#dead decade

[sha666y]

Those habits that killed me

[goryhorroor]

“horror movies of the 1980s exist at the glorious watershed when special visual effects finally catch up with the gory imaginings of horror fans and movie makers. technical advances in special effects (animatronics, liquid and foam latex) meant the human frame could be distorted to grotesque new dimensions on screen. 1980s horror movies delivered the full colour close-up, look-no-strings-attached, special effect in a way that previous practitioners of the art could only dream about. everything lurking in the shadows in older horror movies was now dragged into the garish light of day. the monsters were finally out of the closet.”

[2014-is-back]

Are you insane like me?

[technically-human]

Bisexual crisis Crystal edition

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[halogalopaghost]

TIL that you can assign an AO3 next of kin to control your account in case of your death???

[aziarts]

boat guy

[shitpostingkats]

Terra Kingdomhearts is literally the story about an oldest son born with something Wrong inside him and his whole family expects him to outgrow it, or ignore it, or defeat it, and then he gets bigger and he is still Wrong. Terra Kingdomhearts is the story of being isolated and sheltered from anyone willing to acknowledge the Wrongness inside you and so when he finally, finally meets someone who treats the Wrongness as no big deal, not a Wrongness at all, it's instantly a lifeline to this poor man and he will do anything to learn more about how he is not Wrong forever, actually. It's a story about how if you live your life with no community for the Wrongness that lives inside you that your very first lifeline can be used to strangle you. Do you understand what I'm saying

[sapphicyanli]

might be a corn plate tweet kind of post but during the last round of the mingle game which is where the group only consist of two people, everyone else was running without holding hands except players 222 and 333 that is a canon couple (or exes so far i guess) in the show, and the other pairing that are holding hands are players 120 and 246. could this be a hint that hyunju (120) and gyeong sok (246) could be an endgame in season 3?? bcs i certainly hope so

also the meaning of the color room that they were in is....well, quite fitting for their current relationship dynamic to say the least i'd say

[goryhorroor]

“60s horror movies reflect an era of rapid change and uncertainty, and a yawning generation gap. the social stability of the post-war years crumbled as attitudes to everything from hemlines to homosexuality underwent a seismic shift. horror movies, especially those made for low budgets outside the mainstream studio system, offered ways to process and interpret the rapid pace of change. they often served as cautionary tales about the dangers of abandoning traditional values.”

[2014-is-back]

goodbye 2014❤️‍🩹

[untangling-my-headphones]

ever think about how Edwin was bringing that lantern over to a dying Charles without knowing he could see him. he'd just recently escaped hell and yet he saw a boy bullied and shivering, and his first response was to try and help even with zero recognition. to try and stop what happened to him in that very same place from happening all over again. and then when Charles does see him, that realisation that it was already too late. that Edwin had been through hell and back, gone for decades and returned to the very thing he'd left to. how hopeless that must have felt and yet he kept it a secret, read Charles stories, kept him company until Charles did die because he didn't want to scare him.

[rezhood]

People say Jason was being over dramatic becoming Red Hood instead of just going home to Gotham after coming back to life but honestly if Talia had even one recording of any of the unhinged insults Bruce canonically said about Jason while he was dead I think it becomes completely understandable if not a mild reaction

[technically-human]

Girl things

[rookanis-de-riva]

I like imaging Rook de Riva and Caterina Dellamorte having THE most toxic mother-in-law beef imaginable right up until Rook ousts Illario and she experiences Lucanis standing up to her for the very first time, whether it’s backing up Rook’s judgment / declaring or rejecting the seat of First Talon / firmly shutting down a remark on a mage or elf Rook, however you want it to play out

and then suddenly Rook + Teia + Caterina are all besties drinking wine and cackling at each other’s jokes while Lucanis and Viago stand in the corner with their balls drawn up in fear about what this unholy alliance means for them

[eff-ston3mblogs]

hella hip$ter