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Shakespeare Weekend










Working our way through the Shakespeare Collection, our next stop is The Plays of Shakespeare edited and annotated by Charles (1787-1877) and Mary Cowden Clarke (1809-1898) and illustrated by H.C. Selous (1803-1890). The collection was published by Cassell, Petter, Galpin & Co., likely in the mid to late 1860s and consists of three volumes each arranging the plays into comedies, histories, and tragedies.
Scholarly English authors Charles and Mary Cowden Clark refer to the collection as the “People’s Edition” stating their intention for the work to be read within the household and among family circles. Keeping young readers in mind, the plays are annotated for a novice Shakespearean audience and Titus Andronicus is omitted from the collection due to its “grossness”. Additionally, the collection is heavily illustrated by Selous with wood engravings, providing valuable imagery for those unfamiliar with Shakespeare’s plays.
Volume One contains all of Shakespeare’s comedies and opens with a full-page frontispiece of the author.

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-Jenna, Special Collections Graduate Intern
#shakespeare weekend#the plays of shakespeare#charles cowden clarke#mary cowden clarke#h.c. selous#Henry Courtney Selous#cassell#william shakespeare#shakespeare#illustration#wood engravings
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"Ariel: on the bat's back I do fly after Summer, merrily" from William Shakespeare's "The Tempest"
Engraving by H.C. Selous
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𝑻𝒉𝒆𝒓𝒔𝒊𝒕𝒆𝒔 𝒂𝒄𝒄𝒐𝒔𝒕𝒔 𝑨𝒄𝒉𝒊𝒍𝒍𝒆𝒔 𝒊𝒍𝒍𝒖𝒔𝒕𝒓𝒂𝒕𝒊𝒐𝒏 𝒇𝒐𝒓 𝑺𝒉𝒂𝒌𝒆𝒔𝒑𝒆𝒂𝒓𝒆'𝒔 '𝑻𝒓𝒐𝒊𝒍𝒖𝒔 & 𝑪𝒓𝒆𝒔𝒔𝒊𝒅𝒂' (1886) 𝒃𝒚 .𝑯.𝑪. 𝑺𝒆𝒍𝒐𝒖𝒔

#🌊; 𝑨𝒓𝒊𝒔𝒕𝒐𝒔 𝑨𝒄𝒉𝒂𝒊𝒐𝒏#achilles#homers iliad#iliad#iliad achilles#thersites#troilus and cressida#h.c. selous#tagamemnon
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Christian’s Combat with Apollyon
The Pilgrim’s Progress
H.C. Selous and M. Paolo Priolo, circa 1850.
(The Hebrew term Abaddon, and its Greek equivalent Apollyon appear in the Bible as both a place of destruction and an angel of the abyss. In the Hebrew Bible, Abaddon is used regarding a bottomless pit, often appearing alongside the place Sheol, meaning the resting place of dead peoples.)
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🩸🦇🥀
H.C Selous, 19th Century
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This one likes to listen to the little lords and ladies as they read their play, and then to pretend than one can dream
Illustration of The Tempest by H.C. Selous https://shakespeareillustration.org/the-tempest-2/#jp-carousel-19402
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Isabella and Lucio illustrated by H. C. Selous engraved by Henry Linton
#measure for measure#the plays of william shakespeare#isabella and lucio#h.c. selous#hc selous#henry linton#william shakespeare#isabella#lucio
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#william shakespeare adult coloring book#shakespeare#william shakespeare#coloring book#art#activities#black and white#H.C. Selous#victorian#illustrations
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H.C. Selous - Romeo and Juliet.
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Brutus: Speak to me what thou art. (Caesar’s) ghost: Thy evil spirit, Brutus. Act IV, Scene 3. Julius Caesar. The plays of Shakespeare. v.3. 1868. H.C. Selous, illus.
#shakespeare#julius caesar#brutus#caesar's ghost#halloween#guilty conscience#nemfrog#1868#19th century#h.c. selous
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Shakespeare Weekend










Volume Three of The Plays of Shakespeare published by Cassell, Petter, Galpin & Co. in the mid to late 1860s finishes off the set with a collection of Shakespeare’s tragedies and The Story of Shakespeare’s Life written by editors Charles (1787-1877) and Mary Cowden Clark (1809-1898). Similarly to Cowden Clark’s annotations, The Story of Shakespeare’s Life is written for an audience new to Shakespeare and is a thorough account of his life, heralding him as a “shining example to the whole human brotherhood”.
Englishman Henry Courtney (H.C.) Selous (1803-1890) illustrated all three volumes with his distinctive attention to minute detail and dense landscapes. Following his father’s portrait and miniature painting career, Selous attended the Royal Academy in 1818 where he exhibited his first work Portrait of a Favourite Cat. Twenty-two years later he would switch gears into historical painting and never look back. His illustrations for The Plays of Shakespeare add an emotive visual layer to the plays, benefiting young and novice readers who may not have experienced Shakespeare in a theatre.
The Plays of Shakespeare are a collected edition of the serialization of plays originally published in one of Cassell, Petter, & Galpin’s weekly papers over the course of many years. Met with great success, some seventeen editions have been published. Our early copy is half-bound in red leather with Shakespeare’s portrait embossed in gold on the cover.

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-Jenna, Special Collections Graduate Intern
#shakespeare weekend#william shakespeare#shakespeare#the plays of shakespeare#charles cowden clark#mary cowden clark#h.c. selous#cassell petter galpin & co.#illustration#wood engravings
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Hamlet and Ophelia
Painted by J D Watson, engraved by S Smith
Hamlet (Act III, Scene 1)Hamlet: "I loved you not." Ophelia:" I was the more deceived."
Cowden-Clarke, Charles and Mary, eds. The Plays of William Shakespeare. The Tragedies.
Illustrator: H.C. Selous. London: Cassell, Petter, Galpin and Co.
c. 1830.
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Art Inspired By Shakespeare`s PlaysI.
THE TEMPEST "Miranda is a character is William Shakespeare's play The Tempest. The play was first performed around 1611. Waterhouse painted versions of Miranda at the start and end of his career. The other versions are dated 1875 and 1916 (smaller version of this painting). This picture was exhibited at the Royal Academy (No. 52) in 1916, a year before Waterhouse's death in 1917." II. MACBETH "Macbeth consulting the Vision of the Armed Head" by Johann Heinrich Fussli. III. JULIUS CAESAR Brutus and the Ghost of Caesar "XXX. JULIUS CAESAR. ACT IV. SCENE III. BRUTUS'S TENT, IN THE CAMP NEAR SARDIS. painting by Richard Westall, 1802 IV. CORIOLANUS Act V Scene 3 of Shakespeare's Coriolanus painting by Gavin Hamilton. V. HAMLET The "gravedigger scene" Eugene Ferdinand Victor Delacroix, 1839 VI. RICHARD III By William Hogarth, 1745 "English actor David Garrick in 1745 in the titular role in Act V, Scene 3 of Shakespeare's Richard III. This scene takes place just before the battle of Bosworth Field, Richard's sleep having been haunted by the ghosts of those has murdered, wakes to the realization that he is alone in the world and death is imminent." VII. ANTHONY AND CLEOPATRA By Lawrence Alma-Tadema, 1885 VIII. KING JOHN "The last scene, of which we present an Illustration, shows the death of King John on his couch in the cloistered-garden of Swineshead Abbey, where the soft moonlight, mixed with the rays of few lamps or torches, struggles through the mist of the evening, and harmonises witht he solemn interest of the occassion." The Illustrated London News, Dec. 9, 1865 IX. HENRY VI Joan engages in battle in Henry VI, Part 1 By H.C. Selous , 1830FotoCommenti
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“Have more than you show. Speak less than you know.” "Have more than you show. Speak less than you know." Fool to Lear William Shakespeare, King Lear, Act 1, Scene 4
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On the bat’s back do I fly..Ariel, The Tempest, Act 5Sc 1 H.C. Selous, illustration for an edition of William Shakespeare's The Tempest (c. 1890)
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"Ariel : on the bat’s back I do fly after Summer, merrily" from William Shakespeare's "The Tempest" artist : H.C. Selous
#shakespeare#ariel#bat#victorian#bookillustration#classicillustration#ink#drawing#books#illustration#art
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