#bye bye fall

[mroddmod]

the queen of the disco or whatever

[stephreynaart]

6 am sketch

[oatoast]

do u guys fw fiddlestan.

[wren0jemo]

I HEARD WE WERE HOLDING HIM HEHEHEKE

[citricacidprince]

“Why do you draw Dipper with a binder? His chest is flat he doesn’t even need one yet.”

You say this like Mr. Anxiety over here wouldn’t be overly prepared for this. He knows puberty is literally just around the corner about to hit him in the face with a brick, you think he’s gonna let it catch him off guard? He probably already has a doomsday list for when the day finally comes that he made a whole year ago. He’s not even gonna NOTICE his chest has started developing because he’s been wearing that binder non-stop for 6 months and honestly, he should wash it, it’s sweaty and gross.

[ranskeysrdm24]

lalalalala a

[a-scary-lack-of-common-sense]

Me when I really want to draw fanart for a fandom because it looks so cool, but I haven't the slightest idea about any deeper lore than surface level plot and symbolism

[cometblaster2070]

hordak is such a ridiculous man because my brother really came out here with the COOLEST fucking entrance and he was genuinely being set up as such a scary and threatening villain

like look at this he actually looks so fucking cool when we first see him. i honestly thought he was going to be our main villain for the entirety of the series.

but then we see him interact with entrapta and then the realization suddenly hits that not only is he the most awkward person ever he's also just turned into like WifeGuy™ the second entrapta talks to him.

absolute fucking loser i'm just obsessed with how hard he tries to just act like a normal villain; like he has the scary armor, the dimly lit lair and throne, even his voice sounds scary like.

he even has his own weird little minion and whatever the fuck shadow weaver is. generally, his whole scary vibe and plans for world domination set him up as a proper villain, but then he meets entrapta and all of that just CRUMBLES and is tossed out the window.

10/10 i'm a fan of the progression.

[wykonii]

Any starkid fans

[pussyfever23]

white lotus is insanely good at showing capitalism and the state of western society as a prison that it is. the entire point of this ep was i think that so many characters got so close to breaking out of the cycle only to end up stepping back into the cage of it, locking it after themselves, and willingly throwing out the key.

piper, who like so many young people saw the injustice of the world and felt helpless in the face of it. wanted to give up her privilege and get away from her family who represented everything she hated only to let those values she resented pull her back in. the desire for comfort, the privilege of watching the world end from your comfortable seat at the top, the practiced line of “if we don’t enjoy what we have it’s a waste”. that was her breaking point and she will never go back. 30 years and she’ll be undistinguishable from her mother.

gaitok, whose story mirrors piper’s so closely in how he rejects his entire worldview because barely anyone is strong enough to uphold it in a system that will break you if you try to oppose it. to have once felt so helpless in the face of evil and to side with it since you can’t defeat it. to be pushed to find the violence within yourself when all you ever wanted was to treat the world kindly.

belinda, whose formative experience was being wronged by a millionaire, to have money and convenience prioritized over her, to experience the fickleness and complete lack of backbone of someone who has enough money to afford to have no morals. and to give up everything she believed in, all qualms about greg’s blood money, all dreams grounded in the reality of mortals to advance up to the realm of the wealthy. and to repeat what was done to her with the exact same carelessness and fickleness. to be so swept up in money that pornchai immediately becomes just inherently lesser to her.

rick, who had plans to kill the man who murdered his father and didn’t go through with them only to see that man again and get enraged by his words, again, and still, choose to control himself. he did not believe in therapy for a second at the beginning but, when everyone thinks he gets up from the table to give into murderous impulses, he actually seeks out mental help. only to be denied. to be denied when he comes to the therapist with tears, begging, willing to change and willing to believe in a better future he wants, needing just one chance, just someone to talk him through and believe in him in return. only to be turned down because another appointment is already scheduled. because the customer is king and because there is a line to wait in. he can’t take a chance he’s never given in the first place, so he reverts. the cycle never breaks.

laurie, who stays with the friends who make her miserable. lochlan, who drinks the seeds following in his family’s footsteps again but lacks conviction to fully commit, even in death. i could go on.

nothing ever changes. the status quo remains and the cycle continues and the wheel is never broken. you can never escape and, if you’re the one who the system benefits, why would you want to in the first place? lock your cage, throw the key away and enjoy a piña colada that won’t kill you anyway while the world burns.

[lucianinsanity]

Oh, but what happens when Dipper and Mabel are finally 17? What happens when the older twins look at them and it finally hits how young Stan was? What happens when Ford looks at them and sees them as kids and not almost adults? What happens when they finally have to confront the fact that they were just like that? That their faces were still round and soft and had acne and were so so much younger than any of them remember? What then?

[mroddmod]

out of context meme of an au i'm cooking

[macolegacy]

holding out for a hero 🙋‍♀️‼💛

[shummthechumm]

jack-o-scourge for october's shop relaunch

[kitamars]

made a grave error and now i have succumbed to the “draw hijikata 7487575845 times” disease yk how it is

[seatokki]

I miss them already o(—(