#fx sensor

[illyria-and-her-pet]

I was waiting for the NBC Primetime angles to confirm whether Sabrina went OOB or not and she was clearly in bounds omg. FIG actually robbed her. She would have been 13.8 and won bronze without the 0.1 ND.

AA final: Suni goes OOB on vault, but line judge misses it & she avoids 0.1 ND

FX final: Sabrina stays in bounds on floor, but line judge incorrectly calls it OOB

Missing out of bounds is one thing, but inventing one is way worse. Giving gymnasts the benefit of doubt or missing deductions in real time is one thing. Inventing deductions that don't exist is completely worse.

Even if FIG never changes the results, they need to give an explanation for what the ND is and change things so there is robots, sensors, video review, you're able to inquire NDs, etc. so this doesn't happen again.

This is like the most blatant error FIG has ever made because e score and even d scores or incorrect start values can be subjective. OOB is completely objective, you're either in or out and Sabrina was in.

Also I feel like this is worst even then what happened to Yang Tae-young since they didn't file an inquiry until the competition was over. Sabrina's coaches immediately filed an inquiry and even tho d scores are for inquiry only that has to change. Also Nadia isn't a coach or part of the federation but she allegedly complained about the score immediately too and chief judge told her Sabrina went OOB but they were literally lying.

[wheelsgoroundincircles]

1953 Lincoln Capri Golden Sahara

Here are some facts about the 1953 Lincoln Capri Golden Sahara:

Design

The Golden Sahara II was designed by George Barris, a Hollywood car customizer, and inspired by the jet age and futuristic Batmobiles of the 1950s.

Features

The Golden Sahara II had many advanced features, including:

Tires: Translucent Goodyear tires with internal lighting that could glow when the brakes were applied or in bad weather

Control lever: An aircraft-inspired control lever for steering, braking, and acceleration

Automatic braking: A sensor-based automatic braking system that used antennae to detect objects in front of the car

Doors: Electric door opening

Voice control: A form of voice control

Hubcaps: Crystal hubcaps with built-in turn signals

Materials

The car had a gold-plated interior and exterior trim, a gold bullet bumper, and gold-anodized panels on the lower section of the rear fenders

Paint job

The car had a pearlescent paint job that Barris said was "about 20 years ahead of its time"

Inspiration

The Golden Sahara II inspired other futuristic concept cars of the era, including the 1954 Ford FX-Atmos and the 1955 Ford Mystere

Appearance

The Golden Sahara II was featured in the 1960 film Cinderfella and the 1962 game show I've Got a Secret

[entropy-game-dev]

Random robot animation tips

(specifically for looping animations)

The following tips have been gained The Hard Way™️ over the course of several weeks. They won't really teach someone how to animate, though practice absolutely will! Also, I am not an artist, have never trained to draw, nor do I do any drawing outside of pixel art, so take these with a grain of salt.

Before animating

Have a concrete vision for your animation - REALLY visualise it in your head before you even start animating

Draft a nice neutral pose and then completely get the core design exactly how you want it

Simpler parts with less details (specifically on the scale of single pixels) may look worse when static but will look a lot better animated

General

Animate one part at a time - start with the "core" part of the animation and build around it

Sometimes this will be the part with the longest loop, other times it will be the most complex part of the animation, and sometimes it may even be the part of the robot to which everything else is anchored

Sliding entire layers around is noticeably cheap without some window-dressing - this can be easily hidden either by retouching the outline to alter the object's shape or by animating the surrounding parts

Sometimes you have to bite the bullet and completely redraw parts across multiple frames. The effort is well worth it, though!

Loose parts should lag behind the main motion by a frame or two, where possible. Sometimes if something is bobbing up and down rapidly, this isn't feasible, so have it lag at the start and ends of the animation instead.

Layers

It's OK to draft your initial design in a single layer, but the sooner you split it up into different layers, the less headaches you will have later down the line

Make a new layer whenever something needs to move independently from something else. Legs and arms are obvious but if a sensor lens inside a socket is going to rotate, keep the lens on a separate layer

Have a blank layer for "fx" - particles, swooshes, anything transient

Frames

Ensure your frame count is an even number. This is key for smooth loops.

If you absolutely, positively, cannot have an even number, at the very least don't use a prime number of frames!!!

Play with duplicating frames in key places to see if they make motions and pauses look more impactful. Likewise, deleting frames can make things feel snappier

Polish

Always have your little preview window open and animating at the correct animation speed and resolution, and check it often

Related to this - have a problem with how something moves? Fix it NOW before it becomes a problem later. It's like building a house on a shaky foundation, as each frame of the animation is predicated on the previous!

Run the animation at high speeds every once in a while - your eyes will be good at catching weirdness or inconsistencies across frames by detecting flickers

When pixels jitter back and forth over multiple frames, or a reversal in motion is too sharp, I find this generally looks bad and should be corrected

Get someone or multiple someones to have a look over your animations throughout the process. Having friends who can actually draw are invaluable beyond words

I'm sure some of these tips are applicable to animation in general too! Hope you found them helpful (or at least, interesting)!

[furby-junkie]

A concept for a Furby costume illustrated by Studio FX (archived link here). They created store displays for Furby, MLP, and Playdough in Poland.

The file name for this image was "big-furby-kostium-Hasbro-street-event-costume-studio-FX-animatronika-animatronic-1200x818.jpg", and the website just has this image with no context. It was categorised on the website under "Robotics and Animatronics".

I don't know if this Furby costume actually got made. You could move the eyes, ears, and mouth. It was supposed to have an aluminium frame, with the person inside the costume wearing a backpack. Its face was going to be made from plastic, and the black 'sensor' on the faceplate (Idk what to call it) was supposed to let the wearer see.

Also, they used a listing pic of an Easter Furbling.

[adafruit]

What's new?

🚀 Pimoroni Tiny 2350 – Mini RP2350 dev board with 4MB Flash. 🔌 Pimoroni Pico Plus 2 – Pico-shaped RP2350 board with pins. 📡 Pimoroni Pico Plus 2 W – Wireless-ready RP2350 dev board. 💡 Pimoroni Tiny FX W – Wireless LED effects kit. ⚡ Adafruit TPS65131 – Split power supply (+/-6V to +/-15V).

adafruit.com/new!

[seeyatellite]

Art doesn’t require the best equipment, I know… and many wonderful artists start with nothing. I was lucky to find a beautiful, video-capable camera to expand on and play with my pre-existing understanding of photo and video arts.

I love Nikii. She’s a beautiful camera with such potential I could only ever dream of fully harnessing.

I always imagined a Sony for me… and Sony’s E mount system does fill me with envy at times. This Z6ii is a full-frame goddess equipped with everything I could ever hope for to taste the mirrorless world from my prior film and consumer digital camera experience.

Besides, the Z system has lenses hailed as the most crisp and beautiful glass on the market.

…also, yes… I will be buying a cropped sensor Sony for everyday experimentation with much cheaper lenses. The Sony a1 line and FX line are my dream cams after all… full-frame anyway.

We won’t talk about medium format today.

This return to form required letting go of other people’s expectations, imposed values and even getting rid of some unwanted things I let people convince me to invest in; a drum kit for one. My only comfortable instruments were always my voice, my heart, a pencil, qwerty keyboard and a camera… so I now have mics and cameras with pencils and qwerty keyboards as support.

It sucks to lose your heart in self-sacrifice believing it’s for a common community goal.

Now, with therapy and introspection I find again my roots of self-expression. Nikii sets that beautiful road before me and I’m forever grateful for her presence in my life. Promise I’ll focus on a Z8 line upgrade before I cheat with Sony.

Okay… well maybe I’m polycamera-ous.

[giantimpex]

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[savage-kult-of-gorthaur]

"A NEW WAY OF DOING THE SAME THING" -- "ATTACK OF THE CLONES" AT 20 AND THE DAWN OF DIGITAL CINEMA.

PIC(S) INFO: Spotlight on more films stills of "STAR WARS: Episode II – Attack of the Clones" (2002), American epic space opera film and the second installment of the Prequel Trilogy directed & co-written by George Lucas. 20th Century Fox/Lucasfilm Ltd.

Cinematography: David Tattersall

Visual FX: Industrial Light & Magic

FUN/AOTC FACT: "Episode II" employed the first digital cinema camera.

OVERVIEW: "To create a motion-picture without photographic film, Lucasfilm needed a camera equipped with digital sensors that captured and stored imagery on high-definition tape. The resolution of this imagery needed to at least match -- preferably exceed -- the quality of standard 35mm film. The ability to digitally capture, transfer, and edit motion-picture footage would drastically increase the efficiency and flexibility of the filmmaker, something Lucas was eager to do.

Video-based camera systems had been commonplace in broadcast media and other fields for years, but faced skepticism among some feature film cinematographers and directors. Lucasfilm first used Sony’s “digi-beta” cameras to shoot behind-the-scenes material on "The Phantom Menace." Select pick-ups from that movie were then captured using one of the company’s digital cameras, and were seamlessly integrated with the rest of the film.

For "Attack of the Clones," Lucasfilm convinced Sony to develop cinema cameras that captured digital footage at 24-frames per second, the same as traditional film cameras. This intrepid effort involved engineers from multiple continents, collaborating with Lucasfilm’s staff, including high-definition supervisor Fred Meyers, post-production and technical supervisor Mike Blanchard, and cinematographer David Tattersall.

The new cinema cameras were first-of-their-kind prototypes. Lucasfilm had barely a year to finalize their design with Sony, which included custom lenses built by Panavision. The four cameras arrived (serial numbers 00001 to 00004) only days before the commencement of shooting. The crew had to relearn their jobs, and the set was buried in miles of cable, but they worked. Even in the sun-baked deserts of Tunisia, they worked."

-- STAR WARS, "Clones at 20 -- 4 Ways "STAR WARS: Attack of the Clones" Helped Change Filmmaking," by Lucas Seastrom, May 10, 2022

Sources: Nerdist, YouTube, Slash Film, Pinterest, STAR WARS (official), Inverse, Twitter, The Denver Post, ILM, www.starwars.com/news/clones-at-20-4-ways-star-wars-attack-of-the-clones-helped-change-filmmaking, various, etc...

[etes-secrecy-post]

Hi, before I explain my post, I want to say something important.

• What you see my blog has become a major overhaul. And despite the changes, I decided that my 2nd account will be now my artwork blog with a secret twist.

⚠️NEW RULE! (W/ BIGGER TEXT!)⚠️

⚠️ SO PLEASE DO NOT SHARE MY 2nd ACCOUNT TO EVERYONE! THIS SECRECY BLOG OF MINE IS FOR CLOSES FRIENDS ONLY!⚠️

• AND FOR MY CLOSES FRIENDS, DON’T REBLOG IT. INSTEAD, JUST COPY MY LINK AND PASTE IT ON YOUR TUMBLR POST! JUST BE SURE THE IMAGE WILL BE REMOVED AND THE ONLY LEFT WAS THE TEXT.

⚠️ SHARING LINKS, LIKE POSTS, REBLOG POSTS, STEALING MY SNAPSHOT PHOTOS/RECORDED VIDEOS/ARTWORKS (a.k.a. ART THIEVES) OR PLAGIARIZING FROM UNKNOWN TUMBLR STRANGERS WILL IMMEDIATELY BE BLOCKED, RIGHT AWAY!⚠️

😡 WHATEVER YOU DO, DO NOT EVER LIKED & REBLOG MY SECRET POST! THIS IS FOR MY SECRET FRIENDS ONLY, NOT YOU! 😡

Okay? Capiche? Make sense? Good, now back to the post…↓

#Onthisday: Nov 2nd, 2016

Title: IV Cuteness - Chowder

Chowder now celebrates "Sweet Sixteen", both his show (created by my idol Mr. C.H. Greenblatt) 🍴🧑‍����and my artwork in his Cuteness Member - IV leader! 😁🟣🤖

Chowder AGE-FX has a upgraded equip armor from his original.🙂 Replacing his "C-Funnel" system, with the "A-Funnel" system is the newly armament. 😁

AGE-FX Chowder AGE-FX (A-Funnel Equipment Type) Came from the real: AGE-FX Gundam AGE-FX (A-Funnel Equipment Type) [CLICK ME!].

Armaments:

A-Funnel • A remote weapon armed with a single DODS cannon and 2 beam torches, a total of six A-Funnels are mounted on the legs, shoulders, and waist. The beam torches are for cutting through tough objects while the DODs cannon is capable of precise shooting. When the beam torches' limiter is released, an extendable handle is deployed from the back of the A-Funnel and the beam blades merged and lengthened, turning the Funnel into a large handheld beam saber.

• The A-Funnel is also fitted with various types of sensors and a high-precision camera, allowing it to gather a large amount of information. It is equipped with a dedicated AI system and is fully autonomous (although this is not the case initially), however their main control still lies with Cuteness Member. When mounted to the AGE-FX, the A-Funnels can function as gun turrets and all their abilities are also enhanced.

Beam Sabers • One beam saber is stored in each of the AGE-FX's arm shields, they can only be deployed directly from the shields for rapid draw-and-strike purposes.

Stungle Rifle • The beam rifle used by AGE-FX. It has two main modes: Normal Mode, where it functions as a regular high-powered rifle firing pink beam blasts similar to the SigMaxxis Rifle, and Charge Mode, where the side barrel parts are expanded to release a more powerful charged blue blast that can shoot right through obstacles many times larger than itself. The Stungle Rifle has a limited amount of shots, enough to keep a running battle going for some time, but eventually repeated use without resupply will rendering the weapon useless.

Daidal (or Diedal) Bazooka • This mode of the Stungle Rifle adds a large bazooka attachment, allowing AGE-FX to fire a stronger version of the Stungle Rifle Charge Mode's blue blast without any charging.

Special Feature(s):

Psycho-Follow System • The Psycho-Follow System is a new system, which presumably allows the AGE-FX to keep up with its X-Rounder pilot and enables him to control the A-Funnels.

FX Burst Mode • A new mode, which was just recently installed into the Chowder's AGE-FX. In this mode, the accuracy of its attacks is decreased, but its mobility is higher than before, allowing AGE-FX to single-handedly wipe out large groups of Vagan forces. In order to enter this mode, the X-Rounder pilot must activate the protocol to change into FX Burst Mode.

Chowder - CHOWDER © Cartoon Network, C.H. Greenblatt Armor (Mobile Suit Gundam AGE -UNKNOWN SOLDIERS-) - Gundam series © Bandai Namco Filmworks/SUNRISE, Sotsu

[elmalo8291]

This version assumes a mix of keyframed cameras, VFX triggers, material animation, and timeline sequencing (Unreal Level Sequence or Unity Timeline) for in-engine visualization or cinematic export.

🎬 Shot List: “Caesar’s Watch”

Scene Type: Cinematic Sequence (1–2 min runtime) Delivery Format: 21:9 ultrawide or 16:9 (4K render target) Frame Rate: 24fps (cinematic) or 30fps (engine-native smooth) Lighting Style: Low-key space ambient, volumetric nebula rim lights, backlit plating

📽️ SHOT 001: “Darkness & Pulse”

Purpose: Cold open. Introduce atmosphere, mystery.

CAMERA: Locked-down, wide lens. No ship visible yet.

SCENE: Starfield slowly parallaxing. A spiral galaxy flickers faintly at far left.

VFX CUE: Subtle lens flare.

FX AUDIO: Deep subsonic hum begins.

🕒 0:00–0:05

📽️ SHOT 002: “Iron Moth Reveal”

Purpose: Dramatic entry. Establish form and scale.

CAMERA: Slow dolly-up from below as hull moves into view — beetle silhouette against stars.

LIGHTING: Faint glow begins along dorsal ridge (aetheric pulse).

VFX CUE: Material shimmer (glow veins animate across hull).

🕒 0:06–0:14

📽️ SHOT 003: “Sensor Lattice Whisper”

Purpose: Psychic anomaly & mood setting.

CAMERA: Tight pan across dorsal plating. Tilted angle, handheld feel.

FX: Light ripples across the ship’s surface, glyphs briefly appear then vanish.

CAPTION (UI Overlay): “A whisper in vacuum. Psychic anomaly registering across dorsal plates…”

🕒 0:15–0:20

📽️ SHOT 004: “Quantum Forges Engaged”

Purpose: Show the power and alien ritual.

CAMERA: Low orbiting dolly around left reactor tower.

VFX: Arcs of plasma leap between sigil-covered spires. Glowing trails draw runes midair.

CAPTION: “Plasma stable. Myths transmuting. Alloy soul requested: Origin—Starsteel, Intent—Judgment.”

🕒 0:21–0:30

📽️ SHOT 005: “Swarm Nest Deployment”

Purpose: Show activity — scale, motion, complexity.

CAMERA: Pull-back dolly from underbelly. Wings of the bay unfold slowly.

ANIMATION: Swarm drones rise in synchronized arcs. Faint trails curve behind them.

VFX: Iridescent shimmer, ambient lighting pulses with motion.

CAPTION: “Swarm units primed. Diplomatic escort or resource containment? Classify intent.”

🕒 0:31–0:42

📽️ SHOT 006: “Accord Field Activation”

Purpose: Political tension. Defensive tone.

CAMERA: Static side shot showing fin-like projectors along perimeter.

FX: Field activates — expanding translucent barrier, concentric hex glow appears.

Sound: Resonant harmonic pulse.

CAPTION: “Sanctity affirmed. Accord Field active. Unauthorized weapons discharge will trigger memory deletion sequence.”

🕒 0:43–0:53

📽️ SHOT 007: “Moon Debris and Distant Scale”

Purpose: Environment and consequences.

CAMERA: Wide establishing. Ship in foreground, shattered moon in distance.

FX: Small bits of debris drifting; flickering comms pings from other ships.

SCALE CUE: Tiny silhouettes of nearby frigates/station anchors.

🕒 0:54–1:00

📽️ SHOT 008: “Closing Slow Rotation”

Purpose: Reflective end. Final emotional tone.

CAMERA: Super slow rotation above the dorsal ridge. Faint light spirals pulse outward.

CAPTION (Optional): “Awaiting decree... Caesar observes.”

🕒 1:01–1:15

🎮 Technical Tags for Unreal/Unity Team:

Element System Implementation Notes Psychic Ripple Material FX World-aligned UV animation + noise distortion Plasma Arcs Niagara / VFX Graph Beam particles + glow overlay Drone Launch Trails Spline + Particle Trails Use noise displacement for spiral wake Accord Field Shader Panner Shader + Mask Custom translucent shader with tiling hex mask Caption Dialogue UI UMG (Unreal) / Canvas UI (Unity) Positioned relative to object or fixed frame Cinematics Sequence Unreal Sequencer / Unity Timeline Use camera rig track + VFX toggle track Audio Cues Timeline-synced Low-end sub, ambient pads, glyph whispers

Would you like this turned into a .CSV for shot logging, camera rig plan, or a Sequencer timeline file structure for direct Unreal/Unity work? Or — would you like me to generate key camera focal lengths, lens types, and DOF settings next?

[rudyarias]

Sunday July 1, 2012 was a day filled with unexpected guests in my house. Egle arrived for her second test using the guest bedroom to change and get ready. She was one of eight faces I tested when home, living (2005-15) in Naples, Fl.

I felt DX (APS-C sensor) was appropriate pulling both my Nikon D2H (4.1 MP) and D2X (12.4 MP) vs my FX (full frame) bodies for this test. Before we headed out to Freedom Park this series of images were shot in my lanai with my Nikon D2H. Unlike pixel peepers today, who would look down on 4.1 MP images. It was not an issue when shooting head shots when no cropping is needed.

Model: Egle Beconyte

Stylist: Marina S Arias

Nikon D2H, AF-S VR Zoom-Nikkor 70-200MM f2.8G IF-ED @ (DX 1.5) 300MM

ISO:200

[kirtishiva]

Unlock Precision: Why the Nikon D800E is Still a Legend – Only at CashyGo

In a world saturated with fast-paced innovation, some tools transcend time and trends. The Nikon D800E is one of them—a true icon in the world of professional photography. Here at CashyGo, where quality meets value, we’re proud to offer photographers the chance to own this legendary DSLR at unbeatable prices.

What Makes the Nikon D800E So Special?

Released in 2012, the Nikon D800E was Nikon’s answer to a growing demand: ultra-high-resolution, full-frame image capture with professional-grade performance. Even over a decade later, it continues to impress professionals and enthusiasts alike. So, what makes it stand out?

1. Unmatched Resolution

The D800E is equipped with a 36.3-megapixel FX-format CMOS sensor that omits the optical low-pass filter (OLPF) for enhanced image sharpness and detail.This absence of an anti-aliasing filter gives the D800E the edge when it comes to razor-sharp image detail—ideal for landscape, studio, and fine art photographers.

2. Professional Build Quality

Built like a tank, the D800E’s magnesium alloy body offers robust durability while maintaining a manageable weight. Weather sealing ensures that it holds up even in harsh shooting environments. Whether you're hiking through forests or capturing fashion in the rain, this camera performs reliably.

3. Dynamic Range That Delivers

The sensor on the D800E provides stunning dynamic range, making highlights and shadows easier to recover in post-processing. With 14-bit RAW files, you retain massive amounts of data to play with in Lightroom or Photoshop—empowering your creative control.

4. Precise Autofocus

The 51-point autofocus system is fast and accurate. Even though it's not the newest on the market, it’s time-tested and trusted by many working photographers for its consistency, especially in studio setups and controlled environments.

5. HD Video with Full Manual Control

While it may not replace a cinema camera, the D800E’s Full HD 1080p video at 30 fps still impresses. More importantly, it offers full manual exposure controls, making it a great tool for hybrid shooters who need both high-end stills and video footage.

Why Buy from CashyGo?

At CashyGo, we specialize in premium pre-owned gear and hard-to-find classicsWhether you're a veteran professional or an enthusiastic hobbyist, we understand how crucial it is to find the perfect camera at a price that fits your budget.

✅ Competitive Pricing

We price our Nikon D800E units far below new-model alternatives, giving you maximum value for every dollar.

✅ Quality Guaranteed

Every camera undergoes a comprehensive multi-point inspection to verify sensor cleanliness, shutter precision, and complete operational performance.

 What you get from CashyGo isn't just a used camera—it's a tool you can rely on.

✅ Expert Support

Need help deciding? Our photography-savvy support team is available to guide you in choosing the right body, lens, or accessory for your style of shooting.

Who Should Buy the Nikon D800E?

The D800E isn’t for everyone. It shines brightest in the hands of:

Landscape photographers looking for rich detail and edge-to-edge sharpness

Studio professionals who need consistent, high-res output

Product and macro photographers where every pixel counts

Fine art creators working on large prints and gallery-quality images

If you're a sports or wildlife photographer who needs ultra-fast frame rates and cutting-edge autofocus tracking, newer models like the Nikon D850 or Z9 may be more suited to your needs.

But if detail, tonal range, and reliability are what you’re after, the D800E still delivers in 2025.

Final Thoughts: Classic Excellence, Unbeatable Value

The Nikon D800E represents an era of camera craftsmanship that's hard to find today—no-frills, performance-driven, and built to last. At CashyGo, we believe in bringing these exceptional tools into the hands of creators who can still make the most of them.

Ready to shoot with legendary precision?

👉 Shop the Nikon D800E now at CashyGo and unlock your photography potential.

[redtaghelper-blog]

New Post has been published on Play Toys

New Post has been published on https://playtoys.com.au/shop/action-figures/power-rangers-dino-fury-chromafury-saber-electronic-color-scanning-motion-activated-lights-and-sounds-inspired-by-power-rangers-dino-fury-toys-for-kids-boys-and-girls-f0391-ages-5/

Power Rangers - Dino Fury Chromafury Saber - Electronic Color-Scanning - Power Rangers Dino Fury

Details:

The Dino Fury Chromafury Saber features color-scanning technology, color-changing LEDs, and motion-activated light and sound effects! Kids can imagine becoming their favorite Ranger from the TV series or scan a color they love and imagine morphing into action as something new! With the Chromafury Saber, anyone can be a Ranger! (Works best on flat, non-reflective surfaces with solid color.) IT’S MORPHIN TIME! From Dino Fury back to the original Mighty Morphin Power Rangers, the Power Rangers have brought teamwork, action, and adventure to generations of fans. The legacy continues with figures, vehicles, collectibles, and roleplay toys from Hasbro, celebrating ranger teams from Mighty Morphin to Dino Fury. Imagine all the action of Power Rangers with toys from Hasbro! (Power Rangers toys each sold separately. Subject to availability.) Hasbro and all related terms are trademarks of Hasbro.

Features:

COLOUR-SCANNING TECHNOLOGY: Scan colours with the sensor in the hilt and the blade colour will change with sound effects to match! (Works best on flat, non-reflective surfaces with a solid colour)

UNLOCK THE POSSIBILITY OF COLOUR: the core Rangers represent Red, Blue, Pink and more. But with the Chromafury Saber children can scan colours in their environment and the LEDs will change to match, letting them imagine morphing into action as an Orange Ranger, Purple Ranger and more. (Works best on flat, non-reflective surfaces with a solid colour)

INSPIRED BY POWER RANGERS DINO FURY: the Chromafury Saber is the main weapon of the five core Rangers in Dino Fury, used by them to battle the forces of evil

MOTION-ACTIVATED LIGHTS AND SOUND FX: when children slash and swipe with the Chromafury Saber, the sounds and lights will change

LOOK OUT FOR MORE POWER RANGERS TOYS AND ACTION FIGURES: including roleplay items like the Dino Fury Morpher and action figures inspired by the programme. (Each sold separately. Subject to availability)

Brand: Power Rangers

[landscapedesigner1]

Elevate Your Business with Professional Commercial Landscape Lighting by White Oak Landscape

In the competitive commercial real estate market, first impressions are everything. White Oak Landscape specializes in Commercial Landscape Lighting solutions that enhance safety, aesthetics, and brand visibility for businesses across Georgia. From office complexes in Atlanta to retail centers in Alpharetta, our tailored lighting designs transform properties into inviting, secure, and energy-efficient spaces that impress clients, tenants, and visitors alike. Discover how our expertise in Commercial Landscape Lighting can elevate your property’s value and functionality.

Why Commercial Landscape Lighting Matters for Georgia Businesses

A well-lit property isn’t just about aesthetics—it’s a strategic investment. Here’s why Georgia businesses partner with White Oak Landscape:

Boost Safety & Security

Illuminate parking lots, walkways, and entry points to reduce trip hazards and deter criminal activity.

Motion-activated lighting adds an extra layer of protection after hours.

Enhance Curb Appeal & Brand Image

Accent architectural features, signage, and landscaping to create a polished, professional appearance.

Use lighting to reinforce brand colors or logos (e.g., uplighting in corporate hues).

Extend Usable Hours

Restaurants, hotels, and retail spaces can attract evening patrons with inviting outdoor ambiance.

Office parks improve employee morale with well-lit pathways during late shifts.

Reduce Liability & Energy Costs

Meet ADA and local lighting compliance standards to avoid fines.

Cut energy bills by 50–70% with LED technology and smart controls.

White Oak Commercial Landscape Lighting Services

We provide end-to-end solutions for businesses of all sizes:

1. Custom Lighting Design & Installation

Site Analysis: Evaluate traffic patterns, architectural features, and safety needs.

3D Renderings: Visualize lighting plans for parking lots, building façades, and green spaces.

Premium Fixtures: Durable, weather-resistant options from brands like FX Luminaire and Kichler.

2. Parking Lot & Pathway Lighting

LED Bollards: Guide visitors safely while reducing glare.

Overhead Pole Lights: Ensure uniform illumination for large lots.

Solar Solutions: Energy-efficient options for eco-conscious businesses.

3. Architectural & Accent Lighting

Uplighting: Highlight building columns, logos, or signage.

Downlighting: Soft illumination for entrances or outdoor seating areas.

Color-Changing LEDs: Dynamic lighting for holidays or promotional events.

4. Smart Lighting Systems

Motion Sensors: Activate lights only when needed, saving energy.

Wi-Fi Controls: Adjust settings remotely via smartphone or integrate with building automation.

Dark Sky Compliance: Minimize light pollution with focused, downward-facing fixtures.

5. Maintenance & Retrofits

24/7 Emergency Repairs: Fix outages or damaged fixtures promptly.

LED Retrofits: Upgrade outdated systems for immediate cost savings.

Seasonal Adjustments: Adapt lighting for longer winter nights or summer events.

Top 5 Benefits of Commercial Landscape Lighting

Increased Foot Traffic: Well-lit retail plazas attract 30% more evening shoppers.

Higher Property Value: Professionally lit buildings command premium leasing rates.

Enhanced Brand Perception: Lighting reflects professionalism and attention to detail.

Energy Savings: LED systems slash utility costs and qualify for Georgia rebates.

Regulatory Compliance: Avoid fines with ADA-approved pathway lighting and brightness levels.

The White Oak Process: Seamless Execution

Consultation

Discuss goals: safety, branding, energy efficiency, or event lighting.

Design & Proposal

Present a tailored plan with photorealistic renderings and cost breakdowns.

Installation

Minimize disruption with phased work schedules for active businesses.

Activation & Training

Demo smart controls and provide maintenance checklists.

Why Georgia Businesses Trust White Oak Landscape

Years of Expertise: Serving Atlanta, Savannah, and beyond.

Commercial Specialization: Trained in large-scale projects like corporate campuses and mixed-use developments.

Premium Warranties: 5-year coverage on fixtures and labor.

Local Compliance Knowledge: Navigate Georgia’s codes and permitting seamlessly.

Case Study: Lighting a Downtown Atlanta Office Complex

“White Oak upgraded our outdated parking lot lighting to smart LEDs with motion sensors. Energy costs dropped 60%, and tenant satisfaction scores soared!”– Property Manager, Atlanta Highrise

Ready to Illuminate Your Property?

Transform your commercial space into a beacon of safety, style, and efficiency with White Oak Landscape. Our Commercial Landscape Lighting solutions are designed to meet the unique demands of Georgia businesses, delivering unmatched quality and innovation.

Contact Us

251 Dickson Road Marietta, GA 3006

Call: (770) 427-0524

URL

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