#endings
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philosophybits · 5 months ago
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The beginning and the end are common on the circumference of a circle.
Heraclitus, Fragments, B103
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happy-mokka · 6 months ago
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"And he went on, and there was yellow light, and fire within; and the evening meal was ready, and he was expected. And Rose drew him in, and set him in his chair, and put little Elanor upon his lap. He drew a deep breath.
‘Well, I’m back,’ he said."
The Lord of the Rings
J.R.R. Tolkien
Book Three, The Return of the King
The Grey Havens
The ending tears me apart every single time. However, I am one of those who gladly sucked up the appendices afterward. Getting to know at least a bit how Sam's life went on after letting Frodo go was always a great comfort.
I found this illustration and really love it. Sam reading to his children from the red book...
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Samwise Gamgee, illustrated by Ekaterina Burmak
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haleyincarnate · 2 years ago
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In every ending there is a beginning I am willing to chase. In every beginning there is the fear of it all coming to an end.
Give yourself the time to mourn what was and then allow yourself to feel the bliss of starting anew.
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sleepybites · 1 year ago
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shelovesskiez · 3 months ago
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The sunset is beautiful isn't it?
I always find myself chasing sunsets- it's a habit now.I'm not sure if I love sunsets because they're beautiful yet short-lived, or because I believe some endings are meant to be beautiful. From sunsets to dawn, I find myself looking outside, just admiring the fading beauty. I try to capture it, so I can relive the moment—feel the same warmth again.This phrase means I love you, but I’m letting you go” is often used, but I think it should be: “You’re gone, but I still admire your beauty.”There are many more sunsets to come and leave, I believe that the afterglow will be pretty.
©-shelovesskiez
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pompadourpink · 5 months ago
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-eux adjectives 1/2
Affectueux - affectionate
Affreux - awful/hideous
Ambitieux - ambitious
Amoureux - in love
Anguleux - angular/bony
Anxieux - anxious
Aqueux - water-based
Astucieux - astute
Audacieux - audacious
Baveux - slimy/runy (cooking)
Belliqueux - aggressive
Bienheureux - blissful/blessed
Bigleux - short-sighted (casual)
Boiteux - lame (that limps)/unstable
Boueux - muddy
Boutonneux - zitty
Calomnieux - slanderous
Cancéreux - cancerous
Caoutchouteux - rubbery
Capiteux - intoxicating (often about smells)
Capricieux - willful/difficult/fickle
Chaleureux - warm, friendly
Chanceux - lucky
Chatouilleux - ticklish
Cireux - waxy
Classieux - classy (often mocking)
Coléreux - quick-tempered
Comateux - comatose/sleepy (casual)
Consciencieux - painstaking/meticulous
Contagieux - contagious
Courageux - brave
Coûteux - costly
Crasseux - filthy
Crayeux - chalky
Crémeux - creamy
Creux - hollow/empty
Curieux - curious
Dangereux - dangerous
Dédaigneux - scornful
Défectueux - defective
Délicieux - delicious
Désastreux - disastrous
Désavantageux - unfavourable
Disgracieux - disagraceful
Doucereux - sickly sweet
Douloureux - painful
Douteux - dubious, unlikely
Duveteux - fuzzy
Élogieux - full of praise
Ennuyeux - boring
Envieux - envious
Fabuleux - fabulous
Facétieux - facetious
FĂącheux - annoying, unpleasant
Fallacieux - fallacious, deceptive
Fameux - renowned/notorious, much talked about, big
Fastidieux - tedious, tiresome
Fiévreux - feverish
Foireux - crappy (casual)
Fougueux - spirited, fiery
Frauduleux - fraudulous
Furieux - furious
GĂąteux - doddering, senile
Généreux - generous
Glorieux - glorious
Gracieux - gracious
Grincheux - grumpy
Haineux - hateful
Hargneux - bad-tempered, nasty
Harmonieux - harmonious
Heureux - happy
Honteux - shameful
Impérieux - high and mighty/urgent
Impétueux - impulsive
Ingénieux - astute, clever
Injurieux - insulting
Insidieux - insidious
Irréverencieux - irreverent, disrespectful
Joyeux - joyful
Judicieux - judicious, wise
Juteux - juicy
Laborieux - laborious (hard work)
Laineux - wooly
Laiteux - milky
Langoureux - languid
Lumineux - bright (light)
Luxueux - luxurious
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toavoidtherush · 3 months ago
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this is an old story, one anyone can tell.
1, matthew stover - revenge of the sith. 2, david lynch - twin peaks. 3, tory adkisson - anecdote of the pig. 4, aeschylus - agamemnon. 5, homer trans. emily wilson - the illiad. 6, david leviathan - revisiting mockingjay ahead of the hunger games prequal. 7, richard siken - planet of love. 8, taylor swift - exile. 9, mike flannigan - the haunting of hill house. 10, iain reid - i'm thinking of ending things. 11, hadestown - road to hell (reprise). 12, anne carson - h of h playbook. 13, ts eliot - four quartets. 14, craig howell and chris nielsen - the last magician. 15, ethel cain - ptolemaea. 16, aeschylus - the oresteia. 17, joan tierney - how to draw a circle. 18, yellowjackets - flight of the bumblebee. 19, eula biss - the pain scale. 20, jean anouilh - antigone. 21, richard siken - the worm king's lullaby. 22, a series of unfortunate events - that's not how the story goes. 23, john darnielle - wolf in white van. 24, leigh janiak - fear street 1978. 25, joel anderson - lake mungo. 26, markus zusak - the book thief. 27, marah in the mainsal - leviathan. 28, dave filoni - twilight of the apprentice concept art. 29, terry pratchett - reaper man. 30, matthew stover - revenge of the sith.
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thekingofwinterblog · 1 year ago
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My Hero Academia - How NOT to do an Open Ending
In 2022, the American animated series Amphibia ended with an open ending that left all of it's ships up in the air, and the question of where the main characters would go from there up to the reader.
That might be a rather weird way to open an essay about how My Hero Academia failed, but the reason I do so, is to illustrate a point.
Namely that there is a way to do what Hori tried to do with MHA right.
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Amphibia ending has the main human trio of that series reuinte after a long timeskip, with all 3 of them having found their passion in life and built careers for themselves, and while there are some suggestions that Sasha and Anne are a bit closer than what might be apparant on screen, it ultimately left the situation of their romantic relationship at this point, and from there on, up in the air withouth confirming or denying anything, beyond the fact that they for whatever reason drifted apart in highschool, but have come back together again at this point in time.
It left you with enough pieces to figure out the specifics, and how you can understand how things got from one point to another, while still giving all the characters a satisfying payoff, continued the shows themes, had no real plot holes, and wheter you ship any of the characters in question or not, it didnt ultimately matter for the quality of the ending.
The fun part about an open ending is that there is room to speculate, so long as it manages to balance all of the above.
A story does not HAVE to end on the main characters hooking up. it does not have to end with tying every single character up in a relationship and showcasing the beginning of the next generation. It does not have to have a definite ending that gives all the answers to be good.
That is one way to end a story, but it's not the only one.
There certainly are stories that NEED to end like that to be good, stories with a greater mystery, or revenge tales, or who's entire story was about one, specific romantic relationship are shit endings if they ultimately end on an open ending withouth answers.
within the context of MHA, Hori managed to weave this balance very well with it's villains.
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The story of the Todoroki family in particular has all the definite endings, and tells us where all the players ends up... but it also leaves the possibility, and question of wheter or not dabi ultimately managed to make peace with his family or not up in the air.
This is a good, satisfying, tragic ending.
Spinner and compress both end up in jail for the rest of their lives, but Spinner resolves to write a book, that for better or worse will tell the league's version of the story. It's not AS good an ending as the above, but it still works just fine.
Clearly Hori CAN write a good open ending that still gives closure.
Which is why it's so baffling that MHA 430, ends up doing EVERYTHING WRONG as far as an open ending possibly could.
It has no closure, it has plot holes aplenty, it manages to leave the question of will they or wont they unanswered, not by being ambigious, but by telling us, in the most unintentionally agressive manner possible that it did NOT happen, and most damningly of all, it shits all over the Story's themes.
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MHA ends with the cast all grown up in an "and the adventure Continues!" ending, similar to justice league Unlimited.
That's not a BAD way to end it... The problem is EVERYTHING ELSE in this chapter.
Because we learn WAY too much in this chapter. the gaps in the timeskip is filled... but not in a good way. instead in an infuriating manner that pisses you off if you actually starts to break it down.
Let's start with Izuku being forgotten.
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So i have seen some people try to shut down criticism about the fact that Izuku didnt win fortune or fame, by noting that from the thematic point, being a hero was NEVER about that from Izuku's point of view.
And that is true... but this argument misses the bigger and more obvious problem.
The story REFUSES to tackle this from that angle.
As many have pointed out, this is a BAD outcome ending for Izuku.
He returned to being quirkless, he had to settle for a job that wasn't being a hero, he has been mostly forgotten after his one big highlight, and his friends have effectively begun to move on.
And he does not care.
At all.
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Hell, a 14 year old izuku who for one brief moment gave up on his dreams to chase a more realistic future, has more genuine and mixed emotion and mixed feelings in one shot, than Izuku has about actually living through a much more bittersweet scenario.
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Hell, the one moment Izuku has when he looks genuinely down in this chapter, is when Aizawa admonishes him for not being strict enough with his students.
Basically the premise here is sound. Izuku ended up in a bad personal ending to set up the return to actual heroics at the end of the chapter... And that could have worked if it committed to that.
If he was portrayed as actually having regrets about his lot in life. you know, the same thing All Might's ENTIRE STORYLINE was built around!
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MHA has ALWAYS been a human story that confronted the fact that people had regrets, and problems, and they need to be honest about them to deal with them.
To not bottle everything up inside and pretend the problems arent there.
For the story to end, with Izuku doing EXACTLY THAT is a slap in the face that goes EVERYTHING this story has preached about how you need to communicate with the people around you. the entire point of chapter 429, the CHAPTER RIGHT BEFORE THIS ONE!
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Then of course there is the whole "Everyone Growing apart" thing too.
Now, it's not as bad as the early translation made it seem, but the point still stands that despite the entire chapter right before the end then emphasises how everyone went their separate ways.
This chapter COULD have shown us moments where Izuku is still in contact with the rest of his class, but it does not. instead it emphasises how distant he is becoming from the rest of his former friend group. He is the lone one out, the one guy who seemingly is no longer in regular contact with the rest.
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The reason for that, is that Hori wanted to make the moment where he returns to the fold that much more impactfull... but it does not work, because it basically tells us that none of the class was able, or willing to make the personal sacrifice to keep in regular touch with him during those 5 years.
But FAR more egrigiously, and spitting in the face of the Theme of actually communicating and talking with the people you care about, is HOW Izuku gets back into the game.
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Apparently they spent the last 5 years pooling their money to finance a high tech suit for him to fight crime in.
And i get it. I get what Hori WANTED to do with this. He wanted to show "See, Class 1-A didnt forget Izuku after all, they still love him!".
Thats the intended message.
But the problem is, it does not work. and in fact, not only does it NOT work, but it completely goes against EVERYTHING that the story has been trying to preach for the entire 10 years of it's run.
The rest of class A never told Izuku about this. ever. Why? apparently because they wanted it to be a surprise. So they just let him go on with his life for 5 years, all while none of them really bothered to keep in regular contact with him.
There is... so much wrong with that.
But before going over the way it just hammers in the point that actually talking with the people you love isnt important after all, let's go over how this entire stupid plan could have backfired SO badly on the part of class A. Hell, it kinda did actually, if not quite as spectacularily as it could have.
What if Izuku had gotten married and moved overseas during this period? What if he had gotten married in Japan, but his entire family dynamic and plans had revolved around the fact he had a job that did not require moving around much and so got to spend a lot of time at home? Hell, even within the context of what actually Happened, U.A is still going to find itself suddenly short of one teacher who his classes relies upon, if he actually wants to go pro for real.
There are so many ways this stupid 5 year scheme of secrecy could have backfired, and it does not take a genuis to be able to see them.
basically the entire class planned out Izuku's life ahead of him withouth telling him anything about it, withouth giving him the context or preparation for how to plan his future with it in mind, and how none of them seemingly cared about how this might upend his actual personal life.
And thats just the logistical issues.
Morally speaking, this just repeatedly hammers in how this final chapters just completely abandons the themes of how you need to actually work, talk and discuss your personal matters and feelings with the people around you.
1-A did none of that.
They let their relationships with Izuku cool, when they didnt have to, seemingly with the idea that it didnt matter in the end because he'd join them anew as a hero later anyway, and they could catch up then.
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Which leads me to discussing the one, actual ship who's ending actually DID matter from a storytelling perspective.
Izuku and Ochako.
Now i have seen so many bad takes across the web from the people who are happy this did not happen, or argue that it does not matter.
But the brutal truth is, it does.
And the reason it does, is not because Izuku HAD to end up with Uraraka, or even that they had to be together in the final moment of the series.
It's because one of the longest running stories of this manga had NO ENDING, NO RESOLUTION, and rather than that, it wants to suggest it might still happen anyway... Despite unintentionally KILLING IT in the most infuriating way possible.
Out of all of the cast, it is Uraraka's character who is butchered by this stupid 5 year plan, to the point it even taints her entire new character direction at the end.
Uraraka ends the story having reformed the Quirk system for people growing up, helping those with difficult quirks get past mental problems... But just all the rest of her class, she chose to neglect her relationship with Izuku under the seeming thought process that she could patch it up later... Or that she could finally confess her feelings.
I'll let Shigaraki speak for my feelings on this way of thinking.
"You heroes hurt your own families just to help strangers. You heroes pretend to be society's guardians. For generations, you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you built. That means your system's rotten from the inside with maggots crawling out. It all builds up little by little over time."
The intended message of MHA is a refution of this... but in this final chapter, Shigaraki's words ring true, at least as far as class A is concerned.
As they became Heroes, they neglected the one amongst them who needed the most support and instead went off to, as shigaraki put it, Help Strangers.
They pretended that Izuku's situation in the moment did not matter, because in the long haul it would all be worth it.
And just like their predeccessors, it taints everything they do.
But Uraraka most of all. If you ignore the romance angle, she has started a massive program to help strangers in need... while also neglecting and frankly mistreating someone she loves and cares about her who needed her support in his weakest period.
If you do take Romance into account, it gets even WORSE, because then you have to accept that Uraraka ultimately rejected the message that she preached with Toga, the thing that got the blonde girl to turn coat for her.
She in the end did not manage to live a life where she actually was able to do what she wanted to do, and instead remained the exact same wishywashy girl who refused to actually be open about her feelings.
Instead, she, in her final shot of the series, is in the exact same spot she was back then. A girl who would forever pine after Izuku, but never be able to open up about it.
Which would be a bad enough way to end her character on... But then when you take into account that she also participated in the 5 year plan, and there is nothing to suggest she kept in touch with him more than the rest, just makes it so much worse.
I have said before that with this ending, Uraraka's love story was an objective waste of time, and i stand by that.
Hori didnt have to end the series with Izuku and Urarak married, engaged or obviously in a relationship, but by refused to actually make it happen, and lumping Uraraka in with the entire rest of the class, he instead did something way worse.
He made it abundantly clear that regardless of what Uraraka's feelings on the matter, the relationship to Izuku was not something special. She was NOT his Hero in the moment when he actually needed one.
Neither as a friend, or as a love interest.
Her actions tainted everything else.
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And of course, there is the big plot hole of this chapter.
The single biggest, and most obvious hole that is just gaping through it, that for this story to work you have to completely ignore.
Namely that 1. All Might is one of the richest peoples in the world. Class A should not have had to actually fund Izuku's suit. All Might could, and SHOULD have done that all on his own. and 2. That this tech EXISTED 8 YEARS AGO!!!!
All Might's armored suit made him one of the most powerfull figures in this entire series.
Sure it was a bit experimental, but it WORKED! it was not some unstable prototype that coudl explode at any moment, it would have worked just fine as an actual permanent power up!
For this entire stupid 5 years of Sidelines Izuku to work, you have to just PRETEND this massive hole does not exist.
And it's not a small hole that you can justify that the characters didnt think about it. It's there, and it's MASSIVE.
The only reason it's not talked about as much as all the rest is that while this is the big Material problem of this chapter, everything else is so much worse because it attacks, destroys, and taints pretty much every theme MHA had over the course of it's long run.
---Edit---
Apparently there is a throw away line in the Trivia section of Volume 39 that All Might apparently spent almost his entire fortune on his Mech suit.
Meaning that while this isn't quite the plothole I assumed it was, it IS still TERRIBLY communicated within the story itself why All Might didn't just fund Izuku's suit themselves.
---
The themes that more than anything else was what set it apart from every other battle manga that ever existed. The Human themes of actually talking to the people around you that made MHA a special story, far more than it's superhuman battles ever did.
That is why so many people are pissed off about it.
It's also why MHA is such a textbook example of how NOT to do an open ended story.
Hori could have kept the details about Izuku's life, be it his personal or proffesional life incredibly vague, beyond the basics... but he choose not to, and instead peeled back the curtain... but rather than showcasing depth, it just made the whole thing fall apart by giving us the specific details that we did not need, and which pretty much tainted the entire ending down to it's core... All completely unintentionally.
He didnt have to show that Izuku had NO specific remaining bonds with any single members Class A that were still more important to him than the rest.
But he did.
He didnt have to go out of his way to show that Izuku was completely forgotten by society at large.
But he did, and subsequentially did not actually choose to explore that.
He didnt have to show us deep, long, internal monologues from izuku's perspective where he is cartoonishly at ease with his lot in life.
But he did.
He was too specific and detailed about the things he NEEDED to keep vague, and not specific about the details that we actually needed to know, and so it all collapses in on itself in a mess of broken Themes and morals, and shattered logic, and above all else, he managed to carelessly and unintentionally cheapen every single relationship Izuku formed with the rest of his classmates over the course of this story.
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greatwyrmgold · 9 months ago
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The more I think about it, the more baffling Ruby's treatment in the last chapter of Oshi no Ko is.
The last few chapters didn't do much to establish Ruby's reaction to Aqua's stupid plan death beyond general details like "she cried a lot," so I assumed the last chapter was going to focus on that. And I guess it kinda did?
But it fast-forwarded through all the details so we could get to her Dome Concert halfway through the chapter and focus on that. Don't focus on Aqua's death, focus on Ruby's life and what she accomplishes.
As advice for Ruby, that's fine. But as a way to write Ruby, it means we don't feel the weight of Ruby losing Aqua/Goro-sensei. We're told that she cried a lot and stayed in her room a while, but only for a moment. We get a panel in chapter 165, two pages in 166, and then the entire rest of the chapter is Ruby standing up and Getting Over It.
What was the point?
I could ask that about many things in the last arc or two of OnK, but right now I'm asking it about Ruby in chapter 166. What's the point of showing us that Ruby overcame her grief if her grief was never presented as a real obstacle? Why should I care that she got to live the life Ai and Aqua wanted her to if there's no real struggle?
(Why should I care that Ruby's lighting up her fans' world the way Ai did? In the end, what did that do for her? Aren't we back to square 1?)
There's a lot that OnK had yet to properly resolve, and it spent its last chapter telling us about Ruby's awesome idol career. And that's it. And that's disappointing.
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socialbutterfly19 · 9 months ago
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I’ll never forget
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dabiconcordia · 4 months ago
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“and now we get to the hard part. the endings, the farewells, and the famous last words. if you don't hear from me often, remember that you're in my thoughts.” ― Paul Auster
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the-overanalyst · 2 years ago
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if you take out all the murder, the ending of assassination classroom is reflected in any student-teacher bond. no matter how close they become, there is always a ticking clock on the relationship. you only get one year with that teacher, with that class. the end of the year may as well be the end of the world. everything the students learn brings them closer to the point when they can leave the teacher behind. after graduation, the students will move on to their futures, armed with all the knowledge they've gained, but the teacher can't come with them.
there's a reason every episode's title has the word "time" in it. because the whole show is about the time class e gets to spend together, and the titles are a constant reminder that that time is limited.
the assassination of koro-sensei is class e's graduation. from that moment forward, the teacher, the class, and middle school itself, are no longer a part of their lives. it would seem the message is that nothing lasts forever. the sakura blossoms always fall, children always grow up, and the fun times always end.
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writerpolls · 5 months ago
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positivelypresent · 1 year ago
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If you’ve left a situation that’s no longer working for you, I’m proud of you. If you’ve given up something that wasn’t good for you, I’m proud of you. Endings are never easy, but change can be beautiful. 🩋
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