#but like. if it's not based on callum making Choices. if it's Just the possession plot line and nothing else he does that leads to

[raayllum]

i think one of the main reasons i can't shake the "possession is not how callum is going to be play into aaravos' hands" (or at least not solely, i.e. doing something vile or dangerous in the name of love that leads to a renewed possession) is because like...

listen, as much as it'd be kind of weird for a "Master Manipulator" like aaravos to reveal his final play two seasons in advance from a character standpoint, it absolutely make sense from a story standpoint. you couldn't just whip that out of nowhere in a plot relevant moment without having your audience feel cheated, so it had to be established earlier on. now instead of surprise, you get to cultivate a nice feeling of dread. (although i've said before that there were other ways to cultivate said feeling of dread / set up the possibility of possession, i.e. callum learning that its possible out of a book when he was canonically reading about dark magic, him having nightmares or premonitions that aaravos is tethered to him, etc. it didn't have to be so blatant so quickly.)

those are, however, neither of the points i want to get at today, because like - if it is JUST the possession, and there is no choice that leads to it directly before or after in regards to helping aaravos...

Then why the absolutely, continually ramped up Viren-Callum parallels?

Cause like, as of S5, absolutely none of this is Necessary. Callum doesn't necessarily have to exist as a contrast to Viren at this point, given that Viren himself has changed his mind and disavowed dark magic and Aaravos; Callum finally freeing himself from Aaravos (and dark magic?) will likely now have more parallels to Viren's arc, rather than the two being disparate. He'll be following in Viren's footsteps, but in a positive way.

None of this is required for the possession plot line, either. That got kick started all the way back in 2x07, like, seasons ago. If anything it'd be kinda more 'tragic' if Callum really had never touched or been tempted by dark magic again, but he couldn't (or wouldn't) take back his prior choices. A consequence of being controlled by forces well beyond your conceptualization and a price you had no choice but to pay, literally, if they're going the removal of agency arc (which has its own merits) / leaning into the eldritch horror aspect of it all.

Like if it's just possession... Callum does not have to be like or be compared to Viren, in either similarities or contrasts, like - at all. Viren and Callum are both characters who have a relationship with destiny (Viren tended to believe in pre-determined destiny, but Callum decidedly didn't as of S2; even if that still started to change in S4, that alone is not enough of a singular parallel to warrant all the rest) but they're not the only ones, nor is that exclusively related to Aaravos - even if their parallels between each other are constantly circling him, their families, and dark magic / justification(s).

Which makes me think there's two main avenues they could be taking this with:

1) S7 endgame is Callum walking Viren's path regarding the rise, but in a more literal, dramatic sense. Again, Callum proving that he's not like Viren doesn't really need to happen as much now that Viren is 1) no longer a villain and 2) will be a parallel for Callum's positive growth as well. So it's still about similarities, but positive ones: "No matter what you've done, no matter where you are on the path, every step forward is a choice" (cue Callum literally regaining agency) "I am free, and so are you." This is also the avenue where it being mostly just the possession > a choice that leads to Aaravos getting out (choice made before that leads to possession, or choice post-possession) would make more sense, but just the Rise doesn't account for the well, ominous foreboding of all this, lmao.

2) S6 and S7 are working together with S6 being Callum mirroring Viren's Fall (whatever you want that to constitute) / helping Aaravos regardless of the possession - taking an understood risk for love that leads to the possession, or post-possession due to another form of coercion/susceptibility - and S7 being the Rise. It gives the ominous foreboding of it all, particularly highlighted in S5 / 5x02-5x04 and 5x08 somewhere to go, while also providing Callum with a balanced negative and ultimately positive character arc. It ties in the possession then as a plot element / vehicle to explore their similarities and differences but keeps everything tied together with choices/agency (rather than solely removing it), which is what Viren and Callum have both reaffirmed ("No choice? You made the choice you always have" etc) in S5 in particular. It also explains why and how all these forces - the parallels, the patterns, both their individual arcs, and their connections to Aaravos, his plans, and the possession plot line could be brought to fruition, and why they've all been included.

[zenthejackal]

Book 6 Prediction Worry-Rant

...Oh boy. If someone told me the teaser would've caused me THIS MUCH anxiety, I would've just waited until the full trailer (or even worse, the full-on premiere)! I've been freaking out so hard since Thursday's reveal and only now have I gotten myself relatively under control. It also gave me some time to look at others' speculations and theories, so that always makes me feel better too. But now, I've got some questions about what will happen with this next book, and what it will really mean to be "emotionally wrecked".

Slight disclaimer: I heavily reference the info from the post made here by xadian-daydreams. I'm basing my ideas off of this, but all credit on retrieving this info goes solely to him (assuming him, sorry if I got it wrong!). I'll also have some references about Dark Magic from the Dragon Prince Wiki.

First off, I need to understand more about the real toll of Dark Magic. What we already knew was that using Dark Magic requires some form of sacrifice of a magical being, it leaves some form of corruption on the user (with physical changes depending on the severity), and that corruption can be used by Aaravos as a means of linking them together. The first use is a sort of 'jolt' to the body and results in nightmarish fever dreams but is remediable. Apparently, it amplifies the values/feelings of the user when casting it (according to latest Q&A). It has been constantly been referred to as a shortcut, or 'too easy to use', but isn't technically addicting; if you want to stop, there's no strong resistance to make you keep doing it. However, each time you use Dark Magic, it's harder to come back from it. Personally, I imagine this to your teacher's cheat-sheet for a test: at first you only use it to answer a really hard question, but then you keep using it because it's so much easier than relying on your own knowledge.

I need someone to explain to me: what exactly is the "corruption" of Dark Magic? Does it darken the soul to make it more evil, make you prone to the emotions you felt at the time of casting, or a very subtle way of "changing you from the inside out" without you realizing it?

The reason I'd like to know this first is because now we're looking at our 3 main protagonists: Callum, Rayla, and Ezran. First up is Callum, my personal favorite (yeah, that's right, I'm not ashamed to admit my bias). Going into the next book, the main questions that came up for me were:

How will Callum handle Dark Magic from now on, especially now that Aaravos is closer to him (magically and literally)?

Will it be easier for him to give into Dark Magic's temptation now that he's given into it a second time now?

How does Dark Magic affect the trust/friendship he's created over time?

Up until Book 5, I always assumed that Callum would never use Dark Magic again once he got Primal Magic; his one-time use was out of sheer desperation. Now that he's done it again (and after learning a bit more about his true character and motives), my main concern is that continued usage will continue to change him more and more until he's a very different person, someone Rayla no longer recognizes, let alone loves.

Moving onto Rayla, there was no real "progress" in the latest Q&A concerning her and the coins (writers refused to answer the REALLY juicy stuff), but there's still some things I still want to know:

If she's given a choice between her new and old family, who would she choose?

She has always been the one to be willing to sacrifice everything of herself for the good of others; how far will she go, or is there a line she will no longer cross?

How does she view sacrifice in relation to others, i.e. Callum? Is killing him when possessed his sacrifice or hers? Would she be willing to kill those she loves (not exclusive to Callum on this last part)?

Who does she ultimately choose above the other: Callum and Ezran or the world?

I realize that most of these questions center around Rayllum, but this is just what concerns me the most right now. I definitely want her to grow as an individual too, but this relationship between the two is something very special to me, mostly because of how much stronger they are when they're together! I really miss their chemistry!!

...Ahem, finally, we have Ezran. While he is still a great part of the main team, he is also now king. But we haven't really seen him act as one in the show as of yet; he's only really been ruling on-screen for about 2 episodes, gave into the bargain with Viren to try and prevent mass bloodshed, have a brief meeting with his council after the timeskip, and have some strong speeches concerning Xadia and addressing the dragons/archdragons. ...Okay, so that seems like a lot, but keep in mind, that 1) while there are powerful moments, they are still brief, and 2) all of this takes place over the course of 3 seasons so far, when he has begun his rule. I would personally like to see him act/struggle more as a king, mostly because I still see some naivety in his approach. He still acts a bit childish in his views, kind of like: "this is the right choice, so we'll do it" from a logical side. This view oversimplifies the world, and while he does address this in his powerful speech in Book 4, we haven't seen him really struggle with this notion. Your words aren't as strong if you haven't been hurt as bad, and I know that Ezran has a lot of hurt that he's been hiding. I want to see how he handles it. (No questions regarding Ezran, just speculation this time.)

The final cherry on top: can someone please tell me what "emotionally wrecked" could possibly mean for this upcoming book?!! Every time the writers bring it up, I get nothing but depression with a side of gloom and misery sprinkled on top! The only saving grace we do have from all this... negativity... is that it's coming in the second-to-last book, not the last. This also likely means that whatever horrible tragedies we'll face this book have the chance to be resolved/redeemed in the next one. Additionally, any character arcs/growth we go through will likely either continue over to the final book or will be resolved in time for another one. That being said, PLEASE TELL ME, WHAT ARE YOU TRYING TO ACCOMPLISH BY DOING THIS TO US?!! THIS SUSPENCE IS EATING ME FROM THE INSIDE OUT, AND I'VE HAVEN'T EVEN DONE DARK MAGIC YET!!!

...Whew, got that all out of my system. Please reply if you've got any answers or comments, especially with the last part (better to rip the band-aid off now). I love a good dialogue! Just please keep it friendly and civilized. Thanks for listening to my rant, and here's hoping for Dragon Prince's continued success!!!

[theredhairedmonkey]

Why did Aaravos just body snatch Callum in front of everyone tho? He didn’t even bother trying to manipulate him, he just revealed to everyone he take over his body without his will. Idk it just seemed a bit upfront for a master manipulator.

What makes you so sure Aaravos isn’t manipulating Callum?

Like, sure it’s a different form of manipulation than with Viren or Claudia. But it’s because, with Callum, Aaravos can’t pretend he’s actually a benevolent force. He already knows that Aaravos is bad news.

So, what did he do? Skip the pleasantries and take over Callum’s body. But even though this is direct, it’s still a form of manipulation. The possession was a way to drive home the point that, regardless what Callum does, there is no escape for him.

To instill a feeling of helplessness and inevitability in Callum. That no resistance is possible, leaving Callum with no choice but to accept subservience to Aaravos…

…And it’s working. For the rest of the season, Callum is shell shocked and vulnerable, much like Viren was before he decided to listen to Aaravos.

Callum’s potential fall isn’t based in seduction, but in hopelessness. Kinda like what happened to another character from that other franchise…

[magnusmysteries]

Part 32: When Rituals Fail

The Magnus Archives was a horror podcast. It is now completed. Many of the show’s mysteries were never explained on the show. I intend to explain them. Spoilers for the show, but also spoilers if you wanna solve these mysteries yourself.

Elias thought that the reason the rituals failed was because the fears could never be separated. That it would be impossible to bring just one through, it had to be all. I think he was wrong, for three reasons.

First reason. Here’s a quote from Elias, where he explains why it is impossible to separate the fears “To try and create a world with only the Buried makes as much sense as trying to conceive a world with only down.”

But we have seen such a world. Quote from Entombed “This is forever deep below creation. Where the weight of existence bears down. This is The Buried, and we are alive. There isn’t even an up.”

The Buried is a world without the Hunt. The Hunt can’t reach Daisy there, because the Hunt and Buried are opposites (See Part 3). Elias uses the absence of up, as an example of an impossibility. But John says in the Buried there is no up. I think this was specifically written to clue us in to Elias being wrong.

Second reason, every time we hear of a ritual there is always a reason why they fail. The reason isn’t always obvious, but I’ll go through most of them in this post. Elias based his conclusion on the assumption that there was no reason for the Dark’s ritual to fail. He was wrong, as I’ll explain.

Every attempted ritual, except the ones involving John and Agnes, has a group of people choosing something related to the fear. (With a broad definition of choice.) If only one person does not make the choice, the ritual fails.

The Lonely. A group of people in an apartment building were all supposed to choose to be lonely (rather than move out of the nice cheap apartment). Gertrude wrote about it in a paper, the people got help, they weren’t lonely, the ritual failed.

The Slaughter. The soldiers are supposed to brutally murder each other. But the statement giver doesn’t like killing. He is not swayed by the music, he does not join in on the violence. The ritual fails.

The Hunt. Daisy speculated this failed because the Hunt doesn’t like to complete things. She was wrong. The people were supposed to join in the obsession of the hunt, to kill vampires and probably to die. But the statement giver was only pretending to be obsessed, the ritual fails.

The Corruption. This is from the episode Love Bombing. (John was wrong that the Prentiss attack was a grand ritual.) Here the choice is to love. First they take care of a sick dog. That is, they love it. Then they have to love and join the monster mass of people.

The part where they have to say they love each other, it's a test, to see if they are ready for the ritual. The protagonist did not love the other woman, and so she is told to leave. She is jeopardizing the ritual.

Note that she is not forced to leave, or killed. Had there been force or violence the ritual would have failed. That’s another rule for the rituals.

I think when she left, it was already too late and the ritual failed. Or maybe it failed when it got blown up. Probably by Gertrude.

I think nobody in the cult was working for the Corruption originally. The Corruption just found a cult that was really into love and thought "Jackpot! Send in the dog!"

The Buried. The choice here is for everyone in town to get into the pit at the same time. When the statement giver comes to town, he is told to leave. But not forced, significantly. He is jeopardizing the ritual, because he might not climb into the pit with the others.

The statement giver has a “dream” where he willingly climbs into the pit and puts his arm into the hole. Though it’s not really a dream. This is a test, and he passed. Whoever’s in charge decides to go ahead with the ritual.

This is a mistake. The statement giver does not go into the pit with the others. A woman in the pit suddenly begins to scream. Not because she is in the pit, but because she noticed the statement giver is not in the pit. She knows the ritual is about to fail and it does.

Later Gertrude shows up and dumps Jan Kilbride into the pit. She thinks she stopped the ritual, but she was too late. The ritual had already failed.

The Flesh. The choice is for everyone to throw meat into the pit. (I’m guessing they also all have to die from exhaustion and get thrown in the pit or jump in, but we don’t see that part). When Tom Haan notices Lucia Wright is present, he hands her meat. He hopes she will take it and join in, which she does. Had she not done so, the ritual would have failed. If she had left, the ritual would have failed. If Tom had killed her or forced her to join in, the ritual would have failed.

The ritual fails anyway, because Gertrude blows it up.   

The Spiral. Quote from Michael “A thousand staring morsels stood, and not one of them believed themselves sane to look upon it.”

If one of the humans there had believed themselves to be sane the ritual would have failed.

Actually there was a person there who believed they were sane. More from Michael: “Michael did not go mad, though no words you could have said would have convinced him otherwise. (...) If Michael thought he had lost his mind, it was only because what he saw with crystal clarity was simply not something that could be real. But Gertrude Robinson did not waver. (...) She gave no indication that she saw anything more or less than was expected. Hers was not a mind that left room for doubt.”

Gertrude didn’t realize, but there was no need to sacrifice Michael Shelley. The ritual would have failed simply by her presence.

The Stranger. When John and the gang set up the explosives to blow up the Unknowing, Nikola does nothing to stop them. She knows they are there. She waits until they have set up the explosives before she starts the ritual.

There are no other victims there than the Magnus crew. They are the ones that are supposed to make the choice. The choice they are supposed to make is to use logic and reason during the Unknowing. Nikola has to give them a chance to win, and part of that is she lets them set up the explosives.

In the 1787 attempt at the Unknowing, the ritual is stopped by a soldier from the Slaughter. The soldier is not confused: “I was sure he was a soldier, and he was nothing but a soldier.”

In Nemesis Gertrude speculates that the Unknowing can only be stopped if the explosives are detonated from within Unknowing. Meaning, someone has to “choose” to use enough reason to set it off.

Just four victims is a small number. But I think John counts extra, since he is the Archivist and should be harder to confuse. 

Maybe Elias made a deal with Nicola, told her about their plan. After all, Elias wants John to get blown up, to get the End scar.

Elias advised John not to bring Tim to the ritual. Tim seems pretty suicidal at this point, earlier he dared Elias to kill him. Elias is worried that if Tim is the one to blow up the ritual, John won’t get the End scar.

The ritual fails because Basira reasons her way out. Or maybe it fails because Breekon uses violence against Daisy, not sure.

John is at first very confused, but then he starts to see more clearly. That is because the ritual is already failing, because of Basira (or Breekon). There is no need for Tim to blow up the place and sacrifice himself.

The Eye. We don’t know much about Elias' first attempt at a ritual, but it seemed to take place in the panopticon prison, with Elias in the middle, watching the prisoners around him. The prisoners were probably supposed to make some kind of choice, and at least one of them failed to do so.

The Dark. The darkness ritual first begins to collapse at Hither Green, where it is led by Natalie.

Quote from Manuella “Natalie and the others followed, but they did not truly understand. Not truly, with their talk of peace and unity and Mr. Pitch. A friendly name, to try and hide from a concept they couldn’t grasp.”

In the episode Police Light the darkness creature inside Rayner is trying to get a new host, by entering Callum Brody. Then the police intervene and shoot Rayner, saving Brody from being possessed. But a droplet of the monster hits the police officer Altman. Altman is in the process of being possessed. Then Altman is stabbed and killed by Natalie Ennis.

There is misdirection here. We are supposed to believe that Natalie stabbed Altman because he was a cop. But actually she killed him because he was possessed. She was secretly working against the darkness cult.

Why? Gertrude must at this point have realized how a ritual will fail if one person makes the wrong choice. She must have talked with Natalie and explained to her that Mr. Pitch is a lie. That the Darkness is not about peace and unity. So because of Natalie the ritual failed.

The third reason for why Elias is wrong is the most important, and I’ll cover it in the next post.

If Elias is wrong that a ritual must draw in all the fears at once, why is it that no ritual has succeeded throughout all of history? I think there just hadn’t been that many attempts.

In Family Business Gerard says if a ritual fails, it takes centuries to build up enough power to attempt one again. Yet we hear of several ritual attempts happening very close together in time: the Lonely circa 2007, the Spiral sometime after 2007, the Buried in 2008, the Flesh in 2008, the Corruption circa 2012, the Dark in 2015, the Stranger in 2017 and the Eye in 2018. How can that be?

In the Architecture of Fear, Smirke says he wrote down several rituals. Since Smirke lived a couple of hundred years ago, it could mean most of his rituals were attempted back then, and that’s why most of them were due to be attempted again around 2007. But that gives us the same problem, just further back in time. Why was it that most of the rituals could have been attempted about the same time, back when Smirke wrote them down?

I think the reason was, most of the powers had never attempted a ritual before Smirke designed them. The Powers have no creativity (see Part 9) and could not have attempted a ritual until a person came up with one. Smirke says he is unsure if all the powers had rituals before he put pen to paper.   

I think there were two rituals that Smirke designed that were attempted relatively long after his death. The Slaughter ritual probably needed a great war to succeed, and therefore did not happen until War War 2. And the Hunt ritual took over a hundred years to set up, as it included two groups of explorers from over a hundred years apart.

Three rituals predate Smirke’s creations, those of the Dark, The Vast and the Stranger. 

Smirke got his ideas for rituals after hearing of the ritual of the Dark. In Heart of Darkness, Manuella implies her ritual had been planned for three hundred years, after the failure that birthed the thing inside Rayner. I think when Flamsteed drowned Reimer in The Movement of the Heavens, he stopped the first ritual of the Dark. Reimer was drowned May 2 1715. On May 3 1715 there was a Total Eclipse that could be seen in London. (That date is from real life, not mentioned on the show.) I think that’s when the first Darkness ritual was gonna happen.  

The first Unknowing happened in 1787, Smirke was born in 1780. So unless he invented it as a child, it predates him.

In Big Picture Simon talks about the last ritual he attempted, in 1853. That implies he’s had at least one earlier attempt. Simon became an avatar in the 1500s, so he’d probably only had time to do two ritual attempts in total.

[aiyassalt]

Claudia’s Character Assassination

This post is a follow up on my recent Claudia hot take in which I state that Claudia was another character intentionally ruined and demonized by the writers (not unlike Viren) for the sake of shipping.

I know what ya’ll are thinking: I’m just being a butthurt Claudia stan, but based on recent discoveries (such as a certain article from Polyon), I’m (mostly) making a case based on facts.

“Whoawhoawhoawhoa, aiya?” you cry. “Don’t you think you’re being ridiculous and going a bit too far with your Rayllum hate?!”

Au contraire, my friend, I’m not. An article published by Polygon in the last year (yes, I know. I’m late but whatever) came out and confirmed a few facts:

Callum/Claudia were supposed to be endgame or at least canon.  

Rayllum was never in the cards, but the writers, supposedly claim that they decided to switch things up during the storyboarding phase for S2.

“The Callum-Rayla romance sparked in a moment during the storyboarding phases of season 2, when the pair sat down for a heart-to-heart. A lingering glance on Rayla’s part prompted the writing team to consider the potential of the duo, and they continued developing it through the rest of season 2.”

However, further along in the article, the writer talks about how the staff are completely aware of fandom happenings and have developed a…”strategy” concerning fandom.

“The Dragon Prince writing staff are aware of the possible relationships their fans are hoping for, say the creators, and “good ships and trash ships” are a source of constant chatter and scrutiny in the writers’ room. After a season 2 creative retreat, a gallon of corn oil inspired writer Neil Mukhopadhyay to put a name to those moments that leave a bit too much room for romantic possibilities. “Shipping oil” became the go-to slang for when scenes felt slathered with dialogue or character blocking that could send the wrong message.”

So, it starts to become clear that Rayllum didn’t happen because the writers had a lightning bulb moment and realized it “made sense.” It has everything to do with trying to appeal to the fanbase’ wants and ideas of “appropriate” ships.

“Okay,” you say. “So the writers decided to make the juggernaut canon to make fans happy. So what! What’s the big deal? What does this have to do with Claudia?”

It has a lot to do with Claudia (and to a lesser extent, Soren) and it explains why the writing for her character in S3 felt incredibly off and dismissive for her. The writers talked about “shipping oil” for certain pairings and being concerned about “sending the wrong message.” What if the writers decided to possibly tone down certain shippy scenes? Or even go further and decided to cut out scenes or even rewrite certain character arcs to:

Accommodate the sudden pro-Rayllum direction they pushed the story towards and not threaten their endgame ship?

Make the Rayllum fans feel better and more confident about their OTP rather than feel insecure and threatened by “trash” ships getting an upper hand?

LBR, as much as Rayllum like to deny it, they’re not that secure about their ship. It’s why we see a portion of Rayllum fans continually bashing Claudia. Why, throughout S2, we started seeing an uptick of Rayllum fans calling Callum/Claudia problematic and/or abusive (no, I’m not joking or hyperbolizing; this actually happened) and trying to frame Soren/Rayla as “p*dophilic”.    

Think about it. S3 seems like it was written by a Rayllum fan with a (“hidden”) hate for Claudia. We never get to hear exactly her own thoughts about her father and her moral choices in S3. We don’t see her worrying and reeling with guilt over Callum and Ezran falling out with her. The girl we see clearly crying after telling Callum the truth about his dead father is suddenly not concerned about her childhood friends being in Xadia while she’s hearing rumors about Xadians possibly prepping for warfare. We witness Callum showing a baffling lack of concern for Claudia, a character who is supposed to be not only his childhood crush, but his childhood friend staying with her father who Callum acknowledged as someone who has changed for the worse (according to the books).  We get Nyx, a Skywing elf who possibly has never been in contact with humans, acting like a straight-up in-canon Rayluum shipper and being fine with a Human and Elf being in love rather than being disgusted. I would continue, but I don’t want to make an incredibly long post.  

And LBR: if Claudia (and Soren maybe) went with Callum and Rayla in S3 or S4, there would be trouble in paradise for the Rayllum ship and present more nuanced writing. Besides Callum x Claudia and Soren x Rayla having more chemistry than Rayllum, Claudia and Callum have more in common than Callum and Rayla do. And Soren and Rayla serve as better foils for one another and share more parallels together. Both Callum and Claudia are interested in magic, books, art, and history, had to serve as parental figures for their siblings, and are crafty and adaptive wildcards. Meanwhile Soren and Rayla are the youngest members of their individual organizations, good warriors who balance out each other’s weaknesses, and possess a lot of determination and ambition to prove themselves to their parental figures.

Imagine Soren and Rayla bonding over parents disappointing them and putting a lot on their shoulders. Imagine them confessing they have no idea what they want to do in life, and were put on their current career paths due to societal expectations. Imagine Claudia and Callum having a couple of tense moments due to her lying and trying to capture Zym, but eventually reconciling (basically, a gender reversed Zutara arc). Imagine Callum showing Claudia his Sky Magic moves and revealing it is possible for humans to do Primal Magic without needing a Primal Stone. Imagine Claudia then deciding to embark on training and dedicating herself to learn specific type of Primal Magic (such as Water or Moon, or even Earth) with Callum’s help. Imagine Callum and Claudia deciding to go on dates that also function as research trips to explore ruins and to discover the truth as to why and how the myth that humans can’t do Primal Magic was perpetuated. Imagine Rayla and Claudia’s initial interactions being full of hostility due to their past experiences and Claudia being a Dark Mage and Rayla going on a self-righteous anti-Dark Magic rant only for Claudia to break out of her typical goofy and upbeat persona and bring up the history of humans in Xadia and point out the birth of Dark Magic has nothing to do with humans wanting to kill creatures for the shits and giggles, but for survival and fighting against oppression. And as a result, Rayla actually undergoes actual character growth.

The scenarios I’ve described here sound 100x more interesting than the Rayllum Drama Desert mess. I’m also absolutely positive that they would absolutely make certain characters as more sympathetic (such as Viren, especially if Claudia defends Dark Mages), put a dent in Rayllum’s popularity and Rayla’s Perfect Waifu status and drive the Rayllum fandom bonkers. And the TDP writers knew it, which is why Claudia and Soren were given the arcs they have in S3.

I will never be over how Claudia was sacrificed at the altar of fandom pandering, and most of the fandom waving it off because, whatever, she’s no longer in the way and she’s an icky teenaged girl. Never. A refreshing character like her didn’t deserve the treatment she’s gotten thus far and will continue to get if the writers insist on pandering to vocal fan factions. Shame on the TDP writers for making such an ignorant, amateur, and disastrous move.

[uneryx]

Renee Gets Salty About Dark Magic

This post got long, and got away from me, so I’ll tl;dr it

1. dark magic is a metaphor for consumption and materialism and is ultimately bad because it harms others unnecessarily and is not a sustainable resource

2. the elves were dicks for banishing humans but (especially if humans sucked all the magic out of the land themselves) they were kind of justified, even if it was an extreme measure

3. Eating meat is not the same as dark magic if you’re looking at things from an animistic point of view, which the elves likely do

4. it’s okay to like problematic characters and you don’t have to portray Ezran as a monstrous enfant terrible to feel okay about thinking Viren is justified in what he does.  In fact, pretty please stop doing this, everyone in all fandoms. It’s fine if you don’t like the protags but that doesn’t mean you get to say Ezran or Rayla or whoever is EVIL. It’s called Ron the Death Eater and it’s a fandom trope that has pissed me off for going on fifteen years. Deliberately misreading the text isn’t cute. Stop doing it.

5. The show isn’t over, be patient, you’ll probably get to see some comeuppance for stuff anyway. And if you don’t, there’s always fanfiction. 

6. For the love of baby adoraburrs please tag posts that go in the vein of “the writing is bad because Viren is portrayed as a classic villain/elves good humans bad/the protags aren’t held accountalbe” with “TDP CRITICAL” I would greatly appreciate it because I’m getting super annoyed with posts that deliberately misrepresent canon to uphold a favored side and it’s affecting my enjoyment of the show. Now! Actual long and discourse-heavy post under the cut!

 Ugh I don’t want to start a big ol’ argument with people because I’m still on vacation and don’t want to spend the rest of today arguing about cartoons on the internet, but this has been on the kettle for a while and I feel QUITE STRONGLY about some of these things, so just... let me express my views here and don’t come for me because I’m about to talk about religion and sociology. 

Dark Magic is a metaphor for unchecked consumption and capitalism.  1. The theory i’m seeing floating around that got my dander up is that the elves and dragons drained the western half of the continent of magic to keep magic away from humans. I think that, based on what we’ve learned from canon, this is highly unlikely and would be weaker writing than what I think actually happened. Instead, Dark magic was going on for a good solid 800 years (Rise of Elarion is 2000 years before canon) before Sol Regem faced off with Viard (1200 years before canon). The division of Xadia was another 200 years after that. Humans had a solid honking millennium of unchecked dark magic. It is quite likely that the reason the west is entirely devoid of magic, and that humans were banished there, is because they sucked all the magic out of that half themselves. Poor innocent baby humans nothing. They got a taste of power and progress and, like real world humans, let that get WAY out of control.

2. “But Lujanne eats bugs, she’s a hypocrite for saying Claudia can’t squish bugs for pancakes” I want you to go down to your local new-age/witchy bookstore and find yourself an animist that eats meat. You are going to get glared at SO HARD if you whip out the “you think animals have souls but you eat meat!” chestnut. Because here’s the thing.

Eating meat/animal products is an act of life, necessary to sustain the life of someone else. We don’t vilify wolves for eating deer. You gotta eat to live your life, and the human (or, we can assume, bipedal humanoid) diet includes a need for complex protein chains, quite often found in animal meat. 

But the reason that we find cannibalism repulsive in western society is because it’s eating another human, despite the fact that humans are made of meat. It’s eating something that we consider sentient, dignified and possessed of a soul. Of course, the taboo also derives from the fact that you can contract prion disease from consuming human meat, but people in 11th century Normandy didn’t know that.  It is quite likely, especially given what we’ve seen of magical creatures and Ezran’s ability to talk to animals, that elves view non-human/elf creatures as sentient and possessed of a soul. If that’s the case, then OF COURSE they would see dark magic as horrific.

But eating meat is not on the same level because, as we see from the assassins, death is a part of life, and sometimes necessary. I imagine that hunting and taking a creature’s life for food is an act that is done with respect. The creatures are honored or thanked before they’re eaten or turned into leather. Highly ritualized to dignify that creature’s life.  Dark magic doesn’t do that. Dark magic sucks the whole life out, without so much of a how do you do.  It’s treating a person like a thing. It’s sucking all the life and essence out of someone so you can shoot fireballs or make fluffy pancakes. Lets be real - you don’t need to do either of those things, so the creature thus died in vain. 3. “The elves are selfish bastards for hogging all the magic.” I agree. Granted, their attitudes may have cooled in the ensuing centuries. It’s a new dawn, the era of Zubeia. We might see elves getting over their uppity selves and working to help teach humans magic. We might also see the show explore that kind of prejudice as Callum learns more magic. In fact, I hope we do. However, two wrongs dont make a right.  If Japan bombs the absolute fuckshit out of Hawaii, that does not make it okay to flash-fry Nagasaki with a weapon that blights the land and its people for years and years afterward.

To the elves (who are magical creatures and therefore totally usable as spell components), that’s what dark magic is. Suddenly, haha oh fuck, the humans have a fucking NUKE that every elf and dragon in Xadia is vulnerable to.  If a weapon was devised that ONLY a certain portion of the population was affected by, you better bet your sweet bippy that people would panic and make it forbidden and illegal, and severely punish the people who created it. ESPECIALLY if those people were already marginalized. Sucks, don’t it? Doesn’t mean the writing is bad for portraying people having a realistic reaction to something that is harmful to them. The elves aren’t justified in hogging the magic, and I hope future chapters will explore that. But the elves ARE a liiiiiittle bit justified in freaking out. I hold they could’ve come up with a better solution than BANISH HUMANS, but they didn’t. Makes for interesting story conflict, doesn’t it? 4. “Humans NEED dark magic!” / “Calling dark magic a shortcut is dumb” Did they tho? Did they really? Really really? We, modern day humans, don’t NEED smart phones (which rely on several rare earth minerals and are causing untold ecological disaster in areas where they’re miend). We, modern day humans, don’t NEED coal power (which is controlled by coal companies, who keep telling us that we totally do, despite many scientists saying that renewable energy is ready to go whenever). We don’t NEED blackberries from Mexico year-round, or a whole hell of a lot of the things we have come to rely on and consider part of our every day lives. All of these things are unnecessary and shortcuts to progress.

The only - ONLY! - good, necessary thing we’ve seen in canon that dark magic was required for was using the magma titan’s heart for saving people from famine.

A lot of the complaints about sustainable energy and efforts to heal the planet as climate change become increasingly a crisis stem from the fact that doing things RIGHT, in a way that is sustainable and doesn’t strip every last resource out of our home, is that it takes time. It takes SO MUCH TIME to do things properly. Yeah, we can keep going with our coal and our gas-guzzler cars and our fracking and our rare-earth metals... but we ARE going to run out. And then what?  Dark magic is the same principle. Eventually, you’re going to run out of resources. 

5. Where I think the show is going My main beef with those (and there’s a lot of ya, so I’m not intending to single anyone out) who say that the writing is lazy for dark magic bad elfs good is that the show is not over. Wonderstorm is doing their damndest to give us the saga. And they’ve said, out right, that there WILL be books, if nothing else.

You can’t judge a story’s merits when it’s only been half told. Right now, what the show has done is it has shown us the worst and best of the elves (for example, Khessa’s purity test vs Rayla refusing to kill Ez so she doesn’t perpetuate a cycle of violence) and the worst and best of the humans (ex: Viren forcibly turning thousands of people into monsters against their will vs Viren risking his life in order to save thousands of people from famine). The show has done well to demonstrate that there is good and bad in everyone, and it’s the choices you make and the respect you show others’ autonomy that makes you a good or bad person. The dominoes are in place. The saga has only begun. Being mad that Ezran burned an army (that he likely knew from Soren was invulnerable to fire) or that Aanya shot Kasef in the face (when Opeli would have told her that Kasef conspired behind Ezran’s back to usurp the throne, which is AN ACT OF WAR btw) means you aren’t looking at the big picture. There WILL be consequences for those actions in later seasons, mark my words.

I’m sorry if you’re a Viren or Claudia stan, but they have made choices that hurt other people, and it is in no way shape or form Ezran or Callum or Rayla or ANYONE ELSE’S fault that they made the choices they did. Instead of being mad at the show for not portraying your fav as an innocent victim, be glad that you got such a wonderfully complex set of villains who, quite likely, will get a bomb-ass redemption arc. In fact, I’ll bet you anything that Viren’s walk back from the edge has already begun. The dude fucking DIED, and he’s not going to be eager to get in there and get all grabby with the power any time soon. 

That’s what good writing IS - conflict. Tension. People making morally questionable choices. We like it because every day people are hypocrites and morally questionable. You, and I, and everyone we know. Nobody’s perfect and getting cranky and painting the protagonists with the broad villain brush so you can feel good about liking a problematic fave is... some peak tumblr bullshit, tbh.  It’s okay to like characters who aren’t perfect. How fucking boring fiction would be if everyone was perfect.

Now if I can ask my mutuals to please tag their criticisms of the show that go in the vein of “the writing is bad because dark magic is portrayed so negatively/they don’t hold the protags accountable/elves good humans bad” with “TDP critical” I would greatly appreciate it. It’s getting to the degree where things are becoming very not fun and making me cranky.  Thank you, Renee out. 

[torentialtribute]

THINGS WE LEARNED from Chelsea’s pre-season win over St Patrick’s

Frank Lampard Chelsea's took on Paul McGrath's old club, St Patrick's in Dublin Saturday afternoon as they ran out of 4-0 winners.

It turned out to be a routine warm-up before heading off to Japan this week as they step up pre-season.

Sportsmail's Rob Draper analyzes what clues could be explained for Frank Lampard's first season in charge.

Chelsea eased to victory on Saturday as Frank Lampard got his first win as Chelsea boss

Mason mounts his bid for selection

Obviously you have calibrate judgments in pre-season friendlies for the quality of the opposition, in this case the fifth best team in the League of Ireland.

Even so, Mason Mount, 20, who played the first half, looked like a man who spots the glimmer of an opportunity and is determined to seize it.

He has the confidence of the manager – his loan spell at Derby worked out well in that respect – and was on set pieces and corners. And his delivery was excellent. However, what impressed was his energy around the pitch and his incisive passing. If Lampard is playing a high press, Mount is his man.

His passing was equally good, a ninth minute through ball for Barkley between the lines, the pick of a series of potential assists. At the very least he is playing himself into the starting line-up for the Japan tour next week.

Mason Mount (far left) is congratulated by his team-mates after putting Chelsea in the lead

The Batman is back

Michy Batshuayi won Chelsea the Premier League in 2017 – well, he scored the decisive goal that secured the title, anyway – but has had a peripatetic existence ever since with mixed loan spells at Borussia Dortmund, Valencia and Crystal Palace.

But maybe, just maybe, there's a way back at Chelsea, given the transfer ban.

It's not like the club is about blessed with center forwards. And here he looked sharper and readier to impose himself than Tammy Abraham, his rival for the second striker ending after Olivier Giroud.

At the very least, his focus and determination demonstrated that he wants to make an impression on Lampard.

Chelsea striker Michy Batshuayi shows his frustration during the clash against St Patrick's

The defensive conundrum: Tomori egdes ahead

David Luiz looked at thoroughly enjoying the time and space afforded him in the first half yet the major question is who will line up alongside him while Antonio Rudiger is recovering from injury.

Lampard started Fikayo Tomori with him in the first half, maybe trying to build a relationship between the two. He's another benefiting from playing under Lampard and Jody Morris at Derby.

He did well, look assured but really there was no threat whatsoever.

Andreas Christensen, who would be considered higher up the pecking order, came on in the second half and played with Kurt Zouma, who would surely be moved on or being resigned to being fifth choice. Tomori did not harm himself but the line ups against Kawasaki Frontal and Barcelona will provide more clues.

Andreas Christensen looks set to be pushed by Fikayo Tomori for a place in central defense

Diamonds aren't forever

Insofar as you can establish tactical insights, Lampard's Chelsea will press aggressively high up the pitch.

Suffice to say that will be harder to do in the Super Cup against Liverpool than against St Patrick's.

Lampard played the first half with a diamond midfield, Ross Barkley at the tip and Jorginho at the base, with Mount and Mateo Kovacic central.

It is hard to see that being a regular feature give the proliferation of wide players Chelsea possessing in Christian Pulisic, Callum Hudson-Odoi, Pedro and Willian.

In the second half, when all 11 players were swapped, they started 4-2-3-1 and switched pretty quickly to 4-3-3. That feels more like the shape we'll see on a tour and at the start of the season.

Lampard deployed a 4-2-3-1 for much of the game before switching to a familiar 4-3-3 shape

One for the future?

It's become the kiss of death at Chelsea, the sobriquet bestowed on the likes Josh McEachran, Dominic Solanke, Nathaniel Chalobah (all fine professionals, just not at Chelsea's level).

Yet Billy Gilmour, 18, a Glaswegian signed from Rangers two years ago, looked assured and composed in a second half midfielder. He's small – 5'7 '- but feisty and not easily intimated. He also played the second half against Bohemians on Wednesday.

Lampard kept him here rather than send him home for the Under-23 match on Saturday, so he's made an impression. He played under Morris for the Under 18s so is well known to the Chelsea bench. A season on loan in the Championship surely beckons.

It is to be hoped he won't get lost in the black hole of Chelsea's youth development but eventually step up to the first team.

Chelsea teenager Billy Gilmour got minutes under his belt in Dublin and is a star of the future

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[tipsoctopus]

Perfect for the job: West Ham star delivers key moment as team-mates flourish around him

It is a testament to Declan Rice’s immeasurable ability that, at just 20 years old, his career has already been defined by a tug of war between two nations. The story has not been overly dissimilar at club level either.

Prior to 28th December 2018, a day which saw Rice sign a long-term contract at West Ham, the Hammers supporters lived in daily fear that he would use his impeccable form to elevate himself to a higher platform. Cryptic Instagram stories evoked their own set of fresh questions and started umpteen transfer rumours, leaving hoards of grown men in a state of panicky delirium.

But the combative midfielder’s decision to sign a new deal banished those rumours and gave way to the politically-charged and emotionally-tentative issue of his international career. Suddenly the newly-born star was faced with a choice between the Republic of Ireland, for whom he had already made three friendly appearances, and England, advertising an attractive vacancy at the base of their midfield and boasting a plethora of phenomenally gifted young players.

Following months of relentless speculation, The Three Lions got the nod. Gareth Southgate has since made his intention clear by naming him in the recent squad for England’s Euro qualifying fixtures against the Czech Republic and Montenegro.

Some say that Roy Keane was hurling tins of Guinness at the TV when Rice stepped onto the Wembley turf to make his debut against Czech Republic last week. Back in May 2018, Keane defiantly ignored the intricacies of Rice’s situation by declaring his future for him.

“It’s going to be pretty difficult as he’s Irish,” Keane told the media, via Irish Independent.

“Where else would he want to go? It’s pretty straightforward. He is Irish.”

And James McLean, a notorious pillar of morality and exemplary professionalism, fuelled the image of Rice the traitor this week by telling him to “*** off” – frightening stuff.

But away from the bitterness of Rice’s decision there is no doubt that the West Ham enforcer can provide a compelling solution to both a short and long-term England problem.

The Three Lions’ development under Southgate is pointing towards the emergence of a new golden era. The last of its kind fought for trophies around the turn of the millennium, but an infamous midfield conundrum was one of a multitude of insidious forces which stunted their progress.

No manager seemed to possess either the cojones or tactical nous to leave one of Frank Lampard, Steven Gerrard and Paul Scholes on the bench. Sven Goran-Eriksen simply embodied the spirit of a Sunday league manager as he lived in fear of being confronted by an obscenity-screaming parent on the sideline while their vicarious fantasies crumbled in front of their eyes.

Be sure to check out the incredible story of the man who rose from a Tanzanian refugee camp to become one of Australia’s biggest football stars in the video below…

The solution: the three phenomenally gifted central midfielders took turns to operate on the left-wing. No central midfielder currently residing within England’s ranks comes close to any of the aforementioned trio, but Rice’s presence will ensure that the creative, dynamic talents vying for a starting berth – such as Harry Winks, Ross Barkley, Alex Oxlade-Chamberlain, Jesse Lingard and Dele Alli – at least have the freedom to play to their strengths. Unlike England’s last golden era, the central midfielders will not be strangled by the prowess of the players around them in a paradoxical twist of fate.

On the point of Henderson, it’s worth noting that Rice’s decision to pledge allegiance to England will free the midfielder from the manacles which shackled him in Russia last summer. Liverpool’s divisive captain spent the World Cup mopping up in front of the defence, with Southgate unconvinced by England’s answer to Keane, otherwise known as Eric Dier. Henderson played like a schoolboy on trial with Real Madrid – as he does every week – running with purpose and determination but lacking the intelligence to channel his relentless work rate into something resembling quality football.

The defensive anchor role, though, demands a level of discipline, composure and positional understanding which eludes Henderson. The same criticism, however, cannot be waged at Rice.

His performance against Montenegro attested to a wider feeling that his decision to defy Keane’s subliminal messages is a game-changer for England’s long-term ambitions. It was a routine test for a player who will personally go head-to-head with some of the most tantalising attacking midfielders in world football during his career, but it’s no coincidence that England’s attacking contingent of Barkley, Callum Hudson-Odoi, Jadon Sancho and Raheem Sterling all excelled in the knowledge that Rice was patrolling behind them – suspect defending, of course, also aided their cause.

His maiden start for England was a key moment in the nation’s development: they have found a vital piece of the jigsaw who excels in his own role and simultaneously raises the standard of those around him.  

It’s no wonder Keane and McClean have been left reeling, even if the root of their exasperation transcends beyond football.

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[susieacker3020-blog]

Give A Sensational Try to Your Outside With Different Types Of Outdoor Home furniture

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[raayllum]

what's the worst that can happen

Going into s6, we know it's the show's 11th hour in a lot of ways. I expect the mid-point of S7 will also have some terrible shit happening, don't get me wrong, but going into S6, there's a lot of things that are probably going to happen and here's some of 'em, and then we can check back here in two weeks and see what was shaken out!

Janai loses her kingdom. This would be especially devastating because 1) Janai has called for reinforcements through both Ezran and Aanya, and 2) it means Kim'Dael could be freed as well. I'm not expecting this to be the end of the plot line either per se (Sol Regem + Pharos corruption sleeper agent infecting more Sunfire elves)

Aanya dies. We know that Aanya has an older adoptive brother, and I've been wondering for a while on why to give her one in the first place. The most obvious reasons would be for him to provide her with a confidant (perhaps some Aanya angst or uncertainty) and as a parallel to the broyals. The other most obvious reason would be for her or her brother to die, thereby leaving the other alone; if Aanya dies as well, he would also inherit the throne, and this would possibly leave Ezran with a weakened or non-existent ally as well.

Katolis falls. Katolis has been a safe base and starting point throughout arc 2. We also know Ezran is staying behind there in early S6 and that Claudia, at some point alongside Terry, makes her way to the Valley of Graves in Katolis as well for some kind of spell. If Katolis fell, and Ezran and co. had to leave (maybe with the castle under siege, and a character like Opeli also dying), this would be a big blow to the status quo as well as for Ezran's character to deal with.

The quasar diamonds don't work. One is missing, or the Star magic isn't enough because of the nature of the coins. This doesn't mean the Moon fam + Kpp'Ar doesn't get out, per se, but that more creative solutions (dark magic, a quasar diamond substitute) have to added in order to have a real shot at releasing them. Alternatively: the quasar diamond star magic is all that's needed, but it leads to disaster such as the possession.

Aaravos takes the Nova Blade. Big bad who is notoriously angry at other Startouch elves, and the sword that just happens to be the main thing that can kill Startouch elves? Yeah, it's a recipe for disaster in terms of "collecting mega dangerous objects that Aaravos could have a reasonable vested interest in" and a classic "the tool you hunt down to use on your enemy is then used against you" (perhaps literally, if Callum and/or Rayla are also stabbed with it).

Callum is possessed. This is a matter of when, not if. There are a few different orders this could go through, the most dramatic probably being either escalated choices Callum makes or random happenstance leading to his possession, Aaravos isn't out yet, Rayla refuses to hurt him despite everything being on the line, Callum stabs her (with the Nova Blade?) but snaps out of it, and sets Aaravos free in order to keep her alive. I could also very much see Aaravos being released and then Callum being possessed if they want to go full throttle on the "possession is a kind of death (you chose)" deal.

Claudia is Claudia. Do I really have to explain this one? Poor girl, but the world is definitely going to be worse off in S6 for having her in it. Still love her though.

[raayllum]

Sometimes I think about the gap between the thematic perception of a theme/character versus how they themselves perceive the same thing. There's not too many gaps routinely like this in TDP except for antagonists — Karim comes to mind most notably, in how he earnestly believes he's doing the right thing with no pretense while becoming increasingly hypocritical — nor are all these gaps negative, per se.

But I think about it in regards to Rayllum a lot.

For example, in their actual relationship, they're pretty healthy. Rayla in particular has struggled with open and honest communication, but they're getting there, and we see that Callum has given her an unconditional, rather than an ultimatum base, upon which for her and both of them to build upon. They can teach really good lessons about taking time for yourself so you don't yell at your partner, that you have to work on yourself and a relationship won't fix your problems, that approaching things together is good and that you should support one another, etc etc.

However, thematically — identity wise — they are codependent to a super intense degree, wrapped up and incredibly dependent on the other person's construction of their sense of self (Rayla struggling to be a good person when she's reeling in the S4 fallout, because what does she have to show for it? Callum trying in 4x07 to push them both into their worst roles if the worst comes for him). And this codependency as well as intense desire to protect one another can cause them to make dangerous or self destructive choices in the name of love (or both), like Rayla leaving to protect him and luring Sol Regem away, or Callum doing dark magic and jumping off the Pinnacle.

Thereby, playing with this push and pull, how they exist and perceive themselves vs how they exist in the narrative (and may be seen as other characters) is well, a lot of fun.

This is also true for the "Rayla as Callum's method of destruction and salvation" theme that's been running through every season of the show, with Rayla being the lynchpin to burn down his old life / understandings of self and trust, and usher in new ones.

Callum doesn't see his relationship with Rayla as anything negative, ultimately; she's loving and brave and she saves people, she saved him, and he saves her right back. He'd do anything not to lose her, because that's the Right Thing to do to him, even if it's not automatically 'the right thing' for the rest of the world's safety.

But we know, thanks to their pattern (1x03, 1x04, 2x07, 3x09, general S4, 4x07, general S5, 5x04, 5x08) that it's something that can and has routinely gotten him into trouble in the past, particularly in S2 and S5.

We also know that Rayla fundamentally doesn't see anything wrong with Callum, either. "It doesn't matter" that he did dark magic before (2x07) and it likely won't ultimately matter to her again. She has so much faith and trust in him and his ability to do the impossible that the idea of Aaravos possessing him again in an awful way is downright hard for her to fathom. To her / in her mind, Callum is sweet and nice (even on the rare instances he yells at her), caring and loving and compassionate. And he is all those things, but even when one another's worst traits come out, both have a tendency to forgive and accept.

Now, part of this is because they have a mutual basis, for lack of a better word, of lines the other would never cross that are all conveniently the lines the other could never forgive (Rayla putting Ez at risk on a whim, Callum killing Stella for dark magic ingredients) which just perpetuates this cycle of support, forgiveness, and unconditionality.

Because unconditional love is great — until it's not.

And I think this blend of "they are actively healthy and actively working on being healthier" mixed with the "oh God quarantine them and their codependent shit together elsewhere for the good of society" is why they 1) have the range that they do and 2) the subsequent appeal that they do.

[raayllum]

i desperately need your sweetest headcanons of ez and rayla being Siblings

Mandatory Rayla&Ezran brotp tag drop here & first some rambly meta cause like, a lot of this is based on the concept(s) of Ezran and Rayla fundamentally being more like each other than either of them are like Callum

Like they both grew up friendless (whereas Callum seems to have a lot more ease in actually interacting with new people & I've always HC'd him having less friends out of choice, cause those potential ppl didn't get along wit his brother) and feeling perpetually different, they both (like Claudia) take on their parents' previous paths and feel the weight of it. They also tend to have a lot of similar esque insecurities and hangups ("I feel like I'm letting everyone down" 3x03 ���> "I failed them, I let them all down" 3x04 / "It's not fair you have to go through this alone" 5x02 —> "I knew I had to be strong alone" in 5x04 / self blame tendencies with "You knew? I'm an idiot! I should've figured it out" 2x08 —> "Ugh, I'm such an idiot. I should've figured it out" 1x09) and are both very much bleeding hearts. They're also willing to pivot away from prior missions (bringing Zym home) for causes they see as more worthy in a lot of ways — going home to rule (the individual collective) and freeing Phyrrah (the individual stranger) — even if that separates them from others and/or puts them more at risk, cause they're just loyal to causes and ideals and self-imposed responsibilities tethered to those concepts like that? I love them

Like they both are like Callum — Ezran is emotionally open and inclined towards vulnerability, like him, which Rayla is not, and Callum and Rayla, esp in arc 1, take on responsibilities that Ezran do not & all their stuff with adoptive dads and communication etc etc. — but they're also more similar to each other than they are to him. More on that here & here + bonus S5 hammering that in more than ever (Rayla going with Ezran's plan in 5x05 anyone?)

Now onto the actual headcanons

Rayla doesn't have a lot of patience for games (cards, chess, etc.) and will be a sore loser/give up when playing with just about anyone else (including Callum) but she can never say no to Ezran over it, and he's so earnest/having such a great time she can never be a total grump when they do play games together

Ezran is the one who primarily took care of her Shadowpaw, for obvious reasons, in the castle stables until she returned, hence why sweetie pie was waiting for her & ready for the Lux Aurea trip

The little archangel lunaris on his backpack was absolutely chosen with her in mind <3

Both Rayla and Ezran possess an abundance of faith in other people, and this is shown best when they're being supportive of or defending one another ("She'll know what to do" —> "He can do this, we have to believe in him" —> "She's alive. And wherever she is, she loves you too")

Rayla weaving a little braid into his hair and having Ezran weave one into hers as well because braids are for love and family, and they are certainly both to one another

This shitpost, which is really just them getting stuck on and continually adding to dumb bits for each other to laugh at

Playing pranks back and forth on Soren and sometimes on Callum

Mostly they just tag team chores like "making sure Callum has eaten and slept and left his study recently" / keeping their favourite mage out of his head

Rayla giving Ezran stealth lessons and Ezran having Rayla bake jelly tarts with him

They always insist on being on the same team when it comes to snowball fights at the Banther Lodge

Ez loves to infodump about certain things and Rayla loves to let him, especially since his trains of thought and ramblings are a bit easier for her to follow than his brother's (most of the time)

Rayla having Ezran teach her how to notice things about illusion animals so she can have an easier time telling the difference (Soren teases her about it and she socks him in the stomach)

This isn't really so much of a headcanon as it is a canon observation but in battle sequences Callum doesn't really usually focus (outside of when he's using said magic to protect Ezran) on getting Ezran away from the danger, instead trusting Rayla to do so — and she always does (1x06, 1x08, 1x09, 2x04, 5x09)

Because she's just his friend and not his subject (or for now, an official member of his council the same way), Ezran finds himself seeking out when he just needs to have dumb kid fun, and Rayla is always down to help him

On that note she's very good at knowing when he needs space vs when he's okay being fussed over (Callum, Opeli) and telling people that even when he may not be able to express it himself because non-verbal times / feeling overwhelmed

Whenever they go on roadtrips in the future, Rayla does her best to bring special snacks around for him (and teach him how to forage, which animals can help him with too)

Eventually when Ezran is a little older, Soren needles him about learning how to defend himself, and Ezran dreads having to hold a sword and initially refuses. But Rayla plops down beside him and talks him through it and reaffirms that they just always want to make sure he's safe, and that's what gets him to come around to the idea

Ezran and Rayla both being physically affectionate people — Rayla slinging her arm along his shoulders, Ezran often grabbing her hand as a sign of support (most often the one she was going to lose to the binding) and squeezing gently, like a reminder that they're both still here and everything's okay and/or going to be alright

Rayla tears up when she realizes that Ezran is finally taller than her, much to his mild annoyance and amusement

Ezran helps Rayla with her proposal to Callum, and does not tell her (or his brother) that Callum is also planning to propose lmao

[raayllum]

Cube Hostage Exchange Theory: Ezran Edition

Cause I've been feeling this one and figured I may as well toss in the newest two cents.

This is something I've talked about before (X, X) but much more briefly, and with the theory still on the table for S6, I figured I'd cover more of my bases.

The usual caveats / disclaimers to get out of the way:

Cube Hostage Exchange Theory (CHET) is a TDP theory dating back from September 2020 (shortly after Through the Moon released) speculating that Rayla would be taken hostage in exchange for Callum freeing Aaravos by handing over the Key of Aaravos. It was based on ideas of 1) the key being important to Aaravos' plans, 2) the irony of Callum literally freeing Rayla while chaining himself further to Aaravos' will, and 3) that Callum would be a pawn in Aaravos' plans (deduced well before S4) due to this thematic ties to freedom.

The biggest assumption the theory made/makes is that the Key of Aaravos is something that Aaravos is actively seeking/wanting, or something he needs; this aspect of the theory is still (technically) pure speculation.

CHET may not happen in S6 due to the fact it beat for beat already basically happened in 5x08, just with Finnegrin swapping in for Aaravos as an instigator. This is partially due to the fact that the irony regarding chains and freedom (Rayla being freed by Callum chaining himself) also came to pass alongside the captive/loved one's life being threatened and Callum subsequently being willing to help said antagonist.

That being said, I still fully think a Variant will happen, if you will, whether that's due to Callum getting in over his head with the coins, or something more directly threatening Rayla.

This theory resides on the (canon) interpretation of Callum being willing to do anything to protect his two most important loved ones (Ezran, Rayla) even if that means helping Aaravos and/or putting the world in danger. This post itself is not going to debate or explain this interpretation, but if you are interested in learning more about it, I'd recommend this meta and this tag.

I still think Callum making a choice that risks subsequent possession / world ending behaviour is more likely to be for Rayla. This is for a few reasons: 1) they still have an ongoing relationship rift/conflict to heal, and this could be a way to do it; 2) we know thanks to 6x01 that Callum and Rayla are heading to the Starscraper alone with Ezran being back in Katolis, so there is just more opportunity; 3) more of the narrative legwork has been done with Rayla specifically, particularly in regards to the possession plotline in particular; 4) Ezran has never represented destruction to or for Callum, but Rayla has more overtly negative associations which would fit; 5) Rayla has had more scenes and lines with said Cube / Key of Aaravos throughout the 4 seasons its been displayed (1x04 multiple times, 1x05, 2x07, 3x08, 4x02, 4x03, 4x07) than Ezran has (noticeably only one in 4x07).

All that being said, let's talk about the way the narrative might work / the evidence we have at present for CHET happening, but Callum dooming the world for his brother instead. Otherwise known as CHET: EE (Ezran edition).

The Necessary Narrative Legwork

As stated, CHET: Ezran Edition would only, to me, have a strong enough narrative purpose to happen IF it served as the basis or conclusion for a reconciliation arc between Callum and Rayla (currently ongoing) or between Callum and Ezran. While the brothers are not currently fighting, that doesn't mean they won't in the future.

Season six might have to squeeze it — it would have to be in the latter half of the season, which might be too delayed for Aaravos' proper release, but who knows? — but it definitely seems like the brothers are hurtling towards some sort of conflict.

However, I think the way the conflict is framed / what it ends up being centred on. For example, if the brothers just fight over whether or not to free Runaan (as there are indications that they might), I don't think that by itself leads to a resolution like CHET: EE. But if the brothers fight over Runaan, and it makes Ezran feel like his brother isn't choosing him, and they part on bad terms... Now we're talking.

Now, S6 could have room for a broyals conflict. They could fit over Runaan, as noted, or even other issues in their relationship. This would lay the groundwork for something like a CHET: EE based reconciliation happening, provided there was conflict to resolve first.

I'd also like more scenes / lines concerning Ezran with the cube. Thus far, Ezran has been there in 3/4 seasons where we've seen the cube (S5 is the only season with zero appearances outside the 5x08 intro), but he's only commented on it in 4x07 with "Callum, put away your cube!" when it's glowing because the moon opal on the Bridge of Darkness.

Episodes such as 1x05 particularly feels like a missed opportunity, perhaps, if this was the direction they were going to take, given that Ezran easily could've stepped in during Callum and Rayla's miniature disagreement over it (the "it's a glow toy" + "this doesn't end well for you" foreshadowing is there in addition to Callum looking at the Star rune) to make a comment about it still being worthwhile / perhaps a fun toy. But if Ezran's hide and seek game motif (more evident when they were searching for the hidden prison) comes into play and is tethered further to the cube's game motif, that's alright by me.

So yeah, two key points I would need to happen could happen, largely:

The brothers having some kind of serious conflict wherein Callum prioritizing Ezran in this way could help reconcile it

Ezran having more screen time with / regarding the Cube and Aaravos in some manner

That's not to say there's no legwork already put in, though, for an EE, which is part of the reason why I'm making this post. So let's talk about the two biggest points in this edition's favour:

The Orphan Queen Connection

Despite not receiving the Key himself (which could be a parallel to the Sunfire siblings regarding Kim'Dael's collar), the EE has a significant point in its favour due to Ezran's associations with the Orphan Queen. He's been directly compared to her both in appearance and in personality, as he shares her ability to Truth Tell in the face of lies, narratively speaking:

I should have seen it before. Ha! Long ago, it was a human who saw through the Fallen Star’s schemes and helped Xadia put an end to them. You look so much like her.

I've written before about the parallels there seems to be when it comes to the Jailer and Callum, two clever human mages, and the Orphan Queen Ezran, two royals of a blood line tethered in some way to truth telling and Aaravos. This parallel connection of the Jailer and the Orphan Queen being involved in imprisoning Aaravos, and Callum and Ezran witnessing / failing to stop if not also being involved in his release would be an ironic layer.

There would be another additional layer if the Orphan Queen's use of the cube was what led to him being sealed away, and now the Key is being used to spare her descendant, his brother's, life three hundred years later.

Thus far we don't know much else about the Orphan Queen besides this, so I could see Ezran's role with the Key being to partially discover what it is or what it might do, and for Callum to figure out further how it works and how to use it, but we'll have to see. I think this piece of evidence would be stronger if both brothers had been very involved and interested with the Key thus far - a true piece of dual heritage for both of them - but given that it's been so much more in Callum's corner and much less in Ezran's, I think this aspect is probably what would need to be developed the most in S6 to work out.

That said, the strongest piece of evidence we have for an EE of CHET is namely the place where we first learn the cube is called the Key of Aaravos at all, which is in...

Harrow's Letter

Harrow's letter exists in story for a few reasons:

To resolve Harrow and Callum's arc with each other, particularly to affirm to Callum that he belonged within his family / as Harrow's son. This is folded into Harrow discussing his sons' bond and what he wants for both of them in addition to point 3 and 4

To largely tie up Callum's grief regarding Harrow, as while we still see bits and pieces of it (you can argue 2x08 and 4x03 touch on it), 2x06 is the last time Callum's specific grief about Harrow is discussed (at least for now)

To complement Viren's narrative of what happened with Harrow's own take on the same events, particularly to push forward and the name the Narrative of Love vs Narrative of Strength dichotomy (which S4 and S5 have spent a lot of time deconstructing further)

To explicitly introduce the concept of the Chains of History and Harrow's own desire for freedom, which is alluded to in early S1 but not fully developed, and therefore pave the way for him to show up in Callum's 2x08 dreams

To give us the info about the Key of Aaravos early enough we could sit with it, and also let the foreboding build

I do think the placement of the information about the Key is interesting, because the way it's presented perhaps fulfil more of our traditional expectations in the fantasy genre. Of course the protagonist happens to stumble across a neat, funky family heirloom with a tease for a cool power-up to come. It is, after all, the first time we hear the name Aaravos.

However, they very quickly (aka like 1.2 episodes later) give us the name of Aaravos, and we immediately know it's nothing good. The more negative associations with the cube are also added to in 2x08 with the dream imagery, which makes a lot more sense now that we know just how deep the ties between Aaravos and dark magic really go.

With this in mind, the most telling lines from the letter for an EE CHET is, I believe, this from Harrow:

But as a father, I have a selfish wish. For you and Ezran to be... free.

Now the letter itself talks about Freedom almost as much as it talks about Love, and indeed, love — specifically a Narrative of Love — is posited as something that can and will free you, in contrast to the Narrative of Strength bound by the chains of history. We also know Startouch stuff is associated with wishes, so that's another point. And Harrow's last words to Callum were "Take care of my brother." From a familial standpoint, there's more than enough permission / merit here to go ahead.

The letter introduces the Key and talks about the brothers. It talks about chains and love and freedom. And these are all things that would be very much literally present in in a Cube Hostage Exchange in which Ezran is the hostage or person the key is being handed over to save.

And while I think it could be a possibility on the table, because Callum absolutely would do this for his brother... I still think if we're gonna get a scenario like this, it's going to be Rayla, or it's going to be no one. And here's why.

The Other Side

You may have noticed throughout this that this edition of the theory depends on even more could haves than traditional CHET already does, and hasn't really talked about Ezran's personality or interplay with sacrifice as a theme. This is because that, without an external conflict pushing things forward, this display of devotion doesn't really affect Ezran much. He knows his brother loves him and has never doubted this; Ezran is very measured about sacrificing himself for what he believes in, but is also always willing to accept help and other people's aid. Ezran is sacrificial, largely adjacent to his crown and his childhood, but his arc itself is centred around concepts of power, duty, and justice over a core theme of sacrifice or even freedom.

Subsequently, Ezran likewise has not been associated heavily with chains, nor is Callum someone who has broken Ezran's cycles or chains, literally or metaphorically. Although Ezran is undeniably tethered to freedom because "a child is freer than a king" and him being briefly (meaningfully) in prison, freeing Ezran has never been a main plot concern Callum or Rayla has had to contend with. The closest they come are the boys working together to free Rayla in 1x04 with Bait, Callum and Rayla working together to get Ez out from the icy water in 1x06, and Soren freeing Ezran from prison (and getting him to his council) in 3x05... and that's about it. Nor is Ezran a big part of Callum's mage arc; they normally discuss things other than magic, Callum rarely uses magic to protect his brother (although S5 definitely had an uptick), and Ezran is pretty separated from notions of magic within Xadia outside of his ability to talk to animals. (It's kind of like how while Callum and Zym have a strong bond, Ezran has a more emphasized one and largely carries the human side of human-dragon reconciliation alongside Soren, whereas their siblings are more elf and magic focused.)

This might shift if/when freeing Harrow from a bird is a possibility, and that's not to say it couldn't be Ezran just on this basis — but that TDP usually prefers to include things at a lower stakes level or even as a joke, and then ramp it up continually until it reaches a breaking point. We can see this even in 6x01 with a scene of Soren leading a blind folded Opeli for comedic effect, only for blindfolds to clearly be important later on in S6 with Callum and the Celestial elves. Similarly, Callum freeing Rayla both literally and metaphorically was set up consistently and periodically throughout the first 4 seasons, to the degree I could predict some of the specifics in 5x08 even years ahead. Then, the show reaffirms this pattern as well as early on in S5 (5x01 in particular), so when it came to a head in 5x08, it felt natural and earned from a thematic standpoint.

Even if S6 went in hard with the Broyals having a fight in the back half, they would still have to drench Ezran in freedom associations to me to effectively get to where I feel like a CHET: EE would totally work. That's not to say there couldn't be over avenues there I'm not seeing now, or a thread I've missed that's been steadily building all along that S6 then makes evident, but this is largely where I've arrived with everything we currently know.

Conclusion

TLDR; Cube Hostage Exchange: Ezran Edition has merit largely due to the Orphan Queen parallel and Harrow's letter, but does not seem to have enough plot buildup at this time to make me lean in that direction. Instead, I still learn towards if there is going to be this scenario or a variant, it will either be for Rayla ( / her parents adjacently) or not at all.

[raayllum]

something about rayla willingly staying chained (or or least appearing to) for callum (let's be real she only felt shame over her arrest because it was callum)

and

callum giving everything to unchain himself for her.

Yeah, watching 5x01 for the first time the "Rayla in chains + Let her go" (and of course the ocean poem) all felt like set up for later in the season/show, but I didn't wanna get my hopes up, and then... 5x08 happened and delivered.

But I think it speaks to how much 5x01 and 5x08 are two episodes in fierce Conversation with each other. Which makes sense: in a lot of ways, they open and close Rayla and Callum's relationship arc this season, as while they have some sweet moments in 5x09 as well, their relationship isn't a focus.

5x01 deals with secret keeping, doing things you know your partner wouldn't exactly approve of, unconditional love, chains, freedom, etc. 5x08 then builds on all of these themes by flipping them on their head.

Where Callum had all the power in court (he's crown prince and the highest ranking member of the royal family in Ezran's absence), he's comparatively powerless on Finnegrin's ship. Where "Let her go" was an order to Opeli, it was a plea to the pirate. Rayla remains 'chained' and doesn't advocate for herself at all in 5x01 out of her own guilt over her wrongdoing; in 5x08 she actually has to free herself and does so to save her friends, yes, but also to keep Callum from sullying his hands.

(This is a nice parallel, I think in some ways, to how Rayla was going to tell Callum the truth at the end of 5x01 -- thus repeating their pattern of her opening up out of guilt in the face of his forgiveness/unconditional love -- only for him to tell her "don't do it - not again", allowing her to forge a new way forward in 5x04).

Which, of course, Callum gets his new way forward too - the Ocean arcanum - but that also causes its own inverse: dark magic, and now he's the one keeping secrets. But it keeps the literal through line of the poem, Rayla's consistency in his evolution as a mage, and reaffirms the unconditional aspect of their bond.

Paired together, S4 and S5 are very much Callum accepting that Rayla's behaviour & choices are just her being herself (however much it may wound him, and however much he may dislike it) and as of 4x09 with "I know," he's accepted that he fully loves her for her, regardless of if she'll ever change. (Still a little bit of protecting himself by not going after / with her, again, but y'know - growth and regression simultaneously is more than fine.) Which is why when she starts changing in 5x04, it feels like such a big deal, because it's on her and their own behalf. It's her choice stemming from want and trust, not guilt and shame, because he's given her that unconditional base; she may do things that will wound him emotionally, but Callum also knows that Rayla would never intentionally hurt him or Ezran, ever, and that opening up is also still Very hard for her.

But that doesn't change the fact her absence made opening up for him much harder, and that hasn't really changed in S5. He's so much more open and sweet and goofy and comfortable with her, and he opens up in a few places, but he's still not emotionally depending on her the way he was in arc 1, understandably.

Something something Rayla being as true as the tides to him and his love for her being as "the ocean is deep" and To love is to simply know this:

Which like, that kind of love is transformative and good and beautiful and devoted (the real kind of strength, the forgiveness, the trust, unlocking his wings, etc) but it can also be terrifying and destructive and devastating (when you feel helpless, the dark magic uses, a weakness). And I think unlocking Callum's own chains in order to also free her with sky magic is like, a perfect example of that duality? He takes off his own literal chains but takes on a new, somewhat-metaphorical, somewhat-literal kind (now that he knows about the possession) at the same time. He has to accept and fully sit in that dark part of himself and its negative potential even in order to increase in magical power with another primal source in a positive way. It's all double edged sword. Just like her, just like them.

And just like that goddamn cube.