#daffodilly

[angronsjewelbeetle]

This was originally a piece of self-insert art but I thought this was cute. Post-Nails Angy being a goof. With FRECKLES.

[neuronougamis]

i want to talkcabout one piece ocs so bad

[elhombresiniestro]

Another transparent background PNG image of Artful Art as an angel.

[literaryvein-reblogs]

The Lady of Shalott is a painting of 1888 by the English painter John William Waterhouse. It is a representation of the ending of Alfred, Lord Tennyson's 1832 poem of the same name.

The Lady of Shalott (1832) By Alfred, Lord Tennyson

Part I

On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; The yellow-leaved waterlily The green-sheathed daffodilly Tremble in the water chilly Round about Shalott.

Willows whiten, aspens shiver. The sunbeam showers break and quiver In the stream that runneth ever By the island in the river Flowing down to Camelot. Four gray walls, and four gray towers Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott.

Underneath the bearded barley, The reaper, reaping late and early, Hears her ever chanting cheerly, Like an angel, singing clearly, O'er the stream of Camelot. Piling the sheaves in furrows airy, Beneath the moon, the reaper weary Listening whispers, ' 'Tis the fairy, Lady of Shalott.'

The little isle is all inrail'd With a rose-fence, and overtrail'd With roses: by the marge unhail'd The shallop flitteth silken sail'd, Skimming down to Camelot. A pearl garland winds her head: She leaneth on a velvet bed, Full royally apparelled, The Lady of Shalott.

Part II

No time hath she to sport and play: A charmed web she weaves alway. A curse is on her, if she stay Her weaving, either night or day, To look down to Camelot. She knows not what the curse may be; Therefore she weaveth steadily, Therefore no other care hath she, The Lady of Shalott.

She lives with little joy or fear. Over the water, running near, The sheepbell tinkles in her ear. Before her hangs a mirror clear, Reflecting tower'd Camelot. And as the mazy web she whirls, She sees the surly village churls, And the red cloaks of market girls Pass onward from Shalott.

Sometimes a troop of damsels glad, An abbot on an ambling pad, Sometimes a curly shepherd lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot: And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott.

But in her web she still delights To weave the mirror's magic sights, For often thro' the silent nights A funeral, with plumes and lights And music, came from Camelot: Or when the moon was overhead Came two young lovers lately wed; 'I am half sick of shadows,' said The Lady of Shalott.

Part III

A bow-shot from her bower-eaves, He rode between the barley-sheaves, The sun came dazzling thro' the leaves, And flam'd upon the brazen greaves Of bold Sir Lancelot. A red-cross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott.

The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy. The bridle bells rang merrily As he rode down from Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armour rung, Beside remote Shalott.

All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down from Camelot. As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over green Shalott.

His broad clear brow in sunlight glow'd; On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down from Camelot. From the bank and from the river He flash'd into the crystal mirror, 'Tirra lirra, tirra lirra:' Sang Sir Lancelot.

She left the web, she left the loom She made three paces thro' the room She saw the water-flower bloom, She saw the helmet and the plume, She look'd down to Camelot. Out flew the web and floated wide; The mirror crack'd from side to side; 'The curse is come upon me,' cried The Lady of Shalott.

Part IV

In the stormy east-wind straining, The pale yellow woods were waning, The broad stream in his banks complaining, Heavily the low sky raining Over tower'd Camelot; Outside the isle a shallow boat Beneath a willow lay afloat, Below the carven stern she wrote, The Lady of Shalott.

A cloudwhite crown of pearl she dight, All raimented in snowy white That loosely flew (her zone in sight Clasp'd with one blinding diamond bright) Her wide eyes fix'd on Camelot, Though the squally east-wind keenly Blew, with folded arms serenely By the water stood the queenly Lady of Shalott.

With a steady stony glance— Like some bold seer in a trance, Beholding all his own mischance, Mute, with a glassy countenance— She look'd down to Camelot. It was the closing of the day: She loos'd the chain, and down she lay; The broad stream bore her far away, The Lady of Shalott.

As when to sailors while they roam, By creeks and outfalls far from home, Rising and dropping with the foam, From dying swans wild warblings come, Blown shoreward; so to Camelot Still as the boathead wound along The willowy hills and fields among, They heard her chanting her deathsong, The Lady of Shalott.

A longdrawn carol, mournful, holy, She chanted loudly, chanted lowly, Till her eyes were darken'd wholly, And her smooth face sharpen'd slowly, Turn'd to tower'd Camelot: For ere she reach'd upon the tide The first house by the water-side, Singing in her song she died, The Lady of Shalott.

Under tower and balcony, By garden wall and gallery, A pale, pale corpse she floated by, Deadcold, between the houses high, Dead into tower'd Camelot. Knight and burgher, lord and dame, To the planked wharfage came: Below the stern they read her name, The Lady of Shalott.

They cross'd themselves, their stars they blest, Knight, minstrel, abbot, squire, and guest. There lay a parchment on her breast, That puzzled more than all the rest, The wellfed wits at Camelot. 'The web was woven curiously, The charm is broken utterly, Draw near and fear not,—this is I, The Lady of Shalott.'

[english-history-trip]

...No time hath she to sport and play: A charmèd web she weaves alway. A curse is on her, if she stay Her weaving, either night or day, ⁠To look down to Camelot.

She knows not what the curse may be; Therefore she weaveth steadily, Therefore no other care hath she, ⁠The Lady of Shalott...

....But in her web she still delights To weave the mirror's magic sights: For often thro' the silent nights A funeral, with plumes and lights ⁠And music, came from Camelot. Or, when the moon was overhead, Came two young lovers, lately wed: "I am half-sick of shadows," said ⁠The Lady of Shalott.

A bowshot from her bower-eaves. He rode between the barley-sheaves: The sun came dazzling thro' the leaves, And flamed upon the brazen greaves ⁠Of bold Sir Lancelot. A redcross knight for ever kneeled To a lady in his shield, That sparkled on the yellow field, ⁠Beside remote Shalott....

...She left the web: she left the loom: She made three paces thro' the room: She saw the waterflower bloom: She saw the helmet and the plume: ⁠She looked down to Camelot. Out flew the web, and floated wide, The mirror cracked from side to side, "The curse is come upon me," cried ⁠The Lady of Shalott.

On either side the river lie Long fields of barley and of rye, That clothe the wold, and meet the sky. And thro' the field the road runs by ⁠To manytowered Camelot. The yellowleavèd waterlily, The green-sheathèd daffodilly, Tremble in the water chilly, ⁠Round about Shalott....

...With a steady, stony glance— Like some bold seer in a trance, Beholding all his own mischance, Mute, with a glassy countenance— ⁠She looked down to Camelot. It was the closing of the day, She loosed the chain, and down she lay, The broad stream bore her far away, ⁠The Lady of Shalott...

...Under tower and balcony, By gardenwall and gallery, A pale, pale corpse she floated by, Deadcold, between the houses high, ⁠Dead into towered Camelot.

Knight and burgher, lord and dame, To the plankèd wharfage came: Below the stern they read her name, ⁠"The Lady of Shalott."...

Text: Excerpts from "The Lady Of Shalott" by Alfred Tennyson, 1833

Images: Howard Pyle, 1881; John William Waterhouse, 1915; William Maw Egley, 1858; William Holman Hunt, c. 1905; John William Waterhouse, 1888; Edmund Blair Leighton, c. 1887

[bugtoot]

inside kid eats indoor daffodil; mom just lets him

every year we get the brown marmorated stink bugs inside

every year i let them spend their last moments in cozytown(they're invasive here anyway)

and this is how they repay me. a daffodilly snack

good thing they're cutie patoots

[abyeve]

The Lady of Shalott (1832)

Part I

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And thro' the field the road runs by

To many-tower'd Camelot;

The yellow-leaved waterlily

The green-sheathed daffodilly

Tremble in the water chilly

Round about Shalott.

Willows whiten, aspens shiver.

The sunbeam showers break and quiver

In the stream that runneth ever

By the island in the river

Flowing down to Camelot.

Four gray walls, and four gray towers

Overlook a space of flowers,

And the silent isle imbowers

The Lady of Shalott.

Underneath the bearded barley,

The reaper, reaping late and early,

Hears her ever chanting cheerly,

Like an angel, singing clearly,

O'er the stream of Camelot.

Piling the sheaves in furrows airy,

Beneath the moon, the reaper weary

Listening whispers, ' 'Tis the fairy,

Lady of Shalott.'

The little isle is all inrail'd

With a rose-fence, and overtrail'd

With roses: by the marge unhail'd

The shallop flitteth silken sail'd,

Skimming down to Camelot.

A pearl garland winds her head:

She leaneth on a velvet bed,

Full royally apparelled,

The Lady of Shalott.

Part II

No time hath she to sport and play:

A charmed web she weaves alway.

A curse is on her, if she stay

Her weaving, either night or day,

To look down to Camelot.

She knows not what the curse may be;

Therefore she weaveth steadily,

Therefore no other care hath she,

The Lady of Shalott.

She lives with little joy or fear.

Over the water, running near,

The sheepbell tinkles in her ear.

Before her hangs a mirror clear,

Reflecting tower'd Camelot.

And as the mazy web she whirls,

She sees the surly village churls,

And the red cloaks of market girls

Pass onward from Shalott.

Sometimes a troop of damsels glad,

An abbot on an ambling pad,

Sometimes a curly shepherd lad,

Or long-hair'd page in crimson clad,

Goes by to tower'd Camelot:

And sometimes thro' the mirror blue

The knights come riding two and two:

She hath no loyal knight and true,

The Lady of Shalott.

But in her web she still delights

To weave the mirror's magic sights,

For often thro' the silent nights

A funeral, with plumes and lights

And music, came from Camelot:

Or when the moon was overhead

Came two young lovers lately wed;

'I am half sick of shadows,' said

The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,

He rode between the barley-sheaves,

The sun came dazzling thro' the leaves,

And flam'd upon the brazen greaves

Of bold Sir Lancelot.

A red-cross knight for ever kneel'd

To a lady in his shield,

That sparkled on the yellow field,

Beside remote Shalott.

The gemmy bridle glitter'd free,

Like to some branch of stars we see

Hung in the golden Galaxy.

The bridle bells rang merrily

As he rode down from Camelot:

And from his blazon'd baldric slung

A mighty silver bugle hung,

And as he rode his armour rung,

Beside remote Shalott.

All in the blue unclouded weather

Thick-jewell'd shone the saddle-leather,

The helmet and the helmet-feather

Burn'd like one burning flame together,

As he rode down from Camelot.

As often thro' the purple night,

Below the starry clusters bright,

Some bearded meteor, trailing light,

Moves over green Shalott.

His broad clear brow in sunlight glow'd;

On burnish'd hooves his war-horse trode;

From underneath his helmet flow'd

His coal-black curls as on he rode,

As he rode down from Camelot.

From the bank and from the river

He flash'd into the crystal mirror,

'Tirra lirra, tirra lirra:'

Sang Sir Lancelot.

She left the web, she left the loom

She made three paces thro' the room

She saw the water-flower bloom,

She saw the helmet and the plume,

She look'd down to Camelot.

Out flew the web and floated wide;

The mirror crack'd from side to side;

'The curse is come upon me,' cried

The Lady of Shalott.

Part IV

In the stormy east-wind straining,

The pale yellow woods were waning,

The broad stream in his banks complaining,

Heavily the low sky raining

Over tower'd Camelot;

Outside the isle a shallow boat

Beneath a willow lay afloat,

Below the carven stern she wrote,

The Lady of Shalott.

A cloudwhite crown of pearl she dight,

All raimented in snowy white

That loosely flew (her zone in sight

Clasp'd with one blinding diamond bright)

Her wide eyes fix'd on Camelot,

Though the squally east-wind keenly

Blew, with folded arms serenely

By the water stood the queenly

Lady of Shalott.

With a steady stony glance—

Like some bold seer in a trance,

Beholding all his own mischance,

Mute, with a glassy countenance—

She look'd down to Camelot.

It was the closing of the day:

She loos'd the chain, and down she lay;

The broad stream bore her far away,

The Lady of Shalott.

As when to sailors while they roam,

By creeks and outfalls far from home,

Rising and dropping with the foam,

From dying swans wild warblings come,

Blown shoreward; so to Camelot

Still as the boathead wound along

The willowy hills and fields among,

They heard her chanting her deathsong,

The Lady of Shalott.

A longdrawn carol, mournful, holy,

She chanted loudly, chanted lowly,

Till her eyes were darken'd wholly,

And her smooth face sharpen'd slowly,

Turn'd to tower'd Camelot:

For ere she reach'd upon the tide

The first house by the water-side,

Singing in her song she died,

The Lady of Shalott.

Under tower and balcony,

By garden wall and gallery,

A pale, pale corpse she floated by,

Deadcold, between the houses high,

Dead into tower'd Camelot.

Knight and burgher, lord and dame,

To the planked wharfage came:

Below the stern they read her name,

The Lady of Shalott.

They cross'd themselves, their stars they blest,

Knight, minstrel, abbot, squire, and guest.

There lay a parchment on her breast,

That puzzled more than all the rest,

The wellfed wits at Camelot.

'The web was woven curiously,

The charm is broken utterly,

Draw near and fear not,—this is I,

The Lady of Shalott.'

— Alfred, Lord Tennyson

[sanddef]

Interlude | May as Rebirth

1100 words

It was almost May in Camelot, the weather was warming and the ebbs of wind were just beginning to cease. Flowers were blooming by the creek, water lilies, and daffodillies, and Mordred sucked a drop of blood from his finger. He placed the roses he picked onto a nearby grave, and kept walking. It was bizarre, mourning those he knew would hate that attention. Mordred could almost see Gaheris’ grimace, Gareth’s wet eyes, Agravaine’s empty stare.

‘They said your name a million times at the wake.’ Mordred told him, ‘Isn’t that what you always wanted? To be celebrated? You should have seen how the king held you. You’d think you were his very own son.’

Of course, Agravain didn’t respond. He didn’t snark, didn’t even humor him. He never will again.

‘Well fuck you too.’

It was almost May in Camelot, and the staff usually would be making preparations in a few weeks. Between May Day and birthdays to celebrate (though never Mordred’s, admitting the date of his birth only ever got him sympathetic looks and hard-to-answer questions) it seemed May was one big celebration. Of course, to any common knight, any of these supposed holidays were just pretense. Who gave a shit about Gawain’s birthday other than people trying to curry favor? By the end, knights could hardly tell you the day of the week if they were even sober enough to speak. The staff would be exhausted.

Mordred stopped walking, shook his head, and continued. He quickly steered his thoughts away from Gareth. Gareth, who always got him something for his birthday, despite Mordred’s wishes. He was utterly gone by May 31st last year, somewhere between the busyness and the merriment he had forgotten, or just forgone, moderation. Mordred had simply put him to bed, leaving quickly and letting his gentlest brother forget that he had borne witness to his momentary degeneration.

‘I knew no one could be perfect.’ He told no one at all. ‘You’ve always told me that.’

It was always about Gawain, but still.

Almost May in Camelot and where were all the people? The hall seemed empty, only a few straggling knights and servants. Lucan didn’t meet his eyes when Mordred waved him over, his face neutral and steady, he poured him a cup of wine. Mordred considered dropping the chalice, let him not react then, as wine spilled across the floor and over them both, let him wash out some red stains of his own. At least he still had his brother with him.

Gawain would be coming back soon.

‘God dammit.’

Mordred took another long drink.

He didn't remember Lot's death, being much too young at the time, but his brothers spoke about him like he hung the moon and stars.

“Don't be like that, Mordred.” Gaheris had told him one night, his gaze tracing the scar on Mordred's forehead, “He went to war for you.”

Mordred was harsh, he knew he was harsh, and he didn’t need everyone telling him all the time. In his opinion, he couldn’t be the worst of his brothers, how could he? Yes, their deeds far surpassed his own, but so did many of the ones they swept under the rug, overlooked, or wore as a public confessional if they were clever enough. Besides, Gaheris had funny ideas about a parent's love. Mordred had to discount his opinion long ago. Mother's death was regrettable, but Mordred followed everyone's example and moved forward swiftly. Why waste time thinking about something so unpleasant?

“Why waste time indeed,” Mordred muttered, leaning back on his throne.

“Ah, my lord?” Sir Brunor was looking uncharacteristically nervous, “Mordred?”

“I didn't hear you enter.”

I didn't invite you in.

“I just want to offer my condolences.” Brunor sat beside him, again uninvited, “I know it's hard. Losing Sir Galahad and then your brothers and the king.”

Mordred grunted, gesturing for Lucan to refill his cup. Why even bring up Galahad? It felt like eons since he had last seen that poor doomed youth. He had died, apparently wondrously and prettily. Holy. They used much nicer words for it than ‘easily.’ Mordred had imagined it dozens of times, his final breath of earthly oxygen as his hands grasped for what he had chosen above all else. All that effort in blocking Galahad out of his mind, and Brunor had to remind him.

“My father is dead. My brother too.” Brunor took Mordred's hand in his, “I know how it feels.”

“These things happen.”

“Doesn't mean we can't avenge them.” There was that cold fire in his eyes that got Mordred's attention when Brunor had first arrived at Camelot, “You know that. It was murder.”

“Yes. Yes, if I learn anything you'll be the first to know.” Mordred tilted his head upwards, examining the higher stonework of the walls, stone put in place only decades ago yet never touched by human hands. He was starting to feel dizzy when he moved too fast. “For now I need your service, Brunor. We’re at war.”

And where would Mordred be without his supporters? If there was one thing he was glad to have learned at this farce of a court, it was how to perform.

“Yes of course.” Brunor straightened, “There’s a fleet coming from the south. Just say the word.”

“From France?”

“We think so.”

“You know so. We can’t afford to allow enemies any closer.” He especially can’t afford for it to be Arthur. Mordred was confident that even if he did return, there were enough people on the court on his side to end the battle early. He hadn’t done the exact math yet, but even a handful of kings had plenty of men at their disposal. Even so, it would be simpler if Arthur just didn’t come back.

“Shall I prepare an offensive?”

“A man after my own heart.” Mordred smiled, crooked two fingers, and beckoned him forward, “Come here, Brunor.”

He didn’t miss Brunor’s sigh of relief as he kneeled before the throne and accepted Mordred’s kiss gratefully. He really was such a good marshal, fearing him just enough. He was a good friend too, when Mordred still considered himself worthy of such privileges. At least the loyalty remained.

Keep him close in hand and he’ll never learn what happened to Dinadan.

‘I should really get married.’

Mordred knew just the person, but for now, Brunor was set to sail for battle tomorrow and Mordred might as well give him a few more hours of his time.

Hopefully, Gawain and Arthur were already dead. If they weren’t, Mordred prayed they’d die easily.

[borbs-and-orbs]

First OC post :)

Pebbles the Dromaeosaur and Daffodilly the Champsosaurus meet (probably for the first time? idk)

On another note - I love shading with pens, it's so fun.

[ekmosley]

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And thro' the field the road runs by

To many-tower'd Camelot;

The yellow-leaved waterlily

The green-sheathed daffodilly

Tremble in the water chilly

Round about Shalott.

_ The Lady of Shalott (1832)

BY ALFRED, LORD TENNYSON

[upstartcrow1564]

View this post on Instagram

A post shared by Karen Krebser (@themusesdarling)

Ok, so, uh oh. This feels like a warning, a shot across the bow telling us to stop, pause, back up a minute. Something that looks really good, maybe even too good to be true, probably is. Get the bona fides. Don’t rely on wishful thinking, and be careful about what other people say to you today. Something wants to grow that shouldn’t (or doesn’t need to). Watch out for somebody lying to you. This doesn’t have to be catastrophic, or even bad, though. Just pay attention and watch what you’re doing. Today’s not the day to float all daffodilly tumbleweed through the world. #tarot #dailytarot #tarotreading #tarotreadersofinstagram #AquarianTarot #TheMusesDarling

[summer-of-bad-batch]

While these were NOT the prompts for Week 9, they were amazing guesses, so here they are...

@tlmtwelve

Main: Tech Lives // Show Tunes // Save Gonky Alt: Spelunking // Experience // Misleading

@locitapurplepink

Main: Fist Bumps Alt: Volleyball

@luzfeather

Alt: Volleyball

@royallykt

Main: Baby Batch // "Well, Kriff." // Tiny Stick Alt: Daffodilly // Macadamias // Sabbatical

@indigofyrebird

Main: Love Hurts Alt: Paintballs

[ruby-likes-to-pick-roses]

Mass attack! Im rlly proud of this :]

Referenced from one of Katie's drawings

Top field (left to right)

Stabby - ST4_BBY

K.D - Jem_the4rtist

Aloe - maisy

Scarlett Lily Daffodilly - ImaKittyPet

Greedy Cup - MrSir

Bottom field (left to right)

Star Sticker - nightiingale

Pan Flag - taxe

MemeyBoi (Dorito) - RainPaintsPictures

Fluff - Mr793

Jingle Bell - holidaymidi

Mexican Peso - Gmo

Cotton Candy - Bucketverse

Felix - Flower_Mine

Sticker Roll - Moongladee

[elhombresiniestro]

Here's a new pic of Artful Art in heaven. This time he's actually holding the desert daffodilly from the Woody Woodpecker short "Arts and Flowers". Him holding the flower is a little nod to the cartoon gag of when a character is laying on their back dead or playing dead holding a flower. Artful doesn't look like he's ready to rest in the clouds yet, poor angel.

[writinginthesecrettrees]

I ... I'm sorry ... but I MUST see a picture of Dilly ... I have a need ...

Dillycious Daffodilly.

[notbeingnoticed]

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And thro' the field the road runs by

       To many-tower'd Camelot;

The yellow-leaved waterlily

The green-sheathed daffodilly

Tremble in the water chilly

       Round about Shalott.

Willows whiten, aspens shiver.

The sunbeam showers break and quiver

In the stream that runneth ever

By the island in the river

       Flowing down to Camelot.

Four gray walls, and four gray towers

Overlook a space of flowers,

And the silent isle imbowers

       The Lady of Shalott.

Underneath the bearded barley,

The reaper, reaping late and early,

Hears her ever chanting cheerly,

Like an angel, singing clearly,

       O'er the stream of Camelot.

Piling the sheaves in furrows airy,

Beneath the moon, the reaper weary

Listening whispers, ' 'Tis the fairy,

       Lady of Shalott.'

The little isle is all inrail'd

With a rose-fence, and overtrail'd

With roses: by the marge unhail'd

The shallop flitteth silken sail'd,

       Skimming down to Camelot.

A pearl garland winds her head:

She leaneth on a velvet bed,

Full royally apparelled,

       The Lady of Shalott.

Part II

No time hath she to sport and play:

A charmed web she weaves alway.

A curse is on her, if she stay

Her weaving, either night or day,

       To look down to Camelot.

She knows not what the curse may be;

Therefore she weaveth steadily,

Therefore no other care hath she,

       The Lady of Shalott.

She lives with little joy or fear.

Over the water, running near,

The sheepbell tinkles in her ear.

Before her hangs a mirror clear,

       Reflecting tower'd Camelot.

And as the mazy web she whirls,

She sees the surly village churls,

And the red cloaks of market girls

       Pass onward from Shalott.

Sometimes a troop of damsels glad,

An abbot on an ambling pad,

Sometimes a curly shepherd lad,

Or long-hair'd page in crimson clad,

       Goes by to tower'd Camelot:

And sometimes thro' the mirror blue

The knights come riding two and two:

She hath no loyal knight and true,

       The Lady of Shalott.

But in her web she still delights

To weave the mirror's magic sights,

For often thro' the silent nights

A funeral, with plumes and lights

       And music, came from Camelot:

Or when the moon was overhead

Came two young lovers lately wed;

'I am half sick of shadows,' said

       The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,

He rode between the barley-sheaves,

The sun came dazzling thro' the leaves,

And flam'd upon the brazen greaves

       Of bold Sir Lancelot.

A red-cross knight for ever kneel'd

To a lady in his shield,

That sparkled on the yellow field,

       Beside remote Shalott.

The gemmy bridle glitter'd free,

Like to some branch of stars we see

Hung in the golden Galaxy.

The bridle bells rang merrily

       As he rode down from Camelot:

And from his blazon'd baldric slung

A mighty silver bugle hung,

And as he rode his armour rung,

       Beside remote Shalott.

All in the blue unclouded weather

Thick-jewell'd shone the saddle-leather,

The helmet and the helmet-feather

Burn'd like one burning flame together,

       As he rode down from Camelot.

As often thro' the purple night,

Below the starry clusters bright,

Some bearded meteor, trailing light,

       Moves over green Shalott.

His broad clear brow in sunlight glow'd;

On burnish'd hooves his war-horse trode;

From underneath his helmet flow'd

His coal-black curls as on he rode,

       As he rode down from Camelot.

From the bank and from the river

He flash'd into the crystal mirror,

'Tirra lirra, tirra lirra:'

       Sang Sir Lancelot.

She left the web, she left the loom

She made three paces thro' the room

She saw the water-flower bloom,

She saw the helmet and the plume,

       She look'd down to Camelot.

Out flew the web and floated wide;

The mirror crack'd from side to side;

'The curse is come upon me,' cried

       The Lady of Shalott.

Part IV

In the stormy east-wind straining,

The pale yellow woods were waning,

The broad stream in his banks complaining,

Heavily the low sky raining

       Over tower'd Camelot;

Outside the isle a shallow boat

Beneath a willow lay afloat,

Below the carven stern she wrote,

 The Lady of Shalott.

A cloudwhite crown of pearl she dight,

All raimented in snowy white

That loosely flew (her zone in sight

Clasp'd with one blinding diamond bright)

       Her wide eyes fix'd on Camelot,

Though the squally east-wind keenly

Blew, with folded arms serenely

By the water stood the queenly

       Lady of Shalott.

With a steady stony glance—

Like some bold seer in a trance,

Beholding all his own mischance,

Mute, with a glassy countenance—

       She look'd down to Camelot.

It was the closing of the day:

She loos'd the chain, and down she lay;

The broad stream bore her far away,

       The Lady of Shalott.

As when to sailors while they roam,

By creeks and outfalls far from home,

Rising and dropping with the foam,

From dying swans wild warblings come,

       Blown shoreward; so to Camelot

Still as the boathead wound along

The willowy hills and fields among,

They heard her chanting her deathsong,

       The Lady of Shalott.

A longdrawn carol, mournful, holy,

She chanted loudly, chanted lowly,

Till her eyes were darken'd wholly,

And her smooth face sharpen'd slowly,

       Turn'd to tower'd Camelot:

For ere she reach'd upon the tide

The first house by the water-side,

Singing in her song she died,

       The Lady of Shalott.

Under tower and balcony,

By garden wall and gallery,

A pale, pale corpse she floated by,

Deadcold, between the houses high,

       Dead into tower'd Camelot.

Knight and burgher, lord and dame,

To the planked wharfage came:

Below the stern they read her name,

 The Lady of Shalott.

They cross'd themselves, their stars they blest,

Knight, minstrel, abbot, squire, and guest.

There lay a parchment on her breast,

That puzzled more than all the rest,

       The wellfed wits at Camelot.

'The web was woven curiously,

The charm is broken utterly,

Draw near and fear not,—this is I,

       The Lady of Shalott.'