#funny mexican changed reference guy (jack)

[blu00u]

Hello (Hola)

Uh

Welcome to my epic blog thingy (I think) (Bienvenidx a mi coso de blog épico (creo))

You can call me Blu or you can call me my (other nick)name (it's Ari) (me puedes decir Blu o me puedes llamar mi (otro) apodo (es Ari)

My pronouns are they/it

I'm 2763 years old (not revealing my actual age for now (I'm a minor btw)) (tengo 2763 años (no voy a revelar mi edad real por ahora)(por cierto,soy menor de edad))

I like drawing (me gusta dibujar)

(mi habilidad de dibujar caras desapareció lol)

I don't consider myself too good at art but definitely not too bad (I still appreciate help though)

(no me considero tan buena dibujando pero definitivamente no tan mala (aún así aprecio ayuda))

(and in case you've seen my art before reading this,yes,I know limbs aren't straight lines)

(y en caso de que has visto mi arte antes de leer esto,si,ya se que las extremidades no son líneas rectas)

(HEY

TIENES QUE DIBUJAR LAS EXTREMIDADES ASÍ *extremidades correctas anatómicamente™*

NO ASÍ *extremidades rectas*)

(last image was literally copied from eddsworld - spares in yt)

(la última imágen fue literalmente copiada de eddsworld - spares en yt (estoy segur de que ralotrexx tiene fandubs de eso porque está en inglés))

Also sometimes my inspiration just disappears for some reason so I might be inactive sometimes (thinking about changing my blog name from "an epic duck fan" to "a lazy fool" whenever my inspiration just vanishes,I might not do it though lol)

(ah sí,y a veces mi inspiración solo desaparece por alguna razón así que puede que esté inactiv a veces (he estado pensando sobre cambiar el nombre de mi blog de "an epic duck fan (un fan épic de patos)" a "a lazy fool (un tont floj)" cuando mi inspiración solo desaparezca,aunque puede que no lo haga XD))

(su inspiración desapareció (aunque no ahora mismo))

Btw I'm terrible at words sometimes for some reason so if I accidentally say something offensive or something that doesn't even make sense sorry

(por cierto soy terrible con las palabras a veces por alguna razón así que si accidentalmente digo algo ofensivo o algo que no tiene sentido perdón)

(no sabe inglesear (o siquiera españolear) (SHHHHH si son palabras))

Anyways,I think that's all,sorry if this introduction was terrible,idk how to make introductions DX (also this is the very first blog I make)

(en fin,creo que eso es todo, perdón si esta introducción fué terrible, no sé como hacer introducciones DX (y este es el primer blog que hago)

Oh and I have a very (un)healthy obsession with chonny jash so expect drawings related to his music

(ah sí,tengo una muy (no) saludable obsesión con chonny jash así que espera dibujos relacionados a su música (chafagoni tiene traducciones en español de algunas de sus canciones en yt)

Sorry new DNI list

DNI list:

-NSFW accounts

-usual DNI stuff (homophobic, terfs, pedophiles, that stuff)

You're on VERY thin ice if...

-you support controversial people (joe Hawley, Juno, tap, those people) (I do not want to be a part of anything controversial, you're not on the DNI list because I can't blame you for having a point of view, however, that doesn't mean I'm on your side or that I support you)

Accounts:

@ary11y

@allgoodthingscomeinthrees

[itsblosseybitch]

Well Dunne by Fred Schruers (from Rolling Stone magazine, November 7th, 1985)

The star of ‘After Hours’ knows how to produce a lot of laughs

The day Warner Bros. previewed After Hours at its Burbank, California, studio for a randomly selected public - “People who may have been coming out of Wendy’s on La Cinega” is how Griffin Dunne puts it - leading man Dunne and his co-producer, Amy Robinson, joined a line of cars stop-and-going through the gates to the studio. As he tells about it now, a month later, he mimes the part of a power-buzzed security man clutching a walkie-talkie: “Get these people out of there...Can’t let the audience see you, sir...We’re at Building C, walking the producer and the star over now...” 

They hid Griffin in the projection booth till the lights went down. Then he sneaked in and listened. Very happily. “They laughed. Went crazy. You couldn’t hear the dialogue.”

A lot of his best lines got lost in the hubbub then, no? Dunne lets his swivel chair rock down from a perilous two-legged tilt and gives the serious, almost beady-eyed take meant to remind you what an alarmingly hostile world we live in: “Let that be the most serious of my problems.”

In fact, Dunne has hardly any problems just now that stand much chance of knocking him from the embrace of the bitch goddess Success. Costing roughly $4 million and described by director Martin Scorsese as “an experimental, psychological farce,” After Hours took only one September weekend to show it would clamber out of cult status and be recognized as something the studio could platform into a nice little hit. 

As a producer, then, the thirty-year-old Dunne is at speed. The grudging credit the industry gave him for co-producing Chilly Scenes of Winter, at age twenty-three, and added to with 1982′s Baby, It’s You (OP NOTE: This is an error. Should be 1983), must now give way to admiration. As an actor, he’s got many people besides the studio guards referring to him as an arriving star. He’s onscreen in virtually every frame in After Hours, and his highly expressive face, which seems to be hastily if handsomely thrown together, accented with dark eyebrows and riveting brown eyes, is undeniably crucial to our comic appreciation of the very odd goings-on during the protagonist’s interminable night among the sexually flawed denizens of artsy SoHo. Whether recoiling from the kinky come-ons of Rosanna Arquette’s Marcy and Linda Fiorentino’s Kiki, feeling mousetrapped by Teri Garr’s Julie, marked for slaughter by Catherine O’Hara’s Gail or imprisoned by Verna Bloom’s June, he’s a catalog of nearly nuanced lab-rat reflexes. 

The key to Dunne’s performance is clearly reaction, as Amy Robinson points out: “It was imperative in this movie that the character be very likable. Otherwise, why would you want to spend this hour and a half going through such trials and tribulations?”

Adam Brooks, who directed him in this year’s unkindly received Almost You, judges Griffin to be just the right everyman for this opening up in Scorsese’s work. “He’s alone, like other Scorsese heroes, but not obsessed. He’s more like us - a child of computers and television. Lonely, but not driven.”

“A lot of people say Griffin looks like Dudley Moore, but I think he’s a lot more like Jack Benny - his comedy works when he’s surrounded by a lot of crazy people, crazy events. He’s charming, endearing. What’s great about After Hours is that the charm gets defeated at every point and ends up being a kind of vanity - so you’ve got this nicely mounting hysteria.”

The Joseph Minion script for After Hours - dispatched to Griffin after being handed to Amy Robinson by Minion’s film-school professor, director Dusan Makavejec - caught the actor’s fancy on page 2. He could sink right into the role of Paul Hackett, a lonely and bored word processor who meets an enticing girl at a coffee shop. “I understood the speech patterns, the other characters and the tension. And the situation of a horrible date. Of being with somebody, trapped in a situation. I’m looking around the room, going ‘How do I get out of here? And how the hell did I get in here?’ Which is a pretty funny basis for a movie.”

“My only criterion for directing Griffin,” says Scorsese, “was ‘I don’t believe you. For all you know, you’re pleading for your life. If I don’t believe you, I’m not gonna print this take, and we’ll just continue till I believe you.’ He had to get in touch with something in here, he had to plead for his life. And that was - fun.”

Thomas Griffin Dunne was born June 8th, 1955, in New York City, the first of three children of Dominick and Ellen (known as Lenny). His father was a Connecticut-bred, Williams-educated stage manager en route to producer status; his mother was an actress and model raised in Nogales, Arizona, by her Mexican mother and her cattle-rancher father, Thomas Griffin. Dominick worked on everything from Howdy Doody to Playhouse 90, and when colleague Martin Manulis moved to Los Angeles in 1956, Dominick took his work and family went as well. 

They settled in then quaint Beverly Hills (”Not the Iranian gun boutiques they’ve got now,” grumbles Griffin), where Griffin hung out with other showbiz whelps, like Carrie Fisher, until heading east to a prestigious old prep school. One unfortunately whimsical day, under the influence of a notorious Moby Grape album cover, he extended his middle finger toward the camera in the football-team photo. By chance, two years later, the headmaster glanced at the photo; the punishment was five swats. 

(OP NOTE: I actually contacted Fay School about this photo, and they claimed they didn’t have it. In hindsight, I should have tried a different approach because, to quote Mandy-Rice Davies, “Well they would, wouldn’t they?”)

Next stop was a less stodgy boys school in Colorado, where he won a plum role in The Zoo Story as a sophomore and became “Joe Theater” on campus. By senior year, he was preparing for his greatest performance, as Iago in Othello. The evening before the big day, Griffin and a friend were in a dorm room contentedly smoking dope when the door swung open. They smothered the joint just in time to look up at the school’s “one badass” faculty member, who asked, “What’s that smell?” “There was the longest pause,” recalls Griffin. “Finally, I said ‘What smell?’ “ The smoke, he says, “just poured right out - mocked me.”

Griffin, sent packing, hitchhiked home quite certain that his proper trade was acting. He got a bit part in Medical Story as an intern hooking up an I.V. line amid much medical palaver, but they changed the diagnosis on him at the last minute. Frantically trying to memorize the new bit during a five-minute break, he burned his lip trying to light a cigarette and went before the camera lisping, sweating, shaking, and bereft of words. Actress Linda Purl took pity and wrote his lines on her forearm, where the I.V. was to go. “It was such a classy move,” he says.

Still, deciding he’d better learn the trade from scratch, Griffin migrated to New York and joined the legion of struggling actors. He was catastrophically nervous at auditions: when he went before the stern Uta Hagen to apply for her acting class, he “went up” - completely forgot the text he’d prepared from The Catcher In The Rye. So he improvised, giving the story that morning’s trip downtown as Holden Caulfield might tell it. She was alternately rapt and chuckling, and signed him on. But he was soon shown to be the dunce of a class full of working actors. Finally, one day after he set a prop door up backward for a solo exercise, then frenziedly tried to shove it the wrong way through the jamb, she took him aside and told him he was simply not ready for her class. But he begged her one more chance, and the next day he skipped forward several exercises to do an imaginary phone call. He wowed Hagen and the class and went on from there.

As he built off-Broadway credits, Dunne lived in various shabby apartments and worked odd jobs, notably, selling candy and popcorn at Radio City Music Hall, where he was stung by the indifference of the Amazonian Rockettes: “They certainly had no time for a guy in a polyester zip-up baby-blue jacket with a cadet hat and shoes two sizes too big that had belonged to an usher who died of old age.”

He met Amy Robinson, who had gone from Scorsese’s Mean Streets to searching for work, at a party. With a third actor, Mark Metcalf, they became upstart movie producers by optioning Ann Beattie’s Chilly Scenes of Winter. Joan Micklin Silver came in as screenwriter and director, and they got studio financing to make a cult prestige item. It marked the beginning of a time of happy overwork for Griffin. He came back from shooting a TV film called The Wall in Poland (opposite Rosanna Arquette) to do the play Coming Attractions, which he then left to do John Landis’ film An American Werewolf in London.

He had come back to work full-time on producing Baby, It’s You when horrible news came: his sister, Dominique, a promising young actress, was strangled to death at the age of twenty-two by her boyfriend, a chef at Ma Maison. 

“It brought all of us who were left together for every moment for a year between what happened and the verdict,” says Dominick Dunne. “It’s never for a moment not a part of you. The point is, you have to go on, you have to cope, to live your life. He threw himself into his work.”

Baby, It’s You was completed that year and dedicated to his sister. Then, even as he helped with script revisions to After Hours, Griffin was before the cameras in Adam Brooks’ Almost You. It’s about a couple suffering from the young man’s restlessness, and though Dunne and Brooke Adams agreed to do it while they were very much a couple, by the time it got financing, they were just friends. “I guess you could say they had a lot to work with,” says Brooks. “but that never interfered with the production.”

Griffin’s been seeing New York actress Ellen Barkin lately; she was on his arm for the New York premiere of the film and afterward was a proud but not proprietary presence as he accepted congratulations well into the night from a buzzing crowd of friends at a downtown restaurant. He was due to head cross-country for promotional chores, but he’s got further plans for his unusually hyphenated career. He and Amy Robinson have optioned the hit play The Foreigner, written by the late Larry Shue. And after the rigors of making After Hours on a nocturnal schedule, Griffin is very happy to have the phone plugged back in and the shades up. 

(OP NOTE: As I mentioned in the transcript for the American Film article, The Foreigner never materialized as a feature film, though Robin Williams was attached at one point. That’s all the information I have about that at the moment.)

“I noticed that Griffin is the kind of guy who gets around a lot, parties a lot,” says Scorsese, “and I knew the hardest part of his job was sustaining the anxiety for eight weeks of shooting.” The director pauses for a grin that demands to be called devilish. “So I told him, ‘No sex for eight weeks. We’ve got careers on the line here. I don’t want you up at night talking, wasting your time and your precious bodily fluids.’

“Really, the idea was to contain him and keep him in this night world for eight weeks, ‘cause his performance depended on anxiety, and if he was satisfied, he would never be able to get that.”

Dunne, reminded later of the challenge, tips back his chair and grins to himself. “Aw, that was easy to live up to,” he says, then waits a beat to settle into the deadpan expression that is such a comic weapon for him. “Did you ever try to get a date a six-thirty in the morning?”

[greatdrams]

25 of the best spirits ads in the world

Without ads how would we know which celebrities enjoy the same biscuits as us, or which shampoo will make our hair the shiniest?  Ads are everywhere today.  We’ve out together a collection of some of the ads that we think are the best spirit ads in recent decades.  Which ones do you think work best?

  Smirnoff Loch Ness

Smirnoff isn’t even Scottish, but they still managed to fit Nessie into their advertising.  This ad makes Smirmoff out to be something different and to be the drink that offers adventure to those who enjoy it.  This is abi more tongue in cheek than the usual ads we would see these days, but I think that makes us more appreciative of it. And lets be honest if we were offered the chance ot go water skiing with the Loch ness Monster, who would say no?!

    Bergedorfor

Ok so this isn’t a spirit but it was too good not to include!  It takes so many typical ideas and subverts them, all while creating the notion that this beer should be nurtured and considered on a higher pedestal than most.  The images get slightly creepy if you look at them for too long, but I think it all adds to the effect really.

Absolut 

There were a lot of Absolut ads to choose from, but this one is particular is perfect.  It conflates Absolut with the greatest of the great and gives it a foothold in history.  This ad is also adapt at making us associate Absolut with any one of these films, which is great for them, since these are pretty commonly talked about.  The abstract form of the bottle captured by the stack reels is also a nice graphic without being to obvious.

  Gringos Tequila 

The message here is that Gringos Tequila is authentically Mexican.  They are really able to capture this and give the product a lot of character, which can be hard to do in a print ad.  The whole look of these ads is great with just enough minor details to keep the audience engaged.  And it’s always nice to see a brand celebrate their heritage in such an inventive way.

  Cactus Jacks 

This ad is in a similar vein to the Gringos Tequila one and gathers a lot of imagery from Mexican culture to create a character for the product.  The graphics here are especially good and I love the illustration.  What they do better than the Gringos ad is giving the audience something to explore.  While Gringos gave us enough to look at and take in, this goes further by swamping you with information and allowing you to fully explore it for yourself.

Pampero

This is an ad that takes some time to think about.  The message is that Pampero is a perfect blend of good and evil, and we as the audience have to translate that into the image.  I like it because it looks good and it gives us something to focus on that isn’t the liquid inside the bottle, but rather the idea of what else is inside the bottle.

Four Roses 

Four Roses create a wonderful image for themselves ehre and give their product a story.  This at once takes you straight back to frontier times and gives you the impression that Four Roses was there at that time too.  It also gives the drink a macho image that will definitely resonate with anyone who loves a good John Wayne movie!

    Alibi Bourbon

This ad is hilarious and just generally great at capturing the rough, tough, Devil-may-care attitude of Alibi Bourbon.  It is also a distinctly American image, placing Alibi firmly in its Kentucky roots.  Like many of the ads included here, Alibi have created a character that they want to people to associate their product with.  Tis reaches a lot of different audiences, from those looking for a fun brand, to others who may relate more with the character that Alibi may have thought  possible.

Waterloo Gin 

Again we have an American brand that is using patriotism and Americans’ own love of their country to market to them.  the rugged old flag indicates the age and therefore quality of the Gin, a drink that is often associated with Britain.  It also gives them a place to call home and shows a deep pride for that place, making any association with Britain that Gin may have immediately disappear.

Hennessey 

Like a lot of big brands Hennessey have gained a glowing celebrity endorsement here.  Martin Scorsese, although he may not be instantly recognisable, is definitely a name that we all know and appreciate.  He comes with a ready made reputation and audience trust, so Hennessey gains all of the when they are seen to be associated with him.

Effen Vodka

Effen is definitely marketing themselves as a premium brand for younger audiences in this ad.  The black and white filter with the ultra modern bottle design gives them an edge over older competitors.  The focus on design and designers specifically is evident and gives the audience the idea that this is a brand that cares about more than taking money out of your wallet and actually wants to help the little guy on the street rather than the fat cats.

Amundsen

It can be quite controversial to use murderous dictators in ads, just ask Nandos and Robert Mugabe, but Amundsen attach humour to what they are doing.  This ad works because it is not denying the horror of Stalin, but rather is saying that their method of distilling their vodka six times, can transform anything into something far more pure and clean.

Monopolowa

I think what I love about this ad is the hilarious irony.  The most humble champion is obviously the brand with the medal around their neck and the awards lined up at the bottom right?  Well for Monopolowa it is, and they are.  I think this ad is the epitome of a humble brag and we only have to wonder whether it was intentional or not.

Alita

This ad has a lot to take in and I love that it builds up layers the more you look at it.  The audience are given a hint at a story and allowed to fill in the blanks themselves, something that works to build up a character for the product as well.  The story hinted at is quite unusual as well, with a shark jaw and frying pan involved, so that helps to make for something memorable as well.

Hendricks 

I love Hendricks whole look.  They capture a lot about the history of Gin while at the same time creating a whole new world with a modern twist to it.  This ad is along the lines of their usual aesthetic and is always giving the audience something to look at.  Everything works here and there is a definite theme to the ad, which helps to tie the whole brand together.

The Singleton

The worldwide taste test referred to in the tagline is perfectly captured in this ad.  At first glance it seems a little strange but once you get to the tagline all becomes clear.  I like this ad for its humour and the way it carries it out.  The graphics look great and the message is clear.

Martel 

A lot of spirits try to communicate their age and expertise but Martel seem to do it flawlessly here.  We immediately conflate the past with the present and see how everything has remained the same, even Martel.  There is almost no need for a tagline to tell us what they are saying, since the image is so good at relaying it.

  Binboa

We get a greta idea of what Binboa are trying to say about themselves in this ad, even if it is a little strange at first.  They give us a bogus statistic that we can all still relate to and that endears them to us.  They pull apart the old societal norms of making bad jokes and allow us to final laugh at them and see how absurd they are.

DYC 

These das are great.  They take well-known pop cultural icons and transform them into the complete opposite.  Within this they use them to sell their own message, one that becomes instantly funny at the simple twisting of images that we’ve all seen before.  This makes them seem just as iconic as the images they are changing.

Martini 

This ad is for their aperitif expression and this ad sums it up quick and easy.  It literally makes beef “easy”.  There really isn’t anymore to say except it must be very hard to make a cow look “easy” but I think Martini have given it a far shot.  The only thing that perplexes me a bit is that she’s pink, but maybe that’s a reference to her being “rare”?  you’llhav to figure it out for yourselves folks!

Lambs 

I love this ad.  It is funny and plays up the brand name perfectly.  It also makes everyone who’s ever felt like the black sheep of the family feel a little bit more accepted.

Martini 

More from martini, only this one is a little bit more sophisticated than sexy beef.  They really do make an art out of the serve and it almost appears like a deconstructed cocktail.  It is simple and eye catching, with lots of different elements for the audience to look at.  It is also a nice source of inspiration should anyone be feeling particularly creative!

Stolichnaya Vodka 

What could be better than playing with politics to promote vodka?  The graphics of course recall the age-old communist propaganda that so many of us know and recognise.  It uses this to create the idea of Russia in the mind of the audience and then plays on that by offering itself up to the UK but at the same time mocking their ability to catch Russians.

Mathusalem

Mathusalem paint themselves very much as the hero in this image, against the communist dictator Castro.  This is a brilliant way to use their history to their advantage and to create an interest around their origins.  They ad copy is also well thought out and very witty, which helps to complete this as a light hearted and humourous take on what was probably a lot more complicated past.

Absolut 

What better way to end than with a healthy dose of Absolut?  This is just one of their wide range of “In an Absolut world” ads and it perfectly sums up the idea behind them all.  In an Absolut world, things are pretty much like they would be in a perfect world, because of course Absolut is perfection.  The ads work well with the ad copy and don’t take away from the brand, despite not really being associated with drinking.

The post 25 of the best spirits ads in the world appeared first on GreatDrams.

from GreatDrams http://ift.tt/2rjZ0Jy Greg

[kidsviral-blog]

Ace and Iowahawk make big funny with ‘Borowitz Comedy Skool’

New Post has been published on https://kidsviral.info/ace-and-iowahawk-make-big-funny-with-borowitz-comedy-skool/

Ace and Iowahawk make big funny with ‘Borowitz Comedy Skool’

http://twitter.com/#!/AceofSpadesHQ/status/307271978937618432

New Yorker satirist Andy Borowitz found himself on the receiving end of the classic “Ace of Spades treatment” today, as Ace and partner-in-crime Iowahawk welcomed their followers to attend #borowitzcomedyskool. Today’s lesson was how to re-create the formula behind Borowitz’s attempts at left-wing comedy: mention a Republican, link that person to pop culture in an absurd way, and maybe accuse him of being a horrible person in the process. Got it?

Andy Levy kicked things off by mocking Borowitz’s post about the Pope.

The worst part of any Borowitz Report column at “The New Yorker” is the “Get the Borowitz Report delivered to your inbox” threat at the end

— Andy Levy (@andylevy) February 28, 2013

I mean, honestly: “He’s the one who should step aside. Call himself P. Biddy or something. This is wack, yo.” newyorker.com/online/blogs/b…

— Andy Levy (@andylevy) February 28, 2013

“‘I ain’t let nobody mess with my brand,’ said Emeritus, who prior to 2006 recorded under the name Notorious P.O.P.E” #humor #satire #lol

— Andy Levy (@andylevy) February 28, 2013

@andylevy @aceofspadeshq “Hey, what if random current event person did something unexpected? I think it would go something like this.”

— David Burge (@iowahawkblog) February 28, 2013

@iowahawkblog @andylevy what if the Pope were actually Don Knotts?(turns back to audience…)

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

Add Ace and stir for instant hilarity!

@aceofspadeshq @andylevy what if Pope Gangnam Style, and also some kind of sequester thing reference? #BorowitzComedySkool

— David Burge (@iowahawkblog) February 28, 2013

Houston, we have a hashtag!

@iowahawkblog @andylevy what if he has a dog that talks?

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

@iowahawkblog @andylevy @aceofspadeshq Who is this borowitz fellow of whom you all speak?

— Legal Insurrection (@LegInsurrection) March 1, 2013

@leginsurrection @iowahawkblog @andylevy he’s the @borowitzreport, a legend of comedy… see his Pope thing for Big Funny

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

And people who aren’t funny, but are in the mood for something that could be recognized at a distance as “humor,” read @borowitzreport

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool What if a Southern Christian was given away for marriage by a pickup truck?

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool A Mexican, a Jew, and a Republican walk into a bar. The Republican is white! Like John McCain!

— Budget Cutter (@lheal) February 28, 2013

What did Mitt Romney say to the dollar bill? “I have lots of you!” Get it? Because of rich! HEYYO! #borowitzcomedyskool

— matt whitlock (@mattdizwhitlock) March 1, 2013

#borowitzcomedyskool All this talk about Obama lying about sequester is distracting from what Romney did to his dog 40 years ago.

— Derek Hunter (@derekahunter) February 28, 2013

#borowitzcomedyskoolAudience voting irregularities make Barack Obama American Idol winner.

— The Morning Spew (@TheMorningSpew) February 28, 2013

#borowitzcomedyskool The sequester hits Republicans so hard they can only afford to light their cigars with $5 bills

— Nathan Wurtzel (@NathanWurtzel) February 28, 2013

#borowitzcomedyskool Can’t think of any “dumb Biden” jokes but here’s one about Palin forgetting to flush the toilet! Am I right, guys?

— hopeforamerica (@hopeforamerica) March 1, 2013

@exjon #borowitzcomedyskool Tom Coburn was seen gallon-smashing at the Northern Virginia Expensive Grocery Store

— Apologize for WHAT? (@craig_s_bell) March 1, 2013

#borowitzcomedyskool GOP Sequester Promises Reductions “To Yo’ Dick”

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool Taylor Swift Something Something Something Breakup Boyfriend

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

@thepantau @iowahawkblog @aceofspadeshq @andylevy What if Kim Jong Un wore big shoes…like, bigger than normal shoes.

— Landon(@OrwellForce) February 28, 2013

#borowitzcomedyskool GOP Now Officially Less Popular Than Mimes*(* Mimes = Unpopular Never Gets Old)

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool what if Lady Gaga did something that was normally associated with someone different than Lady Gaga?

— David Burge (@iowahawkblog) February 28, 2013

#borowitzcomedyskool John Boehner Does Harlem Shake, Which Is Naturally Hilarious Because of the Politician/Dated Culture Fad Juxtoposition

— David Burge (@iowahawkblog) February 28, 2013

#borowitzcomedyskool Something Bob Woodward something something Kim Jong-Un something

— David Burge (@iowahawkblog) February 28, 2013

Man, if I was any funnier, I’d be Matthew Yglesias. #borowitzcomedyskool

— Smitty (@smitty_one_each) March 1, 2013

#borowitzcomedyskool John BoehnerSomething Something Something The Voice

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowtizcomedyskool Gangam Style Singer “Psy” Drives Like Shit

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool David Schwimmer Now Dating Phoebe Cates; Celebrity Couple Tagged “Schwimph”

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool Rush Limbaugh Ejected From Restaurant Because He’s Just Awful, Serious You Guys

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool Antonin Scalia, Clarence Thomas POOPIE

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool Pity Laughs Make Me Hard

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool Eric Cantors Pants are Full of Load… Load

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool Pope Tries to Land Plane Just Full of Snakes (Remember, Snakes on a Plane?Great Movie)

— DepressiveBlogger69 (@AceofSpadesHQ) February 28, 2013

#borowitzcomedyskool Nobody Puts Baby In a Corner, Says John Boehner, Who’s a Big Fat Orange Baby

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Rectum? Well I Hardly Even Eric Cantor

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Sequester Threatens Closure of Animal Shelters Something Something Baja Boys

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Dennis Rodman and Kim Jon-Un Are a Crazier Odd Couple Than James Mason and Chunk from Goonies

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Singer Prince Now Changing His Name to Something Else That’s Funny

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Obama Locks Republican Leaders In Room Just Like Teenagers In The Breakfast Club Oh Sweet Jesus Please Take Me Home Now

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Debt Looms Like Shark We’re Going To Need a Bigger Boat Sweet Spectre of Radiant Death Let Me Enter Thy Kingdom

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Republican Leaders Lola Falana Una Panoona Blana A Real Man Would Have Pulled the Trigger By Now

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool President Obama John Boehner KHAAAAAN! The Glorious Noose Sings My Name From The Garage

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool 1998 Political Reference 2002 Cultural Reference The Shining Sharp Razor Romances My Throat

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Gay Marriage People… Who Need People… Obama Christian Right The Carbon Monoxide Fills My Chest Like Pride

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Benghazi You-Say Peoplay Gon’ Die? Dexter Jettster IG-88 Mother, Where Did It All Go So Terribly Wrong?

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool What’s the difference between a vitamin and a bullet…? I wish I even knew any more…

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Gang of Eight More Like the Brady Bunch of Six…. Oh God How I Wish Soylent Green Was Real

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool If you take the first letter of my last 200 tweets it tells you what pills I took and how many… please don’t stop me

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool I changed my last name because it sounded “Too Republican”… my name used to be Andy Rape

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool J-Lo Obama Tea Party Dr. Ray StanzThe Greatest Comedy Hero of All Time Is Freddie Prinz Because He Manned Up

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Sequester Jack Kervorkian Madonna Ice Cream My Uncle Told Me It Was a Roll of Quarters In His Lap But It Sure Felt Warm

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Marco Rubio Caught In Affair with Perrier I Just Wanted My Cousin Samuel To Teach Me How To Kiss But He Made It Dark

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Bacon LOLCats Bacon Lady Gaga I Never Felt So Tall As Standing In My Mother’s Heels

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool I don’t want to say that [SEARCH ENGINE OPTIMIZATION TERM] Is dumb, but [He/She] just tried to [GOOGLE TRENDING TERM]

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Andy’s Notebook:Super Bowl sounds a lot like Soup Bowl. Write this up for the New Yorker.

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskoolNotebook: Any gas left in the Olsen Twins? What if they got on each other’s shoulders like Master Blaster? Promising!

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Notebook: “Romney” = “Romulan”?Hendrik Hertzberg’s a fucking imbecile; he’d probably think that was funny.

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool Notebook: Does Dick Cheney look ilke Darren Stevens? No? Eh fuck it it’s the New Yorker, they can’t tell the difference

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool No seriously the best joke is the New Yorker is now running stuff from America’s foremost Vanity Humorist

— DepressiveBlogger69 (@AceofSpadesHQ) March 1, 2013

#borowitzcomedyskool GOP Politician Verbs Noun Conjunction 2006 Internet Meme

— David Burge (@iowahawkblog) March 1, 2013

#borowitzcomedyskool Honey Boo Boo, Snookie, and Sarah Palin. Get it?

— Gary Eaton (@garysteveneaton) March 1, 2013

#borowitzcomedyskool What if Randy Jackson lost a lot of weight & Republicans thought he was Denzel Washington?

— The Morning Spew (@TheMorningSpew) March 1, 2013

#borowitzcomedyskool Why do Republicans hate Al Roker? Because he’s a black man who also talks about climate! #DontGetMeStarted

— David Burge (@iowahawkblog) March 1, 2013

See, Borowitz can be funny; he just needs some help.

Editor’s note: This post has been updated with additional tweets.

Read more: http://twitchy.com/2013/02/28/ace-and-iowahawk-make-big-funny-with-borowitz-comedy-skool/

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I stole one of my sista's pencils

She won't be seeing it again for a long, long time. /j

Reference below

Taken from this video

(tw for religious themes, suggestive themes, Spanish and calling God a "wey")

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And why he annoyed

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More oc doodles (refs below the cut)