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omniswords · 5 years ago

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Hi! I LOVE your Felinette fake not-dating story! Would you be able to do number 42 or 45 for the kiss ask for them? It doesn’t have to be in the fake not-dating au, I just love how you write Felinette in general!

42. Distracting kisses from someone that are meant to stop the other person from finishing their work, and give them kisses instead.

45. Kisses exchanged as they move around, hitting the edges of tables or nearly tripping over things on the floor before making it to the sofa, or bed.

leave me a pairing and a number and i’ll write you a kiss! [CLOSED FOR NOW]

read more of the Fake Not-Dating AU!

hey uhhhhh as the prompts might suggest, there is some Implied Content in this request. nothing at all explicit, but i think it’s important to know The Vibes™️ before you jump in! 💥🔥

This is going to take forever, and it’s purely and entirely because Marinette Dupain-Cheng doesn’t know how to take a breath or be anything short of perfect.

Normally, Félix doesn’t mind it; her dedication is one of the things he admires most about her, and one of the few things he’ll admit admiring to others. But that’s when they both have things to do or worry about, or when they decide to go out somewhere or on some occasion she’s deemed particularly fancy.

Now certainly isn’t one of those times or places. They’re merely sitting in his hotel room, with the television turned on to something of little consequence. And she’s over on the ledge looking out at the city, and she’s drawing again. Just as she almost always is, because apparently she doesn’t know how not to work. Whether she wants to commit Paris to paper or think of some new clothing line idea is beyond him. But she does look beautiful doing it. She does look beautiful doing most things.

Well. If she can go around distracting him, then he can do the same. How many times has the reverse happened, when he was poring over some dull email or textbook and she made it a point to tug at his clothes and coax him to bed? How many times has she… well, for lack of a better word, seduced him so?

And besides, when was the last time they’d gotten up to anything? The fact that he can’t remember is an issue in and of itself.

Félix snaps his book shut—he’s been reading the same page for the last hour, anyway—and tosses it aside, shuffling to where she sits. He has to admit, it is a lovely view from up here, where they can feel like royalty or little gods. Where what they do with one another, to one another, feels holy. His hand slides to her waist, and still he keeps his eyes on the cityscape as his lips meet her cheek, and then her jaw.

Marinette draws a sharp breath in through her teeth—just the sweet little reaction he’s looking for. “Félix,” she murmurs, cracked though it sounds; has she been thinking of him? Quietly wanting him back? “I’m working…”

“I know,” he whispers back. Takes care to give her waist a squeeze and nip at the shell of her ear. “So am I.”

“Thought you were reading.” She shifts in her seat—is that squirming?—and her shoulders relax as she pauses to stretch her wrists. She doesn’t swat him away when his hands trail to cover hers. “Thought you didn’t want to be disturbed.”

“Certainly not.” He hums against the line of her jaw, just under where it meets her ear. He’ll never get over just how she gasps wherever he kisses her there. How she’ll all but quietly melt for his touch. “So how do you account for disturbing me, then?”

“How could I have possibly disturbed you?” Marinette bites her lip; Félix catches it out of the corner of his eye and tries not to delight too much. “I didn’t even talk to you. I was just sitting… here…”

There’s that other sound he likes so much: the wobble in her voice when he’s got the edge. When he’s toeing the line of something they both quietly, desperately need, and testing just how thin their patience can wear. “You seemed stressed,” are the innocent words that spill from his mouth and buzz against her skin. “can you fault me for being disturbed when my love is unwell?”

His palms slide up and down her back now—there are knots there simply aching to be worked out—and as he moves toward her front again she catches his hands in hers. “You,” she says, still watching the city with those gorgeous, half-lidded eyes, “seem thirsty.” She sighs, more like she’s reminiscing instead of needing. “Remember when you used to be a grandpa in a young adult’s body?” she teases under her breath. “When you wouldn’t be caught dead even looking at me for more than three seconds, and now you want to pin me to the nearest flat surface and— “

“Can’t I kiss you?” He wrestles his hands from hers, covers them, squeezes them. How can he resent a comment like that when the gratification of her goosebumps far outweighs it? “Won’t you let me?”

The sketchbook is starting to slip from her lap, but neither of them makes any move to rescue it. Marinette, sweet thing, is still biting her lip, and when he moves to her neck she shudders so softly it makes his insides churn. “Félix,” she says again. A prayer instead of a warning.

“Do you want to?” he asks, little more than a breath against her ear, as his hands flex. The Darcy, she’s come to call it, ever since they watched the movie together. Something about the wanting and the holding back duking it out in plain sight. “Tell me to stop, and I will. I swear it.”

The pause is enough of a “no” for him— a lingering sore jaw has taught him to accept nothing less than an enthusiastic “yes.” But it’s as he’s withdrawing, hot in the face and his teeth in his lip, that Marinette chases after him and yanks him into a staggering kiss. It’s fierce, and heated, and they stumble into the wall in the process while her sketchbook tumbles away. But it’s worth it for the way she whimpers into his mouth. And it’s worth it for every part of her she lets him put his hands on. And it’s worth it for how she tugs him along, tripping over the armchair, the nightstand, the foot of the hotel bed. “What happened to you?” she asks, tangling her fingers in his hair and whispering that yes, yes once his mouth meets her neck again. “What’s gotten into you?”

“You did,” he murmurs back with a trail of kisses and a nip of his teeth. “Although, technically speaking, it was really the other way around, wasn’t it?”

“Félix—”

“That is my name,” he murmurs, nudging her to sit, to look up at him with those doe eyes and red cheeks and swollen lips. “I’d be happy to be responsible for your saying it more often. Like that, or any way you prefer.”

He doesn’t have to say it for her to know it. That she’s the one with all the control, all the sway over him. That for all his airs and snappy comebacks, his voice is mere steps away from a broken, half-greedy, I’ll do anything. Even when she’s the one looking more flustered and ruffled and flushed. He knows she knows it, because it’s all in the sparks in her eyes. How she’s all but forgotten the cityscape, and the sketchbook, and the drone of the movie.

“If you think I’m so stressed,” Marinette says, leaning back on her hands, “then why don’t you do something about it?”

Félix, saint that he is, only smiles, and he sinks to his knees.

#miraculous ladybug #felinette #felix graham de vanily #marinette dupain cheng #fake not dating au #kiss meme #make no mistake #felix and dj khaled are not the same #anyway catch me getting at these two with a spray bottle just cause they haven't gotten caught YET #Anonymous #answers

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livesets-dj-mixes-edm-podcasts · 4 years ago

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Download Tiesto - Club Life 738 for free now!

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Tiesto - Club Life 738

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Artist: Tiësto Show: Tiesto – Club Life 738 Quality: 320 Kbps 48000 Khz Duration: Genre: House, Electro Source: RSS

Tiësto’s Club Life is Dutch DJ Tiësto’s weekly radio show that was formerly broadcast on Radio 538 in the Netherlands. It was broadcast on 3FM, but in 2015, Tiësto came back to Radio 538. The show started broadcasting on 6 April 2007 every Friday evening, from 10 PM CET to midnight. Tune in to Tiesto – Club Life 738 now!

Discover more Tiësto live sets & radioshows HERE | Listen or download more Club Life episodes HERE

Tiesto – Club Life 738 Tracklist

[0:35] DVBBS – Lose My Mind [ULTRA] Tiësto’s Exclusive [2:26] Gil Glaze & Luis Torres ft. Georgi Kay – Did Me Wrong [MUSICAL FREEDOM] [4:39] MOGUAI & Bhaskar – Shadows [SPINNIN’] [6:13] Pirupa – Check This Out [NONSTOP] [8:25] Felix Jaehn & Mike Williams ft. Jordan Shaw – Without You [UMG] Request Of The Week [11:15] David Puentez & Albert Neve – Superstar (VIP Mix) [HEXAGON] [12:47] Main Circus – Speakers Blow [HELDEEP] [15:05] Hannah Laing – Murder On The Dancefloor [SPINNIN’ DEEP] [16:52] Dark Heart – Don’t Speak (VIP Mix) [DGTLBEATS] Tiësto’s Exclusive [18:39] KREAM – Take Control (Sammy Porter Remix) [MUSICAL FREEDOM] [20:33] Tommy Trash & Yolanda Be Cool – Emergency [SWEAT IT OUT!] [22:52] Bad Intentions & Flagler – Hooked [WH0 WORX] [25:41] Needs No Sleep & Fab Massimo – Get Up [GET TWISTED] [27:58] DJ Khaled ft. Justin Bieber & 21 Savage – Let it Go (Lost Kings Remix) [30:00] Sagan & Heyem & Groozin – To The End [SPINNIN’] [33:14] David Guetta & MORTEN ft. John Martin – Impossible [MUSICAL FREEDOM] [35:45] Kinetic Minds – Brazilia [AXTONE] [37:25] Trance Wax – Beul Un Latha (Kevin de Vries Remix) [ANJUNABEATS] AFTR:HRS Mix [40:25] Parra For Cuva – Her Entrance (Innellea Interstellar Remix) [42:49] Steand – No One Else [SONGSPIRE] [45:05] Tinlicker – Lost Gravity [ANJUNADEEP] [47:13] Marino Canal – Calling Me Back (Coeus Remix) [VIVRANT] [50:17] Nesstor – Ascended (Rafner Remix) [NACHTEIN.TAGAUS] [54:29] Fideles – Awe [IMPRESSUM]

The podcast Club Life by Tiësto is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or endorsed by EDMliveset.com.

#Club Life #Podcasts &amp; Radio Shows

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edmlivesets4u-blog · 4 years ago

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Listen or download Tiesto - Club Life 738 for free now!

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Tiesto - Club Life 738

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Artist: Tiësto Show: Tiesto – Club Life 738 Quality: 320 Kbps 48000 Khz Duration: Genre: House, Electro Source: RSS

Discover more Tiësto live sets & radioshows HERE | Listen or download more Club Life episodes HERE

Tiesto – Club Life 738 Tracklist

#Club Life #Podcasts &amp; Radio Shows

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news-mashable-yahoopartner-blog · 7 years ago

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3 early Donald Glover music videos that will help you understand 'This Is America'

If there is one piece of pop culture that will define 2018, it's Donald Glover's music video for his song "This Is America."

The video, released as Glover's rapper alter ego Childish Gambino, debuted on Saturday when Donald Glover was doing double duty on SNL, hosting the show and performing as the show's musical guest. In less than a week since "This Is America" was released, the video has already garnered more than 63 million views and has been analyzed by everyone from Doreen St. Felix at The New Yorker to Dear White People creator Justin Simien on Twitter.

SEE ALSO: All the things you might have missed in Donald Glover's 'This Is America' video

The video has been lauded in part because of its densely packed criticism of racism and violence in America. Everything from the dance moves Glover uses to figures in the background all come together to form a resounding condemnation of how black people have been treated in the U.S.

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But "This Is America" is not the first time Glover has used music videos to make salient critiques of pop culture and American culture.

Glover began making mixtapes as Childish Gambino in 2008 and his first studio album Camp debuted in 2011. Since then, the rapper has sporadically released music videos, many of which feature strange twists to them. For instance, in "Telegraph Ave," Glover depicts what seems to be a romantic vacation...until the rapper is hit by a car and remerges as a tentacled monster.

But even with those trippy scenarios, Glover's music videos have been filled with themes and ideas that the rapper is highlighting in "This Is America."

Here are three older Donald Glover music videos you should watch to help you understand "This Is America."

"Bonfire"

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A big theme explored in "This Is America" is the question of who is seen and what pain is acknowledged. In that video, every time Glover shoots someone, the gun, which is delicately placed on a cloth, is treated with more care than the actual victims, who are dragged away.

But Glover actually broached idea that certain people and certain pain is invisible in 2011 in his music video for his song "Bonfire."

The video is directed like a horror movie. At the start Glover wakes up in a forest with a rope around his neck and he coughs up blood. In the distance he sees a bonfire with campers sitting around it, one person telling a story. As he runs toward the bonfire, he also notices another person in the woods walking towards the group holding a noose and a knife. Donald gets to the campers and tries to warn them but none of them are able to see Glover. The man with the knife then jumps out of the woods and it's revealed that it was all an elaborate ghost story.

At the end of the video, as the camper walks away, Glover falls to the ground, and once again wakes up with a noose around his neck, suggesting that the victim of the story was Glover himself.

At the time, the video seemed to be about Donald Glover's reputation — everybody is talking about him but nobody can see him. "It’s a bonfire, turn the lights out/ I’m burnin’ everything you muthafuckas talk about," Glover raps. But now the video carries new meaning when watched alongside "This Is America."

"Sweatpants"

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One of Glover's breakout songs as Childish Gambino was his 2013 song "Sweatpants." On the surface, the song seems to just be Glover flexin' his wealth and success. "Still spitting that cash flow – DJ Khaled/ I got a penthouse on both coasts – pH balance," he raps. And he ends the song with the refrain "Don't be mad cause I'm doing me better than you doing you."

However, Glover's music video added a new element to the song. In the video, Glover is stuck in a loop: he enters a dinner through the front door, walks past people eating, sits with his friends, gets up to put music on the jukebox, and then walks out the back door where he sees someone puking in the bushes and two people kissing. Then he looks up...only to suddenly be transported to the front door where he enters the loop again.

It's a trippy concept by itself, but as Donald Glover goes through each loop, slowly people in the scene are replaced by versions of Donald Glover, which adds another layer to the video.

"[The video is about] the idea of you doing you so hard that you can't do anything else," Glover explained to Complex in 2014. "I never wanted him to freak out when he saw himself. I wanted him to be like this is what I'm supposed to be but it's scary at the same time. Being you to the utmost is scary because you don't know what you're capable of. You may turn into a version of you might not like."

That idea of a multitude of versions of yourself comes back in the "This Is America." In that video we see scenes of Donald Glover dancing with kids in a carefree, nonchalant manner contrasted with scenes of the rapper perpetuating horrific violence. Details like his clothing, poses the rapper strikes, and more allude to Jim Crow in America. Put together, "This Is America," like "Sweatpants" seems to be highlighting a multitude of selves, but this time instead of showing differing versions of Donald Glover, in "This Is America" we see different versions of the black experience.

"3005"

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Donald Glover's video "3005" toned down the level of weird Glover exhibited in past videos, but it still uses some strange elements to highlight an argument.

The video finds Glover at a fair, sitting on a ferris wheel next to a stuffed bear. Throughout the video, two things happen: first, the bear begins to move, blinking and interacting with Glover. Second, the camera rotates, revealing the what's happening in the rest of the fair.

As the ride goes round and round, both of those scenes, the stuffed bear and the fair, begin to fall into chaos — the bear gets increasingly ruined and the environment in the background of the fair burns in flames. However, neither Glover nor the other riders on the ferris wheel seem to notice. At the end of the video, after panning to reveal the blazing landscape, the camera returns to the ferris wheel which is now empty except for the bear, which is in tatters.

In 2015, Vice writer Trey Smith speculated that the video is about the loss of innocence.

"The change from '3005,' a light feel-good song, to the second section of 'Zealots of Stockholm,' a much more dark and menacing track, is representative of how his views of the world have changed. It is no longer the cheerful place he knew it was—now that he’s seen the violence it is capable of in more than one way, he can’t continue to believe any other version of it."

Of course, that's the same transition we see in "This Is America." That video opens with Glover dancing while a man strums the guitar. However, that peaceful scene is quickly shattered when Glover suddenly shoots the guitar player.

The loss of innocence is also echoed with the kids that accompany Glover. Throughout the video, even as Glover commits acts of violence, he is accompanied by children who are either unaware or unconcerned by what Glover has done. That is until he holds up an invisible gun in the middle of the group. Scared, they kids flee and join the scenes of chaos unfolding around them.

Ultimately, "This Is America" is making waves because it seems to be signaling a new era for Glover. "What 'This Is America' suggests is that the next—and apparently last—Childish Gambino record will be far more pointed and political and uncomfortable," writes Rob Harvilla for The Ringer. But look closely and you can see that Glover has quietly been infusing his videos with social commentary all along.

WATCH: These celebs brought their star power to March for Our Lives

#_author:MJ Franklin #_uuid:0fb4950c-5b53-3cd5-9d83-3250813d5190 #_lmsid:a0Vd000000DTrEpEAL #_revsp:news.mashable

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