#analysis

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[rayroseu]

Wait this is actually interesting, so from what the story implies, Wild Rose Castle is weaker than Black Scale Castle because it probably has no magical atmosphere that serves as its defense, there's probably fewer troops here, and the fact that its just on a clear meadow makes the terrain not suitable for defenses unlike Black Scale who is atop a mountain and covered in a Valley.

So I kinda think that Wild Rose Castle is a newly built castle in Briarland. After all, Meleanor was a kid only 200 years ago so Wild Briar is probably that age as well (or more), i think that age is young (compared to Black Scale which probably several centuries old?) thats why it has weaker defense facilities.

Maybe Wild Briar is older as Black Scale, but this game says this is Meleanor's castle so I assume she's the one who had built this.

But I have this HC that this castle is actually built because of Levan. For his diplomatic mission between humans. Building a castle in an easy terrain would make sense to make it easier for magicless humans to transport in. Because I don't really expect(?) Maleanor who is a military commander, which she probably has knowledge of strategies, to not see how disadvantegous this location is considering its close to humans

But I also think Wild Briar was built as like a refuge for the faes that live far away outside Dragon City(I wont call it dragonopolis lol)

Wild Rose being a few centuries old also kinda makes sense since the Silver Owls only recognize Meleanor as the only ruler in Briarland, they probably arent aware theres a queen named Maleficia because she's ancient(?) atleast I didnt caught any silver owls mentioning her iirc(?) They went to the mountains near Dragon city yes-- but like it was to pursue General Lilia and not to besiege Black Scale as well even they kinda had the potential to do so since they took down Maleanor and Silver Owls' is implied to be very greedy--

I actually think its more interesting to not summarize Maleanor's cause of death as just her overestimating her win against Knight of Dawn-- I actually think its because of several reasons such as:

"Wrong time" in working out the diplomatic relations between the conflict between humans and faes, Levan's plan to educate wasn't pointless effort, but I wish the story states as well what he did to counter the fact that the faes hates humans not because of a misunderstanding, but because of their mistreatment towards faes(the story literally implies rhe humans kills faes meanwhile we have yet to see a royal guard fae that killed humans the story only tells us they chased them away), Levan does this when its clear that the Silver Owls was getting hostile, like objectively speaking, this was kinda not the right time to communicate and Meleanor was the receiving end of the build up hostility of the Silver Owls

This is kinda countering my first point, but Meleanor's decisions was kinda weird too in the story lol, why send your best Generals to the enemy fortress.... 😭💥 But I actually think this is interesting as well, because its likely a reference to the wars in LiveAction Maleficent... I remember watching that movie especially Maleficent 2: Mistress of Evil and just wondering why the Moors never plans (and even if they do its very simple, just charge in and overpower the enemy with strength), they just charge in instead of treating it "like a chess" where you save your best pieces in dangerous situations and everyone has a role in dispelling the enemy. They also hold this belief that only the strong ones would guarantee their success and heavily relies on them. Meanwhile, Queen Ingrid used deception and control to subdue all the faeries. Like Meleanor/Faes vs Humans, the faes never thinks about what the human enemy plans, they rely on raw dodging it lol probably alluding to the fact that the faes have trouble thinking like a human.

And lastly this point lol, poor choice of headquarters, the terrain is easy for humans to invade in, and the castle is still weak, also the fact that Wild Briar was alone in fighting several human nations was a factor as well because it couldnt get back up in time because it was too far away from Black Scale Castle, kinda adding Wild Briar was outnumbered too atp

[enanansbbg]

Anhane’s relationship, and it’s complexity:

this was originally uploaded onto twt, but I wanted to reupload it here because I was very proud of this analysis, so please enjoy and feel free to add anything I may have missed or skipped over!

With that being said, here we go! ٩(๑❛ᴗ❛๑)۶

Let’s start with the basics. The pure power of their aibouness, and its connections to vivid street.

To begin, you must understand what a partner is in VBS terms. In this case, it’s ‘a person who brings out parts of you never knew existed’.

In relations to Anhane, this is based off pure raw emotions. This is shown through An’s abandonment issues and Kohane’s want to make her heart pound.

Kohane wants to recreate that feeling she felt when she first heard An singing inside of An, to ‘make her heart pound’, while An’s abandonment issues cause her to fear Kohane’s rapid growth may lead to Kohane abandoning her.

This also plays into a certain factor about Kohane and the idea of her and angst, I believe.

Many people want Kohane to have some kind of angst event, especially related to her backstory, but that would go against all her motives.

See, Kohane’s pure movies for pursuing music—for working to surpass Rad Weekend all tie back to An. It was hearing An singing at WG that made her heart pound and An asking her to be her singing partner that caused her to even consider music as an option.

From here, their relationship develops into a lot more, and it’s when the idea of partners ‘bringing out an ugly side of you’ comes to play.

You can see even in the maim story An not seeing Kohane as an equal. It only gets called out and resolved in Singing in Sync.

Singing In Sync, ep. 1 and 3

🎧: “In the unlikely event that something does go wrong, I’ll cover for you and get you back on track, okay?”

…

🎧: “I failed as her partner…I couldn’t protect her…

…

🎧: “I mean, she’s my partner…And I wanted to guide her so that she could sing without worrying…”

…

🥞: “You don’t think of Kohane as one of the team.”

An telling Kohane “I’ll protect you if you mess up” subconsciously puts the idea into Kohane’s head “I’m not good enough, so I’ll probably mess up” This is what caused the entire issue in SIS to begin with.

But it’s once An tells her “you can protect me too” that Kohane is able to subconsciously think “I have the power to make her heart pound too”

Singing in Sync, ep. 8

🎧: “If I miss a cue at the next event…”

🎧: “Could you cover for me?”

🐹: “An… Sure, I can do that!”

After this we get Awakening Beat. Kohane is able to come out of her shell and fully adapts the idea “I can make her heart pound too” and has a large boost in confidence because of it. An both brought her confidence down and back up in the spam of one rotation.

Awakening Beat, ep. 8

🎧: (“It’s like she’s not even the Kohane I know. Could this be because she’s completely resolved herself?”

🎧: (“But even with just that, she can really change this much…?”)

However….In the same event, An’s insecurities begin to bloom and in Bout for Beside You, An has to face them for the first time.

Awakening Beat, ep. 8, BFBY, ep. 4

🎧: (“I was just gonna tell her she did amazing… That I never knew she could sing that amazingly, but…”

🎧: (“What’s going on? I just can’t get the words out—”)

…

🎧: “Kohane is…going to leave me behind?”

Here, An realizes her and Kohane ‘perfect’ relationship is more complicated now. While Kohane’s adapted the idea of “I want to make her heart pound”, An opens to idea of “I wont he able to make her heart pound anymore” (they doki doki more than ddlc i swear)

At the end of the event, An ask Kohane the golden question. “If I were to leave somewhere far away, would we still sing together?”

BFBY, ep. 8

🎧: “But what would you do if I said that I’d be going somewhere far far away someday?”

🎧: “And I wanted to reach greater heights just like what Uncle Taiga did exploring the world. If I were to go to someplace even greater and far far away from here—”

Of course, Kohane affirms this. Naturally, Kohane takes a lot of pride in being An’s partner, being the only partner for her. (as said in ORS) She wants to keep singing with An forever.

BFBY, ep. 8

🐹: “Even so, I would want to keep singing with An-chan!”

🐹: “No matter where you go or what you become, I’d still want to be with you!”

🐹: “I want to properly stand beside you and sing with you!”

We’re gonna skip ahead a bit and jump up to KIUAN, where we get our lovely “She looks like Nagi-san” line, the line that killed every Anhane shipper in the tristate area.

But what makes this line so special? Well, for that let’s discuss what made Nagi’s death (and the lie surrounding it) so impactful.

Nagi was someone An looked up to highly. So, when she was suddenly told that Nagi moved, not even saying goodbye, to pursue her music career, it left a mark on An. Added to the fact that Nagi wasn’t returning An’s messages or calls, just completely disappeared.

Now, looking to Bout for Beside you and KIUAN, you can see the importance of these lines. An fears that Kohane will improve so much that she leaves without a word, never talks go her again and just moves on. It’s why she looks so distressed.

VOT ep. 8, BFBY, ep. 8, KIUAN ep. 7

🎧: “…Aww. I wonder what Nagi-san is doing over in America? I wish she’d give us a call at least.”

🎧: “Ah! Maybe I’ll send her a text then! I wonder if she’ll be surprised~?”

…

🎧: “But what would you do if I said that I’d be going somewhere far far away someday?”

…

🎧: “…She looks just like Nagi-san…”

And, it’s why she can’t even believe Kohane when she says just how important An is to her, how much she loves her and wants to sing with her because Nagi said the same thing and now Nagi is gone.

This manages to reach a resolve in WTWG, where An ‘fights’ Kohane, takes all those raw emotions out in a healthy way, through her song.

An’s card in WTWG is more than just ‘An takes her anger out on Kohane’, because in truth that’s not entirely what she’s doing. Instead, it’s An’s raw emotions taking form.

An wants Kohane to grow, she wants Kohane to thrive fully, but that fear of abandonment—Fear that Kohane will leave and never speak to her again makes her want to hold her close and never let her go anywhere.

So what about Kohane?

Well, starting with thr WTWG card/story, Kohane wants to be An’s best partner. As she states, ‘to make An’s heart pound’.

So, to be vulnerable here is to accept all of An’s raw emotions. Let her lean on her and feel everything because to Kohane, that makes her a worthy partner.

She says over and over throughout the fight that An is amazing, that she wants to be like her, how much it makes her heart pound. Really, it reminds me of Kohane’s colorfes story.

WTWG, ep. 7

🐹: (“An-chan…really is amazing.”)

🐹: (“…Whenever I hear An-chan sing, it really makes my heart pound like nothing else. It makes me wish I could sing like her.”)

In it, Kohane goes to Vivid Street, but everyone thinks she’s An. This happens after she thinks about what it would be like to be An, but only going through this dream does she realize that she doesn’t want to be An, she wants to be her. She wants to be An’s partner.

Colorfes Kohane ep. 1 and 2

Record Store Onee-san: “You caught me off guard, using polite like that, An-chan!”

🐹: (“Did she just say An-chan…?”)

…

🐹: (“—An-chan’s so cool and strong…and there’s times I wish I could be like her…”)

🐹: (“I have to be me! Because—”)

🎧: “—Y’know, I was thinking, your singing is always so amazing, Kohane.”

🎧: “Whenever I hear your singing, it makes my heart race. The tension rises, and it makes me feel like I have to start singing right now!”

🐹: (“Because I’m An-chan’s partner—!”)

And to be An’s partner, is to drag all those raw, vertical emotions out of An, just like she does in WTWG.

In conclusion, Anhane explosion their relationship is so complex and strong and I love it

[cityofmeliora]

Secondo lied about being able to speak Swedish, and Terzo lied about *not* being able to speak Swedish

this is honestly one of the funniest things i've noticed in the Ghost lore 😂

when Secondo performed live in Sweden, he would speak some broken / mispronounced Swedish words and phrases on stage.

at Terzo's very first concert, he called out Secondo for lying. Secondo couldn't actually speak Swedish. he was just trolling, and Terzo thought that was a stupid prank. unlike his brother, Terzo admitted he did not speak Swedish, and he asserted he would not troll the audience by attempting to speak Swedish on stage. he re-iterated this several times at concerts in Sweden.

PAPA EMERITUS III: My imbecile brother has somehow fooled you into thinking he can speak some fucking Swedish– pidgin Swedish. No more of that! I do not speak Swedish, OK? Linköping, Sweden (June 3, 2015) via Youtube and Instagram

PAPA EMERITUS III: How are you doing? It's nice to see so many of you here. What has it been, a little over a year? My brother told me about you. And you do know that I'm not gonna trick you with any fucking pidgin Swedish, huh? I know he fooled you into believing he could talk. He sounded like a fucking asshole. Stockholm, Sweden (November 13, 2015)

... except Terzo was also totally lying because later in the same concert in Stockholm, Terzo yells at the audience in fluent Swedish.

PAPA EMERITUS III: FATTA DET HÄR FÖR HELVETE! Stockholm, Sweden (November 13, 2015)

"FATTA DET HÄR FÖR HELVETE!" translates to something like "UNDERSTAND THIS, FOR FUCK'S SAKE!"

Terzo was so bad at maintaining this lie about not speaking Swedish. he continually insisted that he could not speak Swedish, but he also kept demonstrating that not only was he a fluent Swedish speaker, he was very familiar with the culture.

PAPA EMERITUS III: Good evening. How do you do? Alright, let me get this straight to you now: Despite the band being a Swedish band, I don’t speak Swedish, OK? But I can try. You wanna hear me try? You know, we got some awards which we are very thankful for, obviously. So I can say, “Jag är kåt, glad, och tacksam.” And I can say, “Plopp.” “Kexchoklad.” Bandit Rock Awards 2016 (January 19, 2016)

“Jag är kåt, glad, och tacksam.” means "I am horny, glad, and thankful."

"Plopp" and "Kexchoklad" are the names of two Swedish chocolate candies.

PAPA EMERITUS III: I know for a fact that here in Skåne you like your potatoes, huh? Spettekaka. How fitting, because this song we’re gonna do right now does have a culinary theme that you might like. Malmö, Sweden (February 25, 2016)

Skåne is the county of Sweden where this concert was performed.

Spettekaka is a Swedish dessert.

unless they're already very familiar with Swedish, an English speaker wouldn't know how to pronounce most of these words correctly, and Terzo does.

obviously, this is all because TF is Swedish and had trouble staying in character. but the lore implications are hilarious for Terzo HAHAHA. he loves to lie and he's so bad at it.

(BTW i actually don't speak Swedish! if you are a fluent speaker, feel free to correct my translations!)

[king-crawler]

So about the “16 manipulation tactics” part of the video essay, I think you can be a bit generous and stretch it out to 17 because I think king candy also uses his tone of voice as a manipulation tactic!

You could technically lump this under any number of other manipulation tactics (like feigning empathy), but generally when you speak in a very slow, calm tone, it can make your listeners feel more relaxed, trusting, and open to suggestion. 90% of the time king candy’s voice is really goofy and off the wall, even when he’s angry or being evil towards the end of the movie, so him suddenly speaking very calmly and solemnly when he’s talking to Ralph is almost a bit jarring. And obviously just because someone is speaking calmly doesn’t mean they’re inherently being manipulative, but you can use it for manipulative reasons by making yourself seem more persuasive and trustworthy. All that to say I don’t think Ralph would’ve been as receptive if he was still speaking in his trademark silly voice.

No you're so right that's 17 alright 😭 THANK YOU FOR THE ADDITION

[ryssbelle]

The Brozone Misconception

(This picture is more a joke don't take it too seriously)

This is a kind of long analysis, deep dive, and discussion about certain fandom misconceptions. I am 100 percent open for discussion but I would ask that you read the whole thing first before reaching out, and please be respectful!

A link to the og google doc with images as tumblr image limit killed part of the essay XD

Essay under the cut

There is a common misconception in a small subset of the trolls fandom about the character of Brozone. That is their reaction and treatment of Branch, their overall purpose in the story, and whether or not Branch should have forgiven them. Whether or not their trauma born toxic traits which they aim to grow out of should be forgiven or not.

Let’s begin with an analysis of the beginning, middle, and end of their arc progression more or less.

We start with our favorite problem child, Jonathan Dorian, mounting the pressure of tonight's show, building expectations, and showing us, the audience, a bit of what goes on every time these guys perform: 

Making Bruce do 100 more push ups in the time before showtime (1 minute) 

Pressuring Clay to wear the funderdrawers even tho he clearly doesn’t want to 

Rebuffing floyds attempts to calm himself down

And his worst crime

Making Baby Branch Nervous

Now you could see all of these and think “Evil! Evil John Dory! Jail for John DOry for 1000 years!!” because he is being oh so toxic. Now JD’s main motivation for pushing his brothers so hard in this moment has to do with the “Perfect Family Harmony” which according to baby Branch no one has ever hit before

And you can see the strain it puts on the other brothers not just through the scenes i showed before but Clay literally tells us

John Dory not only sees it as a great achievement, but he is putting his own and his families self worth all on whether or not they accomplish the perfect family harmony

(ignore the crappy cropping image limits)

And when they fail he blames it on them not following his lead 

He still believes after all of that that they can successfully complete the Perfect Family harmony 

This looks to be about the first time the brothers air their grievances out to their older brother about how they actually feel about not only completing the harmony, but the direction of the band itself.

All of this happens within the heat of the moment, and only continues to get worse as when confronted with all of this Negativity JD decides to leave. You can see by his facial expressions in the above screenshots he was already feeling terrible about the situation as a whole. Animation is very show don’t tell just as much as live action is, it’s very important for storytelling as a whole. A character should not have to SAY they are remorseful for you to be able to see it.

So JD leaves leading his other brothers to leave as well. Ironically they are following his lead badum dum dum. 

Now we can assume this is probably par for the course for these guys, cuz Grandma is right there, and she just lets them leave, you say plot convenience I say subtle story telling/ It is implied they do this all the time and will eventually come back. (they don’t)

(Also ignore this image its also a silly and not serious XD)

Now you may be thinking, Ricky, you say that Brozone is not toxic, yet you show us the worst examples of their character. Listen dear reader, this is only the beginning, what I’ve shown you is merely the establishment of the eventual conflict that will be part of the driving force behind character growth and the story itself. 

Let’s move on to adulthood. The main arguments against Brozone happen here, other than the initial abandonment of Branch, which, I should remind you, happened when the oldest among them was still a teenager (teenagers are dumb). 

In this section I also have to mention another movie, and another character, as he is usually brought up in these discussions 

Creek

Creek is usually used as a comparison to the Brozone bros in the argument that Brozone is EVIL AND TOXIC AND UNFORGIVABLE and Creek by comparison should be seen in a better light and not deserve the hate. To be honest I have never seen the level of hate that has been given to Brozone leveled at Creek in the slightest. He is canonically a toxic character, and one who is incredibly self serving which a majority of the fandom recognize and vibe with. Creeks admittedly rancid personality is a massive factor in his appeal (at least for me), and that is kind of the point of his character: To be awful and unforgivable. Creek wasn’t made as your average side character, Creek was specifically made to be an antagonist, to be a contrast to one of our main protagonists, Branch. That is why they are always at odds with each other within both 3D media and 2D media. 

Taken from the trolls wiki

Creek has also shown disregard for Branch’s hobbies in the main show, tossing his puzzle into the fire. This was during Haircuffed, when Creek didn’t want to do Branch’s puzzle

Which you think not so bad, its just a puzzle! Well…

Puzzle’s have incredible significance to Branch, a comfort object if you will, and another way to feel connected to his Grandma. Now you might cry “Creek didn’t know it was significant! He can’t be held responsible for that!” HE SHOULDN’T HAVE TO KNOW THE TRAUMA BEHIND THE PUZZLE TO NOT DESTROY THE PUZZLE.

Conversely let's look at the Brothers:

Throughout the course of the film they are a bit rude to Branch and dismissive of him:

JD:

Bruce:

Clay:

(You could argue the face grabbing is just a troll thing cuz)

But anyway

These scenes are minor things that add up during the course of the film for the purpose of showing off the traits they will put aside and grow out of for the sake of each other.

(brb reading xmen)

Lets talk about Xmen, you think JD is bad well watch this

Bam!

Anyway

Before we tackle the entire argument scene let’s first tackle the individual character of each of the bros, Specifically: John Dory, and Bruce, who are most criticized for their actions.

John Dory is one of the first brothers we see return in the film, and his first and foremost objective is to collect Branch so that they can go get their other brothers to rescue Floyd. Some have called John Dory uncaring for his younger brothers, but if that were the case why start the rescue mission at all? An uncaring brother would just ignore the letter and go on with his life, but John Dory literally drops everything just to go rescue his little brother. The letter even specified getting the other brothers first, but John Dory goes alone to get Floyd out of danger as fast as possible only retrieving the other bros when he fails (and cuz he didnt know where they were, can’t waste time when you got a brother to save)

A brother who didn’t care about his family wouldn’t go through all this effort. Some would say he’s only doing it for appearances sake, but for whom? Him and his brothers have been out of the limelight for 20 years, JD especially has been isolated in the neverglades, who is he trying to impress with this? No one, he’s just a good brother.

Also a reminder! When thinking about breaking Floyd out he is not the first to bring up the harmony! Floyd is, John Dory had a much more clever idea

So it's not just to complete the harmony either.

He’s also held on to all the merch from their Brozone days, mementos of his family, it shows how he cares, but also the flaw he aims to overcome: his desperate attempt to cling to the past, the better days.

Now let's go to Bruce, easily the most scrutinized of the brothers (because of the baby comment) 

When he first sees his brothers again this is his reaction: 

(Another point for JD, got ignored but is more happy to see his bros getting along)

Bruce is excited to introduce them to his family, excited to reconnect.

(Note: At this point tumblr stopped allowing images so i will be giving descriptions along with a link to the original google doc for reference purposes these are screenshots from the movie)

Cut image: Bruce introducing his wife to his brothers "These are my brothers, unexpectedly"

(Still excited and immediately introduces them to his wife despite them being “unexpected”)

Cut Image: Brandy saying "It's so nice to finally meet you"

“It’s so nice to finally meet you” Implies that he’s talked about them at length and the possibility of them meeting up with one another.

Also all of his kids completely ignore their mom, just to ask their father something, or tell on their sibling, or ask for his help as seen in this entire clip

With the ketchup kid he assures his kid he will handle it (and yes Brandy had to handle it but um rescue mission?) and that he loves them he just needs a bit of time to address, um who was it again? His brothers, right…

Bruce is argued as being incredibly selfish, I had seen a meme once that had suggested Bruce would let his own children die before he would give up his own life, which is horrendous and blatantly untrue. Bruce only tries to turn away his brothers when John Dory brings up the perfect family harmony and that’s before he knows it's for Floyd, once he finds out it’s for Floyd he is immediately on board! His biggest concern about the harmony at this time is how they’re going to do it. 

As for “abandoning his family again” Bruce is going on a rescue mission, which he asks his wife before hand if it is alright

Which she approves, he also agrees to cover for a WHOLE MONTH for the yoga retreat (Also seen in the clip above)

He spends the majority of the journey caring for Tiny Diamond as well, he lets Tiny into his hair, carries him around in a baby sling he’s a dad to any kid who needs him.

Clay doesn’t get as much scrutiny as either of the older bros, most likely due to his inability to leave the golf course and the fact he apologizes to Branch at the end. There are many things that mimic the same in the ending scene but let’s address the points brought up within the argument that people use to claim the evilness of Brozone. 

Also fun reminder, Clay is the one to start the fight, Not John Dory, not Bruce, Clay just a fun note (he is a lil problematic and argumentative and thats why i love him)

Clay brings up John Dory being bossy which sets everyone off into a tangent about the past, past actions that they think are resurfacing

Cut image, the beginning of the argument:

Clay: No. No, dude. You’re forcin' us to be perfect, just like you always have, so we can hit the perfect family harmony.

John Dory: Yeah. For Floyd.

Bruce: Is it? Or is this all just so you can tell people what to do again?

John Dory: Wha What?

_

Bruce: This isn’t gonna work if you keep on bein' the same old John Dory.

We all know John Dory’s reason for being “bossy” ; his reason for his perfection, once done out of an effort to impress, is now one out of necessity. They need to be perfect because now someone can die, and the others can’t see that due to their own trauma at the hands of JD’s perfectionism. 

As shown way at the beginning of the essay, all of the brothers suffered at the hands of JD’s past obsession, Bruce had to look a certain way pushing his body past its limits, Clay had to act a certain way disregarding his own happiness to keep up an image, Floyd was ignored and his advice pushed aside, and Branch was pushed to be perfect when he was only about 2 years old (or a month old if you go by the brozone blog). JD also suffered, pushing himself to make song after song, mentally exhausting himself and inadvertently hurting his brothers in the process of doing what he thinks is right for them. 

JD also had the responsibility (as a teen) to parent all of his younger brothers:

Cut Image:

John Dory: Well, I’m not allowed to change. I’m the oldest. I had to be the leader.

John Dory: Why do you think I moved to the middle of nowhere? So I didn’t have to be in charge of anyone. Four little brothers is a lot of responsibility.

You could argue it's his responsibility as the oldest but Grandma was right there, they shouldn’t be his sole responsibility. 

When most of them left it was done out of self preservation, to protect their sanity and to finally find happiness outside of a place that was no longer bringing it to them. They were kind of acting how most would want Branch to act, they cut out the toxic family for their own safety. 

Bruce:

Cut image:

Bruce: [stammers] Why do you think I left? So no one would treat me like you did.

Clay: 

Cut Image:

Clay: I’m gonna find trolls who take me seriously. Next to Clay is a picture of himself in a graduation cap

(Also that is Clays graduation photo, they are all around teen years in  the prologue which means this is either a middle school graduation photo or he graduated early and is still not taken seriously, which as someone who also faces that [only being seen one way despite your achievements] is incredibly discouraging and soul destroying) 

They most likely didn’t return due to the fact they didn’t want to be faced with this kind of treatment again (golf course entrapment aside) 

(Now you’re probably wondering about Floyd and he’s a whole other post, this is mostly focusing on the brothers who receive the most criticism due to misrepresentation)

During the argument they talk about going their separate ways, it is admittedly harsh they way they talk about leaving again, but they never say they’re leaving forever. Bruce has to return to his wife and kids, Clay left the golf course without one of its leaders, JD has his own life and routine, of course they’d go back to it once it was over, but that doesn’t mean visiting is off the table, and that they’d never see each other again. 

Cut Image: John Dory: What? The mission’s the mission. [chuckles] You didn’t think we’d all live together when this was all over, did you? Singin' songs and roastin' marshmallows?

Again i recognize JD is being an asshole here, but he is only knocking the idea of living together off the table, which kind of understandable they’re all adults with their own lives they don’t need to live together, I don’t get mad at my sister for going back to her house when shes done visiting. But again it is more how they say it then what they’re saying

Cut Image:

Branch: [scoffs] Oh, I’m sorry. Is that funny to you? That I might want us to actually be a family again? Tiny Diamond, pull over. Now.

Seen is JD's look of regret

You can see on his face that he regrets what he said when Branch says this, when he gets angry at him, he didn’t mean it like that. Thats when the don’t be a baby comment comes in, they still don’t actually understand why he’s upset, they think he’s acting childish, they don’t recognize he’s changed yet

Cut Image: The bros reaction upon hearing of grandmas death

These are their faces when they hear what Branch has been through, they obviously are upset, they’re hurt on his behalf, they are remorseful, this and their future actions signify the shift from who they were (hurt kids turned hurt adults, fighting over their past trauma) 

After Branch leaves, they, on their own accord, continue the mission to save Floyd, which is how they get caught, and during the final climax control freak JD relinquishes control, having changed and lets Branch take the lead. This is after Branch reminds them they don’t have to be perfect to be in harmony, just to be as they are together which they AGREE

Cut Image:

JD: We'll follow your lead, Branch

Once they save Floyd we are brought to Bruce’s restaurant, he brings them there to host their reunion, there is where branch gets encouragement from JD, where Clay apologizes, where Floyd reminisces and you can see JD engaging with his brothers more than just encouraging Branch he has joined Clays sad book club

Cut Image: JD reading a sad book behind Branch and Clay talking about said book club

This isn’t the end of their reconnection, this is only the beginning. They still have lots of time to grow, and to become closer as family. 

Now lets head back to Creek for a moment before we close this off:

We have brought up the puzzle destruction and his purpose as an antagonist. The main argument most people use is that Creek had no other choice but to sell out his entire race to be eaten and killed to save himself. He had a choice, Branch would’ve let himself get eaten if it meant protecting all of troll village as noticed when he protects poppy in twt (though he might’ve actually found another way out), Poppy would’ve as well. In tbt Floyd begs each of his brothers who meets him before the climax to let him die so they don’t face the same fate, these are all selfless acts. Creek reacts selfishly, eat everyone else but don’t eat me, then he smugly confronts Poppy, obnoxiously laments about how he has to live with his actions when if he were a truly good and selfless character wouldn't have been an issue. He smiles smugly, shrugs his shoulders, and lets himself be carried to safety when his people look at his betrayal with disbelief and sadness. 

Creeks actions in the 1st movie are awful, they’re supposed to be, they’re meant to be unforgivable crimes, and that is why he is killed in the 3D canon, legit he is dead in the 3D canon. 2D and 3D are different continuities, which is part of why I find them (Brozone and Creek) to be mostly incomparable.

Brozone’s arc only affects Branch and each other and in the end they grow stronger, and into better people. Creeks arc/actions affect an entire species and their survival, within the 2D continuity his actions only continue to be self serving, and rather toxic (more for funsies but you know) he should not have been forgiven, but he was. His actions were deplorable yet forgiven which then begs the question why aren’t Brozones? Creek also wrote the apology song solely to humiliate Branch in front of his friends which is not cool bro, Branch did not deserve the treatment he got in the episode from anyone. 

To conclude my thoughts are that Creek and Brozones actions are incomparable, Creek’s actions are not meant to be taken in a positive or sympathetic light, he is a villain cut and dry, that is who he was made to be and he does it wonderfully. I don’t hate Creek, I love his character, he is awful and that is great! Love toxic awful characters! Brozone are a representation of a broken family coming together again, they are toxic, and then they grow, they are meant to do so, the villains of that movie are Velvet, Veneer, and familial trauma all of which get mended by the end of the film. It’s not perfect but its there, and the ignorance of it is what causes these major misconceptions. 

TL;DR Learn media literacy please

[maleyanderecafe]

Is it wrong wanting to have someone to love you the same way a yandere would? Or is it just insecurity? Idk

If you want the short silly answer, no, not really. You can imagine anything you want without repercussion. I can imagine a giant cat dog creature as a pet if I wanted to to make me happy. Sky is the limit. Also this is a yandere blog, so I imagine most if not all of the people here have wanted that in some way or another.

If you want the more long winded analysis answer. Also no. I've heard somewhere that yanderes fulfill the Maslow Hierarchy of needs (though this could have been a meme, who really knows). Which are from bottom to top- physiological needs (so basic needs like food, shelter, clothes etc), safety and security (health, stability, safety), love and belonging (trust, intimacy, friendship), self-esteem (worth, dignity, independence) and self actualization (personal desires, goals, etc). Yanderes can pretty much fulfill most of these needs, so basic needs like food and clothes, security (they can kill for you), love and belonging (because they love you no matter what), and self-esteem (yanderes are very good at encouragement). The last two are more iffy since they kind of focus more on the person's internal fulfillment, but they do match up with a lot of the needs on this pyramid that they would theoretically provide for.

For a lot of people too, the idea of being loved unconditionally is something that they do not have in life (due to possibly abusive/neglectful parents, socially not being accepted, feelings of isolation) which I'm sure most of the people reading this have some sort of issue like that. It can also be a sort of kink thing since a lot of people who do like yanderes tend to like a more protective, gentle figure and more possessive lover. It also can be a form of escapism from the current world we have now, as it can be very difficult with everything going on. It could very likely be some sort of insecurity, but it can also be something else as well. It's hard to say because I can't read people's minds or know everything about their lives.

But no, I think it is actually pretty common for people to want to have a yandere to take care of all the issues they may have in their life and there's nothing wrong with that.

[abnomi]

random assorted headcanons for Turbo because I like thinking and having fun !!!! 🎉

Read More to Find Out...or are you too scared?... i bet ur too scared ahaha youre too scared Lol! Hahaahaaa!!!

The steering wheel of his kart is covered in bite marks, similar to how one would bite their favorite pencil. he bites things to mark his territory because Nobody is gonna touch that unless they want all of his diseases (150+).

i just know he was fighting to restrain himself not to chew on any of the candy civilians

when it comes to music, he doesn't see the point of listening to it. he doesn't have enough patience to really take it in; to him, it's just a thing that exists and not much more than that ¯⁠\⁠_⁠(⁠ ∵⁠ )⁠_⁠/⁠¯

adding onto that point, this guy listens to metal clanking sounds and loud engine roaring for entertainment because he likes things that would overstimulate any normal person. turbo is incredibly sensory-seeking and will do anything for The Sensations

someone should take him to a heavy rock concert i think it would change him a little. keep that thang on a leash

related to being sensory-seeking, i think he would absolutely love running his hands over random textures. if anyone has run their hands along a wall while walking alongside it...He does that...If u know u know... he is SO stimmy its unbelievable. Unreal.

very pain-tolerant. he'll whine and complain about it for attention, but physical hurt really doesnt bother him much until it gets in the way of what he wants to do.

funnily enough, he is very picky when it comes to temperature. he can handle getting ran over but if its 1° too hot or cold he'll start nagging and nagging for it to go back to normal. turbo really needs his own enclosure i think it'd do him a lot of good

this is a more popular headcanon and its canon-leaning, but he's an artist :-] he usually sticks to graffiti art because its generally considered more "rebellious and cool" but he also sketches cars, design decals, and other stuff when hes alone!

i would love to see his process of character designing king candy because i dont think he really knew what he was doing

he was just like "ok what does a generic king look like. uhhhhh.... 1, old and jolly like santa claus.... 2.... uhh crown..... 3......... purple.... FUCK YEAH im so good at this!!!!🔥🔥🔥"

i just noticed how his design has like 0 actual candy motifs aside from his bow being a candy wrapper and his shoes having those little gumdrop end pieces. what was he THINKING

while King Candy has a lisp, i think it's a coverup for his actual voice because of how goofy and recognizable it is. Overall its the same as his regular voice, he just gets silly with it. i noticed that he still does retain some of his lisp when hes screaming his lungs out at Vanellope, however, so maybe he genuinely does have a lisp that makes itself known when furious :3

another thing i noticed is how he hisses his S's. very cool very cool the reptilian

@/tasticturbo made a post abt how he has tinnitus from the constant noise in his game and i couldnt agree more

AND THE PRESCRIPTION GLASSES. where did he get those...he needs to See

side note, the aforementioned account has made so many interesting analyses on turbo and theyre all so insightful. i recommend u check them out

i think he gets migraines from stress. constant buzzing or pain flood his head but hes like "IDGAF i need to DO something at ALL TIMES no matter what"

hes like a shark in that way. if hes not moving he'll die instantly. idk a lot about sharks or if thats how it works srry but im going off of what the Worms are saying to me and i dont have much to work with

i think a really big contributer as to why he lacks in the self care department is because he fails to notice that something in his body is wrong. hes far too distracted on something he thinks is more important than remembering to Eat Food or Drink Water or Wash Himself or

he's like "WHY DO I FEEL LIKE SHIT ALL OF THE TIME!!! I HATE MY LIFE" and he hasn't slept in 4 days

hes so me. Sorry.

i dont think turbo is necessarily suicidal, but the way he behaves shows a clear disregard for his own safety and wellbeing. he thinks that he knows what he needs but he really doesnt :-[ i think he has some kind of immortality complex, feeling untouchable and like nothing could get to him. as scared as he was when ralph was about to turn him into sloppy mush, he didnt take the threat very seriously. like it was some kind of joke

his kart regenerates every time his game starts up, so what if he smashed it into buildings for fun. He's the number one fan of car accidents. he is all about that shit

i think his living space would literally be a garage btw. its a place to sleep and a space for his car all in one!! he thinks its very convenient and awesome but i think he is coping. he has some old dingy stained sheetless mattress that he has never washed in his life and its covered in dirt and smoke particles. no wonder he has such heavy eye bags Dude Please

the turbo twins have a garage used in a similar way, and while its still pretty shitty, they still at least TRY to maintain it. they just fight a lot over who has to care of it. nobody taught them how to take turns ever

but this aint about them. maybe another day

i think that turbo would find comfort in garbage and keeping it around because its familiar to him. a big clean empty space would make him so mad and if anyone moves even an inch of scrap off to the side he will throw a fit. he generally doesnt pay attention to his surroundings but when its his personal space he is 1093 times more neurotic

i think the big empty castle he stole wouldve been a big transition for him. maybe it helped him clear his mind a little more to practice his tricky schemes...it helped him get more subtle

thats all i have for nowww ty for reading ^_^ if anyone else has any wacky ideas pleeeease tell me i would love to hear them!!

[fandomwe1rd0]

I really like how Rick and Morty shows that even if someone has friend and family that love them, even if they are extremely smart and can do basically anything, except those things you can't do because of those pesky morals, but despite that, you can still be depressed.

The majority of depressed people in the media have no friends, neglectful or abusive family, and just an all round shitty life, again not saying that this never happens, but that's not all depressed people.

Rick and Morty shows that you can still be depressed even if you have what most people would want, because depression goes so much deeper than what you have, it can be internal, which is what's going on with Rick. He suffers from intense trauma, self-blame, and self-loathing, which is so SO gripping, and it is seriously not protrayed enough! I love how realistically Rick and Morty shows these things.

Rick Sanchez is SUCH an important character and has really fancistinating psychology, his situation kinda reminds me of the Bojack Horseman quote, I'll edit it slightly to show my point (it was originally directed at Bojack):

Rick, You're a genius scienetist who can make anything, do anything, you have access to infinite dimesions, planets, and universe, with a spaceship, and you have friends, family, and grandkids who loves you. What more do you want? What else could the universe possible owe you?

I... want... to feel good about myself. The way you do. And I don't know how. I don't know if I can.

[short-wooloo]

The thing that really jumped out to me about Transformers One was how relevant Megatron and his "burn it down" view is in the current day

I see it so often, young (often leftist and/or communist) people who declare that the only solution is the destruction, at best not thinking about the innocents who will disproportionately suffer from it, and at worst deliberately ignoring the suffering, or worse declaring the death and suffering to be "acceptable losses"

(Spoilers under the cut)

And we see this in the film, Megatron has won, Sentinel Prime is beaten, injured, has been exposed as a fraud, and lost any support he had, but it's not enough for the newly christened Megatron, the only thing satisfactory to him is total, unnecessary destruction, he brutally kills Sentinel (there's something there to be said about revolutionaries declaring themselves judge, jury, and executioner), Murders Orion in the proccess, and has the proto-Decepticons start indiscriminately firing in order to "burn it all down", endangering the lives of other bots-including his fellow miners!-in the process

But this is fine to Megatron, because to him the goal makes it ok, "the ends justify the means"

But "the ends justify the means" always leads to a dark place, and that is what "burn it all down" is at the core, the willingness to sacrifice so many innocent people for a hypothetical

But there's another way Megatron feels very similar to the "burn it all down, damn the collateral" crowd

The way both deem those who prefer reform over destruction to be a traitors or just, if not worse, than what came before, real life "burn it down" types tend to hate reformists and realists (ie normie libs) more than the fascists and racists

And lastly, there is the Tyranny

We all know Megatron's story, what he will becone, a Warmonger, genocidal towards non Cybertronian-especially organic life (who wants to bet in the sequel Megatron's solution for dealing with the Quintessons is to Slaughter them to the last?), a mass murderer, destroyer of worlds, and above all, a Tyrant

That is where his revolution leads (oh hello russian/french revolution and civil war/napoleonic wars, I didn't see you there), because Megatron sees violence as the only answer, violence will be his only answer, violence is what keeps his followers in line (Starscream), and if he successfully comes out on top of the coming war with the Autobots, violence will be the only means he'll remain on top, because that's the only reason he's there in the first place

The "revolution, burn it down" types of the real world already have a nasty pro authoritarianism streak, between their dictator worship and belief that they know best and everyone who disagrees needs to shut up/is a traitor and must die (but leftistly), why would that change if they get their wish of violently burning it all down?

[ihaveforgortoomany]

What are your thoughts on Kumar?

Depresso, very depresso especially at the end of the event where she completely gives up on everything and can only see the final outcome of her decisions is just to die. God the bullet Kaala has will actually just haunt me in the implications of where she got it and how. And the fact that for a moment she believed she had saves Kumar when reality was so much different.

There is a reoccurring theme within R1999 of researchers being discredited in their own work and an exploration of how they found their resolve to continue afterwards. We see places where this actually worked, Marcus in meeting Madam Hoffman and Windsong meeting Vila. Maybe had Kumar never met the Manus, or potentially had met someone like Vertin since she also is an arcanist (unclear if shes partially human or something else) who at an early age was unable to cast incantations and even now only is able to cast the basic of skills. Maybe a different method could have been found without becoming fatally detrimental to Kumar.

Its so interesting how it is hammered home that people with very little arcanum cannot cast incantations, much less powerful ones. Sometimes you forget that the Hoffmans are arcanists since they have such little arcanist blodd within them (enough to kill them if they consumed picrasma candy)but then again what actually divides the difference between human and arcanist?

So yeah very depresso but also fascinating in how we keep seeing parallels to other characters and the main story.

[raziiyah]

hey! this is actually something i've thought about quite a lot before so here's how i see it:

since monsters are so diverse in the monster world, there are a vast amount of factors that are considered beautiful. some monsters may like 1 eye, some like 3 eyes and some like 8. some like feathers, scales, or fur. it just comes down to preference. but for monsters, generally, scary = beautiful

firstly, for the teeth thing, i imagined that just like human beauty standards, monster beauty standards can change. perhaps yellow teeth used to be the standard, but then it was discovered that whiter teeth made them more visible and gave them a scarier appearance. also, maybe they discovered that poor dental health caused monsters to lose their teeth sooner, which is a problem if you rely on them for scaring. proper dental care allowed you to stay healthy and kept your teeth in good condition, keeping you in the scaring career for longer. like when sulley is brushing his teeth in mi, mike really emphasizes getting rid of plaque

this change could also be why randall's teeth in mi are visibly whiter than they were in mu

as for female monsters, i see it sorta like how jessica rabbit from who framed roger rabbit is in toon town. she's regarded as very beautiful, but not as desireable or successful (to other toons) as roger rabbit, someone more cartoony and goofy looking

so though the more humanoid looking monsters could be considered beautiful, since being a scarer is known as the biggest achievement a monster could have, if you're scary, you're considered beautiful on a whole other level.

another idea i had is that scaring could be considered as a male dominated career, so the scary/beauty standards for female monsters aren't as scrutinized as much as male monsters. this could be why there are more female monsters that aren't necessarily as "scary looking"

this could also play a role into why the pnk's are so cutthroat- with a more conventionally beautiful appearance, they might not be considered the most successful in monster society. sure they could be models and movie stars

(though i can still see """scary/conventionally unattractive""" monsters being just as viable as models and moviestars in the monster world, maybe even more so),

but since scarers are the creme de la creme, "prettier" monsters could sometimes be seen as beautiful but maybe not typically the image of someone "successful" or "desireable" (my oc lia is a scarer and has a body type similar to the pnks so i made this an insecurity of hers hehe)

but monsters can combat this by showing their scariness through their glowing eyes, teeth, claws, etc. this could be valuable as well as there's a scary/surprising factor to appearing "innocent" at first, which could be advantageous in scaring, if you know how to use it (like the pnk's in the toxicity challenge or terri and terry in the scare simulator)

also considering the movie poster seen in maw; it's about monsters in space, likely referring to aliens. humans could be considered aliens/alien-looking to monsters because they come from another world, and heather has a more humanoid appearance

on the other hand, hss is more favored as "one of the most powerful, scary monsters in campus, and they have a more traditionally "scary" appearance. and in monsters at work, of the female monsters in the mu sororities, rosie levin was the one who made it to the same scare/(laugh) floor that sulley/(mike) are/(were) on, at monsters inc.

so really i think beauty is subjective in the monster world since everyone is so different. conventionally beautiful monsters are still beautiful, maybe even some monster's preference, but scary monsters are generally favored most, because of how much monster society is centered around scaring. after all, "scariness is the true measure of a monster."

@moonlight-monster @randall-simp-nadt88

[a-blog-for-venting-i-guess]

Transformers One Bucks fanfic tropes and I love it

Spoilers below

I’m just gonna call them Megatron and Optimus for this even when I’m referring to pre transformation times.

So as a fan of the Megatron and Optimus Prime ship, I have read many many pre breakup/no breakup stories. A consistent aspect of them is Megatron being the revolutionary while Optimus is a champion of working within the system. And while those stories are fine, even great, a lot of the time it feels like Meg’s legit issues with the government were getting ignored by focusing on the “you protested in the wrong way,” sort of stuff that then radicalized him. Or megs would just use those grievances to get power and then not actually want to fix the system, he just wanted to be in charge.

I also thought this sometimes did a disservice to Optimus. Portraying him as so by the book he’s naive to the problems within cyberton so Megs has to show him the light and such. And then when Optimus does turn around he’s gotta calm Meg’s violent tendencies. Be the calm voice of reason.

So in comes Transformers One. And it’s OPTIMUS who is questioning how things work. Maybe not directly, but he’s constantly either breaking actual rules or just social norms to get what he wants. A better cybertron for all. When the truth is revealed he’s the one being like “I knew something was off.” Even when the truth is revealed Optimus is focused on fixing things because that was always what he wanted in his heart. That desire drives him to be reckless.

Meanwhile Megatron is the by the books guy. Seeing the system and its rules as a sort of lifeline he clings to whenever Optimus drags him on another stupid adventure that gets them in trouble. I think deep down he wanted the same things as Optimus but thought he could get them by following the rules. It was also a narrower scope. He wanted things better for them. Wanted a better life for himself.

When the truth is revealed he loses that safety net, He loses everything he’s ever believed in and he doesn’t know how to fix things. There’s no rule book for him to fall back on because the rules were BS and actively used to keep him down. He doesn’t trust that showing everyone the truth will cause them to turn on sentinel because all that happened to him when he learned the truth was becoming jaded+a desire for vengance. Which is why he thinks in order to move on Sentinel has to die. And this belief is solidified when he meets the elite guard with their ideology of the strongest one leads.

Optimus has to try to play the voice of reason for the first time in their friendship because of Meg’s reaction to the truth, and he sucks at it. Megs could never actually talk Optimus down from his schemes, and Optimus would always be the one making choices/leading the charge for what do to in their friendship. Now that Megatron is making up his own reckless (to put it mildly) decisions, Optimus has no idea how to actually successfully talk down Megs.

All of this leads to the tragic of tragic breakups.

Two people that cared about each other, wanted the same thing, but had drastically different ways of achieving that. And that difference tore them apart.

This is the basic story of Optimus and Megatron when they’re friends first. And for the first time it feels like the falling out happened without either of them being an idiot, or some misunderstanding. It was just how they naturally developed over the course of the story.

God I love this movie.

[biggesthomuradefender]

ngl i honestly don’t think that homura was planning to genuinely kill sayaka in ep. 8.

i mean, if u just take the scene of face value, it obviously seems that way: homura declares that she doesn’t care abt sayaka or if she lives or dies (which is 100% a lie, she may not like sayaka very much but she def cares abt her just like she does the other girls), and then raises her soul gem to her face in a threatening manner before kyoko shows up.

but that’s exactly it: homura puts her soul gem in front of sayaka’s FACE, not her soul gem, which is the only thing that can actually kill a magical girl.

so why wouldn’t homura just attack her soul gem directly? it wouldn’t be hard to do; sayaka is incredibly weak and depressed/suicidal atp, and homura could easily just snatch her soul gem/ring and break it, esp considering her time manipulation.

and when kyoko shows up, homura doesn’t put up a fight at all; she just stares stoically at sayaka. and even when homura DOES use a bomb to get away, you see how she doesn’t go to sayaka to finish the job. why would she have given up that easily, despite the fact that killing sayaka would still be very easy to do?

i think it could have been a last, desperate attempt to maybe "wake" sayaka up, a threat to get her to heal herself before her inevitable turning into a witch or smth. homura isn't above being harsh or using deception to achieve her goals, as she's done it multiple times (esp in rebellion), and i don't think it's necessarily any different here.

[cityofmeliora]

notes / thoughts on the Papas' (lack of) involvement in the songwriting process and their connections to the concepts / themes of their albums

thanks for the kind words and thanks for the ask! these were great questions and really enjoyed writing this response. your questions really made me think! (and when i start thinking i always think too hard and take forever to answer– sorry this took so long!)

i'm putting these questions together because i feel they are closely related. this is a topic i've recently been thinking about a lot, actually.

A Ghoul Writer was first mentioned in that 2010 interview with Primo. the Ghoul Writer is Special Ghoul, the Nameless Ghoul character who gave interviews in Eras 2 and 3. in interviews with him, either he himself or the interviewers would usually mention he's the Writer. i'm not linking anything specific here because you can find this happening in pretty much any Era 2 / 3 interview. (though there's one Era 2 Nameless Ghoul interview that refers to the Writer as a separate character.)

the only Papa who wrote his own music was Nihil. the music video for The Future Is A Foreign Land shows that he and his Nameless Ghouls wrote the song together, and he's credited as a writer on Seven Inches Of Satanic Panic. (pic: back of the SIOSP record)

after Nihil, none of the Papas were involved in the songwriting process. everything after Nihil was written by A Ghoul Writer.

PITCHFORK: On the new album, the songs/lyrics are credited to "A Ghoul Writer." Are you this "Ghoul Writer"? If so, what inspired the words? PAPA EMERITUS: I am not the Ghoul Writer. Pitchfork (April 2013)

Does Papa contribute to the composing process? NAMELESS GHOUL: No, Papa doesn’t contribute to the song-writing. Metal Paths (August 2015)

so the later Papas were interpreters of the music, not writers.

as for the question of whether the Papas embody the sins of society or criticize the sins of society by parodying them, i think it's a bit of both– and i think it depends on which perspective we're looking from.

obviously from a real-world perspective, Ghost as a whole is meant to criticize and parody the issues the music is about, and the personality and characterization of each Papa is closely tied to the themes of his album.

from an in-universe lore perspective, as interpreters of the music, each Papa has his own relationship with the themes of his album. i think the Ghoul Writer writes each album for / about the Papa who's going to perform it. however, this is not necessarily a positive gesture.

here are my notes / thoughts on how each Papa relates to the themes of his album:

(trigger warning for mentions of misogynistic violence / rape / forced pregnancy)

Opus Eponymous and Primo: Primo refuses to comment on his interpretation of Opus Eponymous, but it's pretty clear what he thinks. Primo is a misanthrope who believes humans are “vermin” that have doomed themselves due to their “intellectual decline”. in his eyes, humanity is unworthy of life and will eventually be destroyed. Opus Eponymous has been described as an "orthodox devil-worshipping" album, and it is a very violent album, which is great for Primo because he's an orthodox devil worshiper and he loves violence and murder and wants everyone to die. 'Elizabeth' celebrates an alleged serial killer who is said to have killed hundreds of women / girls. 'Stand By Him' is about a woman being raped by a priest, who then accuses her of witchcraft and has her burned at the stake in order to cover up the assault. and the overall narrative of Opus Eponymous is about a woman being raped and forced to carry + birth the Antichrist, which will eventually kill her. this is something Primo thinks is good and anticipates happening because he believes in the cult very literally and agrees with its message / mission of human extinction. Primo is definitely a villain.

Infestissumam and Secondo: interestingly, there is actually an instance of Papa telling us about his interpretation of this album. in Secondo's own words, "the new album is about the presence of the Devil. The title, Infestissumam, means 'the biggest threat' and refers literally to the arrival of the Antichrist, but what it is also is about is what man has traditionally regarded as diabolical presence– namely female form and swagger." Infestissumam is about how humanity can connect to the presence of the Devil, both physically and spiritually. i think this theme really shows through Secondo. to him, all the things traditionally regarded as sin –especially sexuality– are good things. to him, Satan is the way to freedom and enlightenment. on the flipside, all the things promoted by christianity –holiness and virtue and repression– are stupid and stifling. Secondo is a jerk and he loves to have sex and party and he just doesn't care. Secondo, more than any other Papa, is dedicated to indulging in sin and saying "fuck you" to christianity.

Meliora and Terzo: it's complicated. i don't want to give a detailed explanation right now because i already have a separate post in my drafts about my analysis of Terzo's relationship with the themes of Meliora (it will be long). for now, this is what i'll say: Meliora is about the absence of god, and it's described as futuristic and "pre-apocalyptic." the title "Meliora" means "for the pursuit of better", but it's meant to be ironic. it's about the mistakes people make / the bad things people do in pursuit of better. so as your ask states, it criticizes ambition, greed, and abuse of power. i think Terzo wants to criticize those sins. but i think that he also embodies them, to a certain extent, and i think Meliora is also criticizing him.

Prequelle and Cardinal Copia: we don't really have any canon material that indicates Cardi's personal opinions on the album, but there is certainly a connection between the character and the concept / themes of the album. Prequelle is described as a "positive" album about the plague. it's an album about society falling apart during the apocalypse. it's also an album about celebration and survival in spite of being faced with the inevitability of death. i think Cardi certainly embodies this. Cardi is surrounded by death. Prequelle Era begins with Papas I, II, and III being murdered in order to promote Cardi's success, and it ends with Papa Nihil dying, which allows Cardi to ascend and become Papa IV. in a way, Cardi is both a plague rat and a survivor. it's not his fault they died. he didn't ask for them to be killed, and he was not their killer. but he is the herald and the carrier of the true killer, the actual driving force behind everything (Sister Imperator). through all this, Cardi is having a good time! he's dancing the night away! he's glad everyone standing in his way has dropped dead! he is a rising star and he feels invincible! and he is certain he will survive this.

IMPERA and Papa Emeritus IV: the main themes of IMPERA are "spiritual annihilation", reactionary sentiment, and regression. it's about how people who fear progress are afraid of losing their sense of meaning / purpose and their place in the world, so they turn to misogyny, violence, religious dogma, and fascism. they cling to the idea of having a cause to fight for. i think Cardi is certainly criticizing these issues. he doesn't agree with any of this at all. however, there's still a connection between the narrative of IMPERA and Cardi's character arc in this Era. narratively, IMPERA is a concentrated / condensed version of the apocalyptic narrative that plays out through the first 4 albums. it's about the cyclical nature of the rise and fall of empires. IMPERA Era begins with Cardi ascending to the title of Papa. but after the feeling of triumph wore off, Cardi became very aware of and very fearful of his own inevitable end. he knew that no matter how great his achievements were, he would be forced to step down so his successor could take his place, just like his predecessors had for him. Rite Here Rite Now is about Cardi struggling to make peace with this idea. as a side note: i really like the irony of the fact that Cardi was never actually the leader of his own empire– he was a puppet emperor who got his marching orders from his mother. it connects to IMPERA's theme of political manipulation.

[i-am-trans-gwender]

I enjoy analysis explaining what a story was trying to do, how it failed and how to improve it.

What I don't enjoy is when people skip the "what it was trying to do" part and instead overhaul the entire thing until it becomes a whole new story.

I'm not defending Disney's Wish but some people add so many changes to "fix" it that it becomes a completely different story.

Also one time I came across a piece of artwork that I thought was an original character until I read the description which said it was a "fixed" version of Charlie from Hazbin Hotel. I legit could not see the resemblance.

It be like if someone made a steak I didn't like so I "fixed" it by making apple pie and said "Now that's a steak."