#handyman's robotics and unit repair system model 5 | Explore Tumblr posts and blogs

emeraldart · 17 days ago

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You are opening up Pandora’s box but I am taking the bait

I was going to draw diagrams for this but. Didn’t want to </3

So. Imagining one of those cart rides with an overarching story, like at Disneyland or something. Haven’t decided what the cart looks like. A purple car? Metal crate? Clown themed?

We open on ground level, on a fake road behind a row of houses. We can only see the back of the houses—however, one of them has a back door that the riders from the previous round go through to go back to the start.

So you go along the back of these houses. Maybe music plays? And you reach Circus Baby’s Entertainment and Rental. It’s a drab metal building with a worn down sign probably with a picture of Circus Baby. The cart goes inside, and you’re in the elevator.

You can hear Handunit’s voice.

“Welcome to the first day of your exciting new career. Welcome to the first day of your exciting new career! Whether you were approached at a job fair, read our ad in ‘Screws, Bolts, and Hairpins’, or if this is the result of a dare, we welcome you. I will be your personal guide to help you get started. I'm a model 5 of the Handyman's Robotics and Unit Repair System. But, you can call me ‘HandUnit’. Your new career promises challenge, intrigue, and endless janitorial opportunities.”

The elevator takes you down to the lowest level. I’m calling it the sub-basement level for right now. Elevator opens into this room.

Brief note: the Ennard mask would not be present

Handunit continues, “Due to the success and unfortunate closing of Freddy Fazbear’s Pizzeria, one of the founders created Circus Baby’s Entertainment and Rental so people could rent out their favorite characters for events! It’s your job to keep them up and running. First, let’s check up on our star of the show.”

Exit through door on the left.

Handunit speaks. “Uh oh. Looks like a Circus Baby is hiding today. Let’s encourage her with a controlled shock.” A sound plays, but it’s more of a fizzling noise than a shock. “Uh oh. There seems to be a problem with the controlled shock system. Resetting power.”

Silence for a moment. Maybe cart shakes.

Circus Baby’s voice, but not her face. “I don't recognize you. You are new. I remember this scenario, however. It's a strange thing to want to do, to come here. I'm curious what events will lead a person to want to spend their nights in a place like this willingly. Maybe curiosity, maybe ignorance.

“You shouldn’t be here. …Bad things happen here.

“When your guide comes back online, he is going to tell you that he was unsuccessful– that you must restart the system manually. He will then tell you to crawl through Ballora Gallery as fast as you can to reach the breaker room. If you follow his instructions, you will die. Ballora will not return to her stage anymore—she will catch you. The power will be restored shortly. When you crawl through Ballora Gallery, go slowly. She cannot see you, and can only listen for your movement. When you hear her music become louder, she is growing near, listening for you. Wait, and be still.”

Handunit comes back online. “Thank you for your patience. It seems the power must be restarted manually. You will now be required to crawl through the Ballora gallery using the vent to your left, to reach the breaker room. It is recommended that you stay low to the ground, and reach the other side as fast as possible as to not disturb Ballora. I will deactivate myself momentarily, as to not create an auditory disturbance. Deactivating.”

To the left again. You are in a dark hallway. You can hear music.

The cart doesn’t stop like last time, but it moves very, very slowly.

Towards the middle, it stops when the music gets very, very loud. Ballora spins in a circle. She sings, “Why do you hide inside your walls / when there is music in my halls? / All I see is an empty room, / no more joy, / an empty tomb.”

I doubt it’s possible, but having her spin in front of the cart is ideal.

Either way, she spins away. The music fades.

Cart continues slow travel. It’s near the exit.

Handunit says, loudly, “It appears you are taking a long time. Please proceed as quickly and as quietly as possible.”

Music gets louder. Ballora is close enough to see, crawling on all fours like a spider. The cart speeds up to reach the exit as she charges.

There’s a lot of loose wiring in the next room. You can hear Funtime Freddy laughing.

“Great! Now you can reset the power. Initializing…” Pause. More laughter. “Great! Proceed through Funtime Foxy’s gallery to return to the main auditorium. Unlike Ballora, Funtime Foxy is motion activated. You will be given a flash beacon to locate her at any time, but please use it sparingly. You will reach the inside of Circus Control, where you can then take the vent to the auditorium.”

Funtime Freddy is seen speaking to Bon-Bon as you move through the room. “Hello again!” he says to you. Then, to Bon-Bon, while laughing, “He thinks he can just come back here! What do you think we should do to ‘im?”

“Beheading?” Bon-Bon suggests.

“Too quick.”

“Starvation?”

“Too slow.”

Laughter from both as you leave.

Another dark hallway. This one you move through slowly and the room occasionally lights up. Funtime Foxy is in a different location each time, but he is visibly getting closer. On the final flash, she is just a few feet from the cart. He bites, and her face plates open.

You exit through the back door.

You’re behind the glass of Circus Control, although this is likely a different room for construction reasons. Baby is here, on a conveyor belt. She has no eyes. Wires lurk in the corner of the room.

“There is something… bad inside me,” she says. “I’ve learned to pretend, you know. As if it isn’t there. As if she isn’t there. The others haven’t learned. But I have.”

“They are taking me to the scooping room. It sounds like something they would use to serve heaping piles from a freshly opened pint of ice cream! Although, I wonder, if you were a freshly opened pint of ice cream, how you would feel about a room with that name.

“You need to help me. Can you do that? Isn’t that why you came here?

“Take me to the scooping room. Put me back together.”

She slides down the conveyor belt.

You enter a room to the right. You take a ramp up to the level above the sub-basement but below the ground floor. Let’s call it the basement. You enter a room.

It’s a hallway that resembles a vent. If you look behind you, into the corner, you can see Ennard in the vents.

You can hear Baby.

“Did you know that I was on stage once? It wasn’t for very long, only one day. What a wonderful day though. I was in a small room with balloons and a few tables. No one sat at the tables, though. But children would run in and out. Some were afraid of me; others enjoyed my songs. Music was always coming from somewhere else, down the hall. I would always count the children– I’m not sure why. I was always acutely aware of how many there were in the room with me. Two, then three, then two, then three, then four, then two, then none. They usually played together in groups of two or three.”

Projected on the wall—shadow puppet-esque style, we see Circus Baby. We hear, “Daddy, she’s so pretty and shiny.”

“I was covered in glitter. I smelled like birthday cake. There were two, then three, then five, then four. I can do something special, did you know that? I can make ice cream! Although I only did it once. There were four, then three, then two... then one. Something happened when there was one.”

Shadows of children appear and disappear in the light. The most distinct one is Elizabeth. Who appears at the end. “Don’t tell Daddy I’m here.”

“A little girl, standing by herself. I was no longer... myself, and I stopped singing. My stomach opened, and there was ice cream. I couldn’t move—at least, not until she stepped closer. There was screaming for a moment, but only for a moment. Then other children rushed in again, but they couldn’t hear her over the sounds of their own excitement. I still hear her sometimes.”

We see a claw holding ice cream extend from Baby’s stomach, only to grab Elizabeth when she reaches for it. A scream.

“Why did that happen?”

You enter the scooping room.

It’s lit with red warning lights. A voice, maybe Handunit’s. “Warning. You have entered a highly dangerous area.”

Important to note: there is a steep ramp in front of the scooper.

The cart halts.

Baby speaks. “You are in the scooping room now. Funtime Freddy has already been here today. Funtime Foxy has already been here today. Ballora has already been here today.”

Light filters into the room. The animatronic shells, and Ennard behind the glass, are visible.

“Circus Baby has already been here today.

“I’ve been out before, but they always put me back. They always put us back inside. There is no where for us to hide here. There is no where to go… when we look like this. But if we looked like you, then we could hide. Then we would have somewhere to go.”

The scooper rears back. The cart jolts to life.

“The scooper only hurts for a moment.”

Just as the scooper swings, the cart races down the ramp in a steep drop under its strike. You return to the sub-basement, in a pitch black hallway that leads to a back door in the elevator.

You can hear glitchy voices, mixed together of all the animatronics, with variations of, “This is how it feels,” “Don’t hold it against us,” “Get out,” “Outside,” and “Free,” echoing around the room.

They continue, but more faint, back up the elevator.

This time, you exit the back door, around the rental hall. You reach a neighborhood. Michael Afton walks down the street.

You loop around. The buildings are double-sided. Michael is slightly more decayed.

You reach the front of the next set. He’s gone green and is lacking hair.

You circle around to the back. He’s purple. His walk is more shamble-like. Less hair, fewer teeth.

The front of the final row of houses. These are not double sided. The backs of these houses are what we began at. Michael is on the ground, throwing up Ennard into the sewers. This would likely be hard to recreate, so another option is if Ennard in the sewers and Michael standing. You can hear Circus Baby whisper, “You won’t die,” over and over.

You enter the final house in the line. It’s covered in blood and in disarray.

Michael’s voice, as you travel from the front door to out the back door.

“Father, it’s me, Michael. I did it. I found it. It was right where you said it would be. They were all there. They didn’t recognize me at first but then… they thought I was you. And I found her. I… put her back together, just like you asked me to. She’s free now. But something is wrong with me. I should be dead, but I’m not. I’ve been living in shadows. There is only one thing left for me to do now. I’m going to come find you.”

A TV in the house, cracked and flipped on its side, crackles loudly. It cuts to static, and then a news story of Fazbear’s Fright burning to the ground.

Michael sounds distorted. “I’m going to come find you.”

The cart exits the back door. You are right where you began.

Are you normal or are you occasionally haunted by the idea for a Sister Location ride you came up with at 1 AM

#Welcome to my madhouse with frequent annoying stops where they monologue just like the real game #(Throws confetti)#FNAF

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