#force sphere

[celestial-sphere-press]

Fanbinding: The Desert Storm (series) by @blue-sunshine-mauve-morning

MAY THE FOURTH BE WITH YOU!

This is 1 of 2 posts for today, a massive project that I have hit a significant milestone for: completion of both my & the author's 15-volume set of the 1.1 million word The Desert Storm. This is the fic series that got me into Star Wars as an actual fan.

Four years after Order 66 and the fall of the Jedi Order, a grieving, struggling Ben Kenobi finds himself inexplicably taken back in time, crashing headlong into the foundations of fate. Grasping hope and vengeance with both hands, Ben rebuilds his identity and seeks to change the course of history: by saving Anakin Skywalker, the Jedi Order, the galaxy - and just maybe saving Obi-Wan Kenobi along the way.

My design for this typeset was significantly influenced by mem, who had begun a typeset before me and selected black & white images for the title pages, a trend I continued.

As this fic series has meteliculous attention to both canon & EU lore, I stuck with aurebesh characters for titles wherever appropriate, which occasionally gave me some fun opportunities for chapters & tables of contents like this:

For scene dividers, I used a image you can interpret either as twin suns, or as an eclipse.

While I committed to a more classic and less elaborate design for this series, I still rounded & backed every volume in the set. "Editioning" high numbers of similar books like this is often considered in bookbinding circles as necessary to practice skills (I am at 37/45 volumes), and I can certainly say that I have gotten much better at a number of things along the way. The largest book in this series is 616 pages; the smallest, 160 - and I needed to round & back both.

Further thoughts...

Blue_Sunshine (the author) has a fantastic skill for foreshadowing; reread of this series are a must. On top of that, character relationships are consistently and realistically fleshed out and developed. And critically for a "go back in time" story, Blue has a wonderful grasp of the dominoes - what changes trickle down and ripple out; and how that could come back to bite some people. Finally - if you live a badass Obi-Wan Kenobi, this is definitely a fic series for you. Also Blue is a lovely person & our little bits of correspondence has been such a bright spot for me.

Material notes: Duo oatmeal bookcloth, orange marbled jute from Sustain and Heal, hammermill cream paper, gold foil + paint for titles.

[irenespring]

Look at my evil princess. I love her so much. She's an unstoppable force of chaos that is simultaneously bent on assimilation. She is the worst person ever yet I am always rooting for her. Companies rise and fall based on who she wants to invite to dinner. I want her to destroy the world.

[astro-cattus]

Anthro shapes! :^] *hyperventilates*

[bacchuschucklefuck]

caps from comic Im doing

[moonlit-tulip]

Over time, I'm growing increasingly convinced that a lot of the craft underlying what people-into-storytelling call 'writing' isn't actually really about writing at all, and it would be useful for many people—me included—to swap over to some different term, like maybe 'storytelling'.

Because, in my experience, the goals pursued by me and by most of the people in my fiction-creation-focused social circles aren't particularly constrained to what's easy to render in prose. They're much more about conveying things to audiences, in ways which prose can certainly be helpful for but which other things can also be helpful for.

To bring up a topical example: Deltarune is a game which is very effective at its storytelling, able to deliver high-impact moments at pretty high density. And it's true that a decent chunk of that is down to being well-written; Toby Fox is, in fact, a pretty skilled wordsmith. But a lot of it is also down to other things: music, art and animation, timing, et cetera. The writing is just one component of many in the overall soup of Factors Behind Deltarune Being Good.

As such, it strikes me as worthwhile to view a lot of the skills traditionally touted as writing skills—plotting, characterization, pacing, et cetera—as, instead, more general storytelling skills. Skills which are more specifically writing skills still very much exist—various elements of how to write good prose, good dialogue, et cetera—but they're not the main mass of what most people are thinking of when they talk about writing skill. The main mass of 'writing' skills apply just as well to such things as text-free comics, voice-free animation, silent-protagonist-explores-abandoned-ruins games, and so forth, even if they're made without any writing-per-se involved in the process at all.

There are many tools which can help with telling a given story. Writing is one. But the writing isn't the story; it's just a medium through which the story can be conveyed. The difference is important.

[serpentface]

Do you have any information on the root scholars that you can share? They’ve always been a cool cult/organization to me

Ok it’s a facet of the Eterhimhamdli religion, which is The most widespread single belief system east of the inner seaway (which isn't saying much in terms of scale but it's still pretty significant) and also one I've barely introduced so I'll go over it a bit here.

Eterhimhamdli has spread past its initial sphere of old (~500 years BP) southern Lowlands Yuroma kingdoms, has many folk practices, and has schismed a few times, so there's a good deal of cultural variation. But its basic tenants/tendencies are:

-Creator deities are wholly rejected, the universe is an interplay between non-personified dualistic forces of Body(evil)/Mind(good). In one schism, the interplay of these two forces is the Dream, in others dreaming is an aspect of Mind.

-Deities in general are not wholly at odds with Eterhimhamdli, but their importance is de-emphasized and worship is usually discouraged in favor of making them objects of contemplation and/or tutelary figures.

-The Mind of the universe exists as a collective soul from which human souls emanate

-every person has two souls: an egoistic soul that animates the body and an ethereal soul that animates the mind. The latter is conceptualized as a single drop from a greater sea of the collective soul.

-belief that true wisdom is derived through access to this collective soul.

-belief that the trappings of the the ego-soul and the body's demands inhibits access to said collective soul.

-belief in the concept of enlightened beings who gain full experiential knowledge of the collective soul while remaining in a body, thus becoming capable of directly communicating aspects of their wisdom to the masses.

the biggest schism in this religion is over whether enlightenment just means experiencing full knowledge of the collective before you die, or whether it means transcending the limits of the body entirely and functionally becoming an immortal, godlike being.

deities of older/other religions absorbed by Eterhimhamdli are often reframed as enlightened mortals.

-most sects believe that only sophont life (or sometimes Only humans) have a etherial-soul along with the ego-soul, while animals exclusively have the ego-soul. Plants and inanimate objects Usually aren't ascribed souls outsides of heavily syncretic folk practices.

-belief in a fundamental good-evil cosmic dualism, though in a fairly complex way (evil is a necessity for life that is to be tempered and grappled with, rather than outright vanquished from the world entirely). The notion of 'evil' here is most associated with bodily desires (this includes all bodily needs like hunger and thirst, necessary to support life but viewed dangerous in excess, and being the root of conflict and pain).

the evil nature of bodily desire is not About sex, but does translate to non-procreative sex being frowned upon to varying extents.

-belief that life is a state of internal warfare between the evil ego-soul and the good ethereal-soul, with the former being more powerful and influential. To lead a good life is to bring the ego-soul into equilibrium with the ethereal soul. To live a wise and venerable life is to fully tip the balance in the latter's favor (this is not an expectation for lay followers, as it is considered profoundly difficult and requires separation from worldly life).

-lay followers practice forms of temperance to bring these forces into equilibrium, priests practice forms of asceticism to subdue the ego-soul and gain experiential wisdom in the process.

-The way you balance your life has consequences for the afterlife. An evil life causes an eternal death (this is usually posited as an underworld), a life in equilibrium causes one to be reborn into a new human body (a neutral fate), and a good life results in full return to the collective soul (this is a state of complete peace and contentedness and access to infinite wisdom).

-A selection of hallucinogenic plants are central to the monastic/priestly aspects of the religion, being seen as the key method through which the body can be transcended and the ego-soul can be quieted in order to tap into the collective. Lay followers do not participate in this facet on a regular basis.

-Priests also participate in self-flagellation, as the struggle with physical pain is a key microcosm of the broader internal war with the ego-soul, and can be a source of wisdom and contemplation. They are extensively tattooed for partly related purposes. Laymen are not expected to flagellate as a practice but rather to apply teachings to/learn from struggles with everyday pain.

-Very complicated relations with violence as a concept. Some strains of Eterhimhamdli philosophy see violence as an exclusive result of evil to be avoided whenever possible (usually more completely by priesthoods than the wider societies they live in), others see it as a neutral tool in of itself that Can be a force for good when used wisely. (Large scale 'wise usages of violence for the sake of good', shockingly, tend to favor the in-group's position in preexisting ethnic/religious/territorial conflicts).

-Most sects are proselytizing and see conversion as a necessity to create a better world, and have broadly unfavorable views of other religious practices.

This does not extend to seeing all societies that practice Eterhimhamdli or even The Same Schism Of Eterhimhamdli in a positive light (the birthplace of this religion is currently about 60 semi independent city-states organized into leagues that are frequently at war with each other)

-Highly favors education, literacy, rhetoric, debate, and the acquisition of material knowledge along with deeper spiritual wisdom. Knowledge and wisdom are venerable traits and societies should be led by the learned, or at least by people under their guidance.

---

The Scholarly Order of the Root is one order of Lowlands Eterhimhamdli monastics, functioning as a closed cult/mystery religion. They’re based out of Suurota (one of the biggest Yuroma city-states and dominant member of its league). They're at the top of the league's hierarchy of monastics, very wealthy, and have some involvement in governance (being an advisory body to the magistrate).

The Scholars primarily interact with the general public by hosting many of the league's institutions of scholarship and philosophy, and some of the biggest libraries in this part of the world. Their institutions are used by laymen Suurota citizens and members of government for study, and they host monks and priests (uninitiated to the inner cult) in their halls.

Actual membership to the Scholars cult is limited, they neither expect nor want associates to participate in their rituals. Rather, they position themselves as teachers- revealing small aspects of their secret knowledge to laymen and the lesser monastics as a form of guidance, while keeping dangerous knowledge for only the trusted inner circle.

Their baseline belief system aligns with the general schema of Lowlands Eterhimhamdli (one of three major schisms of this belief system), but their closed cult practices revolve around fairly unique interpretations, understood to be the ultimate underlying truths of this worldview.

The Scholars focus on an extention the Mind-Body model of the universe where their synthesis is the Dream (this itself is not unique to this cult, but the depths of their focus is). Under this model, the world is the dream of the collective consciousness, and achieving enlightenment or even temporary lucidity can allow the dream to be shaped to one's will.

One of their most secretive practices is god-building, in which they utilize altered mental states to shape the fabric of the dream into entities they can use as personal teachers of secret knowledge (also as a type of magic in general, they use it to 'build' guardians and curses and the like).

The process involves using mild doses of Ur-Root brew (mostly derived from roots of the clonal Ur-Wood colony, whose bark has notable concentrations of dimethyltryptamine and also hosts milder fungal hallucinogens) while maintaining an object and concept as a focal point of concentration. The altered state provided by the Root allows the user some access to the wisdom of the collective soul, and they will experience secret knowledge and revelations about this object, how it can best be used (this will be supplemented by material knowledge about the subject). This process is repeated until the user experiences a sense of Presence in the object, which must be interacted with, given a name and a face. Through more repetition, the object is believed to be shaped into a sort of thoughtform god which has come into material existence via manipulation of the dream.

This is considered to take immense time and effort to come to completion, god-building projects can last for years and be the combined effort of multiple Scholars. In the end, you have shaped an entity to your will that can operate independently of you.

The Ur-Wood itself is the center of Scholar cult practice, as it is both the purveyor of their most important hallucinogen and believed to have been the first god ever shaped by this form of lucid dreaming (it's a pilgrimage site for Eterhimhamdli where thousands of followers have undergone Ur-Root trips over the past four centuries, using the woods as an object of contemplation). To them the Ur-Tree is the ultimate teacher of their cult, an extremely powerful built-god that has been involved in almost every journey to enlightenment and contains all these journeys within its substance.

They believe that communing with the tree via Ur-Root can grant access to all enlightened mortals- full trips (with a DMT breakthrough type experience) will often involve sensations of encountering entities, which they interpret to be these historical figures. Within their religious framework, they're kind of speedrunning enlightenment. Under most conventional frameworks, the teachings of wise and/or enlightened people are conveyed in writing or speech as things to Contemplate on one's own journey- you might be able to understand them Conceptually but true understanding is Experiential, a process that can take a lifetime. In their framework, they're both receiving these teachings directly AND embodying states in which they can experientially comprehend them.

That summarizes most of their secret practices, and the rest of their practice is pretty standard for devout Lowlands Eterhimhamdlist priests. They live a partly ascetic lifestyle, they bear extensive tattoos as a contemplation of pain and marker of their journeys, they flagellate, they use tutelary hallucinogens, they refine their non-experiential body of knowledge through debate and rhetoric, they work to accumulate both worldly and spiritual knowledge, they work as scribes, etc.

[heraldofsomething]

Assassin's Creed: Origins The False Oracle

I die, my work unfinished. So close, so very close to ushering in the perpetual rule of the strong and virtuous! The vault will give us the power of the gods - what is one boy?

[libraryspectre]

I'm realizing a lot of my favorite podcasts just boil down to "yay for exhaustive thoughful and responsible reporting"

[phinnking]

shoutout to the 2 people at my sisters uni graduation today who pulled out palestinian flags when they walked across the stage and huge shoutout to the fact that most of the room started enthusiastically cheering the second they did

[dkettchen]

You ever think about how the majority of cishet men who either write or star in popular media whose fandoms go absolutely wild (being degenerates) in ways that influence not only international fandom media but even seep into traditional/budgeted/industry media probably don't realise just how much their characters specifically had to do with that, like even the ones that are vaguely aware of and uncomfortable with the way fandom ships them or whatever, they don't know, they don't know what they've done, they don't knowww

[celestial-sphere-press]

Fanbinding: Sanguine, by @glimmerglanger

MAY THE FOURTH BE WITH YOU!! (#2!)

My second post for Star Wars day is the canon vampire-au fic Sanguine, typeset by @aetherseer (& it is one of the last any of us received explicit permission for). This fic is one of my most dearly beloved of glimmer's works (so hard to choose a favorite). It languished for months printed but unfinished, on my shelf, because I was constantly torn over what to do for the cover design. The final design uses handmade bookcloth from white linen, with red paint seeped into the fabric in different tones & stages to give the effect of blood leaching into cloth (we are going after both meanings of "sanguine" here).

Aether's typeset, with art by @frostbitebakery, is gorgeous & has color on every page. I had this crepaldi tiger eye paper that I thought would go great, and did true double core endbands to match.

Bonus photo: aftermath of Nimitz deciding she needed to participate in this act of creation.

bonus bonus photo from my first photoshoot of this book where the book was acting like it was a Twilight vampire instead of a normal one 🤣:

[trannykong]

drawing is so awesome did you know?

[citrusai]

solavellan is so fun you get. the two people in a pairing experiencing The Horrors in different ways

[volixia669]

I adore the Lone Gunmen as much as every other X-Files nerd, but while watching season 3's Wetwired, I realized that whether it be the 1990s or the 2020s, once you get ANY of them talking about Linux or FOSS (Free Open Source Software) they would be absolutely horrendous in how much they talk it up.

They'd put your average Linux/FOSS evangelist to SHAME with how much they'd be glorifying all of it.

[eliyahu613]

If I had a nickel for every time a cis gay man youtuber pulled the "i have trans women friends/employees" as a response to being called out for transandrophobia I would have two nickels. Which isn't a lot but it's weird that it happened twice.

[lastmurianwarrior]

Giddy over drawing this actual orb last night.

Dad thought it was a Poké Ball.

Anyway, behold, the Mega Man Star Force Kamikakushi Generating Device that Rogue uses in the second game to swipe artifacts from the museum [and reconstructed dinosaurs!] as well as Geo's friends [temporarily] into the void-like Un-Dimension. Woohoo