”

Unfortunately for them, everything went terribly wrong.

They even forgot it was your birthday, Alfred noticing the glitter you used from one of your cards shining in the trash can when he went to throw something away. He didn't have the confidence to tell you; he didn't want to ruin your special night.

So when they suddenly appeared in the dining room, yelling and arguing about whose fault it was, they stopped at the sight of the decorations scattered throughout the room.

Who would be celebrating at such a time? Was this a prank? Bruce had the birthdays of all his kids (minus you) memorized, so what were these balloons and party streamers for?

Then they saw you. They saw the cake next to you; they saw the smoke coming out of the candles, they saw the multiple plates placed on the table and how only two plates actually had silverware next to them, and they saw the childish smile on your face.

You couldn't believe it; your wishes came true! They actually came.

They couldn't believe it. Awkwardness filled the room, and they each fell silent. They hadn't meant to intrude.

Of course, it wasn't your fault that the night went wrong, but Damian couldn't handle it. Your birthday—why did it have to be today of all nights? It was as if you were mocking him for the failure that occurred in battle.

He scoffs, storming out of the kitchen and stomping on one of the balloons while exiting, effectively popping it on his way out.

The sound made you flinch, and it finally brought you out of your daze. You look at Alfred, and he looks back at you, giving you a reassuring nod. You had one chance, and you weren't going to mess this up.

"Oh—sorry! I can get a few more forks if you want some cake; Alfred worked really hard on—"

You were interrupted by Bruce, who raised a hand when you were about to scramble into the kitchen to get more forks.

"No need," he says, "I'll go check on Damian."

He leaves the room, and Jason quietly follows him, leaving you alone with Tim, Dick, and Alfred.

Dick gives you a guilty smile. "Sorry, Y/n, I need to go recharge my battery!" And with that, he leaves.

Tim said something similar to Dick, and soon enough, you were alone again with Alfred. You didn't understand why they seemed to avoid you like the plague, why they ignored you at every opportunity.

The cake tasted more bitter than usual when you took a bite, and for once, the smile faded from your face.

And somewhere out in the multiverse, tonight was the night that made you "snap."

────── ₊˚⊹ ᰔ ──────

Turning 18 was more uneventful than you would think it would be. You finally graduated high school, had a job at a local mart, and your family was still ignoring you. Yet your smile was still there; it was strained at times, but it still lay on your face unmoving, unchanging.

Alfred didn't know how you do it. If he were in your position, that smile would have been gone by the time he was age 10.

You hadn't thought much of moving out, but it was wavering in your head. You would mention it to the butler sometimes when the two of you conversed, much to his dismay.

You were also planning on going to college next year, maybe after you saved up a bit. You hadn't applied for a scholarship yet.

You should probably do that soon.

Your room was still your room despite everything. The colors of the walls seemed to be fading out, and the posters attached to them seemed to be in need of new tape.

What the hell do you do now that you have all the time in the world in your hands?

Well, you decided it would be eating.

You were hungry. That was literally the only reason you went downstairs, but instead, you instinctively started eavesdropping on the conversation between your family.

"—one of them had powers!" You heard a voice that sounded familiar to Dicks.

"What would they—doing here?" You weren't sure, but the tone of this one sounded familiar to Jason.

"Im not sure—careful, they—look out,"

A new voice seemed to join in. "Not—database, I think—the three of them—our side?"

"It doesn't matter—destroy them—" You were sure that voice was Damians.

"Dont trust—need to be careful." This voice sounded older than all of them; it had to be Bruce's. "Who were they? —only appeared today."

Damn, look at you! You were such a great detective. You were able to figure out each person based on the voices. At least you got your detectiveness (you're not sure if this is a word, but you don't care either way) from your dad.

Oh well, they could worry about that themselves. You needed to worry about what to do next.

You make your way through the manor, but an unease seems to be creeping up and into you. Maybe you were just hungry again? Something just felt...off.

You scratched it off as just being worried about deciding what you would be in the future, but the unease never seemed to leave.

When you approached your room, you realized what was wrong. 3 new figures were located in your room. One was sitting on the window, one was standing next to the window, and one seemed to be crouching near the floor.

Each one of them looked familiar, like you.

And you screamed—or were about to until a hand rudely interrupted you and slammed against your mouth.

"Don't fucking try it." The person standing next to the window was gone and instead appeared behind you with their hand over your mouth.

"Vg/n! Don't be rude!" The one sitting on the window cries out expressively as their fancy, almost magical-like, white clothing with f/c accents seemed to bounce. They had a ginormous bow on their chest that seemed quite inefficient to wear.

The person behind you, whom you assumed was Vg/n, only sighed. "We can't let them alert the others," The person sitting on the floor cackles, "As if the family would actually come up to check on them, you think they fuckin' care?"

"No, but Alfred might," Vg/n retorts.

You were confused as hell, but your questions were soon answered when the Vg/n spoke up. "Look, it may not seem like it, but we're all you. Or rather, alternate versions of you."

They remove the hand from your mouth, and you voice out your confusion. "What?"

"Im the version of you where you become a vigilante,"

"Im the one where you become awesome and cute!—" The one sitting on the floor is cut off by the one sitting on the window who is suddenly next to you. "Ignore them, they're V/n, it's you when you become a villain," They have a hand on the side of their mouth as they whisper to you, giggling as V/n throws out a little 'hey!' from the rude interruption.

"Im M/n! I'm the version of you where you become... magical!" M/n strikes a pose with a wand they have in their hand.

It's a lot for you to take in, and you stand there, quiet.

"Ya think we broke 'em?" V/n interrupts you from your train of thought.

You shake your head as they speak. "No, no, sorry, I just... how—why are you here?"

"Well, that's what we're trying to figure out too!" M/n tries to smile reassuringly at you. "We were just doing our business in our universes, and BOOM! we're suddenly together in an alleyway."

Out of the corner of your eye, you could see Vg/n staring at V/n with an analytical look, and you had to hold in your laughter.

It must've been like whiplash to them when they found their opposite counterpart.

"Wait—so if you're all alternate versions of me, then... what version am I?"

"Well, you're like the past!" M/n's bow bounces freely on their chest. "Or you can also be the 'true' Y/n if you'd like, but that's debated,"

"Past...? How old are you guys??"

"It depends on who you're asking, but we're all around the age of 23-24!"

You stare at them in shock. Were you going to grow up into one of them? Vg/n... they looked cold, hard, almost like a mini-Bruce. They seemed to always have a frown on your face, opposed to you, who always had a smile. Scars were littered all over their body, both on the inside and outside, and you could tell with a single glance they had been through a lot.

V/n. They seemed to look much better than Vg/n, but at the same time, they seemed more cruel. As if their sense of justice was blurred between the fence of good and evil, as if they had lost themselves.

M/n was different as a whole from the other two. They appeared more 'innocent,' more 'playful,' but the smile on their face seemed to be more forced at the same time.

"So, you guys are trying to get home?"

"That's the gist of it," V/n commented.

"Well, we could ask—"

Suddenly, the three of them spoke up, yelling at you with a big fat no. Jeez, their bat families couldn't have been as bad as yours, right?

Vg/n only sighed at your puzzled face, answering the question that lingered in your mind without you having to speak up. "Basically, our lives were changed on our twelfth birthday. I decided to become a vigilante; V/n wanted revenge, and M/n found a ring that made them, well… magical. Our lives were basically the same up to that point, maybe aside from a few personality differences."

So they were just as bad. Even alternate versions of you couldn't catch a break.

"Well, we should at least discuss this somewhere else; I'm getting sick of this manor," V/n scoffed.

Vg/n didn't say anything, but you could tell they agreed with V/n too, even if they didn't want to side with a villain.

"Off we go!!!" With their wand pointed high, M/n ran out of the room with a cheer, alerting both V/n and Vg/n to chase after your other alternate self, with you following in pursuit. You couldn't even make it to the exit of the manor until you ran into your family.

Your whole big-ass family.

Not even one member—your WHOLE FUCKING FAMILY—OH MY GOD. At the WORST time ever too.

"It's you!" Tim exclaimed.

"It's me!" M/n exclaimed with glee. Vg/n and V/n got into their positions, and so did the rest of the Batfamily.

You knew this was going to turn into a mess.

────── ₊˚⊹ ᰔ ──────

a/n 2: hii ok so for vg/n and v/n you can think of whatever outfit you want, but for m/n, im thinking of like, a madoka type outfit if your going for feminine, or a suit /w a cape (and the inside is the f/c accent) if ur going for masculine!! both masc and fem outfits have a bow on the chest area!

here are the theme songs!!

(M/n = Magical name, V/n = Villain name, Vg/n = Vigilante Name)

M/n: Magnetic - Illit, and fight theme would be Right Now - Newjeans (instrumental)

V/n: Demons - Doja Cat, and fight theme would be Yummy - Ayesha Erotica

Vg/n: Homesick - Wave to Earth

#yandere batfam #yandere batfamily #batfamily x reader #batfamily x male reader #batfamily x gn reader #batfam x male reader #batfam x gn reader #yandere batfam x reader #batfamily x neglected reader #batfam x neglected reader #moonlight rising at 12 o'clock #guys lowkey this is kind of bad #i really dont know what im doing atp #brokenpinballmachine #batbro reader #batsib reader #platonic batfam x reader

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yunsound · 4 months ago

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Director Jiaozi and the Chinese Animation Industry

If you’re on my page it probably means you’ve seen my endless gushing about Ne Zha 1 and 2. I’ve always been a huge fan of domestic animation (domestic for me meaning China) as well as international Japanese and Western animation.

In particular, I admire big blockbuster animated films that managed to both convey cultural, artistic and spiritual messaging through a medium as notoriously finicky as animation.

Some of my favourite animated movies (I think this is an opinion held by every animation fan) are the Spiderverse series (despite not being a Spiderman fan) and the Ghibli movies of my youth.

Being Chinese, though, I grew up with 2D animated TV shows that cemented their place in my upbringing. Shanghai Animation Studio movies such as Ne Zha Conquers the Sea 1979,

Havoc in Heaven 1961,

and even 1878’s Calabash Brothers (or Gourd Brothers? I guess?)

are all iconic parts of growing up as a Chinese.

Chinese animation has never been widely acclaimed on a global scale the way Japanese animation and sometimes Western animation have. The domestic animation industry is made entirely up of passion projects, which can seem great until you realise passion projects don’t typically tend to make money.

In a film industry as hyper-competitive and critical as China, most animation projects never tend to make it far. Art and music, while highly respected once you achieve success, have high barriers to entry. Chinese people are very critical of artistic work because of thousands of years of artistic development.

You may have heard of a recent animated film in China called A Mermaid Summer (or however it was translated). 2 people spent 7 years making it- the movie was bullied to oblivion.

A Mermaid Summer is, quite frankly, shit. It’s terrible. The animation is bad, the storytelling is bad, the voice acting is bad. It was, however, a passion project made by like 2 people on their own- people understand why it’s bad, and it’s not like we expected Oscar-worthy visuals.

Does this seem incredibly harsh to bully these two hardworking people? YES, it does! And it IS harsh and mean!

Understand that thousands of beautiful works (made meticulously and with great care) receive little to no attention in the domestic industry, made by equally small teams as A Mermaid Summer but with much higher quality.

The creators weren’t seasoned pros and definitely didn’t deserve to be bullied so much, but it would’ve honestly been much better if they had scrapped it. (They had actually considered starting over but decided to keep going, which I think wasn’t a good decision).

Putting out a bad product is never better than taking your time, even if it takes you a lifetime.

I tell you about A Mermaid Summer to establish some baseline rules in the Chinese film industry and how Chinese people want films to be made (both animated and non-animated):

It does not matter how long it takes. The end product has to be good.

If the product is bad, NO MATTER how beloved the director/idea/IP/characters are, it’s going to flop.

In an animated movie: either the animation has to be great, or the plot has to be great. If you have one or the other, it’s meh. If you have both, yay! You cannot, however, get away with having both be mid.

If the product is bad, no one cares how much work you put in or how sad your circumstances are: there is going to be ZERO people complimenting or watching your work. Results speak, not effort.

Doesn’t this seem very strict? That’s because it is, but it’s the reality. Recently a movie came out based on the beloved novel series by Jin Yong, called Legend of the Condor Heroes. Condor Heroes is probably one of China’s biggest ever IPs.

Its fans are everywhere. My parents love Jin Yong’s novels and so do 80% of China’s population. It’s as big as Harry Potter, basically, just for a different audience.

The actors in the movie are all popular too. Xiao Zhan, Leung Ka-fei, Ada Choi are all big-names.

However, Legend of the Condor Heroes completely flopped. The art direction and writing was bad and the acting was mid. The movie industry is not like the TV drama industry: if your movie is bad, NO ONE CARES if the actors are hot or if the IP is big, it will flop.

In this harsh environment, animated films especially struggle. We’ve seen a severe lack of good Chinese animated films. Is this critical culture to blame? Certainly part of the problem, but it’s also (somewhat sadly and ironically) what drives people to want to excel.

A very tough love solution.

This is why it is especially shocking and especially impactful that Ne Zha 2 is doing so well.

Ne Zha 2’s director’s stage name is Jiaozi (which means dumpling). His real name is Yang Yu. I will call him Jiaozi, though.

He graduated from med school in a fairly-prestigious university in Sichuan. Everyone knows how rigorous med school is. While he was studying, he spent every night holed up in his dorm figuring out the basics of animation. After graduation, he didn’t go to work- he spent three years living basically in his mother’s basement trying to make an animated film.

A very, very classically doomed story. However, against all odds, he did it. He released a 16-minute animated short in 2008 called 打，打个大西瓜 (or See Through).

It’s available on YouTube and it has a total of 0 lines of dialogue. This short, however, went viral for its anti-war, anti-hate and anti-propaganda message. It won a lot of domestic and international awards.

Through those three years he spent making See Through, he lived off his mother’s retirement fund of 200 dollars a month (1000 yuan), bought virtually nothing, and worked 14 hours a day.

See Through didn’t garner him instant success. After all, it was just an animated short. Within a year it wasn’t really mentioned anymore. He did, however, get his foot in the door.

Ne Zha is one of the biggest IPs in China. He has the most film/anime/comic/game adaptations after Sun Wukong (that’s including Dragon Ball and all the Dragon Ball spinoffs).

Jiaozi basically made Ne Zha 1 on two cents and a dream. The movie was low-budget (I’m talking 22 million) and in interviews, he revealed he had no money to hire a motion capture expert or a voice acting coach, so he did all of this himself. He even voice-acted some of the characters to save on costs.

The entire cast was unknown VAs. The animation was done by newbies just entering the industry. This movie was the definition of cutting costs.

Against all odds, it succeeded. Ne Zha 1 won fans over with its humour, stellar character-building and refreshing message. It became the highest grossing film of that year and catapulted Jiaozi into fame.

Almost as soon as Ne Zha 1 succeeded (within a year), Jiaozi began work on Ne Zha 2.

If you compare pictures of Jiaozi before and after producing Ne Zha 2, you can notice he looks like he’s aged a lot more than 5 years.

Jiaozi has said he’s an extremely introverted person prone to anxiety, and that he’s a huge perfectionist to the point where it’s harmed both his professional and personal life.

He outsourced many of the more complicated scenes on Ne Zha 2 to top foreign production companies. You can see their names (Korean, Indian, Japanese, American etc) in the end credits of Ne Zha 2.

However, he said in an interview that because the project was coming from mainland China (which, as we’ve established, has a fairly weak animation industry), these foreign companies sent only their lowest-rate animators despite the high rates Jiaozi was paying them.

As such, Jiaozi had to redo most of these scenes from scratch with domestic groups.

Hundreds of animation studios in China joined to work on Ne Zha 2. Jiaozi invested almost all the money he made off the first movie back into the second one. These workers were young, passionate newcomers to the industry- they once again didn’t have the budget to hire seasoned pros despite the much looser spending constraints.

The studios that joined Jiaozi worked at low rates (sometimes not even breaking even on labour costs) to produce Ne Zha 2.

5 years later it happened. Ne Zha 2 is making an incredible amount of money.

Most people are worried about the pressure the success of Ne Zha 2 is putting on Jiaozi- about a week ago he officially announced he’s stopping all interviews and publicity for Ne Zha 2 to go into “seclusion” to work on the 3rd movie, before 2 even finished airing.

He’s been working extremely unhealthy hours for over a decade. However, the results have paid off. That’s all we can say, I guess.

The reason why many Chinese adore Ne Zha so much isn’t just because the movies are good- it’s because the movies are good enough that they basically became hope for the future of the domestic animation industry.

A *relatively* small company (not small anymore, considering how big they’re probably going to get in the future) managed to make 2 of the highest grossing films in Chinese history and one of the highest-grossing films of all time. Jiaozi has made more in box office sales with 2 full-length movies than most directors with over thirty or fourty.

It’s incredible that what seemed like such a doomed journey turned out so fantastically. Many young Chinese animators now dream of working with Jiaozi, or becoming like him.

Of course, Jiaozi isn’t perfect. He’s at the very least extremely talented, probably a “genius” (or however you define genius) and incredibly hardworking.

His workers describe him as a nightmare director not because he’s rude but because he is incredibly nitpicky and has seemingly impossibly-high standards. He’s also a little bit of a douchebag (he made a short film called The Boss’s Woman that’s pretty misogynistic but it was never formally released).

However. You can’t deny that Jiaozi has accomplished what decades of animators before him haven’t been able to. Ne Zha 2 is the greatest animated movie in history. That’s incredible for the Chinese animation industry, which before Ne Zha has never been able to get a stable footing.

Some other Chinese animated movies I recommend as well as some notes.

As a general rating marker: I rate

Ne Zha 1: 7.5-8/10

Ne Zha 2: 9/10

The Shawshank Redemption: 9.5/10

The Lord of the Rings: The Return of the King: 9/10

Decide from these rankings whether or not you think my opinions on movies are valid and if you want to keep reading.

大鱼海棠 Big Fish and Begonia 2016

7.5/10

Co-produced with Korean animation studio

Very touching, very tear-jerking

Animation is beautiful

长安三万里 30,000 Miles from Chang’An 2023

6.5/10

Ehhhh?

It’s definitely touching but not for everyone

Not understandable for a wide audience: you’d need to know some basic Chinese history and culture

It’s okay

People either love it or hate it

西游记之大圣归来 The Journey to the West: Hero is Back 2015

7.5/10

The animation is just okay, but the story is great

Very hype

One of the first domestic animated movies whose release I actively followed

Without background of JTTW it’s not very good, but if you know you know.

新神榜：杨戬 New Gods Reborn: Yang Jian 2022

6/10

The animation is good: more precisely, the models are good

The storyline is kind of a mess

Much better than the other New Gods Reborn movie, which we don’t talk about

Worth a quick watch

白蛇缘起 White Snake 2019

6.5/10

Not bad, the storyline was meh

It got some hype abroad but it’s mid

Worth a watch but it’s way overrated

深海 Deep Sea 2023

7.5/10

The animation is beautiful and the story is good!

Worth a watch! I recommend it

Very dreamcore, floaty feeling

Gives you a sense of being not quite in our reality in a similar way as some Ghibli movies

#ne zha #nezha 2019 #nezha 2025 #chinese animation #chinese culture #big fish and begonia #movies #animation

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assumptionprime · 24 days ago

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what happens to be your favourite movie perchance (:

Hmm. Dunno if I can pick out a single favorite above all others, but here's a top five:

The Empire Strikes Back (Star Wars has let me down a lot, but Empire is still a basically perfect movie)

Into the Spiderverse (plot is fairly simple superhero stuff, but it is an absolute delight to watch)

Knives Out (everyone in this movie is having the time of their fucking life and it shows. I hope they keep making Benoit Blanc movies forever)

Everything Everywhere All At Once (hilarious, crazy, absurd, and the ending makes me cry every time I watch it)

I Saw the TV Glow (oh wow, the trans woman likes the trans mov-- shut up! it reflects my feelings and experience back to me in a way I've never seen on film!)

#asks

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verysium · 2 years ago

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『03』ブルーロック: blue lock recs

冴糸師: sae itoshi

lost to time by @syriiina

nostalgia. it’s delicate but potent. “nostalgia” literally means “the pain from an old wound” in greek. it’s the twinge in your heart far more powerful than memory alone – a feeling of a place where we ache to go again. but in sae’s case, it’s the painful ache in his chest to return to someone that’s already been buried by the sands of the past; the yearning for someone that’s already been lost to time. notes: this fic emotionally destroyed me; heavy angst paired with audio recordings; basically the most gut-wrenching combination ever; smooth chronological plot development; encapsulates the dichotomous pain and pleasure of love; i felt like my heart was healing and hurting at the same time

merry go round by @syriiina

what if you were given another chance? another chance to say all the things you’ve wanted to say, cry all the tears you couldn’t and hear the voice of the person you’ve cherished all your life? sae itoshi was given that chance. just one more chance for your birthday that he’ll never get to spend with you. just another chance at goodbye. notes: at this point this author needs to pay for my therapy; examining the process of grief; almost dreamy and hallucination-inducing atmosphere; idea of letting go; new beginnings; childhood nostalgia; sequel to first fic

to my first love / to my last love by @by-moonflower

when you agreed to date itoshi sae in mid-october of 1993, you never imagined he'd be your first love—whose presence would continue to linger in your life, hauntingly, even if a year, two, or ten came to pass. notes: high school sweethearts to exes to lovers again; examines insecurities of girlhood; idea of love being a process of trying and trying again; reader discovers herself before she discovers others; happy ending; pre-2000s nostalgia; montage/vignette style

come out and haunt me by @alaboadoa

sae is 13 years old when he moves to madrid. his temporary apartment is old and cheap, and worst of all it's haunted. but he finds your company better than nothing, even if you do tend to knock all of his belongings over. notes: incredibly well-written study of sae’s character especially as a pre-teen; honestly would've never expected a ghost AU; this author has such a beautiful mind; finding commonality in exclusion and lack of belonging; a unique rendition of right person, wrong time; loving someone but still not being enough

hungry hearts by @sanzu-sanzu-sanzu

You are Itoshi Sae’s Manager. Fielder of dumb reporter questions and keeper of his schedule. Among many others. notes: their dynamic reminds me of miguel and lyla from the spiderverse or that one kdrama about secretary kim; sae denying that he is in love yet noticing every little detail about reader; their witty banter is so funny; gradual realization of feelings; honestly i think this is how canon sae would fall in love

find love by @tenjiiku

“Mama?” “Yes, little bunny?” You call her by such a name because when she was a toddler she had somewhat of an obsession with playing leap frog with others. The original pet name had been little frog, but it had caused a rather large tantrum, so you never used such a term with her. Her father suggested it. It was the only thing he made that you still used. notes: i don't even need a rec to tell you how good this is; nuanced portrayal of divorce; honestly hit too close to home; idea of marriage not being endgame; slight hint of second-chance romance; love that never fades; sae being emotionally oblivious; for the hopeless romantics

the hanshin expressway by @tenjiiku

He remembers how sad you had looked — gentle, sweet and kindhearted you. And he remembers feeling the urge to hold you. Because it was the first time he voluntarily felt such a gripping emotion. He recalls the way your nimble fingers trembled around your second mug of jasmine tea, and he looks back on the way you turned to him with a forced smile, as if it was the easiest thing to do — to bear yourself and all of your little idiosyncrasies in front of him, no walls, no windows. Just you and him. You, reprimanded for your selfless displays of kindness. Him, admonished for his lack of expressing his. It was hard not to let himself fall into you. notes: literally even the premise of this fic is not for the weak; amnesia tropes are the death of me; prose is so tender and beautiful; sae being the one who now teaches the reader how to love; role reversal; reliving grief; idea of being unable to equate the past and present versions of the person you love; people change and you are helpless to stop it; being unable to return to what once was

rezkinoff / prelude by @tenjiiku

07.01. It is the first day of my break. I am going to journal both my fitness levels and caloric intake because my nutritionist has told me to. I will also note a daily observation so as to look back on my time with certainty that I have spent it properly and because you have told me to. Today’s observation: the heels of my feet are growing calluses and I found a single strand of white hair, still on my head. I need better shoes and hair dye. Perhaps something is in the water. — Itoshi. S notes: one of the most authentic portrayals of sae’s character; sae being emotionally inept but slowly learning; aging but as a graceful process; daily observations of life; the epistolary style makes it a smooth reading experience; ambiguous enough for interpretation

us, again by @ode2rin

in which: itoshi sae returns to the only place on earth he vows to never set foot again. notes: one of the best second-chance romance fics out there; i still think about this fic at night; just the right balance of hurt and comfort; sae and reader both messing it up and finding each other again; dilemma of both loving and hating a person; has a coffee shop scene and a dramatic airport reunion so what is there not to like

scraps by @itoshiexx

you give him all you have. it's time to collect the scraps before there is nothing left. notes: short but packs the most brutal emotional punch at the end; idea of love not being enough; sae pushing reader away; miscommunication; hurt people hurt people; giving up on someone you love most; falling out of love

conversations by @saerins

he’s back home, and you recall the times you’d spoken to him. all the calls you made, then all the calls he made, and then all the times it went to voicemail. notes: i was having a good day until i read this and started violently sobbing; honestly it's a pretty accurate reflection of fame and the troubles it brings for both you and sae; the voicemails crushed something within me; i was grieving for a relationship that never existed; please read when you want a good cry; thank god for the alternate ending here

do stars return? by @hanyjar

your childhood friend leaves, and you question if he’ll ever come back. notes: the way that i ate this shit up with no crumbs. sae itoshi and star metaphors go hand in hand. picture this: you and sae grow up and then he leaves you and then he comes back again. now amplify that and add childhood angst and a sprinkle of poetic language. you're welcome.

凛糸師: rin itoshi

the first snow by @tenjiiku

It’d take him 3 lonely nights for Rin to admit to himself he wanted to see you again. He wonders if he torments you as much as you do him. notes: two-shot that changed the trajectory of my life; this author absolutely nails the slice of life genre every single time; finding beauty in the mundane; realistic depictions of modern love; somewhat slow-burn; dialogue and internal conscience are beautifully written

riptide by @misssleepless12

Concerned with how things were left after U-20, Isagi goes to visit Rin before the end of break. They address it. Sort of. notes: not necessarily a rinsagi shipper but this fic has a stunningly accurate portrayal of MLM romance; no sense of false idealism or over-romanticization; rin and isagi’s natural dynamic is perfectly captured; strong imagery and cultural setting of kamakura; rin’s sarcasm is on point

カイザ: michael kaiser

five dates and a proposal by @by-moonflower

all it takes is five dates for kaiser to fall in love with you and you in him, much to your surprise. notes: this fic actually made me believe in love; strong female character; fear of love and gradual opening up; basically what it feels like to fall in love with someone you never thought you’d actually love; realistic depiction of insecurities

color me blue by @saekkas

in which you need to wrestle your boyfriend, michael kaiser, out of his bed to fulfill a promise: re-dye his hair. notes: domestic fluff; michael being childishly cute; imperfections as perfections; heart-warming snapshot of established couple life; never fails to make me smile when i reread it

#fic recs #bllk #blue lock x reader #blue lock #sae itoshi #sae itoshi x reader #sae x reader #rin itoshi #rin itoshi x reader #rin x reader #michael kaiser #kaiser x reader

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leafostuff · 2 days ago

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Watch "Kpop Demon Hunters"

Watched the movie one day after it came out and i have to say that this movie was amazing, from the trailer i knew i would enjoy this movie but watching the movie made it so much better.

So let me just gush about the movie for a minute

First: characters - i really like the main trio, They are all well written and their interactions are both funny but still have some meaning, Zoey is probably my favourite between the three because her expressions are dumb and hilarious and she is a mood lol.

The Saja boys were also a cool way to make the villains interesting for the movie, while sometimes it did feel like it was basically jinu and the rest, it makes sense since you can't develop all of the characters in a 1:30 hour movie

Next - The songs - Overall the OST is a banger, "How its done" is no doubt my favourite original track from the movie, as it felt like KDA on crack and is already on loop for me, "Soda Pop" and "Takedown" were neat songs, the latter being performed by TWICE's Jeongyeon, Chaeyoung and Jihyo which is a very interesting trio for a song.

"How it sounds like" and "Golden" were less my style but were not bad, considering they were pretty much songs for plot

The songs from existing groups were also well chosen with "Strategy" by twice, "Love me Right" by EXO, "Love, maybe" by melomance and more giving the movie's soundtrack more personality.

Now: The looks - wow, everything looks amazing, the artstyle was vibrant, the animations were superb (not surprising since its the same studio behind the spiderverse movies), the fights were well choreographed and the character designs are just *chef kiss*, nothing else to say.

Lastly: the Plot (Will try to prevent spoilers) - it was good, the premise was interesting and the way Kpop was incorporated to the whole demon hunter was good, feeling as if the trio are basically a bunch of DnD bards who multiclassed into fighters.

the climax of the movie actually gave me the shivers and all of the interactions between the characters were plot important and not just there for being there, especially the Rumi and Jinu ones which were pretty much the leading duo when it cames to their interaction, bit Zoey and Mira were also a funny and good duo.

=================================

Overall? Yes, watch this movie. As a kpop fan it felt like everything was made with intention without anything that was in the movie for the sake of being in the movie (ehm ehm Minecraft movie), for me its a 10/10 movie and if you haven't watched it yet, give it a shot

Thats all for me, see you next time Leafies, i promise i am working on my next draft lol

#kpop #kpop fanfic #fluff #leafothinks #kpop demon hunters #huntr/x #rumi #mira #zoey

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osteoptimist · 1 month ago

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So I've been thinking about narrative mechanics in games, particularly the Beats system in Slugblaster.

For those unfamiliar, I highly recommend watching this Quinns Quest review, Quinns is awesome and he really does play games with his group before reviewing them, usually an 8+ session adventure if not a whole campaign.

youtube

Basically Slugblaster is about teenagers riding hoverboards and flipping off cops in other dimensions, drawing a lot of inspiration from skateboarding culture, and it has a big emphasis on a kind of coming-of-age vibe.

One of the core mechanics of the game is the Beats system. Quinns does a better job explaining it than I will, but basically Beats (and especially Arc Beats) are like small structured storylines for your character. They follow a particular theme like family trouble at home, or teenage angst, or a romantic relationship, or signing on with a sponsor.

The Arcs all contain four Beats, and they follow a very familiar story structure. Exposition, rising action, climax, resolution. And that means some of the events are good, and some of them are bad, and there are mechanical incentives for all of it and it's very well done and I want to try it.

BUT. The reason I'm talking about this is because this is something I have wanted from TTRPGs for a long time.

See, I mainly play combat heavy heroic fantasy games, which I previously tried to make work in D&D5e but am now having much more fun with in Draw Steel. There are a great many games in this genre, and they tend to work pretty similarly in a lot of ways, but one thing that almost all of them have in common is that as the adventure goes on, your character is consistently getting stronger.

You face challenges, overcome them, and get rewarded by levelling up and getting new powers, or looting magic items, or getting special benefits awarded by NPCs or whatever. But you are always getting stronger. Outside of rare cases where you lose a magic item or something, you never really get weaker or lose access to powers you've gained.

But in virtually all fantasy media where the characters have magic powers, they don't JUST get stronger as the story goes on. They inevitably have a darkest hour, a lowest point where the combination of their internal conflict and the external opposition seem too great to overcome. Often in these moments, their powers might weaken or stop working entirely, or they might lose control, or they might be afraid to use their power.

And once they emerge from that, they're stronger than ever.

The oaths in the Stormlight Archive series are a great example of this. Spoilers I guess, but look at Kaladin! In Words of Radiance when he strays from his oaths and allows the assassination plot to continue, his bond with Syl weakens and he loses his powers. Once he resolves his inner conflict and commits to protecting even those he hates, he swears the third ideal and gets his powers back.

That is a direct correlation between character growth and character ability. You see this in other media too. Zuko loses his firebending after joining the avatar, and regains it once he fully turns away from his anger and decides to commit himself to restoring balance. In the first Spiderverse movie, Miles struggles the entire time to control his powers and it's only when he overcomes his fear and takes a literal leap of faith that he really takes ownership of his abilities.

And THAT is something I have always wanted in TTRPGs. Tying mechanical advancement, at least in some respects, to the personal growth of your character. Levelling up from fighting monsters and getting stronger from experience is all well and good, but becoming more powerful as a consequence of learning more about who you are, what you stand for, what you believe in? That's the juicy shit right there.

Now, in Slugblaster, these Beats don't usually make your character any more powerful. Some of them can give you access to new abilities, but it's not a game where you become a godlike skater by the end. It's just not a game principally focused on becoming more powerful in order to overcome bigger obstacles. The Beats system in Slugblaster is primarily a way to let gameplay set up character and story moments, in a way that is structured enough to let almost anyone create really compelling journeys of personal growth and yet vague enough to let the story be unique and interesting every time. The Beats you go through also determine your Doom and Legacy, two resources that accrue over the course of the short campaign and are used in a final roll to decide your character's epilogue.

The Beats system, I think, is what makes Slugblaster really work as a game about coming-of-age stories. Without it, it might still be a cool fun game about riding your hoverboard in weird dimensions and trying to go viral with videos of your tricks, but it would take a lot of work from the whole group to really make it into a compelling story. With Beats, the game does all that work for you and gives you a very clear recipe for dramatic and memorable narratives. Again, that might sound restrictive or flat or like it's going to make for very predictable stories, but all it really does is lay out the classic story structure that sticks around because it works.

There's also a lot of potential for tragedy, because you don't have to complete the Arcs. In the class arc for the Grit class, for instance, you spend the first two beats trying to do something really hard, failing, and getting back up determined to try again. In the third beat, you try, you fail, and you give up, because you've been trying so hard and maybe you really just can't do it, no matter how hard you try. We've all been there. And then in the fourth beat, you try one more time, spurred on by the people who believe in you, and you nail it. Amazing! Simple recipe, but an awesome emotional payoff every time.

But you don't need to do the fourth beat. You can just stop after the third, where you give up. If that fourth beat wouldn't make sense, if you don't have the support you need to face up to the potential for failure again, nothing in the game requires you to do it.

And I think that's part of what makes this system really sing. If the Beat would feel forced, just don't do it. So even though the path is laid out, the whole group really does need to work to reach the end. There is a happy ending, but only if you actually do your best to make it happen. Brilliant.

I'm thinking about adapting something like this for Draw Steel, a Chronicle system where you can choose to embark on a character arc for your hero where they will encounter both triumphs and defeat. So in addition to levelling up as you gain Victories, you're also having a personal journey and dealing with inner conflict, and you become more powerful by resolving that as well. These Chronicles would also include their low points, their darkest hour, where they might be less powerful. They might include moments where the hero has conflicts with other party members or NPCs, or makes an unfortunate decision, because those moments are essential for the drama.

I'm still toying with the idea, and deciding how it should work and how it might interface with the rest of the game, but I think it might be interesting.

#slugblaster #ttrpgs #ttrpg design #indie ttrpg #dnd5e #dnd #draw steel #stormlight archive #cosmere #kaladin stormblessed #brandon sanderson #atla #zuko #atla zuko #zuko atla #spiderman into the spiderverse #miles morales #Youtube

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sungbeam · 2 years ago

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𝐟𝐚𝐫 𝐟𝐫𝐨𝐦 𝐡𝐨𝐦𝐞

spiderman!kim sunwoo x reader (slight eric x reader)

6.7k words, spiderman across the spiderverse au, superhero au, est. relationship au, swearing, spoilers for the atsv movie! but some details of the plot are tweaked to fit my narrative (you'll see that i basically took one of the iconic scenes and put it in writing lol), mentions of death, mild violence, low-key not a full plot..?, kissing, slight angst, BARELY PROOFREAD IT'S LATE I'M SORRY

a/n: apologies in advance for shit poor storytelling in this one 😭 i just wanted to get this idea down and out before i chickened out TT

His name was Kim Sunwoo, and you happened to know his story pretty well. After all, he was Brooklyn's one and only Spiderman.

"AHHH HOLY SHIT—"

You pulled your phone away from your ear with practiced grace as Sunwoo screeched through the speaker. The words from your textbook blurred as your focus drifted completely away from your assignment.

"BABY, I ALMOST GOT HIT BY A BUS."

"Again?" You teased, flipping the page backward to restart your reading. There was no way you were going to be able to get anything done while on call with your boyfriend, especially while he was actively swinging across New York traffic.

You heard his huff over the long blast of a car horn. "Hey! It wasn't even my fault this time; that guy definitely had headphones in, which is totally illegal."

Snickering, you leaned back in your desk chair and peered out the window of your apartment's bedroom at the city beyond. He would probably be here any minute now. "You should go arrest him then. Aren't you Mister Superhero now?"

"Mister Multiversal Superhero," he corrected with a tone that definitely sounded like he had the biggest grin on his face.

You rolled your eyes good naturedly. "Uh-huh. So is Mister Multiversal Superhero almost here or do I have to find another superhero to come rescue me?"

Just as you said this, your eyes spotted a blur of black and red swinging himself around the apartment building at the end of your block. He was steadily making his way to you, as you knew he had been.

"Woah, wait, have you been seeing other superheroes?"

You rested your cheek against your fist as you watched him get closer and closer. "Well, now that we know that there are multiple universes out there, who knows?"

Spiderman landed quietly on the metal railing of your fire escape, hands braced between his legs in the iconic pose. His suit was black and tight to his skin, leaving close to nothing to the imagination and allowing for easy movement. The ensemble was completed by a red spider symbol drawn over his chest, and a black hoodie thrown over the uniform.

Sunwoo gazed at you from behind the white lenses of his mask on the other side of your window. His heart never failed to literally fly out of his body when he saw you look at him like that. "Ma'am, I'm going to need you to open this window up," he coughed in his forced deep voice, even though he knew that you knew exactly who he was. It was all for fun and to see you smile anyway.

You put your mouth near the speaker of your phone. "It's open, tiger."

Oh, dear heavens…

He could have fainted off the fire escape then, backflipped through the air, and landed kur-splat on the Brooklyn sidewalk while still maintaining the hearts in his eyes. He ended the call feeding through his mask's wireless control, before going through the familiar motions of wiggling the locking mechanism, hauling the window up, and slipping inside your bedroom. He was hit with the smell of your soap and your laundry detergent, and took in a lungful of it. This was what home smelled like. It was simple, yet quaint and soft and nothing like the busy, dangerous world outside.

You stood from your desk chair and walked into his embrace as he shot his web shooters at the window shutter strings and yanked your shutters down and closed. "Show off," you mused, wrapping one arm around his shoulders and using the other to gently pull the mask up and off his lower face.

"Only for you." His pouty lips smiled, and his arms came around your form. "Hi baby."

"Hi tiger." You grazed your thumb over his lips. "Everything okay today?"

"Mhm," he hummed, rubbing his lips together. "You're not gonna take the rest of the mask off?" He chuckled.

"I kind of like you like this."

"I knew it; is this what you use me for? You only love me for my—mmmh!" You shut him up as you yanked him over to you and drew his mouth to yours in a proper greeting kiss. He melted into you with a soft moan, hands cradling you at your waist and lower back as your fronts melded together.

When you both pulled back, Sunwoo took the opportunity to tear his mask off and shove the garment into the pocket of his jacket. The two of you shared a grin.

"So, I hear you're in need of rescu—"

BONK!

You and Sunwoo froze at the sound of the metal railing outside your window rattling, followed by a swear and a familiar-sounding voice hissing, "Ow!"

Sunwoo's smile slipped into an annoyed frown as he yanked the shutter string to send the shutter flying upward. The motion revealed a young man perched where Sunwoo had been just a couple of minutes ago, except in less of the classic Spiderman pose, and more of a one-foot-balance-act situation. The newcomer wore a costume in dark red and black, but a larger percentage of red than Sunwoo's red spider. He rubbed his forehead furiously from where Sunwoo guessed he had hit his head on the fire escape for the apartment above yours.

The thought made him break his irritated expression and laugh. "Changmin hyung, do you just suck at aiming or something?"

The scarlet spider's white eyes narrowed slightly, and he simply held the place where his head hurt. "Hey, you try swinging around in an alternate New York City! Your universe is similar enough to mine, but I feel like everything's been moved, like, an inch to the left. Absolutely ridiculous."

You smiled in amusement, too, taking a step back to settle down in your desk chair again while Sunwoo leaned against the wall next to the window and poked his head out. "Welcome to Earth 412, I guess," you chuckled.

The alternate Spider man made a little waving motion with his hand. "Yeah, thanks, Yn. You know, it's so weird being back here."

"Why are you back?" Sunwoo asked. "As much as I enjoy you cockblocking me—" He hissed as you delivered a swift kick to his shin, "—yah! Okay, okay, I'm sorry!—Sangyeon hyung only said to use the watches when called for." He gestured to the sleek, black watch wrapped around his left wrist. It was a way to communicate between universes, as well as perform a variety of different tasks, one of them being traveling from universe to universe, as well.

Changmin, the spider of Earth 115, sighed and scratched the back of his head. "Well, I actually came to warn you."

Sunwoo tensed. "Huh?"

"Sangyeon's going to call you in soon."

"Oh, okay. I don't exactly see why you would need to warn me about that."

Changmin shook his head. "No, you don't—I can't… really tell you. Not here." His eyes flickered over to you, who sat listening intently. You and Sunwoo exchanged glances, and then Sunwoo looked back to his friend.

"Don't be held up on my account," you piped up in an attempt to lighten the mood. You stood and planted a kiss on Sunwoo's cheek. "Go do what you boys need to do."

Sunwoo smiled at you, grabbing your hand to give it a squeeze, before donning his mask once more. "I'll be back for dinner," he called back to you as he slipped out onto the fire escape with Changmin.

Your laugh rang in his ears as he swung away. "I'll hold you to it!"

Sunwoo grabbed onto the fire escape above yours to give him a swinging start, fingers triggering the firing mechanism of his web shooters as he defied gravity. With a WAHOO!, he slipped through the New York City skies, Changmin following closely after him. There was a place Sunwoo had in mind where the two of them could speak in private, without worry of anyone else eavesdropping or seeing them.

Behind the massive billboard face of Nike's most recent Air Jordans release, the two spider people landed near silent onto the cement rooftop. Sunwoo hopped up onto the railing behind the billboard, holding his arms as he walked across the beam with no problems. Changmin climbed up next to him, leaning against the end pole.

"So what's this all about?" Sunwoo asked above the cacophony of New York below.

Changmin crossed his arms. "You know when we recruited you?"

He stopped, turning to face his friend. "Yeah, what about it?" Sunwoo had been recruited to Sangyeon's team of multiversal spider people several months ago, when a particle collider in his universe threatened to dismantle the entirety of space and time as you knew it. When Sunwoo had stopped the collider from being restarted the first time, the resulting test had brought a handful of multiversal spiders crashing into Earth 412. It had been a mind blowing experience to learn about the multiverse, and that, for once, he wasn't actually alone.

He finally met people who understood him. He didn't have to carry the weight of this all by himself.

"We didn't tell you everything." There was a tension in his friend's shoulders and posture as he said this.

Sunwoo eyed him with trepidation and let out a nervous laugh. "What—what does that even mean?"

A tingling sensation erupted in Sunwoo's head, and both he and Changmin's focus whipped over toward the rooftop below where a large orange portal appeared. It felt as if it had torn a hole through the air, shoving its vacuum-like opening through the world. Sunwoo's heart leapt into his throat; it looked like he was about to find out from the man himself.

He briefly heard Changmin's curse disappear in the wind, and the two spiders leapt off the beams to meet the others coming through the portal to greet them.

Through the portal came one other, a Spiderman dressed in dark crimson and gold, a gold colored slab of lightweight metal attached to his back where four robotic metal legs would emerge when summoned. His helmet retracted, folding inwards on itself like that of a gradient��nano technology, as the wearer, Chanhee of Earth 426, had explained to Sunwoo when they first met.

"Did you tell him?" Chanhee asked Changmin.

The scarlet spider gave a brief shake of his head. "Nope," he said. Sunwoo could hear the disappointment in his tone.

"Told you coming earlier would've been better," Chanhee replied, inclining his head as he turned back to step into the portal, a silent beckon for them to follow.

Sunwoo exchanged glances with Changmin. "It's nice to see you too, hyung," Sunwoo teased.

Chanhee sent a look back to Sunwoo just before he stepped fully into the vortex portal. "You won't be saying that pretty soon."

He didn't have time to question any of this interaction, absolutely none. His brain ran wild with possibilities as he followed Changmin and Chanhee back to Earth 114. There was a sinking feeling in his gut… something he didn't even need his spider sense to tell him. Maybe he should have told you he wouldn't make it back for dinner after all.

The New York of Earth 114 was home to the headquarters of the multiversal spiders called the Spider Society. It didn't matter how many times Sunwoo saw it with his own eyes, he could never take the awe out of his mouth. His lips parted in wonder as he passed by criss crossing pathways slicing to his left, right, and above and below him. Spider-beings passed by him in masses, all ranging in different varieties from their own diverse universes.

His friends walked ahead of him whilst making quiet conversation with one another, though it seemed like a hushed argument. That was why he refrained from butting in; something made him stay out of it. He didn't know why he feared what came ahead. For once, it wasn't his head saying it; it was his gut.

The scarlet and iron spider were leading him deeper into headquarters to where the shadows ran darker and the machinery ran faster. They passed by Chanhee's usual workstation where he manned the Go Home Machine, the device that scanned a being's target DNA and sent them back from where they came. Usually it was meant for Anomalies, beings that managed to crawl through the cracks between universes and ended up in one that would not be able to sustain them. Usually.

Instead of Chanhee manning the helm, however, there were a couple other spiders Sunwoo didn't recognize trying to labor over it and watch the machine do its thing. Maybe they were his protégés?

"Hey! You guys aren't teenagers; keep an eye on it, would you?" Chanhee barked at the spiders there, who immediately jolted into action.

Chanhee shook his head with an aggravated sigh. "This is what happens when people can't do what they're supposed to." He sent Changmin a pointed look, to which the latter pointedly ignored.

Sunwoo raised a hand in greeting as a few of his other friends passed by. "Hey guys!"

"Sup man," Kevin, Earth 223's resident Spider, exclaimed back in a wave. He, Juyeon, and Haknyeon all seemed to be headed out somewhere together, most likely on an assignment of their own. There were a couple others who Sunwoo had yet to see just yet, but he had a feeling that was about to be remedied.

They passed all the way into the inner lair, a large tunnel space that opened up into a taller tower-like area, housing a floating platform that acted as an office space of sorts. Navy blue light shone through the skylight at the very top of the tower, washing all of the specimens below it in that cool toned filter.

"—just a kid, Sangyeon."

"I've already made up my mind. Don't fight me on this, Jacob. He's already here."

Sunwoo swallowed at the sound of the distinct voices; he had a sneaking suspicion that the he Sangyeon and Jacob were referring to was him. He fidgeted with the watch on his wrist, trying desperately to calm his palpitating heart.

Changmin and Chanhee led him to the edge of the dark tunnel to peer up into the blue tower office. "We brought him," Chanhee said, his voice echoing against the tower walls.

The raised platform began to slowly make its descent, and Sunwoo gradually saw the spiders located onboard. There was Jacob of Earth 530 with his black uniform and pale yellow accents; and then there was Sangyeon of Earth 114, this Earth, with his broad shoulders fitted in a blue and red costume, a spider on the back that looked closer to fangs rather than the insect itself. Sangyeon was different from most of the spiders here—he was self-made, in the way that he had to continually inject himself with this red shit that made Sunwoo squirm in order to retain his powers… at least, that was what Changmin told him.

When the platform had lowered enough to fully view Sangyeon and Jacob but not enough for it to reach the ground, the two executives turned to face their guests.

"Hi hyungs," Sunwoo greeted, attempting to force the nerves out of his voice.

Jacob shot him a sunshine-like smile. "Hello Sunwoo. Nice to see you." He jabbed Sangyeon in the side with his elbow, urging the eldest to make his greeting.

Sangyeon's stony expression did not change. "Do you know why you're here?"

Jacob made an exasperated face, but said nothing else.

Sunwoo swallowed. "No sir. I'm guessing it's not for tteokbokki."

From beside him, he heard Chanhee snort and had to turn his head away to laugh.

Sangyeon merely lifted an unamused brow. He silently walked off the platform and landed on the ground floor with ease. Jacob followed swiftly after him. "When we first recruited you—and I use that term loosely—" He narrowed his eyes at Changmin in nod to his unconventionally forceful method of getting Sunwoo onto the team, "—we failed to mention something to you."

"I've pieced that much together," Sunwoo said, hand reaching up to cup the back of his head.

"Do you know what we're all connected by?" The blue and red spider asked. "Not simply by the names or insect we represent, but the destinies, the canon events written into our very DNA."

Sunwoo cracked his knuckles, heart kick-starting in his chest again like it was chugging up the incline of a rollercoaster. "What… what do you mean by canon?"

"A canon event is something like a pattern. It's a solidified event in your life, Sunwoo—in all of our lives." Sangyeon activated something with his watch, and the room was engulfed in a living hologram of orange. Lines zigzagged amongst each other like the connected dots, and Sangyeon expanded them with a flourish, revealing a familiar lineup of spider people to whom Sunwoo was acquainted with.

The lights of the hologram cut across the shadows of Sangyeon's face like a nightmare. "We're all made who we are by these canon events. Each spider being from each verse is shackled to the death of a mentor figure—"

Scenes of uncles and fathers being murdered flashed before Sunwoo's widened eyes, his body going slack at seeing his own uncle's dying breath leave his body. He couldn't even figure out what to say or think; his tongue had gone heavy in his mouth, words stringing together as slow and thick as wet sand. He couldn't breathe, all of a sudden. His uncle's eyes lost the light in them, they dimmed and dimmed and dimmed—hadn't it been all his fault? Couldn't he have been there to stop the robber?

"—and the death of one Captain or his… child."

More hunched over figures, one after the other, blood, tears, death—why was this being shown to him? Tears welled up in the corners of his eyes. Wait—did he just say Captain or his child?

"What," blew out of Sunwoo's mouth, breathlessly. "Wait, are you saying that—that Yn, my Yn, or her father is supposed to die?"

Sangyeon didn't answer immediately, but instead said gravely, "Canon events must happen, Sunwoo, or the fate of that world would be at stake. It would implode in on itself and destroy millions of innocent lives."

Sunwoo felt his heart rate spike, head whipping around to Jacob, to Changmin, to Chanhee. He imagined his eyes looked wild. "You're telling me she's going to die? Or her father—and, and what? What's the point of telling me all this?"

He couldn't let you die. He couldn't bear that devastation—not without at least trying to save you or your dad.

"When?" He huffed, fingers diving into his hair, mask fisted in one of his hands. "When is this happening?" He demanded.

A beat. "Three days."

Everything went quiet… and then the sound came rushing back in like a tidal wave crashing toward the shoreline.

"I have to save them—"

Jacob's voice cut in. "Sangyeon," like a warning.

But Sangyeon shook his head. "Oh no you don't."

Blood thundered in Sunwoo's ears as he yanked his mask back over his head and made a dash for the exit, only to have an orange, crystalline cage trap him in his place. Panic clambered into the dregs of his throat, suffocating suffocating suffocating…

"Sangyeon!"

"Sangyeon, don't do this!"

"He's just a fucking kid—!"

The world was spinning, and Sunwoo grunted as he punched and assaulted the cage walls, his friends pressing up against the outside and attempting to break through, too. "LET ME OUT!"

There were deep shadows beneath Sangyeon's eyes and he watched on with little to no sympathy. "It's for the good of the multiverse, Sunwoo. You'll understand someday."

Sunwoo bared his teeth. "You can't fucking expect me to not fight you on this."

"It will only be for a few days."

"Fuck you!" The amounting rage in Sunwoo's veins accumulated in a mass of electricity, and he forced that energy out at the force fields trapping him in. He screwed his eyes shut, arms swinging over his face, as he protected himself from the blast. When the cage shattered and blew his colleagues backward, Sunwoo wasted no time in sprinting down the hall.

An enraged roar followed after him—a web shooting past Sunwoo's face—not to grab Sunwoo, but instead to rip the watch right off his wrist.

He swore under his breath as he tripped over a piece of metal, cursing even more as he racked his brain for a way to get back to his earth.

"Bring me Kim Sunwoo," Sangyeon's voice boomed throughout the Spider Society's headquarters, accompanied by whirring red apocalypse lights, "don't let the Anomaly go home."

Anomaly—?

But Sunwoo had little time to dwell on that choice label as he slid through a closing doorway, nearly missing another spider's web flinging at his face.

"Okay, Sunwoo," he said aloud to himself as he emerged into the main quad area. It was bright out here, and hundreds of spider beings milled about like they were all at one massive Spider convention.

"He is an Anomaly, and considered armed and dangerous."

"Oh, shut the fuck up!" Sunwoo cried in distress, aiming his web shooter for one of the high rafters as everyone in the room set their eyes on him.

Dodging skilled versions of himself was not the easiest task, and he weaved through the masses like something akin to a thread through the eye of a needle.

He dared not look back as he crashed through one of the windows of the society headquarters and went soaring down into Earth 114's main city. The city itself was a funnel dive, forcing Sunwoo to zip his limbs to his side and thread the needle through multiple layers of hover transportation and floating roads. Cars were turned up on their sides and he nearly hit his head on a dozen traffic lights.

"Get him!"

"This guy is everywhere!" Sunwoo groaned as he leapt from hood to hood, eyes scanning for a place to duck into and hide. The tingling sensation in his brain was ever-present, and kept him well informed of the encroaching Lee Sangyeon.

"AHHH FUCK!" He screeched, forcefully diving off the side of the road. A long, screeching honk echoed after him. "It's always the buses!"

The level below became a labyrinth of metal rafters and pipes. Steam blew out from unseen origins, but provided the perfect cover for Sunwoo to slip through and catch his breath. He pressed his back up against one of the cool, metal bars, his fingers pressing against his eyes in an attempt to keep the tears at bay.

His heart was five palpitations from clearing his ribcage at this point. He needed a plan—he had to have a—

"What the—" Web slapped against his back and yanked him into an abandoned alcove, "—shit!"

Sunwoo groaned as he crashed to the hard ground, furiously rubbing his tailbone after the impact. He glanced up and met Changmin's eyes, who kneeled down beside him.

"Before you go all rage on me," Changmin said and held up his palms in surrender, "just hear me out, okay?"

Sunwoo's chest rose and fell rapidly. He narrowed his eyes on his friend whose face was hidden behind his own mask. "Yeah, okay… fine," he huffed, "but only… only because—" he staggered, climbing to his feet, "I need to catch my breath."

Changmin cocked his head as if he didn't believe that. "Ohh-kay whatever you say." But even as he said this, he still kept his hands out as if placating a hungry lion. "Sunwoo, I know it's a lot to take in—"

"Yeah, no shit," he spat. Fear spiked in his chest, so hard that it was experiencing a heart attack each time. His uncle's death replayed in his head over and over—but now your eyes, draining of life, joined that visual. It was enough to make dread weigh in the pit of his stomach, an anchor that dragged him down. And yet, the adrenaline was still there, the instinct to do something about it.

His friend suddenly tugged his mask off, revealing his face and mess of curls glistening in sweat and worry. "Hey man, I know it's scary and I know that it is unfair—"

"Hyung, he wants me to let them die!"

"It's to save lives, Sunwoo!"

"So you would let your own significant other die? Even if you have the foresight to save them?" Sunwoo scoffed in disbelief. "You would leave their life or their father's life to whatever bullshit—a canon event—dictated?"

Changmin's brows furrowed and he swallowed. "It is not that simple."

"It sounds pretty damn crystal clear to me."

His friend inched toward him. "We're all mad about it, Sunwoo—devastated, destroyed, even. It's not something easy to digest—and, and I admit that I haven't even fully digested it myself. It's not something I've really… I've really thought about."

Sunwoo stared into Changmin's eyes as if he could peer right into his soul. There was pain in Changmin's voice, a sort of tension that he could identify with. A tension that was human. Sunwoo's hands shook. "Changmin—" he exhaled, "—Changmin, I'm scared."

There was that sheen of compassion in Changmin's eyes as he planted his hands on either of Sunwoo's shoulders. "It's okay. You're gonna be okay. I got you."

And for a second, Sunwoo believed that.

Beep beep beep… Both heads whipped toward the watch on Changmin's wrist. "Target acquired. Changmin, we are heading toward you now." Sangyeon.

Betrayal ripped through Sunwoo, a strike of lightning, and he tore away from Changmin, stumbling and knees shaking. The latter gaped at him, then the watch on his wrist, mouth open like a gaping fish. "I—I swear to god, I didn't know it could do that—!"

It was no use. Sunwoo didn't have the time to entertain what ifs—he launched himself out of the alcove just as the walls crashed inward with the arrival of backup.

Think, Sunwoo, think!

Sunwoo furiously stumbled, clambered, whipped himself up and through vehicles screaming toward him and at him. His ears rang with the echoes of their horns, along with the distant (but encroaching) sound of Sangyeon's voice.

Why was keeping Sunwoo at bay so important? There was no way that stopping two people from being murdered would cause a rift in the space-time continuum. He couldn't be that important in the grand scheme of things—?

A hand grappled his ankle and Sunwoo yelped.

"Kid, you're making a mistake!" Sangyeon yelled above the cacophony of traffic raging all around them.

Sunwoo, heart beat tittering on the brink of collapse from the jumpscare, held firm to the hood of the SUV headed up and out of the main city. He peered under him, where Sangyeon stood just below, his hand stopping Sunwoo from going any further.

"You have nowhere to run, you know."

Sunwoo knew. God, he knew. "How could you step aside and let them die?" He exclaimed with his whole chest. He couldn't bear the thought.

A muscle feathered in Sangyeon's jaw. "You would choose the life of one person over millions? You're too young to understand, Sunwoo."

Youth, that was always the fucking argument, huh? Sunwoo's lip curled in disdain. "Just because you couldn't save whoever in your past doesn't mean that I—can't!" With the last word, he stomped Sangyeon's hand away with his other foot and flung himself further up to the next vehicle.

He heard the growl of rage behind him as he scrambled to swing himself up to the next thing. He slammed his fingers against his web shooter, spitting web fluid against the wind berating him at anything, literally anything it could catch.

When it caught onto something, he went flying with it—soaring up toward the sun on the high-speed train.

A flurry of spiders followed swiftly after him as Sunwoo continued his climb. Heart pounding, he gasped for air at this altitude, head twisting backward to catch a glimpse of how he had done so far.

You have nowhere to run, you know.

Well, Sunwoo didn't have to run anywhere. He just had to get far enough.

Sangyeon was the closest on his tail, his teeth bared, and for the first time, Sunwoo could see the threatening gleam of his razor-sharp canines. He made one massive leap up to where Sunwoo was, yanking down on his legs, clawing at his back. Sunwoo kicked his legs out in an attempt to fling him off—shot web fluid in Sangyeon's eyes, but it only seemed to irritate him even further.

Sunwoo cursed as he rolled out of the way of an incoming punch, cursing again when Sangyeon fisted the material of hoodie and pulled him into his grasp, predator meeting prey.

Sangyeon grasped him by the back of the head and slammed his face into the metal— "Maybe I should just get rid of you," he growled into Sunwoo's ear as the latter tried desperately to swing out of this hold, "you weren't even supposed to exist anyway."

Something foreign tugged at Sunwoo's chest. "Man, you gotta stop talking in riddles—!"

He pressed his side against the train car and horse-kicked Sangyeon's lower waist as hard as he possibly could. As if it happened in slow motion, he watched Sangyeon lose his grip and fumble to stay on board the train, but it was enough.

Sunwoo dove straight off the metro and headed straight for the now abandoned headquarters, hands jamming into the pockets of his hoodie and catching the wind to slow his fall. Wind roared through his ears, muffling the sound of Sangyeon's pure irritation as the older spider no doubt dove after him. Sunwoo's eyes zeroed in on his desired landing place, cradling his head with his arms to soften the impact.

The window shattered on impact—he tucked, rolled, and ran.

This time, he willed himself to turn invisible to the eye, even heightened spider eyes. His brain scrambled as he made a mad dash for the Go Home machine. It was somewhere around here—which damn hallway was it in—?!

"Where did he go?" Sunwoo heard from down one open corridor, which made him crawl up onto the ceiling and remain there until he got to his desired location. It hadn't been Sangyeon, but all of his friends had been chasing after him just the same.

He couldn't trust anyone.

Steeling his resolve, Sunwoo leapt off the ceiling and played around with the controls, dancing around the control panel and trying desperately not to panic. He couldn't have possibly run for an infinite amount of time; he only needed to buy himself time to use the one other option he had to get back home.

"Fuck fuck fuck," he muttered to himself when the monitor began playing a very loud song out of the speakers. But it was too late, even as his hand slammed down on the button to mute it.

"SOMEBODY'S PLAYING MY BALLROOM EXTRAVAGANZA." Yep, definitely a Chanhee playlist.

Sunwoo felt the sweat trickle down his spine—but then he swiped his way through controls and somehow managed to hit gold.

"Sequence initializing," announced the machine, and Sunwoo could have screamed with delight and relief.

That was, if he wasn't currently being hunted.

Still shrouded in his invisibility, Sunwoo swung himself onto the steel platform poised at the center of the massive chamber past the control board. A metal arm emerged from the side of the board, an amber orange light scanning over his form.

Chanhee and Changmin barreled into the room, going straight for the control board having yet seen Sunwoo on the platform.

"What's happening?" Changmin cried out as he gripped the edge of the railing, his eyes whipping between the platform and the computer.

Chanhee's two arms and mechanical spider limbs worked furiously to override the sequence. "I don't know!" He grunted. "It's not listening to me!"

"DNA match found. Go Home sequence, commencing."

Sunwoo's physical appearance materialized on the platform just as the machine arm began crafting a crystalline-like webbing around him from the ground up. When both Changmin and Chanhee saw him there, Sunwoo's arm raised, fingers poised over his web shooter trigger.

"Don't stop me," he said, forcing power into his voice. He was trying hard to not let his knees shake right now.

His friends gaped up at him. "Sunwoo, you can't—"

"WHAT'RE YOU DOING? STOP HIM!" And just like that, Sangyeon and company rushed into the chamber like a stampede of buffalo, the former of which going straight for the platform Sunwoo was on.

55% completion.

The crystal had just finished encasing Sunwoo in its cocoon, and Sunwoo yelled as Sangyeon slammed against the outside.

He flinched back. "Just let me go home! I want to go home!" He cried out, hugging his hands to his chest.

Sangyeon beat at the outside with his fist, at first, doing nothing to the crystal—but when it began to crack, Sunwoo's heart dropped clean into the pit of his stomach. "You know why you can't," the man grunted, rearing his fist back to land another solid CRACK to the cocoon, "I have to save the multiverse, and you're in my goddamn way."

75% completion.

"Just leave me alone!" Sunwoo shot back, then backed up against the opposite side of the capsule as Sangyeon's arm cracked through.

90% completion.

He cursed, feet scrambling against the platform as he tried to stay out of Sangyeon's reach.

"You're gonna regret—"

Sunwoo didn't catch the end of Sangyeon's sentence, though he could probably guess what it was. He felt the familiar, yet somehow alien, suction of the vacuum portal. One second, Sangyeon was breaking his fist against the crystal cocoon, and the next, Sunwoo was gone.

Sunwoo emerged in New York to a glorious late afternoon and fell straight out of that saturated, blue sky. He swore colorfully as he just managed to shoot his webs up at the nearest building and swing himself to safety. He landed on the edge of a rooftop, but he couldn't find the Air Jordan billboard he'd been at earlier.

But he noted Time Square just a few blocks down from him, and a few buildings he recognized from central New York City.

"Get to Yn," he muttered to himself, breath heaving as his heart palpitated in his chest. He determined the direction he had to go in, then began making the trek across the city.

His first priority was to find you, to warn you. He didn't know what or how the canon event would play out, but he desperately needed to make sure you and your dad were okay. You had to be okay—

Tears stung at the corners of his eyes as he narrowly missed another screaming bus, turning the corner to your apartment. The sun was sinking into the horizon now, casting an eerie, blood orange tint across the skyline.

He could barely get his thoughts in order: you, your dad, dead, alone, alone, alone.

As he neared your apartment, he could recognize your silhouette in the window as you hunched over your desk, no doubt studying hard as usual. A smile crept onto his face, a giddiness only you caused, sending a jolt of energy down his spine. He was relieved to be in your arms again soon, maybe even in time for dinner—

Wait.

He paused, web latching onto the fire escape above yours like usual, you never had sheer curtains. They were always shutters—

An internal alarm in his head screamed.

A blur of red and blue crashed into Sunwoo's body, sensing him and the body that tackled him, straight to the alley below. For a split second, he panicked at the thought of Sangyeon already finding him so soon, but it didn't take long for him to realize that… this wasn't Sangyeon.

He and his blue and red assailant wrestled on the floor of the alley, throwing punches that missed, ripping webbing from their eyes—Sunwoo swore as the other guy kneed him in the stomach and pinned his wrists and knees down.

"Who the fuck are you?"

Sunwoo's eyes widened as he came face to face with himself, but red and blue in all the weird places. There were silverish lines criss crossing across his suit mimicking the lines of a spider's web. This guy didn't sound like him though… He glared. "Who are you?"

With a surge of courage, he whipped his forehead upward and straight into his opponent's, sending him cursing and scrambling away.

Sunwoo wasn't in much better shape either, but though his forehead throbbed, he forced himself to his feet.

He and this… alternate Spiderman stood across from each other, walking in a tantalizingly slow circle, assessing the other. It felt awfully familiar, this experience; maybe he'd seen it in a meme somewhere.

"I'm Spiderman," Red and Blue drawled out slowly, carefully. His head cocked to the side. "Who are you?"

Sunwoo froze. "I'm Spiderman."

Red and Blue Spiderman stopped short. The white eyes of his mask narrowed. "Who sent you? Osborne? Doc Ock?"

Sunwoo made a face. "Who?" What was a Doc Ock...

"And what the hell do you want with Y—I-I mean, that… uh, that random girl in the apartment?" Red and Blue scratched the back of his head awkwardly as he stammered out a cover-up.

"Nice one," Sunwoo deadpanned. Then, as the information marinated in his head and the cogs in his brain began to turn, a realization dawned on him… and it filled him with pure terror.

Red and Blue must have sensed Sunwoo's dread. "What? Got nothing to say now? How about I—"

"What Earth is this?" Sunwoo blurted, head swiveling to and fro to find some kind of indication that he hadn't just royally screwed up. He shot a web up to the top of the nearest apartment building and swung himself up.

Red and Blue blinked. "Huh?" He swiftly followed after him. "Dude, dunno what rock you crawled out from under, but there's only one Earth in this solar system. You learn that shit in first grade." When he landed on the rooftop, he trailed after Sunwoo, who was busy soaking the skyline around him with a new pair of eyes.

Everything looked relatively the same.

It all smelled the same.

"—as always, this is your daily reminder to keep your eyes peeled for the Spider Menace!—" Sunwoo tracked that awfully annoying voice broadcasting from an electronic billboard more than a few blocks to the west. Featured on the screen was an older man with salt and pepper hair, and a mustache shaped like a broom. His face looked like one of those that were trapped in a perpetual state of irritation.

He made a face. "Who the fuck…"

Red and Blue made a guttural sound of disgust. "J. Jonah Jameson. My absolute best bud."

Sunwoo's head turned toward him. "People don't like you here?"

A snort. "I wish. Tough crowd, I guess."

Sunwoo pursed his lips into a small frown, but nodded. He could relate to that. The authorities and public had mixed views of him, especially at the start of his career. Even if he aimed to save people every time, he couldn't exactly pay for all of the damages done to buildings and structures and… well, people.

"You're not from here, are you?" Red and Blue said after a moment.

The dread, the panic, the fear, was beginning to creep into his nerves again. Sunwoo cracked his knuckles, trying to wrack his brain for next moves. Anything, anything. "Yeah," was all he could voice. Reality was a quicksand he was sinking into, deeper and deeper.

"I'm guessing that doesn't mean you're from LA, does it?"

Sunwoo laughed, but it was a sad sound. "I wish. No, it's more like… a different universe."

"So... you have your own Yn in that universe?"

Sunwoo swallowed. "Yeah."

His colleague gave a small nod, unable to find anything to say to soothe Sunwoo's nerves. There was so much trembling in his voice, his fingers, his knees…

From out of his periphery, Sunwoo spotted a hand extended out to him. "Well, since it seems we're both spider people—I'm Eric."

Sunwoo glanced from the hand offered and the red and blue mask, eyes locked on him expectantly. He clasped Eric's hand. "Sunwoo."

With a firm shake, Eric said, "Well Sunwoo, how about we find a way to get you home, huh?"

He hadn't even realized tears had dampened the fabric of his mask until he sniffled. Sunwoo released a shaky breath, eyes wandering back to the skyline that had looked so close to his, but was now a complete foreign entity. He had less than three days to get back home to you with seemingly no way back at all.

a/n: honestly unsure of a sequel lol but it would be cool to explore eric's spidey universe

tbz m.list

permanent taglist: @crazywittysassy @seomisaho @stopeatread @enhacolor @rnjfy @jaehunnyy @kpopjackie @spiderrenjunfics @soobin-chois @stayarmytinyzenmoa-l @mingiholic @ja4hyvn @vatterie @yogurteume @ethereal-engene @hyunjaespresent-deobi @justalildumpling @hongyangi @pxppxrmint @nerdypastacalzonespy @miusgirl @zhaixiaowen @wtfhyuck @winterchimez @sodafy @fluorescentloves @tinkerbell460 @kflixnet @gyulfriend

#kflixnet #deoboyznet #the boyz x reader #kim sunwoo x reader #sunwoo x reader #the boyz oneshots #the boyz drabble #the boyz scenario #the boyz imagines #kim sunwoo oneshots #kim sunwoo drabbles #kim sunwoo scenarios #kim sunwoo imagines #sunwoo imagines #sunwoo drabbles #sunwoo scenarios #sunwoo oneshots #the boyz fanfic #the boyz marvel au

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squidthesquidd · 4 months ago

Note

I need to know now about these AU's if you prefer of course I wouldn't want to force you may remember to take care of yourself and drink lots of water You are loved

AN EXCUSE TO TALK ABOUT MY AUS??? YES PLEEEASSSE RAAAA

ok this is gonna take awhile and be verrrry long so the list is under read more <3

Subfishmas au

so this au some ppl may know :3 cus i started a comic about and and never finished it. Emmet and Ingo are pokemon fish! ingo is a Basculin and dies on Hisui island after an adventure goes wrong, then evolves into Basculegion. Emmet thinks his brother is dead but is desperate to find his body. the people of hisui are not fish, they're just humans. Hisui isn't in the past, and is just an island inaccessible to fish! Ingo and Akari are the only mers that are on the island. I reallly gotta continue it some time

Twin dragons au

we all know at least three variations of this one. Emmet is Reshiram and Ingo is Zekrom. shenanigans ensue. it's not exactly a secret and most regulars to Gear Station know, but those outside of Nimbasa aren't told and would have to find out for themselves.

Masked au

a bit of a weird one but i still love it!!!!! Emmet gets sent to Hisui to find Ingo, but because of the mask he wears, no one knows he's Ingo’s twin. he's also completely nonverbal for the first few months he's in Hisui. even when he becomes more verbal, it's not by much, and he basically only ever talks to Melli. also Warden Emmet!!! he's the Warden of a fire/rock type Galvantula third evo called Drifider

Demon Slayer au

Just your average character replacement au! Ingo is Tanjiro, Emmet is Nezuko, Elesa is Zenitsu, and N is Inosuke. it basically follows the plot of demon slayer but there's Elesa X Emmet X N cus im mentally ill <3

My Other Demon slayer au

Everything is the same but! emmet and ingo are there :) emmet is a thunder breather that can do some basic flame moves, and Ingo is a flame breather that can do some basic thunder moves! for some reason tho, Ingos flames are purple. no one knows why that is :P. also they’re besties with tengen and kyojuro cus i love them <3333

Gem au

Emmet and Ingo are Onyx’s in Steven Universe. they are very small and very confused. they’re off-color Onyx’s that came out much too small, and after an incident where Ingo gets poofed, they decide to escape Homeworld and land on Earth! I actually started writing a fic about this, but haven’t finished lol. maybe some day

Fnaf au

haha what if Ingo and Emmet were the daycare attendants. they're twin robots that share a body, like the DA in canon. And also like canon, Ingo (moon) has a glitch that makes him dangerous. :3

Other fnaf au

Fnaf one style. Emmet and ingo are the only animatronics and elesa is the night guard. they do try to kill her the first few nights, but eventually the become friends :D

Tiny Emmet au

Emmet finds Jirachi and wishes to be with Ingo again, but Jirachi cant send all of Emmet back, so Emmet is sent to Hisui very very small. Ingo finds him. silly goofy shenanigans ensue. Emmet's clothes don't shrink with him, so he uses his coat as a tent and Ingo makes tiny clothes for him.

HLVRAI

Akari is Gordon, Emmet is Coomer, Ingo is Bubby, Elesa is Tommy, Volo is Benry, Laventon is Darnold, N is forzen, Drayden is Gman. silly goofy

Voltron au

Emmet and Ingo are alien gods that run a space subway. also season six never happens!!!!!!!!!!!

Spiderverse au

Ingo and Emmet are now spider-men! Emmet is Galvantula and Ingo is Ariados :3

Hisui caretaker au

Emmet and Ingo are Reshiram and Zekrom, and they are also just infant baby dragons. they accidentally get sent to Hisui and Irida and Adaman end up taking care of them. there are shenanigans.

Yugioh

Emmet is basically Yugi, and Ingo is Emmet's dead brother that's also kind of a pharaoh (because time travel) that possesses Emmet when he plays duel monsters sometimes. Elesa is like a weird anzu/jouno fusion?? Honda is someone. N is Bakura... who on earth would kaiba be....

Tranaformers au

Emmet and Ingo are the cybertronians Emit and In-go (like emitting and ingoing) Ingo loses his memory and is convinced that he's a decepticon by Megatron, so Emit joins the Autobots because they offered to help get Ingo back. (probably tfp cus tfp on top fr)

Minecraft au

Ingo is infected by sculk and becomes the Warden, and Emmet is trying to find a way to reverse this. Ingo kills Emmet a lot and everyone has trauma now

Vampire au

this ones conductorshipping centric lol. Elesa is a vampire and both Emmet and Ingo know this. Emmet gets into an accident and is near death, and help is too far away, so Elesa turns Emmet so he’ll survive. Now Emmet has to navigate being a vampire and also trying to keep a relatively normal life.

Big brother bug brother au

Ingo is Zekrom, Emmet is a Joltik and a bit of a menace. silly goofy fluffy shenanigans ensue.

Dead end au

Ingo just fucking dies in Hisui and then Emmet is sent back in time and has to deal with the fact that his brother is dead and he'll probably never go back home. and everyone is isolating him because he looks too much like Ingo and they don’t wanna see his face. and Emmet also is forced to take over as Lady Sneasler’s Warden. but she ALSO kinda hates him cuz he’s NOT her real Warden, no matter how much he looks like it (i want to say more but SPOILERS RAAAAAARARA)

Fallen angel au

I’m bringing my Christian/bible Lore special interest into this but only a lil bit. Emmet and Ingo are angels (biblically accurate freak’s because ofc <3 ) but Ingo straight up falls outta heaven and into Hisui. now there's a fallen angel (not quite demon) hanging out with the humans

Black butler au

Emmet’s EX va and Sebastian's va is the same person so i had to, don't look at me. anyway what if elesa had TWO demon butlers. and they were Ingo and Emmet. and all three like to harass Ciel <3

Celestial bodies au

I take submas and I put them in space. and also they are gods

Streamer au

au where Emmet and Ingo play video games. that's it, they stream video games. it’s funny

Overlord au

either Emmet and Ingo are NPCs in Nazarick or they’re new worlders that befriend Ainz. i dunno. i think they should interact cus I’m mental illness

Multiverse travel emmet au

while trying to find Ingo, Emmet accidentally figures out how to travel through different universes. he causes problems on purpose to spite god also

Totoro au

the plot of Totoro but with submas. also Drayden is the dad probably

Squidd World au

submas but they are in my OCs world!!!

PMD au

Emmet and Ingo are little beasts now and their rescue team is called ‘Gear Station Rescue Team’

Undertale au

what if Emmet and Ingo were the skeleton brothers. i think that would be funne (emmet is sans and ingo is papyrus btw :3)

Masked dragon au

Same as masked au BUT!!! Emmet is also Reshiram and Ingo is Zekrom (Ingo forgor he’s a dragon lmao)

Partner au

Emmet’s an Eelektross thing and Ingo’s a Chandelure thing. there are shenanigans

Soul bond au

Emmet and Ingo have minor twin telepathy, and can also feel each other's emotions and injuries to a certain extent. this makes Ingo getting sent to Hisui verrrry wack

In my Puter au

Emmet and Ingo are tiny lil sentient AIs that live in Elesa’s computer. also she might build robot bodies for them but who knows

Sonic the hedgehog au

Emmet and Ingo but they are silver foxes (animal, not old hot guy) in the Sonic Hedgehog universe

Emmet has a bad time au

After Ingo gets sent to Hisui, elesa also gets sent to Hisui. Emmet is now completely alone and develops some very bad no good coping mechanisms. and when he's right on the edge and he's about to snap completely, he also gets sent to Hisui.

Star trek au (travelers)

Emmet and Ingo run a space subway and are a ‘character of the week’ type thing

Star trek au (tng)

Submas but they are on next gens enterprise and are besties with Data

Star trek au (ds9)

now they're besties with Odo <3

Star Trek au (disco)

and NOW!!! there are besties with Saru <3 im living out my fantasies through submas and my fantasies are being friends with my Star Trek blorbos

Animal Crossing au

Emmet and Ingo make a town on an island. its Animal Crossing

Sky:cotl au

Emmet and Ingo but they are sky kids!!! Emmet loves grinding for candles and drags Ingo around with him on candle runs

Minecraft beasts au

basically i just make Emmet and Ingo into various mobs and then sic em on player Elesa (they’re friends dw) there are many but im counting it as one cus its a formula

d&d/high fantasy au

shooting Submas with my DND laser beam. not very fleshed out, but i think Elesa would be an elf

We’re okay now au

post PLA where everything’s okay and it's all fluff because that's how i deal with things

flight rising dragon breeders au

Emmet and Ingo breed dragons and go on dragon related adventures because flight rising. also Emmet is addicted to Mahjong

sending emmet to mcu for shenanigans au

I’m sending Emmet to the MCU so he can be friends with my MCU blorbos. (it's Arceus’s fault) Ingo is also there and the Avengers are helping Emmet find him :)

haha what if i made a fullmetal alchemist au

Emmet is Alphonse and Ingo is Edward. it's just more shenanigans honestly.

World champion kids au

Emmet and Ingo take the players role as kids running around challenging gyms. they travel to all the regions made so far and beat everyone the fuck up

Cave creatures au

N finds an injured Galvantula drider in the depths of Chargestone Cave. It's Emmet. N decides the best course of action is to nurse this big fuckin spider back to health 😎👍 but its a big fuckin spider so there are shenanigans. gay people

buzzfeed unsolved au

Emmet as Shane and Ingo as Ryan. silly goofy shenanigans. honestly just made this so i can use Buzzfeed unsolved audio for submas animatics

Terraria au

Emmet is a Melee main, Ingo a magic main, and Elesa is a ranger main. the besties are in terraria and really fuckin op!!! Also N is there and a summoner main. Akari’s a yoyo beast

Backroom wanderers au

Emmet and Ingo get sent to the backrooms!!! adventures and shenanigans ensue!!!

Double Amnesia au

Emmet gets sent to Hisui a bit after Ingo does, and also gets amnesia. He gets picked up by the Diamond Clan and later meets Ingo. Neither knows they are twins, but immediately become besties. Everyone just assumes they’re relatives from different time :P silly goofy shenanigans

Doctor who au

Emmet and Ingo are timelords with a tardis, Elesa is their companion. SHENANIGANS!!!! the tardis has a broken chameleon circuit and looks like a train car

Giratina possession au

Emmet gets possessed by Giratina. Now he's unhinged. no one's okay. this is an excuse to draw unhinged emmet

MLP au

what if they were horses

Pokemon snap au

Emmet, to deal with the loss of Ingo, decides to fuck off into the woods and becomes a photographer, and ends up discovering some wack ass things while he’s at it. Emmet accidentally takes a photo of a newly un-eebied Ingo but it's so blurry he's convinced it's a new pokemon. so he goes to hunt it down. and Ingo desperately tries to hide from this strange guy chasing him cus what the hell??? what does this weirdo want

Sphinx au

what if everyone was animal

Venom au

Elesa is a pathetic girlfail that finds two cringefail malewife aliens goo things and decide that they are her boys now

Soul eater au

Emmet and Ingo are Elesas weapons! shenanigans!! emmet and ingo can also wield each other

HTTYD au

submas but they r… dragon riders :3 lmao are they scottish now

Slay your brother au

slay the princess au. emmet is the princess, ingo is the hero, and volo is the narrator. Volo squished Giratina and arceus into the train men cus he wants arceus super dead (the damsel is replaced with the child also)

Cobblemon au

Emmet and ingo are in cobblemon! they crafted one million master balls someone stop them

Dragonvale au

Emmet and Ingo own a dragon zoo. its dragonvale. they have so many dragons

Infinity nikki au

what if they went on fashion adventures. elesa is definitely there

and thatssss 64 AUs in total! more will be made :3 mark my words

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alchamy34 · 4 months ago

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Marvel is disappointing me because of its cowardly mindset

Okay, I don't really hate marvel but I'm not going to pretend to like the recent films and series.

I think there are too many cringe plots going on. Its definitely because the film crew have forgotten why marvel was so successful until endgame. Meaning they just don't know what they're doing anymore.

I watched Venom 3 and boy was I upset like every other symbrock shipper. Its been expected by all of us that Eddie and Venom should be more obvious about their relationship. Sadly marvel is ignoring us because they care more about pleasing a specific crowd of critics and sponsors than the millions of fans who actually pay to see their movies.

(Don't attack me but I'm just saying what I have observed recently)

Not only that but they are so in the zone of making male lead movies but don't take most of the cooler female characters more seriously. Ms Marvel series proved my suspicion. Ever noticed how Marvel is basically making almost all their masked characters expose their identities to a slightly big number of people or just completely public?

Spider-Men fighting the villains on the movie No Way Home was the most irritating part.

I'm so annoyed by the fact that the filmmakers want to show off the actors playing their characters. We get it! But I don't care what actor you got! Just that they portray the character well on screen. I just want to see a superhero introduced to the big screen.

Marvel is also scared of disappointing the older generations who do not accept things that fans of my generation and under are already ok with at our young age. Tumblr bloggers and artists already try to encourage people to support queer marvel characters because marvel won't openly confirm their sexualities (thank god its obvious or implied in comics). I've seen very few exceptions and I want to research more.

Eddie and Venom being confirmed as best friends or Eddie saying their just friends makes me even more annoyed. Does marvel even know how many fans shipped them in the movies and comics?

I was so disappointed that we won't see Eddie and Venom face off against Knull later on. It did happen in comics and I had high hopes that I would see a live action version of it. I was expecting that after Venom 2018 movie came out.

And of course I'm going to bring up the spiderverse franchise. Marvel knows that if they make a ghost spider (gwen stacy) standalone movie or series then they can't possibly make it completely heterosexual because her comics were pure lesbianism.

I hate how much power they're letting homophobic superiors have over them. So they'd rather lie to our faces and convince us to ship Gwen x Miles.

The comics actually already told us why Gwen and Miles being a couple is a bad idea.

So I might be attacked or hated but I'm saying all this as an individual and a very observant fan.

#marvel #mcu #eddie brock #venom #symbrock #unmasking superheroes is stupid #homophobia #spiderman itsv #spiderman atsv #marvel is cowardly #marvel is cringe right now #LGBTQ+#spider gwen #gwen stacy #Spider-Man #fyp

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sataraxia · 2 years ago

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you're losing me.

miguel o'hara x fem!reader

summary: 'you're losing me' by taylor swift.

genre: angst, so much angst. basically a songfic.

warnings: cursing, violence, hard violence at the end, the reader shows signs of bpd. it "continues" the across the spiderverse plot.

a/n: i wanted to do this for a while now, i'm a fluff fan but a taylor swift one first. english isn't my first language so pls let me know my mistakes.

w.c: 13.2k

You have been with Miguel for more than a while now, just without a confirmation in between, there was never an "I love you", much less an " I’m sorry", but you two knew it, you cared for each other, and it would always be like that, no need for words.

But it was later that you really got to know the man you loved unconditionally.

You say “I don’t understand and i say, “I know you don’t”

“Love, you’ve been with that for a whole week, don’t you think it’s time to stop?” you said with no more than sweetness and care in your voice.

He didn’t say anything, not even look at you.

“I know that it’s important, but you haven't been eating, or sleeping well.” letting out a sigh, you tried to approach him. “I'm going out on a long mission tomorrow, you know, we could get dinner, or something.”

“I don’t understand how you could think that getting dinner is more important than this, and you should be working too, get out.” it was like he had put a wall between you two, ‘cause you didn’t dare to get closer than you were.

And it’s been like that for some time now, since the events of earth 1610, he’s been a workaholic, but you could take it, you always could.

“We thought a cure would come through in time..”

You’ve been out on this mission for almost three weeks, you missed your friends, missed Miguel, ‘cause maybe, just maybe, he was being himself again.

Of course not. When you arrived at the HQ, more specifically his office, the first thing you saw of him was a man yelling at a kid that a citizen was supposed to be dead, and the same fate was meeting the kid’s father.

The thing was, you didn’t really enjoy talking about canon events with Miguel, because you don’t like the term, in fact, you hate that he invented a word that justifies all the pain you, and everyone here, endured.

You wanted to do something, help Miles, but your thoughts were blurry, knowing that every decision you take from now on can change everything with Miguel.

“..now I fear it won’t.”

“Remember lookin’ at this room, we loved it ‘cause of the light.”

The chase after Miles already started, and you just stood there, while every other Spider-Man was trying to capture a kid.

You wanted to scream, most likely to the man who gave the order, but you had to stay on his side, right?

At least that was what your body wanted, ‘cause suddenly you were in the platform, the one where Miguel had brought you everytime you were injured, where you had your first kiss and the so many more that followed.

You didn’t even think about it, you started helping Miguel telling him where you saw Miles in the cameras, opening the path for him.

“Now I just sit in the dark and wonder if it’s time.”

This was the man you’ve fallen for? the one that was hitting a kid, telling him that he shouldn’t even exist? you knew part of his behavior was because of his feral instincts, but trying to justify this was making you sick.

You saw how Miles was running for his life, feeling betrayed by his own people, hurting like hell just wanting to come home to his parents, that’s when it hit you, you couldn’t do this.

He reached the machine that would send him “home”, you could hear your lover yelling at you from the ear piece that you two shared “Shut it off! Come on!”.

“Do I throw out everything we built or keep it?”

Your thoughts were colliding in your mind, the typical “my heart wants something but my brain another” line sounding everywhere.

But time took the choice for you, Miles was already gone and you didn’t do anything to stop it, nothing came from the other side of the communicator, but you’ve never heard a silence quite this loud.

The fear that you were experiencing right now was almost unrecognizable. almost.

“I’m getting tired even for a phoenix, always rising from the ashes”

It was the same fear that you had the day he found you.

Like every other spider person, you had been through a lot, but it came to a point where your family didn’t acknowledge you anymore, the only friend you had died because of you.

So, you’ve always known you were a failure, thinking about it now, maybe the relationship you’ve built with Miguel it’s just because he was the first person that didn’t see you as one.

It was hard at first, learning that everytime your parents insulted you, all the times that you were punished by them, all they took from you, all that was supposed to happen, hell, it had to be like that.

With time, and with Miguel by your side, you grew comfortable in your position, you could stay with him forever, just like he promised all the times you crawled to him after a bad day or a bad memory. forever, right?

“You might just have dealt the final blow.”

You were facing each other, he was always taller than you, but right now, you feel like the smallest thing in the world, you’ve known this feeling, and you don’t want that to happen with him.

But it was too late to want and not want things.

“Why didn't you do it? It was a simple button.” his voice was raspy, probably from all the yelling before, but he’s being cautious with you, the feeling in your stomach confirms it.

“I didn’t think like it was the right thing.” you didn’t tremble, he knows that you need him, but he also knows the woman you are.

“What?” that was it.

Silence, it could have been just seconds, but it feels like eternity to you, maybe because eternity was beautiful in your eyes, and what he started to say, definitely not.

“It’s incredible how after all this time, all of the effort I put on you, you show up to be just a disappointment, i don’t care what you think.”

“Stop.” he didn’t mean it, he didn’t mean it.

“Stop, you’re losing me.”

“No, you dont get for me to stop, I've always been there for you, I saved you again and again for you to turn your back on me? really?” you could feel the anger in his voice.

“Miguel, it's not like that, stop.” a little steps to get closer, you needed him closer.

“Stop, you’re losing me.”

“It is like that, it's always like that, you always fail and let me down, you don’t care about the real things because you’re stuck to keep suffering for some stupid thing that happened to you years ago, i'm tired of you being a nuisance to me.”

“My heart won’t start anymore..”

“What?” now it was your turn, without letting the tears take over your face. “I’m a nuisance? And what about you? the only thing you’ve been doing is watching on that little screen something that you could never have again, holding on to the memory of your mistakes, jealous that a kid can know beforehand and actually do something about it!” you know you don’t mean this, you know his suffering, but this was just too much.

“What I do is my business, but you work for me, you have to do what I say.” his tone wasn’t cautious anymore, his words were as thin as a dagger, was it always like that for him?

“I don’t work for you, i’m your-” he cut you off, almost instantly.

“You’re nothing to me.” he didn’t look at you when he said that.

“..for you.”

“What are you gonna do to that kid?” your voice was kinda broken, but you glared at him with storms in your eyes.

“Whatever is necessary to avoid him destroying a whole universe.”

“And the air is thick with loss and indecision.”

“Then I'm gone.” you turned away, he didn’t say anything, he didn’t look back.

He didn’t care if you were gone, he was letting you go just this easy, when your whole body was screaming at you that you should crawl to him, beg for his care and for his love, like you always did.

“Now you’re running down the hallway, and you know what they all say..”

That night, Miguel went to his room, that was yours too, expecting to find you a crying mess, it was always like that, you two had argued before, and he knows that he can fix this, by fixing you.

Opposite of his imagination, you weren’t there, all that was left was all your stuff, the clothes that he loved seeing you wearing, the gifts that he made, the ones that you made, all of it was there, but not you.

He forgot what fear was like, until he saw the little note you had left behind for him.

“i love you.”

It was the first time that one of you “said” that, and he hated it, hated his vulnerability, hated the short tear that was crossing his jaw now, but mostly, he hated you, for making him feel all of this and being gone.

“You don’t know what you got until it’s gone.”

“My heart won’t start anymore (‘cause you’re losing me).”

It had been three months now, you were helping Miles and his band, they were your friends now and they cared for you.

Mostly Gwen, you talked to her a lot, and she’s been helping you with your feelings.

You were miserable, you hated this so much, hated him so much.

The truth was that you were dying to go with him, you were so attached that it was completely painful, and you were fighting with yourself every day.

Because not matter how much you loved Miguel, you were on your own now, and you had the right to think and act for yourself, so if that means you have to be against him, even fight him, then you were going to do it.

That was what you said to yourself, but when the moment came, when all of your friends were fighting against the corporation you helped build, when the love of your life was in front of you, claws and teeth out, you were paralyzed.

“‘Til we were too far gone to bring back to life”

He was getting closer and closer, and some part of you was hoping that this was the man that didn’t even need words for you to know he loved you, the man that you would give up on your life from, you would do anything or everything for the things to go back to how they were.

“I gave you all my best me’s, my endless empathy.”

And that thought alone bothered you, why would you do everything for a man that was about to kill you if necessary? you were done with this.

You threw the first punch, as it was unexpected, he didn’t block it at all.

“And all I did was bleed as i tried to be the bravest soldier.”

“I’m not afraid of you.” your voice didn’t come off as he expected, you weren’t fragile anymore.

And so it began, he was a fighter and he wasn’t containing, you were hurt but you didn’t stop,for now you were blocking his claws and pushing him towards a kind of factory in the city, the farther away he was from Miles, the better.

“You’re not gonna kill a child Miguel, I'm not letting you.” he didn’t even care to respond, god how you hated that he wasn’t giving any signal of regret in all of this.

“You can still come with us, with me, you know?” of all the things he could’ve said, he chose that.

“Fighting in only your army, frontlines, don’t you ignore me.”

You didn’t respond, he kept talking.

“You are my best soldier, come on.” you were under him, he could finish this right now, you were bleeding and sore, he was too.

“I’m the best thing at this party (you’re losing me).”

The only reason you couldn’t hate him was the memories of what you had, but that, the attitude that he has on top of you, like your life was only in his hand, that he was portraying himself as your forever savior, you were boiling with rage.

You moved as fast as you could, pushing him off of you with the studies you had collected of fighting beside him, now you were on top, hitting at him with blood nubling your “pretty eyes” as he called them.

With that, he understood there was not a turning the situation, this was it, this is how it’s gonna end.

He grabbed you with all his strength and started shoving your body against the columns in the old fabric, along with this, he was telling you how disappointed he was, villainizing you for leaving him alone.

You couldn’t hear due to the damage.

“And I'm fading thinking do something, babe, say something.”

Blow comes, blow goes, you weren’t thinking of what you were doing, you were so mad that he wasn’t saying something, that he prefers this before taking the risk of believing in you.

“I hate you.” you thought about every time, how he manipulated you, how he controlled every feeling and idea in your head, and you hated how much you would love to stop this and go back to that.

“Lose something babe, risk something.”

He wasn’t fighting back anymore, the floor was cold and every punch that touched his skin made him feel warm.

He was regretting everything, he didn’t care about Miles now, he didn’t care about another universe anymore, he only cared about you, the universe of his own.

“I did everything for you, I would've died only for you, I would've even killed Miles for you, and I think I would still do it if you just choose me!”

You were letting it all out, not even listening to the voice of the man under you.

“Choose something, babe, i got nothing to believe, unless you’re choosing me.”

You were tired, couldn’t throw anymore hits, and that’s when you noticed, he was barely breathing under you, mumbling some words that you haven’t heard.

Your body didn’t move, you freezed.

“Stop, you’re losing me.”

Miguel used his last strength to clean some of the tears that were traveling down your cheek, you could now hear what he was saying.

“I’m so sorry, amor.” it’s the first time you’ve seen a genuine smile.

“Stop, stop, stop.”

You know there was nothing to be done, and no one could help right now, it was just you and him like it was in the beginning.

“I love you.” you whispered to him, grabbing his hand.

“I love you too.” he closed his eyes.

“I can’t find a pulse, my heart won’t start anymore.”

#writing #spiderm #across the spider verse spoilers #across the spiderverse #miguel o ' hara #miguel o hara #spiderman 2099 #miguel o hara x reader #miguel o hara x you #miguel o hara angst #angst #songifc #taylor swift #youre losing me #sataraxia #spiderverse #spiderman 2099 x reader #hard angst #writers on tumblr

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stoopkidlisteningtocsh · 2 months ago

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Been kinda off of infinity nikki lately cause of my computer but now all the implications of the new cutscene that replace the intro kinda make it hard to want to open it up again. Im gonna open up my game to a whole different vibe and i guess my nikki dies or something or i dunno all i know is im super in the middle of a guest and the immersion in the story of a "explore to save" kinda gets ruined when you randomly release an update that like. Restarts the world basically. Like i do not get why do this. I also just think if they keep trying to add new festures for hype. The game will become extremely bloated and hard to manage

Im also really tired of multiverse plotlines going this way. I love the spiderverse as much as the next guy but recently every single time loop and multiverse story line wants to be it and im so tired. The way they did there game continuity by different universes was intresting but now in order to have co-op they just like change the tone of the game and plot drastically. Its a retcon and an extremely overdone one at that. And i honestly think it may not have been awful if they just. Made it a story chapter. But it isnt. Its like a lore event that's replacing unneeded shit in hopes of keeping constang hype. But in doing so create a very different experience player to player that actively isolates new and old fans from each other

Lastly i really should have known that the furniture for the house would be unreasonably expensive but im still pissy. Similar price to getting some full nikki outfits for a toilet lmao give me a break

And to those saying try to be nice. This game has gotten so much praise and thats why this is happening. The people in the team who actually care about the game are probably just as upset as most of us. I know i would of if suddenly i had to make a worse cutscene to replace that gorgeous well done intro. Im sure they dont like having to model unnecessary socks for outfits where you cant see them. Im sure the writing team didnt like changing the whole course and start of the story at the same time somehow.

There is care in this production which is why we should be taking the chinese fans lead on not settling for less. (Also you get compasion gems even if you dont care so just let us bitch

#infinity nikki

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jq37 · 2 years ago

Note

Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?

OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified.

MAJOR SPOILERS BELOW (lol, this got past 7k words)

And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.

tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney.

When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes.

*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie.

Characters

How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.

There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky.

I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it.

The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it.

Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?

So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie.

You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…

Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo.

Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character.

I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie.

And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here.

I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.

She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie.

And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude.

So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard.

Concept

OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was.

There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!

But the actual implementation of this idea? Ughhhhhh.

So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math.

Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?

And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy.

Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon.

The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that.

Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy.

Pacing

This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger.

Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves!

Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster?

I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago.

And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise).

So to recap: I have no idea why this movie is paced like this but it's not doing it any favors.

Humor

Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie.

The jokes fall into about three main categories:

(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny.

(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)

(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it.

I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along.

So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.

Music

This is the one thing I already knew before I watched this movie: The music in this movie is bad.

Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.

I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.

But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:

1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable.

Worst Line: Honestly, this song is too boring to have a worst line.

2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax.

Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward.

Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on.

3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.

And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.

Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!

4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that.

First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however.

This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never.

Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further.

Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"

They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE.

I firmly believe someone should go to jail for that.

5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it).

Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre.

It also comes weirdly late in the movie, which isn't a complaint, just an observation.

Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?

6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact.

(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl).

Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt.

There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves.

MISC

This is just a section for things that annoyed me that didn't fit anywhere else.

There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling.

Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience.

The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious.

They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out.

A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!

This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense.

It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom) in this movie is just to be able to talk.

Easy Fixes

And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks.

And the worst part? The absolute worst part?

IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX.

Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat.

For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now!

For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.

And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding!

Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?

And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!

This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:

(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif!

(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities.

(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good!

(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)

Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it.

#disney's wish #asks #jamiebluewind #sorry this got so long I just find this movie so fundamentally flawed #idk what the current tag etiquette is for stuff like this so I'm gonna cover my bases #disney criticism #disney critical #wish criticism #wish critical #if you liked the movie this isn't an attack and I'm glad you had a good time

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