#content hacks
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empireexperience · 3 days ago
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The Secret Weapon Modern Business Owners Are Using (and You’ve Probably Never Heard of It)
You’ve got the business. The vision. The to-do list that never ends.But the truth is — visibility is currency. And staying visible across all platforms is a full-time job in itself. That’s where the game is changing. Business owners and entrepreneurs are quietly starting to use something called AI Twins to handle their marketing, scale their message, and show up everywhere — without burning out…
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hinamie · 10 months ago
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post-graduation trip airport looks
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wrenderart · 2 years ago
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I made this a couple of months ago but. hack your 3ds. do it right now.
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foopsie-daisy · 6 months ago
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If I may ask, what is Pen Bug’s opinion on Dio Bug? Do Nobuggy, Pen Bug and Dio Bug all like each other?
They love eachother :)
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yesandpeeps · 2 days ago
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I think Amir deserves one good Swing on Johnny (aka I like seeing pretty men fight).
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(+ upstairs bathroom boundaries under the cut)
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clarynewme · 3 months ago
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How to Find Your Future Spouse’s Big 3 Using Your Moon Chart🦋🐇💜🌙
I think I’ve mentioned this personal technique before, but just in case, let me break it down again:
You can find your Future Spouse’s (FS) Big 3 (Rising/Moon/ Sun) by looking at your Moon Chart’s 7th lord and its sign + house placement.
Here’s how to do it:
Pull up your Moon chart (Chandra Lagna = treat your Moon sign as the Ascendant).
Find the 7th house from there.
Note the sign and the planet ruling that sign - that’s your 7th lord in the Moon Chart.
Look at the house and sign it’s placed in.
Example:
Moon in Leo → Aquarius is the 7th house
Aquarius is ruled by Saturn and let's say Saturn is in Aquarius in the 7th house.
That means your 7th lord is Saturn in Aquarius 7H.
Your FS may have Aquarius, Leo, Aries or Libra in their Big 3.
(I also count Aries or Libra because saturn is in 7th house which is ruled by libra and aries is opposite sign of libra)
NOTE:
The 7th lord from the Moon represents your emotional partner - someone your soul craves, who can make you happy😊.
Try it out and let me know if it resonates with your partners/exes or even people you know👌.
P.S. Enjoyed this post? Reblog and drop a comment below! Let me know what kind of astrology games and insights you'd love to see more of!
Original method by @clarynewme. Please give credit if sharing - do not copy or claim as your own.
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wistfulwatcher · 1 month ago
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finales + ava's (lack of) experience outside of deborah
#hacks#hacksedit#avorah#avadebedit#tvedit#usertelevision#filmtvcentral#dailyflicks#dailytvfilmgifs#cinemapix#useroptional#userparallels#parallel*#i love parallels#mine#edit#*#category*#this is the spiritual sequel to my last gifset about ava calling out deborah's bullshit because these are both staples in their relationshi#ava understands deborah like no one else ever has. and deborah believes in ava like no one else ever has!! and deborah pushing ava makes me#want to scream because ava is so happy to work with deborah. and deborah CANNOT see ava's contentment as deb's partner as 'success'. it's#beautiful and tragic and fits their generational gap SO WELL where deborah sees success as career growth and a traditional romantic#relationship. and ava sees success as just...happiness. deb keeps asking what ava has done and pushing her to make something of her own -#she just /cannot/ see that to ava? the life she's making with deb IS what she's done. it IS the accomplishment deborah wants her to find.#and it echoes back so well to deb saying she had no idea that her life with frank could be a show until he suggested it. for someone whose#professional and personal lives are so fundamentally entangled deborah has one hell of a mental block against equating those two (and#perhaps that's specifically /why/ she struggles with it). and i'm so excited to see how this might play out in s5 because ava has helped#rewrite so much of deb's trauma from her past but i think the concept of a true partnership is the final stubborn piece. and if ava can#finally get it through to deb that what they make together isn't just good and isn't a stepping stone to something better? that creating#with deborah IS the entire point? maybe MAYBE deborah can finally reconcile those two parts of herself
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agentoffangirling · 3 months ago
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I really don't like it when people try to present Team Cap and Team Iron Man as being the same thing, bc they're very clearly not? (And sorry for doing this type of discourse in 2025, but it needs to be said)
Because let's be honest, the mainline MCU didn't really focus on the Sokovia Accords past Civil War. It's not present in Doctor Strange, Black Widow, Homecoming (at least in a large capacity), certainly not Ragnarok or GOTG 2, Black Panther, and almost no one cares by Infinity War. When we look at the projects post Accords, there are hardly any moments where they matter, and by 2025, they're fully repealed. Nine years of being active, five of whom were during the Snap, meaning only four years, and most of the projects don't go very in depth. That tends to lead mainline audiences into believing it was never that bad in the first place and that Cap was being selfish
But we see how the Accords really effect everyday powered people in the supplemental material like Agents of S.H.I.E.L.D. After being introduced, powered people had three options
Go into hiding. Live a normal life. Never show off your abilities
Sign the Accords. If you were part of a government agency like S.H.I.E.L.D., it is heavily implied you had to sign or you couldn't work for them anymore
Don't sign and show off your powers? You go to the Raft
This went for everyone, it didn't matter if your power was making farts smell good, you counted as powered. Imagine the bank down the street is getting robbed, with these in place, you couldn't do anything about it if you weren't signed or you risked going to jail; they're awful options
Or what if you were signed? Great, now all your information (powers, weaknesses, danger level, LITERALLY EVERYTHING ABOUT YOU) is held in a massive server that can be easily hacked and accessed. We see in AoS s4 that signed Inhumans are getting harmed bc the Watchdogs, a hate organization, was able to get their hands on their information and find out exactly where they were. POWERED PEOPLE WORE TRACKERS THAT WAS CONSTANTLY BEING UPDATED ON THEIR LOCATION. THAT'S FUCKING WRONG IN SO MANY WAYS
Let's switch gears for a sec here and go to another side, where thankfully, that isn't happening to you, but you do wanna make some kind of change in your community. You notice that people are going missing, that there's weird power outages and decide that's worth looking into, so you go to the council and present your case. Now, as we all know, politicians never agree on anything, so the chance of getting an immediate yes is almost impossible (I'd argue 1% is far too generous in this case). It may take weeks, months, or the decision is swept under the rug and oopsies, now the entirety of Florida is covered by a blanket of darkness!
Or you get a no, and actually, they want you to check out this tiny little village in New Zealand, and so you have no choice but to go. You quickly realize that this isn't really worth your time and feel like your services are required elsewhere, but again, you're not able to back out. When you return, you find that London has been utterly destroyed. This is a situation that Steve himself brings up, and it's something that absolutely could happen! There are just endless risks to this
Then, of course, the worst scenario, being sent to the Raft, which, bc it's in international waters, they can do whatever they want to you!! Doesn't matter if it's inhumane, no one can do shit about it. It's stated in "Jessica Jones" that prisoners aren't allowed to have any contact with the outside world, and if you go in there, you go in for good. Almost no one makes it out. Again, it doesn't matter who you were and what your powers were, you would be stuck inside with the worst of the worst. WANDA MAXIMOFF WAS IN A SHOCK COLLAR AND STRAIGHTJACKET. How in any situation is that okay??
Steve understood this, understood the true consequences of handing themselves over to hundreds of governments. He wasn't against having regulations (neither am I) but he knew this wasn't the right way to go
One side holds all the power. The other holds nothing. This is in no way equal
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zcattopalt · 8 months ago
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Sprunki is officially cancelled
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I wish him for the best in the future
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zillychu · 8 months ago
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this is a cry for help
>> Come and join if you're unwell about Venti! <<
Peruse my wares, traveler:
18+ only!
Gen, ship, & NSFW friendly!
Art & writing channels!
Untreated rat infestation!
Zero tolerance for purity culture!
Please be aware that you'll need to make an introduction post, and wait for a mod to verify you until you're allowed to enter. NSFW areas are also temporarily restricted. The fridge has been raided but I've got some ketchup packets in the pantry.
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fffiendshipbracelet · 1 month ago
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dancing vr-headset lady from the dot hack sign opening 💃
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dorkshadows · 5 months ago
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Jiaozi (Director of Nezha 2019 and Nezha 2025) does a celebratory doodle everytime the movie crosses a new milestone. This is the doodle done as of 2/21, breaking the 27.1 billion record.
Translation:
Taiyi Zhenren: Look at the 'great' seats you picked! Shen Gongbao: Shut... shut up!
Anywho, this is a retired blog, but I'm willing to come out of retirement for a day just to do a little writeup about what's going on in the Nezha 2 fandom on lofter and adjacent spaces. I've successfully cultivated immortality from looking at it all fyi. Is there any interest? Just leave a like or reply ;)
Just like the good old days when I used to share the wildest jttw discourses from c-net, things on par with "Princess Iron Fan cheated on her husband with Taishang Laojun". This is NOT about the people who happened to watch the movie, the people who are just interested in box office stats, the people who really enjoyed the movie, or the people who just really admire Nezha. This will be about the fandom fandom, the truly invested, the elaborate fanons behind certain ships that will make you go "wait what?", the rabid Ao Guang discourse that will also make you go "wait what?," the brainrot (affectionate) in its purest unfiltered form.
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angelsdean · 2 years ago
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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.
So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?
Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.
Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.
Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.
So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)
And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."
So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)
And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."
But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.
Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)
So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.
Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.
Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.
Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.
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wistfulwatcher · 25 days ago
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2.06 The Click | 4.10 Heaven
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link-is-a-dork · 9 months ago
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Unused animation from a cut sequence where a Great Fairy would train Link before giving him an upgrade
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doyouselfshipwith · 1 month ago
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Turanga Leela from futurama
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