#gong yoo 2016

[zheniakirsikkalove]

Kim Shin x Eun Tak's Deleted Kiss scene Guardian: The Lonely and Great God (Goblin) - Director's cut (Unbroadcast / Deleted scene)

[suiheisen]

deepthroating a gun without breaking eye contact...... he put his entire gongyussy into that | SQUID GAME 2

+ the video because the sound he makes when he puts the gun in his mouth? [redacted]

update: he improvised that. the man really said i'll go full slut.

[fuckyeahgongyoo]

Happy New Year from Goblin and Reaper!

[kdram-chjh]

Kmovie: Train to Busan (2016) | dir. by Yeon Sang Ho

Gong Yoo having fun filming ‘Train to Busan’

Watch this video on Youtube: https://www.youtube.com/shorts/bTCSEy68IOs

[couldtheyescortelliewilliams]

Do you want to submit a potential protector for Ellie? Click here if you do!

[onenakedfarmer]

Watching TRAIN TO BUSAN [부산행] Yeon Sang-ho Korea, 2016

[theinfinitedivides]

Kang Yeong Hwa 🤝🏼 Ji Eun Tak seeing things that absolutely cannot be explained by human means during childhood and getting special items in order to not see them/be detected by them

[adamwatchesmovies]

Train to Busan (2016)

Train to Busan makes great use of the familiar elements of a zombie movie by centering its plot on a single location and injecting societal commentary into its plot. While this 2016 horror film does not reinvent the wheel, what it does, it does well.

Seo Seok-woo (Gong Yoo), the divorced, workaholic absentee father of Su-an (Kim Su-an), agrees to bring his daughter to Busan so she can visit her mother. Onboard the train, a young woman suddenly bites one of the attendants. Soon, an infectious disease has reduced most of the passengers to gnashing ghouls. Those who remain must work together to survive.

After introducing Seok-woo and Su-an at their home, nearly all of the story takes place inside the titular train to Busan. We get a couple of stops along the way but these are at a train station and at a terminal, which are extensions of the train itself. On top of the usual fears of having to face possessed loved ones and rampant infection, we also deal with claustrophobia. The space inside the train is already small and it keeps getting smaller. When someone becomes infected, everyone rushes to the next compartment and blocks the entrance. The safe space has shrunk. Sometimes, people are forced to hide in the tiny bathrooms, holding the door shut as best they can while fingernails scrape the other side. The limited space and ressources requires ingenuity - both from the characters and the filmmakers. This is one of those movies where you can tell writer Park Joo-suk sat down and wrote every aspect of the train he could use. Tunnels, the bathrooms, luggage, doors, passengers, etc. You feel a certain satisfaction whenever he ticks off one of these boxes - you were just wondering how the characters would deal with X. They need to use their wits to survive and you’re glad to see that they’re all pretty sharp.

You can also tell care was put in the writing by the number of well-rounded characters. Not everyone gets equal amounts of screentime but you get to know many passengers. They’re not just bodies waiting to get infected. There’s character development and growth. You understand what makes these people tick. This is also where the movie injects some commentary about our society (or Korea’s, I guess). If there’s an antagonist - besides the zombies - it’s a rich businessman called Yon-suk (Kim Eui-sung). You can see he might represent Seok-woo's future. Both are well-paid tie-wearing men who are all about their jobs, and nothing else. Both are disconnected from the world, as evidenced by their treatment of the other passengers. Unlike the altruistic blue-collar Yoon Sang-hwa (Ma Dong-seok), they hesitate to help anyone. With his relation to his daughter already strained, you can picture Seok-woo becoming exactly like the older man - and you hate that guy. He’s a worm but he’s also got power. The attendants and the train’s captain all turn to him - the rich guy - rather than the common people when a crisis arises. They don't realize he only cares about himself. Everyone is scared but his fear threatens to doom everyone. We’re used to this idea that “the worst monsters are the people” in zombie movies so it doesn’t feel out of place, and it gives you something to think about too.

The picture maintains a steady level of suspense throughout. Whenever you get a reprieve, it’s either to set up somethig even bigger or allow you to get to know the characters. Now that you care about them that much more, the stakes feel bigger than before. The body count grows, the number of people shrinks, those who remain you’re even more determined to see survive. Best of all, you’re not sure who will make will live and who won't.

Train To Busan is one of the better zombie films in recent years. It’s got the right amount of gore and suspense to keep horror fanatics happy and it shows restraint when needed to make it nice and accessible to the rest too. (Original Korean with English subtitles, April 2, 2021)

[cultfaction]

Cult Faction Podcast Ep. 118: Train To Busan

Under the spotlight this week is Train to Busan, a 2016 South Korean zombie horror film, directed by Yeon Sang-ho. The film mostly takes place on a high-speed train from Seoul to Busan as a zombie apocalypse suddenly breaks out in the country and threatens the safety of the passengers! https://cultfaction.com/wp-content/uploads/2023/10/episode-118-.mp3  

[mikelogan]

TJ MIKELOGAN's HALLOWEEN 2024 EVENT

Day 17: POC in horror Names & films below the cut

From left to right, top to bottom:

GIF 1: Daniel Kaluuya in Get Out (2017), Amandla Stenberg in Bodies Bodies Bodies (2022), Kid Cudi in X (2022), Betty Gabriel in Get Out (2017), Rahul Kohli in The Haunting of Bly Manor (2020), and Jodi Long in Night Swim (2024)

GIF 2: Moses Sumney in MaXXXine (2024), Courtney Taylor in The Invitation (2022), Scatman Crothers in The Shining (1980), T'Nia Miller in The Fall of the House of Usher (2024), Justice Smith in I Saw the TV Glow (2024), and Park So-dam in Parasite (2019)

GIF 3: Sauriyan Sapkota in The Midnight Club (2022), Wunmi Mosaku in His House (2020), Kelvin Harrison Jr. in It Comes at Night (2017), Teyonah Parris in Candyman (2021), Jacob Batalon in Tarot (2024), and Adia in The Midnight Club (2022)

GIF 4: Laurence Fishburne in Event Horizon (1997), Michelle Ang in The Taking of Deborah Logan (2014), Nassim Lyes in Under Paris (2024), Kyliegh Curran in Doctor Sleep (2019), Gong Yoo in Train to Busan (2016), and Levy Tran in The Haunting of Hill House (2018)

GIF 5: Winston Duke in Us (2019), Tahirah Sharif in The Haunting of Bly Manor (2020), Kang-ho Song in Parasite (2019), Avantika Vandanapu in Tarot (2024), Blair Underwood in Longlegs (2024), and Georgina Campbell in The Watchers (2024)

GIF 6: Steven Yeun in Nope (2022), Sophie Wilde in Talk to Me (2022), Giancarlo Esposito in Abigail (2024), Nathalie Emmanuel in The Invitation (2022), Colman Domingo in Candyman (2021), and Lupita Nyong'o in A Quiet Place: Day One (2024)

GIF 7: Carl Lumbly in The Fall of the House of Usher (2023), Myha'la in Bodies Bodies Bodies (2022), Will Smith in I Am Legend (2007), Moronke Akinola in No One Gets Out Alive (2021), William Chris Sumpter in The Midnight Club (2022), and Natalie Mendoza in The Descent (2005)

GIF 8: Yahya Abdul-Mateen II in Candyman (2021), Cho Yeo-jeong in Parasite (2019), Evan Alex in Us (2019), Aya Furukawa in The Fall of the House of Usher (2023), Sope Dirisu in His House (2020), and Keke Palmer in Nope (2022)

GIF 9: Daniel Jun in The Fall of the House of Usher (2023), Iman Benson in The Midnight Club (2022), Malcolm Goodwin in The Fall of the House of Usher (2023), Kim Su-an in Train to Busan (2016), Djimon Hounsou in A Quiet Place: Day One (2024), and Annarah Cymone in Midnight Mass (2021)

GIF 10: Rahul Abburi in Midnight Mass (2021), Crystal Balint in The Midnight Club (2022), Anthony Ruivivar in The Haunting of Hill House (2018), Liza Soberano in Lisa Frankenstein (2024), Choi Woo-shik in Parasite (2019), and Shahadi Wright Joseph in Us (2019)

[kdramaspace]

POTW #100: All-Time Favorite Korean Actor/Actress (as voted by our members and followers) 

#2 GONG YOO 공유 - Squid Game (2021) | The Silent Sea (2021) | Goblin (2016) | Train to Busan (2016) | Kim Ji Young: Born 1982 (2019) | Seobok (2021) | A Man and a Woman (2016)

[zheniakirsikkalove]

TvN Drama 'Guardian: The Lonely and Great God' Press Conference

2016 - Seoul, South Korea

[dilfgifs]

Gong Yoo as Ki-hong A Man and A Woman 남과 여 2016, dir. Lee Yoon-ki

[fuckyeahgongyoo]

Same seat numbers. :)

[kdram-chjh]

Kdrama: Goblin (2016)

New year is so incomplete without this video

Watch this video on Youtube: https://www.youtube.com/shorts/KrAvU7EZ-Js

[just-reddy]

Has anyone seen the “The Trunk” with Gong Yoo on Netflix?

I heard it was good and love some Gong Yoo ever since 2016.