#ft. Chris and Robert arguing
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RUFFLES MY BELOVED <3 <3
#ruffles#the goes wrong show#ft. Chris and Robert arguing#This is def one of my favorite gags#“It’s a naturalistic piece!”#“Nothing natural about it Chris they built the set SIDEWAYS”#90 degrees
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PEMDAS -- 11•19•20
Welcome to the new PEMDAS Blog! My work on PEMDAS keeps expanding each week so it needs a bigger home. She loves The Overwhelm.
My main goal is to have a one glance spot for all things news/entertainment. I want it to contain as much detail as possible without being too cluttered. Striking the balance is hard. If you have feedback, please share it with me.
Open below for PEMDAS!
POLITICS/NEWS
U.S. Coronavirus Numbers
More than 11,695,500 people in the United States have been infected with the coronavirus and at least 251,100 have died.
The number of people who have died from Coronavirus in the U.S. is equivalent to 84 times the number of U.S. citizens who died in the attacks on Sept. 11, 2001. It is 56 times the number of U.S. soldiers who died in the war against Iraq. It is 7 times the number of U.S. citizens who died from the flu last year.
On Nov. 18: 1,923 deaths (+52% 14-day change), 172,391 infections (+77% 14-day change)
The rates of infection and death remain disproportionately high in the Native American communities across the country. Just last weekend, 600 Native people died on the Navajo reservation.
Sen. Chuck Grassley from Iowa has contracted coronavirus. The nation mourns :-(
Global Coronavirus Numbers
The coronavirus pandemic has sickened more than 56,661,800 people, according to official counts. As of Thursday afternoon, at least 1,355,100 people have died.
On Nov. 18: 11,133 deaths (+13% 14-day change), 598,877 infections (+25% 14-day change)
Election 2020
President-Elect Biden claims that Trump’s refusal to concede the election is preventing him from accessing critical data about the U.S. outbreak and that this could slow the vaccine distribution process.
President-Elect Biden names Cecilia Muñoz as part of his transition team. Muñoz served as a top immigration advisor for Obama, justifying harsh immigration policies, including the deportation of thousands of Central American children and the killing of an executive order that would have halted deportations.
Nancy Pelosi is re-elected as Speaker of the House.
World News
Secretary of State Mike Pompeo toured an illegal Israeli settlement and said he has plans to tour another in the occupied Golan Heights. This violates multiple U.N. resolutions and the Geneva Conventions. He also labelled the B.D.S. movement “anti-Semitic.”
In Central America, at least 30 people have died from Hurricane Iota. About 160,000 Nicaraguans and 70,000 Hondurans were forced to flee from their homes.
The head of the Australian military has apologized to the people of Afghanistan after Australian special forces committed war crimes by killing 39 noncombatants in Afghanistan over the past 4 years.
A nearly three-decade-old ceasefire has ended in occupied Western Sahara — what many consider to be Africa’s last colony. Fighting has broken out in several areas between the Moroccan military and the Polisario Front, the Sahrawi liberation movement seeking independence, after the Moroccan military broke into a no-go buffer zone in southern Western Sahara.
Winners of the National Book Awards 2020
Fiction: Interior Chinatown •• Charles Yu
Nonfiction: The Dead Are Arising: The Life of Malcolm X •• Les Payne and Tamara Payne
Translated Literature: Tokyo Ueno Station •• Yu Miri and Morgan Giles
Young People’s Literature: King and the Dragonflies •• Kacen Callender
EDUCATION — Topic: this Candace Owens tweet
“There is no society that can survive without strong men. The East knows this.“
Both of these sentences separately are not true; both of them together are not true.
Here is an article about a village in China (”the East”) with women running the show.
Here is a list of several others, mostly in “the East.”
“In the west, the steady feminization of our men at the same time that Marxism is being taught to our children is not a coincidence.“
First of all, Marx has not been an outright advocate for a gender-queer society.
Second of all, I think she’s right. Socialism and gender/queer theory are intertwined in so many ways.
“It is an outright attack.“
And I think she’s right about this, too. Socialism and gender/queer theory all are an attack on the cis-hetero white supremacist capitalist patriarchy.
“Bring back manly men.“
Okay, this is where I think she’s wrong again.
1) "Manly men” haven’t gone anywhere...
2) Is she basically arguing that a couple of men wearing dresses means every man is no longer “manly?” This makes no sense.
3) In a society, “manly men” can coexist with “feminized” men. There is enough room for everyone. And there will always be men who want to take up the “manly” MANtle. And there will be queer/trans masc people who will want to do the same, though I’m sure Candace would hate that.
MEDIA (OTHER)
BOOKS - Tuesday, November 24
Ready Player Two •• Ernest Cline
How the King of Elfhame Learned to Hate Stories (Folk of the Air) •• Holly Black
Saving Freedom: Truman, the Cold War, and the Fight for Western Civilization •• Joe Scarborough
Bright Shining World •• Josh Swiller
Ruinsong •• Julia Ember
The Awakening (Dragon Heart Legacy #1) •• Nora Roberts
Dark Tides •• Philippa Gregory
Escape Pod: The Science Fiction Anthology •• edited by S.B. Divya & Mur Lafferty
The Thirty Names of Night •• Zeyn Joukhadar
MOVIES
Friday, November 20
Jiu Jitsu •• Dimitri Logothetis •• In Theaters
The Last Vermeer •• Dan Friedkin •• In Theaters
Run •• Aneesh Chaganty •• Hulu
Soros •• Jesse Dylan •• In Theaters
Sound of Metal •• Darius Marder •• In Theaters
The Twentieth Century •• Matthew Ranking •• In Theaters
Vanguard •• Stanley Tong •• In Theaters
Sunday, November 22
Belushi •• R. J. Cutler •• Showtime
Dolly Parton’s Christmas on the Square •• Debbie Allen •• Netflix
Monday, November 23
Shawn Mendes: In Wonder •• Grant Singer •• Netflix
Tuesday, November 24
Hillbilly Elegy •• Ron Howard •• Netflix
Wednesday, November 25
The Christmas Chronicles 2 •• Chris Columbus •• Netflix
The Croods: A New Age •• Joel Crawford •• In Theaters
Happiest Season •• Clea DuVall •• Hulu
Stardust •• Gabriel Range •• In Theaters
Thursday, November 26
Mosul •• Matthew Michael Carnahan •• Netflix
Superintelligence •• Ben Falcone •• HBO Max
TV SHOWS
Friday, November 20
Animaniacs •• Season 1 •• Hulu
The Mandalorian •• Season 2, Episode 4 •• Disney+
Marvel’s 616 •• Season 1 •• Disney+
The Pack •• Season 1 •• Prime Video
Small Axe •• Mangrove •• Prime Video
Voices of Fire •• Season 1 •• Netflix
Saturday, November 21
Between the World and Me •• Special •• HBO
Sunday, November 22
American Music Awards 2020 •• Special •• ABC
Host: Taraji P. Henson
Performances
Bad Bunny x Jhay Cortez
Bebe Rexha x Doja Cat
Bell Biv DeVoe
Billie Eilish
BTS
Dan + Shay
Dua Lipa
Jennifer Lopez x Maluma
Justin Bieber x Benny Blanco
Katy Perry
Lewis Capaldi
Lil Baby
Machine Gun Kelly
Megan Thee Stallion
Nelly
Shawn Mendes
The Weeknd x Kenny G
Monday, November 23
Black Narcissus •• Miniseries •• FX
His Dark Materials •• Season 2, Episode 2 •• HBO
Tuesday, November 24
Big Sky •• Season 1, Episode 2 •• ABC
Wednesday, November 25
Saved by the Bell •• Season 1 •• Peacock
The Wonderful World of Disney: Magical Holiday Celebration 2020 •• Special •• ABC
Hosts: Derek Hough, Julianne Hough, Trevor Jackson
Sneak peek of Remy’s Ratatouille Adventure attraction and of Pixar’s Soul
VIDEO GAMES
Friday, November 20
Hyrule Warriors: Age of Calamity •• NS
Katamari Damacy REROLL •• PS4, XBO
Sakuna: Of Rice and Ruin •• PS4, NS
The Skylia Prophecy •• NS
Monday, November 23
World of Warcraft: Shadowlands •• PC
Tuesday, November 24
Cobra Kai: The Karate Kid Saga Continues •• NS
Football Manager 2021 •• XBX, XBO, PC, Mac
Just Dance 2021 •• PS5, XBX
Wednesday, November 25
Out of Space: Couch Edition •• PS4, XBO, NS
Star Renegades •• PS4
Vigor •• PS4
Thursday, November 26
Maid of Sker •• NS
DIRECT ACTIONS/DONATIONS
Give $5 to... Unicorn Riot: on-the-ground journalists covering and capturing footage of the revolution!
ALBUMS
separated from her twin, a dying android arrives on a mysterious island [EP] •• Ada Rook
distanceless gentleness
time dilation
total memory failure
otherworld
Self Help •• Badge Époque Ensemble
Sing a Silent Gospel (ft. Meg Remy & Dorothea Paas)
Unity (It’s Up to You) [ft. James Baley]
Cloud
The Sound Where My Head Was
Just Space for Light (ft. Jennifer Castle)
Birds Fly Through Ancient Ruins
Extinct Commune
BE •• BTS
Life Goes On
내 방을 여행하는 법
Blue & Grey
Skit
잠시
병
Stay
Dynamite
Hypoluxo •• Hypoluxo
Seth Meyers
Ridden
Nimbus
Tenderloin
Appetizer
Night Life
Pointer Finger
Shape Ups
Shock
Sweat
Harmony •• Josh Groban
The World We Knew (Over and Over)
Angels
Celebrate Me Home
Shape of My Heart (Duet with Leslie Odom Jr.)
Your Face
Both Sides Now (Duet with Sara Bareilles)
She
The Impossible Dream
The First Time Ever I Saw Your Face
It’s Now or Never
I Can’t Make You Love Me
The Fullest (feat. Kirk Franklin)
Sin Miedo (del Amor y Otros Demonios) ∞ •• Kali Uchis
la luna enamorada
fue mejor (w/ PARTYNEXTDOOR)
//aguardiente y limón %ᵕ‿‿ᵕ%
¡aquí yo mando! (w/ Rico Nasty)
vaya con dios
que te pedí//
quiero sentirme bien
telepatía
de nadie
no eres tu (soy yo)
te pongo mal (prendelo) [w/ Jowell y Randy]
la luz (Fín) [w/ Jhay Cortez]
ángel sin cielo
III •• Lindstrøm x Prins Thomas
Grand Finale
Martin 5000
Small Stream
Oranges
Harmonia
Birdstrike
Good News •• Megan Thee Stallion
Shots Fired
Circles
Cry Baby (ft. DaBaby)
Do It on the Tip (ft. City Girls)
Sugar Baby
Movie (ft. Lil Durk)
Freaky Girls (ft. SZA)
Body
What’s New
Work That
Intercourse (ft. Popcaan)
Go Crazy (ft. Big Sean & 2 Chainz)
Don’t Rock Me To Sleep
Outside
Savage Remix (ft. Beyoncé)
Girls in the Hood
Don’t Stop (ft. Young Thug)
Copycat Killer [EP] •• Phoebe Bridgers x Rob Moose
Kyoto (Copycat Killer Version)
Savior Complex (Copycat Killer Version)
Chinese Satellite (Copycat Killer Version)
Punisher (Copycat Killer Version)
Euphoric Sad Songs [EP] •• RAYE
Love Me Again
Change Your Mind
Regardless (ft. Rudimental)
Secrets (ft. Regard)
Natalie Don’t
All Dressed Up
Please Don’t Touch
Walk on By
Love of Your Life
Dimensional Stardust •• Rob Mazurek - Exploding Star Orchestra
Sun Core Tet (Parable 99)
A Wrinkle in Time Sets Concentric Circles Reeling
Galaxy 1000
The Careening Prism Within (Parable 43)
Abstract Dark Energy (Parable 9)
Parable of Inclusion
Dimensional Stardust (Parable 33)
Minerals Bionic Stereo
Parable 3000 (We All Come From Somewhere Else)
Autumn Pleiades
While the World Was Burning •• SAINt JHN
Sucks to Be You
Switching Sides
Freedom Is Priceless
Gorgeous
High School Reunion, Prom (ft. Lil Uzi Vert)
Monica Lewinsky, Election Year (ft. A Boogie Wit Da Hoodie & DaBaby)
Roses (Remix) [ft. Future]
Pray 4 Me (ft. Kanye West)
Quarantine Wifey (ft. JID)
Time for Demons
Ransom (ft. 6lack & Kehlani)
Back on the Ledge
Roses (Imanbek Remix)
ALIAS •• Shygirl
TWELVE
SLIME
FREAK
TASTY
LENG
BAWDY
SIREN
Coping Mechanisms •• Tayla Parx
Sad
Dance Alone
System
Stare
Fixerupper
Bricks
Residue
Justified
NonChalant
Nevermind
Last Words
You Don’t Know
LIVE DRUGS •• The War on Drugs
An Ocean Between the Waves (Live)
Pain (Live)
Strangest Thing (Live)
Red Eyes (Live)
Thinking of a Place (Live)
Buenos Aires Beach (Live)
Accidentally Like a Martyr (Live)
Eyes to the Wind (Live)
Under the Pressure (Live)
In Reverse (Live)
SINGLES
NEW
“Revolutionary Love” •• Ani DiFranco
“Dido’s Lament” •• Annie Lennox
“My Head & My Heart” •• Ava Max
“Endless Me, Endlessly” •• Baio
“What Do You Say When I’m Not There?” •• Baio
“45” •• Bleachers
“chinatown” •• Bleachers x Bruce Springsteen
“Thousand Pills” •• Boldy James x Stove God Cooks
“gf haircut” •• dad sports
“Scratchcard Lanyard” •• Dry Cleaning
“Angel Rock” •• Dua Saleh
“Best Rapper in the Fuckin World” •• GoldLink
“Anywhere” •• Hannah’s Little Sister
“Love Not War (The Tampa Beat)” •• Jason Derulo x Nuka
“Pick Up Your Feelings” •• Jazmine Sullivan
“Daddy Boyfriend” •• Jessica Lea Mayfield
“Emotional Abandonment” •• Jessica Lea Mayfield
“Hitman” •• Kelly Rowland & NFL
“Summertime The Gershwin Version” •• Lana Del Rey
“Undone” •• Lande Hekt
“Man’s World” •• MARINA
“Prisoner” •• Miley Cyrus x Dua Lipa
“The Lighthouse Keeper” •• Sam Smith
“Is It Just Me?” •• Sasha Sloan x Charlie Puth
“Shameika Said” •• Shameika x Fiona Apple
“Monster” •• Shawn Mendes x Justin Bieber
“Hey Boy” •• Sia
“nhs” •• slowthai
“Plead Insanity” •• Spring Silver x Sad13 x Bartees Strange
“feel good” •• Tierra Whack
“Peppers and Onions” •• Tierra Whack
“Flawed” •• Wale x Gunna
“Tried to Tell You” •• The Weather Station
REMIXES
“Valley of One Thousand Perfumes (Orchestral Version)” •• Mary Timony
“Lifetime (Planningtorock ‘Let It Happen’ Remix)” •• Romy x Planningtorock
“Boys Who Don’t Wanna Be Boys (U.S. Girls Live from The Peppermint Lounge Remix)” •• Seth Bogart x U.S. Girls
COVERS
“Waverly” (Samia cover) •• Anjimile
“Merry Christmas, Happy Holidays” •• Betty Who
“Deacon Blues” (Steely Dan cover) •• Bill Callahan x Bonnie Prince Billy x Bill McKay
“Christmas Will Really Be Christmas” •• Black Pumas
“Clementine” (Elliott smith cover) •• Bonny Light Horseman
“The First Time I Ever Saw Your Face” (Roberta Flacke cover) •• James Blake
“The First Noel” •• Jazmine Sullivan x Cory Henry
“A Dreamer’s Holiday” (Perry Como cover) •• Julien Baker
MUSIC VIDEOS
“JUMPING SHIP” •• Amaarae x Kojey Radical x Cruel Santino (dir. Remi Laudat)
“34+35″ •• Ariana Grande (dir. Director X)
“Shameika” •• Fiona Apple (dir. Matthias Brown)
“Don’t Underestimate Midwest American Sun” •• Kevin Morby (dir. Johnny Eastlund x Dylan Isbell)
"Star” •• LOOΠΔ (dir. MOSWANTD)
“Waverly” •• Samia (dir. Samia Finnerty x Matt Hixon)
“Kerosene” •• Yves Tumor x Diana Gordon (dir. Cody Critcheloe)
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Summative assessment
One of the Themes that I looked at and enjoyed on a Monday lecturer was ‘the labyrinth and the Maze’. In the text Tim Ingold talks about walking, imagining and the education of attention. After this Monday lecturer my research consisted in looking at a lot of labyrinths and mazes. What is the difference between a labyrinth and a maze? A labyrinth has a single path which winds through it where as a maze can have many paths. So mostly you can get labyrinths in mazes or they can be separate. The design of the labyrinth simultaneously represents a puzzle and a solution, a journey and an arrival.
The word labyrinth comes from a Greek mythology. It was designed by the legendary artificer Daedalus for king Minos of Crete at Knosses. It was to hold a monster who was born from the kings wife and the love with a bull. So this is how the story went. So King Minos ordered the labyrinth to be built as a prison for minotauros. Minos' wife Pasiphae had made love with a bull and the king thought that it should be hidden from the world especially as it fed on human flesh.
A labyrinth is an ancient symbol that relates to wholeness. It combines the imagery of the circle and the spiral into a meandering but purposeful path. It represents a journey to our own centre and back again out into the world. Labyrinth have long been used as meditation and prayer tools.
In the text, ‘The Labyrinth and the Maze', by Tim Ingold, goes on talking about that the streets are a Labyrinth. So when you go out on the streets or go in the city it’s explaining your ability to walk around and not knowing where to go. However it argues that the city is not a labyrinth when you consider yourself a business person. It goes on to explain that in your everyday life you get use to your surroundings and making that part of the regular routine on the way to work and it just becomes a place passing by rather than a place to wonder. I think I can argue the fact that I do think that a city or a street is like a labyrinth or a maze. My reason to this is that I believe that although some people walking around the city is normal in there every day life however, can at least one of those people say that they didn’t need to use Google maps to find there way, or signs to guide them out of the maze. Now imagine a world without signs and devices to help you out and what do you call your self in city walking around not know which way to go. Lost in the city. By architectural theory labyrinth has been linked to the archaic encounter between the nomadic and the city.
When talking about a city, we use the word labyrinth metaphorically hinting towards movement patterns. James Donald’s, ‘imagining the Modern City', shows the city and its architecture can be at once rational and irrational, observed and imagined, theoretical and empirical. show a different understanding of space, seeing it as something other and more than a field of mathematical calculation and political instrumentalism.
Some say that the labyrinth looks like a ‘natural’ pattern, reminding of the finger-print, or the interlacing intestines or the brain. I think I can relate to this as when you look at a labyrinth especially the circle ones, it does look like it and reminds us about the body of a human. It reminds us of these natural, biological forms due to the belief the labyrinth is culturally created. So this meaning that it is and artificial construction, made by humans for humans. “The idea of a labyrinth is a place in which we lose ourselves in order to find ourselves is intriguing,” said Anthony Bostrom. With this quote I believe in some level is true, but the problem that people have is if they are completely lost physically, they would mentally not be able to cope. So in some sense everyone needs a pull to their Direction I believe. ‘ To be inside and maze is to be a wildered or afraid, but it’s also to be inside a structure- lost but only up to a point.’ This quote strengthens my theory. Being exposed and not knowing it.
Robert Morris (born February 9th 1931 and died November 28th 2018) is an American artist and sculptor which designed the outdoor labyrinth as a 6-month long interactive illustration in the Donald Hall sculpture park at the nelson-Atkins Museum of art. Built on a base of concrete stone the 7-ft tall glass structure with more than 400 tons and took more than 80 crew workers to build on the site.
Why I liked this piece? The piece, glassed labyrinth, engaged with the public allowing them to experience the excitement as well as the overwhelming of bumping into the see through glass. What I find quite funny is probably the amusement this piece would of created, and making it fun. Roberts work consisted in hand making a sculpture which the public could go through. His work was made from glass which made me consider that most labyrinths or mazes have a wall you can't see through whereas his didn't. It made me think of the difference and come up with theories. Can you see through, do you know your Direction? Going back on the text I read on a walk on a Monday lecture, ‘the maze and labyrinth’, I remember him saying “education along the lines of the Labyrinth does not provide novices with stand points or positions, but continually pulls them from any positions they might adapt. I would of liked to experience going through the labyrinth and to understand more on why people would of bumped into the walls a lot? In some sense I can only relate to a piece like this by remembering going to a fair ground and going through a room full of mirrors. I have a hint that in some kind of way these two scenery are quite similar. What is quite different compared to this labyrinth to others is that most consistent shapes used in a labyrinth would be circles, squares or rectangles. So why did he choose a triangle? Triangulated and constructed of glass plate wall capped with bronze, speaks to the present in the language of modern architecture and design- streamlined, dynamic, transparent and elegant.
The transparent piece allows visitors to see each other and the landscape, while wandering around. The aim was to reach the centre and find the way out of the triangular form. This modern and unique stunning glazed piece was designed for people to experience, explore and enjoy. In his earlier work he explored space as an extension of the self. The viewers were forced to become aware of their sense of place, direction, memory, etc.
I also came across a work by Chris Skinner which is an graphics illustrator from Derbyshire. He has 14 years experience in design. He also works in several different companies making graphic design which meets the clients needs. He has worked with different range of sectors such as, broadcasting, motion graphics, print, etc. His main focus is illustration although, he has done work that consisted in 2D digital, 3D modelling, digital sculpting, motion graphics etc. Chris has his own distinctive style: it comprises a mixture of hand drawn elements and 3D modelling. The work I looked at presented the actual film from the Labyrinth and it included some of the characters from the goblin City. His piece was an print for the 1986, musical ‘labyrinth’. For inspiration, he used the original of the staircases- which was in the scene of the movie of Sarah’s bedroom wall- Relativity by M.C. Escher.
I like this piece because it consists the characters from the film which is one of my all time favourites. What I really find fascinating is that he also included some of the scenarios which are seen in the film. Right at the top of the image you have a sketch of the maze that Sarah the main character had to go though to get to the goblin city. On the right of the piece you can see another part where Ludo and Sarah had to go through the sewer part which there they met two new friends. I think that with this piece I can relate so much to it. It also tells the story of the labyrinth and where Sarah travelled and went by to get to the goblin city and get her little brother back, toby before the goblin king turned him into a goblin.
Escher (born June 17th 1898 and died March 27th 1972) was an Dutch graphic artist who made mathematical inspired wood cuts, lithography and mezzotints. His work ‘Relativity’ is a lithograph print which was printed in December 1953. It creates a visual image of a world where gravity ceased to exist. His drawings plays tricks on the audience eyes, fooling their mind to think that it never ends.
Escher’s work features mathematical objects and operations including impossible objects, etc. Even though he believed he didn’t have the mathematic ability, he still went on making a whole book full of work. In all his work that he did, they all consisted repetition of either the same object or piece. In his earlier work he drew from inspiration from nature, studying insects, landscapes, and plants.
His work creates an art movement of surrealism with a unique 3-dimensional style. Within the imagery of the lithograph is seen as an architectural structure. It has been said that Escher through his research, his did went on looking at the mathematic structure of things such as buildings, rather than the building on the outside. In his work ‘Relativity’, it reflects the different rules of gravity rather than the common form of gravity known in the real world. I find it quite fascinating to look at this piece as to that persons down, is someone’s down. It’s like being a child again and being on that climbing frame with different directions. The people in the piece do not seem to be concerned or affected by the gravity difference.
A book that I looked at which consisted his work, told me that his approach though all his pieces consisted the similar way he would do it as well the repetition.
The difference between Chris’ work and Escher’s work is that the people in Chris’ piece are given an identity as it reflects the film ‘labyrinth’ and Escher’s piece, the people are not given an Identity as they are all the same. They are not given a face as he does not want that to be the attention to his audience. His aim was more to do with repetition of the staircases and looking at the mathematics of the structure. The similarities of theses two pieces is that they both consist staircases and have no sense to gravity. They both also have the same styles. For example, they are both prints, only use black and white and no colour, and the use of the 3-dimensional style/structure. The use of just using black and white gives it a sense of the piece being old and an sophisticated design, it gives it importance in the world. Imagine if was in colour, would the audience it’s trying to attract change? ‘The three-dimensional world may be projected onto a two-dimensional plane to create the illusion of space', this quote made me think of these two works as in a way these two pieces do this I think.
Similarities and differences between these three pieces of work. We can say that with Chris’ and Escher’s pieces are very similar, where as with Robert’s work, its different from these two pieces. What I can say about all three pieces is that they do have that architectural structure feeling to all of them. Even though their formats were quite different in showing of there types of labyrinths, it help me understand what they really wanted to get out of their pieces. With Robert’s he wanted the audience to explore and enjoy his work by making it engaging for the audience. Escher’s and Chris’ were more about allowing the audience to engage though the sense of sight. The type of audience Robert’s piece attracts are very different compare to Escher’s and Chris’ piece. Reason being is that Robert’s work is presented in a park which everyone goes to, children, runners, adults, artists, etc.
With Robert’s work you can see through and it questions all because you can see through it and you see what you want to get to, you want to get there quicker and without the struggle. I think there’s so many pathways in the persons way and they forget about that. With other Labyrinths you can’t see through the walls which, I think it makes it even more easier for you to know which way you are going so for example if you are a student learning science and you want to be a science teacher, to get there you need to go through certain things such as GCSEs and all that. You know that there are different paths in front of you which you have to go forward as there’s no other way. Where as I think that with Robert’s work because you can see through, it makes it more difficult to know what path you are on at the moment as you can see the finish line. In my theory I think that if you see the finish line you rush like a sprinter wanting to win in a race and knowing this I think with what ever path they are on they just want to get through it quickly.
In my conclusion after looking at all theses in my research, I have questioned myself in my making and why I chose tunnels as an approach to my inspiration of the labyrinth? And why I have created them as a solid object (in clay)? Are tunnels labyrinths, and what are the differences between my work and the artwork I looked at? So, what if I took a walk though Colindale and I saw a tunnel and that’s why I chose to do a tunnel, in my sense the tunnel was part of my journey and labyrinth conclude in this. Looking back at Robert’s work he didn’t stick with a shape that connects with a labyrinth on what we know, we normally see shapes such as circles and squares, not triangles. Knowing this I used the same approach as him and looked at a labyrinth being different. For example, the sewers of London are not seen and are well known as a labyrinth. They are like the forgotten parts because they are not pleasant to be included however, they are labyrinths/mazes that are in this world working right under us as we speak. And come to think of it tunnels can be the labyrinth of your journey on an underground train. As an artist I can say where I am still with my work is still experimenting and developing my work in a context as a labyrinth. And in relation to what I have spoken about I can strongly say that I have a strong understanding of the meaning of a labyrinth.
Labyrinth are part of everyone life, you just got to look at things in a different way. I do believe that the city works as a labyrinth or reminds us of the pattern using architectural structure and having different directions which still can lead us to the same destination. I see the labyrinth as a movement of patterns or dance. It has been said that labyrinths have been used for humans entertainment in dance, moving left to right, up or down.
The pieces that I also looked at does present the labyrinth very well I believe. The reason why I think this is because work brings the overwhelming and the feeling of an labyrinth as well as consisting pathways like a labyrinth. So it refers to a labyrinth when you see the pieces too.
References/bibliography
https://www.theguardian.com/books/2018/jul/28/myth-monsters-and-the-maze-how-writers-fell-in-love-with-the-labyrinth
https://www.citylab.com/design/2014/07/why-every-city-needs-a-labyrinth/373965/
Henning Eichberg,IFO/Research institute of sport, gerlev, Denmark,2004,p1-9
https://www.ancient.eu/Labyrinth/
James Donald, imagining the modern city
http://australianhumanitiesreview.org/2000/06/01/review-imagining-the-modern-city-by-james-donald/
https://www.academia.edu/1330469/THIS_HERE_NOW
https://mymodernmet.com/robert-morris-glass-labyrinth/
https://books.google.co.uk/books?id=JHRnAPobeo0C&pg=PA35&lpg=PA35&dq=labyrinth+robert+morris+what+other+people+say+about+it&source=bl&ots=ofUYTfgmas&sig=ACfU3U2QJPAGAlbb_0pOpNEDEIsZf6mX4w&hl=en&sa=X&ved=2ahUKEwjTssvoyszoAhXjTRUIHXotAl0Q6AEwDnoECAYQAQ#v=onepage&q=labyrinth robert morris what other people say about it&f=false
https://www.debutart.com/artist/chris-skinner
April Cheetham, a ceiling of identity: anamorphosis as double vision in contemporary art practice, liverpool John Moores University, May 2012, p1-155
Tim Imgold, the maze and the labyrinth, p1-12
Georg Simmel, the metropolis and mental life, p1-9
Massey, A place called home, place and identity, London (1992), p1-17



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Championship: Derby County v Cardiff City
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Championship: Derby County v Cardiff City


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Live Reporting
By Adam Williams
All times stated are UK
our full match report that’s developing on the website and app.
Also, keep your eyes peeled for more from the Championship and the rest of the EFL throughout the weekend.
Thanks for being with us this Friday night for that intriguing game.
Until next time….
Posted at 20:4920:49
A full house on Saturday
PA MediaCopyright: PA Media
And if tonight’s action has whetted your appetite for more – have no fear.
We’re back with a full programme across the three divisions on Saturday, starting with Fulham hosting West Brom in the Championship’s lunchtime kick-off.
We’ll have all the build-up to that game and then all the breaking news and key goal flashes from all the games that follow right here across BBC Sport.
Posted at 20:4820:48
FULL-TIME REACTION
FT: Derby County 1-1 Cardiff City
PA MediaCopyright: PA Media
Cardiff City captain Sean Morrison on Sky Sports:
“I’m ecstatic for Robert Glatzel as he’s looked sharp in training and chances have been coming for him in games but it hasn’t dropped for him yet.
“It was a tough game tonight where we wanted to play on the counter and we had to sit in and fight hard.
“We’re nowhere near the finished article yet as we’ve still got a few to return from injury. We’ll keep working hard and try and build on this.”
Posted at 20:4220:42
FULL-TIME
Derby County 1-1 Cardiff City
But, it’s not to be for Derby as Martin’s free-kick hits the Cardiff wall and bounces clear.
That ends the game and both sides have to settle for the point.
Their stuttering starts continue.
90+7 mins
Post update
Derby County 1-1 Cardiff City
Into added time in added time….
Chris Martin stands over the free-kick for Derby.
90+6 mins
YELLOW CARD
Derby County 1-1 Cardiff City
Late, late booking for Cardiff’s Aden Flint as Martyn Waghorn fouled right on the edge of the penalty area….
90+4 mins
Post update
Derby County 1-1 Cardiff City
Still time for a hero?
Neither side able to get a decent move together in the dying stages…
90+3 mins
Post update
Derby County 1-1 Cardiff City
Half-chance for Cardiff.
Ball breaks to Junior Hoilett in space but he drags a shot wide of the Derby goal.
90+2 mins
Post update
Derby County 1-1 Cardiff City
Scrapfest continues in this second half to the extent both sides are arguing over a throw-in!
Neil Warnock getting unnecessarily animated on the touchline much to the amusement of the home fans.
90 mins
INJURY TIME
Derby County 1-1 Cardiff City
SIX MINUTES ADDED TIME!
Will one of these two find a way to create a winner?
Getty ImagesCopyright: Getty Images
88 mins
SUBSTITUTION
Derby County 1-1 Cardiff City
Last Cardiff change of the night.
Omar Bogle comes on for Robert Glatzel.
88 mins
YELLOW CARD
Derby County 1-1 Cardiff City
Tom Lawrence in the book for a petulant foul that will see him suspended for Derby’s next game against Leeds.
Sean Morrison the man on the receiving end of that poor challenge.
85 mins
SUBSTITUTION
Derby County 1-1 Cardiff City
Terrible free-kick from Tom Lawrence that sails easily over the crossbar.
Chris Martin meanwhile (yes, him!) is Derby’s second change as Jack Marriott makes way.
84 mins
Post update
Derby County 1-1 Cardiff City
PA MediaCopyright: PA Media
Lee Peltier fortunate not to see a second yellow card and a red for a foul on Florian Jozefzoon.
Free-kick to Derby on the edge of the D.
83 mins
Post update
Derby County 1-1 Cardiff City
And a big chance at the other end now!
Robert Glatzel nearly has a second goal of the night for himself and Cardiff.
His header looks set to hit the back of the net but Kelle Roos makes a nuisance and Matt Clarke gets back to hook the goalbound effort off the line.
82 mins
Post update
Derby County 1-1 Cardiff City
Chance for Derby!
Tom Lawrence nearly on the end of a great move that sees Jack Marriott drive a low ball into the box from the left.
Lawrence can’t keep the ball down and under the crossbar though.
80 mins
SUBSTITUTION
Derby County 1-1 Cardiff City
Last 10 minutes…
Still we’re deadlocked despite some hard work by both teams.
Meanwhile Derby make their first chance as Florian Jozefzoon replaces Duane Holmes.
78 mins
Post update
Derby County 1-1 Cardiff City
PA MediaCopyright: PA Media
Still no way through for Derby and the frustration starts spilling over from the stands on to the pitch as some tired-looking bodies hit the turf.
Duane Holmes is felled by a rather nasty looking challenge with Nathaniel Mendez-Laing.
75 mins
Post update
Derby County 1-1 Cardiff City
Frantic stuff for Derby once again as they try and find a way around this Cardiff defence.
Junior Hoilett goes down as well after a challenge during a Cardiff counter, but play continues around him.
Derby banging on the door, but not making any progress.
Corner after corner without reward.
73 mins
Post update
Derby County 1-1 Cardiff City
Pause in play as Krystian Bielik receives treatment for a bang to a shoulder.
He’s going to have to go off for a short while at least so we can continue.
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20 December 2019
Merry Christmas!
I'm sure the done thing at this point is a summary of some of the highlights of the year, but considering it was our work Christmas party last night, be grateful there's even an email this morning...
Thank you for subscribing, following, submitting links and everything else this year, and have a wonderful Christmas! Keep an eye out (and ears open) for the latest Inside Briefing podcast later, including a Christmas cracker of a sonification. We'll also be updating our explainers with the latest stats on civil service staff numbers and Freedom of Information. Otherwise I'll be back in the new year. Let's hope it's slightly quieter than this one...
Merry Christmas!
Gavin
Today's links:
Graphic content
#GE2019
Government reshuffle December 2019: live blog (IfG)
General Election 2019: full results and analysis (Commons Library)
UK general election results at a glance* (FT)
How Britain voted in the 2019 general election (YouGov)
General election: The map of British politics has been redrawn (Sky News)
Since its high watermark in 1997, Labour has lost more seats than it now has (Matt Singh)
General election: 2019 heralds the most diverse parliament for gender and ethnicity (Sky News)
General election in five charts: how Remain lost and Leave won (UK in a Changing Europe)
How large was the majority for each constituency in the 2019 General Election? (Phil Gorman)
General election 2019: Animated tour in 10 stops (BBC News)
#GE2019 results for constituencies in England sorted by the median average age of the voting age population (Owen Boswarva)
The class gradient in British politics (John Burn-Murdoch)
The effects of tactical voting sites (Chris Hanretty)
General Election 2019 Constituency Results (UK Parliament)
The scale of the swing to the Tories across the country (The Times)
How class, turnout and the Brexit party shaped the general election result* (FT)
How similar are the educational backgrounds of our new MPs to the UK population? (The Sutton Trust)
Did Labour lose more votes in Leave-leaning constituencies? (Joe Twyman)
An updated constituency/deprivation chart for England for the 2019 general election (Alasdair Rae)
Realignment (Onward - gif here)
The 'geographical centre of political gravity' (Alasdair Rae)
Constituency dashboard (Commons Library)
2020 vision — What does Thursday’s vote mean for May’s Metro Mayor elections (Centre for Cities)
Australia
Here's the map for Australia's hottest day on record (via Andrew King)
'The monster': a short history of Australia's biggest forest fire (Sydney Morning Herald)
Sport
The NFL Is Obsessed With Passing, But Teams Could Make Runs More Efficient (FiveThirtyEight)
Premier League stats of the decade: Most points, goals and money spent (BBC News)
USA
ONE NATION, TRACKED: AN INVESTIGATION INTO THE SMARTPHONE TRACKING INDUSTRY FROM TIMES OPINION* (New York Times, via Benoit)
Polarization in the Twittersphere: What 86 million tweets reveal about the political makeup of American Twitter users and how they engage with news (Evette Treewater Alexander)
Points of Light: Protests in America (Alyssa Fowers)
America’s president dominated readers’ attention in 2019* (The Economist)
Everything else
The 14 charts that explain tech in 2019 (Recode)
Peloton, Nike, Walmart and Other Brands Get Savaged Online, But Are Fine in Real Life* (Bloomberg)
Prime ministerial tenure (me for IfG)
Milestones: journeying through adulthood (ONS)
Miracle Cancer Drugs Are Making Big Pharma Billions. Others Are Getting Left Behind* (Bloomberg, via Marcus)
#dataviz
Try our new OS Open Zoomstack styles for colour blind users (Ordnance Survey)
The magic of colour (Chris Love)
Run, paste, publish — how scripts help us to rapidly respond to news (Neue Zurcher Zeitung)
Meta data
#GE2019
#GE2019 results (Britain Elects)
General Election 2019: full results and analysis (Commons Library)
A few words on the election polls (Anthony Wells - see also this from IfG)
UK General Election 2019 #2 – My forecast is the most accurate & beats the Exit Poll! (Nigel Marriott)
The Performance of the Polls in the 2019 General Election (British Polling Council)
UK General Election 2019: Digital disruption by the political parties, and the need for new rules (a coalition of organisations including Privacy International)
AI
AI expert calls for end to UK use of ‘racially biased’ algorithms (The Guardian)
People should be held accountable for AI and algorithm errors, rights commissioner says (The Guardian)
FoI
"The Commissioner agrees that it is somewhat surprising that the Cabinet Office removed large portions of the Code without any explanation or justification." (via Martin Rosenbaum)
Mythbusting FOI (FOI Man)
Personal data
Everyone should be worried by big tech's huge NHS data grab* (Wired)
Data Privacy Will Be The Most Important Issue In The Next Decade (Forbes)
Everything else
The Civil Service World Podcast: Can we trust statistics? (Civil Service World)
How can the government transform to help people in work prepare for the challenges of automation and globalisation? (PwC)
Emerging Digital Technologies & Citizen Participation: Eleven Predictions on the Influence of Emerging Technologies (Tiago Peixoto & Tom Steinberg)
UK to create regulator to police big tech companies* (FT)
Fog Machines (Real Life)
mySociety in 2019 (mySociety)
Opportunities
JOBS: Fixed-term senior researchers (IfG)
JOB: Deputy Director of Data and Research Resources (ESRC)
JOB: Research Specialist (UK Statistics Authority)
JOB: DIGITAL RESEARCH UNIT (ISD)
CONSULTATION: Draft algorithm charter (New Zealand Government)
And finally...
It's Christmas!
£5,000: The true cost of the The Twelve Days of Christmas (Full Fact)
The 12 Grants of Christmas (360Giving)
Ranked: the best Christmas chocolates (YouGov)
America’s most common Christmas-related injuries, in charts (Quartz, via Kantar Information is Beautiful Awards)
Christmas TV — what happened to it? (Data Beats)
Was your favourite Christmas TV special set in a town near you?! (OCSI)
Data sketch: the most pirated Christmas movies (Guardian Datablog)
Love Christmas? Love legislation? Guess the Christmas song/carol/story hiding behind the legislative drafting (Max McGill, via Marcus)
#GE2019
From our Data Loom (Open Data Manchester)
One in five have already argued over election result (YouGov, via Alex)
Since no-one asked, the swing to the Conservatives was clearly bigger in constituencies with no or few branches of Starbucks than those with lots of them (Matt Singh)
Everything else
Statistics of the Year 2019: Winners announced (Royal Statistical Society)
The "Moment Robert De Niro stopped caring about his career" graph (via Will)
Open Street Map haiku
#dataviz (Sam, via Marcus)
Lightsaber duels (Reuters)
Decimal walks (Neil Richards)
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2018 All-Stars Contender: Audi RS 3 2.5T quattro S tronic
The taut, lively 2017 Audi RS 3 played foil to its larger S4 stablemate at this year’s All-Stars roundup, proving that a well-focused fighter can be a more gratifying weapon than a jack-of-all-trades multitool.
“This seemed a quintessential sport sedan,” design editor Robert Cumberford stated. “The cabin was spacious enough, but the package was tidy and restrained, making it a believable vehicle with not too much pretense.”
Those uncannily honest underpinnings made the RS 3 a joy to toss around the slithering uphill passes along Mount Charleston and a pleasure to fling around at Speedvegas.
Despite the general affection for the RS 3’s crisp personality, some believed its performance mission was out of step with its sedan layout, citing a lack of rear legroom, a stiff ride, and a relatively loud cabin as unfortunate side effects of its focused purpose. Still others argued that a hatchback layout, like the prior-generation A3’s, might have been a more sensible configuration. And then there was the issue of price.
While some saw the RS 3’s packaging as clean and efficient, others couldn’t escape the opposing forces of its compact footprint and not so compact as-tested premium of $66,775. “That sticker is pretty stiff,” said editor-at-large Arthur St. Antoine, with contributor Chris Nelson chiming in that the price was “pretty darn steep … I don’t know if the juice is worth the squeeze, as enjoyable as squeezing may be.”
In spite of its minor shortcomings, this car offers compelling dynamics and a distinctly pointy performance edge that adds another arrow to the RS subbrand’s quiver. Compelling enough to make the 2017 Audi RS 3 a 2018 Automobile All-Star? Find out on Saturday, March 10, when we announce the winners at the 2018 Amelia Island Concours d’Elegance—and right here on automobilemag.com.
2017 Audi RS 3 2.5T quattro S tronic Specifications
PRICE $55,450/$66,775 (base/as tested) ENGINE 2.5L DOHC 20-valve turbo I-5/400 hp @ 5,850-7,000 rpm, 354 lb-ft @ 1,700-5,850 rpm TRANSMISSION 7-speed dual-clutch automatic LAYOUT 4-door, 5-passenger, front-engine, AWD sedan EPA MILEAGE 19/28 mpg (city/hwy) L x W x H 176.3 x 77.2 x 55.0 in WHEELBASE 103.6 in WEIGHT 3,593 lb 0-60 MPH 3.9 sec TOP SPEED 174 mph (w/ Dynamic Plus package)
The post 2018 All-Stars Contender: Audi RS 3 2.5T quattro S tronic appeared first on Automobile Magazine.
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2018 All-Stars Contender: Audi RS 3
The taut, lively 2017 Audi RS 3 played foil to its larger S4 stablemate at this year’s All-Stars roundup, proving that a well-focused fighter can be a more gratifying weapon than a jack-of-all-trades multitool.
“This seemed a quintessential sport sedan,” design editor Robert Cumberford stated. “The cabin was spacious enough, but the package was tidy and restrained, making it a believable vehicle with not too much pretense.”
Those uncannily honest underpinnings made the RS 3 a joy to toss around the slithering uphill passes along Mount Charleston and a pleasure to fling around at Speedvegas.
Despite the general affection for the RS 3’s crisp personality, some believed its performance mission was out of step with its sedan layout, citing a lack of rear legroom, a stiff ride, and a relatively loud cabin as unfortunate side effects of its focused purpose. Still others argued that a hatchback layout, like the prior-generation A3’s, might have been a more sensible configuration. And then there was the issue of price.
While some saw the RS 3’s packaging as clean and efficient, others couldn’t escape the opposing forces of its compact footprint and not so compact as-tested premium of $66,775. “That sticker is pretty stiff,” said editor-at-large Arthur St. Antoine, with contributor Chris Nelson chiming in that the price was “pretty darn steep … I don’t know if the juice is worth the squeeze, as enjoyable as squeezing may be.”
In spite of its minor shortcomings, this car offers compelling dynamics and a distinctly pointy performance edge that adds another arrow to the RS subbrand’s quiver. Compelling enough to make the 2017 Audi RS 3 a 2018 Automobile All-Star? Find out on Saturday, March 10, when we announce the winners at the 2018 Amelia Island Concours d’Elegance—and right here on automobilemag.com.
2017 Audi RS 3 Specifications 2.5T quattro S tronic
PRICE $55,450/$66,775 (base/as tested) ENGINE 2.5L DOHC 20-valve turbo I-5/400 hp @ 5,850-7,000 rpm, 354 lb-ft @ 1,700-5,850 rpm TRANSMISSION 7-speed dual-clutch automatic LAYOUT 4-door, 5-passenger, front-engine, AWD sedan EPA MILEAGE 19/28 mpg (city/hwy) L x W x H 176.3 x 77.2 x 55.0 in WHEELBASE 103.6 in WEIGHT 3,593 lb 0-60 MPH 3.9 sec TOP SPEED 174 mph (w/ Dynamic Plus package)
The post 2018 All-Stars Contender: Audi RS 3 appeared first on Automobile Magazine.
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0 notes
Text
2018 All-Stars Contender: Audi RS 3
The taut, lively 2017 Audi RS 3 played foil to its larger S4 stablemate at this year’s All-Stars roundup, proving that a well-focused fighter can be a more gratifying weapon than a jack-of-all-trades multitool.
“This seemed a quintessential sport sedan,” design editor Robert Cumberford stated. “The cabin was spacious enough, but the package was tidy and restrained, making it a believable vehicle with not too much pretense.”
Those uncannily honest underpinnings made the RS 3 a joy to toss around the slithering uphill passes along Mount Charleston and a pleasure to fling around at Speedvegas.
Despite the general affection for the RS 3’s crisp personality, some believed its performance mission was out of step with its sedan layout, citing a lack of rear legroom, a stiff ride, and a relatively loud cabin as unfortunate side effects of its focused purpose. Still others argued that a hatchback layout, like the prior-generation A3’s, might have been a more sensible configuration. And then there was the issue of price.
While some saw the RS 3’s packaging as clean and efficient, others couldn’t escape the opposing forces of its compact footprint and not so compact as-tested premium of $66,775. “That sticker is pretty stiff,” said editor-at-large Arthur St. Antoine, with contributor Chris Nelson chiming in that the price was “pretty darn steep … I don’t know if the juice is worth the squeeze, as enjoyable as squeezing may be.”
In spite of its minor shortcomings, this car offers compelling dynamics and a distinctly pointy performance edge that adds another arrow to the RS subbrand’s quiver. Compelling enough to make the 2017 Audi RS 3 a 2018 Automobile All-Star? Find out on Saturday, March 10, when we announce the winners at the 2018 Amelia Island Concours d’Elegance—and right here on automobilemag.com.
2017 Audi RS 3 Specifications 2.5T quattro S tronic
PRICE $55,450/$66,775 (base/as tested) ENGINE 2.5L DOHC 20-valve turbo I-5/400 hp @ 5,850-7,000 rpm, 354 lb-ft @ 1,700-5,850 rpm TRANSMISSION 7-speed dual-clutch automatic LAYOUT 4-door, 5-passenger, front-engine, AWD sedan EPA MILEAGE 19/28 mpg (city/hwy) L x W x H 176.3 x 77.2 x 55.0 in WHEELBASE 103.6 in WEIGHT 3,593 lb 0-60 MPH 3.9 sec TOP SPEED 174 mph (w/ Dynamic Plus package)
The post 2018 All-Stars Contender: Audi RS 3 appeared first on Automobile Magazine.
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