#bc I went to long without doing it

[c4t1l1n4]

Some art from tonight. I meant to do all of the Robins, but this ended up being the only one that turned out somewhat okay. Maybe I’ll try again later but you get this for now.

[stargirl230]

interlude

Lost focus and drew a consensual workplace relationship (the inherent intimacy of hanging out in an artist's studio to watch them exist in their element got to me)

Zoom in for details I poured my soul into <3

(no reposts; reblogs appreciated)

[myokk]

my favorite bookworm

[waterfallofspace]

You've told me about a certain... thing you enjoy, and I'm happy to indulge you!~

(all one take - improvised scenario)

feat: sneezing, sniffling, one nose blow (6:28), talking, playfully teasing, I induce for you, you induce me, general acceptance of the kink and kindness towards it, and continuous consent

[finngualart]

missed these biches. loki's pose is based on of @jookpubstock's ref pics

[bhaalsdeepbat]

Hellspawn idea that hit me like a religious vision

Astarion can't stop thinking of the color of this flower Karlach found during one of the more idyllic moments of traveling to Baldur's Gate, and it should have been such an inconsequential moment. It was just a flower. But the delight burning in the embers of her mirthful eyes just sticks with him. And it's mostly annoying how happy she is about everything, but he also can't hold it against her when she, too, is adjusting to sudden, newfound freedom, and hers is much more limited than his.

And it isn't even a romantic moment or anything, right? Karlach just sees it on the edge of where the last bit of life was able to grow between the Shadow Curse and the land beyond it. She's STOKED. Bellowing in that way she does about this flower. She just takes a moment to enjoy it, then moves on. Doesn't pick it. Doesn't touch it. Just moves on with her day.

but this moment sticks with him and he thinks about it when they're curled together under the stars that night, his body fitting against the curve of hers, his cold weight soaking up every bit of warmth her overheated body will give him, and her arms are SO strong, but so gentle in the way she holds him.

The immortal forced to reckon with mortality bc this woman, who truly believe deserves a much better lot in life, only has a finite amount of time to appreciate the flowers and the sunrise and just. everything.

He'll still be able to live his life from the shadows and find beauty in the darkness, but Karlach?

He can see her death coming on the horizon and there's so much he actually wants to do, now that they're trying to make things real. and he just. is feeling the pressure bc he did waste time trying to get Karlach into a position to protect him and he'll forever feel bad about it (but not say anything bc that's his burden to carry).

So the immortal keeps thinking about this flower and what Karlach would look like adorned in beautifully crafted items accented in blue: gilded chains and cuffs adorning her hair and horns, sturdy leather dyed and stamped, fine silk embroidered with expensive floss, of all the nice things he wishes she could experience - because he promised her new experiences once they returned - and just.

When everyone's sleeping, he just spends that time sneakily embroidering this doublet he stole from a vendor the moment they entered the city. He's working against time, too, cus this is a gift he HAS to give her before her time is up. So, his skilled fingers move quickly, embroidering this black doublet with the most beautiful embroidery done mostly in blue, but accented with red, orange, and yellow.

He's almost done when Karlach tells him one night that she thinks she doesn't have much longer. Her heart is in overdrive and she can feel her body beginning to give out, to fail her when freedom was so close she could taste it. and it isn't fair. Astarion is SO angry at the world and at the Gods because he FINALLY has someone and. Time is running out. he feels even more powerless here because it really is just up to Karlach and whether she wants to keep going or not. He tries to talk to her about it, but usually they just end up fighting because they're both stubborn.

So, he avoids the conversation, mostly. Just tries to pretend the end isn't peeking over the horizon.

He doesn't give her the doublet right away. He doesn't want that finality, to give it to her and to know this may very well be the last time he gets to give her something he put his time into for her like this. and he has other gifts for her. a new owlbear to go with clive (even if he thinks that's juvenile, but he's not going to judge....well. he will, but not as much as if it were Gale who still had his stuffies). but he just. cannot bring himself give her this doublet bc he knows it's the first and last time she'll be adorned in something that he put together for her. the embroidered doublet is his labor of love, and the man does NOT like to labor.

embroidering isn't even necessarily his favorite thing to do, it's just one of his skills he actually has. he lacks self-confidence when it comes to what qualities he thinks he has that make him worthy of a relationship, but he can make sure his partners' clothes are mended and presentable.

When he finally gives it to her, it's after they take down Gortash. Karlach spends that very night alone, and Astarion cannot take it. He hasn't spent a single night away from Karlach since before they arrived at the Shadow-Cursed Lands, and now they're literally counting the days until they're taken from one another. He's big mad, seething, but very respectful to her bc he understands. he's not mat at HER, he's mad at everyone that took everything they could from her.

That's the first night he actually sits down and starts coming up with a plan. And it's a genuinely good one, but it's the first good one he's had in almost two-centuries. This is when he comes up with how he wants to convince Karlach to let him go to Avernus with her. He's not ready to let go and he is willing to murder his way through the Hells with her if he gets to see her smile about inconsequential things again.

He gives her the doublet the night before they plan to head for the Morphic Pool. They know it may be their last night together, so after a group meal, when everyone is winding down to turn in for the night, they make their way up to the roof of the tavern. They sit beneath the stars, side by side, but they're just sitting and refusing to look at one another.

Karlach is unusually still and silent. She's exhausted. Astarion swears she had his undead heart beating again, but seeing her like that had it stop cold in his chest. He tries to break the silence, to cut off his own thoughts so he doesn't spiral into despair thinking of the unknown, but just ends up reaching out to take her hand.

She's hot to the touch. He can feel that her temperature IS increasing and just. imagining what she's feeling and how she's been pent up this entire trip. like no fucking release from the pressure of this shitty heart that only does its job in the right environment.

She's the one who breaks it first. to thank him for his company. to tell him that he was a little fucking SHIT when she first met him, but she always could see something good behind the veneer of mischief hiding the fear in his piercing eyes. but she loves him and she's so, so happy to have been given a chance to love someone, to touch them freely, to feel loved in return. it was something she was missing in the last 10 years of the loneliness of being simple cannon fodder in an endless war.

and she doesn't want to talk abt this. she had been avoiding it, took him on their date to pretend like he wasn't doomed to be left alone in his eternity. And neither of them even MENTION the elephant in the room. like they're both talking circles around what's going to happen, but they're being honest about the feelings they have for one another. like the only thing they even voice concern for is not being able to take out the Absolute.

Under the stars, accompanied by declarations of love spilling from their lips, Astarion produces the doublet. Karlach is just ecstatic that she received a gift, but when she realizes HE embroidered it, she's just kinda like.

This is. the most beautiful gift i've ever received, fangs.

and her calloused fingers, fingers that had seen more war and death than anyone her age should have to, gently touch the floss, follow the design, and she realizes the particular shades of orange, red, and yellow are in her eyes, in her body, in her chest, all complimented by the blue thread he used as the main color of the design.

It's a design made of the sun, moon, and stars, trailing up the front, across the broad shoulders, and down the back yoke.

she's his sun. She's the gentle warmth of the sun's rays comforting him when he would rather recede to the shadows and fall back on old habits. she's his moon and his stars, his guiding light when everything seems like it may crash down and suffocate him. She's everything good in this world if you look for it. She's proof that you can be put through shit and still come out a decent person.

Karlach does cry, but it's nothing dramatic. It's a few tears, her own stomach and chest twisting with an overwhelming sense of loss and yearning; the loss of time when her light inevitably extinguishes and a deep yearning to stay. it's in direct opposition to her desire to die in the place she loves simply so she can keep living this life with the man she loves.

She puts the doublet on, wearing it that night while he cuddled against her side. They held each other beneath the stars, until it was time for Karlach to get some rest for the upcoming battle. Astarion spends that entire night just watching her, playing with her hair, getting every last touch he can, then makes a vow that he WILL save Karlach, just as she saved him.

[themanwhomadeamonster]

The 1999 combat theme and its foreshadowing because the autism got to me and I spent too long trying to figure out this soundtrack

Jumping off from @brokenjardaantech's WITW music analysis post here - go check it out, it's very insightful and lays the foundations for what I'm about to talk about! And thanks to @theterribletenno for the burst of inspiration by giving me a massive oh shit realisation in the most chilling way possible LOL

Spoilers under the read-more; TL;DR at the end :'^D

To preface, the soundtrack is structured in an ABC structure with bridges between A and B, as well as another between B and C that borrows from A. The key starts in Cm, briefly modulating to Gm in section B then back to Cm during the second bridge, and settling on Em for section C. In-game for WITW you most likely will only hear up to the first bridge since the Technocyte fight only goes for around a minute long

Sections A, the bridges and partially C feature genre similarities to grunge rock with fuzzy guitar chugging, whammy bar, and palm muting, while the drums are notably sharp snares (except for the first bridge, which are clean bass kicks that gradually distort transitioning into section B's style). Musically, it sounds like a typical fighting soundtrack meant to hype you up - the melody is confident and likes to push and pull its rhythm. But in section C it notably become emptier in its layering while keeping the distorted drums, placing emphasis on the lyrics (which I'll get to below lol). Heavier syncopation and polyrhythms are also introduced.

Section B however is the main outlier. This section is where it most strongly resembles industrial rock: rhythmic synth layers begin to accompany the melody (a pedal point line that plays every semiquaver/sixteenth note), synth drums replace acoustics and the guitars drop the fuzz that is characteristic of grunge and steadily strum every quaver/eighth note. Compared to the push and pull rhythm of section A, this section is steadier, less chaotic than the other sections, it wants you to focus on this section.

Notably, the lead guitar introduces a familiar leitmotif: This is What You Are (which @brokenjardaantech goes more in depth regarding its use in WITW). Here, though, its second chord becomes flattened (Dm -> D♭m) and introduces a diminished, dissonant sound. To me this was the first hint that the song may actually be about Arthur's downfall. This is What You Are is a musical leitmotif that recurs in moments of vulnerability, especially when someone is at risk of losing their sense of self, their identity and what they are. It plays during The Second Dream when we discover the Operator, during the New War when Eidolon!Lotus just lost herself to Ballas and can't recognise the Tenno, and in WITW during the Vessel "fight" when the Tenno is forced out of their Warframe.

I was prompted to actually dig more into the lyrics because I saw @theterribletenno bring up something really interesting

In this specific song, the leitmotif is diminished, it's corrupted. "Surrender to the corruption" - this is what Arthur is afraid of. I brought up earlier that section B had a genre shift. The contrast of the music is important, it's highlighting something, and together with the musicality of the leitmotif, it's making a sense of urgency and danger. The leitmotif is a warning to Arthur.

Section B sings these lyrics:

Break it, break it, Break it open!

Compared to the desperation in the other lines, these two lines are sung mockingly. The Infested are trying to break Arthur, and are succeeding. Their voice is becoming his. But there are actually two vocal lines in this section - you can also hear muted backing vocals in a much less aggressive and lethargic tone warning that "Disillusion". Arthur is trying so hard to keep his own voice and stay clear-minded but it's being drowned out and he's nearing his breaking point, and Albrecht, based on the Codex Fragments you find, is well aware of this.

In section C, while the layering is less intense it's noticeably more heavily syncopated and polyrhythmic, and introduces new (accompanying) echoing and dissonant synth layers reflecting the confusion and disorientation that Arthur begins to feel (these synth layers are actually introduced in the second bridge, but are more easily heard in section C). Section B and C also keep the synth/distorted drums that section A and both bridges lack (at most it's a reverb in those sections); the industrial sound of the song becoming associated with the increasing influence of the Infested over his humanity.

So I tried deciphering more lyrics for each section; I haven't figured all of it out and most of it could very well be wrong because of how heavily clipped the vocal line intentionally is so I don't want to make anymore assumptions than I need to, but I can understand enough of it to realise that the song is foreshadowing Arthur's corruption to the Infested. In green are the lyrics I'm confident are correct:

A:

Sting it, sting it, sting it! Sting it, sting it, sting it in the flesh!

Bridge:

I don't understand! It brings more disease!

B:

Break it, break it, Break it open! (Disillusion)

Bridge:

Sting it, sting it! Sting it in the flesh!

C:

Who's dreaming? Who's the [???] It's a vision[?]!

TL;DR: the grunge/industrial genre hybrid represents Arthur's humanity/Infested respectively, and the song becomes increasingly industrial as the song progresses, most noticeably through the increasing distortion of the drum sound. Section A sets the stage, section B serves as a warning to Arthur that he's losing his sense of identity as the Infestation drowns out his "voice" while a dissonant version of This is What You Are plays, and section C is him experiencing confusion and disorientation as the Infestation continues to corrupt him.

[vaniliens]

They keep taking me to museums which is great but I Swear everyone keeps rushing through the god damn exhibitions & no one wants to read the plates or actually look at the items & all that i NEED to go to a museum ALONE.

[lord-squiggletits]

Also I'm just gonna say that even if it were true that Rodimus was a """""true Prime"""" and Optimus wasn't, that isn't as much of an L for Optimus as people seemingly want it to be.

Like so you're telling me Optimus was never a chosen hero and the burden of the Matrix/leadership pained him morally, emotionally, and physically, yet he still survived 4 million years of war?

You're telling me he wasn't God's Designated Special Boy but he still tried his best to live up to that impossible ideal to the point of developing serious depression and suicidal ideation as a result of so much goddamn loneliness and self-doubt?

Optimus wasn't a "true Prime" and yet he still believed in ideals of reconciliation and ending the cycle of violence? He wasn't a true Prime but he still stayed on Cybertron trying to fix a broken, broken society while also trying to stop Earth from being invaded for a second time? He didn't even need to do that he could've just stayed in exile which he was originally supposed to do all along, and which he would've personally preferred?? You're telling me that Optimus wasn't Primus' Specialest Boy And Chosen Leader and yet he stepped into leadership anyways bc he perceived that there was injustice to be fixed??

Wow yeah I guess Optimus is just such an inferior leader, clearly his actual actions/moral character as person don't matter and his "worthiness" should be judged solely on whether the Magic Cybertronian 8 Ball liked him or not.

[glamfellens]

girlie shots + alistair getting the killcam on the archdemon like a fucking mad lad

[deus-ex-mona]

ok yk what. now that i’ve had some time to process nghy canon, considering the current pacing of gen retcon, i think their next step is as ✨clear as day✨

i really like seeing them happy together, but i truly do think that they should divorce and either live the rest of their lives as single besties; partners in hero/heroine-isms, but better off as just friends, or go their separate ways for a bit and get back together when they’re a little older and wiser, staying together for good this time around, as each other’s first and last boyfriend/girlfriend

[seraphim-soulmate]

when my roommates put things back in the kitchen incorrectly it makes me frustrated and angry. apparently, did you know, this is not a thing all or most humans experience ? some people don't have an intense emotional reaction to things not being stacked in the optimal way, or pans not being put back in their "usual" spot. did you know this. did you.

[windwardstar]

honestly at this point someone should just hire me to find where their system breaks down. because if there is a crack in the system I will somehow miraculously fall through it.

[pastempomat]

i feel so dumb bc of this whole flat thing bc yeah i could've just refused to be put on paperwork for the sale & to be added as an additional person to the loan while my brother's name is nowhere to be seen

bc yeah i was thinking about distancing myself from my parents but i can't go completely no contact bc i do have love for them and if i refused i know they would never forgive me and i just can't deal with another dose of quiet anger from them

[zymstarz]

yeah sure that's how i'll [re]come out